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  • Englisch  (82)
  • Oxford : Oxford University Press  (43)
  • Oxford [u.a.] : Oxford Univ. Press  (18)
  • Cambridge : Cambridge University Press  (16)
  • Urbana : University of Illinois Press  (9)
  • Jazz  (56)
  • History  (32)
  • United States
  • Musikwissenschaft  (82)
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  • Englisch  (82)
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  • 1
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Sprache: Englisch
    Seiten: xv, 415 Seiten , 24 cm
    Serie: Cambridge themes in American literature and culture
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Kurzfassung: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 2
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Sprache: Englisch
    Seiten: xv, 415 Seiten , 24 cm
    Serie: Cambridge themes in American literature and culture
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Kurzfassung: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 3
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842435
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 236 pages) , Illustrations (black and white), music.
    Serie: American made music series
    Serie: Mississippi scholarship online
    DDC: 781.62410763
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    Schlagwort(e): Franzosen ; Kreolen ; Jazz ; Creoles Music ; History and criticism ; Jazz History and criticism ; Music ; Music ; Louisiana
    Kurzfassung: This work describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 4
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197511541
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvii, 313 pages) , Illustrations (black and white).
    Serie: Oxford scholarship online
    DDC: 306.48420944
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    Schlagwort(e): Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Music Social aspects 18th century ; History ; Musicians Social conditions 18th century ; Musicians Economic conditions 18th century ; Frankreich ; France History First Republic, 1792-1804 ; Hochschulschrift
    Kurzfassung: 'From Servant to Savant' exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship. Geoffroy-Schwinden demonstrates how the French Revolution set the stage for the emergence of so-called musical 'Romanticism' among the likes of Beethoven and the legacies that continue to haunt musical institutions and industries.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 5
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496836076
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 153 pages).
    Serie: Mississippi scholarship online
    DDC: 820.99287096
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    Schlagwort(e): Schwarze Frau ; Jazz ; Literatur ; English literature Black authors ; History and criticism ; English literature Women authors ; History and criticism ; Jazz in literature ; Women, Black, in literature ; Music and literature
    Kurzfassung: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 6
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496831262
    Sprache: Englisch
    Seiten: 1 Online-Ressource (352 pages) , Illustrations (black and white).
    Serie: American made music series
    Serie: Mississippi scholarship online
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    Schlagwort(e): Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; Punk rock music History and criticism ; Music and race History 20th century ; USA ; United States Race relations 20th century ; History
    Kurzfassung: This text offers a portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. The author provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
    Anmerkung: Previously issued in print: 2020 , Includes bibliographical references, discography, filmography and index
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  • 7
    Online-Ressource
    Online-Ressource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469658896
    Sprache: Englisch
    Seiten: 1 Online-Ressource (268 pages) , Illustrations (black and white).
    Serie: North Carolina scholarship online
    DDC: 306.48420973
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    Schlagwort(e): Geschichte 1788-1865 ; Musikleben ; Politische Kultur ; Alltagskultur ; Musikpolitik ; Nationalbewusstsein ; Konservativismus ; Music Political aspects 19th century ; History ; Music Political aspects 18th century ; History ; Political culture History ; Elite (Social sciences) History ; Conservatism History ; USA
    Kurzfassung: Following the creation of the United States, profound disagreements remained over how to secure the survival of the republic and unite its population. In this groundbreaking account, Billy Coleman uses the history of American music to illuminate the relationship between elite power and the people from the early national period to the Civil War.
    Anmerkung: Previously issued in print: 2020 , Includes bibliographical references and index
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  • 8
    Online-Ressource
    Online-Ressource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226768359
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Chicago scholarship online
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    Schlagwort(e): Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Kurzfassung: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
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  • 9
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190087227
    Sprache: Englisch
    Seiten: 1 Online-Ressource (608 pages) , Illustrations (black and white).
    Ausgabe: Third edition.
    Serie: Oxford scholarship online
    DDC: 781.6509
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    Schlagwort(e): Geschichte ; Jazz ; Jazz History and criticism ; Jazz musicians
    Kurzfassung: In this new edition of his classic 'History of Jazz', author Ted Gioia brings the story to the present day with expanded treatment of women's contributions to the genre, jazz in the digital age, the increasing dialogue between jazz and popular music, and the music's new rise across the globe.
    Anmerkung: This edition also issued in print: 2021 , Includes bibliographical references, discography and index
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  • 10
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Serie: Mississippi scholarship online
    DDC: 781.6508996073
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    Schlagwort(e): Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Kurzfassung: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
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  • 11
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190917890
    Sprache: Englisch
    Seiten: 1 Online-Ressource (296 pages) , Illustrations (colour).
    Serie: Oxford scholarship online
    DDC: 782.421660922
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    Schlagwort(e): Beatles ; Beatles Influence ; The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music History and criticism 1961-1970 ; Popular music Social aspects 20th century ; History ; Music fans ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Kurzfassung: This title offers an insightful look into the band's enduring appeal through fan responses, exploring how the Beatles have inspired such loyalty and multigenerational popularity.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 12
    ISBN: 9780190917869 , 9780190917852
    Sprache: Englisch
    Seiten: xii, 283 Seiten , Illustrationen
    DDC: 306.090905
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    Schlagwort(e): The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music / 1961-1970 / History and criticism ; Popular music / Social aspects / Great Britain / History / 20th century ; Influence (Literary, artistic, etc ; Music fans ; Popular music ; Popular music / Social aspects ; Beatles / Influence ; Beatles ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Literaturangaben
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  • 13
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 9780190087180 , 0190087188 , 9780190087197 , 0190087196
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Paralleltitel: Erscheint auch als
    DDC: 016.78165
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    Schlagwort(e): Jazz Bibliography ; Jazz Discography ; Jazz Analysis, appreciation ; African Americans Music Influence ; Führer ; Wörterbuch ; Jazz
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  • 14
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781108486187
    Sprache: Englisch
    Seiten: xxviii, 315 Seiten , Illustrationen
    Serie: New studies in European history
    Paralleltitel: Erscheint auch als Kaldewey, Helma, - 1962- A people's music
    DDC: 781.650943/1
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    Schlagwort(e): Jazz ; Germany (East) ; History and criticism ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1945-1990
    Kurzfassung: A People's Music presents the first full history of jazz in East Germany, drawing on new and previously unexamined sources and vivid eyewitness accounts. Helma Kaldewey chronicles the experiences of jazz musicians, fans, and advocates, and charts the numerous policies state socialism issued to manage this dynamic art form. Offering a radical revision of scholarly views of jazz as a musical genre of dissent, this vivid and authoritative study marks developments in the production, performance, and reception of jazz decade by decade, from the GDR's beginning in the 1940s to its end in 1990, examining how members of the jazz scene were engaged with (and were sometimes complicit with) state officials and agencies throughout the Cold War. From postwar rebuilding, to Stalinism and partition, to détente, Ostpolitik, and glasnost, and finally to its acceptance as a national art form, Kaldewey reveals just how many lives jazz has lived.
    Anmerkung: Literaturverzeichnis: Seite 291-302. - Register
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  • 15
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190923419
    Sprache: Englisch
    Seiten: 1 Online-Ressource (372 pages).
    Serie: Oxford scholarship online
    DDC: 788.73165092
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    Schlagwort(e): Parker, Charlie Criticism and interpretation ; Parker, Charlie ; Jazz ; Komposition ; Jazz History and criticism 1941-1950 ; Jazz History and criticism 1951-1960
    Kurzfassung: Charlie Parker, Composer is the first assessment of a major jazz composer's oeuvre in its entirety. Providing analytical discussion of each of Parker's works, this study combines music-theoretical, historical, and philosophical perspectives. A variety of analytical techniques are brought to bear on Parker's compositions, including application of a revised Schenkerian approach to the music that was developed through the author's prior publications. After a review of Parker's life emphasizing his musical training and involvement in composition, the book proceeds by considering the types of Parker pieces as categorized by overall form and harmony and the amount of preplanned music they contain.
    Anmerkung: Also issued in print: 2020 , Includes bibliographical references and index
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  • 16
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190938314
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: The new cultural history of music
    Serie: Oxford scholarship online
    DDC: 306.48420943809048
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    Schlagwort(e): NSZZ "Solidarność" ; Geschichte 1980-1990 ; Musik ; Politischer Protest ; Untergrund ; Music Political aspects 20th century ; History ; Polen ; Poland Politics and government 1980-1989
    Kurzfassung: A vibrant study of music and protest that focuses on the Solidarity movement in 1980s Poland, 'Musical Solidarities' explores how and why sound mattered to the opposition to state socialism. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.
    Anmerkung: Also issued in print: 2020 , Includes bibliographical references and index
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  • 17
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781108776233
    Sprache: Englisch
    Seiten: 1 Online-Ressource (346 Seiten)
    Ausgabe: First published
    Serie: New Studies in European History
    Paralleltitel: Erscheint auch als
    DDC: 781.650943/1
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    Schlagwort(e): Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Electronic books ; Electronic books ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik
    Kurzfassung: Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 18
    Buch
    Buch
    Urbana : University of Illinois Press
    ISBN: 9780252084164 , 9780252042379
    Sprache: Englisch
    Seiten: X, 268 Seiten , Noten
    Serie: Music in American life
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    Schlagwort(e): Bernstein, Leonard ; Jazz ; Musikalischer Stil
    Anmerkung: Bibliography Seite 247-257
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  • 19
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190604608
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white)
    Serie: Oxford scholarship online
    DDC: 781.6550973
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    Schlagwort(e): Shorter, Wayne ; Hancock, Herbie ; Corea, Chick ; Geschichte 1960-1970 ; Jazz ; Musikalische Analyse ; USA
    Kurzfassung: Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, along with others (Booker Little, Joe Henderson, Woody Shaw) broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The text develops analytical pathways through a number of compositions, including 'El Gaucho,' 'Penelope,' 'Pinocchio,' 'Face of the Deep' (Shorter); 'King Cobra,' 'Dolphin Dance,' 'Jessica' (Hancock); 'Windows,' 'Inner Space,' 'Song of the Wind' (Corea); as well as 'We Speak' (Little); 'Punjab' (Henderson); and 'Beyond All Limits' (Shaw).
    Anmerkung: Also issued in print: 2019 , Includes bibliographical references, discography and index
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  • 20
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496816061
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: American made music series
    Serie: Mississippi scholarship online
    DDC: 781.65092
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    Schlagwort(e): Wilson, Gerald ; Wilson, Gerald ; Jazz ; Composers Biography ; Jazz musicians Biography ; Band directors Biography
    Kurzfassung: Jazz great Gerald Wilson (1918-2014), born in Shelby, Mississippi, left a global legacy of paramount significance through his progressive musical ideas and his orchestra's consistent influence on international jazz. Aided greatly by interviews that bring Wilson's voice to the story, this text presents a perspective on what the musician and composer called his 'jazz pilgrimage.'
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references, discography and index
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  • 21
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496819826
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: American made music series
    Serie: Mississippi scholarship online
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    Schlagwort(e): Armstrong, Louis Criticism and interpretation ; Armstrong, Louis ; Jazz ; Singen ; Musikalischer Stil ; Jazz History and criticism ; Jazz musicians ; Jazz Analysis, appreciation 1921-1930
    Kurzfassung: Throughout his life, Louis Armstrong tried to explain how singing on the streets of New Orleans with a barbershop quartet was foundational to his musicianship. However, up to now, there has been no in-depth inquiry into what he meant when he said 'I Figure Singing and Playing is the Same,' or 'Singing was more into my blood than the trumpet.' This text shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played the work discusses elements of music theory.
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 22
    Online-Ressource
    Online-Ressource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252051210
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Music in American life
    Serie: Illinois scholarship online
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    Schlagwort(e): Bernstein, Leonard Criticism and interpretation ; Bernstein, Leonard ; Jazz ; Musikalischer Stil ; Music History and criticism 20th century ; Jazz History and criticism
    Kurzfassung: For Leonard Bernstein, music was a language capable of communicating more directly than in words, and jazz was a crucial part of his musical vocabulary. As an idiom made up of a range of styles - whether stride, boogie-woogie, swing, bebop, or cool - jazz was central to Bernstein's compositional aesthetic, particularly in his approach to tonality and to defining American music. The blues, as a special part of this jazz idiom, also helped Bernstein articulate a personal identity, expressing everything from sensuality to humor to loss and isolation. This text will examine the shifting meanings of Bernstein's jazz language in theatrical and symphonic works from across his career.
    Anmerkung: Also issued in print: 2019 , Includes bibliographical references and index
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  • 23
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 0190462590 , 9780190462598
    Sprache: Englisch
    Seiten: 1 Online-Ressource (297 p)
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    Schlagwort(e): Jazz Instruction and study ; MUSIC / Instruction & Study / Theory ; bisacsh ; USA ; Schule ; Musikerziehung ; Jazz
    Anmerkung: Includes bibliographical references and index
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  • 24
    Online-Ressource
    Online-Ressource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252099939
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: The new black studies series
    DDC: 810.9/896073
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    Schlagwort(e): Literatur ; Schwarze ; Musik ; Jazz ; American literature African American authors ; History and criticism ; Jazz in literature ; Modernism (Literature) ; African Americans Music ; History and criticism ; Black nationalism History 20th century ; African Americans Social life and customs 20th century ; USA
    Kurzfassung: 'Jazz Internationalism' argues for the critical significance of jazz in Afro-modernist literature, from the beginning of the Great Depression through the radical social movements of the 1960s.
    Anmerkung: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 25
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781107184800 , 9781316636145
    Sprache: Englisch
    Seiten: xviii, 305 Seiten , Illustrationen , 26 cm
    Serie: New perspectives in music history and criticism
    DDC: 941.081092
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    Schlagwort(e): Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Kurzfassung: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Kurzfassung: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Anmerkung: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 26
    Buch
    Buch
    Urbana : University of Illinois Press
    ISBN: 9780252041334 , 9780252082863
    Sprache: Englisch
    Seiten: xi, 227 Seiten , 23 cm
    Serie: The new black studies series
    Paralleltitel: Erscheint auch als Jazz internationalism
    DDC: 810.9/896073
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    Schlagwort(e): Literatur ; Schwarze ; Musik ; Jazz ; USA
    Kurzfassung: "Jazz Internationalism offers a bold reconsideration of jazz's influence in Afro-modernist literature. Ranging from the New Negro Renaissance through the social movements of the 1960s, John Lowney articulates nothing less than a new history of Afro-modernist jazz writing. Jazz added immeasurably to the vocabulary for discussing radical internationalism and black modernism in leftist African American literature. Lowney examines how Claude McKay, Ann Petry, Langston Hughes, and many other writers employed jazz as both a critical social discourse and mode of artistic expression to explore the possibilities "and challenges "of black internationalism. The result is an expansive understanding of jazz writing sure to spur new debates"--
    Anmerkung: Literaturangaben: Seite [205]-220
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  • 27
    Online-Ressource
    Online-Ressource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252098314
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Music in American life
    DDC: 781.65097471
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    Schlagwort(e): Jazz ; Musikleben ; Jazz History and criticism ; Jazz Social aspects ; New York, NY
    Kurzfassung: How do we speak about jazz? In this provocative study based on the author's deep immersion in the New York City jazz scene, Thomas Greenland turns from the usual emphasis on artists and their music to focus on non-performing participants, describing them as active performers in their own right who witness and thus collaborate in a happening made one-of-a-kind by improvisation, mood, and moment. 'Jazzing' shines a spotlight on the constituency of proprietors, booking agents, photographers, critics, publicists, painters, amateur musicians, fans, friends, and tourists that makes up New York City's contemporary jazz scene.
    Anmerkung: Previously issued in print: 2016 , Includes bibliographical references, discography and index
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  • 28
    Online-Ressource
    Online-Ressource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469628837
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white)
    DDC: 781.62/13009043
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    Schlagwort(e): Geschichte ; Folk music ; Weltwirtschaftskrise ; Politik ; Folk music Political aspects 20th century ; History ; Folk music History and criticism ; Popular music History and criticism 1931-1940 ; Politics and culture History 20th century ; USA
    Kurzfassung: While music lovers and music historians alike understand that folk music played an increasingly pivotal role in American labour and politics during the economic and social tumult of the Great Depression, how did this relationship come to be? Ronald D. Cohen sheds new light on the cultural history of folk music in America, detailing the musicians, government agencies, and record companies that had a lasting impact.
    Anmerkung: Previously issued in print: 2016 , Includes bibliographical references and index
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  • 29
    Online-Ressource
    Online-Ressource
    Princeton : Princeton University Press | Oxford : Oxford University Press
    ISBN: 9781400846481
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white)
    DDC: 781.6509
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    Schlagwort(e): Sozialgeschichte ; Jazz ; Jazz Social aspects ; Jazz History and criticism
    Kurzfassung: There are over a million jazz recordings, but only a few hundred tunes have been recorded repeatedly. Why did a minority of songs become jazz standards? Why do some songs - and not others - get re-recorded by many musicians? This work answers this question and more, exploring the underappreciated yet crucial roles played by initial production and markets - in particular, organizations and geography - in the development of early twentieth-century jazz.
    Anmerkung: Previously issued in print: 2013 , Includes bibliographical references and index
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  • 30
    Online-Ressource
    Online-Ressource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252094576
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Music in American life
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    Schlagwort(e): Sozialgeschichte 1900-1970 ; Popmusik ; Musikgattung ; Regionalismus ; Verbreitung ; Technologie ; Popular music History and criticism ; Popular music Social aspects ; History ; USA
    Kurzfassung: 'Sweet Air' rewrites the history of early twentieth-century pop music in modernist terms. Tracking the evolution of popular regional genres such as blues, country, folk, and rockabilly in relation to the growth of industry and consumer culture, Edward P. Comentale shows how this music became a vital means of exploring the new and often overwhelming feelings brought on by modern life.
    Anmerkung: Previously issued in print: 2013 , Includes bibliographical references and index
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  • 31
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 1107109256 , 9781107109254
    Sprache: Englisch
    Seiten: ix, 284 Seiten , Illustrationen, Notenbeispiele
    Ausgabe: First published
    DDC: 306.4/842094
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    Schlagwort(e): Music Social aspects ; History ; Music therapy History ; Plague History ; Pest ; Musik ; Geschichte 1400-1600 ; Pest ; Geschichte 1400-1600
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  • 32
    Bild
    Bild
    Oxford : Oxford University Press
    ISBN: 9780190610753 , 9780195384864
    Sprache: Englisch
    Seiten: xi, 292 Seiten , Illustrationen
    Ausgabe: First issued as an Oxford University Press paperback
    DDC: 306.48426097309046
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    Schlagwort(e): Geschichte 1900-2000 ; Sozialgeschichte 1960-1970 ; Geschichte ; Gesellschaft ; Rock music Social aspects 20th century ; History ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Rock music History and criticism 1961-1970 ; Rockmusik ; USA ; USA ; Vietnam ; Rock music / Social aspects / History / 20th century / United States ; Rock music / Social aspects / History / 20th century / Vietnam ; Rock music / History and criticism / 1961-1970 / United States ; Rock music / History and criticism / 1961-1970 / Vietnam ; USA ; Vietnam ; Rockmusik ; Sozialgeschichte 1960-1970
    Anmerkung: Includes bibliographical references and index
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  • 33
    Buch
    Buch
    Urbana : University of Illinois Press
    ISBN: 9780252040115 , 9780252081606
    Sprache: Englisch
    Seiten: ix, 245 Seiten , Illustrationen
    Serie: Music in American life
    DDC: 781.65097471
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    Schlagwort(e): Jazz ; Musikleben ; New York, NY
    Anmerkung: References Seite 213-229 , Discography Seite 231-233
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  • 34
    Online-Ressource
    Online-Ressource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469622712
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations, maps
    DDC: 780.89/9607307471
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    Schlagwort(e): Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race History 20th century ; USA
    Kurzfassung: This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity.
    Anmerkung: Previously issued in print: 2015 , Includes bibliographical references and index
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  • 35
    Online-Ressource
    Online-Ressource
    Urbana : University of Illinois Press
    ISBN: 9780252098826
    Sprache: Englisch
    Seiten: 1 Online-Ressource , illustrations (black and white)
    Serie: Music in American life
    Paralleltitel: Erscheint auch als
    DDC: 784.4/8165137
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    Schlagwort(e): Willet, Chappie ; Geschichte 1930-1950 ; Big band music History and criticism ; Jazz History and criticism 1931-1940 ; Jazz History and criticism 1941-1950 ; Arrangement (Music) History 20th century ; Big Band ; Arrangement ; Jazz ; USA ; USA ; Big Band ; Jazz ; Arrangement ; Geschichte 1930-1950 ; Willet, Chappie 1910-1976 ; Jazz ; Arrangement
    Kurzfassung: Behind the iconic jazz orchestras, vocalists, and stage productions of the Swing Era lay the talents of popular music (TM)s unsung heroes: the arrangers. John Wriggle takes you behind the scenes of New York City's vibrant entertainment industry of the 1930s and 1940s to uncover the lives and work of jazz arrangers, both black and white, who left an indelible mark on American music and culture. 'Blue Rhythm Fantasy' traces the extraordinary career of arranger Chappie Willet - a collaborator of Louis Armstrong, Cab Calloway, Duke Ellington, Gene Krupa, and many others - to revisit legendary Swing Era venues and performers from Harlem to Times Square
    Anmerkung: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 9780190230944
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVI, 369 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 201/.678165
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    Schlagwort(e): Geschichte ; Gesellschaft ; Musik ; Religion ; Jazz Religious aspects ; Jazz History and criticism ; Music Social aspects ; Religion ; Jazz ; USA ; USA ; USA ; Jazz ; Religion ; Geschichte
    Kurzfassung: This is the first comprehensive comparative study of religions in the history of American jazz, and of jazz's contributions to American religions. Going beyond extant biographical studies of individual exemplars, or cursory attention to either 'spirituality' or jazz in the civil rights movement, the book argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that attention to jazz opens up new interpretations of American religious history.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 37
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 9780199379866
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 197 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 793.33097471
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    Schlagwort(e): Geschichte 1900-2000 ; Einwanderer ; Geschichte ; Gesellschaft ; Ballroom dancing / New York (State) / New York / History / 20th century ; Dance / New York (State) / New York / History / 20th century ; Dance / Social aspects / New York (State) / New York / History / 20th century ; Jazz / New York (State) / New York / 1921-1930 / History and criticism ; Music and race / New York (State) / New York / History / 20th century ; Immigrants / New York (State) / New York / History / 20th century ; Racism / United States / History / 20th century ; Ragtime ; Ethnische Beziehungen ; Einwanderung ; Jazz ; Tanz ; USA ; New York (N.Y.) / Race relations / History / 20th century ; New York, NY ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung
    Kurzfassung: 'Modern Moves' examines the movement of American social dances between black and white cultural groups and immigrant and migrant communities during the early twentieth century. It is structured by five overlapping case studies drawn from the disparate and yet related dance scenes of Manhattan, a black Atlantic capital into which diverse people and dances flowed and intermingled, and out of which new dances were marketed globally
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 38
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190230944
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white)
    Ausgabe: [First edition].
    DDC: 201.678165
    RVK:
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    Schlagwort(e): Geschichte ; Jazz ; Religion ; Jazz Religious aspects ; Jazz History and criticism ; Music Social aspects ; USA
    Kurzfassung: This is the first comprehensive comparative study of religions in the history of American jazz, and of jazz's contributions to American religions. Going beyond extant biographical studies of individual exemplars, or cursory attention to either 'spirituality' or jazz in the civil rights movement, the book argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that attention to jazz opens up new interpretations of American religious history.
    Anmerkung: Includes bibliographical references and index
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  • 39
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781316181478 , 9781107100862 , 9781107498297
    Sprache: Englisch
    Seiten: 1 online resource (xii, 287 pages) , digital, PDF file(s).
    Serie: Cambridge cultural social studies
    Paralleltitel: Erscheint auch als
    DDC: 306.4842#n/a
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    Schlagwort(e): Music Competitions ; History ; Music ; Competitions ; History ; Electronic books ; Electronic books ; Klassische Musik ; Wettbewerb
    Kurzfassung: Although competitions in classical music have a long history, the number of contests has risen dramatically since the Second World War, all of them aiming to launch young artists' careers. This is not the symptom of marketization that it might appear to be. Despite the establishment of an international governing body, competitions are plagued by rumors of corruption, and even the most mathematically sophisticated voting system cannot quell accusations that the best talent is overlooked. Why do musicians take part? Why do audiences care so much about who wins? Performing Civility is the first book to address these questions. In this groundbreaking study, Lisa McCormick draws from firsthand observations of contests in Europe and the US, in-depth interviews with competitors, jurors and directors, as well as blog data from competition observers to argue that competitions have endured because they are not only about music, they are also about civility.
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 40
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 1107037530 , 9781107037533
    Sprache: Englisch
    Seiten: XV, 304 Seiten , Illustrationen, Notenbeispiele
    Serie: Music since 1900
    DDC: 781.681650944
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    Schlagwort(e): Geschichte 1900-1965 ; Musik ; Jazz ; Frankreich
    Anmerkung: Literaturverzeichnis Seite 272 - 293
    URL: Cover
    URL: Cover
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  • 41
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199366514
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece
    DDC: 791.436578
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    Schlagwort(e): Geschichte 1923-1936 ; Filmmusik ; Oper ; Jazz ; Motion pictures and opera ; Opera in motion pictures ; Jazz in motion pictures ; Musical films History and criticism ; USA
    Kurzfassung: 'Sounding American' looks at the role played by 1920s musical shorts in crafting studio identity and establishing American film sound. It argues that the persistence of opera and jazz on the soundtrack during and after the conversion produces a fragmentary text and encourages an active spectator.
    Anmerkung: Includes bibliographical references and index
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  • 42
    Online-Ressource
    Online-Ressource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226067674
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white)
    DDC: 016.78165026/6
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    Schlagwort(e): Geschichte ; Jazz ; Label ; Musikwirtschaft ; Jazz Discography ; History ; Sound recordings Collectors and collecting
    Kurzfassung: Today, jazz is considered high art, America's national music, and the catalog of its recordings - its discography - is often taken for granted. But behind jazz discography is a fraught and highly colourful history of research, fanaticism, and the simple desire to know who played what, where, and when. This history gets its first full-length treatment in Bruce D. Epperson's 'More Important Than the Music'.
    Anmerkung: Includes bibliographical references and index
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  • 43
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781139775359
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 304 Seiten)
    Serie: Music since 1900
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.68/1650944
    RVK:
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1900-1965 ; Musik ; Music / France / 20th century / History and criticism ; Jazz / History and criticism ; Jazz ; Musik ; Frankreich ; Frankreich ; Frankreich ; Musik ; Jazz ; Geschichte 1900-1965
    Kurzfassung: French concert music and jazz often enjoyed a special creative exchange across the period 1900–65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. But despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck73
    Beschreibung / Inhaltsverzeichnis: Introduction: French music and jazz: cultural exchange -- Part I. Locations and Relations: 1. A historical-cultural overview; 2. Critical-analytical perspectives: intertextuality and borrowing -- Part II. The Impact of Early Jazz upon French Music (1900-1935): 3. Debussy and Satie: early French explorations of cakewalk and ragtime; 4. Milhaud's understanding of jazz and blues: La Creation du monde; 5. Crossing borders: Ravel's theory and practice of jazz -- Part III. The Impact of French Music upon Jazz (1925-1965): 6. Hylton's interwar 'jazzed' arrangements of French classics; 7. (Re)moving boundaries? Russell's Lydian jazz theory and its rethinking of Debussy and Ravel; 8. Bill Evans's modal jazz and French music reconfigured; 9. Milhaud and Brubeck: French classical teacher and American jazz student
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 44
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781107610828
    Sprache: Englisch
    Seiten: X, 219 S. , Ill. , 23 cm
    Ausgabe: 1. paperback ed.
    DDC: 781.6509
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    Schlagwort(e): Jazz ; History and criticism ; Jazz musicians ; Jazzmusiker ; Berühmte Persönlichkeit
    Anmerkung: Literaturverz. S. 207 - 217
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  • 45
    Buch
    Buch
    Oxford : Oxford University Press
    ISBN: 9780197265390
    Sprache: Englisch
    Seiten: XV, 309 Seiten , Illustrationen, Noten
    Ausgabe: First edition
    Serie: Proceedings of the British Academy 185
    DDC: 780.9
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    Schlagwort(e): Communism and music ; Music Political aspects 20th century ; History ; Music Social aspects 20th century ; History ; Communism and music ; Music / Political aspects / History / 20th century ; Music / Social aspects / History / 20th century ; Konferenzschrift British Academy 2011.01 ; Konferenzschrift 2011 ; Konferenzschrift British Academy 2011.01 ; Konferenzschrift 2011 ; Westliche Welt ; Musik ; Kommunismus ; London 〈2011〉 ; Westliche Welt ; Musik ; Kommunismus
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  • 46
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 1283848422 , 9781283848428 , 9780199772995
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XV, 527 Seiten)
    Paralleltitel: Erscheint auch als Gioia, Ted, 1957 - The jazz standards
    DDC: 016.78165
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    Schlagwort(e): Jazz Discography ; Jazz Analysis, appreciation ; Jazz Bibliography ; Jazz ; Bibliography ; Jazz ; Discography ; Jazz ; Analysis, appreciation ; Wörterbuch ; Jazz ; Komposition
    Kurzfassung: Written by award-winning jazz historian Ted Gioia, this comprehensive guide offers an illuminating look at more than 250 seminal jazz compositions. In this comprehensive and unique survey, here are the songs that sit at the heart of the jazz repertoire, ranging from ""Ain't Misbehavin'"" and ""Autumn in New York"" to ""God Bless the Child,"" ""How High the Moon,"" and ""I Can't Give You Anything But Love."" Gioia includes Broadway show tunes written by such greats as George Gershwin and Irving Berlin, and classics by such famed jazz musicians as Miles Davis, Thelonious Monk, Duke Ellington, an
    Anmerkung: Includes bibliographical references, discographical references, and index. - IMD-Felder maschinell generiert
    URL: Volltext  (lizenzpflichtig)
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  • 47
    Online-Ressource
    Online-Ressource
    Berkeley, Calif. : University of California Press | Oxford : Oxford University Press
    ISBN: 9780520950092 , 0520950097
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 365 p.) , Ill., maps.
    Serie: California studies in 20th-century music v. 13
    DDC: 306.48420979461
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    Schlagwort(e): Geschichte 20. Jahrhundert ; Musik ; Politik ; Music Political aspects 20th century ; History ; San Francisco, Calif.
    Kurzfassung: This history immerses the reader in San Francisco's musical life during the first half of the 20th century, showing how a fractious community overcame virulent partisanship to establish cultural monuments such as the San Francisco Symphony (1911) and Opera (1923).
    Anmerkung: Includes bibliographical references and index
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  • 48
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0199937397 , 9780199937394
    Sprache: Englisch
    Seiten: XV, 527 S. , 25 cm
    DDC: 016.78165
    RVK:
    Schlagwort(e): Jazz ; Komposition ; Wörterbuch ; Bibliografie ; Führer ; Bibliografie ; Führer ; Bibliografie ; Führer ; Führer ; Wörterbuch ; Führer ; Wörterbuch
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  • 49
    Buch
    Buch
    Oxford : Oxford University Press
    ISBN: 9780195386912
    Sprache: Englisch
    Seiten: xxxiv, 342 Seiten , Notenbeispiele
    DDC: 786.2/14309
    RVK:
    Schlagwort(e): Piano Performance 19th century ; History ; Sound recordings History 19th century ; Klavierspiel ; Musikalische Aufführungspraxis ; Romantik ; Schallaufzeichnung ; Geschichte 1850-1950
    Anmerkung: Literaturverzeichnis: Seiten 311-322. - Diskografie: Seiten 323-325
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  • 50
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    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199746408
    Sprache: Englisch
    Seiten: 234 S. , Ill.
    Serie: The new cultural history of music series
    DDC: 781.5/9909599
    RVK:
    Schlagwort(e): Geschichte 1900-2011 ; Music Political aspects 20th century ; History ; Nationalism in music ; Music and state ; Music History and criticism 20th century ; Musik ; Nationalbewusstsein ; Gesellschaft ; Philippinen ; Philippinen ; Gesellschaft ; Nationalbewusstsein ; Musik ; Geschichte 1900-2011
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 51
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    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195399707
    Sprache: Englisch
    Seiten: 444 S. , Ill.
    Ausgabe: 2. ed.
    DDC: 781.6509
    RVK:
    Schlagwort(e): Geschichte ; Jazz History and criticism ; Jazz ; Geschichte ; Jazz ; Geschichte ; Jazz ; Geschichte
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 52
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781139058483
    Sprache: Englisch
    Seiten: Online-Ressource (1 online resource (356 p.)) , digital, PDF file(s).
    Ausgabe: Online-Ausg.
    Paralleltitel: Druckausg. Conway, David, 1950 - Jewry in music
    DDC: 780.89924
    RVK:
    Schlagwort(e): Jews Music ; History and criticism ; Jews in music ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews in music ; Jewish musicians ; History ; Jewish composers ; History ; Jews ; Music ; Judentum ; Musik ; Geschichte
    Kurzfassung: David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures – not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.
    Anmerkung: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 53
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    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199732333
    Sprache: Englisch
    Seiten: XI, 384 S. , Ill., Faks.
    Ausgabe: 1. iss. as an Oxford Univ. Press paperback
    DDC: 785.21650976335
    RVK:
    Schlagwort(e): Original Creole Orchestra ; Geschichte 1914-1918 ; Jazz ; New Orleans, La. ; Biografie ; Biografie ; Biografie ; Original Creole Orchestra ; Geschichte 1914-1918 ; New Orleans, La. ; Jazz ; Geschichte 1914-1918
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 54
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    Buch
    Urbana : University of Illinois Press
    ISBN: 9780252077388 , 9780252035456
    Sprache: Englisch
    Seiten: VIII, 289 Seiten , Illustrationen, Diagramme, Karten, Notenbeispiele , 24 cm
    DDC: 306.4/842
    RVK:
    Schlagwort(e): Music Social aspects 20th century ; History ; Music Social aspects 21st century ; History ; Conflict management ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift 2004 ; Konferenzschrift ; Konferenzschrift 2004 ; Konferenzschrift ; Konferenzschrift 2004 ; Musik ; Politischer Konflikt ; Konfliktregelung
    Anmerkung: Includes bibliographical references (p. [253]-271) and index , Music in war. Kosova calls for peace : song, myth, and war in an age of global media , Music across boundaries. Music across the DMZ , Music after displacement. The Suyá and the white man : forty-five years of musical diplomacy in Brazil , Music and ideology. Music at the margins : performance and ideology in the Persianate world , Music in application. Music in war, music for peace : experiences in applied ethnomusicology , Music as conflict. Sound praxis : music, politics, and violence in Brazil
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  • 55
    Online-Ressource
    Online-Ressource
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195128253
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 402 S.) , Ill., graph. Darst., Notenbeisp.
    Serie: Oxford scholarship online
    DDC: 781.65/1599
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1950-1970 ; African-Americans - Civil rights ; History - 20th century - United States ; Jazz - History and criticism - 1951-1960 ; Jazz - History and criticism - 1961-1970 ; Jazz - Political aspects - United States ; Jazz - Social aspects - United States ; Geschichte ; Gesellschaft ; Politik ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; Jazz Social aspects ; Jazz Political aspects ; African-Americans Civil rights 20th century ; History ; Politik ; Jazz ; Bürgerrechtsbewegung ; Gesellschaft ; Schwarze ; USA ; USA ; Jazz ; Geschichte 1950-1970 ; USA ; Jazz ; Gesellschaft ; Politik ; Geschichte 1950-1970 ; USA ; Schwarze ; Bürgerrechtsbewegung ; Geschichte 1950-1970
    Anmerkung: Includes bibliographical references (p. ) and index
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  • 56
    Online-Ressource
    Online-Ressource
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195165531
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Oxford scholarship online
    RVK:
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    Schlagwort(e): Geschichte 1931-1950 ; Geschichte 1939-1945 ; Geschichte 1933-1945 ; Jazz ; Deutschland ; Deutschland ; Jazz ; Geschichte 1933-1945 ; Deutschland ; Jazz ; Geschichte 1939-1945 ; Deutschland ; Jazz ; Geschichte 1931-1950
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  • 57
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    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195328530 , 9780195328929 , 0195328531 , 0195328922
    Sprache: Englisch
    Seiten: XIV, 235 S.
    DDC: 788.7/165092
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    Schlagwort(e): Coltrane, John ; Spiritualität ; Schwarze ; Jazz ; Religion ; USA
    Anmerkung: Includes bibliographical references and index
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  • 58
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781139042758
    Sprache: Englisch
    Seiten: Online-Ressource (1 online resource (306 p.)) , digital, PDF file(s).
    Ausgabe: Online-Ausg.
    Paralleltitel: Druckausg. Garratt, James, 1974 - Music, culture and social reform in the age of Wagner
    Paralleltitel: Print version
    DDC: 306.4/842094309034
    RVK:
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    Schlagwort(e): Wagner, Richard ; Music Political aspects ; History ; 19th century ; Germany ; Music Social aspects ; History ; 19th century ; Germany ; Music Social aspects 19th century ; History ; Music Political aspects 19th century ; History ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Music ; Germany ; 19th century ; History and criticism ; Socialism and music ; Germany ; History ; 19th century ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Deutschland ; Musik ; Politik ; Geschichte 1800-1900 ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1800-1900
    Kurzfassung: Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic
    Kurzfassung: Liberalism, autonomy and the social functions of art. Liberal individualism, perfectionism and aesthetic autonomy ; Music and Schillerian autonomy ; Choral music and socialization in the early nineteenth century: Nägeli and Zelter -- Radical and social aesthetics in the Vormärz. The trouble with Tannhäuser: artistic discourse as oppositional politics ; Left Hegelians and the politicization of literature and music ; Socialism in Vormärz literary and musical discourse -- Speaking for the Volk: music, politics and Vormärz festivals. Commemorative festivals and the cult of genius ; Lortzing, Mendelssohn and the Leipzig Gutenberg Festival ; An equal music? Singing festivals as mass and counter-culture ; To the artists (i): Mendelssohn and the German-Flemish singing festival -- Revolutionary voices: blueprints for an aesthetic state. Musical reform and the state ; Wagner, Lortzing and the music of revolution -- Music and the politics of post-revolutionary culture. Between anarchism and socialism: Wagner's Zurich essays ; The politics of progressivism: Liszt and the New German School ; To the artists (ii): Liszt and the Karlsruhe music festival ; Citizen Sachs? A Wagnerian coda -- The song of the workers: idylls and activism. Socialization and self-help: workers' education societies ; Lassalle, Bülow and the end of bourgeois music ; Schiller's heirs: art, Bildung and proletarian identity
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 59
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 0521110548 , 9780521110549
    Sprache: Englisch
    Seiten: Online-Ressource (xi, 292 p) , 26 cm
    Ausgabe: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Paralleltitel: Print version Music, Culture and Social Reform in the Age of Wagner
    DDC: 306.4/842094309034
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    Schlagwort(e): Music Political aspects 19th century ; History ; Music Social aspects 19th century ; History
    Kurzfassung: A radical reappraisal of the left-wing politics at the heart of nineteenth-century German music and culture
    Beschreibung / Inhaltsverzeichnis: Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; Abbreviations; Introduction; 1 Liberalism, autonomy and the social functions of art; 2 Radical and social aesthetics in the Vormärz; 3 Speaking for the Volk: music, politics and Vormärz festivals; 4 Revolutionary voices: blueprints for an aesthetic state; 5 Music and the politics of post-revolutionary culture; 6 The song of the workers: idylls and activism; Notes; Bibliography; Index
    Anmerkung: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
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  • 60
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    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195373714
    Sprache: Englisch
    Seiten: XXI, 280 S. , Ill.
    Ausgabe: 1. issue as an Oxford Univ. press paperback
    DDC: 781.64026/6
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    Schlagwort(e): Geschichte 1952-2003 ; Popular music - Discography ; Popular music - History and criticism ; Popular music Discography ; Popular music History and criticism ; Tonträger ; Rockmusik ; Jazz ; Popmusik ; Verzeichnis ; Verzeichnis ; Verzeichnis ; Popmusik ; Tonträger ; Geschichte 1952-2003 ; Rockmusik ; Tonträger ; Geschichte 1952-2003 ; Jazz ; Tonträger ; Geschichte 1952-2003
    Anmerkung: 1. publ. by Greenwood Press u.d.T.: 100 albums that changed popular music , Includes bibliographical references (p. [263]-265) and index
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  • 61
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 019533664X , 9780195336641 , 0195336658 , 9780195336658
    Sprache: Englisch
    Seiten: xi, 292 p.
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 780.9/04
    RVK:
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1960-1970 ; Geschichte ; Musik ; Politik ; Music Political aspects 20th century ; History ; Avant-garde (Music) ; Nineteen sixties ; Musik ; Konferenzschrift 2004 ; Musik ; Geschichte 1960-1970
    Beschreibung / Inhaltsverzeichnis: Avant-garde : some introductory notes on the politics of a label / Hubert F. van den Berg -- Ideologies. "Demolish serious culture!" : Henry Flynt and Workers World Party / Benjamin Piekut ; Forms of opposition at the "politiek-demonstratief experimenteel" concert / Robert Adlington ; Aesthetic theories and revolutionary practice : Nikolaus A. Huber and Clytus Gottwald in dissent / Beate Kutschke -- Rethinking the popular. "Music is a universal human right" : Musica Elettronica Viva / Amy C. Beal -- The problem of the political in Steve Reich's Come out / Sumanth Gopinath ; The politics of Presque rien / Eric Drott -- Politicising performance. ONCE and the sixties / Ralf Dietrich ; "Scream against the sky" : Japanese avant-garde music in the sixties / Yayoi Uno Everett -- The challenge of institutionalization. After the October revolution : the jazz avant-garde in New York, 1964-65 / Bernard Gendron ; American cultural diplomacy and the mediation of avant-garde music / Danielle Fosler-Lussier ; From Scriabin to Pink Floyd : the ANS synthesizer and the politics of Soviet music between thaw and stagnation / Peter J. Schmelz
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 62
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 019533664X , 0195336658 , 9780195336641 , 9780195336658
    Sprache: Englisch
    Seiten: XI, 292 S. , Ill., Notenbeisp. , 24 cm
    DDC: 780.9/04
    RVK:
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    Schlagwort(e): Music Political aspects 20th century ; History ; Avant-garde (Music) ; Nineteen sixties ; Konferenzschrift ; Konferenzschrift 2004 ; Konferenzschrift 2004 ; Konferenzschrift 2004 ; Edited volumes ; Konferenzschrift ; Musik ; Geschichte 〈1960-1970〉
    Anmerkung: Includes bibliographical references and index , Avant-garde : some introductory notes on the politics of a label , Ideologies. "Demolish serious culture!" : Henry Flynt and Workers World Party , Rethinking the popular. "Music is a universal human right" : Musica Elettronica Viva , The problem of the political in Steve Reich's Come out , Politicising performance. ONCE and the sixties , The challenge of institutionalization. After the October revolution : the jazz avant-garde in New York, 1964-65
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  • 63
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 9780199868551
    Sprache: Englisch
    Seiten: 1 online resource (xi, 292 p.) , ill.
    Paralleltitel: Erscheint auch als
    DDC: 780.904
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    Schlagwort(e): Music Political aspects 20th century ; History ; Avant-garde (Music) ; Nineteen sixties ; Musik
    Kurzfassung: This text examines the encounter of avant-garde music and 'the Sixties' across a range of genres, aesthetic positions and geographical locations.
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
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  • 64
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199864492
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 402 p.) , Ill.
    DDC: 781.651599
    RVK:
    Schlagwort(e): Geschichte 1950-1970 ; Jazz ; Gesellschaft ; Politik ; Schwarze ; Bürgerrechtsbewegung ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; Jazz Social aspects ; Jazz Political aspects ; African Americans Civil rights 20th century ; History ; USA
    Kurzfassung: An insightful examination of the impact of the civil rights movement and African independence on jazz in the 1950s and 60s this text traces the complex relationships between music politics, aesthetics, and activism through the lens of racial and economic issues.
    Anmerkung: Includes bibliographical references, discography and index
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  • 65
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    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0195047672 , 0195307127 , 9780195047677 , 9780195307122
    Sprache: Englisch
    Seiten: XI, 274 S. , Ill.
    Ausgabe: 1. iss. as paperback
    DDC: 781.6509778411
    RVK:
    Schlagwort(e): Geschichte 1920-1940 ; Jazz ; Kansas City, Mo. ; Kansas City, Mo. ; Jazz ; Geschichte 1920-1940
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 66
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195187953 , 0195187954
    Sprache: Englisch
    Seiten: XVIII, 391 S.
    Ausgabe: 2. time around
    DDC: 781.65
    RVK:
    Schlagwort(e): Jazz - Anecdotes ; Jazz Anecdotes ; Jazz ; Jazzmusiker ; Anthologie ; Anthologie ; Jazz ; Jazzmusiker
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  • 67
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 0195347641 , 1423720423 , 1602568723 , 9780195347647 , 9781423720423 , 9781602568723
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 384 pages)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 785/.2165/06076335
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    Schlagwort(e): Original Creole Orchestra ; Original Creole Orchestra ; Original Creole Orchestra ; Geschichte 1914-1918 ; Jazz musicians / Louisiana / New Orleans ; MUSIC / Genres & Styles / Chamber ; BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians ; Jazz musicians ; Jazz musicians Biography ; Jazz ; New Orleans, La. ; Biografie ; New Orleans, La. ; Jazz ; Geschichte 1914-1918 ; Original Creole Orchestra ; Geschichte 1914-1918
    Anmerkung: Includes bibliographical references (pages 277-283) and index , Dramatis personae -- Before the beginning -- The first season -- The second season -- The third season -- The final season -- Life and music after the band , The Creole Band, which existed from 1914-1918, was the first important jazz band, bringing jazz to the wider American public, from California to Massachusetts. This is the history of the important group, written by a renowned scholar of early jazz
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  • 68
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0195047672 , 9780195047677
    Sprache: Englisch
    Seiten: XI, 274 S. , Ill.
    DDC: 781.6509778411
    RVK:
    Schlagwort(e): Geschichte 1920-1940 ; Jazz ; Kansas City, Mo.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 69
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0195161319 , 9780195161311
    Sprache: Englisch
    Seiten: XI, 384 S. , Ill.
    DDC: 785/.2165/06076335
    RVK:
    Schlagwort(e): Original Creole Orchestra ; Original Creole Orchestra ; Geschichte 1914-1918 ; Jazz musicians Biography ; Jazz ; New Orleans, La. ; Biografie ; Biografie ; Original Creole Orchestra ; Geschichte 1914-1918 ; New Orleans, La. ; Jazz ; Geschichte 1914-1918
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 70
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0199242399
    Sprache: Englisch
    Seiten: XIII, 438 S , Ill , 22 cm
    Ausgabe: 1. publ.
    Paralleltitel: Online-Ausg. Music and the Muses
    DDC: 780.938
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    Schlagwort(e): Music, Greek and Roman Social aspects ; Performing arts Social aspects To 146 B.C ; History ; Greece Civilization To 146 B.C ; Konferenzschrift ; Konferenzschrift 1999 ; Konferenzschrift ; Konferenzschrift 1999 ; Griechenland ; Musik
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 71
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 0195156072 , 0195304497 , 128050241X , 1423746708 , 1602568855 , 9780195304497 , 9781280502415 , 9781423746706 , 9781602568853
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxiv, 632 pages)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.65
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    Schlagwort(e): Geschichte 1990-2003 ; Jazz / Histoire et critique ; Arts du spectacle ; MUSIC / Genres & Styles / Jazz ; Jazz ; Performing arts ; Jazz History and criticism ; Performing arts ; Jazz ; Jazz ; Geschichte 1990-2003
    Anmerkung: Includes index , The beige decade : jazz criticism, 1990-2000 -- Meantime : miscellaneous criticism, 1990-2003 -- The second century : jazz criticism, 2001-2003 , The book covers the criticism of jazz critic Gary Giddins from 1990 to 2003. It includes a group of major pieces on such jazz players as Louis Armstrong, Billie Holiday, Duke Ellington, Benny Carter, Mildred Bailey, Sonny Rollins and the Modern Jazz Quartet
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  • 72
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 0195348257 , 1602568332 , 9780195348255 , 9781602568334
    Sprache: Englisch
    Seiten: 1 Online-Ressource (312 pages)
    Paralleltitel: Erscheint auch als
    DDC: 781.64/0973
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    Schlagwort(e): Geschichte ; Musique populaire / États-Unis / Histoire et critique ; Jazz / États-Unis / Histoire et critique ; MUSIC / Genres & Styles / Pop Vocal ; Jazz ; Popular music ; Popular music History and criticism ; Jazz History and criticism ; Unterhaltungsmusik ; USA ; USA ; USA ; Unterhaltungsmusik ; Geschichte
    Anmerkung: Avatars -- The postwar jazz era -- Rebirth of the blues -- In the garage -- Possible futures , What do Louis Armstrong, Ray Charles, Bob Dylan, Willie Nelson, Tom Waits, Cassandra Wilson, and Ani DiFranco have in common? In Highway 61 Revisited, acclaimed music critic Gene Santoro says the answer is jazz-not just the musical style, but jazz's distinctive ambiance and attitudes. As legendary bebop rebel Charlie Parker once put it, "If you don't live it, it won't come out of your horn." Unwinding that Zen-like statement, Santoro traces how jazz's existential art has infused outstanding musicians in nearly every wing of American popular music-blues, folk, gospel, psychedelic rock, country
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 73
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0195081080 , 0195152492
    Sprache: Englisch
    Seiten: X, 278, [16] S. , Ill.
    Ausgabe: 1. issued as an Oxford Univ. Press paperback
    DDC: 781.650922
    RVK:
    Schlagwort(e): Jazz ; Jazz musicians Interviews ; Interview ; Jazzmusiker ; Jazzmusiker ; Interview
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  • 74
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Sprache: Englisch
    Seiten: 1 online resource (vii, 294 pages)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.65/09
    RVK:
    Schlagwort(e): Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Geschichte ; Sozialgeschichte ; Jazz ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Kurzfassung: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 75
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Sprache: Englisch
    Seiten: 1 online resource (vii, 294 pages)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.65/09
    RVK:
    Schlagwort(e): Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Sozialgeschichte ; Jazz ; Geschichte ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Kurzfassung: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 76
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Sprache: Englisch
    Seiten: Online-Ressource (1 online resource (304 p.)) , digital, PDF file(s).
    Ausgabe: Online-Ausg.
    Paralleltitel: Druckausg. Lopes, Paul, 1958 - The rise of a jazz art world
    Paralleltitel: Print version
    DDC: 781.65/09
    RVK:
    Schlagwort(e): Jazz History and criticism ; Music Social aspects ; Music Social aspects ; Jazz History and criticism ; Jazz ; History and criticism ; Music ; Social aspects ; Jazz ; Sozialgeschichte
    Kurzfassung: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Beschreibung / Inhaltsverzeichnis: Introduction: the quest for cultural legitimacy -- Before the Jazz Age: professional musicians and good music -- Jazz Age: professional musicians and the cultivated vernacular -- Swing craze: professional musicians, swing music and the art of improvisation -- Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt -- New jazz age: the jazz art world and the modern jazz renaissance -- Conclusion: the jazz art world and American culture.
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 77
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 019512510X
    Sprache: Englisch
    Seiten: XI, 852 S. , Ill.
    DDC: 781.65
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Jazz
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 78
    Online-Ressource
    Online-Ressource
    Berkeley, Calif. : University of California Press | Oxford : Oxford University Press
    ISBN: 9780520925694 , 0520925696
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xix, 191 p.) , Ill.
    Serie: Music of the African diaspora v. 4
    DDC: 781.6508996073044361
    RVK:
    Schlagwort(e): Geschichte ; Schwarze ; Jazz ; Jazz History and criticism ; African American musicians ; Paris ; USA ; Montmartre (Paris, France) History
    Kurzfassung: In 'Harlem in Montmartre', William Shack takes a look at this extraordinary cultural moment, one in which African American musicians could flee the racism of the United States to pursue their lives and art in the relatively free context of bohemian Europe.
    Anmerkung: "George Gund Foundation imprint in African American studies" , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 79
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0195132416 , 0195076753
    Sprache: Englisch
    Seiten: XI, 690 S. , Notenbeisp.
    Ausgabe: 1. issued as an Oxford Univ. Press paperback
    DDC: 784.4165
    RVK:
    RVK:
    Schlagwort(e): Jazz - Zgodovina ; Jazz glasbeniki - Biografije ; Geschichte ; Jazz ; Jazzmusiker ; Biografie ; Biografie ; Jazzmusiker ; Jazz ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 80
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0195063783
    Sprache: Englisch
    Seiten: XIV, 235 S.
    DDC: 781.65
    RVK:
    Schlagwort(e): Geschichte 1970-1999 ; Jazz
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 81
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 9780195099812 , 9780199762262
    Sprache: Englisch
    Seiten: xliv, 353 p
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 973.6
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Republican Party (U.S. : 1854- ) ; Republican Party ; Geschichte 1800-1860 ; Geschichte ; Geschichte 1850-1860 ; Sezessionskrieg ; Freiheit ; Ideologie ; Geschichte ; Vorgeschichte ; Jazz ; Hochschulschrift ; Republican Party ; Freiheit ; Ideologie ; Sezessionskrieg ; Vorgeschichte ; Republican Party ; Geschichte 1800-1860 ; Republican Party ; Geschichte 1850-1860 ; Jazz ; Geschichte ; Jazz ; Geschichte
    Anmerkung: "With a new introductory essay." , Includes bibliographical references (p. 319-336) and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 82
    Online-Ressource
    Online-Ressource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199853168
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 233 p.)
    DDC: 781.6509731109042
    RVK:
    Schlagwort(e): Geschichte 1904-1930 ; Jazz ; Jazz To 1921 ; Jazz 1921-1930 ; Jazz History and criticism ; Chicago, Ill.
    Kurzfassung: Kenney offers a wide-ranging look at jazz in the Windy City revealing how Chicago became the major centre of jazz in the 1920s, one of the most vital periods in the history of the music.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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