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  • FID-SKA-Lizenzen  (21)
  • Hindi  (14)
  • Arabic  (7)
Material
  • 1
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: Hindi
    Pages: 1 online resource (15 minutes) , 001459
    Keywords: Festivals ; Rites and ceremonies ; India. ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, shows the Kahika Festival in the Kullu Valley of India.
    Note: Title from resource description page (viewed November 11, 2015). , In Hindi.
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  • 2
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: Hindi
    Pages: 1 online resource (13 minutes) , 001205
    Keywords: Festivals ; Rites and ceremonies ; India. ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, shows the Kahika Festival in the Kullu Valley of India.
    Note: Title from resource description page (viewed November 11, 2015). , In Hindi.
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  • 3
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: Hindi
    Pages: 1 online resource (20 minutes) , 001945
    Keywords: Festivals ; Rites and ceremonies ; India. ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, shows the Kahika festival in Himachal Pradesh, India.
    Note: Title from resource description page (viewed November 11, 2015). , In Hindi.
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  • 4
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: Hindi
    Pages: 1 online resource (22 minutes) , 002135
    Keywords: Festivals ; Rites and ceremonies ; India. ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, shows the Kahika Festival in the Kullu Valley of India.
    Note: Title from resource description page (viewed November 11, 2015). , In Hindi.
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  • 5
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: Hindi
    Pages: 1 online resource (21 minutes) , 002010
    Keywords: Festivals ; Rites and ceremonies ; India. ; Asia ; Documentary films.
    Abstract: This film, produced and directed by Barrie Machin, shows the Kahika religious fair of the Kullu Valley in India.
    Note: Title from resource description page (viewed November 11, 2015). , In Hindi.
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  • 6
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Hindi
    Pages: 1 online resource (14 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Textile waste ; Textile workers ; Textiles Recycling ; Ireland ; Nonfiction films.
    Abstract: Unravel follows the western worlds least wanted clothes, on a journey across northern India, from sea to industrial interior. They get sent to Panipat, a sleepy town and the only place in the world that wants them, recycling them back into yarn. Reshma is a bright, inquisitive woman working in a textile recycling factory in small time India, who dreams of travelling the vast distances the clothes she handles have. While Reshma shows us how these garments get transformed, she and other women workers reflect on these cloths. Despite limited exposure to western culture, they construct a picture of how the west is, using both their imagination and the rumours that travel with the cast-offs.--Original container.
    Note: Previously released as DVD. , This edition in Hindi with English subtitles.
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  • 7
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: Hindi , Sino-Tibetan (Other)
    Pages: 1 online resource (49 minutes) , 004803
    Keywords: Buddhist monks ; Rain and rainfall ; Sikkim (India) ; Bhutan ; Ethnographic films. ; Documentary films.
    Abstract: Dorji Bhutia, a Buddhist monk and a reputed mask-maker with supernatural powers of bringing or stopping rain chose a self-determined death at the age of eighty-six. Dorji leaves his mystic image behind but not the mantras to control rain. His son, Duduk, a mask-maker and a compulsive lottery player believes that Sonam, his ten-year-old-son will get the power by the time he grows up. Sonam himself also aspires for this. Set in Sikkim in the eastern Himalayas of India, shot over nine years, Rain in the Mirror follows Sonam's journey to manhood through the conflicting milieus of tradition and modernity.
    Note: Title from resource description page (viewed June 24, 2016). , In Hindi and Bhutia with English subtitles.
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  • 8
    Online Resource
    Online Resource
    Surrey, England :Journeyman Pictures,
    Language: Arabic
    Pages: 1 online resource (51 min.). , 005117
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Nomads ; Women ; Canada ; Documentary films.
    Abstract: In this stunning documentary, the nomadic women of Mauritania tell their stories.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Mauritania. , Previously released as DVD. , This edition in Arabic with English subtitles.
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  • 9
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Arabic
    Pages: 1 online resource (62 min.). , 010150
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Sensory ethnography lab
    Keywords: Islam 21st century. ; Mosques 21st century. ; Basements ; Joint occupancy of buildings ; Broadway (New York, N.Y.) ; Bhutan ; Documentary films.
    Abstract: This work is a subtle investigation of the ordinary spaces that transform and transition between the playful and the sacred as individuals enter and perform routine acts of worship or leisure. In this work consisting of several long takes, the viewer experiences the rhythms of folding and unfolding as a visual metaphor for the boundary between these seemingly disparate acts.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2008 in Manhattan, New York, NY. , Previously released as DVD. , This edition in Arabic with English subtitles.
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  • 10
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Italian , Somali , Arabic , English
    Pages: 1 online resource (75 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Abandoned buildings ; Refugees Government policy ; Refugees Housing ; Refugees Political activity ; Somalis ; Squatter settlements ; Italy Personal narratives. Emigration and immigration ; Somalia Personal narratives. Emigration and immigration ; France ; Nonfiction films.
    Abstract: "What happens to African migrants once granted political refugee status? In Turin, a northern Italian city, an abandoned clinic has been squatted by more than 200 refugees since December 2008. Khaled, Shukri and Ali have been travelling through hell in order to arrive in Italy. They crossed the border and are determined to have a normal life. Their hopes are dashed and they find their lives "suspended." The film follows their stories over the years, showing life in the clinic, including the inevitable internal problems, the protests of citizenship and the initiatives of the city. Through the cold winter and unbearably sultry August, until the evacuation of the former clinic by the city authorities and the transfer of refugees to old barracks. Three emblematic characters guide us through a story that reveals, intimately, a collective history, an emblematic tale of all European countries today and their respective immigration policies and the changes occurring in the social fabric of European cities."--Original container.
    Note: Originally released as a motion picture in 2011. , Previously released as DVD. , This edition in Italian, Somali, Arabic and English with English suibtitles.
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  • 11
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Hindi
    Pages: 1 online resource (66 min.). , 010624
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Pandi (Hindu deity) Cult. ; Hinduism Rituals. ; Hinduism Customs and practices. ; Spiritual life Hinduism. ; Madurai (India) Social life and customs. ; Bhutan ; Documentary films.
    Abstract: The Poojari's Daughter opens with flashbacks of the South Indian priestess Rajathiammal 'cutting the goat' and ritually having her head tonsured. The year is 2001; the place Madurai, Tamilnadu. Both these moments fulfill the priestess' deepest desires to have herself filmed performing the annual goat sacrifice to the Saivite God Paandi that her famous priest father once carried out, and to renounce her family life altogether.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Madurai, Tamil Nadu in 2001. , Previously released as DVD. , This edition in Hindi with English subtitles.
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  • 12
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Arabic
    Pages: 1 online resource (71 min.). , 011102
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Bedford trucks. ; Mechanics (Persons) ; Trucks Design and construction. ; Bhutan ; Nonfiction films.
    Abstract: A film about mobility, human creativity, and technology in a Sudanese truck community. The English Bedford-Lorry was introduced to Sudan in the late 1960s. Since then, local craftsmen technically modify the truck into an ideal vehicle, adequate for traveling off-road and for performing customers' expectations. The craftsmen and drivers call the lorry "Sifinja" because it is soft and comfortable like the plastic slippers it is named after. In different places in Sudan the carpenters and blacksmiths not only create a shiny iron bride, but they change the whole structure of the lorry through a highly unorthodox performance. Following closely the daily work, art and history of truck-modding on the Nile, a fascinating way of African creativity dealing with global commodities - the automobiles - is opened up. The documentary weaves the original sound of hammering and sawing, drilling and riveting, into a rhythmic, exhilarating audio-visual adventure.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in Arabic with English subtitles.
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  • 13
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Hindi
    Pages: 1 online resource (68 min.). , 010731
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Water-supply ; Water-supply Economic aspects ; Water-supply Government policy ; Water rights ; Water ; Water Social aspects ; Bhutan ; Documentary films.
    Abstract: In India water has a deep spiritual and functional significance. The Rising Wave explores both these aspects; worshipped as a sacred common while also being essential for generating livelihood. The film eloquently presents a culture built on water being shared, used and managed in ways unchanged for centuries. Richly filmed in three different states of India, The Rising Wave uncovers groups that have been dependant on their local natural water resource for generations as they fish and farm for livelihood. In the rapidly transforming economy of India, corporations now lay claim to control and determine access to this natural resource. A contrasting picture emerges; a contrast between the two divergent views of water; water as a billion dollar industry against water as a sacred natural gift for all humankind. This spells conflict for the future.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in India. , Previously released as DVD. , This edition in Hindi with English subtitles.
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  • 14
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Arabic
    Pages: 1 online resource (26 min.). , 002534
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Palestinian Arabs ; Refugees, Palestinian Arab Psychology. ; Older refugees Psychology. ; Photographs Psychological aspects. ; France ; Documentary films.
    Abstract: Still Life is the first sequence in a triptych of portraits that explores the mediations of memory among three generations of Palestinian refugees living in Lebanon. It considers how a series of photos brought to Lebanon by Said Otruk, an elderly Palestinian fisherman from Acre, mediate both his present experience and recollections of his life in Palestine before 1948. We see how the reality represented in these images has become conflated with them; Said repeatedly misremembers the number of his fishing boat and his age when he left, and when he describes photos of Acre's waterfront as capturing the golden age, he seems to be gesturing as much at the splendid figure of his own youth as at the halcyon days of pre-48 Palestine. Rather than being a straightforward expository narrative, or an act of witness of political solidarity, the film is a meditation on the dislocations of memory, the effects of aging and forgetfulness, and the recollection of youthful vitality; the loss of Palestine is lyrically convergent with the felt loss of this vitality. The two portraits that complete the triptych examine spatial and ritual mediations of memory.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Lebanon in 2007. , Previously released as DVD. , This edition in Arabic with English subtitles.
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  • 15
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English , Hindi
    Pages: 1 online resource (54 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Community development, Urban ; Public toilets ; Women in development ; Women's restrooms ; Bombay (India) Social life and customs. ; Bhutan ; Nonfiction films.
    Abstract: "Q2P is a film about toilets and the city. It sifts through the dream of Mumbai as a future Shanghai and searches for public toilets, watching who has to queue to pee. As the film observes who has access to toilets and who doesn't, we begin to also see the imagination of gender that underlies the city's shape, the constantly shifting boundaries between public and private space; we learn of small acts of survival that people in the city's bottom half cobble together and quixotic ideas of social change that thrive with mixed results; we hear the silence that surrounds toilets and sense how similar it is to the silence that surrounds inequality. The toilet becomes a riddle with many answers and some of those answers are questions--about gender, about class, about caste and most of all about space, urban development and the twisted myth of the global metropolis"--Original container.
    Note: "For educational use only"--Original container. , "Part of the Gender and Space Project at PUKAR." , Originally produced as a documentary film in 2006. , Previously released as DVD. , This edition in English and Hindi with English subtitles.
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  • 16
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: French , Arabic
    Pages: 1 online resource (30 minutes) , 002957
    Keywords: Hijab (Islamic clothing) ; Muslim women Clothing ; Muslim women ; Yemen Social life and customs. ; Bhutan ; Documentary films.
    Abstract: In Yemen, the land of Queen Saba, a wide variety of veils can be found. In the capital Sanaa, the women, although at first sight appearing to all be wearing but black, distinguish themselves one from the other through this diversity. Each veil not only carries its own symbolism, but the variety of ways of wearing each becomes a form of expression. It becomes a game of what one hides and what one unveils. Approaching the veil from a fashion standpoint, this film offers a different perspective on this highly and debated topic.
    Note: Title from resource description page (viewed June 24, 2016). , In French and Arabic with English subtitles.
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  • 17
    Online Resource
    Online Resource
    India :Privately Published,
    Language: Hindi
    Pages: 1 online resource (34 min.) , 003329
    Series Statement: Ethnographic video online, volume 2
    Keywords: Blindness. ; Visions. ; India. ; Canada ; Documentary films.
    Abstract: This documentary, directed by Sidharth Srinivasan, features a holy man who suddenly becomes blind and taken with hallucinatory visions. After years of giving bad advice, the holy man is now forced to tell the truth, but finds that most people are uncomfortable with this truth.
    Note: Title from resource description page (viewed Februrary 25, 2015). , Previously released as DVD. , In Hindi with English subtitles.
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  • 18
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Hindi
    Pages: 1 online resource (69 min.). , 010857
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Girls Social conditions. ; India Social conditions 1947- ; Spiritual healing ; Faith healing. ; France ; Nonfiction films.
    Abstract: Kusum is a 14-year-old Indian girl. She lives and attends school in Delhi. Kaushal, her father, drives a motorised rickshaw and works his fingers to the bone to support his family. Sumitra, Kusum's mother, is about to have a baby. Kusum's family is poor, but their life isn't too bad, until Kusum falls ill. She isolates herself, she has raving fits and she refuses to eat properly. Her family takes her to see a doctor, but no physical illness can be found. It's evil spirits, say the neighbours. Kusum, Kaushal and Aunt Suman journey to the neighbouring town of Hapur, where Bhagat the healer lives. Bhagat is well-known throughout the region, and people travel hundreds of miles to see him. Bhagat's methods include conversation, rituals and herbal treatments. Joint trance sessions in which spirits talk constitute the core of his methodology. Should a patient fail to enter a trance, Bhagat's assistant Meena takes the spirits into herself and is entranced on behalf of the patient. Bhagat examines the family and orders treatment.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in Hindi with English subtitles.
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  • 19
    Online Resource
    Online Resource
    India :National Film Development Corporation,
    Language: Hindi
    Pages: 1 online resource (85 min.). , 012449
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Feature films. ; Film adaptations. ; Foreign films. ; Man-woman relationships Drama. ; Motion pictures, Indic. ; United Kingdom ; Feature films.
    Abstract: Based on 'The Meek One', a short story by Fyodor Dostoyevsky, a 40-year-old antique shop owner and money lender recounts his first meetings with his 17-year-old wife, when she pawned her items at his shop. As the film progresses, their marriage is revealed to be an unhappy one with his wife growing increasingly distant and contemptuous of him. Their relationship gets more complicated with each quarrel and consequent reconciliation, even driving his wife to point a gun to his head. Sadly, it is ultimately she herself who gets destroyed. A languidly-paced drama that is a departure from the average Indian narrative film, told largely through the internal monologue of the husband. Festivals: Festival des 3 Continent Nantes, France; Fribourg Film Festival; Hongkong International Film Festival; Lisbon Film Festival; Rotterdam Film Festival; London Film Festival; Locarno Film Festival; Seattle Film Festival; Birmingham Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in India. , Previously released as DVD. , This edition in Hindi with English subtitles.
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  • 20
    Online Resource
    Online Resource
    India :National Film Development Corporation,
    Language: Hindi
    Pages: 1 online resource (118 min.). , 015749
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Canada ; Feature films.
    Abstract: In a British-ruled India, a subedar, an officer of the Indian Army, is sent to collect taxes in a village. Riding into the village, the subedar chances upon Sonbai, a beautiful, married woman. Abusing his power as an officer, he demands that Sonbai sleeps with him while her husband is away. To his surprise, Sonbai slaps him in full view of his soldiers before running off. Enraged and embarrassed, the subedar orders his soldiers to capture Sonbai. However, Sonbai escapes to the spice factory, where the elderly watchman locks the soldiers out to protect her. The town leader is then commanded to deliver Sonbai to the subedar and after some deliberation, the patriarchal village decides to sacrifice Sonbai. As the spice factory comes under attack, Sonbai and the female factory workers finally decide to stand up for themselves. Awards/Festivals: Best Feature Film, Hawaii International Film Festival; Moscow International Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in India. , Previously released as DVD. , This edition in Hindi with English subtitles.
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  • 21
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Arabic
    Pages: 1 online resource (60 min.). , 010027
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Women ; Canada ; Documentary films.
    Abstract: In Marrakech, traditional attitudes to women prevail perhaps more strongly than in other Moroccan cities. This is especially true for those women who live by the standards of traditional ideals in the Medina, the old city of Marrakech still enclosed by its ancient walls. This film attempts to say something about women such as Aisha and Hajiba – two main characters – who have experienced the hardships of life for women in such a society. Aisha's husband is an unskilled labourer and so she is forced to find work cooking and cleaning. Hajiba has been thrown out of her natal home by the brother who became household head on her father's death and she works as a dancer (shaykha) in a troupe entertaining men for money. For both of them the ideal of seclusion remains unrealisable, economic factors taking them out into the public world of men. The all-women film-crew were privileged to be allowed to attend a series of events involving women – a visit to the steam baths, a religious celebration, a wedding, a visit to a shuwafa (fortune teller), a possession cult trance and a trip to the market to buy cloth. At many of these social events the guests entertain each other, and the film is remarkable not least for sequences showing women dancing and playing musical instruments, the brilliant colours of their dress and surroundings adding to the visual interest. Some Women of Marrakech is important for the manner in which it situates these 'ethnographic events' in relation to the division between women in the private world and men in the public world, providing an analysis which puts in the foreground questions of women's consciousness, sexuality and male/female division.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Marrakesh, Morocco. , Previously released as DVD. , This edition in Arabic and English with English subtitles.
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