ISBN:
9783828867727
Language:
German
,
English
Pages:
1 Online-Ressource (288 S.)
Keywords:
Hirst, Damien-Criticism and interpretation
;
Hirst, Damien 1965-
;
Banksy 1974-
;
Konsumgesellschaft
;
London
;
Kunstbetrieb
;
Geschichte 1980-2017
Abstract:
Intro -- Thanks to: -- 1) Introduction -- a) How does Hirst Depict Consumption? -- b) How is the Term Consumer Culture Used in this Study? -- c) Sources -- 2) Consumption Concepts and their Use in the Present Investigation -- a) The Term Consumption -- b) Consumerism -- i) The Concept of Consumerism -- ii) Cultural Critique, Critique of Authority and Environmental Criticism -- c) Consumer Society -- i) Narrowing down »consumer society« -- ii) Emergence of Consumer Societies -- d) Consumption and Religion -- e) Consumption in Art History -- i) Marcel Duchamp -- ii) Andy Warhol -- iii) Jeff Koons -- 3) London at the Turn of the Millennium -- a) London's Cultural Landscape since 1980 -- b) Damien Hirst and Young British Artists -- c) What Makes a British Artist in the 1990 s a Young British Artist? -- i) YBAs after 2000 -- ii) Blair, BritPop and Cool Britannia -- 4) Damien Hirst -- a) The »Natural History« Series -- b) »The Golden Calf« (2008) -- i) Material Matters â Animal, Gold and Showcase -- ii) Art auction / happening â »Beautiful Inside My Head Forever« -- c) Butterfly Paintings (1991 â 2008) -- i) »Girls, Who Like Boys, Who Like Boys, Who Like Girls, Like Girls, Like Boys« (2006) -- ii) »Devotion« (2003) -- iii) Fly Paintings and Sculptures (1997 â 2008) -- d) »For the Love of God« (2007) -- e) Spot Paintings (Since 1986) -- i) »One of a Kind« Work of Art or Mass Production? Hirst and Series -- ii) Hirst and the Tradition of Painting -- iii) Drugs, Medicine (Cabinets) and Candy -- iv) Reality and Ritual -- v) Yuppie Art for 'Over the Sofa«? â Spot Paintings in Movies -- vi) The Handling of a Location â White Cube and Museum -- vii) Faith in Medicine and Advertising -- viii) Over-Identification with the Viewer -- 5) Banksy and Damien Hirst -- a) Street Art â The Rise of Banksy -- b) The Spectacularization of Art
Abstract:
c) »Keep it Spotless (Defaced Hirst)« (2007) -- d) The Location Reference â Street (and) Art -- 6) Artistic strategies for Dealing with Consumer Phenomena (Conclusion) -- a) Hirstâs Illusion of Consumer Paradise -- i) The Controlled »Shock« -- ii) Over-Identification and Irony -- b) Images of Images -- c) (Dis-) Placement and Staging -- d) Brands not Products -- e) Advertising -- f) The Viewer-Buyer and Collector as Perfect Consumer -- g) (Im-)Material Things -- 7) Bibliography -- i) Web Sources Naming an Author -- ii) Web Sources without Naming an Author -- iii) Further Websites -- iv) Printed Newspaper Articles, Essays in Magazines and Interviews -- v) Books and Exhibition Catalogues -- vi) Videos -- Index
DOI:
10.5771/9783828867727
Permalink