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  • Online Resource  (8)
  • Berlin : Knowledge Unlatched
  • Art History  (4)
  • Musicology
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  • Online Resource  (8)
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  • 1
    Online Resource
    Online Resource
    Musicians' mobilities and music migrations in early modern Europe : biographical patterns and cultural exchanges (2016)
    Bielefeld : transcript | Berlin : Knowledge Unlatched
    Details
    ISBN: 3839435048 , 9783839435045
    Language: English
    Pages: 1 Online-Ressource (428 Seiten) , Illustrationen
    Series Statement: Mainz historical cultural sciences volume 33
    Series Statement: Mainzer historische Kulturwissenschaften
    Parallel Title: Erscheint auch als Music Migrations: from Source Research to Cultural Studies (Veranstaltung : 2014 : Mainz) Musicians' mobilities and music migrations in Early Modern Europe
    RVK:
    LQ 80024
    RVK:
    LP 19504
    Keywords: Konferenzschrift 2014 ; Europa ; Musikleben ; Musiker ; Mobilität ; Migration ; Geschichte 1600-1899
    Abstract: "During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and migratory musicians as well as on the transfer of music. By looking at elite and non-elite musicians and their everyday mobilities to major and minor centers of music production and practice, new biographical patterns and new stylistic paradigms in the European East, West and South emerge
    Abstract: Cover -- Content -- Preface -- Roads which are commonly wonderful for the musicians -- Early Modern Times Musicians' Mobility and Migration -- Between Collective Biography and Biography: Cultural -- Historical Approaches to Musicians' Migrations in the Early Modern Age. -- Migration and Biography. The Case of Agostino Steffani try it elsewhere ... -- Konrad Hagius and Musicians' Mobility in Early Modern Times in Light of Local and Regional Profile -- Competition at the Catholic of Munich. Italian Musicians and Family Networks. -- Foreign Musicians at the Polish Court in the Eighteenth Century. The Case of Pietro Mira Luka Sorgo -- a Nobleman and Composer from Dubrovnik -- MUSICI and MusMig. Continuities and Discontinuities -- Sources of Musicians' Migrations Between Court and City. -- Musical Travels. Sources of Musicians' Tours and Migrations in the Seventeenth and Eighteenth Century " & und bißhero mein Glück in der Welt zu suchen & -- Notes on the Biography of Jonas Friederich Boenicke -- The Russian Experience. The Example of Filippo Balatri
    URL: View this content on Open Research Library
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    MPI Ethno. Forsch.
  • 2
    Online Resource
    Online Resource
    Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012 (2016)
    Amsterdam : Amsterdam University Press | Berlin : Knowledge Unlatched
    Details
    ISBN: 9789048527045
    Language: English
    Pages: 1 Online-Ressource (212 Seiten)
    Series Statement: Cities and Culture
    Parallel Title: Erscheint auch als Ward, Simon, 1969 - Urban memory and visual culture in Berlin
    DDC: 307.09
    RVK:
    LK 16678
    RVK:
    LB 72032
    Keywords: Memorials ; Collective memory ; Berlin (Germany) Civilization 20th century ; Berlin (Germany) In art ; Berlin (Germany) In motion pictures ; Electronic books ; Berlin ; Städtebau ; Kulturelle Identität ; Geschichte 1957-2012
    Abstract: "This book examines the crucial role of visual culture (architecture, memorials, photography and film) in shaping Berlin's urban memory culture in both East and West in reponse to the changing political, social and economic organization of the built environment over the past five decades
    Abstract: As sites of turbulence and transformation, cities are machines for forgetting. And yet archiving and exhibiting the presence of the past remains a key cultural, political and economic activity in many urban environments. This book takes the example of Berlin over the past four decades to chart how the memory culture of the city has responded to the challenges and transformations thrown up by the changing political, social and economic organization of the built environment. The book focuses on the visual culture of the city (architecture, memorials, photography and film). It argues that the recovery of the experience of time is central to the practices of an emergent memory culture in a contemporary 'overexposed' city, whose spatial and temporal boundaries have long since disintegrated
    Note: Literaturverzeichnis: Seite 197-203
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
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    Online Resource
    BSZ
    GBV
    MPI Ethno. Forsch.
  • 3
    Online Resource
    Online Resource
    Urban memory and visual culture in Berlin : framing the asynchronous city, 1957-2012 (2016)
    Amsterdam : Amsterdam University Press | Berlin : Knowledge Unlatched
    Details
    ISBN: 9789048527045
    Language: English
    Pages: 1 Online-Ressource (212 Seiten)
    Series Statement: Cities and Culture
    Parallel Title: Erscheint auch als Ward, Simon, 1969 - Urban memory and visual culture in Berlin
    DDC: 307.09
    RVK:
    LK 16678
    RVK:
    LB 72032
    Keywords: Memorials ; Collective memory ; Berlin (Germany) Civilization 20th century ; Berlin (Germany) In art ; Berlin (Germany) In motion pictures ; Berlin ; Städtebau ; Kulturelle Identität ; Geschichte 1957-2012
    Abstract: "This book examines the crucial role of visual culture (architecture, memorials, photography and film) in shaping Berlin's urban memory culture in both East and West in reponse to the changing political, social and economic organization of the built environment over the past five decades
    Abstract: As sites of turbulence and transformation, cities are machines for forgetting. And yet archiving and exhibiting the presence of the past remains a key cultural, political and economic activity in many urban environments. This book takes the example of Berlin over the past four decades to chart how the memory culture of the city has responded to the challenges and transformations thrown up by the changing political, social and economic organization of the built environment. The book focuses on the visual culture of the city (architecture, memorials, photography and film). It argues that the recovery of the experience of time is central to the practices of an emergent memory culture in a contemporary 'overexposed' city, whose spatial and temporal boundaries have long since disintegrated
    Note: Literaturverzeichnis: Seite 197-203
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
  • 4
    Online Resource
    Online Resource
    Sounds of the underground : a cultural, political and aesthetic mapping of underground and fringe music (2016)
    Ann Arbor : University of Michigan Press | Berlin : Knowledge Unlatched
    Details
    ISBN: 9780472121649 , 9780472902378
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als Graham, Stephen, 1982 - Sounds of the Underground
    DDC: 781.64
    RVK:
    LS 48015
    Keywords: Underground music Social aspects ; Underground music Political aspects ; Underground music History and criticism ; Subculture ; Music ; Music / Ethnomusicology ; Electronic books ; Electronic books ; Electronic books ; Underground ; Musiker ; Musikleben ; Soziale Funktion
    Abstract: In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy
    Note: Literaturverzeichnis: Seite 269-289
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
    URL: kostenfrei
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
    URL: kostenfrei
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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    BSZ
    GBV
    KOBV
    MPI Ethno. Forsch.
  • 5
    Online Resource
    Online Resource
    Banksy : urban art in a material world (2016)
    Marburg : Tectum | Berlin : Knowledge Unlatched
    Details
    ISBN: 9783828863576
    Language: English
    Pages: 1 Online-Ressource (256 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Blanché, Ulrich, 1982 - Banksy
    DDC: 709.2
    RVK:
    LI 99999
    Keywords: Hochschulschrift ; Banksy 1974- ; Banksy 1974- ; Graffito ; Objektkunst ; Streetart
    Note: Literaturverzeichnis: Seite 232-256
    URL: Volltext  (kostenfrei)
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    MPI Ethno. Forsch.
  • 6
    Online Resource
    Online Resource
    The black musician and the white city : race and music in Chicago, 1900-1967 (2014)
    Ann Arbor : University of Michigan Press | Berlin : Knowledge Unlatched
    Details
    ISBN: 9780472029983
    Language: English
    Pages: 1 Online-Ressource (xi, 202 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Absher, Amy The black musician and the white city
    RVK:
    LQ 89507
    Keywords: African Americans Illinois ; Chicago ; Music ; History and criticism ; Popular music Illinois ; Chicago ; History and criticism ; Popular music Social aspects ; Illinois ; Chicago ; History ; 20th century ; Music and race Illinois ; Chicago ; History ; 20th century ; African American musicians Illinois ; Chicago ; Music trade Illinois ; Chicago ; History ; 20th century ; African American musicians Labor unions ; Illinois ; Chicago ; History ; 20th century ; Musicians Labor unions ; Illinois ; Chicago ; History ; 20th century
    Abstract: Musicians and the segregated city : Chicago in the early 1900s-1930s -- From south to south side : musicians in 1940s Chicago -- Redefining the music industry : independent music in Chicago, 1948-1953 -- From south side to the south and the nation, 1954-1963 -- "The fact remains ... we are negroes" : dissonance and the desegregation of Chicago's musicians' union, 1963-1967
    Abstract: Amy Absher’s The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s. Absher takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city’s music community.
    URL: Volltext  (kostenfrei)
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    MPI Ethno. Forsch.
  • 7
    Online Resource
    Online Resource
    Music and levels of narration in film : steps across the border (2013)
    Bristol : Intellect | Berlin : Knowledge Unlatched
    Details
    ISBN: 9781783202096 , 9781783202102
    Language: English
    Pages: 1 Online-Ressource (290 pages) , illustrations, charts, figures, tables
    Parallel Title: Print version Music and Levels of Narration in Film
    RVK:
    AP 51450
    RVK:
    LR 53509
    Keywords: Motion picture music ; Motion pictures and music ; Motion pictures and music ; Motion picture music ; Filmmusik
    Abstract: This is the first book-length study of the narratology of film music, and an indispensable resource for anyone researching or studying film music or film narratology. It surveys the so far piecemeal discussion of narratological concepts in film music studies, and tries to (cautiously) systematize them, and to expand and refine them with reference to ideas from general narratology and film narratology (including contributions from German-language literature less widely known in Anglophone scholarship). The book goes beyond the current focus of film music studies on the distinction between diegetic and nondiegetic music (music understood to be or not to be part of the storyworld of a film), and takes into account different levels of narration: from the extrafictional to ?focalizations? of subjectivity, and music?s many and complex movements between them
    Abstract: Cover -- Half Title -- Title -- Copyright -- Contents -- Preface -- Chapter I: Introduction: Film Music Narratology -- i. Laughing with film theory -- ii. Film/music/narratology -- The plan of the book -- A note on the choice of films -- A note on â?the viewerâ? -- iii. Principles of pertinence -- Chapter II: The Conceptual Toolkit: Music and Levels of Narration -- i. Fictional worlds and the filmic universe -- ii. The â?historical authorâ?: extrafictionality and the title sequence -- iii. Extrafictional narration and audience address -- Iv. Nondiegetic and diegetic music -- a. Narratology, the diegesis and music â? some considerations -- b. Nondiegetic music and narrative agency -- Music as voice or as emanation -- Nondiegetic music, diegetic control -- Would-be-diegetic music -- c. Diegetic music: storyworld attachment and narrative agency -- Modes of storyworld attachment -- Diegetic music and narrative agency -- d. Diegetic commentary and the implied author -- e. Diegetic music: further options -- F. Transitions, transgressions and transcendence: Displaced diegetic music, supradiegetic music and other steps across the border -- v. Music on my mind: Metadiegetic narration and focalization -- Chapter III: Breaking into Song? Hollywood Musicals (and After) -- i. Supradiegesis -- ii. Superabundance: Top Hat and the 1930s -- iii. The classical style: Night and Day, An American in Paris, Singinâ? in the Rain -- iv. Transcendence lost and regained: The aftermath of the classical style -- v. The next-to-last song: Dancer in the Dark (and The Sound of Music) -- Chapter IV: Things That Go Bump in the Mind: Horror Films -- i. Of implied authors and implicit contracts: Six little bits of theory -- ii. â? and thirteen examples -- Chapter V: Beyond the Moment: Long-range Musical Strategies -- i. Music and memory in Once Upon a Time in America -- a. Precursor 1: For a Few Dollars More -- b. Precursor 2: Once Upon a Time in the West -- c. Precursor 3: Duck, You Sucker! -- d. â?Most melancholic of filmsâ? â? Once Upon a Time in America -- e. Once Upon a Time in America â? Three musical themes -- F. â?I say it here and I deny it hereâ?: Conclusions -- ii. Lifeâ?s troubled bubble broken: Musical metalepses in The Truman Show -- a. True life or false -- b. Pre-existing music and the world of Seahaven -- c. Nondiegetic music and levels of narration -- d. Music on the level of the film (or not?) -- iii. Far from Heaven, Breakfast at Tiffanyâ?s, Hollywood melodrama and the retrospective prolepsis -- a. Present film -- b. Dancing to the music of time: Far from Heaven -- c. Urban pastoral: Breakfast at Tiffanyâ?s
    Note: Includes bibliographical references and indexes , In English
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: kostenfrei
    URL: http://purl.oclc.org/DLF/benchrepro0212
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    MPI Ethno. Forsch.
  • 8
    Online Resource
    Online Resource
    Power and religion in Baroque Rome : Barberini cultural policies (2006)
    Leiden : Brill | Berlin : Knowledge Unlatched
    Details
    ISBN: 9789047417958
    Language: English
    Pages: 1 Online-Ressource (xviii, 437 pages) , illustrations, charts, figures, tables
    Edition: Also issued in print and PDF version
    Series Statement: Brill's studies in intellectual history Volume 135
    Series Statement: Brill's studies in intellectual history
    Parallel Title: Print version Power and Religion in Baroque Rome, Barberini Cultural Policies
    DDC: 282.092
    RVK:
    LN 10270
    RVK:
    NN 3150
    RVK:
    NN 3960
    RVK:
    NV 2675
    Keywords: cultural policy ; Culture ; Cultuurbeleid ; Cultuurgeschiedenis ; Papacy History ; Papacy ; Pausdom ; counter-Reformation ; Catholic Church ; Civilization Christian influences ; Baroque ; Urban VIII. Papst 1568-1644
    Abstract: This study analyzes the ways in which a variety of cultural manifestations were the necessary preconditions for (religious) policy and power in the Rome of Urban VIII (1623-1644). Precisely their interaction created what we now call ?Baroque Culture?
    Abstract: Intro. -- When the bees flew. -- Prologue. Giacinto Gigli, chronicler, or: power in the streets of Rome. -- Chap. 1. The Barberini build a chapel, or: rising to power in post-Tridentine Rome. -- Chap. 2. Maffeo Barberini-Urban VIII, the poet-Pope, or: the power of poetic propaganda. -- Chap. 3. The 'days and works' of Francesco, Cardinal Barberini, or: how to be a powerful cardinal-padrone? -- Chap. 4. Prince Eckembergh comes to dinner, or: power through culinary ceremony. -- Chap. 5. The bare feet of St. Augustine, or: the power of religions images. -- Chapt. 6. Lucas Holste (1596-1661), scholar and librarian, or: the power of books and libraries. -- Chap. 7. Ibrahim al-Hakilani (1605-1664), or: the power of scholarship and publishing. -- Chap. 8. Urban VIII between white magic and black magic, or: holy and unholy power. -- Epilogue. The return of the muses: instruments of cultural policy in Barberini Rome, 1623-1644. -- Conclusion. "i'Età fortunata del Mele" or 'Honey's happy age': the Barberini pontificate as a generation, a crossroads -- problems of perspective
    Description / Table of Contents: Intro -- When the bees flew. -- Prologue. Giacinto Gigli, chronicler, or: power in the streets of Rome. -- Chap. 1. The Barberini build a chapel, or: rising to power in post-Tridentine Rome. -- Chap. 2. Maffeo Barberini-Urban VIII, the poet-Pope, or: the power of poetic propaganda. -- Chap. 3. The 'days and works' of Francesco, Cardinal Barberini, or: how to be a powerful cardinal-padrone? -- Chap. 4. Prince Eckembergh comes to dinner, or: power through culinary ceremony. -- Chap. 5. The bare feet of St. Augustine, or: the power of religions images. -- Chapt. 6. Lucas Holste (1596-1661), scholar and librarian, or: the power of books and libraries. -- Chap. 7. Ibrahim al-Hakilani (1605-1664), or: the power of scholarship and publishing. -- Chap. 8. Urban VIII between white magic and black magic, or: holy and unholy power. -- Epilogue. The return of the muses: instruments of cultural policy in Barberini Rome, 1623-1644. -- Conclusion. "i'Età ̀̀̀̀̀̀fortunata del Mele" or 'Honey's happy age': the Barberini pontificate as a generation, a crossroads -- problems of perspective
    Note: Also issued in print and PDF version. , In English
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
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    MPI Ethno. Forsch.
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