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  • Online Resource  (879)
  • 2015-2019  (844)
  • 1990-1994  (29)
  • 1975-1979  (6)
  • 1935-1939
  • Musicology  (879)
Datasource
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Handbuch Musik und Medien : interdisziplinärer Überblick über die Mediengeschichte der Musik (2019-)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783658219437
    Language: German
    Pages: 1 Online-Ressource
    Edition: Living reference work, continuously updated edition
    Series Statement: Springer reference
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    AP 13300
    RVK:
    AP 14900
    RVK:
    LR 55600
    RVK:
    LR 57255
    RVK:
    LR 57600
    RVK:
    LR 57790
    Keywords: Media Research ; Media Sociology ; Music ; Music ; Medien ; Musik ; Filmmusik ; Musikformate ; Musikjournalismus ; Musikmedien ; Musikproduktion ; Rahmenbedingungen der Produktion von Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Medien
    Note: Erscheint auch als statische Ausgabe
    DOI: 10.1007/978-3-658-21943-7
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
    München UB
    Würzburg UB
    KOBV
    BVB
    Bayreuth UB
  • 2
    Online Resource
    Online Resource
    MT-Journal : Zeitschrift der Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig (2006-)
    Leipzig : Rektor der Hochschule für Musik und Theater ; Nummer 22 (Wintersemester 2006/07)-
    Show associated volumes/articles
    Details
    Language: German
    Pages: Online-Ressource
    Dates of Publication: Nummer 22 (Wintersemester 2006/07)-
    Parallel Title: Erscheint auch als Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig MT-Journal
    DDC: 780
    RVK:
    LD 8700
    RVK:
    AP 60100
    Keywords: Zeitschrift ; Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig
    Note: Ungezählte Beilage: Beilage , Ausgaben erscheinen jeweils zum Wintersemester und Sommersemester
    URN: urn:nbn:de:bsz:14-qucosa2-901525
    URL: https://nbn-resolving.org/urn:nbn:de:bsz:14-qucosa2-901525
    URL: kostenfrei
    URL: kostenfrei
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    Online Resource
    BSZ
  • 3
    Online Resource
    Online Resource
    Ethnomusicology Matters : Influencing Social and Political Realities (2019)
    Wien : Böhlau Verlag | Göttingen : Vandenhoeck & Ruprecht GmbH & Co.KG
    Details
    ISBN: 9783205232872
    Language: German
    Pages: 1 Online-Ressource (285 Seiten)
    Edition: 1st edition
    Series Statement: Musik Traditionen / Music Traditions
    RVK:
    LS 12000
    Keywords: Musikethnologie ; Kulturerbe ; Konferenzschrift 28.09.2017-30.09.2017
    DOI: 10.7767/9783205232872
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
  • 4
    Online Resource
    Online Resource
    The Race of Sound : Listening, Timbre, and Vocality in African American Music (2019)
    Durham : Duke University Press | Baltimore, Md. : Project MUSE
    Details
    ISBN: 9781478090359 , 0822372649
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Refiguring American music
    DDC: 781.2/308996073
    RVK:
    LS 48015
    Keywords: Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Description based on print version record
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
  • 5
    Online Resource
    Online Resource
    Die Musikkultur im Iran seit der Islamischen Revolution : Überwindung von Verbot und Zensur durch konfrontative Annäherung (2019)
    Stuttgart : J.B. Metzler | Cham : Springer International Publishing AG
    Details
    ISBN: 9783476049704 , 3476049701
    Language: German
    Pages: 1 Online-Ressource (XI, 169 Seiten) , 7 Abb.
    Edition: 1st ed. 2019
    Parallel Title: Erscheint auch als Montazer, Majid Die Musikkultur im Iran seit der Islamischen Revolution
    DDC: 780
    RVK:
    LS 33000
    Keywords: Geschichte 1979-2019 ; Musikleben ; Musikpolitik ; Music ; Cultural policy ; Cultural property—Protection ; Music ; Cultural Policy and Politics ; Cultural Resource Management ; Iran ; Hochschulschrift
    DOI: 10.1007/978-3-476-04970-4
    URL: https://doi.org/10.1007/978-3-476-04970-4
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
  • 6
    Online Resource
    Online Resource
    Jewish Difference and the Arts in Vienna : Composing Compassion in Music and Biblical Theater (2019)
    Bloomington : Indiana University Press
    Details
    ISBN: 9780253040565
    Language: English
    Pages: 1 online resource (226 pages)
    Additional Information: Rezensiert in Uslin, Karen L. [Rezension von: Kita, Caroline A., Jewish Difference and the Arts in Vienna] 2021
    Series Statement: German Jewish Cultures Ser.
    Parallel Title: Erscheint auch als Kita, Caroline A. Jewish difference and the arts in Vienna
    DDC: 780.943613
    RVK:
    NY 4690
    RVK:
    LS 33100
    RVK:
    BD 6820
    RVK:
    BD 6810
    Keywords: Music-Austria-Vienna-History and criticism ; Music-Austria-Vienna-History and criticism ; Electronic books ; Biblisches Drama ; Juden ; Mitgefühl ; Musik ; Literatur ; Bibel Altes Testament ; Juden ; Wien ; Geschichte 1876-1918
    Abstract: Jewish Difference and the Arts in Vienna explores how Jewish writers and composers sought, through their engagement with musical forms and styles, to capture Jewish voices and their dynamic expression of compassion and otherness.
    Abstract: Cover -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgments -- Note on Translation -- Introduction -- 1. A Case for Compassion: Siegfried Lipiner's Adam -- 2. Voicing Compassion: Gustav Mahler's Second and Third Symphonies -- 3. Polyphony as a Poetics of Compassion: Arnold Schoenberg's Die Jakobsleiter -- 4. Dialogues of Compassion: Richard Beer-Hofmann's Jaákobs Traum -- 5. Compassion as Communal Song: Stefan Zweig's Jeremias -- Epilogue -- Bibliography -- Index -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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    Online Resource
    BSZ
    GBV
  • 7
    Online Resource
    Online Resource
    George Harrison und die Komplementarität von "Ost" und "West" : ein biografischer Versuch (2019)
    Baden-Baden : Tectum Verlag | Baden-Baden : Tectum
    Details
    ISBN: 9783828874138
    Language: German
    Pages: 1 Online-Ressource (XIII, 622 Seiten)
    Edition: 1. Auflage
    Parallel Title: Erscheint auch als Li, Christopher George Harrison und die Komplementarität von "Ost" und "West"
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2019
    RVK:
    LS 48040
    Keywords: Harrison, George ; Interkulturalität ; Indien ; Hochschulschrift
    Note: Literaturverzeichnis: Seite 559-614
    DOI: 10.5771/9783828874138
    URL: https://doi.org/10.5771/9783828874138
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    Online Resource
    HeBIS
  • 8
    Online Resource
    Online Resource
    Provokation! : Songs, die für Zündstoff sorg(t)en (2019)
    Darmstadt : wbg Theiss
    Details
    ISBN: 9783806239539 , 9783806239546
    Language: German
    Pages: 1 Online-Ressource (295 Seiten)
    Parallel Title: Erscheint auch als
    RVK:
    LR 57720
    RVK:
    LR 57727
    RVK:
    LR 57728
    RVK:
    LS 48635
    RVK:
    LS 48650
    RVK:
    LS 48660
    RVK:
    LS 48015
    Keywords: Geschichte 1914-2018 ; Popsong ; Provokation ; Hardback ; Allgemein ; Musik ; Musikgeschichte ; Popmusik ; Popsong ; Rockmusik ; WS: Wissen Sachbuch ; 1965: Hardcover, Softcover / Sachbücher/Musik, Film, Theater/Pop, Rock ; Popsong ; Provokation ; Geschichte 1914-2018
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    KOBV
    BVB
  • 9
    Online Resource
    Online Resource
    The political possibility of sound : fragments of listening (2019)
    [New York, NY ; London ; Oxford ; New Delhi ; Sydney] : Bloomsbury Academic
    Details
    ISBN: 9781501312175 , 9781501312199 , 9781501312182
    Language: English
    Pages: 1 Online-Ressource (vii, 232 Seiten)
    Series Statement: [Fragments of listening]
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.2/2
    RVK:
    LC 87000
    RVK:
    LR 57720
    Keywords: Sound (Philosophy) ; Sound in art ; Kreativität ; Zuhören ; Klangkunst ; Das Politische ; Klang ; Aufsatzsammlung ; Klang ; Klangkunst ; Zuhören ; Das Politische ; Kreativität
    Note: Includes bibliographical references and index
    DOI: 10.5040/9781501312199
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    KOBV
  • 10
    Online Resource
    Online Resource
    Teaching school jazz : perspectives, principles, and strategies (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190462611
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.65071
    RVK:
    LS 48015
    RVK:
    LR 56970
    Keywords: Jazz Instruction and study ; USA ; Schule ; Musikerziehung ; Jazz
    Abstract: 'Teaching School Jazz' is an edited collection of suggested practices in school jazz education authored by a seasoned and diverse lineup of jazz educators with supporting research-based case studies woven into the narrative. It provides not only a wealth of school jazz teaching strategies but also, and perhaps as important, the jazz perspectives and principles from which they are derived.
    Note: Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 11, 2019)
    DOI: 10.1093/oso/9780190462574.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Online Resource
    BSZ
    GBV
    KOBV
  • 11
    Online Resource
    Online Resource
    Build : the power of hip-hop diplomacy in a divided world (2019)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190056148
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 306.484249
    RVK:
    LS 48650
    Abstract: Hip hop and diplomacy are unlikely partners. And yet, since 2001 the US Department of State has been sending hip hop artists to perform and teach around the world. The government has good reason to be interested in hip hop: it is known and loved across the globe, readily acknowledged as a product of American culture. Moreover, hip hop has long been a means of fostering community through creative collaboration-what hip hop artists call building-and can thus facilitate mutual respect and cooperation among people of different nations, a key objective of diplomacy. At heart, 'Build' is about the intersection of art and power. It reveals the power of art to bridge cultural divides, facilitate understanding, and express and heal trauma.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190056117.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190056117.001.0001
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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    Online Resource
    BSZ
    GBV
    KOBV
    HeBIS
  • 12
    Online Resource
    Online Resource
    Flow : the rhythmic voice in rap music (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190670443
    Language: English
    Pages: 1 Online-Ressource (xl, 248 Seiten) , Diagramme, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
    DDC: 782.4216491224
    RVK:
    LS 48650
    Keywords: Rap (Music) / Analysis, appreciation ; Flow-Erlebnis ; Sprechgesang ; Rhythmus ; Musikalische Analyse ; Rap ; Rap ; Sprechgesang ; Rhythmus ; Flow-Erlebnis ; Musikalische Analyse
    Note: Includes index
    DOI: 10.1093/oso/9780190670412.001.0001
    URL: Volltext
    URL: Volltext
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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    Online Resource
    BSZ
    GBV
    KOBV
    HBZ
  • 13
    Online Resource
    Online Resource
    Becoming creative : insights from musicians in a diverse world (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199365197 , 9780190874438
    Language: English
    Pages: 1 Online-Ressource (xiv, 264 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.11
    RVK:
    LS 19000
    Keywords: Musical ability / Cross-cultural studies ; Musiker ; Kreativität ; Kulturvergleich ; Europa ; Nordamerika ; Afrika ; Europa ; Nordamerika ; Afrika ; Musiker ; Kreativität ; Kulturvergleich
    Abstract: How are an individual's ability and motivation to be creative shaped by the world around her? Why does creativity seem to flourish in some environments, while in others it is stifled? Many societies value creativity as an abstract concept and many, perhaps even most, individuals feel an internal drive to be creative; however, tremendous social pressures restrict development of creative skill sets, engagement in creative activities, and willingness to take creative risks. Becoming Creative explores how social and cultural factors enable or inhibit creativity in music. The text integrates perspectives from ethnomusicology, education, sociology, psychology, and performance studies, prioritizing the voices of practicing musicians and music educators
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780199365173.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.1093/oso/9780199365173.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Online Resource
    München BSB
    Würzburg UB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 14
    Online Resource
    Online Resource
    The Other by Itself: Authenticity in electronic dance music in Serbia at the turn of the centuries (2019)
    Mainz | Mainz : Universitätsbibliothek Johannes Gutenberg-Universität
    Details
    Language: English
    Pages: 1 Online-Ressource (vii, 292 Seiten) , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als Maksimović, Irina The Other by Itself: Authenticity in electronic dance music in Serbia at the turn of the centuries
    Dissertation note: Dissertation Johannes Gutenberg-Universität Mainz 2017
    RVK:
    LS 48655
    RVK:
    LQ 87807
    RVK:
    LQ 87808
    Keywords: Geschichte 1991-2012 ; Elektronische Musik ; Tanzmusik ; Popkultur ; Soziokultureller Wandel ; Serbien ; Belgrad ; Hochschulschrift
    Note: Systemvoraussetzungen: PDF-Version 1.4 (Acrobat 5.x), erzeugt mit Microsoft® Office Word 2007
    URN: urn:nbn:de:hebis:77-diss-1000027196
    URL: kostenfrei
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    Online Resource
    HeBIS
  • 15
    Online Resource
    Online Resource
    K-Pop idols : popular culture and the emergence of the Korean music industry (2019)
    Lanham : Lexington Books | Ann Arbor : ProQuest
    Details
    ISBN: 9781498588263
    Language: English
    Pages: 1 Online-Ressource
    DDC: 782.42163095195
    RVK:
    LS 42800
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    Online Resource
    HeBIS
  • 16
    Online Resource
    Online Resource
    Musical salon culture in the long nineteenth century (2019)
    Melton : The Boydell Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781787445345
    Language: English
    Pages: 1 Online-Ressource
    DDC: 306.4842
    RVK:
    LP 19505
    Keywords: Geschichte 1800-1960 ; Salonmusik ; Soziokultur ; Europa ; USA ; Aufsatzsammlung
    Abstract: This book reconsiders the significance of the salon as a social and cultural phenomenon and as a source of artistic innovation and exchange in the long nineteenth century.
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    HeBIS
  • 17
    Online Resource
    Online Resource
    The Bloomsbury handbook of popular music video analysis (2019)
    London : Bloomsbury Academic | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781501342356
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Bloomsbury handbooks
    DDC: 780.267
    RVK:
    AP 36360
    RVK:
    LS 48015
    RVK:
    LC 87000
    RVK:
    LS 48660
    Keywords: Popmusik ; Musikvideo
    Note: Literaturangaben
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    HeBIS
  • 18
    Online Resource
    Online Resource
    Music of a Thousand Years : A New History of Persian Musical Traditions (2019)
    Oakland : University of California Press | The Hague : OAPEN FOUNDATION
    Details
    ISBN: 9780520300804
    Language: English
    Pages: 1 Online-Ressource (288 p.)
    RVK:
    LS 37060
    Keywords: Musik ; Theory of music & musicology ; Iran ; Ethnomusicology ; Middle Eastern Studies
    Abstract: "Iran’s particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran’s national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region’s political history. “Ann E. Lucas very effectively combines historical analysis, ethnomusicology, and musicology to provide a broad, holistic explanation for complex, nuanced processes of change. Well written and highly original in its approach, this is a major contribution to the field.” KAMRAN SCOT AGHAIE, Associate Professor of Iranian History, University of Texas “Music of a Thousand Years presents an innovative narrative of Persian music history and also provides important new perspectives on how to analyze the meaning of music and culture in historical perspective.” MOHSEN MOHAMMADI, Lecturer in Ethnomusicology, University of California, Los Angeles “Lucas turns the standard history of Persian music on its head, proving it is not a story of the survival of an ancient tradition, but rather the story of the invention of tradition. Revisionist in the best sense of the word.” JAMES L. GELVIN, author of The Modern Middle East: A History ANN E. LUCAS is Assistant Professor of ethnomusicology in the Department of Music at Boston College, where she also teaches in the Islamic Civilizations and Societies Program. She is recognized for her work on music historiography of the Middle East."...
    URL: kostenfrei
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    URL: kostenfrei
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    Online Resource
    HeBIS
    MPI Ethno. Forsch.
  • 19
    Online Resource
    Online Resource
    War of Songs : Popular Music and Recent Russia-Ukraine Relations (2019)
    Hannover : ibidem | Stuttgart : UTB GmbH
    Details
    ISBN: 9783838271736
    Language: English
    Pages: 1 Online-Ressource (250 p.)
    Edition: 1st, New ed.
    Series Statement: Soviet and Post-Soviet Politics and Society 203
    RVK:
    LQ 86008
    RVK:
    LR 57728
    RVK:
    LS 48015
    RVK:
    NQ 8306
    Keywords: Geschichte 2013-2017 ; Euromaidan ; Politische Bewegung ; Popmusik ; Internationale Politik ; Music ; Politics ; Ukraine ; Russia ; Musik ; Politik ; Russland ; Russland ; Ukraine
    Abstract: This multi-authored monograph consists of the sections: “Pop Rock, Ethno-Chaos, Battle Drums, and a Requiem: The Sounds of the Ukrainian Revolution”, “The Euromaidan’s Aftermath and the Genre of Answer Song: A Musical Dialogue Between the Antagonists?”, “Exposing the Fault Lines beneath the Kremlin’s Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem”, “‘Lasha Tumbai’, or ‘Russia, Goodbye’? The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground”, and “(Post-)Soviet Rock Soundtracks the Donbas Conflict”.
    URL: https://elibrary.utb.de/doi/book/10.24216/9783838271736
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  • 20
    Online Resource
    Online Resource
    Medievalism and metal music studies : throwing down the gauntlet (2019)
    Bingley, England : Emerald Publishing
    Details
    ISBN: 9781787563957
    Language: English
    Pages: 1 Online-Ressource (xx, 189 pages) , illustrations
    Series Statement: Emerald studies in metal music and culture
    Parallel Title: Erscheint auch als Medievalism and metal music studies : throwing down the gauntlet
    DDC: 909.07
    RVK:
    LS 48635
    Keywords: Medievalism ; Heavy metal (Music) Criticism and interpretation ; Rockmusik ; Rezeption ; Mittelalter ; Heavy Metal ; Aufsatzsammlung ; Mittelalter ; Rezeption ; Rockmusik ; Heavy Metal
    Note: Description based on print version record
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    Online Resource
    BVB
  • 21
    Online Resource
    Online Resource
    Phonographic memories : popular music and the contemporary Caribbean novel (2019)
    New Brunswick, New Jersey : Rutgers University Press
    Details
    ISBN: 9780813596631
    Language: English
    Pages: 1 Online-Ressource (xi, 222 pages)
    Series Statement: Critical Caribbean studies
    Parallel Title: Erscheint auch als Hamilton, Njelle W., 1977- Phonographic memories : popular music and the contemporary Caribbean novel
    DDC: 813.509357809729
    RVK:
    HQ 7040
    RVK:
    HQ 7065
    RVK:
    LQ 89900
    RVK:
    LS 48700
    Keywords: Caribbean fiction (English) History and criticism 20th century ; Music and literature History 20th century ; Popular music in literature ; Unterhaltungsmusik ; Englisch ; Literatur ; Karibik ; Hochschulschrift ; Karibik ; Englisch ; Literatur ; Unterhaltungsmusik
    Note: Revision of author's thesis (doctoral)--Brandeis University, 2012, titled Sound writing : popular music in the contemporary Caribbean novel , Description based on print version record
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    Online Resource
    BVB
  • 22
    Online Resource
    Online Resource
    Devet Z ceske Hudebni Alternativy Osmdesatych Let (2019)
    [Place of publication not identified] : Univerzita Karlova
    Details
    ISBN: 9788024643397
    Language: Czech
    Pages: 1 Online-Ressource (216 pages)
    Parallel Title: Erscheint auch als Jonssonova, Pavla Devet Z ceske Hudebni Alternativy Osmdesatych Let
    DDC: 780.07
    RVK:
    KS 7523
    RVK:
    LS 48040
    RVK:
    LS 48060
    Keywords: Music Social aspects
    Note: Description based on print version record
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    Online Resource
    BVB
  • 23
    Online Resource
    Online Resource
    This thing called life : Prince, race, sex, religion, and music (2019)
    New York, NY : Bloomsbury Academic
    Details
    ISBN: 9781501334009
    Language: English
    Pages: 1 Online-Ressource (241 pages)
    Parallel Title: Erscheint auch als Vogel, Joseph This thing called life : Prince, race, sex, religion, and music
    DDC: 781.66092
    RVK:
    LS 48040
    Keywords: Prince Criticism and interpretation ; Prince ; Popular music History and criticism ; Identität ; Prince Musiker 1958-2016 ; Identität
    Note: Description based on print version record
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    BVB
  • 24
    Online Resource
    Online Resource
    Hanguk hip hop : global rap in South Korea (2019)
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    Details
    ISBN: 9783030156978
    Language: English
    Pages: 1 Online-Ressource (ix, 198 Seiten)
    Series Statement: East Asian Popular Culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.095
    RVK:
    LS 48650
    Keywords: Geschichte 1990- ; Asian Culture ; Music ; Popular Culture ; Global/International Culture ; Ethnology-Asia ; Music ; Popular Culture ; Culture ; Soziale Funktion ; Hip-Hop ; Rap ; Globalisierung ; Südkorea ; Südkorea ; Rap ; Hip-Hop ; Globalisierung ; Soziale Funktion ; Geschichte 1990-
    DOI: 10.1007/978-3-030-15697-8
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-030-15697-8
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
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    Online Resource
    Orchestermanagement (2019)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783658226183
    Language: German
    Pages: 1 Online-Ressource (IX, 161 Seiten) , Illustrationen
    Edition: 2., erweiterte und überarbeitete Auflage
    Series Statement: Kunst- und Kulturmanagement
    Parallel Title: Erscheint auch als
    DDC: 306
    RVK:
    LR 57220
    RVK:
    QP 637
    Keywords: Social Sciences ; Cultural Management ; Social sciences ; Management ; Kulturmanagement ; Orchester ; Orchester ; Kulturmanagement
    DOI: 10.1007/978-3-658-22618-3
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
    München UB
    Würzburg UB
    Regensburg UB
    KOBV
    BVB
    Bayreuth UB
  • 26
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    Online Resource
    Große Formen in der populären Musik : = Large-scale forms in popular music (2019)
    Münster : Waxmann
    Details
    ISBN: 9783830991199
    Language: German , English
    Pages: 1 Online-Ressource (216 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Populäre Kultur und Musik Band 26
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als Große Formen in der populären Musik
    DDC: 781.63168
    RVK:
    LS 48015
    Keywords: Aufsatzsammlung ; Konferenzschrift 2015 ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Klassische Musik ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Song ; Rockmusik ; Funktionale Musik
    Abstract: Der kurze, eingängige Song ist das Herzstück – der Diamant – populärer Musikkulturen. Daneben haben exzentrische Spielarten allerdings auch große Formen hervorgebracht, die – auf unterschiedlichen Ebenen – einen Willen zur Expansion bezeugen. Diese Sammelpublikation fragt nach den verschiedenen Erscheinungen von Großformen, analysiert die Phänomene und klärt dabei ihre soziokulturellen Kontexte, die ökonomischen, technologischen Entstehungshintergründe sowie die leitenden Motivationen musikalischen Handelns im 'großen Stil' und seine möglichen ästhetischen Konsequenzen auf. Aufgeteilt in die vier Themenfelder 'Concepts – Cycles – Narrations', 'Cultural (Trans-) Formations', 'Personal Artistry' und 'Audio-Vision and Performance' werden Geschichte und Gestaltung von Konzeptalben, tanz- bzw. clubbasierte Musikumgebungen, individuelle kompositorische Verfahren sowie auf Bühne oder Bildschirm ausgerichtete Erweiterungen des Songformats untersucht.
    Note: Tabellen, Literaturangaben
    URL: Inhaltsverzeichnis
    URL: https://elibrary.utb.de/doi/book/10.31244/9783830991199
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  • 27
    Online Resource
    Online Resource
    Große Formen in der populären Musik (2019)
    Münster : Waxmann
    Details
    ISBN: 9783830991199
    Language: German
    Pages: 1 Online-Ressource (216 Seiten)
    Series Statement: Populäre Kultur und Musik Band 26
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als Große Formen in der populären Musik
    RVK:
    LS 48015
    Keywords: elektronische Tanzmusik ; Hip-Hop ; Jules Buckley ; Konzeptalbum ; Konzeptmusical ; Mike Oldfield ; musikalische Großformen ; Musikvideo ; Popkonzert ; Populäre Musik ; Rockmusik ; Schlager ; Schlagerfilm ; Steve Vai ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift 2015 ; Aufsatzsammlung ; Klassische Musik ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Klassische Musik ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Song ; Rockmusik ; Funktionale Musik
    Abstract: Der kurze, eingängige Song ist das Herzstück – der Diamant – populärer Musikkulturen. Daneben haben exzentrische Spielarten allerdings auch große Formen hervorgebracht, die – auf unterschiedlichen Ebenen – einen Willen zur Expansion bezeugen. Die vorliegende Sammelpublikation von international forschenden Expertinnen und Experten auf dem Gebiet der Popmusik-Studien fragt nach den verschiedenen Erscheinungen von Großformen auf diesem Gebiet, beschreibt und analysiert die Phänomene und klärt dabei ihre soziokulturellen Kontexte, die ökonomischen, technologischen Entstehungshintergründe, die leitenden Motivationen musikalischen Handelns im „großen Stil“ und seine möglichen ästhetischen Konsequenzen auf. Aufgeteilt in die vier Themenfelder „Concepts – Cycle – Narrations“, „Cultural (Trans-) Formations“, „Personal Artistry“ und „Audio-Vision and Performance“ werden Geschichte und Gestaltung von Konzeptalben, tanz- bzw. clubbasierte Musikumgebungen, individuelle kompositorische Verfahren sowie auf Bühne oder Bildschirm ausgerichtete Erweiterungen des Songformats untersucht. Die Herausgeber: PD Dr. Christofer Jost ist wissenschaftlicher Mitarbeiter am Zentrum für Populäre Kultur und Musik der Albert-Ludwigs-Universität Freiburg sowie Privatdozent am hiesigen Institut für Medienkulturwissenschaft. PD Dr. Gregor Herzfeld ist Universitätsassistent (Tenure Track) am Institut für Musikwissenschaft der Universität Wien sowie Privatdozent der Universität Basel.
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 28
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    Online Resource
    Rockmusik in den 50er und 60er Jahren : von der jugendlichen Rebellion zum Protest einer Generation (2019)
    Baden-Baden : Nomos
    Details
    ISBN: 9783845299365
    Language: German
    Pages: 1 Online-Ressource (444 Seiten)
    Edition: 2. Auflage
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Erlangen-Nürnberg 2007
    RVK:
    LS 48630
    RVK:
    LS 48000
    RVK:
    LS 48005
    RVK:
    LS 48635
    RVK:
    LS 48060
    RVK:
    LS 48100
    Keywords: Geschichte 1951-1970 ; Geschichte 1950-1970 ; Rockmusik ; Rock 'n' Roll ; Gegenkultur ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Rockmusik ; Gegenkultur ; Geschichte 1951-1970 ; Rock 'n' Roll ; Gegenkultur ; Geschichte 1951-1970 ; Rockmusik ; Geschichte 1950-1970
    DOI: 10.5771/9783845299365
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: http://dx.doi.org/10.5771/9783845299365
    URL: Inhaltstext
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: http://dx.doi.org/10.5771/9783845299365
    URL: Inhaltstext
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
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  • 29
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    City songs and American life, 1900-1950 (2019)
    Rochester, NY : University of Rochester Press | Cambridge, UK : Cambridge University Press
    Details
    ISBN: 9781787444638
    Language: English
    Pages: 1 Online-Ressource (xi, 303 pages)
    DDC: 782.421640973/091732
    RVK:
    LS 48050
    Keywords: Geistesgeschichte 1900-1950 ; Unterhaltungsmusik ; Song ; Stadt ; USA
    Abstract: An insightful look at the urban sensibility that gives the Great American Songbook its pizzazz. Nothing defines the songs of the great American songbook more richly and persuasively than their urban sensibility. During the first half of the twentieth century, songwriter such as Harold Arlen, Irving Berlin, Dorothy Fields, George and Ira Gershwin, and Thomas 'Fats' Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Many of these remarkably deft and forceful creators were native New Yorkers. Others got to Gotham as fast as they could. Either way, it was as if, from their vantage point on the West Side of Manhattan, these artists were describing America--not its geography of politics, but its heart--to Americans and to the world at large. In City songs and American life, 1900-1950, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs--including some written originally for the stage or screen--that America heard, and sang, and danced to during the turbulent first half of the twentieth century. Lasser demonstrates how the spirit of the teeming city pervaded these wildly diverse songs. Often that spirit took form overtly in songs that portrayed the glamor of Broadway of the energy and jazz age culture of Harlem. But a city-bred spirit--or even a specifically New York City way of feeling and talking--also infused many other widely known and loved songs, stretching from the early decades of the century to the twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II. Throughout this remarkable book, Lasser emphasizes how the soul of city life, as echoes in the nation's songs, developed and changed in tandem with economic, social, and political currents in America as a whole.
    Note: Title from publisher's bibliographic system (viewed on 30 Aug 2019)
    URL: https://www.cambridge.org/core/product/identifier/9781787444638/type/BOOK
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  • 30
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    Working for the clampdown : the Clash, the dawn of neoliberalism and the political promise of punk (2019)
    Manchester, Michigan : Manchester University Press
    Details
    ISBN: 9781526114228
    Language: English
    Pages: 1 Online-Ressource (xi, 229 pages)
    Parallel Title: Erscheint auch als Working for the clampdown : the Clash, the dawn of neoliberalism and the political promise of punk
    DDC: 781.66
    RVK:
    LS 48040
    Keywords: The Clash ; Geschichte 1977-1986 ; Punk rock music Political aspects ; Punk ; Neoliberalismus ; Sozialer Wandel ; Konferenzschrift 20.06.2014-21.06.2014 ; The Clash ; Punk ; Neoliberalismus ; Sozialer Wandel ; Geschichte 1977-1986
    Note: Description based on print version record
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  • 31
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    Ethnomusicology matters : influencing social and political realities (2019)
    Wien : Böhlau
    Details
    ISBN: 9783205232872
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Edition: 1. Auflage
    Series Statement: Music traditions Vol. 1
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 12000
    RVK:
    LC 87000
    Keywords: Musikwissenschaft ; Musikethnologie ; Hardback ; ethnomusicology ; Volksmusik ; Ethnomusikologie ; 1590: Hardcover, Softcover / Musik ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Musikethnologie ; Musikwissenschaft
    DOI: 10.7767/9783205232872
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    Würzburg UB
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  • 32
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    Musical salon culture in the long nineteenth century (2019)
    Woodbridge, Suffolk, UK : The Boydell Press
    Details
    ISBN: 9781787445345
    Language: English
    Pages: 1 Online-Ressource (xviii, 284 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    LP 19505
    RVK:
    LR 54440
    RVK:
    LR 54445
    Keywords: Geschichte 1800-1960 ; Music / Social aspects / History / 19th century ; Music / Social aspects / History / 20th century ; Salons / Europe / History / 19th century ; Salons / United States / History / 20th century ; Music in the home / Social aspects / History / 19th century ; Music in the home / Social aspects / History / 20th century ; Soziokultur ; Salonmusik ; Europe / Intellectual life / 19th century ; United States / Intellectual life / 20th century ; USA ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; USA ; Salonmusik ; Soziokultur ; Geschichte 1800-1960
    Abstract: This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon
    Note: Introduction - Anja Bunzel and Natasha Loges -- - Johanna Kinkel's Social Life in Berlin (1836-39) : Reflections on Historiographical Sources - Anja Bunzel -- - Accidental Aesthetics in the Salon : Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim - Jennifer Ronyak -- - Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness : C. J. Arnold's "Quartettabend bei Bettina von Arnim" Reconsidered - Katharina Uhde and R. Larry Todd -- - Reading, Singing, Becoming : The M adchenlieder of Paul Heyse and Johannes Brahms - Natasha Loges -- - Fridays with Malla : Musical Repertoire in the Swedish Salon of Malla Silfverstolpe - Kirsten Santos Rutschman -- - Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature - Maren Bagge and Clemens Kreutzfeldt -- - The Salon Singer as Subject of Satire during the July Monarchy - Mary Anne Garnett -- - The Instruments of the Vienna Biedermeier Salon : Diversity in Design, Sound, and Technology - Beatrix Darmst adter -- - Offenbach and the Representation of the Salon - P eter Boz o -- - Affordances of the Piano : A Cinematic Representation of the Victorian Salon - Harry White -- - 'Der Mensch ist zur Geselligkeit geboren' : Salon Culture, Night Thoughts, and a Schubert Song - Susan Youens -- - Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin - Petra Wilhelmy-Dollinger -- - Josephine Lang and the Salon in Southern Germany - Harald Krebs -- - Jessie Hillebrand and Musical Life in 1870s Florence - Michael Uhde -- - An Invitation to 309 Beacon Street : Clara Kathleen Rogers and her Boston Salon - Katie A. Callam -- - "Too Much Playing Four Hands!" : Ernst von Dohn anyi's European Salon in the United States of the 1950s - Veronika Kusz
    DOI: 10.1017/9781787445345
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
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    URL: https://www.cambridge.org/core/product/identifier/9781787445345/type/BOOK
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  • 33
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    Music Is Power : Popular Songs, Social Justice and the Will to Change (2019)
    New Brunswick : Rutgers University Press
    Details
    ISBN: 9781978808157
    Language: English
    Pages: 1 online resource (248 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.48424
    RVK:
    LS 48050
    Keywords: Popular music-Political aspects-History ; Popular music-Social aspects-History ; Electronic books ; Electronic books
    Abstract: Cover Page -- Title Page -- Copyright Page -- Contents -- Introduction -- Chapter 1. Musical Workers of the World Unite: Joe Hill, Woody Guthrie, and Pete Seeger -- Chapter 2. There for More Than Fortune: Phil Ochs, Joan Baez, and Bob Dylan -- Chapter 3. Caged Artists: Lesley Gore, Janis Ian, and P. F. Sloan -- Chapter 4. Parody and Poetry: Tom Lehrer -- Peter, Paul and Mary -- and The Smothers Brothers -- Chapter 5. Psychedelicate Situations: Jimi Hendrix and Pink Floyd -- Chapter 6. Reason and Blues: Marvin Gaye and The Temptations -- Chapter 7. Say It Loud, We're Blocked but Proud: James Brown and Curtis Mayfield -- Chapter 8. Hard Rock Turns Metallic: The Who and Black Sabbath -- Chapter 9. More Than a Working-Class Hero: John Lennon and The Beatles -- Chapter 10. Out of Place and In Your Face: The Dead Kennedys and The Sex Pistols -- Chapter 11. Word: Gil Scott-Heron and Grandmaster Flash -- Chapter 12. Global Music Consciousness: Bob Marley and Peter Gabriel -- Chapter 13. Weird, Funny, Smart, Angry: Frank Zappa versus Everyone -- Chapter 14. Rap, Not Hip-Hop: NWA and Public Enemy -- Chapter 15. Weapons of Mass Deconstruction: Dixie Chicks and Green Day -- Epilogue: Music Is Power -- Acknowledgments -- Bibliography -- Index -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 34
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    Kulturelle Teilhabe durch Musik? : Transkulturelle Kinder- und Jugendbildung im Spannungsfeld von Empowerment und Othering (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839448496
    Language: German
    Pages: 1 Online-Ressource (353 Seiten)
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Stoffers, Nina, 1978 - Kulturelle Teilhabe durch Musik?
    Dissertation note: Dissertation Humboldt-Universität zu Berlin
    DDC: 306.4842
    RVK:
    AP 14900
    RVK:
    DG 8500
    RVK:
    DG 9000
    RVK:
    DS 7400
    RVK:
    LR 56600
    RVK:
    LR 56957
    RVK:
    LR 57070
    RVK:
    MS 3500
    Keywords: Electronic books ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Musikerziehung ; Kulturpädagogik ; Teilhabe ; Außerschulische Jugendbildung ; Ethnosoziologie ; Multikulturelle Gesellschaft ; Gruppenarbeit ; Ausgrenzung
    Abstract: Die Idee kultureller Teilhabe wird in wissenschaftlichen und gesellschaftspolitischen Kontexten immer wichtiger - mit entsprechenden Hoffnungen verbunden ist dabei insbesondere die Förderung von benachteiligten Gruppen. Dem Diskurs inhärent ist jedoch, dass das Ziel kultureller Teilhabe in sein Gegenteil verkehrt werden und zu einer inkludierenden Exklusion führen kann. Nina Stoffers zeigt, wie dieses Spannungsverhältnis wechselseitig voneinander abhängiger Strategien des Empowerment und des Othering gerade in transkulturellen Musikprojekten mit Kindern und Jugendlichen austariert wird. Kulturelle Teilhabe wird dabei als diversitätssensible und rassismuskritische Praxis begreifbar
    Abstract: Frontmatter -- Inhalt -- Danksagung -- Teil I: Einleitung -- 1. Forschungshorizont -- 2. Forschungsperspektive -- 3. Aufbau -- Teil II: Theoretische Grundlagen -- 1. Kulturelle Bildung -- 2. Bedeutungsvarianten des Kulturbegriffs -- 3. Transkulturalität -- 4. Kulturelle Teilhabe -- Teil III: Methodik -- 1. Das Forschungsfeld und seine Erschließung -- 2. Standortgebundenheit, methodisch kontrolliertes Fremdverstehen und ethische Forschungshaltung -- 3. Erhebungsmethoden -- 4. Erhebung und Sampling -- 5. Auswertungsmethoden -- 6. Darstellung der Daten -- Teil IV: Transkulturelle Musikprojekte -- Einleitung -- A. Heimat re-invented (Köln) -- Steckbrief -- Übersicht der Szenen von Heimat re-invented -- 1. Selbst- und Fremdbild: (Re-)Präsentationen in Antrag, Homepage, Evaluation und Presse -- 2. Zur Relevanz der Dramaturgie: Wer hält die Fäden in der Hand? -- 3. Was wird aufgeführt und wer steht auf der Bühne? Zur Auswahl des Repertoires und der Teilnehmenden -- 4. Kostüme und Requisiten -- 5. Wer arbeitet wie? Die Arbeitsweisen der künstlerischen Dozentinnen -- 6. Für wen ist das Projekt? Erwartungen und Ziele aus künstlerischen und pädagogischen Perspektiven -- 7. Titel und Rahmen -- 8. Exkurs: Der Umgang mit Klischees und Stereotypen -- B. Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- C. Zukunftsmusik (Berlin) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- Teil V: Im Spannungsfeld von Empowerment und Othering -- 1. Sichtbarkeit -- 2. Kompetenzorientierung -- 3. Zuschreibungen -- 4. Musik als Mittel zum Zweck? -- 5. Schlüsselkategorie: Das Spannungsfeld von Empowerment und Othering -- Teil VI: Fazit und Ausblick -- Einleitung -- Inkludierende Exklusion -- Ausblick -- Teil VII: Anhang -- Materialauflistung und Abkürzungsverzeichnis -- 1. Allgemein -- 2. Projekt A: Heimat re-invented (Köln) -- 3. Projekt B: Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- 4. Projekt C: Zukunftsmusik (Berlin) -- Teil VIII: Bibliografie
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5988547
    URL: https://www.transcript-verlag.de/978-3-8376-4849-2/kulturelle-teilhabe-durch-musik/
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5988547
    URL: https://www.transcript-verlag.de/978-3-8376-4849-2/kulturelle-teilhabe-durch-musik/
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  • 35
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    A war of songs : popular music and recent Russia-Ukraine relations (2019)
    Stuttgart : ibidem-Verlag | Birmingham, AL, USA : EBSCO Industries, Inc.
    Details
    ISBN: 9783838271736
    Language: English
    Pages: 1 Online-Ressource (247 Seiten) , Illustrationen
    Series Statement: Soviet and post-Soviet politics and society vol. 203
    DDC: 322.409477
    RVK:
    LQ 86008
    RVK:
    LR 57728
    RVK:
    LS 48015
    RVK:
    NQ 8306
    Keywords: Geschichte 2013-2017 ; Popmusik ; Internationale Politik ; Politische Bewegung ; Euromaidan ; Ukraine ; Russland
    Note: Literaturverzeichnis, Filmverzeichnis und Verzeichnis von Musikvideos Seite 203-235
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: http://www.ibidemverlag.de
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  • 36
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    Jugend – Pop – Kultur : Eine transnationale Geschichte (2019)
    Berlin : Suhrkamp Verlag | Grünwald : Preselect.media GmbH
    Details
    ISBN: 9783518754597
    Language: German
    Pages: 1 Online-Ressource (866 Seiten)
    Edition: Originalausgabe
    DDC: 900
    RVK:
    LB 43820
    RVK:
    NQ 5840
    RVK:
    NK 4950
    RVK:
    NW 2200
    RVK:
    LS 48060
    RVK:
    MS 2350
    RVK:
    MS 2150
    Keywords: Geschichte ; Geschichte 1953-1966 ; Pop-Kultur ; Jugendkultur ; Massenkultur ; Kriminalisierung ; Popularisierung ; Transnationalisierung ; Soziokultureller Wandel
    Abstract: Long description: Scheppernde Sounds, lautes Benehmen und schrille Mode: Das Vokabular, mit dem Zeitgenossen Mitte des 20. Jahrhunderts eine neue Jugendszene beschrieben, markiert einen Kulturbruch. Ästhetische Konflikte kulminierten in Straßenkrawallen, Polizeimaßnahmen und Zensurgesetzen. Zugleich etablierten Tourneen, Piratensender und Fanclubs grenzüberschreitend neue Inhalte. Bodo Mrozek analysiert einen Wandel, der sich in den 1950er und 1960er Jahren vollzog und die Gesellschaft prägte: Was zunächst als Jugenddelinquenz bekämpft wurde, galt zehn Jahre später als Inbegriff urbaner Kultur. Dokumente aus sechs Staaten bilden das Material dieser transnationalen Geschichte der Popkultur. - Biographical note: 〈p〉Bodo Mrozek ist Historiker. Derzeit ist er Fellow am Berlin Center for Cold War Studies des Instituts für Zeitgeschichte München – Berlin (IfZ), der Stiftung Aufarbeitung und der Humboldt-Universität zu Berlin.〈/p〉
    URL: http://www.content-select.com/index.php?id=bib_view&ean=9783518754597
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  • 37
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    DIY cultures and underground music scenes (2019)
    London ; New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781351850339
    Language: English
    Pages: 1 Online-Ressource (xiv, 250 Seiten) , Illustrationen
    Series Statement: Routledge advances in sociology
    Parallel Title: Erscheint auch als DIY cultures and underground music scenes
    RVK:
    LS 48015
    RVK:
    LS 48015
    Keywords: Musikleben ; Kulturvergleich ; Unabhängigkeit ; Underground ; Konferenzschrift ; Musikleben ; Underground ; Unabhängigkeit ; Kulturvergleich
    DOI: 10.4324/9781315226507
    URL: Volltext
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    HBZ
  • 38
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    Creolized aurality : Guadeloupean gwoka and postcolonial politics (2019)
    Chicago : The University of Chicago Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780226631806
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.620972976
    RVK:
    LC 87640
    RVK:
    LS 48700
    Keywords: Geschichte 1635-2019 ; Antikolonialismus ; Postkolonialismus ; Volksmusik ; Gwoka ; Guadeloupe
    DOI: 10.7208/9780226631806
    URL: https://www.degruyter.com/document/doi/10.7208/9780226631806/html
    URL: https://doi.org/10.7208/9780226631806
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  • 39
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    Nachgelassene Schriften. Abteilung V : Band 1: Vorträge 1949-1968. (2019)
    Berlin :Suhrkamp Verlag,
    Details
    ISBN: 978-3-518-76139-7
    Language: German
    Pages: 1 online resource (789 pages).
    Edition: 1st ed
    RVK:
    MQ 3010
    RVK:
    CI 1322
    RVK:
    LP 91140
    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=6109233
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    HU Berlin
  • 40
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    Online Resource
    Rites, rights and rhythms : a genealogy of musical meaning in Colombia's Black Pacific (2019)
    Oxford : Oxford University Press
    Details
    ISBN: 9780199913930
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Currents in Latin American and Iberian mMusic
    RVK:
    LS 48800
    Keywords: Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Abstract: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation’s margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia’s majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. Rites, Rights & Rhythms: A Genealogy of Musical Meaning in Colombia’s Black Pacific is the first book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war. The author draws on both archival and ethnographic research to trace these and other opinions about how currulao has been understood, illuminating a history of struggles over its meanings that are also struggles over the meanings of blackness in Colombia. Moving from the eighteenth century to the present, this book asks how musical meaning is made, maintained, and sometimes abandoned across historical contexts as varied as colonial slavery, twentieth-century national populism, and neoliberal multiculturalism. What emerges is both a rich portrait of one of the hemisphere’s most important and understudied black cultures and a theory of history traced through the performative practice of currulao.
    Abstract: Cover -- Series -- Rites, Rights & Rhythms -- Copyright -- Dedication -- Contents -- Acknowledgments -- About the Companion Website -- A Note on Images -- Introduction -- 1. The Sounded Poetics of the Black Southern Pacific -- 2. Music in the Mines: Black Cosmopolitans and Musical Practice in the Colonial Southern Pacific -- 3. Modernities and Nonmodernities in Black Pacific Music -- 4. Race, Region, Representativity, and the Folklore Paradigm -- 5. Between Legibility and Alterity: Black Music and Self-​Making in the Age of Ethnodiversity -- Conclusion -- References -- Index
    DOI: 10.1093/oso/9780199913923.001.0001
    URL: Volltext
    URL: Volltext
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  • 41
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    Do you remember house? : Chicago's queer of color undergrounds (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190698454
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    DDC: 781.6480977311
    RVK:
    LS 48050
    Keywords: House music History and criticism ; Illinois ; Chicago ; Homosexuality and popular music Illinois ; Chicago ; African American gays Illinois ; Chicago ; Popmusik ; Chicago, Ill. ; House ; Geschichte 1975-2019
    Abstract: This interdisciplinary study historicizes house music, the rhythmically focused electronic dance sound born in the post-industrial maroon spaces of Chicago’s queer, black, and Latino social dancers. Working from oral history interviews, archival research, and performance ethnography, it argues that the remediation and adaptation of house by multiple and overlapping crossover communities in its first decade shaped the ways that contemporary Chicago house music producers, DJs, dancers, and promoters re-remember and re-animate house as an archive indexing experiences of queer of color congregation. Engaging with and extending the fields of African American studies, urban studies, gender and sexuality studies, dance studies, performance studies, popular music studies, ethnomusicology, and media studies, Do You Remember House? considers house music culture’s liberatory potential in relation to its flexible repertoire in motion, an ever-expanding archive of danceable sounds.
    DOI: 10.1093/oso/9780190698416.001.0001
    URL: Volltext
    URL: Inhaltsverzeichnis
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  • 42
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    Rock, Rap, Recht : Beiträge zu Musik, Recht und Geschichte (2019)
    Darmstadt :wbg Academic,
    Details
    ISBN: 978-3-534-40305-9 , 978-3-534-40304-2
    Language: German
    Pages: 1 Online-Ressource (147 Seiten) : , Illustrationen.
    Series Statement: Schriftenreihe des Mittelalterlichen Kriminalmuseums Rothenburg ob der Tauber Band 10
    Parallel Title: Erscheint auch als
    RVK:
    MS 8020
    RVK:
    LR 57508
    RVK:
    LS 48015
    Keywords: Geschichte ; Bänkelsang. ; Musik. ; Hexensabbat. ; Völkerstrafrecht. ; Paperback / softback ; Allgemein ; Bänkelsang ; Brecht ; Geschichte ; Hexensabbat ; Mittelalter ; Moritat ; Musik ; Popmusik ; Rammstein ; Recht ; Rockmusik ; WF: Wissen Fachbuch ; 1559: Hardcover, Softcover / Geschichte/Kulturgeschichte ; Konferenzschrift 11.08.2018 ; Bänkelsang ; Geschichte ; Musik ; Hexensabbat ; Geschichte ; Völkerstrafrecht ; Musik ; Geschichte
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    HU Berlin
  • 43
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    On popular music and its unruly entanglements (2019)
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    Details
    ISBN: 9783030180997
    Language: English
    Pages: 1 Online-Ressource (xiii, 269 Seiten) , Illustrationen
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    LS 48015
    Keywords: Music ; Popular Culture ; Media and Communication ; Cultural Theory ; Philosophy of Music ; Music ; Popular Culture ; Communication ; Culture—Study and teaching ; Music—Philosophy and aesthetics ; Kulturtheorie ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Kulturtheorie
    DOI: 10.1007/978-3-030-18099-7
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Bayreuth UB
  • 44
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    Switched on pop : how popular music works, and why it matters (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190056681
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    LS 48070
    Keywords: Geschichte 2000-2019 ; Popular music / 2001-2010 / History and criticism ; Popular music / 2011-2020 / History and criticism ; Popular music / Analysis, appreciation ; Musikalische Analyse ; Musikalischer Stil ; Hit ; Popmusik ; Popmusik ; Hit ; Musikalischer Stil ; Musikalische Analyse ; Geschichte 2000-2019
    Abstract: 'Switched on Pop' illuminates the essential musical concepts behind two decades of chart-topping songs. The text moves through close studies of 16 modern pop classics by artists from Beyonc e to Zedd, each chapter bringing out key aspects of a particular song as well as introducing core concepts such as rhythm, melody, harmony, form, and timbre. As the work progresses, more complex concepts such as syncopation, counterpoint, rhyme, and modulation are covered, culminating in an examination of genre, identity, and musical meaning. Accessible prose and engaging illustrations break down pop hits and musical ideas in clear, jargon-free language, and point toward a new way of listening to the modern soundtrack of pop.
    Note: Includes bibliographical references and index
    DOI: 10.1093/oso/9780190056650.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://dx.doi.org/10.1093/oso/9780190056650.001.0001
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    München BSB
    HeBIS
    BVB
  • 45
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    Musikfernsehen im Wandel : MTV im Kontext des digitalen Wandels und jugendkultureller Interessensfelder (2019)
    Wiesbaden : Springer Fachmedien Wiesbaden | Imprint: Springer VS
    Details
    ISBN: 9783658277314
    Language: German
    Pages: 1 Online-Ressource (XXII, 460 S. 21 Abb)
    Edition: 1st ed. 2019
    Series Statement: Medien • Kultur • Kommunikation
    Parallel Title: Printed edition
    Dissertation note: Dissertation Paris Lodron Universität Salzburg 2017
    DDC: 302.2
    RVK:
    AP 36360
    RVK:
    LR 57255
    Keywords: Communication ; Popular Culture ; Sozialisation ; Fernsehsendung ; Musiksendung ; Internet ; Medienkonsum ; Jugend ; Österreich ; USA ; Hochschulschrift ; Hochschulschrift ; Österreich ; USA ; Jugend ; Musiksendung ; Fernsehsendung ; Internet ; Medienkonsum ; Sozialisation
    DOI: 10.1007/978-3-658-27731-4
    URL: https://doi.org/10.1007/978-3-658-27731-4
    URL: https://doi.org/10.1007/978-3-658-27731-4
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
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  • 46
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    Popular music and public diplomacy : transnational and transdisciplinary perspectives (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten)
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Popular Music and Public Diplomacy (Veranstaltung : 2015 : Dortmund) Popular music and public diplomacy
    RVK:
    LS 48015
    Keywords: International relations and culture ; Music and diplomacy ; Music ; Popular music Political aspects ; history ; Politics ; Music ; Cultural History ; History of the 20th Century ; Popular Culture ; Musicology ; Pop Music ; International Relations ; Diplomacy ; MUSIC / History & Criticism ; Konferenzschrift ; Konferenzschrift ; Unterhaltungsmusik ; Public Diplomacy ; Geschichte ; Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries
    Abstract: Frontmatter -- Table of Contents -- Acknowledgements -- Popular Music and Public Diplomacy / Dunkel, Mario / Nitzsche, Sina A. -- Part I: Competition and Collaboration -- Music in Transnational Transfers and International Competitions / Nathaus, Klaus -- The Paradoxes of Cultural and Music Diplomacy in a Federal Country / Mazzola, Alessandro -- Dervish on the Eurovision Stage / Şahin, Nevin Ş -- Part II: Infiltration and Appropriation -- Between Propaganda and Public Diplomacy / Ritter, Rüdiger -- "Liberated from Serfdom" / Feustle, Maristella -- A Musical Inquisition? / Ignácz, Ádám -- Part III: Education and Promotion -- Dancing in Chains / Bayles, Martha -- Becoming a Blue-Collar Musical Diplomat / Brown, Nicholas Alexander -- Music Trade in the Slipstream of Cultural Diplomacy / Kube, Sven -- National Flamencoism / Díaz, Carlos Sanz / Morales Tamaral, José Manuel -- Part IV: Representation and Participation -- The Ethics and Politics of Empathy in US Hip-Hop Diplomacy / Salois, Kendra -- Popular Musicking and the Politics of Spectatorship at the United Nations / Ball, James R. -- From Sons of Gastarbeita to Songs of Gastarbeiter / Nieden, Gesa zur -- Public Diplomacy and Decision-Making in the Eurovision Song Contest / Vuletic, Dean -- List of Contributors -- Index
    Note: Open Access , Mode of access: Internet via World Wide Web.
    DOI: 10.14361/9783839443583
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 47
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    Jugend - Pop - Kultur : eine transnationale Geschichte (2019)
    Berlin : Suhrkamp
    Details
    ISBN: 9783518754597
    Language: German
    Pages: 1 Online-Ressource (866 Seiten) , Illustrationen
    Edition: [Originalausgabe]
    Uniform Title: Delinquenz und Normalisierung
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Freie Universität Berlin 2016
    DDC: 900
    RVK:
    MS 2150
    RVK:
    MS 2350
    RVK:
    LS 48060
    RVK:
    LB 43820
    Keywords: Geschichte 1953-1966 ; Geschichte ; Popularisierung ; Jugendkultur ; Popkultur ; Massenkultur ; Kriminalisierung ; Soziokultureller Wandel ; Transnationalisierung ; Popkultur ; Jugenddelinquenz ; Hochschulschrift ; Popkultur ; Jugendkultur ; Geschichte ; Jugendkultur ; Massenkultur ; Kriminalisierung ; Popularisierung ; Transnationalisierung ; Soziokultureller Wandel ; Geschichte 1953-1966
    Note: Der vorliegende Text folgt der 1. Auflage der Ausgabe des suhrkamp taschenbuch wissenschaft 2237
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  • 48
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    Jugend - Pop - Kultur : eine transnationale Geschichte (2019)
    Berlin :Suhrkamp,
    Details
    ISBN: 978-3-518-75459-7
    Language: German
    Pages: 1 Online-Ressource (866 Seiten) : , Illustrationen.
    Edition: [Originalausgabe]
    Uniform Title: Delinquenz und Normalisierung
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Freie Universität Berlin 2016
    DDC: 900
    RVK:
    MS 2150
    RVK:
    MS 2350
    RVK:
    LS 48060
    RVK:
    LB 43820
    Keywords: Geschichte ; Geschichte 1953-1966 ; Popkultur. ; Jugendkultur. ; Massenkultur. ; Kriminalisierung. ; Popularisierung. ; Transnationalisierung. ; Soziokultureller Wandel. ; Popkultur ; Jugenddelinquenz ; Hochschulschrift ; Popkultur ; Jugendkultur ; Geschichte ; Jugendkultur ; Massenkultur ; Kriminalisierung ; Popularisierung ; Transnationalisierung ; Soziokultureller Wandel ; Geschichte 1953-1966
    Note: Der vorliegende Text folgt der 1. Auflage der Ausgabe des suhrkamp taschenbuch wissenschaft 2237
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    HU Berlin
  • 49
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    Ich : Die Autobiografie (2019)
    [Erscheinungsort nicht ermittelbar] : Heyne Verlag | Wiesbaden : divibib GmbH
    Details
    ISBN: 9783641215897
    Language: German
    Pages: 496 S.
    Series Statement: Onleihe. E-Book
    RVK:
    LS 48040
    Keywords: John, Elton ; Autobiografie
    Abstract: Die erste und einzige Autobiografie des "Rocket-Man" Elton John gehört zu den erfolgreichsten Künstlern aller Zeiten. "Your Song", "Tiny Dancer" und "Candle in the Wind" sind nur einige von unzähligen Hits seiner beispiellosen Karriere. Erstmals erzählt er jetzt die Geschichte seines außergewöhnlichen Lebens und blickt zurück auf sieben Jahrzehnte voller Höhen und Tiefen. Er enthüllt die Wahrheit über seine Kindheit im Londoner Vorort Pinner und über die schwierige Beziehung zu seinen Eltern. Reginald Dwight, der später als Elton John weltberühmt werden sollte, war ein schüchterner Junge, der heimlich davon träumte, Popstar zu werden. Im Alter von 23 spielte er seinen ersten Auftritt in den USA und begeisterte in quietschgelber Latzhose, einem sternenbesetzten T-Shirt und geflügelten Stiefeln sein Publikum. Elton John war angekommen - und die Musikwelt sollte nie wieder dieselbe sein. Seine Autobiografie "Ich" ist voller Dramatik: Angefangen bei der Ablehnung der ersten Songs von Elton und seinem Songwriting-Partner Bernie Taupin bis hin zu seinem überwältigenden Erfolg als Weltstar; von den Freundschaften mit John Lennon, Freddie Mercury und George Michael bis hin zum Disco-Tanz mit der Queen; von Selbstmord versuchen bis hin zu seiner Drogensucht, die ihn über ein Jahrzehnt lang fest im Griff hatte. Elton schreibt auch ausführlich über seinen Entzug und den Aufbau seiner AIDS-Stiftung. Er erzählt, wie er in David Furnish die wahre Liebe fand, mit Gianni Versace im Urlaub war und auf der Beerdigung seiner Freundin Prinzessin Diana sang. Und er beschreibt, wie er plötzlich spürte, dass er Vater werden will, und sein Leben sich noch einmal völlig verändert hat. Humorvoll, unterhaltsam und tief bewegend - Elton Johns Autobiografie "Ich" nimmt uns mit auf eine intime Reise mit einer lebenden Legende.
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  • 50
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    Genre im Diskurs : integrative Musikanalyse zu Reggae und Dancehall (2019)
    Münster ; New York : Waxmann
    Details
    ISBN: 9783830991045
    Language: German
    Pages: 1 Online-Ressource (339 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Populäre Kultur und Musik Band 25
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Friedrich-Schiller-Universität Jena 2018
    RVK:
    LS 48700
    Keywords: Dance hall ; Reggaemusiker ; Musikalische Analyse ; Reggae ; Unterhaltungsmusik ; Jamaika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jamaika ; Reggae ; Reggaemusiker ; Dance hall ; Unterhaltungsmusik ; Musikalische Analyse
    Abstract: Reggae und Dancehall gehören zu den einflussreichsten Stilbereichen populärer Musik der vergangenen Jahrzehnte. Auf der Karibikinsel Jamaika entstanden, durchliefen sie international intensive Aneignungsprozesse und werden mittlerweile weltweit gehört und gespielt. Diese Studie spürt den ästhetischen Phänomenen des Genres nach. Durch die Verschränkung diskurs-, bild- und musikanalytischer Zugänge werden die Bewertungskriterien von Experten, die visuellen Darstellungen der Musiker sowie die musikalischen Klänge im Reggae und Dancehall analysiert und wechselseitig aufeinander bezogen. Damit reagiert die Studie auf aktuelle Herausforderungen der wissenschaftlichen Analyse populärer Musik: Nicht nur das Klanggeschehen im Reggae und Dancehall, sondern auch die darauf bezogenen Bewertungskriterien werden empirisch untersucht und als Interpretationsgrundlage genutzt. Zentral ist dabei die Frage, was in diesem Genre positiv bewertet wird und wie diese Wertschätzung analytisch greifbar werden kann
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 51
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    Teaching school jazz : perspectives, principles, and strategies (2019)
    Oxford : Oxford University Press
    Details
    ISBN: 0190462590 , 9780190462598
    Language: English
    Pages: 1 Online-Ressource (297 p)
    RVK:
    LS 48015
    RVK:
    LR 56970
    Keywords: Jazz Instruction and study ; MUSIC / Instruction & Study / Theory ; bisacsh ; USA ; Schule ; Musikerziehung ; Jazz
    Note: Includes bibliographical references and index
    URL: Volltext
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  • 52
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    Theory for ethnomusicology : histories, conversations, insights (2019)
    New York : Routledge
    Details
    ISBN: 1315408570 , 1315408554 , 1315408562 , 9781315408576 , 9781315408552 , 9781315408569
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Edition: Second edition
    Parallel Title: Erscheint auch als Theory for ethnomusicology
    RVK:
    LC 87000
    RVK:
    LS 16000
    Keywords: Ethnomusicology ; Ethnomusicology ; Music Philosophy and aesthetics ; MUSIC / Ethnomusicology ; bisacsh ; Ethnomusicology ; fast ; (OCoLC)fst00916186 ; Electronic books ; Musikethnologie ; Musiksoziologie ; Musikphilosophie
    Abstract: Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline's past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008. A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field's relevance and pointing the way toward new horizons of research. New to this edition: Every chapter in the book is completely new, with richer and more comprehensive discussions. New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation. New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements
    Note: Includes bibliographical references and index
    URL: Volltext
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  • 53
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    Jazz in Europe : networking and negotiating identities$h (2019)
    New York : Bloomsbury Academic & Professional
    Details
    ISBN: 9781501346606
    Language: English
    Pages: 1 online resource (201 pages)
    Parallel Title: Erscheint auch als
    RVK:
    LS 48200
    Keywords: Electronic books ; Europa ; Jazz ; Forschung ; Musikerziehung ; Musikförderung ; Netzwerk ; Kulturelle Identität
    Abstract: Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgements -- Abbreviations -- Introduction -- 1 Researching jazz in Europe today -- 2 Challenges for European jazz networking -- 3 Current strategies -- 4 Giving voice to ground players -- Conclusions -- References -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5751870
    URL: Inhaltsverzeichnis
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    BSZ
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  • 54
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    Sprechen Sie Rhythmus? : Onomatopoesie beim Lernen melorhythmischer Pattern (2019)
    Wien : Hollitzer Wissenschaftsverlag
    Details
    ISBN: 9783990125786
    Language: German
    Pages: 1 online resource (169 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.62
    RVK:
    AP 84350
    RVK:
    LR 55250
    RVK:
    AP 84050
    Keywords: Rhythm ; Electronic books ; Musikerziehung ; Lautmalerei ; Rhythmus ; Pattern
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
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    BSZ
    GBV
  • 55
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    Online Resource
    The making of a Reform Jewish cantor : musical authority, cultural investment (2019)
    Bloomington, IN : Indiana University Press
    Details
    ISBN: 9780253045478 , 0253045479
    Language: English
    Pages: 1 Online-Ressource , illustrations
    Edition: First paperback edition
    Series Statement: [Helen B. Schwartz book in Jewish studies]
    Parallel Title: Erscheint auch als Cohen, Judah M Making of a Reform Jewish cantor
    RVK:
    LR 56600
    RVK:
    LR 57050
    RVK:
    LR 57740
    RVK:
    LS 33240
    Keywords: Hebrew Union College-Jewish Institute of Religion ; Hebrew Union College-Jewish Institute of Religion - New York Campus - School of Sacred Music ; Cantillation Instruction and study ; Cantors (Judaism) Education ; Reform Judaism ; Hebrew Union College-Jewish Institute of Religion ; Berufsausbildung ; Kantor ; Reformjudentum ; USA ; USA ; MUSIC / Ethnomusicology ; Cantillation ; Instruction and study ; Reform Judaism ; Judaïsme réformé ; Cantors (Judaïsme) - Éducation ; Reform Judaism ; Cantors (Judaism) ; Reform Judaism - Liturgy - History ; Synagogue music ; Cantillations ; Cantillations ; Synagogue music ; Cantillations ; Musique synagogale ; Electronic books ; Synagogue music ; Cantillations
    Abstract: To fashion a cantor -- Seeking the tradition -- Constructing a tradition -- Through the prism of the practicum -- A prism of cantorial sound -- A prism of cantorial identity.
    Abstract: "The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American Reform Jews at the turn of the twenty-first century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor's role in American Jewish religious life today? Judah M. Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and cultural aspects of aspiring to musical authority, this book provides unusual insights into issues of musical tradition, identity, gender, community, and high and low musical culture."--Jacket
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
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  • 56
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    Online Resource
    Music practices across borders : (e)valuating space, diversity and exchange (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839446676
    Language: English
    Pages: 214 Seiten , 22.5 cm x 14.8 cm, 318 g
    Edition: First published
    Series Statement: Music and sound culture volume 35
    Series Statement: Musik und Klangkultur 35
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Music practices across borders
    RVK:
    LS 48000
    Keywords: Music and transnationalism ; Music Effect of multiculturalism on ; Music Social aspects ; Music ; Ethnomusicology ; Musicology ; Musik ; Kulturaustausch ; Kultur ; Internationale Kooperation ; Kulturindustrie ; Internationale Politik ; Künstler ; Soziales Netzwerk ; Evaluation ; Migration ; Forschung ; MUSIC / History & Criticism ; Erde ; Evaluation ; Globalization ; Interculturalism ; Migration ; Music ; Musicology ; Sociology of Culture ; Transnational ; Konferenzschrift 2018 ; Konferenzschrift 2018
    Abstract: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind
    Abstract: Frontmatter -- Content -- Introduction-Music practices across borders / Peres da Silva, Glaucia / Hondros, Konstantin -- Valuation in a reversed economy / Fryberger, Annelies -- Culture, creativity and practice / Wafula, Mukasa Situma -- "Come and expose yourself to the fantastic music from around the world" / Lell, Peter -- From desire for recognition to desire for independence / Le Coz, Sandrine -- The invention of African art music / Riva, Nepomuk -- Contemplating musical life in Tunisia under the French protectorate-the society and challenges / El Kahla, Alla -- The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century / Anabel González, Daniela -- Brazilian grooves and cultured clichés / Boy Bystron, Janco / Santana, Chico -- About the authors
    Note: Seite 8: [...] we organized a conference at the University of Duisburg-Essen in June 2018, entitled (E)valuating Transnational Music Practices: Space, Diversity, and Exchange [...]
    DOI: 10.14361/9783839446676
    URL: Open Access
    URL: kostenfrei
    URL: http://www.transcript-verlag.de/978-3-8376-4667-2
    URL: Cover
    URL: kostenfrei
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Open Access
    URL: kostenfrei
    URL: http://www.transcript-verlag.de/978-3-8376-4667-2
    URL: Cover
    URL: kostenfrei
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 57
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    Contemporary popular music studies : proceedings of the International Association for the Study of Popular Music 2017 (2019)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783658252533
    Language: English
    Pages: 1 Online-Ressource (298 Seiten) , Illustrationen
    Series Statement: Systematische Musikwissenschaft
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
    RVK:
    LS 48010
    Keywords: Cultural Studies ; Creativity and Arts Education ; Media Research ; Music ; Music ; Musik ; Unterhaltungsmusik ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Musik ; Unterhaltungsmusik
    DOI: 10.1007/978-3-658-25253-3
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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    HU Berlin
    Würzburg UB
    BSZ
    GBV
    BVB
    Bayreuth UB
  • 58
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    Jewish Religious Music in Nineteenth-Century America : Restoring the Synagogue Soundtrack (2019)
    Bloomington : Indiana University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780253040237
    Language: English
    Pages: 1 Online-Ressource (345 pages)
    Edition: 1st ed.
    RVK:
    NY 4900
    RVK:
    LS 33260
    Keywords: Geschichte 1800-1900 ; Juden ; Synagoge ; Geistliche Musik ; Kirchenmusikpflege ; USA ; Electronic books
    Abstract: Jewish Music in Nineteenth Century America looks at key Jewish American musical figures and texts from the 19th century, demonstrating the significant influence central European traditions had during this period and complicating the notion that American Jewish musical traditions "progressed" from solo chant to canters and choirs.
    Note: Description based on publisher supplied metadata and other sources
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    BVB
  • 59
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    Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives (2019)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    LS 48015
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    DOI: 10.1515/9783839443583
    URL: kostenfrei
    URL: Cover
    URL: kostenfrei registrierungspflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: De Gruyter, Cover
    URL: EBSCOhost
    URL: https://doi.org/10.14361/9783839443583
    URL: https://openresearchlibrary.org/content/422dabda-0d15-4fb7-847b-a0d3dd102bff
    URL: Biblioboard
    URL: Image
    URL: lizenzpflichtig
    URL: kostenfrei
    URL: kostenfrei
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  • 60
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    Music Practices Across Borders : (E)Valuating Space, Diversity and Exchange (2019)
    Bielefeld : transcript-Verlag
    Details
    ISBN: 3839446678 , 9783839446676
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Musik und Klangkultur 35
    RVK:
    LS 48000
    Keywords: Music ; Musicology ; Ethnomusicology ; SOCIAL SCIENCE / General ; MUSIC / History & Criticism ; Music ; Musicology ; Ethnomusicology ; Electronic books ; Konferenzschrift ; Aufsatzsammlung
    Abstract: Frontmatter --Content --Introduction-Music practices across borders /Peres da Silva, Glaucia / Hondros, Konstantin --Valuation in a reversed economy /Fryberger, Annelies --Culture, creativity and practice /Wafula, Mukasa Situma --"Come and expose yourself to the fantastic music from around the world" /Lell, Peter --From desire for recognition to desire for independence /Le Coz, Sandrine --The invention of African art music /Riva, Nepomuk --Contemplating musical life in Tunisia under the French protectorate-the society and challenges /El Kahla, Alla --The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century /Anabel González, Daniela --Brazilian grooves and cultured clichés /Boy Bystron, Janco / Santana, Chico --About the authors
    Abstract: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind
    Note: In English
    URL: kostenfrei
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 61
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    Music and modernity among first peoples of North America (2019)
    Middletown, Connecticut : Wesleyan University Press
    Details
    ISBN: 9780819578648
    Language: English
    Pages: 1 Online-Ressource (xviii, 330 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/97
    RVK:
    LS 49700
    Keywords: Geschichte 1900- ; Indians of North America Music ; History and criticism ; Music North America ; History and criticism ; Indians of North America Social life and customs ; Ethnomusicology ; Musikethnologie ; Identität ; Indianer ; Kulturaustausch ; Musik ; Moderne ; Nordamerika ; Aufsatzsammlung ; Konferenzschrift 2013 ; Nordamerika ; Indianer ; Musik ; Identität ; Moderne ; Kulturaustausch ; Musikethnologie ; Geschichte 1900-
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
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    BVB
    HBZ
  • 62
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    Musik und Bewegung : Struktur und Dynamik der Unterrichtsgestaltung (2019)
    Baden-Baden :Academia,
    Details
    ISBN: 978-3-89665-819-7
    Language: German
    Pages: 1 Online-Ressource (248 Seiten) : , Illustrationen.
    Edition: 4., aktualisierte Auflage
    Series Statement: Academia Sport 52
    Series Statement: Academia Sport
    Parallel Title: Erscheint auch als
    RVK:
    LR 56985
    RVK:
    DP 6620
    Keywords: Rhythmische Erziehung. ; Musikerziehung. ; Bewegung. ; Musikpädagogik ; Musik ; Bewegung ; Unterrichtsgestaltung ; Struktur ; Dynamik ; Rhythmik ; Unterrichtsdynamik ; Ästhetik ; Kompetenzprofile ; Körperwahrnehmung ; moderner Musikunterricht ; Musik und Bewegung ; Klassenmusizieren ; Sport ; Gymnastik ; Musiktherapie ; Heilpädagogik ; Sozialpädagogik ; Psychomotorik ; Rhythmische Erziehung ; Musikerziehung ; Musikerziehung ; Bewegung
    DOI: 10.5771/9783896658197
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
  • 63
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    Provokation! : Songs, die für Zündstoff sorgten (2019)
    Darmstadt : wbg Theiss
    Details
    ISBN: 9783806239539
    Language: German
    Pages: 1 Online-Ressource (296 Seiten)
    RVK:
    LS 48635
    RVK:
    LS 48650
    RVK:
    LS 48660
    RVK:
    LR 57727
    RVK:
    LR 57728
    Keywords: Popsong ; Provokation
    URN: urn:nbn:de:hebis:17:epflicht-17927
    URL: Autorenbiografie
    URL: Kurzbeschreibung
    URL: Rezension
    URL: Abstract
    URL: Inhaltsverzeichnis
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  • 64
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    Pop und Populismus : über Verantwortung in der Musik (2019)
    Hamburg : Edition Körber
    Details
    ISBN: 9783896845573
    Language: German
    Pages: 1 Online-Ressource (208 Seiten)
    Parallel Title: Erscheint auch als Balzer, Jens, 1969 - Pop und Populismus
    DDC: 780.032
    RVK:
    MB 3450
    RVK:
    LS 48015
    RVK:
    MF 3390
    RVK:
    MS 8020
    Keywords: Popmusik ; Populismus
    URL: Volltext  (lizenzpflichtig)
    URL: https://www.koerber-stiftung.de/publikationen/shop-portal/show/pop-und-populismus-248
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  • 65
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    Dance music manual : tools, toys and techniques (2019)
    London : Routledge
    Details
    ISBN: 9780429453830
    Language: English
    Pages: 1 Online-Ressource (xv, 522 pages)
    Edition: 4th new edition
    Parallel Title: Erscheint auch als
    DDC: 781.641554134
    RVK:
    LS 48655
    RVK:
    LS 48000
    RVK:
    LR 57790
    RVK:
    LR 57600
    Keywords: MUSIC / Genres & Styles / Pop Vocal ; Electronic composition ; Sound / Recording and reproducing / Digital techniques ; Sound recording industry / Vocational guidance ; Sound recordings / Remixing ; Electronic dance music ; Electronic dance music Handbooks, manuals, etc ; Sound recordings Remixing ; Electronic composition ; Sound recording industry Vocational guidance ; Sound Recording and reproducing ; Digital techniques ; Tanzmusik ; Audiotechnik ; Popmusik ; Elektronische Musik ; Popmusik ; Elektronische Musik ; Tanzmusik ; Audiotechnik
    Note: Whatever your level of experience, the Dance Music Manual is packed with sound advice, techniques and practical examples to help you achieve professional results. Written by a professional producer and remixer, this book offers a comprehensive approach to music production, including knowledge of the tools, equipment and different dance genres. Get more advice and resources from the books official website, www.dancemusicproduction.com. * Included in the new edition are sections on recording instruments alongside new chapters covering more dance music genres. * Examines all aspects of music production, from sound design, compression & effect to mixing & mastering to publishing & promoting, to help you become a better producer. * The companion CD provides sample and example tracks, demonstrating the techniques used in the book
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  • 66
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    Trotz alledem : Mein Leben - Mit exklusivem Fotomaterial (2019)
    [Erscheinungsort nicht ermittelbar] : Penguin Verlag | Wiesbaden : divibib GmbH
    Details
    ISBN: 9783641212971
    Language: German
    Pages: 592 S.
    Series Statement: Onleihe. E-Book
    RVK:
    LS 21500
    RVK:
    LS 21520
    Keywords: Autobiografie
    Abstract: Zwischen Politik und Poesie: Ein bewegendes Zeitzeugnis der Bundesrepublik "Trotz alledem": Hannes Waders Lebensgeschichte ist Arbeiterlied, Folksong und großer deutscher Gesellschaftsroman zugleich, geschrieben vom legendären Songwriter selbst. Kraftvoll, berührend, episch und poetisch wie in seinen Liedern erzählt Hannes Wader, was ihn und seine Musik geprägt hat: Nachkriegszeit auf dem Land, 68er-Jahre in Berlin, Deutscher Herbst, Friedensbewegung, der Kampf für eine gerechtere Welt und der Abschied von Illusionen. Ein Leben unter Frauen und Künstlern, mit Hunden und Pferden, Georges Brassens und Bob Dylan. Dieses Buch ist durch und durch Wader: direkt und aufrichtig, humorvoll, sarkastisch und nachdenklich-kritisch, voller Achtung für alle, die von einer besseren Welt träumen und für sie handeln.
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  • 67
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    Europera. Zeitgenössisches Musiktheater in Deutschland und Frankreich : Perspektiven auf künstlerische Innovation und Kulturpolitik (2019)
    Bielefeld : Transcipt Verlag | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783839446324
    Language: German
    Pages: 1 Online-Ressource (283 pages)
    Edition: 1st ed.
    Series Statement: Theater v.119
    DDC: 306
    RVK:
    AP 72500
    RVK:
    LR 54170
    Keywords: Musiktheater ; Kulturpolitik ; Kulturmanagement ; Deutschland ; Frankreich
    Note: Description based on publisher supplied metadata and other sources
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  • 68
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    What goes on : the Beatles, their music, and their time (2019)
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780190213183
    Language: English
    Pages: 1 Online-Ressource (xxi, 296 Seiten) , Illustrationen
    DDC: 782.421660922
    RVK:
    LS 48040
    Note: Literaturverzeichnis: Seite 269-280
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  • 69
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    Gonzo : Die offizielle und autorisierte Biografie (2019)
    [Erscheinungsort nicht ermittelbar] : Hannibal Verlag | Wiesbaden : divibib GmbH
    Details
    ISBN: 9783854456803
    Language: German
    Pages: 392 S.
    Series Statement: Onleihe. E-Book
    RVK:
    NZ 67100
    RVK:
    LS 48645
    Keywords: Röhr, Matthias ; Böhse Onkelz ; Biografie
    Abstract: Die Böhsen Onkelz spalteten die Öffentlichkeit wie kaum ein anderes musikalisches Phänomen: radikale Ablehnung auf der einen, bedingungslose Liebe und Treue auf der anderen Seite. Wenn man auf der Heckscheibe eines vor einem fahrenden Autos einen Schriftzug entdeckt, dann ist es entweder ein Hinweis auf die freiwillige Feuerwehr - oder es steht da geschrieben: Böhse Onkelz. Und immer mittendrin: Gitarrist und Co-Songwriter Matthias "Gonzo" Röhr. Dies ist seine Geschichte! Schon früh vom Blues und Rock'n'Roll infiziert, entwickelte sich der rebellische Heranwachsende im beschaulichen Deutschland der 60er und 70er Jahre schnell zum Punk und Skinhead der ersten Stunde. Der Einstieg bei den Böhsen Onkelz im brodelnden Frankfurt der 80er Jahre führte ihn mit der Band schließlich auf den Rock-Olymp. Nach dem Split verwirklichte er sich erfolgreich als Solokünstler mit Stationen in Irland, Brasilien, Uruguay und den USA. Seit der Reunion der legendären Onkelz 2014 füllt er zusammen mit seinen Bandkollegen wieder die ganz großen Stadien. Mit GONZO liegt nun das faszinierende Porträt des Ausnahmemusikers und überzeugten Familienmenschen Matthias "Gonzo" Röhr vor, hautnah und ungefiltert erzählt. Ein begnadeter Künstler auf dem Weg zu sich selbst! Die selten so zu erlebenden authentischen Einblicke in die schillernde Welt des Punk und Hard Rock machen das Buch zugleich aber auch zu einer bewegten und bewegenden Reise durch mehr als vier Jahrzehnte deutscher Musikgeschichte. Zahlreiche bisher unveröffentlichte Fotos - unter anderem aus dem umfangreichen Privatarchiv Matthias "Gonzo" Röhrs - und eigens gefertigte Illustrationen von Lennart Menkhaus runden den Band ab.
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  • 70
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    Könnt ihr uns hören? : Eine Oral History des deutschen Rap (2019)
    [Erscheinungsort nicht ermittelbar] : Ullstein eBooks | Wiesbaden : divibib GmbH
    Details
    ISBN: 9783843720618
    Language: German
    Pages: 450 S.
    Series Statement: Onleihe. E-Book
    RVK:
    LS 48650
    Keywords: Geschichte 1983-2019 ; Hip-Hop ; Rapmusiker ; Deutschland ; Interview
    Abstract: HipHop ist in der Mitte der Gesellschaft angekommen. Er hat Alltagssprache und kulturelle Werte geprägt und erstaunliche Helden hervorgebracht. Was in den achtziger Jahren in Jugendzentren und Kellerclubs begann, ist heute Pop: Rap ist der Sound unserer Zeit. "Könnt ihr uns hören?" lässt die Geschichte dieses Genres in Deutschland lebendig werden. Das Buch ist kompiliert aus Gesprächen mit mehr als 100 Rappern, Journalisten, Musikern und Aktivisten. Sie erzählen, wie die deutsche Sprache cool wurde. Und sie zeigen, wie die Ideen einer Handvoll Überzeugungstäter eine ganze Generation prägen konnten. Mit den Superstars von heute und den Protagonisten der Pionierzeit: Afrob, Ahzumjot, Akim Walta, Ali As, André Langenfeld, André Luth, Antilopen Gang, Aphroe, Audio88 & Yassin, Azad, babakONE, Bartek, Beat Gottwald, Beginner, Blokkmonsta, Bonez MC, Casper, Celo & Abdi, Chefket, Cora E., Cro, Curse, Dani Fromm, David P., Dendemann, Dexter, DJ Derezon, DJ Ron, DJ Tomekk, Dokter Renz von Fettes Brot, Eko Fresh, Elvir Omerbegovic, Falk Schacht, Falkadelic von Doppelkopf, Farid Bang, Fatma Aydemir, Fatoni, Felix Brummer von Kraftklub, Flipstar, Frauenarzt, Götz Gottschalk, grim104, Haiyti, Hiob, Jack Orsen, Jayo, Juicy Gay, K.I.Z, Kaete, Katmando, KitschKrieg, Kool Savas, Kryptik Joe von Deichkind, Kurt Prödel, Lakmann, LGoony, Mädness, Marc Leopoldseder, Marcus Staiger, Marteria, Martin Stieber, Max Herre, Max Mönster, MC Bogy, MC Rene, Megaloh, Melbeatz, Morlockk Dilemma, Moses Pelham, Murat Aslan, Nura, Olli Banjo, Peter Fox, Pillath, Prinz Pi, Ralf Kotthoff, Ralf Theil, Rick Ski, RIN, Roe Beardie, Rooz, Sabrina Setlur, Salwa Houmsi, Samy Deluxe, Schivv, Schowi, Sebastian Schweizer, Sepalot, Shindy, Sido, Smudo von Die Fantastischen Vier, Sookee, Stephan Szillus, STF, Summer Cem, The Krauts, Tobi Tobsen, Toni-L, Trettmann, V.Raeter, Visa Vie, Wasi, Xatar. "Das längst überfällige Standardwerk zur Geschichte des Deutschrap." Casper "Was für eine wahnsinnige Zeitreise!" Marteria "Endlich eine umfassende Zusammenstellung der Ereignisse um die Geburt des deutschen HipHop, der - jetzt ist es amtlich - viele Väter hatte. Großartig." Smudo
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  • 71
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    Contemporary Popular Music Studies : Proceedings of the International Association for the Study of Popular Music 2017 (2019)
    Wiesbaden : Springer Fachmedien Wiesbaden | Cham : Springer International Publishing AG
    Details
    ISBN: 9783658252533 , 3658252537
    Language: English
    Pages: 1 Online-Ressource (VIII, 291 Seiten) , 1 illus.
    Edition: 1st ed. 2019
    Series Statement: Systematische Musikwissenschaft
    Parallel Title: Erscheint auch als Contemporary Popular Music Studies
    DDC: 306
    RVK:
    LS 48010
    Keywords: Unterhaltungsmusik ; Popmusik ; Culture Study and teaching ; Art Study and teaching ; Mass media ; Music ; Cultural Studies ; Creativity and Arts Education ; Media Sociology ; Music
    DOI: 10.1007/978-3-658-25253-3
    URL: https://doi.org/10.1007/978-3-658-25253-3
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
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  • 72
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    Big Data und Musik : Jahrbuch für Musikwirtschafts- und Musikkulturforschung 1/2018 (2019)
    Wiesbaden : Springer Fachmedien Wiesbaden | Cham : Springer International Publishing AG
    Details
    ISBN: 9783658212209 , 3658212209
    Language: German
    Pages: 1 Online-Ressource (XIV, 233 Seiten) , 16 Abb.
    Edition: 1st ed. 2019
    Series Statement: Jahrbuch für Musikwirtschafts- und Musikkulturforschung
    Parallel Title: Erscheint auch als Big Data und Musik
    DDC: 302.2
    RVK:
    LR 57440
    RVK:
    LR 57500
    RVK:
    LR 57790
    RVK:
    LR 57798
    Keywords: Musikwirtschaft ; Big Data ; Communication ; Music ; Economics ; Culture ; Media and Communication ; Music ; Cultural Economics
    DOI: 10.1007/978-3-658-21220-9
    URL: https://doi.org/10.1007/978-3-658-21220-9
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
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  • 73
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    The Blues Come to Texas : Paul Oliver and Mack McCormick's Unfinished Book (2019)
    College Station : Texas A&M University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781623496395
    Language: English
    Pages: 1 Online-Ressource (472 pages)
    Series Statement: John and Robin Dickson Series in Texas Music, sponsored by the Center for Texas Music History, Texas State University
    DDC: 781.64309764
    RVK:
    LS 48500
    RVK:
    LQ 89407
    Keywords: Geschichte ; Blues ; Blues (Music)-Texas-History and criticism ; Texas ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 74
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    It's a London Thing : How Rare Groove, Acid House and Jungle Remapped the City (2019)
    Manchester : Manchester University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781526131249
    Language: English
    Pages: 1 Online-Ressource (296 pages)
    Series Statement: Music and Society Ser.
    DDC: 781.64089960421
    RVK:
    NR 8640
    RVK:
    LS 48060
    Keywords: Schwarze ; Musikleben ; Sozialer Wandel ; London
    Abstract: This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture.
    Note: Description based on publisher supplied metadata and other sources
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  • 75
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    The Race of Sound : Listening, Timbre, and Vocality in African American Music (2019)
    Durham : Duke University Press | The Hague : OAPEN FOUNDATION
    Details
    ISBN: 9781478090359 , 9780822372646
    Language: English
    Pages: 1 Online-Ressource (288 p.)
    RVK:
    LS 48015
    Keywords: Afroamerikanische Musik ; Klang ; Zuhören ; Theory of music & musicology ; voice ; race ; timbre
    Abstract: In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre—the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way.
    URL: kostenfrei
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    URL: Volltext  (kostenfrei)
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    MPI Ethno. Forsch.
  • 76
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    Somatechnics and Popular Music in Digital Contexts (2019)
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    Details
    ISBN: 9783030181222
    Language: English
    Pages: 1 Online-Ressource (XI, 158 p)
    Edition: 1st ed. 2019
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    LS 48660
    RVK:
    MS 7965
    Keywords: Media and Communication ; Music ; Digital/New Media ; Popular Culture ; Culture and Gender ; Communication ; Music ; Digital media ; Popular Culture ; Culture ; Gender ; Musikhören ; Körpererfahrung ; Digitaltechnik ; Popmusik ; Neue Medien ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Popmusik ; Neue Medien ; Digitaltechnik ; Musikhören ; Körpererfahrung
    DOI: 10.1007/978-3-030-18122-2
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-030-18122-2
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 77
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    Collective Participation and Audience Engagement in Rap Music (2019)
    Cham : Springer International Publishing | Cham : Palgrave Pivot
    Details
    ISBN: 9783030253776
    Language: English
    Pages: 1 Online-Ressource (XI, 150 p. 6 illus)
    Edition: 1st ed. 2019
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    LS 48650
    Keywords: Music ; African American Culture ; Performing Arts ; Global/International Culture ; Music ; African Americans ; Performing arts ; Culture ; Publikum ; Performance ; Beteiligung ; Rapmusiker ; Rapmusiker ; Performance ; Publikum ; Beteiligung
    DOI: 10.1007/978-3-030-25377-6
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Buchcover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Buchcover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Buchcover
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  • 78
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    Popular Music in the Nostalgia Video Game : The Way It Never Sounded (2019)
    Cham : Palgrave Macmillan
    Details
    ISBN: 9783030042813
    Language: English
    Pages: 1 Online-Ressource (165 Seiten)
    Series Statement: Palgrave Studies in Audio-Visual Culture
    Parallel Title: Erscheint auch als Ivănescu, Andra Popular music in the nostalgia video game
    DDC: 791.43
    RVK:
    EI 6828
    RVK:
    LS 48660
    RVK:
    ST 324
    Keywords: Nostalgia in literature ; Electronic books
    Abstract: Intro -- Acknowledgements -- Contents -- About the Author -- Chapter 1 The Ghosts of Popular Music Past and Video Games Future -- 1.1 Introduction: Flappers in Rapture -- 1.2 Semiotic Ghosts -- 1.3 Appropriated Music -- 1.4 Nostalgia: The Land of Constant Return -- 1.5 Video Game Nostalgia -- 1.6 The Nostalgia Game -- 1.7 Nostalgia, Appropriated Music and Video Games -- 1.8 Appropriated Music and the Nostalgia Game -- References -- Chapter 2 Games on Media: Beyond Remediation -- 2.1 Games on Games -- 2.1.1 Evoland as Playable Game History -- 2.1.2 Evoland 2: Taking It Further -- 2.1.3 Player as Media Archaeologist -- 2.2 Games on Film -- 2.2.1 L.A. Noir -- 2.2.2 Immediacy/Hypermediacy, Real/Hyperreal -- 2.2.3 La Musique Noir -- 2.2.4 La Musique Fatale -- 2.2.5 La Musique Prêtée -- 2.2.6 La Musique Nostalgique -- 2.3 Canon Fodder -- 2.3.1 Miami Vice City and the American Dream -- 2.3.2 A Media History of Violence -- 2.3.3 Musical Vices -- 2.3.4 Canon Fodder -- 2.4 Conclusions: Remediation Is the Message -- References -- Chapter 3 Games on Society: Playable Anxieties -- 3.1 Games on Race -- 3.1.1 When Did You Meet Lincoln Clay? -- 3.1.2 Born on the Bayou -- 3.1.3 Sympathy for the Devil -- 3.1.4 The Sound of the Moment -- 3.1.5 The Sound of the Movement -- 3.1.6 Conclusions -- 3.2 Games on Gender -- 3.2.1 Cool Schmool -- 3.2.2 Oh the Horror! -- 3.2.3 The Grrrl's a Riot! -- 3.2.4 Intersectional Riot -- 3.2.5 The Twist Is There Is No Twist -- 3.3 Conclusions: Playable Anxieties -- References -- Chapter 4 Temporal Anomalies: Alternative Pasts and Alternative Futures -- 4.1 Nostalgia on Nostalgia -- 4.1.1 Maybe -- 4.1.2 The Wasteland -- 4.1.3 The Future That Never Was -- 4.1.4 No Future -- 4.1.5 Musical Fallout -- 4.1.6 Way Back Home -- 4.1.7 Love Me as Though There Were No Tomorrow.
    Note: Literaturangaben , Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5632051
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 79
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    The Fandom of David Bowie : Everyone Says "Hi" (2019)
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    Details
    ISBN: 9783030158804
    Language: English
    Pages: 1 Online-Ressource (XIII, 233 p. 9 illus., 3 illus. in color)
    Edition: 1st ed. 2019
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    LS 48040
    RVK:
    AP 89260
    Keywords: Bowie, David ; Music ; Cultural Anthropology ; Self and Identity ; Emotion ; Music ; Ethnology ; Self ; Emotions ; Fan ; Identität ; Selbstdarstellung ; Identifikation ; Bowie, David 1947-2016 ; Selbstdarstellung ; Identität ; Fan ; Identifikation
    DOI: 10.1007/978-3-030-15880-4
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Bayreuth UB
  • 80
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    Popular music in communist and post-communist Europe (2019)
    Berlin ; Bern ; Bruxelles : Peter Lang
    Details
    ISBN: 9783631784006 , 9783631784013 , 9783631784020
    Language: German
    Pages: 1 Online-Ressource (345 Seiten) , Diagramme
    Series Statement: Jazz vol. 6
    Parallel Title: Erscheint auch als
    RVK:
    LP 19507
    RVK:
    LS 48100
    Keywords: Geschichte 1950-2018 ; Musikleben ; Jazz ; Staatssozialismus ; Popmusik ; Ostblock ; Aufsatzsammlung ; Aufsatzsammlung ; Ostblock ; Staatssozialismus ; Musikleben ; Popmusik ; Jazz ; Geschichte 1950-2018
    Abstract: Through selected topics, the book presents an up-to-date and comprehensive view of the popular music of communist and post-communist Europe. The studies introduce new sources, discuss transformations of the institutional background of popular music of the given geopolitical sphere, its social, cultural-political, or artistic conditions. Thanks to the time span of nearly thirty years since the fall of the Iron Curtain, the authors have in many ways revised or supplemented traditional post-communist perceptions of the issues in question. This is being done with respect to the genres such as jazz, rock, pop, singer-songwriters, hip-hop, or White Power Music, as well as across the whole region from the former Yugoslavia through Central European states to the countries of the former Soviet Union
    DOI: 10.3726/b15374
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    BVB
  • 81
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    Popular Music in Communist and Post-Communist Europe (2019)
    Frankfurt a.M. : Peter Lang GmbH | Bern : Peter Lang International Academic Publishers
    Details
    ISBN: 9783631784006
    Language: German
    Pages: 1 Online-Ressource
    Edition: 1st, New ed.
    Series Statement: Jazz under State Socialism 6
    RVK:
    LP 19507
    RVK:
    LS 48100
    Keywords: Geschichte 1950-2018 ; Staatssozialismus ; Musikleben ; Popmusik ; Jazz ; Ostblock ; Aufsatzsammlung
    Abstract: Through selected topics, the book presents an up-to-date and comprehensive view of the popular music of communist and post-communist Europe. The studies introduce new sources, discuss transformations of the institutional background of popular music of the given geopolitical sphere, its social, cultural-political, or artistic conditions. Thanks to the time span of nearly thirty years since the fall of the Iron Curtain, the authors have in many ways revised or supplemented traditional post-communist perceptions of the issues in question. This is being done with respect to the genres such as jazz, rock, pop, singer-songwriters, hip-hop, or White Power Music, as well as across the whole region from the former Yugoslavia through Central European states to the countries of the former Soviet Union.
    DOI: 10.3726/b15374
    URL: https://www.peterlang.com/view/product/87754?format=EPDF
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  • 82
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    Music, Management, Marketing, and Law : Interviews Across the Music Business Value Chain (2019)
    Cham : Springer International Publishing | Imprint: Springer
    Details
    ISBN: 9783030021436
    Language: English
    Pages: 1 Online-Ressource (VII, 246 p)
    Series Statement: Music Business Research
    Parallel Title: Printed edition
    Parallel Title: Printed edition
    DDC: 306.3
    RVK:
    QR 750
    RVK:
    LR 57760
    Keywords: Culture - Economic aspects ; Music ; Industrial management ; Management ; Mass media Law and legislation ; Civilization-History
    DOI: 10.1007/978-3-030-02143-6
    URL: https://doi.org/10.1007/978-3-030-02143-6
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
    München UB
    Würzburg UB
    KOBV
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  • 83
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    The Oxford handbook of musical repatriation (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190659820
    Language: English
    Pages: 1 Online-Ressource (lvi, 774 Seiten) , Illustrationen, Karten, Portraits
    Parallel Title: Erscheint auch als
    RVK:
    LC 87000
    RVK:
    LS 16000
    Keywords: Restitution ; Lautarchiv ; Musikethnologie ; Repatriierung ; Schallaufzeichnung ; Kulturerbe ; Music / Repatriation ; Sound recordings in ethnomusicology ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Kulturerbe ; Schallaufzeichnung ; Lautarchiv ; Restitution ; Repatriierung
    DOI: 10.1093/oxfordhb/9780190659806.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 84
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    Hip Hop in Urban Borderlands (2019)
    Frankfurt a.M. : Peter Lang GmbH | Bern : Peter Lang International Academic Publishers
    Details
    ISBN: 9783631745359
    Language: English
    Pages: 1 Online-Ressource
    Edition: 1st, New ed.
    RVK:
    LS 33100
    Keywords: Israeli ; Palästinenser ; Hip-Hop ; Kulturkontakt ; Identität ; Tel Aviv
    Abstract: This book investigates how practitioners of Hip Hop negotiate identity and belonging in contemporary Israel. An interdisciplinary, ethnographic approach illustrates how practitioners embody the paradox of political disparity and co-existence through their eclectic musical idiom and through the social aspects of the music-making process.
    DOI: 10.3726/b14809
    URL: https://www.peterlang.com/view/product/87756?format=EPDF
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  • 85
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    Read, Write, Rhyme Institute (2019)
    New York : Peter Lang Inc. | Bern : Peter Lang International Academic Publishers
    Details
    ISBN: 9781433161148
    Language: English
    Pages: 1 Online-Ressource
    Edition: 1st, New ed.
    RVK:
    LS 48650
    Keywords: Hip-Hop ; Subkultur ; USA
    Abstract: Read, Write, Rhyme Institute describes how individuals participating in the Read, Write, Rhyme Institute examine today’s youth, hip-hop, and social responsibility. The institute provides a forum to engage in hip-hop Discourse (with a capital D) that includes a worldview and ways of doing, being, and knowing that are used in rap music, graffiti, spoken word poetry, and daily conversation. This book seeks to capitalize on the diversity within the hip-hop community by including successful individuals that grew up not only listening to hip-hop but also living it. Participants include educators, entertainers, and entrepreneurs.
    Abstract: “Crystal LaVoulle has produced an incredibly thoughtful, sophisticated, and well-crafted explo-ration of the intersection of hip-hop, education, and cultural studies. The scope and depth of this study will impress scholars of hip-hop, as well as aficionados of the art. It is a welcome addition to a robust body of hip-hop scholarship.”Jeffrey O. G. Ogbar, Professor of History and Director of the Center for the Study of Popular Music, University of Connecticut...
    Abstract: “In «Read, Write, Rhyme Institute», diverse members of the hip-hop community share candid and reflective opinions about the public school system and treatment of children of the current hip-hop generation. Crystal LaVoulle offers educators practical suggestions for teaching critical thinking and educating for social justice.”Eleanor Renée Rodríguez, author of «What Is It About Me That You Can’t Teach?»...
    Abstract: “Crystal LaVoulle facilitates authentic conversation between hip-hop artists and hip-hop scholars. Multiple generations of hip-hop lovers can relate to the adversity, joy, pain, commercialism and authenticity that this book attempts to address. The Read, Write, Rhyme Institute addresses un-comfortable issues within hip-hop and the African American community as well as celebrating the value of hip-hop culture.”Joel Roper, a.k.a. Rapper Joe Ski Love...
    Abstract: “Some of the most productive intellectual spaces are carved when two or more seeming disparate intellectual fields intersect. What happens when Discourse analysis, pedagogy, digital literacies, critical entrepreneurship, and critical youth studies meet by the grace of hip-hop? The answer is «Read, Write, Rhyme Institute». It is methodologically innovative, scholarly grounded, and poeti-cally hopeful. For those who are interested in language hip-hop pedagogy, this is a must-read, especially for those invested in that critical intersection of race, class, and public education. Hip-hop studies is a growing field, and «Read, Write, Rhyme Institute» is a beautiful addition to it.”Awad Ibrahim, Professor at the University of Ottawa...
    DOI: 10.3726/b14611
    URL: https://www.peterlang.com/view/product/92261?format=EPDF
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  • 86
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    Cornelius's Fantasma (2019)
    New York : Bloomsbury Academic | London : Bloomsbury Publishing
    Details
    ISBN: 9781501330209 , 9781501330193
    Language: English
    Pages: 1 Online-Ressource (xv, 178 pages) , illustrations
    Series Statement: 33 1/3 Japan
    Parallel Title: Erscheint auch als Roberts, Martin Cornelius's Fantasma
    DDC: 781.63
    RVK:
    LS 48040
    Keywords: Cornelius ; Popular music History and criticism 1991-2000 ; Electronic books ; Biografie ; Biografie ; Electronic books ; Biografie ; Japan ; Popmusiker ; Musikalbum ; Geschichte 1997 ; Volkstümliche Musik ; Unterhaltungsmusik ; Geschichte 1997 ; Cornelius 1969-
    Abstract: "In Tokyo in the early 1990s, an indie band called Flipper's Guitar was at the forefront of a new wave in Japanese popular music known as Shibuya-kei. The band's founder, Keigo Oyamada, would go on to produce, under the name Cornelius, a series of albums that are among the most innovative in Japanese popular music of the past two decades. Oyamada's third album under his Cornelius alter-ego, Fantasma (1997), played a key role in putting J-pop on the world map for Western music fans, and Oyamada himself is today one of the most respected figures in the Japanese music industry. This book tells the story of Fantasma's emergence from the Shibuya-kei scene and considers the wider impact of Oyamada's work both internationally and on Japanese popular music today. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more"--Bloomsbury Collections
    Abstract: Dedication -- Epigraph -- Note on Transliterations and Japanese Names -- Preface: White Rabbit -- Chapter 1. From Nakameguro to Everywhere -- Chapter 2. Magic Kingdom -- Chapter 3. Ape Shall Not Kill Ape -- Chapter 4. Mutations -- Chapter 5. Pet Sounds -- Chapter 6. Merrie Melodies -- Chapter 7. Three-Dimensional Music -- Chapter 8. Analog Afterlives -- Chapter 9. Double Fantasy -- Notes -- Bibliography -- Permissions -- Index.
    Note: Includes bibliographical references and index
    DOI: 10.5040/9781501330209
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 87
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    Africa Bling Bling Hakuna Matata : Visuelle Repräsentationen schwarzer Menschen in Schulbüchern des Fachs Musik (2019)
    Leipzig : Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig | Dresden : Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden
    Details
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Schriften online: Musikpädagogik 5
    Dissertation note: Masterarbeit Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig
    DDC: 305.8
    RVK:
    LR 57720
    RVK:
    LR 56940
    RVK:
    DP 6600
    RVK:
    LB 31960
    RVK:
    DP 2520
    Keywords: Hochschulschrift ; Sachsen ; Musikerziehung ; Schulbuch ; Afrikabild ; Kolonialismus ; Rassismus ; Musikerziehung ; Interkulturalität ; Rassismus
    Note: Betrifft: Die Untersuchung der visuellen Repräsentationen von Schwarz positionierten Menschen in ca. vierzig Musik-Schulbüchern, die im Bundesland Sachsen zugelassen sind
    URN: urn:nbn:de:bsz:14-qucosa2-328543
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: kostenfrei
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  • 88
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    Rites, rights and rhythms : a genealogy of musical meaning in Colombia's black Pacific (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190903220
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Karte
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6409861
    RVK:
    LS 48800
    Keywords: Folk music / Colombia / History and criticism ; Blacks / Colombia / Music / History and criticism ; Blacks / Colombia / Social conditions ; Soziale Situation ; Volksmusik ; Schwarze ; Kolumbien ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Abstract: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. 'Rites, Rights & Rhythms' is a book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780199913923.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 89
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    Music festivals in the UK : beyond the carnivalesque (2019)
    London : Routledge
    Details
    ISBN: 9781317091950 , 1317091957
    Language: English
    Pages: 1 online resource (xii, 197 pages .)
    Series Statement: Ashgate Popular and Folk Music Series
    Series Statement: Ashgate popular and folk music series
    DDC: 780.7941
    RVK:
    LQ 84000
    RVK:
    LS 48015
    Keywords: Music festivals / Great Britain
    Abstract: The outdoor music festival market has developed and commercialised significantly since the mid-1990s, and is now a mainstream part of the British summertime leisure experience. The overall number of outdoor music festivals staged in the UK doubled between 2005 and 2011 to reach a peak of over 500 events. UK Music (2016) estimates that the sector attracts over 3.7 million attendances each year, and that music tourism as a whole sustains nearly 40,000 full time jobs. Music Festivals in the UK is the first extended investigation into this commercialised rock and pop festival sector, and examines events of all sizes: from mega-events such as Glastonbury Festival, V Festival and the Reading and Leeds Festivals to 'boutique' events with maximum attendances as small as 250. In the past, research into festivals has typically focused either on their carnivalesque heritage or on developing managerial tools for the field of Events Management. Anderton moves beyond such perspectives to propose new ways of understanding and theorising the cultural, social and geographic importance of outdoor music festivals. He argues that changes in the sector since the mid-1990s, such as professionalisation, corporatisation, mediatisation, regulatory control, and sponsorship/branding, should not necessarily be regarded as a process of transgressive 'alternative culture' being co-opted by commercial concerns; instead, such changes represent a reconfiguration of the sector in line with changes in society, and a broadening of the forms and meanings that may be associated with outdoor music events
    URL: Volltext  (URL des Erstveroeffentlichers)
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    BVB
  • 90
    Online Resource
    Online Resource
    Is God Funky or What? : Black Biblical Culture and Contemporary Popular Music (2019)
    New York : Peter Lang Inc., International Academic Publishers
    Details
    ISBN: 9781433161179
    Language: English
    Pages: 1 Online-Ressource (264 Seiten)
    Edition: 1st, New ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    BS 4870
    RVK:
    LS 48015
    Keywords: Bibel ; Text ; Afroamerikanische Musik ; Christentum ; Unterhaltungsmusik ; Afroamerikanische Musik ; Unterhaltungsmusik ; Text ; Bibel ; Christentum
    Description / Table of Contents: Black music is a powerful art form. Artists' creations often go where words cannot. The music is special-sacred. However, it's still frequently shoehorned into the ambiguous categories of secular and sacred. Is God Funky or What?: Black Biblical Culture and Contemporary Popular Music complicates the traditional categories of sacred and secular by exposing religious rhetoric and contexts of contemporary popular black music and by revealing the religious-based biblical references and spirituality that form the true cultural context from which these genres emerge. The personal beliefs of black music artists often include, if not revolve around, the heavens. How come we are bombarded by the "thank Gods" in televised award shows, liner notes, or interviews for songs by musicians that some millennials might call "ratchet?" Is God Funky or What? shares anecdotes probing connections between specific forms of popular black music and religion. The qualifications of sacred and secular typically depend on context, lyrics, location, and audience (age, race, religion). Through a woven narrative of lyrics, godly acknowledgments, recorded and original interviews, biographies, and recordings from various genres of black music, this book explores how artists have intertwined views of God, perspectives regarding a higher power, spirituality, and religion in creating their music. Their creations make up an organic corpus called the Artistic Black Canon (ABC). Using the ABC, this book shares and explores its remarkable interpretations and ideas about life, music, spirituality, and religion. Is God Funky or What? also shares how we can better make use of this music in the classroom, as well as better understand how essential it is to the lives of many
    Description / Table of Contents: "Anyone who loves black popular music will find this work to be a masterful blend of scholarship, memoir, and nostalgia. Told with warmth and humor, Theodore W. Burgh cites his own musical coming-of-age to argue that secular forms, including jazz, R&B, soul, and hip-hop, have the capacity to trigger experiential outcomes that are decidedly spiritual in nature. He shows how this ostensibly secular music functions as sacred ritual, embellishing and intensifying the kinds of moments that, for many, shape and articulate black identity. Is God Funky or What? is another fine example of black music scholarship boldly situated within the telling of first-person narrative." -Teresa L. Reed, Professor of Music at the University of Tulsa and author of The Holy Profane: Religion in Black Popular Music and The Jazz Life of Dr. Billy Taylor
    Description / Table of Contents: "Theodore W. Burgh gets down into an idea we've all had some kind of intuition about: the notion that the sacred and secular elements of black music are branches from the same tree. On pages of revelations braided together with an easygoing tone, this spiritual man explores what it is about the funk that puts that hump in yo' rump. With in-depth interviews, on-point analysis, and his own personalized musical experiences across the black musical spectrum, Burgh tells us all how to party on the one with 'The One'!" -Rickey Vincent, author of Funk: The Music, the People, and the Rhythm of The One
    Note: Online resource; title from title screen (viewed June 10, 2019)
    DOI: 10.3726/b14612
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
    BVB
  • 91
    Online Resource
    Online Resource
    The development of popular music function in film : from the birth of Rock 'n' Roll to the death of disco (2019)
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    Details
    ISBN: 9783030214586
    Language: English
    Pages: 1 Online-Ressource (ix, 174 Seiten)
    Series Statement: Palgrave Studies in Audio-Visual Culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 791.43
    RVK:
    AP 51450
    RVK:
    LS 48015
    RVK:
    AP 52500
    RVK:
    AP 47500
    RVK:
    LR 53509
    Keywords: Audio-Visual Culture ; Music ; Motion pictures ; Music ; Popmusik ; Filmmusik ; Hochschulschrift ; Hochschulschrift ; Popmusik ; Filmmusik
    DOI: 10.1007/978-3-030-21458-6
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    BVB
    Bayreuth UB
  • 92
    Online Resource
    Online Resource
    Make it new : reshaping jazz in the 21st century (2019)
    Amherst, MA : Lever Press
    Details
    ISBN: 9781643150062
    Language: English
    Pages: 1 Online-Ressource (525 Seiten)
    Parallel Title: Erscheint auch als
    RVK:
    LS 48010
    Keywords: Jazz ; Geschichte ; Musik ; Musik ; Jazz ; Geschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    Online Resource
    München BSB
    München UB
    Würzburg UB
    Regensburg UB
    BVB
    Bayreuth UB
  • 93
    Online Resource
    Online Resource
    Do you remember house? : Chicago's queer of color undergrounds (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190698454
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6480977311
    RVK:
    LS 48050
    Keywords: Geschichte 1975-2019 ; House music / Illinois / Chicago / History and criticism ; Homosexuality and popular music / Illinois / Chicago ; African American gays / Illinois / Chicago ; House ; Chicago, Ill. ; Chicago, Ill. ; House ; Geschichte 1975-2019
    Abstract: This interdisciplinary study historicizes house music, the rhythmically focused electronic dance sound born in the post-industrial maroon spaces of Chicago's queer, black, and Latino social dancers. Working from oral history interviews, archival research, and performance ethnography, it argues that the remediation and adaptation of house by multiple and overlapping crossover communities in its first decade shaped the ways that contemporary Chicago house music producers, DJs, dancers, and promoters re-remember and re-animate house as an archive indexing experiences of queer of colour congregation
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780190698416.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
    BVB
  • 94
    Online Resource
    Online Resource
    Bangkok is rising : sound, space, and media at Thailand's Red Shirt protests (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190847562
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    RVK:
    LS 44700
    RVK:
    MH 34090
    Keywords: Geschichte 2010-2011 ; Protest movements / Thailand / Bangkok / History ; Demonstrations / Thailand / Bangkok / History ; Sounds / Social aspects / Thailand / Bangkok ; Music / Social aspects / Thailand / Bangkok ; Politischer Protest ; Musik ; Geräuschkulisse ; Thailand / Politics and government / 1988- ; Bangkok ; Bangkok ; Politischer Protest ; Geräuschkulisse ; Musik ; Geschichte 2010-2011
    Abstract: 'Bangkok Is Ringing' is an on-the-ground sound studies analysis of the political protests that transformed Thailand in 2010-11. Drawing on sixteen months of ethnographic fieldwork with dissidents in Bangkok and beyond, the book analyses how political dissidents must be sensitive to the ways that their sounding is constrained and channeled
    Note: Previously issued in print: 2019. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780190847524.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
    BVB
  • 95
    Online Resource
    Online Resource
    Rock, Rap, Recht : Beiträge zu Musik, Recht und Geschichte (2019)
    Darmstadt : wbg Academic
    Details
    ISBN: 9783534403059 , 9783534403042
    Language: German
    Pages: 1 Online-Ressource (147 Seiten) , Illustrationen
    Series Statement: Schriftenreihe des Mittelalterlichen Kriminalmuseums Rothenburg ob der Tauber Band 10
    Series Statement: Schriftenreihe des Mittelalterlichen Kriminalmuseums Rothenburg ob der Tauber
    Parallel Title: Erscheint auch als
    RVK:
    MS 8020
    RVK:
    LR 57508
    RVK:
    LS 48015
    Keywords: Geschichte ; Hexensabbat ; Musik ; Völkerstrafrecht ; Bänkelsang ; Paperback / softback ; Allgemein ; Bänkelsang ; Brecht ; Geschichte ; Hexensabbat ; Mittelalter ; Moritat ; Musik ; Popmusik ; Rammstein ; Recht ; Rockmusik ; WF: Wissen Fachbuch ; 1559: Hardcover, Softcover / Geschichte/Kulturgeschichte ; Konferenzschrift 11.08.2018 ; Bänkelsang ; Geschichte ; Musik ; Hexensabbat ; Geschichte ; Völkerstrafrecht ; Musik ; Geschichte
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    BVB
  • 96
    Online Resource
    Online Resource
    Jewish religious music in nineteenth-century America : restoring the synagogue soundtrack (2019)
    Bloomington, Indiana : Indiana University Press
    Details
    ISBN: 9780253040244
    Language: English
    Pages: 1 Online-Ressource (xiii, 309 Seiten) , Illustrationen, Noten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 33200
    Keywords: Geschichte 1800-1900 ; Juden ; Kirchenmusikpflege ; Synagoge ; USA ; Jews / United States / Music / History and criticism ; Synagogue music / United States / 19th century / History and criticism ; Jews / Music ; Synagogue music ; United States ; 1800-1899 ; Criticism, interpretation, etc ; USA ; Juden ; Synagoge ; Kirchenmusikpflege ; Geschichte 1800-1900
    Description / Table of Contents: Early strata : of choirs and reform through the mid-nineteenth century -- The sound of German Jewry : hymnals and singing societies in Wilhelm Fischer's zemirot -- Yisrael -- Bildungsmusik : G.M. Cohen, B'nai B'rith, and the voices of American Jewish cultivation -- Musical populists : G.S. Ensel, Simon Hecht, and the quest for the singing congregation -- The 1866 Sulzerfeier : the Viennese model and the grandeur of the urban worship -- A new cantor, a new repertoire : zimrath yah -- The path to the union hymnal -- Conclusion : restoring the soundtrack of Jewish life in nineteenth-century America
    Library Location Call Number Volume/Issue/Year Availability
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    Würzburg UB
    BVB
  • 97
    Online Resource
    Online Resource
    The Gaithers and southern gospel : homecoming in the twenty-first century (2019)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496810946
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.2540922
    RVK:
    LQ 89307
    RVK:
    LQ 89308
    RVK:
    LS 48400
    Keywords: Gaither, Gloria ; Gaither, Bill ; Gaither, Gloria ; Gaither, Bill ; Gaither Vocal Band ; Geschichte 1991- ; Gospelsong ; Musikpflege ; Gospel musicians Biography ; Gospel music History and criticism
    Abstract: This ethnography examines songwriters Bill and Gloria Gaithers' Homecoming video and concert series. The Homecomings re-present the 'southern gospel' subgenre of gospel music - a musical style popular among white evangelical Christians in the American South and Midwest. The text explores how the Gaithers negotiate the tension between preservation and modification of community norms as they seek simultaneously to maintain and expand their audience, and to initiate and respond to ideological shifts within their fan base's culture. Using data he collected from his immersion in the Homecoming catalogue, his attendance of numerous concerts and tapings, and his extensive conversations with Homecoming fans and the Gaithers themselves, Harper reveals the Homecomings to be a crucible of American religious, racial, sexual and regional identity formation.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496810908.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496810908.001.0001
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  • 98
    Online Resource
    Online Resource
    Leonard Bernstein and the language of jazz (2019)
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    Details
    ISBN: 9780252051210
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    Series Statement: Illinois scholarship online
    RVK:
    LP 91400
    RVK:
    LS 48040
    Keywords: Bernstein, Leonard Criticism and interpretation ; Bernstein, Leonard ; Jazz ; Musikalischer Stil ; Music History and criticism 20th century ; Jazz History and criticism
    Abstract: For Leonard Bernstein, music was a language capable of communicating more directly than in words, and jazz was a crucial part of his musical vocabulary. As an idiom made up of a range of styles - whether stride, boogie-woogie, swing, bebop, or cool - jazz was central to Bernstein's compositional aesthetic, particularly in his approach to tonality and to defining American music. The blues, as a special part of this jazz idiom, also helped Bernstein articulate a personal identity, expressing everything from sensuality to humor to loss and isolation. This text will examine the shifting meanings of Bernstein's jazz language in theatrical and symphonic works from across his career.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
    DOI: 10.5622/illinois/9780252042379.001.0001
    URL: https://doi.org/10.5622/illinois/9780252042379.001.0001
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  • 99
    Online Resource
    Online Resource
    Creating the jazz solo : Louis Armstrong and barbershop harmony (2019)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496819826
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    LS 48040
    Keywords: Armstrong, Louis Criticism and interpretation ; Armstrong, Louis ; Jazz ; Singen ; Musikalischer Stil ; Jazz History and criticism ; Jazz musicians ; Jazz Analysis, appreciation 1921-1930
    Abstract: Throughout his life, Louis Armstrong tried to explain how singing on the streets of New Orleans with a barbershop quartet was foundational to his musicianship. However, up to now, there has been no in-depth inquiry into what he meant when he said 'I Figure Singing and Playing is the Same,' or 'Singing was more into my blood than the trumpet.' This text shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played the work discusses elements of music theory.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496819772.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496819772.001.0001
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  • 100
    Online Resource
    Online Resource
    Stone free : Jimi Hendrix in London, September 1966-June 1967 (2019)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469647081
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: North Carolina scholarship online
    DDC: 787.87166092
    RVK:
    LS 48040
    Keywords: Hendrix, Jimi Travel ; Hendrix, Jimi ; Geschichte 1966-1967 ; African American rock musicians Biography ; Concert tours ; Rock musicians Biography ; Guitarists Biography ; London
    Abstract: A compelling portrait of rock's greatest guitarist at the moment of his ascendance, 'Stone Free' focuses exclusively on the happiest and most productive period of Jimi Hendrix's life. In addition to featuring the voices of Jimi, his bandmates, and other eyewitnesses, the book draws from contemporary accounts published in English- and foreign-language newspapers and music magazines.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469647067.001.0001
    URL: https://doi.org/10.5149/northcarolina/9781469647067.001.0001
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