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  • FID-SKA-Lizenzen  (15)
  • Indonesian  (8)
  • Arabic  (7)
Material
  • 1
    Online Resource
    Online Resource
    Surrey, England :Journeyman Pictures,
    Language: Arabic
    Pages: 1 online resource (51 min.). , 005117
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Nomads ; Women ; Canada ; Documentary films.
    Abstract: In this stunning documentary, the nomadic women of Mauritania tell their stories.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Mauritania. , Previously released as DVD. , This edition in Arabic with English subtitles.
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  • 2
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Arabic
    Pages: 1 online resource (62 min.). , 010150
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Sensory ethnography lab
    Keywords: Islam 21st century. ; Mosques 21st century. ; Basements ; Joint occupancy of buildings ; Broadway (New York, N.Y.) ; Bhutan ; Documentary films.
    Abstract: This work is a subtle investigation of the ordinary spaces that transform and transition between the playful and the sacred as individuals enter and perform routine acts of worship or leisure. In this work consisting of several long takes, the viewer experiences the rhythms of folding and unfolding as a visual metaphor for the boundary between these seemingly disparate acts.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2008 in Manhattan, New York, NY. , Previously released as DVD. , This edition in Arabic with English subtitles.
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  • 3
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Italian , Somali , Arabic , English
    Pages: 1 online resource (75 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Abandoned buildings ; Refugees Government policy ; Refugees Housing ; Refugees Political activity ; Somalis ; Squatter settlements ; Italy Personal narratives. Emigration and immigration ; Somalia Personal narratives. Emigration and immigration ; France ; Nonfiction films.
    Abstract: "What happens to African migrants once granted political refugee status? In Turin, a northern Italian city, an abandoned clinic has been squatted by more than 200 refugees since December 2008. Khaled, Shukri and Ali have been travelling through hell in order to arrive in Italy. They crossed the border and are determined to have a normal life. Their hopes are dashed and they find their lives "suspended." The film follows their stories over the years, showing life in the clinic, including the inevitable internal problems, the protests of citizenship and the initiatives of the city. Through the cold winter and unbearably sultry August, until the evacuation of the former clinic by the city authorities and the transfer of refugees to old barracks. Three emblematic characters guide us through a story that reveals, intimately, a collective history, an emblematic tale of all European countries today and their respective immigration policies and the changes occurring in the social fabric of European cities."--Original container.
    Note: Originally released as a motion picture in 2011. , Previously released as DVD. , This edition in Italian, Somali, Arabic and English with English suibtitles.
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  • 4
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Arabic
    Pages: 1 online resource (71 min.). , 011102
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Bedford trucks. ; Mechanics (Persons) ; Trucks Design and construction. ; Bhutan ; Nonfiction films.
    Abstract: A film about mobility, human creativity, and technology in a Sudanese truck community. The English Bedford-Lorry was introduced to Sudan in the late 1960s. Since then, local craftsmen technically modify the truck into an ideal vehicle, adequate for traveling off-road and for performing customers' expectations. The craftsmen and drivers call the lorry "Sifinja" because it is soft and comfortable like the plastic slippers it is named after. In different places in Sudan the carpenters and blacksmiths not only create a shiny iron bride, but they change the whole structure of the lorry through a highly unorthodox performance. Following closely the daily work, art and history of truck-modding on the Nile, a fascinating way of African creativity dealing with global commodities - the automobiles - is opened up. The documentary weaves the original sound of hammering and sawing, drilling and riveting, into a rhythmic, exhilarating audio-visual adventure.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in Arabic with English subtitles.
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  • 5
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Indonesian
    Pages: 1 online resource (70 min.). , 010958
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; North America ; Feature films.
    Abstract: Kantata Takwa was originally the name of a collaborative group of performers, which included musician Iwan Fals, his band, poet W.S. Rendra and his theatre group. In 1991, Kantata Takwa performed in a huge concert, singing songs about the oppressiveness of Soeharto's new order regime. Live footage of this performance is intercut with artists' interviews, and a loose narrative of a people who are ultimately killed by their oppressors. Due to its political content, Kantata Takwa was 18 years in the making, and only released in 2008. Awards/Festivals: Golden Hanoman Award, Jogja-NETPAC Asian Film Festival; Singapore International Film Festival; Louis Vuitton Hawaii International Film Festival; Indonesian Film Festival, Melbourne; St. George Bank Brisbane International Film Festival; Osian Cinefan Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Indonesia. , Previously released as DVD. , This edition in Indonesian with English subtitles.
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  • 6
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Arabic
    Pages: 1 online resource (26 min.). , 002534
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Palestinian Arabs ; Refugees, Palestinian Arab Psychology. ; Older refugees Psychology. ; Photographs Psychological aspects. ; France ; Documentary films.
    Abstract: Still Life is the first sequence in a triptych of portraits that explores the mediations of memory among three generations of Palestinian refugees living in Lebanon. It considers how a series of photos brought to Lebanon by Said Otruk, an elderly Palestinian fisherman from Acre, mediate both his present experience and recollections of his life in Palestine before 1948. We see how the reality represented in these images has become conflated with them; Said repeatedly misremembers the number of his fishing boat and his age when he left, and when he describes photos of Acre's waterfront as capturing the golden age, he seems to be gesturing as much at the splendid figure of his own youth as at the halcyon days of pre-48 Palestine. Rather than being a straightforward expository narrative, or an act of witness of political solidarity, the film is a meditation on the dislocations of memory, the effects of aging and forgetfulness, and the recollection of youthful vitality; the loss of Palestine is lyrically convergent with the felt loss of this vitality. The two portraits that complete the triptych examine spatial and ritual mediations of memory.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Lebanon in 2007. , Previously released as DVD. , This edition in Arabic with English subtitles.
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  • 7
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: French , Arabic
    Pages: 1 online resource (30 minutes) , 002957
    Keywords: Hijab (Islamic clothing) ; Muslim women Clothing ; Muslim women ; Yemen Social life and customs. ; Bhutan ; Documentary films.
    Abstract: In Yemen, the land of Queen Saba, a wide variety of veils can be found. In the capital Sanaa, the women, although at first sight appearing to all be wearing but black, distinguish themselves one from the other through this diversity. Each veil not only carries its own symbolism, but the variety of ways of wearing each becomes a form of expression. It becomes a game of what one hides and what one unveils. Approaching the veil from a fashion standpoint, this film offers a different perspective on this highly and debated topic.
    Note: Title from resource description page (viewed June 24, 2016). , In French and Arabic with English subtitles.
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  • 8
    Online Resource
    Online Resource
    Indonesia :Set Film Workshop,
    Language: Indonesian
    Pages: 1 online resource (90 min.). , 013003
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Eluay, Ondofolo Dortheys Hiyo, Drama. ; Papua (Indonesia) Drama. History ; Autonomy and independence movements ; North America ; Feature films.
    Abstract: Arnold, a 15 year old Papuan boy, obsesses over his desire to kiss a young woman he meets at the port. Meanwhile, his father Bertold, is being hunted down by a group of anonymous thugs for his political activities demanding justice for the detention of independence leader Theys Hiyo Eluay. When Theys is murdered, Bertold goes into hiding, leaving his son to fend for himself. This is the first Indonesian feature set in Irian Jaya.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in StateIrian Jaya. , Previously released as DVD. , This edition in Indonesian with English subtitles.
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  • 9
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English , Indonesian
    Pages: 1 online resource (31 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Dance ; Ireland ; Nonfiction films.
    Abstract: Once a year a ritual is held in a Javanese village. After a distribution of food, men dance with professional female dancers. Their allegedly sexual ethos makes these 'tayuban' unacceptable as national culture, but the dancing is a gift to the protective spirit in exchange for well-being, and represents community identity.
    Note: Previously released as DVD. , This edition in English and Indonesian with English subtitles.
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  • 10
    Online Resource
    Online Resource
    Indonesia :Set Film Workshop,
    Language: Indonesian
    Pages: 1 online resource (123 min.). , 020317
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Feature films. ; Motion pictures, Indonesian. ; Ireland ; Feature films.
    Abstract: Literally translated, the title means 'The Moon Pierced by Wild Grass,' and the film tells the story of the relationship between an aged traditional song teacher named Waluyo, his folk music disciple Ilalang (who has to cope with memories of his abusive father) and the lovely dancer Bulan, who Ilalang has loved for a long time. The feature is set in Solo, where the vestiges of feudal Javanese culture can still be found, and gamelan music is heard throughout. It is an intensely emotional meditation upon the relationship between the generations and the role of music in the search for recovery from a traumatic past and for identity in an uncertain present. Director Garin Nugroho, who has described himself as 'a Javanese living amidst multiculturalism,' and who celebrates Indonesian cultural diversity in such films as A Poet, here explores Javanese culture. He sees this film as 'encompassing at the same time refinement and cruelty, softness and tyranny, and a beauty based on feudalism.' Awards/Festivals: Best Director Award, Nantes International Film Festival. Special Jury Prize at the Nantes Three Continent Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Indonesia. , Previously released as DVD. , This edition in Indonesian with English subtitles.
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  • 11
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English , Indonesian
    Pages: 1 online resource (54 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Fragile Earth
    Keywords: Rice Economic aspects ; Rice Irrigation ; Mathematical models. ; Bali (Indonesia : Province) Social life and customs. ; South Africa ; Nonfiction films.
    Abstract: A biologist and an anthropologist look at a Bali irrigation system and propose a computer model to explore the effect of changes in the traditional system.
    Note: "An Inca Production." , "Media Support and Development Centre, University of Manchester."--Original cassette. , Title on original container: The water goddess and the computer. , Previously released as DVD. , This edition in English and Indonesian with English subtitles.
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  • 12
    Online Resource
    Online Resource
    Berkeley, CA :University of California, Berkeley,
    Language: Indonesian
    Pages: 1 online resource (26 min.). , 002625
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology. ; Ethnology ; Manners and customs. ; Sumba Island (Indonesia) Social life and customs. ; Indonesia ; France ; Documentary films.
    Abstract: The eastern Indonesian island of Sumba is the last island in the Malay archipelago where the majority of the people still follow their ancestral religion, called marapu. This film, shot in 1986, focuses on a challenge to the authority of the spirits and ancestors in a village ritual to restore fertility after a fire and famine.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1986 in Manganipi-Kodi, Indonesia. , Previously released as DVD. , This edition in Indonesian and English with English subtitles.
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  • 13
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Indonesian
    Pages: 1 online resource (53 min.). , 005303
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Whaling ; Lamalera (Indonesia) Social life and customs. ; Canada ; Documentary films.
    Abstract: The Whale Hunters of Lamalera was filmed over a period of four weeks during June 1987. Lamalera is a village which is perched on the rocky slopes of an active volcano on the southern coast of the island of Lembata, in Nusa Tenggara Timur in eastern Indonesia. An anonymous Portuguese document of 1624 describes the islanders as hunting whales with harpoons for their oil, and implies that they collected and sold ambergris. This report confirms that whaling took place in the waters of the Suva Sea at least two centuries before the appearance of American and English whaling ships at the beginning of the nineteenth century. The film follows the daily life of the villagers of Lamalera, a community of about 1500 people. The Christian Mission has been in place in the community for a hundred years, schools have been established and a training workshop teaches carpentry. It is a fishing village in a region where most communities support themselves by agriculture. Lamalera has very little productive land, so the villagers have to fish in order to survive. Their preferred quarry is sperm whale. Catching sperm whale with hand-thrown harpoons from small open boats powered by muscle and palm-leaf sail is no easy task, and the hunt is by no means uneven between man and whale. The tail flukes of a whale can smash the timbers of the boats and many boats are temporarily disabled by their prey. Harpooners have been disabled and killed. But the attraction of the whale is its size. The flesh of the whale (and shark and manta ray) is cut into strips and sun dried in the village. The meat is then carried to small markets where it is bartered with mountain villagers. One strip of dried fish or meat is equivalent to twelve ears of maize, twelve bananas, twelve pieces of dried sweet potatoes, twelve sections of sugar cane, or twelve sirih peppers plus twelve pinang nuts. Commercial whaling is banned throughout much of the world, but subsistence whaling is permitted by International Whaling Commission regulations in Alaska, the USA, the USSR and Greenland. Indonesia is not, however, a signatory to the IWC. Seven whales were caught in Lamalera in 1987.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Indonesian and English with English subtitles.
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  • 14
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Indonesian
    Pages: 1 online resource (50 min.). , 004948
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Dance ; Ireland ; Nonfiction films.
    Abstract: Jaipongan is a new style of music and dancing which was 'invented' about a decade ago on Western Java, Indonesia. Drawing on more classical Javanese music and taking elements from Japanese and Indian music as well, Jaipongan has become widely popular. Dancers and musicians explain the place of Jaipongan within Sundanese culture.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in Indonesian with English subtitles.
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  • 15
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Arabic
    Pages: 1 online resource (60 min.). , 010027
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Women ; Canada ; Documentary films.
    Abstract: In Marrakech, traditional attitudes to women prevail perhaps more strongly than in other Moroccan cities. This is especially true for those women who live by the standards of traditional ideals in the Medina, the old city of Marrakech still enclosed by its ancient walls. This film attempts to say something about women such as Aisha and Hajiba – two main characters – who have experienced the hardships of life for women in such a society. Aisha's husband is an unskilled labourer and so she is forced to find work cooking and cleaning. Hajiba has been thrown out of her natal home by the brother who became household head on her father's death and she works as a dancer (shaykha) in a troupe entertaining men for money. For both of them the ideal of seclusion remains unrealisable, economic factors taking them out into the public world of men. The all-women film-crew were privileged to be allowed to attend a series of events involving women – a visit to the steam baths, a religious celebration, a wedding, a visit to a shuwafa (fortune teller), a possession cult trance and a trip to the market to buy cloth. At many of these social events the guests entertain each other, and the film is remarkable not least for sequences showing women dancing and playing musical instruments, the brilliant colours of their dress and surroundings adding to the visual interest. Some Women of Marrakech is important for the manner in which it situates these 'ethnographic events' in relation to the division between women in the private world and men in the public world, providing an analysis which puts in the foreground questions of women's consciousness, sexuality and male/female division.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Marrakesh, Morocco. , Previously released as DVD. , This edition in Arabic and English with English subtitles.
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