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  • Online Resource  (10)
  • 2020-2024  (10)
  • 1995-1999
  • 1990-1994
  • 1970-1974
  • 1955-1959
  • 1940-1944
  • 2022  (10)
  • 1995
  • Cham : Springer International Publishing  (10)
  • Bloomington, Ind. : Indiana Univ. Press
  • Sulgen : Niggli
  • English Studies  (10)
Datasource
Material
Language
Years
  • 2020-2024  (10)
  • 1995-1999
  • 1990-1994
  • 1970-1974
  • 1955-1959
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Year
  • 1
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031078897
    Language: English
    Pages: 1 Online-Ressource(XI, 247 p. 3 illus.)
    Edition: 1st ed. 2022.
    Series Statement: Modern and Contemporary Poetry and Poetics
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    Keywords: Poetry. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Language and languages—Style. ; Rhetoric. ; Literature—History and criticism. ; Historical linguistics. ; Englisch ; Mundart ; Lyrik ; Geschichte 1950-2000 ; Heaney, Seamus 1939-2013 ; Brooks, Gwendolyn 1917-2000 ; Harrison, Tony 1937- ; Clifton, Lucille 1936-2010
    Abstract: Chapter 1: Introduction: Local Tongues -- Chapter 2: Troubled Tongues: Seamus Heaney and the Political Poetics of Speech -- Chapter 3: The Gwendolynian Tongue: Gwendolyn Brooks’s Noncolloquial Local Speech -- Chapter 4: Tongue-Tied Fighting: Tony Harrison’s Linguistic Divisions -- Chapter 5: Mortal Tongues: Lucille Clifton’s Local-Speech Admonitions -- Chapter 6: Coda: The Twenty-First Century Local-Speech Poem.
    Abstract: The Politics of Speech in Later Twentieth-Century Poetry: Local Tongues in Heaney, Brooks, Harrison, and Clifton argues that local speech became a central facet of English-language poetry in the second half of the twentieth century. It is based on a key observation about four major poets from both sides of the Atlantic: Seamus Heaney, Gwendolyn Brooks, Tony Harrison, and Lucille Clifton all respond to societal crises by arranging, reproducing, and reconceiving their particular versions of local speech in poetic form. The book’s overarching claim is that “local tongues” in poetry have the capacity to bridge aesthetic and sociopolitical realms because nonstandard local speech declares its distinction from the status quo and binds people who have been subordinated by hierarchical social conditions, while harnessing those versions of speech into poetic structures can actively counter the very hierarchies that would degrade those languages. The diverse local tongues of these four poets marshaled into the forms of poetry situate them at once in literary tradition, in local contexts, and in prevailing social constructs.
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  • 2
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031134630
    Language: English
    Pages: 1 Online-Ressource (XIII, 217 p. 3 illus)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Fan Studies
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    DDC: 306.0941
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    Keywords: Geschichte 1830-1930 ; British Culture ; Nineteenth-Century Literature ; Fan and Audience Studies ; Ethnology—Great Britain ; Culture ; Literature, Modern—19th century ; Audiences ; Rezeption ; Fiktive Gestalt ; Medizin ; Englisch ; Literatur ; Englisch ; Literatur ; Rezeption ; Medizin ; Fiktive Gestalt ; Geschichte 1830-1930
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783030942557
    Language: English
    Pages: 1 Online-Ressource(XII, 258 p. 13 illus.)
    Edition: 1st ed. 2022.
    Series Statement: Springer eBook Collection
    Parallel Title: Erscheint auch als McIntyre, Anthony P. Contemporary Irish popular culture
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    Keywords: Motion pictures—Great Britain. ; Popular Culture. ; Ethnology—Great Britain. ; Culture. ; Great Britain—History. ; Kulturelle Identität ; Irland ; Irland ; Kulturelle Identität
    Abstract: 1. Introduction—“Fractured Movement”: Transnationalism, Regionality, and Diaspora in Contemporary Irish Popular Culture -- 2. Star Leverage, Local Matters, and Transnational Media: Chris O’Dowd, Moone Boy and Puffin Rock -- 3. Derry Girls and Cork Boys: Second Cities, Regional Identities and (Trans)National Tensions in the Contemporary Irish Sitcom -- 4. Transnationalism, Masculinity, and Diasporic Performativity in Irish Sport: Conor McGregor and James McClean -- 5. Irish Female Comedic Voices, Diasporic Melancholy, and Productive Irritation: Sharon Horgan, Aisling Bea and Maeve Higgins -- 6. Mammies and Sons: Mobilising Maternal and Filial Affect in Mrs Brown’s Boys, 50 Ways to Kill Your Mammy, and Philomena -- 7. Coda: The COVID-19 Pandemic and Irish Screen Media.
    Abstract: This book uses popular culture to highlight the intersections and interplay between ideologies, technological advancement and mobilities as they shape contemporary Irish identities. Marshalling case studies drawn from a wide spectrum of popular culture, including the mediated construction of prominent sporting figures, Troubles-set sitcom Derry Girls, and poignant drama feature Philomena, Anthony P. McIntyre offers a wide-ranging discussion of contemporary Irishness, tracing its entanglement with notions of mobility, regionality and identity. The book will appeal to students and scholars of Irish studies, cultural studies, as well as film and media studies. Anthony P. McIntyre is a Teaching Fellow in Film and Media Studies at University College Dublin, Ireland. He is Co-editor of The Aesthetics and Affects of Cuteness (2017) and recent publications have appeared in Television & New Media, Feminist Media Studies, and European Journal of Cultural Studies.
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  • 4
    ISBN: 9783031062018
    Language: English
    Pages: 1 Online-Ressource(XIII, 233 p.)
    Edition: 1st ed. 2022.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—19th century. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Motion pictures. ; Aufsatzsammlung ; Englisch ; Roman ; Sachkultur ; Geschichte 1837-1901 ; Rezeption ; Fernsehspiel ; Großbritannien ; Neuseeland ; Film ; USA ; Geschichte 1980-2022
    Abstract: 1. Introduction: Stuff and Things: Introducing Neo-Victorian Materialities -- 2. Objects and Memorabilia in Deborah Lutz’s The Brontë Cabinet: Three Lives in Nine Objects -- 3. “Around the Mizzenpole”: Charles Johnson’s Middle Passage and African Americanizing the Neo-Victorian-at-sea -- 4. Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture -- 5. An Instrumental Thing: Pianos Extending and Becoming Postcolonial Bodies in Jane Campion’s The Piano and Daniel Mason’s The Piano Tuner -- 6. “Wilful Phantoms”: Haunted Dress, Memory, and Agentic Materiality in Colm Tóibín’s The Master -- 7. The Thing About Haunted Houses: In The Turn of the Screw, The Innocents and The Haunting of Hill House -- 8. There’s Something in the Tea: Murder and Materiality in Dark Angel -- 9. Criminal Things: Sherlock Holmes’ Details of Detection and Their Neo-Victorian Revisions -- 10. The Sleight of Hand: Appearance and Disappearance of Things in Neo-Victorian Magic.
    Abstract: Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.
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  • 5
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030890544
    Language: English
    Pages: 1 Online-Ressource (XII, 274 p)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Gothic
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    DDC: 809.38729
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    Keywords: Geschichte 1938-2019 ; Gothic Studies ; Gender Studies ; Contemporary Literature ; Goth culture (Subculture) ; Sex ; Literature, Modern—20th century ; Literature, Modern—21st century ; Gespenstergeschichte ; Englisch ; Frauenliteratur ; USA ; Südostasien ; Großbritannien ; Großbritannien ; USA ; Südostasien ; Englisch ; Frauenliteratur ; Gespenstergeschichte ; Geschichte 1938-2019
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031086717
    Language: English
    Pages: 1 Online-Ressource(XI, 241 p.)
    Edition: 1st ed. 2022.
    Series Statement: Palgrave Studies in Contemporary Women’s Writing
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    Keywords: Literature, Modern—20th century. ; Literature, Modern—21st century. ; Literature—Philosophy. ; Feminism and literature. ; Intellectual life—History. ; Prose literature. ; Byatt, A. S. 1936-2023 ; Frauenliteratur ; Byatt, A. S. 1936-2023 ; Frau ; Intellektueller
    Abstract: 1 Introduction -- 2 Cultural Histories of the Intellectual: From Patriarchal Myth to Feminist Mythopoeia -- 3 A. S. Byatt: Creating the Intellectual Woman -- 4 Minds and Bodies -- 5 Intellectuals and Sexual Specificity -- 6 Women Intellectuals, Private Intellectuals? -- 7 Future Histories of Intellectual Women -- 8 Afterword: Mythopoeia: Beyond Torment.
    Abstract: This monograph is a study of the work of British author A. S. Byatt, exploring the cultural representation of the woman intellectual in her fiction. It argues that Byatt’s representations of this figure show narratives of intellectual women to be inherently mythopoeic, or capable of restructuring the myth of the intellectual as male by default. This mythopoeia is, furthermore, intrinsically feminist in function, thus potentially broadening the conventional, limited view of women in intellectual history. The book will be the first study of Byatt’s work to examine this figure in detail, and the first study of women intellectuals in historical and literary discourse to apply concepts of mythopoeia and sexual difference in ways that allow new readings of women’s status and work in public spheres. Leanne Bibby is Senior Lecturer in English Studies at Teesside University, UK.
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  • 7
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031019913
    Language: English
    Pages: 1 Online-Ressource(XXI, 286 p. 21 illus.)
    Edition: 1st ed. 2022.
    Series Statement: African Histories and Modernities
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    Keywords: African literature. ; Prose literature. ; Africa, North—History. ; Imperialism. ; Nigeria ; Englisch ; Literatur ; Nationalbewusstsein
    Abstract: 1 Introduction: Nation as Fiction/Fictionalizing the Nation -- PART I: COLONIAL PHASE -- 2 Literature and the colonized nation -- 3 Literary Founding Fathers and ideas of Nationhood -- 4 Women writers and the (Post)colony: (Writing) The Colony in Nigerian Women’s Works -- PART II: POST-COLONIAL PHASE -- 5 Postcolonial Modernity and Literary Imagination -- 6 Contemporary Women Writers and the Representations of Postcolonial Nigeria -- 7 Literature and Nigeria in the Digital Age -- PART III: CONCLUDING THOUGHTS -- 8 Shifts and Ambiguities: Unstable Literature or Unstable Nation?.
    Abstract: This view of Nigerian Literature puts the ideological contentions and contradictions of old in perspective. Toyin Falola, in this effusion, not only charts the course for the reinvention and invention of the Nigerian Nation through its literature but troubles the literary taboos as well as the theoretical postures and leanings in the art of Nigerian literary artists. -Adedoyin Aguoru, President, African Association for Japanese Studies This fascinating and original piece of scholarship by Nigeria’s most celebrated historian has successfully linked the wide and varied Nigerian literature to the complexities of the nation. The indomitable Toyin Falola maps cogently the cultural, elitist, ideological, feminized and the fetishized aspects of the Nigerian experience. The book masterfully shows us a space that is complicated, inhabited by enigmatic people who see their country as peculiar and unique. - Bosede Funke Afolayan, University of Lagos, Nigeria, and editor of Nigerian Female Dramatists: Expression, Resistance, Agency This book explores how modern Nigerian fiction is rooted in writers’ understanding of their identity and perception of Nigeria as a country and home. Surveying a broad range of authors and texts, the book shows how these fictionalized representations of Nigeria reveal authentic perceptions of Nigeria’s history and culture today. Many of the lessons in these works of literature provide cautionary tales and critiques of Nigeria, as well as an examination of the lasting impact of colonialism. Furthermore, the book presents the nation as both the framework and subject of its narrative. By conducting literary analyses of Nigerian fiction with historical reference points, this work demonstrates how Nigerian literature can convey profound themes and knowledge that resonates with audiences, teaching Nigerians and non-Nigerians about the colonial and postcolonial experience. The chapters cover topics on nationhood, women’s writing, postcolonial modernity, and Nigerian literature in the digital age. Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and a Distinguished Teaching Professor at the University of Texas at Austin, USA. He is a recipient of many distinguished awards, including 16 honorary doctorates.
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  • 8
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031119613
    Language: English
    Pages: 1 Online-Ressource(XIV, 200 p. 6 illus., 5 illus. in color.)
    Edition: 1st ed. 2022.
    Series Statement: Early Modern Literature in History
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    Keywords: European literature—Renaissance, 1450-1600. ; Literature—History and criticism. ; Drama. ; Religion—History. ; Christianity. ; Religion and politics. ; Shakespeare, William 1564-1616 ; Drama ; Konversion
    Abstract: Chapter 1: Introduction: Turning into Other Things -- Chapter 2: What We Talk About When We Talk About Conversion -- Chapter 3: Conversion, Coercion, and Persuasion in The Taming of the Shrew -- Chapter 4: The Politics of Conversion in Henry IV, Part 1 -- Chapter 5: Conversional Transactions in The Merchant of Venice -- Chapter 6: Citizenship and Conversion in Othello -- Chapter 7: Colonialism and Conversion in The Tempest.
    Abstract: This book takes a close look at Shakespeare’s engagement with the flurry of controversy and activity surrounding the concept of conversion in post-Reformation England. For playhouse audiences during the period, conversional thought encompassed a markedly diverse, fluid amalgamation of ideas, practices, and arguments centered on the means by which an individual could move from one category of identity to another. In an analysis that includes chapter-length readings of The Taming of the Shrew, Henry IV Part I, The Merchant of Venice, Othello, and The Tempest, the book argues that Shakespearean drama made a unique and substantive intervention in public discourse surrounding conversion, and continues to speak meaningfully about conversional experience for audiences in the present age. It will be of particular benefit to students and scholars with an interest in theatrical history, performance theory, theology, cultural studies, race studies, and gender studies. Stephen Wittek is Assistant Professor in the Department of English at Carnegie Mellon University, USA. He is the author of The Media Players: Shakespeare, Middleton, Jonson, and the Idea of News (2015), and co-editor of two multi-authored collections: Performing Conversion: Cities, Theatre and Early Modern Transformations (2021) and Shakespeare and Virtual Reality (2021). His work has also appeared in journals including Studies in English Literature, Digital Humanities Quarterly, and Journal of Cognitive History.
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  • 9
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783030965112
    Language: English
    Pages: 1 Online-Ressource(XIX, 310 p. 11 illus., 9 illus. in color.)
    Edition: 1st ed. 2022.
    Series Statement: Literary Lives
    Series Statement: Springer eBook Collection
    Parallel Title: Erscheint auch als
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    Keywords: Literature—History and criticism. ; Literature, Modern—20th century. ; Children's literature. ; European literature. ; Biografie ; Crompton, Richmal 1890-1969
    Abstract: 1. Introduction -- 2. Edward Lamburn and a Classical Education -- 3. William and Mr Brown -- 4. Clara Crompton and her Family in Bury -- 5. William, Mrs Brown and Mothers in Crompton -- 6. Royal Holloway College, the First World War and Women’s Suffrage -- 7. Birth of Auntie and the Story of a Marriage -- 8. Birth of Richmal Crompton and William Brown -- 9. More than Auntie Richmal, the Spinster -- 10. Polio in Summer 1923 -- 11. Birth of Violet Elizabeth and Introducing William-Lite Characters -- 12. Growing Up -- 13. On Stage and in Literary London -- 14. Richmal Crompton, the Wanderer -- 15. On the Home Front with William and Richmal -- 16. William, Flawed Hero -- 17. William Becomes a Postwar Hero on TV and Radio -- 18. Richmal Crompton in Her Own Words -- 19. William, At Home and Abroad -- 20. Writers' Homage to Crompton and William.
    Abstract: Richmal Crompton, Author of Just William: A Literary Life celebrates the first two William books, Just William (1922) and More William (1922). As well as a study of her famous character William Brown, this book is an introduction to Richmal Crompton’s less well-known fiction and a story about her writing life. Her multifaceted identity—her deep knowledge of Classical Greek and Latin literature and languages, her life as a disabled writer, and her writing about domestic violence and disability—played a role in her literary persona. Jane McVeigh moves beyond Richmal Crompton’s impact on children’s literature and offers an appraisal of all her writing including her novels and short fiction, her media profile on radio and TV, her impact on her readers—both adults and children—and her international success. Particularly, McVeigh considers Crompton in the context of twentieth century woman writers and the development of crossover fiction for dual audiences. The book argues that as a woman writer pigeon-holed as a writer for children, Crompton’s other novels and short stories have been side-lined and overlooked. More than a century after the first book collection of Crompton’s William stories was published, this biography places Richmal Crompton among other twentieth century women writers. Jane McVeigh is Honorary Research Fellow in the School of Humanities and Social Sciences at the University of Roehampton, UK where the Richmal Crompton Collection is located. .
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  • 10
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031071591
    Language: English
    Pages: 1 Online-Ressource(IX, 241 p.)
    Edition: 1st ed. 2022.
    Series Statement: Crime Files
    Parallel Title: Erscheint auch als
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    Keywords: Fiction. ; Literature, Modern—20th century. ; Literature—History and criticism. ; Mass media and crime. ; Ethnology—Great Britain. ; Culture. ; Europe—History. ; Englisch ; Kriminalliteratur ; Geschichte 1880-1965
    Abstract: C hapter 1: Introduction and overview -- Chapter 2: Policing in the Shadow of Jack the Ripper: Myths, Monsters, and the Real Limits of the Late-Victorian Detective -- Chapter 3: Pot-stirring or Pot-boiling? Crises, crime, and other contexts for Mary Agnes Hamilton's Murder in the House of Commons (1932) -- Chapter 4: Domesticating the Horrors of Modern War: How Interwar Sensation and Detective Fiction Faced the War to Come -- Chapter: 5 Agatha Christie in Southern Africa -- Chapter 6: Time is always guilty’: Narratives of Progress and Decline in Interwar Detective Fiction -- Chapter 7: Death Haunts the British Hotel, 1918-1965 -- Chapter 8:Semi-Colonial Horsewifery as Detective Fiction: ‘Trinket’s Colt’ and the Mysteries of the Irish R.M -- Chapter 9: Magic is My Business’: Raymond Chandler and Detective Fiction as Fairy Tale -- Chapter 10: Indecently Preposterous’: The Interwar Press and Golden Age Detective Fiction.
    Abstract: British Murder Mysteries, 1880-1965: Facts and Fictions conceptualizes detective fiction as an archive, i.e., a trove of documents and sources to be used for historical interpretation. By framing the genre as a shifting set of values, definitions, and practices, the book historicizes the contested meanings of analytical categories like class, race, gender, nation, and empire that have been applied to the forms and functions of detection. Three organizing themes structure this investigation: fictive facticity, genre fluidity, and conservative modernity. This volume thus shows how British detective fiction from the late-nineteenth to the mid-twentieth century both shaped and was shaped by its social, cultural, and political contexts and the lived experience of its authors and readers at critical moments in time.
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