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  • Online Resource  (56)
  • Musical Score
  • 2005-2009  (56)
  • Geschichte  (48)
  • Deutschland
  • Musicology  (56)
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Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Jews, race and popular music (2009)
    Farnham : Ashgate
    Details
    Language: English
    Pages: 1 Online-Ressource (x, 227 Seiten) , 24 cm
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Stratton, Jon, 1950 - Jews, race and popular music
    DDC: 781.64089924
    RVK:
    LS 48000
    Keywords: Popular music ; History and criticism ; Jews ; Music ; History and criticism ; Jewish singers ; History ; 20th century ; Jewish singers ; History ; 21st century ; Juden ; Englisches Sprachgebiet ; Popmusik ; Geschichte
    Note: Formerly CIP Uk. - Includes bibliographical references (p. [201]-214) and index. - Moanin' low -- Jews dreaming of acceptance -- Stay with me -- Jews and blues -- The Beastie Boys -- A Jew singing like a Black woman in Australia -- Not quite English -- Visibly Jewish
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
  • 2
    Online Resource
    Online Resource
    Step into a world : HipHop zwischen Marginalität und Mitte (2009)
    Münster : Unrast | Grünwald : Preselect.media
    Details
    ISBN: 9783986840365
    Language: German
    Pages: 1 Online-Ressource (150 Seiten)
    Edition: 1. Auflage
    DDC: 782.421649
    RVK:
    DU 3000
    RVK:
    LS 48000
    Keywords: Geschichte ; Hip-Hop
    URL: http://www.content-select.com/index.php?id=bib_view&ean=9783986840365
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
  • 3
    Online Resource
    Online Resource
    Wicked theory, naked practice : A Fred Ho reader (2009)
    Minneapolis : University of Minnesota Press
    Details
    ISBN: 9780816656844 , 9780816656851
    Language: English
    Pages: xii, 427 p., [8] p. of plates
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65
    RVK:
    LS 48200
    Keywords: Geschichte ; Gesellschaft ; Musik ; Jazz History and criticism ; Music Social aspects ; Asian American musicians ; Asian Americans Social conditions ; Asiaten ; Jazz ; USA ; USA ; Asiaten ; Jazz ; Geschichte
    Description / Table of Contents: The movement and the self . From banana to Third World Marxist ; Beyond Asian American jazz : my musical and political changes in the Asian American movement ; Interview with Chris Mitchell -- Music, aesthetics, and cultural production. What makes "jazz" the revolutionary music of the twentieth century, and will it be revolutionary for the twenty-first century? ; Musical borrowings, exchanges, and fusions : new/experimental genres ; Kreolization and the hybridity of resistance vs. cultural imperialism ; Highlights in the history of "jazz" not covered by Ken Burns : a request from Ishmael Reed ; The damned don't cry : the life and music of Calvin Massey ; How to sell but not sell out : personal lessons from making a career as a subversive and radical performing artist ; Big Red Media, Inc., a composer/musician-driven production company : doing it yourself -- Asian Pacific American cultural theory and criticism. An Asian American tribute to the black arts movement ; Asian American music and empowerment : is there such a thing as "Asian American Jazz"? ; Interview with Amy Ling ; A voice is a voice, but what is it saying? (with Arthur Song) ; Where Is the Asian American love? ; Bamboo that snaps back! : resistance and revolution in Asian Pacific American working class and left-wing expressive culture ; Tomoe Tana : keeping alive Japanese American tanka ; Hole hole bushi : cultural/musical resistance by Japanese women plantation workers in early twentieth-century Hawaii (with Susan Asai) -- Wicked theory, naked practice. The inspiration of Mao and the Chinese revolution on the black liberation movement and the Asian movement on the East Coast ; Notes on the national question : oppressed nations and liberation struggles within the U.S.A. ; Matriarchy : the first and final communism ; Momentum for change ; Flags, falsehoods, and facism : as long as imperialism exists, chickens will come home to roost!
    Note: Includes bibliographical references and index
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    Online Resource
    BVB
  • 4
    Online Resource
    Online Resource
    King of the Queen City : The Story of King Records (2009)
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780252091278
    Language: English
    Pages: 1 Online-Ressource (281 pages)
    Series Statement: Music in American Life
    DDC: 338.7/61781640973
    RVK:
    LQ 89507
    RVK:
    LR 57430
    RVK:
    LR 57440
    RVK:
    LS 48000
    Keywords: King Record Company ; Geschichte
    Abstract: In its time--1943 to the late 1960s--King Records was absolutely unique, and it deserves a unique account of its history. King of the Queen City is that account: focused, thoroughly researched, well written, and filled with vital information about America's most important independent record label.--Nolan Porterfield, author of Jimmie Rodgers: The Life and Times of America's Blue Yodeler_x000B__x000B__x000B__x000B_"A much needed glimpse of an underappreciated pop culture institution.--Publishers Weekly.
    Note: Description based on publisher supplied metadata and other sources
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    Online Resource
    HeBIS
  • 5
    Online Resource
    Online Resource
    King of the Queen City : the story of King Records (2009)
    Urbana : University of Illinois Press
    Details
    ISBN: 9780252091278 , 0252091272
    Language: English
    Pages: 1 Online-Ressource (xix, 234 p. :)
    Series Statement: Music in American life
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 338.7/61781640973
    RVK:
    LQ 89507
    RVK:
    LR 57430
    RVK:
    LR 57440
    RVK:
    LS 48000
    Keywords: King Record Company ; King Record Company History ; King Record Company ; Geschichte ; Geschichte 1943-1970 ; MUSIC / Business Aspects ; MUSIC / Recording & Reproduction ; Sound recording industry ; Geschichte ; Sound recording industry History ; Label ; Cincinnati, Ohio ; Cincinnati, Ohio ; Label ; Geschichte 1943-1970 ; King Record Company ; Geschichte
    Note: Includes bibliographical references (P. [215]-228), and index , Syd starts a record company -- The hillbilly boogie -- The King gets a Queen -- Henry Glover -- Good rockin' tonight -- Where the hell's the melody? -- Business as usual was pretty unusual -- Masters of the groove -- I'll sail my ship alone -- Record man -- The Sixty-Minute Men -- You give me fever -- Every time I feel the spirit -- How mountain girls can love -- Let's have a natural ball -- That ain't nothin' but right -- The hardest-working man in show business -- Brother Claude Ely and Eddie "Lockjaw" Davis -- Life after death -- "We broke the shit down"
    URL: Volltext
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    BVB
  • 6
    Online Resource
    Online Resource
    Sound commitments : avant-garde music and the sixties (2009)
    Oxford : Oxford University Press
    Details
    ISBN: 019533664X , 9780195336641 , 0195336658 , 9780195336658
    Language: English
    Pages: xi, 292 p.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9/04
    RVK:
    LP 19507
    RVK:
    LP 91020
    RVK:
    LR 57720
    RVK:
    LR 57730
    RVK:
    LS 48000
    Keywords: Geschichte 1900-2000 ; Geschichte 1960-1970 ; Geschichte ; Musik ; Politik ; Music Political aspects 20th century ; History ; Avant-garde (Music) ; Nineteen sixties ; Musik ; Konferenzschrift 2004 ; Musik ; Geschichte 1960-1970
    Description / Table of Contents: Avant-garde : some introductory notes on the politics of a label / Hubert F. van den Berg -- Ideologies. "Demolish serious culture!" : Henry Flynt and Workers World Party / Benjamin Piekut ; Forms of opposition at the "politiek-demonstratief experimenteel" concert / Robert Adlington ; Aesthetic theories and revolutionary practice : Nikolaus A. Huber and Clytus Gottwald in dissent / Beate Kutschke -- Rethinking the popular. "Music is a universal human right" : Musica Elettronica Viva / Amy C. Beal -- The problem of the political in Steve Reich's Come out / Sumanth Gopinath ; The politics of Presque rien / Eric Drott -- Politicising performance. ONCE and the sixties / Ralf Dietrich ; "Scream against the sky" : Japanese avant-garde music in the sixties / Yayoi Uno Everett -- The challenge of institutionalization. After the October revolution : the jazz avant-garde in New York, 1964-65 / Bernard Gendron ; American cultural diplomacy and the mediation of avant-garde music / Danielle Fosler-Lussier ; From Scriabin to Pink Floyd : the ANS synthesizer and the politics of Soviet music between thaw and stagnation / Peter J. Schmelz
    Note: Includes bibliographical references and index
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    Online Resource
    BVB
  • 7
    Online Resource
    Online Resource
    Inventing entertainment : the player piano and the origins of an American musical industry (2009)
    Lanham, Md. : Rowman & Littlefield Publishers
    Details
    ISBN: 9780742564619 , 0742564614
    Language: English
    Pages: xix, 205 p.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 786.6/6
    RVK:
    AP 14350
    RVK:
    LR 11360
    RVK:
    LR 56600
    RVK:
    LS 48000
    Keywords: Geschichte ; Geschichte ; Player piano History ; Mechanisches Klavier ; Pianola ; Musikwirtschaft ; USA ; USA ; USA ; Musikwirtschaft ; Mechanisches Klavier ; Pianola ; Geschichte
    Description / Table of Contents: Soundscape and memory -- Missionaries and museums -- Chronic mechanitis -- Every collector's dream -- A musical Morse code -- A search for identity -- Possession -- Expression -- A race for the rolls -- Music for the masses?
    Note: Includes bibliographical references (p. 193-196) and index
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    Online Resource
    BVB
  • 8
    Online Resource
    Online Resource
    Jazz diplomacy : promoting America in the Cold War era (2009)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781604732689 , 1604732687
    Language: English
    Pages: 219 p
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.650973/0947
    RVK:
    LS 48200
    RVK:
    NQ 5910
    Keywords: Geschichte 1900-2000 ; Geschichte 1954-1968 ; Geschichte ; Gesellschaft ; Politik ; Jazz Political aspects 20th century ; History ; Cold War Social aspects ; Ost-West-Konflikt ; Kulturaustausch ; Kulturvermittlung ; Diplomatie ; Jazz ; USA ; USA ; Sowjetunion ; Ost-West-Konflikt ; Diplomatie ; Jazz ; Geschichte 1954-1968 ; USA ; Sowjetunion ; Kulturaustausch ; Geschichte 1954-1968 ; USA ; Jazz ; Kulturvermittlung ; Sowjetunion
    Description / Table of Contents: Introduction -- Battling the Reds -- Jazz diplomacy at home and abroad, 1954-1957 -- Jazz means freedom, 1957-1960 -- The paradox of jazz diplomacy, 1961-1966 -- Jazz behind the iron curtain, 1961-1966 -- Bedlam from the decadent West, 1967-1968 -- Conclusion
    Note: Includes bibliographical references (p. [199]-212) and index
    URL: http://dx.doi.org/10.14325/mississippi/9781604732689.001.0001
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
    BVB
  • 9
    Online Resource
    Online Resource
    Jewish music and modernity (2009)
    New York, NY [u.a.] : Oxford Univ. Press
    Details
    ISBN: 9780195178326
    Language: English
    Pages: 1 Online-Ressource (XXXIII, 280 S.) , Ill.
    Series Statement: Oxford scholarship online
    Series Statement: AMS studies in music
    Parallel Title: Erscheint auch als
    DDC: 780.89/924
    RVK:
    LS 33120
    RVK:
    LR 57730
    RVK:
    LS 33100
    Keywords: Geschichte 1890-1933 ; Geschichte ; History and criticism ; Jews - Music ; Modernism (Music) ; Juden ; Musik ; Jews Music ; History and criticism ; Modernism (Music) ; Zionismus ; Judentum ; Urbanität ; Musik ; Modernität ; Deutschland ; Judentum ; Musik ; Urbanität ; Geschichte ; Zionismus ; Musik ; Judentum ; Musik ; Modernität ; Urbanität ; Geschichte 1890-1933 ; Deutschland ; Judentum ; Musik ; Geschichte
    Note: Includes bibliographical references, discography, and index
    DOI: 10.1093/acprof:oso/9780195178326.001.0001
    URL: Volltext
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    München BSB
    BVB
  • 10
    Online Resource
    Online Resource
    Theorizing the local : music, practice, and experience in South Asia and beyond (2009)
    Oxford [u.a.] : Oxford Univ. Press
    Details
    ISBN: 9780195331387
    Language: English
    Pages: 1 Online-Ressource (XIII, 329 S.) , Ill., Kt., Notenbeisp.
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.954
    RVK:
    LS 39000
    Keywords: Geschichte ; Musik ; Music History and criticism ; Musik ; Gesellschaft ; Südasien ; Südasien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Südasien ; Musik ; Geschichte ; Südasien ; Musik ; Gesellschaft
    Abstract: 'Theorizing the Local' rethinks South Asian music in light of diverse regional practices. Using comparative microstudies to cross the traditional borders of scholarship on Nepal, India, Sri Lanka, Pakistan, and Iran, the book provides new footing for South Asia in the study of today's musical world.
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780195331370.001.0001
    URL: Volltext
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    München BSB
    BVB
  • 11
    Online Resource
    Online Resource
    Canuck rock : a history of Canadian popular music (2009)
    Toronto [Ont.] : University of Toronto Press
    Details
    ISBN: 0802099890 , 1442697490 , 9781442697492
    Language: English
    Pages: 1 Online-Ressource (viii, 336 p., [32] p. of plates)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64/0971
    RVK:
    LQ 89007
    RVK:
    LS 48000
    RVK:
    LS 48070
    Keywords: Geschichte ; MUSIC / Genres & Styles / Pop Vocal ; HISTORY / Canada / General ; Popular music ; Musique populaire / Canada / Histoire et critique ; Popmusik ; Popular music History and criticism ; Popmusik ; Kanada ; Kanada ; Kanada ; Popmusik ; Geschichte
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (p. [297]-317) and index , Introduction: From Rock and Roll in Canada to 'Canadian' Rock and Roll -- 1 Lonely Boys and Wild Girls: Rock and Roll in Canada in the 1950s -- 2 Guess Who?: Beatlemania and the Race to Be British -- 3 From 'Tom Dooley' to 'Mon Pays': Folk Music and the Nation -- 4 'California Dreamin': Why Canadian Musicians Were Not 'Helpless' in the United States, 1965-70 -- 5 'Turn On, Tune In, Drop Out': Psychedelia, Regionalism, and How a Band from the Prairies Had Wheatfield Soul -- 6 'Legislated Radio': Industry, Identity, and the Canadian Content Regulations -- 7 'Oh What a Feeling': Canadian Content and Identity Politics in the 1970s -- 8 'The Nation's Music Station': Television and the Idea of Canadian Music -- 9 'Takin' Care of Business': How Multinationals Underwrote the Canadian Music Industry -- 10 '(Everything I Do) I Do It for You': Bryan Adams and the Waking Up the Neighbours Controversy -- Conclusion , An invaluable resource and an absorbing read, Canuck Rock spans from the emergence of rock and roll in the 1950s through to today's international recording industry
    URL: Volltext
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    Online Resource
    BVB
  • 12
    Online Resource
    Online Resource
    Some liked it hot : jazz women in film and television, 1928-1959 (2009)
    Middletown, Conn. : Wesleyan University Press
    Details
    ISBN: 9780819569677
    Language: English
    Pages: xv, 316 p.
    Series Statement: Music/culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 791.43/6578
    RVK:
    LS 48100
    Keywords: Geschichte 1900-2000 ; Geschichte 1928-1959 ; Film ; Geschichte ; Women jazz musicians in motion pictures ; Big bands in motion pictures ; Jazz in motion pictures ; Motion pictures History 20th century ; Television broadcasting of music ; Variety shows (Television programs) ; Jazzmusikerin ; Jazz ; Damenkapelle ; Film ; USA ; USA ; USA ; Film ; Jazz ; Damenkapelle ; Geschichte 1928-1959 ; USA ; Jazzmusikerin ; Film ; Geschichte 1928-1959
    Description / Table of Contents: Jazz culture and all-girls films. The feminization of mass culture and the novelty of all-girl bands -- The Ingenues and the Harlem Playgirls -- All-girl bands and sound films in the swing era. Phil Spitalny's Musical Queens -- The "blonde bombshell of swing": Ina Ray Hutton and her Melodears -- Soundies and features during the 1940s. Swinging the classics: Hazel Scott and Hollywood's musical-racial matrix -- Pinups, patriotism, and feminized genres -- Swing-centered films and the hour of charm -- The International Sweethearts of Rhythm and independent black sound film -- Variety television and the 1950s. Television, vaudeo, and female musical hosts -- Variety television revives all-girl bands -- Television's musical guests: Hazel Scott, Peggy Lee, and Lena Horne -- Conclusion : the jazz canon (representations and gendered absences)
    Note: Includes bibliographical references and index
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    Online Resource
    BVB
  • 13
    Online Resource
    Online Resource
    Rechtsextreme Musik : ihre Funktionen für jugendliche Hörer/innen und Antworten der pädagogischen Praxis (2009)
    Halle : Deutsches Jugendinstitut e. V., Außenstelle Halle
    Details
    ISBN: 9783935701532
    Language: German
    Pages: 1 Online-Ressource (152 Seiten, 0,48 MB)
    Series Statement: Schriftenreihe der AFS Band 9
    Series Statement: Schriftenreihe der AFS
    Parallel Title: Erscheint auch als Rechtsextreme Musik
    DDC: 780.032
    RVK:
    LS 21530
    RVK:
    MS 2350
    RVK:
    MS 2300
    Keywords: Deutschland ; Rockmusik ; Rechtsradikalismus ; Jugend
    URN: urn:nbn:de:gbv:3:2-69367
    URL: Volltext
    URL: Volltext
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    Online Resource
    GBV
  • 14
    Online Resource
    Online Resource
    Linthead stomp : the creation of country music in the Piedmont South (2008)
    Chapel Hill, NC : University of North Carolina Press
    Details
    ISBN: 9781469606217
    Language: English
    Pages: 1 Online-Ressource (xxi, 416 Seiten) , Illustrationen
    Series Statement: Caravan book
    Parallel Title: Erscheint auch als
    RVK:
    LS 48610
    Keywords: Geschichte ; Geschichte 1920-1945 ; Textilarbeiter ; Countrymusic ; Piedmont, NC ; USA Südstaaten ; Piedmont Plateau ; Country music / Piedmont (U.S. : Region) / History and criticism ; Country music / Southern States / History and criticism ; Country musicians / Piedmont (U.S. : Region) ; Textile workers / Piedmont (U.S. : Region) ; MUSIC / Genres & Styles / Choral ; Country music ; Country musicians ; Textile workers ; Southern States ; United States / Piedmont Region ; Electronic books ; Criticism, interpretation, etc ; Piedmont Plateau ; Countrymusic ; Geschichte ; Piedmont, NC ; Textilarbeiter ; Countrymusic ; Geschichte 1920-1945 ; USA Südstaaten ; Countrymusic ; Geschichte 1920-1945
    Abstract: Contrary to popular belief, the roots of American country music do not lie solely on southern farms or in mountain hollows. Rather, much of this music recorded before World War II emerged from the bustling cities and towns of the Piedmont South. No group contributed more to the commercialization of early country music than southern factory workers. This book explores the origins and development of this music in the Piedmont's mill villages. It offers vivid portraits of a colorful cast of Piedmont millhand musicians, including Fiddlin' John Carson, Charlie Poole, Dave McCarn, and the Dixon Brothers, and considers the impact that urban living, industrial work, and mass culture had on their lives and music. Drawing on a broad range of sources, including rare 78-rpm recordings and unpublished interviews, the author reveals how the country music recorded between 1922 and 1942 was just as modern as the jazz music of the same era. The book celebrates the Piedmont millhand fiddlers, guitarists, and banjo pickers who combined the collective memories of the rural countryside with the upheavals of urban-industrial life to create a distinctive American music that spoke to the changing realities of the twentieth-century South
    Description / Table of Contents: King of the mountaineer musicians : Fiddlin' John Carson -- Rough and rowdy ways : Charlie Poole and the North Carolina Ramblers -- Cain't make a living at a cotton mill : Dave McCarn -- A blessing to people : the Dixon Brothers, Howard and Dorsey
    Note: Includes bibliographical references (pages 365-392), discography (p. 393-397) , and index
    DOI: 10.5149/9780807886786_huber
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
    BVB
    Bayreuth UB
  • 15
    Online Resource
    Online Resource
    Das Versprechen mobiler Freiheit : Zur Kultur- und Technikgeschichte von Kofferradio, Walkman und Handy (2008)
    transcript Verlag
    Details
    ISBN: 9783839408711
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Science Studies
    Parallel Title: Erscheint auch als
    DDC: 303.48329999999999
    RVK:
    AP 13400
    RVK:
    AP 13950
    RVK:
    AP 18100
    RVK:
    EC 2410
    RVK:
    LB 95000
    RVK:
    LC 13000
    RVK:
    LR 57790
    RVK:
    MS 4850
    RVK:
    MS 7960
    RVK:
    NW 6700
    RVK:
    ZG 8770
    RVK:
    ZN 3136
    Keywords: Geschichte ; Medien ; Kulturgeschichte ; Geschichtswissenschaft ; Mediengeschichte ; Technikgeschichte ; Technik ; Consumption ; Culture ; Kultur ; Mobilität ; History ; Geschichte des 20. Jahrhunderts ; Media ; Technology ; Cultural History ; Media History ; History of the 20th Century ; History of Technology ; Handy ; Walkman ; Transportables Gerät ; Kultur ; Technik ; Reiseempfänger ; Konsumelektronik ; Technikbewertung ; Hochschulschrift ; Hochschulschrift ; Electronic books. ; Hochschulschrift ; Reiseempfänger ; Walkman ; Handy ; Kultur ; Geschichte ; Reiseempfänger ; Walkman ; Handy ; Technik ; Geschichte ; Konsumelektronik ; Transportables Gerät ; Technikbewertung
    Abstract: Am Beginn des 21. Jahrhunderts fungieren MP3-Player, Handy oder Laptop als stete Begleiter des Menschen. Jedoch fanden bereits zuvor zahlreiche elektronische Geräte als »Portables« ihren mobilen Platz in Transport- und Kleidungstaschen oder direkt am Körper. Ihr ortsunabhängiger Gebrauch veränderte Vorstellungen von »privat« und »öffentlich«, von Körper, Technik und Identität. Anhand der Produktkultur und Aneignungsgeschichte von Kofferradio, Kassettenrekorder und Walkman sowie dem Handy analysiert dieses Buch die mit Portables eingeübten neuen Formen des Technikgebrauchs, des sozialen Miteinanders und der Mobilität und stellt damit die aktuelle Debatte um eine »mobile Revolution« erstmals in eine historische Perspektive
    URL: https://ebookcentral.proquest.com/lib/th-brandenburg/detail.action?docID=4348363
    URL: lizenzpflichtig
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    KOBV
    BVB
  • 16
    Online Resource
    Online Resource
    Ein musikalisches Stück Heimat : ethnologische Beobachtungen zum deutschen Schlager (2008)
    Bielefeld : Transcript-Verl.
    Details
    ISBN: 9783839408643
    Language: German
    Pages: 386 S. , zahlr. Ill., Notenbeisp.
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Zugl.: Köln, Univ., Diss.
    DDC: 780
    RVK:
    LC 86015
    RVK:
    LC 87015
    RVK:
    LS 21420
    RVK:
    LS 48615
    Keywords: Musik ; Musik ; Music Music, general ; Soziale Konstruktion ; Musikethnologie ; Kulturelle Identität ; Deutsch ; Heimatgefühl ; Schlager ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Schlager ; Musikethnologie ; Deutschland ; Schlager ; Heimatgefühl ; Soziale Konstruktion ; Deutsch ; Schlager ; Kulturelle Identität ; Deutsch ; Schlager ; Heimatgefühl
    Abstract: Dieses Buch beschäftigt sich mit dem deutschen Schlager als kulturellem Werkzeug für die Konstruktion eines Heimatgefühls in der aktuellen deutschen Gesellschaft. Sowohl theoretisch als auch methodisch orientiert sich der Autor dabei an einer postmodernen und reflexiven Musikethnologie sowie an der Tradition der Cultural Studies. Das Buch beschreibt seine ethnographischen Erfahrungen als nicht-westlicher Ethnologe in Deutschland. Das Resultat ist eine intensive - und manchmal ironische - wissenschaftliche Auseinandersetzung mit der Geschichte des Schlagers bzw. der Geschichte der wissenschaftlichen Beschäftigung mit dem Schlager
    DOI: 10.14361/9783839408643
    DOI: 10.1515/9783839408643
    URL: Volltext
    URL: Volltext
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Volltext
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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    Online Resource
    Regensburg UB
    BSZ
    GBV
    KOBV
    BVB
  • 17
    Online Resource
    Online Resource
    Kaukasus : Wegweiser zur Geschichte (2008)
    Paderborn [u.a.] : Schöningh
    Details
    ISBN: 9783506765871
    Language: German
    Pages: Online-Ressource
    Series Statement: Wegweiser zur Geschichte
    Parallel Title: Druckausg. Kaukasus
    Parallel Title: Druckausg. Kaukasus
    DDC: 940
    RVK:
    NK 3350
    RVK:
    LS 38650
    RVK:
    MG 83030
    Keywords: Kaukasus ; Historischer Überblick ; Caucasus ; historical overview ; Kaukasusländer ; Politik ; Geschichte
    URL: Volltext  (kostenfrei)
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  • 18
    Online Resource
    Online Resource
    Ein musikalisches Stück Heimat : Ethnologische Beobachtungen zum deutschen Schlager (2008)
    transcript Verlag
    Details
    ISBN: 9783839408643
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    RVK:
    LC 86015
    RVK:
    LC 87015
    RVK:
    LS 21420
    RVK:
    LS 48615
    Keywords: Deutschland ; Musik ; Culture ; Popkultur ; Kultur ; Ethnizität ; Kulturanthropologie ; Music ; Cultural Anthropology ; Popular Culture ; Heimat ; Musikwissenschaft ; Musicology ; Popmusik ; Pop Music ; Soziale Konstruktion ; Musikethnologie ; Kulturelle Identität ; Deutsch ; Heimatgefühl ; Schlager ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Schlager ; Heimatgefühl ; Soziale Konstruktion ; Deutsch ; Schlager ; Kulturelle Identität ; Deutsch ; Schlager ; Heimatgefühl ; Deutschland ; Schlager ; Musikethnologie
    Abstract: Dieses Buch beschäftigt sich mit dem deutschen Schlager als kulturellem Werkzeug für die Konstruktion eines Heimatgefühls in der aktuellen deutschen Gesellschaft. Sowohl theoretisch als auch methodisch orientiert sich der Autor dabei an einer postmodernen und reflexiven Musikethnologie sowie an der Tradition der Cultural Studies. Das Buch beschreibt seine ethnographischen Erfahrungen als nicht-westlicher Ethnologe in Deutschland. Das Resultat ist eine intensive - und manchmal ironische - wissenschaftliche Auseinandersetzung mit der Geschichte des Schlagers bzw. der Geschichte der wissenschaftlichen Beschäftigung mit dem Schlager
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  • 19
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    Online Resource
    Music from behind the bridge : steelband aesthetics and politics in Trinidad and Tobago (2008)
    Oxford : Oxford University Press
    Details
    ISBN: 9780195175479 , 0195175476 , 9780195321234 , 0195321235
    Language: English
    Pages: xiv, 311 p.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 785.680972983
    RVK:
    LS 48700
    Keywords: Geschichte ; Geschichte ; Gesellschaft ; Steel band music History and criticism ; Steel bands (Music) History ; Popular music Social aspects ; Steelband ; Gesellschaft ; Popmusik ; Tobago ; Trinidad ; Trinidad ; Popmusik ; Gesellschaft ; Tobago ; Geschichte ; Trinidad ; Steelband ; Tobago ; Geschichte
    Note: Discography , Includes bibliographical references and index
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  • 20
    Online Resource
    Online Resource
    Africa and the Blues (2008)
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9781604737288
    Language: English
    Pages: 1 Online-Ressource (320 pages)
    DDC: 781.643096
    RVK:
    LS 48500
    Keywords: Geschichte ; Blues ; Afrika
    Abstract: In 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues. Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt. Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were "European" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions. With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world. Gerhard Kubik is a professor in the department of ethnology and African studies at the...
    Abstract: University of Mainz, Germany. Since 1983 he has been affiliated with the Center for Social Research of Malawi, Zomba. He is a permanent member of the Center for Black Music Research in Chicago and an Honorary Fellow of the Royal Anthropological Institute of Great Britain and Ireland, London.
    Note: Description based on publisher supplied metadata and other sources
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  • 21
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    Online Resource
    Jewish music and modernity : music and cultural contestation in Central Europe (2008)
    New York : Oxford University Press
    Details
    ISBN: 9780199869992
    Language: English
    Pages: 1 online resource (368 p.)
    Series Statement: AMS studies in music
    Parallel Title: Erscheint auch als Bohlman, Philip V., 1952 - Jewish music and modernity
    Parallel Title: Print version
    Parallel Title: Erscheint auch als Bohlman, Philip V., 1952 - Jewish music and modernity
    DDC: 780.89/924
    RVK:
    LS 33120
    RVK:
    LR 57736
    Keywords: Jews History ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews ; Germany ; History ; Jews Music ; History and criticism ; Jews Germany ; History ; Jews ; Germany ; Music ; Jews ; Germany ; History ; Deutschland ; Juden ; Musik ; Moderne ; Geschichte ; Judentum ; Musik ; Modernität ; Urbanität ; Geschichte 1890-1933 ; Zionismus ; Musik
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1093/acprof:oso/9780195178326.001.0001
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 22
    Online Resource
    Online Resource
    Fiddling in West Africa : touching the spirit in Fulbe, Hausa, and Dagbamba cultures (2008)
    Bloomington : Indiana University Press
    Details
    ISBN: 0253000092 , 9780253000095
    Language: English
    Pages: 1 Online-Ressource (ix, 337 p.)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 787.20966
    RVK:
    LS 46418
    Keywords: Geschichte ; MUSIC / Musical Instruments / Strings ; Fiddling ; Music ; Kultur ; Fidel ; Musik ; Music History and criticism ; Fiddling ; Fidel ; Kultur ; Westafrika ; Westafrika ; Fidel ; Kultur ; Geschichte
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references, discography and index , Introduction : A master fiddler and a significant but little-known tradition -- Fiddling in West Africa : understanding the culture area -- An affirmation of identity : Fulbe fiddling in Senegambia -- Calling the Bori spirits : Hausa fiddling in Nigeria -- In service to the king : Dagbamba fiddling in Ghana , Fiddling has had a lengthy history in Africa which has long been ignored. Jacqueline Cogdell DjeDje corrects this oversight with an expansive study on fiddling in the Fulbe, Hausa, and Dagbamba cultures of West Africa. DjeDje not only explains the history of the instrument itself, but also discusses the processes of stylistic transference and adaptation, suggesting how these may have contributed to differing performance practices. Additionally, DjeDje delves into the music, the performance context, the mu
    URL: Volltext
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  • 23
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    Jewish music and modernity (2008)
    New York, N.Y. : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    Details
    ISBN: 9780199720859 , 0199720851
    Language: English
    Pages: 1 Online-Ressource (xxxiii, 280 pages) , Illustrations
    Series Statement: AMS studies in music
    DDC: 780.89/924
    RVK:
    LS 33120
    Keywords: Geschichte ; Judentum ; Musik ; Modernität
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references (pages 247-263), discography (p , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 24
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    Online Resource
    Jazz : the basics (2008)
    New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780203931455
    Language: English
    Pages: 1 Online-Ressource (278 Seiten)
    Parallel Title: Erscheint auch als Meeder, Christopher Jazz
    DDC: 781.6509
    RVK:
    LS 48100
    Keywords: Jazz History and criticism ; Jazz musicians ; USA ; Jazz ; Geschichte ; USA ; Jazzmusiker ; Geschichte
    Description / Table of Contents: Fundamentals -- Pre-jazz -- Early jazz recordings -- Louis Armstrong -- The 1920s -- The swing era, part I: big bands -- The swing era, part II: small groups and soloists -- Bebop and the moldy figs -- Charlie Parker -- Thelonious Monk -- The 1950s: the beginning of jazz -- Miles Davis -- Avant-garde jazz of the 1950s and early 1960s -- John Coltrane -- The 1960s, part I: inside -- The 1960s, part II: free jazz -- The 1960s, part III: Chicago -- Postbop pianists -- Fusion -- The 1980s and new conservatism -- The genre busters -- Lately
    DOI: 10.4324/9780203931455
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 25
    Online Resource
    Online Resource
    Jewish music and modernity : music and cultural contestation in Central Europe (2008)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199869992
    Language: English
    Pages: 1 Online-Ressource (368 p.) , Ill.
    Series Statement: AMS studies in music
    DDC: 780.89924
    RVK:
    LS 33120
    Keywords: Geschichte ; Judentum ; Musik ; Modernität ; Jews Music ; History and criticism ; Jews History
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780195178326.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195178326.001.0001
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  • 26
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    Online Resource
    Counterculture kaleidoscope : musical and cultural perspectives on late sixties San Francisco (2008)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 047202597X , 9780472025978
    Language: English
    Pages: 1 Online-Ressource (230 p.)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 979.4/61054
    RVK:
    LQ 89507
    RVK:
    LR 56600
    RVK:
    LS 48050
    RVK:
    MR 5700
    Keywords: 1900 - 1999 ; Geschichte 1900-2000 ; Geschichte 1960-1970 ; HISTORY / State & Local / General ; Counterculture ; Intellectual life ; Manners and customs ; Rock music ; Rock musicians ; Social change ; Youth / Social life and customs ; Gesellschaftsleben / California / History / 20th century ; Rockmusiker ; Jugend ; Gesellschaftsleben ; Gegenkultur ; Jugendkultur ; Rockmusik ; Alltag, Brauchtum ; Geschichte ; Jugend ; Counterculture History 20th century ; Rock music History and criticism ; Rock musicians History 20th century ; Youth Social life and customs 20th century ; Social change History 20th century ; Gesellschaftsleben ; Rockmusiker ; Geistesleben ; Gegenkultur ; Rockmusik ; Jugendkultur ; Jugend ; Sozialer Wandel ; San Francisco- Haight-Ashbury ; San Francisco, Calif. ; San Francisco, Calif. ; Gegenkultur ; Jugendkultur ; Geschichte 1960-1970 ; San Francisco, Calif. ; Rockmusik ; Rockmusiker ; Geschichte 1960-1970 ; San Francisco, Calif. ; Jugend ; Gesellschaftsleben ; Geschichte 1960-1970 ; San Francisco- Haight-Ashbury ; Gesellschaftsleben ; Geschichte 1960-1970 ; San Francisco, Calif. ; Geistesleben ; Geschichte 1960-1970 ; San Francisco, Calif. ; Sozialer Wandel ; Geschichte 1960-1970 ; San Francisco- Haight-Ashbury ; Geistesleben ; Geschichte 1960-1970
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (p. 207-220) and index , Refusing to play, pluralism, and anything goes: defining the counterculture -- The outlaw persona: Joplin, big brother, and pluralism in black and white -- The exotic persona: absorbing the postcolonial political pill -- The natural persona: freedom, the grateful dead, and an anticommercial counterculture -- The new age persona: sex, spirituality, and escaping to the now -- Helter Skelter: lessons from the end of the counterculture
    URL: Volltext
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  • 27
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    Sizhu instrumental music of South China : ethos, theory and practice (2008)
    Leiden : Brill
    Details
    ISBN: 9047432770 , 9789047432777
    Language: English
    Pages: 1 Online-Ressource (xviii, 218 pages)
    Series Statement: Sinica Leidensia v. 84
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 784.0951/2
    RVK:
    LS 41500
    Keywords: Geschichte ; MUSIC / Musical Instruments / General ; Instrumental music ; Music theory ; Geschichte ; Instrumental music History and criticism ; Music theory History ; Instrumentalmusik ; Musiktheorie ; China ; China ; China ; Musiktheorie ; Geschichte ; China Südost ; Instrumentalmusik ; Geschichte
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 205-211) and index , Sizhu music in South China -- Yuelun: the Confucian Foundation -- Qingshang music and the historic legacy -- Yuelu: music theory and practice -- Baban and the sizhu repertoire -- Bianzou: performance practice and aesthetics
    URL: Volltext
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  • 28
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    Online Resource
    Canadian content : culture and the quest for nationhood (2008)
    Toronto : University of Toronto Press
    Details
    ISBN: 1442687495 , 9781442687493
    Language: English
    Pages: 1 Online-Ressource (viii, 360 pages, [12] leaves of plates)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 971.064
    RVK:
    LQ 89007
    RVK:
    LS 48000
    RVK:
    LS 48070
    Keywords: Geschichte 1900-2000 ; Geschichte ; Nationalisme / Canada / Histoire / 20e siècle ; Industries culturelles / Politique gouvernementale / Canada / Histoire / 20e siècle ; Industries culturelles / Canada / Histoire / 20e siècle ; HISTORY / Canada / General ; HISTORY / Canada / Post-Confederation (1867- ) ; Geschichte ; Nationalismus ; Politik ; Nationalism History 20th century ; Cultural industries Government policy 20th century ; History ; Cultural industries History 20th century ; Kulturpolitik ; Nationalismus ; Popmusik ; Kanada ; Kanada ; Kanada ; Kulturpolitik ; Nationalismus ; Kanada ; Popmusik ; Geschichte
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 325-343) and index , Introduction: a guide to Canadianization -- Colony to nation: morality, modernity, and the nationalist use of culture -- Culturing Canada: the Massey Commission and the broadcasting, film, and arts triumvirate -- From institution to industry: mass media and state intervention, 1958-1966 -- Canadian content woes: cultural imbalance and undercurrents in the 1960s -- Creating the peaceable kingdom: a new nationalist Canadian identity -- Guaranteed culture: nationalism and the question of intervention -- Saving Canada: Pierre Trudeau and the mobilization of culture -- Littlest Hobos and Kings of Kensington: Canadian cultural melange in the 1970s -- From citizens to consumers: cultural industrialism and the commodification of Canadian content -- Canadianization in a time of globalization -- Conclusion: building Canada: culture and the quest ofr nationhood
    URL: Volltext
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  • 29
    Online Resource
    Online Resource
    Please please me : sixties British pop, inside out (2008)
    New York : Oxford University Press
    Details
    ISBN: 0199715556 , 9780199715558
    Language: English
    Pages: 1 Online-Ressource (xii, 340 p.)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.640941/09046
    RVK:
    LQ 84007
    RVK:
    LR 57767
    RVK:
    LS 48000
    RVK:
    LS 48635
    Keywords: 1900 - 1999 ; Geschichte 1900-2000 ; Geschichte 1960-1970 ; MUSIC / Genres & Styles / Pop Vocal ; Popular music ; Sound recording industry ; Geschichte ; Popular music History and criticism 1961-1970 ; Sound recording industry History 20th century ; Musikwirtschaft ; Popmusik ; Großbritannien ; Großbritannien ; Großbritannien ; Popmusik ; Musikwirtschaft ; Geschichte 1960-1970
    Note: Includes bibliographical references (p. 307-314), discography (p. 281-305), and index , Introduction. Approaches and material -- The velvet glove: the art of production -- A question of balance: engineering art -- Mediating change: setting musical directions -- The write stuff: songwriters -- Red-light fever: musicians -- Please please me , Preface. Acknowledgements. Introduction. 1. The Velvet Glove: The Art of Production. 2. A Question of Balance: Engineering Art. 3. 4. 5. Red-Light Fever: Musicians. 6. Please Please Me. 7. Discography. Bibliography
    URL: Volltext
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  • 30
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    Music (2008)
    Chapel Hill, North Carolina : University of North Carolina Press
    Details
    ISBN: 9781469616667
    Language: English
    Pages: 1 online resource (449 pages) , illustrations, photographs
    Series Statement: New Encyclopedia of Southern Culture Volume 12
    Parallel Title: Erscheint auch als Music
    DDC: 780
    RVK:
    LS 48000
    Keywords: Geschichte ; Music Encyclopedias ; Music Encyclopedias History ; Mentalität ; Musik ; Musiker ; Geschichte ; Literatur ; Kultur ; USA Südstaaten ; Wörterbuch ; USA Südstaaten ; Kultur ; Mentalität ; Geschichte ; USA Südstaaten ; Musik ; Geschichte ; USA Südstaaten ; Literatur ; Geschichte ; USA Südstaaten ; Kultur ; Geschichte ; USA Südstaaten ; Musiker
    Note: "Published with the assistance of the Anniversary Endowment Fund of the University of North Carolina Press"--T.p. verso. - "Sponsored by the Center for the Study of Southern Culture at the University of Mississippi.. - Includes indexes , Description based on print version record
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  • 31
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    A power stronger than itself : the AACM and American experimental music (2008)
    Chicago : University of Chicago Press
    Details
    ISBN: 0226477037 , 9780226477039
    Language: English
    Pages: 1 Online-Ressource (xlviii, 676 p., [44] p. of plates)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6506/077311
    RVK:
    LS 48100
    Keywords: Association for the Advancement of Creative Musicians ; Association for the Advancement of Creative Musicians / History ; Association for the Advancement of Creative Musicians History ; Association for the Advancement of Creative Musicians ; 1900 - 1999 ; Geschichte 1900-2000 ; Geschichte 1965-2005 ; MUSIC / Genres & Styles / Jazz ; African American jazz musicians ; Avant-garde (Music) ; Jazz ; Geschichte ; African American jazz musicians ; Avant-garde (Music) History 20th century ; Jazz History and criticism ; Jazz ; Experimentelle Musik ; Jazzmusiker ; USA ; Chicago, Ill. ; Chicago, Ill. ; Jazz ; Jazzmusiker ; Geschichte 1965-2005 ; Association for the Advancement of Creative Musicians ; Experimentelle Musik ; Geschichte 1965-2005
    Note: Includes bibliographical references (p. 601-635), discography (p. 519-523), and index , Foundations and prehistory -- New music, New York -- The development of the experimental band -- Founding the collective -- First fruits -- The AACM takes off -- Americans in Paris -- The AACM's next wave -- The AACM in New York -- The new regime in Chicago -- Into the third decade -- Transition and reflections , "Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. From its working-class roots on the South Side of Chicago, the AACM went on to forge an extensive legacy of cultural and social experimentation, crossing both musical and racial boundaries. The success of individual members and ensembles such as Muhal Richard Abrams, the Art Ensemble of Chicago, and Anthony Braxton has been matched by the enormous influence of the collective itself in inspiring a generation of musical experimentalists. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Faced with shrinking economic opportunities in Chicago and a segregated music industry, the original members of the AACM found inspiration in the civil rights movement's call for change through self-determination and collective action. These musicians pooled their individual strengths in a new organization powerfully committed to a forward-thinking approach to musical creation and performance. Evolving a range of experimental methods, from invented instruments and unusual musical scores to improvisation and the early use of computers, the AACM challenged the borders separating classical music and jazz. Moving from Chicago to New York to Paris, and from founding member Steve McCall's kitchen table to Carnegie Hall, A Power Stronger Than Itself uncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art."--Publisher's description
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  • 32
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    Pop und Männlichkeit : Zwei Phänomene in prekärer Wechselwirkung? (2008)
    Berlin : Frank & Timme | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9783865967046
    Language: German
    Pages: 1 Online-Ressource (248 Seiten)
    Series Statement: Kulturwissenschaften v.5
    RVK:
    GO 18516
    RVK:
    LB 44015
    RVK:
    LR 57710
    RVK:
    MS 3160
    Keywords: Geschichte ; Deutsch ; Popliteratur ; Männlichkeit ; Männlichkeit ; Rockmusik ; Masculinity in literature ; Masculinity in music ; Masculinity in popular culture -- Germany ; Konferenzschrift 2008
    Note: Description based on publisher supplied metadata and other sources
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  • 33
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    Discovering Country Music (2008)
    Westport : ABC-CLIO | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780313352461
    Language: English
    Pages: 1 Online-Ressource (240 pages)
    DDC: 781.642
    RVK:
    LS 48610
    RVK:
    LS 48050
    Keywords: Geschichte ; Countrymusic
    Abstract: Discovering Country Music chronicles the incredible evolution of country music in America - from the fiddle to the pop charts - and provides an insightful account of the reasons and motives that have determined its various transformations and offshoots over the years. In order to understand what country music is, and why, it is essential to understand how it makes its money - the basic revenue streams, the major companies involved, and how country artists are booked and marketed. Author Don Cusic helps readers do that, and goes even further, covering not only the business and the technology that have shaped the industry, but also tackling the question of country's relationship to the other major genres of the American recording industry, including pop, blues, and rock music. Discovering Country Music is broken down into ten sections which include: key musical trends; ancillary business trends such as recording technology, radio, and the recording industry; and prominent artists, including as a small sample Stephen Foster, The Carter Family, Elvis, Johnny Cash, Dolly Parton, Willie Nelson, Garth Brooks, The Dixie Chicks, Tim McGraw, Faith Hill, and Kenny Chesney. This work should appeal to fans, scholars, educators, libraries and the general reader alike.
    Note: Description based on publisher supplied metadata and other sources
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  • 34
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    78 blues : folksongs and phonographs in the American South (2008)
    Jackson, [Miss.] : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781604733273
    Language: English
    Pages: 1 Online-Ressource (x, 288 p.) , Ill.
    Series Statement: American made music series
    DDC: 781.640975
    RVK:
    LS 48500
    Keywords: Geschichte ; Volksmusik ; Schallplattenaufzeichnung ; Folk music History and criticism ; Folk songs History and criticism ; Sound recordings History 20th century ; USA Südstaaten
    Abstract: When record men first travelled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. This book covers a revolution in artist performance and audience perception through close examination of hundreds of key 'hillbilly' and 'race' records released between the 1920s and World War II.
    Note: Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781934110195.001.0001
    URL: http://dx.doi.org/10.14325/mississippi/9781934110195.001.0001
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  • 35
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    Rapocalypse (2007)
    [Erscheinungsort nicht ermittelbar] : transcript Verlag | The Hague : OAPEN Foundation
    Details
    Language: German
    Pages: 1 Online-Ressource (282 pages)
    RVK:
    LS 48900
    Keywords: Geschichte ; Rap
    Abstract: »I understand that time is running out« - Wenn man den Texten vieler afro-amerikanischer Rapper glauben will, steht das Ende der Welt unmittelbar bevor. Woher rührt diese Faszination für die Apokalypse? Was beschreiben diese Untergangsszenarien, und zu welchem Zweck? Das Buch stellt die erste umfassende Studie zu apokalyptischen Motiven im US-amerikanischen HipHop dar. Zugleich verfolgt es die Entstehung dieser Kunstform von den Spirituals über die Rhetorik afroamerikanischer Prediger bis hin zu Blues und Reggae. Die Geschichte vom Ende der Welt ist so zugleich die Geschichte vom Anfang des Rap - »Times done run out!«
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  • 36
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    Schwarz werden : »Afroamerikanophilie« in den 1960er und 1970er Jahren (2007)
    transcript Verlag
    Details
    ISBN: 9783839405970
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Cultural Studies 24
    Parallel Title: Erscheint auch als
    DDC: 303.48243073
    RVK:
    LB 31960
    RVK:
    LB 48015
    RVK:
    LB 56610
    RVK:
    LB 57015
    RVK:
    LS 48000
    RVK:
    MR 7100
    RVK:
    MS 3450
    RVK:
    NQ 6110
    Keywords: Geschichte 1967-1975 ; Geschichte 1968-1980 ; Kulturwissenschaft ; Werbung ; Kulturgeschichte ; Amerika ; Postkolonialismus ; Amerikanisierung ; Cultural History ; Cultural Studies ; Postcolonialism ; America ; Exotismus ; Gegenkultur ; Kulturkontakt ; Rezeption ; Schwarze ; Kultur ; Amerikanisierung ; Deutschland ; Deutschland ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Schwarze ; Kultur ; Rezeption ; Deutschland ; Geschichte 1968-1980 ; Deutschland ; Kulturkontakt ; USA ; Schwarze ; Geschichte 1967-1975 ; Deutschland ; Kulturkontakt ; USA ; Schwarze ; Geschichte 1967-1975 ; Deutschland ; Amerikanisierung ; Schwarze ; Geschichte 1967-1975 ; Deutschland ; Amerikanisierung ; Schwarze ; Geschichte 1967-1975
    Abstract: Soul-Musik und »Black Power«-Solidarität, blonde »Afros« und schwarz-weiße Werbekampagnen: Afroamerikanisches hatte in verschiedenen Feldern der Gegen- und Popkultur der Bundesrepublik um 1968 Konjunktur. Diese Studie zeigt Formen und Hintergründe der »Afroamerikanophilie« auf und zeichnet damit ein ungewohntes Bild der Zeit um 1968, als ein zunehmend »exklusives« afroamerikanisches Selbstbewusstsein entstand und die »weiße« Suche nach imaginären Einlassstellen in die »schwarze« Welt zugleich eine neue Qualität gewann. Aus einer Vielzahl von Quellen werden dabei auch theoretische Fragen nach dem Zusammenspiel von Identifikation und Solidarität, Rassismus, Aneignung und Nachahmung entwickelt
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  • 37
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    Cross the water blues : African American music in Europe (2007)
    Jackson : University Press of Mississippi
    Details
    ISBN: 1578069602 , 9781578069606
    Language: English
    Pages: xii, 289 p.
    Edition: 1st ed
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.899607304
    RVK:
    LS 48000
    Keywords: Geschichte ; Musik ; Schwarze. USA ; African Americans Music Influence ; African Americans Music ; History and criticism ; Popular music History and criticism ; Rezeption ; Musik ; Schwarze ; Popmusik ; Europa ; USA ; Europa ; Europa ; Popmusik ; Schwarze ; Geschichte ; USA ; Schwarze ; Musik ; Rezeption
    Note: Includes bibliographical references and index
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  • 38
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    Subversive sounds : race and the birth of jazz in New Orleans (2007)
    Chicago : University of Chicago Press
    Details
    ISBN: 9780226328690 , 0226328694
    Language: English
    Pages: 1 Online-Ressource (xii, 289 p.)
    DDC: 781.65/20976335
    RVK:
    LS 48100
    Keywords: Geschichte ; MUSIC / Genres & Styles / Jazz ; Jazz ; Music and race ; Music / Social aspects ; Geschichte ; Gesellschaft ; Musik ; Jazz History and criticism ; Music Social aspects ; History ; Music and race ; Jazz ; Gesellschaft ; New Orleans, La. ; New Orleans, La. ; Jazz ; Gesellschaft ; Geschichte
    Note: Includes bibliographical references (p. 247-270), discography (p. 271-273), and index , Places -- Reaction -- Musicians -- Music -- Dissemination : Morton, La Rocca, and Armstrong , Subversive Sounds probes New Orleans?s history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form?jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans?s complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of m
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  • 39
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    Kinderliederbücher 1770 - 2000 : eine annotierte, illustrierte Bibliografie der deutschsprachigen Kinderliederbücher im Deutschen Volksliedarchiv (2007)
    Münster ; München ; Berlin : Waxmann
    Details
    ISBN: 9783830968191
    Language: German
    Pages: 1 Online-Ressource (445 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Volksliedstudien 8
    Parallel Title: Erscheint auch als
    RVK:
    LS 21000
    RVK:
    LP 10100
    RVK:
    LS 21340
    RVK:
    LC 86015
    Keywords: Deutsches Volksliedarchiv ; Geschichte 1770-2000 ; Liederbuch ; Kinderlied ; Deutschland ; Musik ; Kinderlieder ; Kinderweltidylle ; Wehrerziehung ; Liederbücher ; Musikalische Volkskulturen ; Deutsches Volksliedarchiv ; Deutschland ; Liederbuch ; Kinderlied ; Geschichte 1770-2000
    Abstract: Kinderliederbücher sind Indikatoren für Menschenbilder und Weltanschauungen, für Vorstellungen von Erziehung und Sichtweisen aufs Kind. Der kulturgeschichtliche Blick auf diese Liederbücher spiegelt die Veränderungen von Kindheitskonzepten im historischen Verlauf und im gesellschaftlichen Wandel.In diesem Buch wird erstmals eine umfassende Bibliografie deutschsprachiger Kinderliederbücher von 1770-2000 vorgelegt. Informative Kurzkommentare zu jedem Band geben Auskunft zu Buchinhalten, Autoren und Herausgebern sowie über ihre jeweiligen Repertoirestrategien. Zusammen mit zahlreichen Illustrationen lassen diese Annotationen Bedeutung und Stellenwert des jeweiligen Liederbuches anschaulich werden.Neben einem umfassenden Registerteil enthält das Buch auch einen Essay des renommierten Musikpädagogen Günther Noll zum Kinderlied in der NS-Zeit.
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  • 40
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    1968 : Handbuch zur Kultur- und Mediengeschichte der Studentenbewegung (2007)
    Stuttgart : Verlag J.B. Metzler
    Details
    ISBN: 9783476000903
    Language: German
    Pages: 1 Online-Ressource (VI, 323 Seiten)
    Parallel Title: Erscheint auch als 1968
    DDC: 301
    RVK:
    LR 57727
    RVK:
    NQ 6110
    RVK:
    AL 46900
    RVK:
    MG 15280
    RVK:
    AP 14000
    RVK:
    MS 4760
    Keywords: Studentenbewegung ; Kultur ; Kulturgeschichte ; Medien ; Medienberichterstattung ; Mediengeschichte ; Gegenkultur ; BRD ; Geschichte, 1968 ; Geschichte, 1960-1970 ; Alternativbewegung ; Vietnamkrieg ; Kommune 1 ; Subversive Aktion ; Subversion ; Öffentlichkeit ; fehlt ; Achtundsechziger ; Kultur ; Massenmedien ; Geschichte ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Achtundsechziger ; Kultur ; Geschichte ; Achtundsechziger ; Massenmedien ; Geschichte
    Note: Description based upon print version of record
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  • 41
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    Genre in popular music (2007)
    Chicago : University of Chicago Press
    Details
    ISBN: 0226350401 , 9780226350400
    Language: English
    Pages: 1 Online-Ressource (xiv, 221 pages)
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    LS 48015
    RVK:
    LR 57730
    RVK:
    LR 57760
    Keywords: Geschichte ; Fine Arts ; MUSIC / Genres & Styles / Pop Vocal ; Popular music ; Popular music genres ; Unterhaltungsmusik / USA. ; Country Rock ; Musikgattung ; Unterhaltungsmusik ; Jazz ; Popular music History and criticism ; Popular music genres ; Musikalischer Stil ; Popmusik ; USA ; USA ; USA ; Popmusik ; Musikalischer Stil ; Geschichte
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 201-212) and index , "The Jeff Parker discography": pages 181-183 , Roots and refigurations -- Double session I : Reactions to rock -- A model of genre transformation -- Country music and the Nashville sound -- Jazz and jazz-rock fusion -- Double session II : Urban boundaries -- Jeff Parker and the Chicago jazz scene -- A closer look at Jeff Parker and his music -- Music at American borders , Through a collection of case studies, the author examines why music categories and music genres are debated, and why the terms used to describe these categories and genres are always changing
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    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226350400.001.0001/upso-9780226350370
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  • 42
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    Country music originals : the legends and the lost (2007)
    Oxford : Oxford University Press
    Details
    ISBN: 0198043589 , 9780198043584
    Language: English
    Pages: 1 Online-Ressource (xviii, 258 p.)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.642092/273
    RVK:
    LS 48000
    Keywords: Geschichte ; BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians ; MUSIC / Genres & Styles / Country & Bluegrass ; Country music ; Country musicians ; Country musicians Biography ; Country music History and criticism ; Country-Musiker ; Countrymusic ; Biografie ; Diskographie ; Countrymusic ; Country-Musiker ; Geschichte
    Note: Includes bibliographical references (p. ), discographies , A.C. "Eck" Robertson -- Fiddlin' John Carson -- Henry Whitter -- Ernest V. Stoneman -- Uncle Dave Macon -- Vernon Dalhart -- Fiddlin' Powers -- Charlie Poole -- Kelly Harrell -- Da Costa Woltz's Southern Broadcasters -- Uncle Jimmy Thompson -- Dr. Humphrey Bate -- Sam McGee -- Gid Tanner -- Riley Puckett -- Clayton McMichen -- Lowe Stokes -- Earl Johnson -- John Dilleshaw -- Georgia Yellow Hammers -- South Georgia Highballers -- The Cofer Brothers -- Dock Boggs -- Frank Hutchison -- Tom Darby & Jimmie Tarlton -- The Carter Family -- Jimmie Rodgers -- Bridge : the great divide -- Allen Brothers -- Fleming & Townsend -- Chris Bouchillon -- Ed Haley -- Clark Kessinger -- Blind Alfred Reed -- Roy Harvey -- Walter Smith -- Asa Martin -- Dick Burnett -- John D. Foster -- Emry Arthur -- Alfred G. Karnes -- Buell Kazee -- Raymond Render -- G.B. Grayson -- Clarence ("Tom") Ashley -- Carolina Tar Heels -- Carolina Twins -- The Red Fox Chasers -- Bascom Lamar Lunsford -- , - Leake County Revelers -- Narmour & Smith -- Hoyt Ming -- Dr. Smith's Champion Hoss Hair Pullers -- Fiddlin' Bob Larkan -- Golden Melody Boys -- Walter Coon -- Jules Verne Allen -- Powder River Jack Lee -- The Cartwright Brothers -- Harry "Mac" McClintock -- Goebel Reeves -- John I. White -- Bernard "Slim" Smith -- Carson Robison -- Frank Luther -- Otto Gray & his Oklahoma Cowboys -- Bridge : country music in transition -- Gene Autry -- Jimmie Davis -- Cliff Carlisle -- Bill Cox -- Mac & Bob -- Bradley Kincaid -- The girls of the golden west -- Wilf Carter -- Hank Snow -- Bridge : the radio years -- Lulu Belle & Scotty -- Patsy Montana -- Lily May Ledford -- J.E. Mainer -- The Dixon Brothers -- The Callahan Brothers -- Claude Casey -- Snuffy Jenkins -- Roy Acuff -- "Ramblin' Red" Lowery -- The Delmore Brothers -- Lonnie Glosson -- Grandpa Jones -- Carl Swanson -- Bridge : Western swing and honytonk -- Milton Brown -- Bob Wills -- The Light Crust Doughboys -- Adolph Hofner -- , - Cliff Bruner -- Hank Penny -- Bob Skyles & his Skyrockets -- The Swift Jewel Cowboys -- Johnnie Lee Wills -- Ted Daffan -- Hoyle Nix -- Rex Griffin -- Buddy Jones -- Al Dexter -- Floyd Tillman -- Ernest Tubb -- Johnny Bond -- Red River Dave McEnery -- Leo Soileau -- Harry Choates -- Molly O'Day -- Rose Maddox , Acknowledgments. Introduction. Notes on Playlists. 1. Eck Robertson. 2. Fiddlin' John Carson. 3. Henry Whitter. 4. Ernest V. Stoneman. 5. Uncle Dave Macon. 6. Vernon Dalhart. 7. Fiddlin' Powers. 8. Charlie Poole. 9. Kelly Harrell. 10. DaCosta Woltz. 11. Uncle Jimmy Thompson. 12. Dr Humphrey Bate. 13. Sam McGee. 14. Gid Tanner. 15. Riley Puckett. 16. Clayton McMichen. 17. Lowe Stokes. 18. Earl Johnson. 19. John Dilleshaw. 20. Georgia Yellow Hammers. 21. South Georgia Highballers. 22. Cofer Brothers. 23. Dock Boggs. 24. Frank Hutchison. 25. Darby & Tarlton. 26. The Carter Family. 27. Jimmie Rodg
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  • 43
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    Protest song in East and West Germany since the 1960s (2007)
    Suffolk : Boydell & Brewer
    Details
    ISBN: 9781571136909
    Language: English
    Pages: 1 online resource (320 pages)
    Parallel Title: Erscheint auch als
    DDC: 782.42/15990943
    RVK:
    GN 1862
    RVK:
    GN 1946
    RVK:
    LQ 80107
    RVK:
    LR 57727
    RVK:
    LS 21140
    RVK:
    LS 48000
    Keywords: Geschichte 1900-2000 ; Geschichte 1960-1990 ; Geschichte 1960-2005 ; Geschichte ; Musik ; Politik ; Protest songs / Germany / 20th century / History and criticism ; Music / Political aspects / Germany / History / 20th century ; Protestsong ; Deutschland ; Deutschland ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Protestsong ; Geschichte 1960-2005 ; Deutschland ; Protestsong ; Geschichte 1960-1990
    Abstract: The modern German political song is a hybrid of high and low culture. With its roots in the birth of mass culture in the 1920s, it employs communicative strategies of popular song. Yet its tendencies toward philosophical, poetic, and musical sophistication reveal intellectual aspirations. This volume looks at the influence of revolutionary artistic traditions in the lyrics and music of the 'Liedermacher' of east and west Germany: the rediscovery of the revolutionary songs of 1848 by the 1960s West German folk revival, the use of the profane 'carnivalesque' street-ballad tradition by Wolf Biermann and the GDR duo Wenzel & Mensching, the influence of 1920s artistic experimentation on 'Liedermacher' such as Konstantin Wecker, and the legacy of Hanns Eisler's revolutionary song theory. The book also provides an insider perspective on the countercultural scenes of the two Germanys, examining the conditions in which political songs were written and performed. In view of the decline of the political song form since the fall of communism, the book ends with a look at German avant-garde techno's attempt to create a music that challenges conventional cultural perceptions and attitudes. CONTRIBUTORS: DAVID ROBB, ECKARD HOLLER, ANNETTE BLüHDORN, PETER THOMPSON. David Robb is Senior Lecturer in German Studies at the Queen's University of Belfast
    Description / Table of Contents: The reception of Vormärz and 1848 revolutionary song in West Germany and the GDR ; Mühsam, Brecht, Eisler, and the twentieth-century revolutionary heritage ; Narrative role-play as communication strategy in German protest song / David Robb -- The Burg Waldeck festivals, 1964-1969 ; The folk and Liedermacher scene in the federal republic in the 1970s and 1980s / Eckhard Holler -- Konstantin Wecker : political songs between anarchy and humanity / Annette Blühdorn -- Wolf Biermann : die Heimat ist weit / Peter Thompson -- Political song in the GDR : the cat-and-mouse game with censorship and institutions ; The demise of political song and the new discourse of techno in the Berlin republic / David Robb
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015)
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  • 44
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    Kinderliederbücher 1770-2000 : Eine annotierte, illustrierte Bibliografie der deutschsprachigen Kinderliederbücher im Deutschen Volksliedarchiv. Mit einem Essay von Günther Noll (2007)
    [Erscheinungsort nicht ermittelbar] : Waxmann Verlag GmbH | Stuttgart : UTB GmbH
    Details
    ISBN: 9783830968191
    Language: German
    Pages: 1 Online-Ressource (445 p.)
    Edition: 1st, New ed.
    Series Statement: Volksliedstudien 8
    RVK:
    LC 86015
    RVK:
    LP 10110
    RVK:
    LS 21340
    Keywords: Deutsches Volksliedarchiv ; Geschichte 1770-2000 ; Liederbuch ; Kinderlied ; Deutschland
    URL: https://elibrary.utb.de/doi/book/10.31244/9783830968191
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  • 45
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    Drama kings : players and publics in the re-creation of Peking opera, 1870-1937 (2007)
    Berkeley : University of California Press
    Details
    ISBN: 9780520932791
    Language: English
    Pages: 1 Online-Ressource (xi, 371 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 792.0951/156
    RVK:
    LS 41400
    Keywords: Mei, Lanfang ; Mei, Lanfang ; Geschichte 1870-1937 ; Geschichte ; Theater History ; Operas, Chinese History ; Peking-Oper ; Peking-Oper ; Geschichte 1870-1937 ; Mei, Lanfang 1894-1961
    Description / Table of Contents: Includes bibliographical references (p. 335-353) and index
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  • 46
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    Rapocalypse : der Anfang des Rap und das Ende der Welt (2007)
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    Details
    ISBN: 9783839406083
    Language: German
    Pages: 1 Online-Ressource (279 Seiten) , Illustrationen
    Series Statement: Kultur- und Medientheorie
    RVK:
    LS 48900
    Keywords: Geschichte ; Rap ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: »I understand that time is running out« - Wenn man den Texten vieler afro-amerikanischer Rapper glauben will, steht das Ende der Welt unmittelbar bevor. Woher rührt diese Faszination für die Apokalypse? Was beschreiben diese Untergangsszenarien, und zu welchem Zweck? Das Buch stellt die erste umfassende Studie zu apokalyptischen Motiven im US-amerikanischen HipHop dar. Zugleich verfolgt es die Entstehung dieser Kunstform von den Spirituals über die Rhetorik afroamerikanischer Prediger bis hin zu Blues und Reggae. Die Geschichte vom Ende der Welt ist so zugleich die Geschichte vom Anfang des Rap - »Time's done run out!«...
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    MPI Ethno. Forsch.
  • 47
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    Musik in der Migration : Beobachtungen zur kulturellen Artikulation türkischer Jugendlicher in Deutschland (2006)
    Details
    Language: German
    Pages: Online-Ressource , s/w
    Dissertation note: Frankfurt (Main), Univ., Diss., 2006
    DDC: 780.9239435043
    RVK:
    LR 53700
    RVK:
    LS 18400
    RVK:
    MS 3550
    RVK:
    LR 56600
    RVK:
    LS 18600
    Keywords: Türken ; Türkischer Jugendlicher ; Jugend ; Kulturelle Identität ; Musik ; Musikhören ; Deutschland
    URN: urn:nbn:de:hebis:30-27891
    URL: kostenfrei
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    URL: http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/2561/
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  • 48
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    Damage incorporated : Metallica and the production of musical identity (2006)
    New York : Routledge
    Details
    ISBN: 9780203036150
    Language: English
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42166092/2
    RVK:
    LS 48040
    RVK:
    LS 48635
    Keywords: Metallica (Musical group) ; Metallica ; Geschichte ; Rock musicians / United States / Biography ; Heavy metal (Music) / Social aspects / United States ; Heavy metal (Music) / United States / History and criticism ; Gesellschaft ; Heavy Metal ; USA ; Biografie ; USA ; Heavy Metal ; Gesellschaft ; Geschichte ; Metallica
    Note: Includes bibliographical references (pages 223-230) and index. - Includes discography (pages 221-222) , Thrashing all around: rhythm, the body, and the genre of thrash metal -- Death greets me warm: the fade to black paradigm -- Thinking man's metal: whiteness, detachment, and the performance of musical complexity -- The road and the mode: musical tourism and ethnicity roaming -- Shape shift, mutiny in the air: the sell-out question and popular music histories
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  • 49
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    Damage incorporated : Metallica and the production of musical identity (2006)
    New York : Routledge
    Details
    ISBN: 9780203036150
    Language: English
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42166092/2
    RVK:
    LS 48040
    RVK:
    LS 48635
    Keywords: Metallica (Musical group) ; Metallica ; Geschichte ; Rock musicians / United States / Biography ; Heavy metal (Music) / Social aspects / United States ; Heavy metal (Music) / United States / History and criticism ; Heavy Metal ; Gesellschaft ; USA ; Biografie ; USA ; Heavy Metal ; Gesellschaft ; Geschichte ; Metallica
    Note: Includes bibliographical references (pages 223-230) and index. - Includes discography (pages 221-222) , Thrashing all around: rhythm, the body, and the genre of thrash metal -- Death greets me warm: the fade to black paradigm -- Thinking man's metal: whiteness, detachment, and the performance of musical complexity -- The road and the mode: musical tourism and ethnicity roaming -- Shape shift, mutiny in the air: the sell-out question and popular music histories
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  • 50
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    Musik in der Migration : Beobachtungen zur kulturellen Artikulation türkischer Jugendlicher in Deutschland (2006)
    transcript Verlag
    Details
    ISBN: 9783839405116
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Erscheint auch als
    RVK:
    LB 56340
    RVK:
    LR 56600
    RVK:
    LR 56607
    RVK:
    LR 56608
    RVK:
    MS 2350
    RVK:
    MS 3550
    Keywords: Jugend ; Migration ; Integration ; Jugendliche ; Türkei ; Kulturanthropologie ; Music ; Cultural Anthropology ; Musikwissenschaft ; Musicology ; Youth ; Turkey ; Musikhören ; Türkischer Jugendlicher ; Kulturelle Identität ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Türkischer Jugendlicher ; Kulturelle Identität ; Musikhören
    Abstract: Das Buch stellt eine der ersten Studien zur Bedeutung von türkischer Musik im Prozess der Integration von türkischen Jugendlichen in Deutschland dar.Die empirische Studie bietet einen fundierten Einblick in die türkische Musik in Deutschland und räumt gleichzeitig mit den gängigen Vorurteilen auf, die Nutzung türkischer Musik sei Ausdruck eines mangelnden Integrationswillens und unterstütze die Ausbildung einer so genannten Parallelgesellschaft. Die Studie zeigt auf, dass gerade vermeintlich integrationshemmende Praktiken wie der Konsum türkischer Musik dem individuellen Integrationsprozess türkischer Jugendlicher förderlich sein können
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    Music musique : French & American piano composition in the Jazz Age (2006)
    Bloomington : Indiana University Press
    Details
    ISBN: 9780253346087
    Language: English
    Pages: 163 p
    Parallel Title: Erscheint auch als
    DDC: 781.6/8165
    RVK:
    LP 94918
    RVK:
    LP 95180
    RVK:
    LQ 82207
    RVK:
    LQ 89307
    RVK:
    LR 11750
    RVK:
    LR 11757
    RVK:
    LS 48100
    Keywords: Geschichte 1900-2000 ; Geschichte 1900-2000 ; Geschichte ; Musik ; Jazz History and criticism ; Music History and criticism 20th century ; Music History and criticism 20th century ; Piano music History and criticism ; Jazz ; Musik ; Klaviermusik ; Frankreich ; USA ; Frankreich ; USA ; Frankreich ; Musik ; USA ; Geschichte 1900-2000 ; Jazz ; Klaviermusik ; Geschichte
    Description / Table of Contents: Introduction -- The formation of a French style of composition -- The formation of an American style of composition -- A brief history of jazz in America -- American composers in the 1920s, part I -- American composers in the 1920s, part II -- The Harlem renaissance -- America in the 1930s -- Paris in the 1920s, part I -- Paris in the 1920s, part II -- Edgar Varèse and Igor Stravinsky -- Paris in the 1930s -- Epilogue-envoi
    Note: Includes bibliographical references (p. [151]-153) and index
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  • 52
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    Fire in the water, earth in the air : legends of West Texas music (2006)
    Austin : University of Texas Press
    Details
    ISBN: 9780292714199 , 9780292714342
    Language: English
    Pages: xii, 287 p.
    Edition: 1st ed
    Series Statement: Brad and Michele Moore roots music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64092/2764847
    RVK:
    LQ 89400
    RVK:
    LS 48070
    Keywords: Geschichte ; Musicians Interviews ; Artists Interviews ; Schriftsteller ; Künstler ; Musiker ; Texas ; Interview ; Texas West ; Schriftsteller ; Geschichte ; Texas West ; Musiker ; Geschichte ; Texas West ; Künstler ; Geschichte
    Description / Table of Contents: Terry Allen : going back to the dirt -- Richard Bowden : underground Lubbock -- Lloyd Maines : it's amazing how much gets done -- Jay Boy Adams : chicken-fried memories -- Don Caldwell : selling the family farm for a song -- Bobby Keys : like a rolling stone -- Tom X Hancock : the supernatural family band -- Butch Hancock : the universe in a grain of sand -- Angela Strehli : blues in a Texas town -- Jesse "Guitar" Taylor : a bad loud place -- Ponty Bone : illumination on the streets of Lubbock -- Bruce Jaggers : the greatest show on earth -- Joe Ely : lord of the highway -- Sharon Ely : living on dreams -- Kimmie Rhodes : West Texas angel -- Jo Harvey Allen : take me back to Paradox City -- Jo Carol Pierce : bad girl upset by the truth -- Guy Juke : life imitates art -- David Halley : hitchhiking to nirvana -- Cary Swinney : desperate searcher -- Doug Smith : music ordained by God -- Downé Burns : back to the basics of love -- Bob Livingston : gonzo compadre -- Wade Parks : nothing else to do -- Colin Gilmore : living in dichotomy -- Jimmie Dale Gilmore : Hub City mover -- Mac Davis : happiness is Lubbock, Texas
    Note: Includes bibliographical references, discography (p. 242-279), and index
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  • 53
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    Online Resource
    Fire in the Water, Earth in the Air : Legends of West Texas Music (2006)
    Austin : University of Texas Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780292794245
    Language: English
    Pages: 1 Online-Ressource (302 pages)
    DDC: 781.640922764847
    RVK:
    LQ 89400
    RVK:
    LS 48070
    Keywords: Geschichte ; Künstler ; Musiker ; Schriftsteller ; Texas ; Interview
    Note: Description based on publisher supplied metadata and other sources
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  • 54
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    Among the jasmine trees : music and modernity in contemporary Syria (2006)
    Middletown, Conn. : Wesleyan University Press
    Details
    ISBN: 0819567981 , 0819569852 , 1282553747 , 9780819569851 , 9781282553743
    Language: English
    Pages: 1 Online-Ressource (xxvi, 252 p.)
    Series Statement: Music/culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.95691
    RVK:
    LS 35240
    Keywords: Geschichte 1980-2005 ; 2000 - 2099 ; Geschichte 1980-2005 ; Musique / Syrie / Histoire et critique ; Musique / Syrie / Philosophie et esthétique ; Musique / Aspect social / Syrie ; MUSIC / History & Criticism ; Musik ; Gesellschaft ; Musikphilosophie ; Musikästhetik ; Manners and customs ; Music ; Music / Philosophy and aesthetics ; Music / Social aspects ; Geschichte ; Gesellschaft ; Musik ; Music Social aspects ; Music Philosophy and aesthetics ; Music History 21st century ; Musik ; Musikästhetik ; Gesellschaft ; Musikphilosophie ; Syrien ; Syrien ; Syrien ; Musikphilosophie ; Musikästhetik ; Geschichte 1980-2005 ; Syrien ; Musik ; Gesellschaft ; Geschichte 1980-2005
    Note: Includes bibliographical references (p. 231-248), discography (p. 248), and index , Among the jasmine trees -- Sentiment and authentic spirit : composing Syrian modernity -- Constructing musical authenticity : history, cultural memory, emotion -- Body memory, temporality, and transformation in the dhikr -- Authentic performance and the performance of authenticity -- Tarab, sentiment, and authenticity -- Notes toward closure , How does a Middle Eastern community create a modern image through its expression of heritage and authenticity? In Among the Jasmine Trees: Music and Modernity in Contemporary Syria, Jonathan H. Shannon investigates expressions of authenticity in Syria's musical culture, which is particularly known for embracing and preserving the Arab musical tradition, and which has seldom been researched in depth by Western scholars. Music plays a key role in the process of self-imaging by virtue of its ability to convey feeling and emotion, and Shannon explores a variety of performance genres, Sufi rituals, song lyrics, melodic modes, and aesthetic criteria. Shannon shows that although the music may evoke the old, the traditional, and the local, these are re-envisioned as signifiers of the modern national profile. A valuable contribution to the study of music and identity and to the ethnomusicology of the modern Middle East, Among the Jasmine Trees details this music and its reception for the first time, offering an original theoretical framework for understanding contemporary Arab culture, music, and society
    URL: Volltext
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  • 55
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    Audiotopia : music, race, and America (2005)
    Berkeley, Calif. : University of California Press
    Details
    ISBN: 0520225104 , 0520244249
    Language: English
    Pages: xv, 302 p
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42164/0973/0904
    RVK:
    LS 48050
    Keywords: Geschichte ; Gesellschaft ; Musik ; Popular music History and criticism ; Music Social aspects ; Multiculturalism ; Multikulturelle Gesellschaft ; Popmusik ; USA ; USA ; USA ; Popmusik ; Geschichte ; USA ; Multikulturelle Gesellschaft
    Note: Includes bibliographical references and index
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  • 56
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    Online Resource
    Audiotopia : music, race, and America (2005)
    Berkeley, Calif. : University of California Press
    Details
    ISBN: 052093864X , 1423717295 , 159875582X , 9780520938649 , 9781423717294 , 9781598755824
    Language: English
    Pages: 1 Online-Ressource (1 v.)
    Series Statement: American crossroads 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42164/0973/0904
    RVK:
    LS 48050
    Keywords: Geschichte ; MUSIC / Printed Music / General ; MUSIC / Genres & Styles / Pop Vocal ; Multiculturalism ; Music / Social aspects ; Popular music ; Gesellschaft ; Musik ; Popular music History and criticism ; Music Social aspects ; Multiculturalism ; Multikulturelle Gesellschaft ; Popmusik ; USA ; USA ; USA ; Popmusik ; Geschichte ; USA ; Multikulturelle Gesellschaft
    Note: Includes bibliographical references and index , Against easy listening, or how to hear America sing -- The yiddish are coming -- Life according to the beat -- Basquiat's ear, Rahsaan's eye -- I, too, sing América -- Rock's reconquista , Ranging from Los Angeles to Havana to the Bronx to the U.S.-Mexico border and from klezmer to hip hop to Latin rock, this groundbreaking book injects popular music into contemporary debates over American identity. Josh Kun insists that America is not a single chorus of many voices folded into one, but rather various republics of sound that represent multiple stories of racial and ethnic difference. To this end he covers a range of music and listeners to evoke the ways that popular sounds have expanded our idea of American culture and American identity. Artists as diverse as The Weavers, Café Tacuba, Mickey Katz, Rahsaan Roland Kirk, Bessie Smith, and Ozomatli reveal that the song of America is endlessly hybrid, heterogeneous, and enriching—a source of comfort and strength for populations who have been taught that their lives do not matter. Kun melds studies of individual musicians with studies of painters such as Jean-Michel Basquiat and of writers such as Walt Whitman, James Baldwin, and Langston Hughes. There is no history of race in the Americas that is not a history of popular music, Kun claims. Inviting readers to listen closely and critically, Audiotopia forges a new understanding of sound that will stoke debates about music, race, identity, and culture for many years to come
    URL: Volltext
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