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  • 1
    AV-Medium
    AV-Medium
    Noanamá (West Colombia, Pacific Coast) - Extraction of Dye and Body Painting (1975)
    IWF (Göttingen)
    In:  (Jan. 1975)
    Details
    Language: Undetermined , Undetermined
    Pages: 49MB, 00:05:06:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1975)
    Keywords: individual ; arts (ethnology) ; division of labor ; America ; art ; body decoration ; Kulturwissenschaften ; Wounaan ; Wirtschaft (Ethnologie) ; Körperdekoration ; Noanamá ; Arbeitsbeziehungen ; division of labour ; Körperbemalung ; Colombia ; Wounaan ; labor relations ; Arbeit ; decoration ; body painting ; Künste (Ethnologie) ; colour ; economy ; Gesellschaft ; Arbeitsteilung ; work ; Kunst ; ornamentation ; Individuum ; South America ; Encyclopaedia Cinematographica ; Amerika ; Körper ; society ; Kolumbien ; cultural studies ; Ethnologie/Kulturanthropologie ; Ornamentieren ; Dekoration ; Südamerika ; dye ; body ; Noanamá ; Farbstoff, Farbe ; ethnology/cultural anthropology
    Abstract: Ein Mann und sein Sohn aus Quebrada Taparral holen Früchte von Borojoa patinoi aus dem Wald. Seine Frau halbiert die Früchte, schabt das Fruchtfleisch aus, füllt es in eine Kalebasse und erhitzt diese, wobei die weiß-rosa Masse schwarz wird. Sie malt damit mit Hilfe von zwei- oder dreizackigen Stäbchen gerade und geschwungene Linien und Punkte auf den Körper ihrer Tochter.
    Abstract: A man and his son bring in the river fruits of Borojoa patinoi from the forest and this fruit will be used for preparing a black-bluish dye. His wife will prepare this dye. She slices the fruit with a machete and extracts the interior mass and fills an old Crescentia cujete gourd with it. She slightly heats this gourd with the fruit over a fire-place and as result of this the content, orginally pinkish-white, turns black. With this dye the women later paints her daughter. To apply the dye to the body she uses special traditional sticks, two- or three-pronged, and with these she sketches out designs, mostly linear and straight, but also a few curving lines on the girl's back, chest, arms, face, and nose. The girl herself also helps in this, painting some of the designs. The paint, which is applied largely for festivities or visits, lasts several days.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1942
    URL: link to metadata
    URL: thumbnail
    URL: audiovisual media
    URL: link to metadata
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    IWF
  • 2
    AV-Medium
    AV-Medium
    Shuara (Jívaro) (East Ecuador, Montaña) - Making a Cooking Pot (1975)
    IWF (Göttingen)
    In:  (Jan. 1975)
    Details
    Language: Undetermined , Undetermined
    Pages: 634MB, 00:12:27:07 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1975)
    Keywords: house / household effects ; handicraft ; America ; material culture ; Formen der Tonwaren ; art ; Wirtschaft (Ethnologie) ; Ecuador ; kitchen furnishings ; decoration ; pitfiring ; Kunst ; ornamentation ; South America ; Encyclopaedia Cinematographica ; Harz ; Jívaro ; urucu ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Shuar ; Südamerika ; Handwerk ; Farbstoff, Farbe ; ethnology/cultural anthropology ; Urucú ; arts (ethnology) ; glazing ; resin ; Shuara ; shaping of clay ; Kulturwissenschaften ; Glasieren ; Künste (Ethnologie) ; Ecuador ; Hausrat ; colour ; household utensil ; economy ; household articles ; Haus / Hausrat, Hausgerät ; Amerika ; Tonaufbereitung ; clay preparation ; Kücheneinrichtung ; Brennhaufen ; Ornamentieren ; Dekoration ; dye ; Töpfern / Parallelwulsttechnik ; open fire ; pottery ; Töpferei
    Abstract: Eine alte Frau bringt Ton, magert ihn mit zerstoßener, verkohlter Borke, formt eine flache Bodenscheibe und in Parallelwulsttechnik die Wände, die sie mit angefeuchteten Händen und einer Baumfrucht glattstreicht. Nach dem Trocknen und Brennen im Brennhaufen bestreicht sie die noch warmen Gefäße mit Kopal und malt mit Urucú ein rotes Zickzackband auf.
    Abstract: An old woman mixes clay with crushed charcoal made from bark, she forms a flat bottom and coils the sides, which are smoothed by hand and using the fruit of a tree. After pitfiring she coats the still warm pots with copal (resin) and paints a zig-zag decoration.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-2144
    URL: link to metadata
    URL: thumbnail
    URL: audiovisual media
    URL: link to metadata
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    URL: audiovisual media
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    AV-Medium
    IWF
  • 3
    AV-Medium
    AV-Medium
    Noanamá (West Colombia, Pacific Coast) - Making a Gourd Dish and a Gourd Strainer (1975)
    IWF (Göttingen)
    In:  (Jan. 1975)
    Details
    Language: Undetermined , Undetermined
    Pages: 42MB, 00:04:57:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1975)
    Keywords: strainer ; arts (ethnology) ; Kalebasse ; house / household effects ; America ; material culture ; art ; Kulturwissenschaften ; Wounaan ; Noanamá ; kitchen furnishings ; Colombia ; Wounaan ; decoration ; Künste (Ethnologie) ; Bohren, Bohrer ; Hausrat ; Ritztechnik ; household utensil ; household articles ; Kunst ; Haus / Hausrat, Hausgerät ; ornamentation ; South America ; Encyclopaedia Cinematographica ; Amerika ; calabash ; Kücheneinrichtung ; Kolumbien ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Ornamentieren ; incising technique ; Dekoration ; Südamerika ; Sieb ; drilling, drill ; Noanamá ; gourd ; ethnology/cultural anthropology
    Abstract: Ein Mann aus Quebrada Taparral halbiert und höhlt einen Baumkürbis (Crescentia cujete) aus. Seine Schwiegertochter schnitzt Halbkreise, zoomorphe und anthropomorphe Figuren auf die für das zeremonielle Maisgetränk bestimmte Kürbisschale. Seine Frau drillt mit einem großen Holzbohrer Löcher in die andere, zum Sieb bestimmte Kürbishälfte.
    Abstract: A man cleans out a gourd from the Crescentia cujete tree and having done so gives it to his daughter-in-law, who decorates it. For this she uses a knife and with its tip she carves out designs on the outer surface of the gourd, first decorating the outer rim and later carving out zoomorphic and anthropomorphic figures on the remaining surface. The figures are scattered throughout. Following this her mother-in-law decides to prepare another gourd, which will be used as a chicha strainer. This she accomplishes with a special large wooden drill (with a nail forming its metal tip) by drilling holes in its surface. The strainer will be used to strain chicha, fresh unfermented juice of corn. The decorated gourds on the other hand will be used for the ceremonial drinking of huarapo, the fermented drink.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-2095
    URL: link to metadata
    URL: thumbnail
    URL: audiovisual media
    URL: link to metadata
    URL: audiovisual media
    URL: thumbnail
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    AV-Medium
    IWF
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