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  • English  (15)
  • 2000-2004  (15)
  • Durham : Duke University Press  (12)
  • Bielefeld : transcript Verlag
  • Mainz : Schott
  • Musicology  (15)
Datasource
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Journal/Serial
    Journal/Serial
    The world of music : a journal of the Department of Musicology of the Georg August University Göttingen (from 1957-)
    Berlin : VWB, Verl. für Wiss. und Bildung | Paris : Internat. Music Council | Kassel : Bärenreiter | Mainz : Schott | Roma : Ed. Lerici | Wilhelmshaven : Heinrichshofen | Wilhelmshaven : Verl. Noetzel ; Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Details
    ISSN: 0043-8774 , 2941-3680 , 2941-3680
    Language: German , English , French
    Pages: 23 cm
    Dates of Publication: Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Additional Information: Beil. International Music Council Bulletin of the International Music Council (Unesco)
    Additional Information: 52=17 von Intercultural music studies Berlin : VWB, Verl. für Wiss. und Bildung, 1990 1435-5590
    Parallel Title: Erscheint auch als The world of music
    Former Title: Darin aufgeg. Darin aufgeg. ---〉 Musique dans le monde
    Former Title: Die Welt der Musik
    Former Title: Le monde de la musique
    Former Title: journal of the Department of Ethnomusicology, Otto-Friedrich University of Bamberg
    Former Title: The world of music bibliography
    DDC: 780.89
    RVK:
    LD 8700
    Keywords: Musikethnologie ; Zeitschrift ; Musikethnologie
    Note: Gesamttitel teils: Intercultural music studies , Beteil. Körp. bis 32.1990: International Institute of Comparative Music Studies and Documentation (Berlin); International Music Council (UNESCO); 33.1991 - 38.1996: International Institute of Traditional Music (Berlin) , Ersch. 2x jährl., anfangs 3x jährl.; 52.2010 - 53.2011 in 1 Bd. ersch. , Text engl., früher dt., engl., franz. , Index 19/29.1977/87=30.1988,1; Index [1]/52.1959/2010=53.2011
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    DNB
    HU Berlin
    Weltkulturen Museum
    Ethn. Museum Berlin
    GRASSI Mus. Leipzig
  • 2
    Journal/Serial
    Journal/Serial
    The world of music : a journal of the Department of Musicology of the Georg August University Göttingen (from 1957-)
    Berlin : VWB, Verl. für Wiss. und Bildung | Paris : Internat. Music Council | Kassel : Bärenreiter | Mainz : Schott | Roma : Ed. Lerici | Wilhelmshaven : Heinrichshofen | Wilhelmshaven : Verl. Noetzel ; Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Show associated volumes/articles
    Details
    ISSN: 0043-8774 , 2941-3680 , 2941-3680
    Language: German , English , French
    Pages: 23 cm
    Dates of Publication: Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Additional Information: Beil. International Music Council Bulletin of the International Music Council (Unesco)
    Additional Information: 52=17 von Intercultural music studies Berlin : VWB, Verl. für Wiss. und Bildung, 1990 1435-5590
    Parallel Title: Erscheint auch als The world of music
    Former Title: Darin aufgeg. Darin aufgeg. ---〉 Musique dans le monde
    Former Title: Die Welt der Musik
    Former Title: Le monde de la musique
    Former Title: journal of the Department of Ethnomusicology, Otto-Friedrich University of Bamberg
    Former Title: The world of music bibliography
    DDC: 780.89
    RVK:
    LD 8700
    Keywords: Musikethnologie ; Zeitschrift ; Musikethnologie
    Note: Gesamttitel teils: Intercultural music studies , Beteil. Körp. bis 32.1990: International Institute of Comparative Music Studies and Documentation (Berlin); International Music Council (UNESCO); 33.1991 - 38.1996: International Institute of Traditional Music (Berlin) , Ersch. 2x jährl., anfangs 3x jährl.; 52.2010 - 53.2011 in 1 Bd. ersch. , Text engl., früher dt., engl., franz. , Index 19/29.1977/87=30.1988,1; Index [1]/52.1959/2010=53.2011
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    DNB
    HU Berlin
    Weltkulturen Museum
    BSZ
    GBV
    Ethn. Museum Berlin
    GRASSI Mus. Leipzig
  • 3
    Online Resource
    Online Resource
    Real country : music and language in working-class culture (2004)
    Durham : Duke University Press
    Details
    ISBN: 9780822385998 , 0822385996
    Language: English
    Pages: 1 Online-Ressource (xv, 363 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LC 87610
    RVK:
    LS 48610
    RVK:
    MS 1420
    Keywords: Country music Texas ; Lockhart ; History and criticism ; Working class Texas ; Lockhart ; Songs and music ; History and criticism ; Music and language ; Arbeiterklasse ; Countrymusic ; Texas ; Electronic books ; Texas ; Countrymusic ; Arbeiterklasse
    Note: Includes bibliographical references (pages [349]-356) and indexes , "Turns" -- Voicing working-class culture -- Knowing Lockhart: two perspectives -- Out the country : space, time, and stereotype -- The fool in the mirror : self, person, and subjectivity -- "Feeling" and "relating" : speech, song, story, and emotion -- Bring me up in a beer joint : the poetics of speech and song -- The women take care of that : engendering working-class culture -- The art of singing : speech and song in performance -- "I hang my head and cry" : the character of the voice
    DOI: 10.1215/9780822385998
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BVB
    Bayreuth UB
  • 4
    Online Resource
    Online Resource
    Right to rock : the Black Rock Coalition and the cultural politics of race (2004)
    Durham : Duke University Press
    Details
    ISBN: 9780822386131 , 0822386135
    Language: English
    Pages: 1 Online-Ressource (xi, 317 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48050
    RVK:
    LS 48635
    Keywords: Black Rock Coalition ; Rock music Social aspects ; United States ; African American musicians ; Music and race ; Rockmusik ; Schwarze ; USA ; Electronic books ; USA ; Rockmusik ; Schwarze
    Note: Includes discography (pages [267]-271), bibliographical references (pages [285]-298) and index , Reclaiming the right to rock -- The "postliberated generation" -- Saturday go to meeting -- Black rock manifesting -- Black rock aesthetics -- Living colored in the music industry -- Media interventions -- Playing rock, playing roles -- Jimi Hendrix experiences -- Until the levee breaks
    DOI: 10.1215/9780822386131
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BVB
    Bayreuth UB
  • 5
    Online Resource
    Online Resource
    Hello, hello Brazil : popular music in the making of modern Brazil (2004)
    Durham : Duke University Press
    Details
    ISBN: 9780822385639 , 0822385635
    Language: English
    Pages: 1 Online-Ressource (ix, 296 Seiten) , ill , 23 cm
    Parallel Title: Erscheint auch als
    DDC: 781.640981
    RVK:
    LS 20720
    Keywords: Geschichte ; Popular music / History and criticism / Brazil ; Music / Social aspects / Brazil ; Unterhaltungsmusik ; Brasilien ; Electronic books ; Electronic books ; Brasilien ; Unterhaltungsmusik ; Geschichte
    Abstract: Radio and estado novo -- Samba and national identity -- The rise of Northeastern regionalism -- American seduction -- Inventing the old guard of Brazilian popular music -- Fan clubs and auditorium programs -- Advertising and audience fragmentation
    Note: Description based on print version record. - Includes bibliographical references (p. [281]-290) and index
    DOI: 10.1215/9780822385639
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822385639
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822385639?locatt=mode:legacy
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    GBV
    KOBV
  • 6
    Online Resource
    Online Resource
    Prophets of the hood : politics and poetics in hip hop (2004)
    Durham : Duke University Press
    Details
    ISBN: 9780822386155 , 0822386151
    Language: English
    Pages: 1 Online-Ressource (x, 236 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LR 57717
    RVK:
    LR 57718
    RVK:
    LR 57727
    RVK:
    LR 57728
    RVK:
    LS 48000
    RVK:
    LS 48650
    RVK:
    LS 48900
    Keywords: Rap (Music) History and criticism ; Rap (Music) Political aspects ; Hip-hop Social aspects ; Hip-Hop ; Rap ; Electronic books ; Hip-Hop ; Rap
    Note: Includes bibliographical references and index , Hip hop's mama : originalism and identity in the music -- My mic sound nice : art, community, and consciousness -- Stinging like Tabasco : structure and format in hip hop compositions -- The glorious outlaw : hip hop narratives, American law and the court of public opinion -- B-boys, players and preachers : reading masculinity -- The venus hip hop and the pink ghetto : negotiating spaces for women -- Bling bling-- and going pop : consumerism and co-optation in hip hop
    DOI: 10.1215/9780822386155
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BVB
    Bayreuth UB
  • 7
    AV-Medium
    AV-Medium
    Irish fiddle solos; [cd]: Irish fiddle solos / Pete Cooper (2004)
    Mainz : Schott
    Show associated volumes/articles
    In:  [cd]
    Details
    Language: English , French , German
    Pages: 1 CD
    Angaben zur Quelle: [cd]
    RVK:
    LS 20555
    RVK:
    LS 50555
    RVK:
    LV 50555
    Keywords: CD
    Library Location Call Number Volume/Issue/Year Availability
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    AV-Medium
    BSZ
  • 8
    Online Resource
    Online Resource
    Sound of Africa! : making music Zulu in a South African studio (2003)
    Durham : Duke University Press
    Details
    ISBN: 9780822384632 , 0822384639
    Language: English
    Pages: 1 Online-Ressource (xv, 335 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63/0968
    RVK:
    LS 47945
    RVK:
    LS 47974
    Keywords: Popular music Social aspects ; South Africa ; Sound recording industry South Africa ; Musik ; Zulu ; Schallaufzeichnung ; Electronic books ; Electronic books ; Zulu ; Musik ; Schallaufzeichnung
    Note: Includes bibliographical references (pages [297]-312), discography (pages [313]-317), and index , Demo tape: about Sound of Africa! -- Cut one: mbaqanga -- Cut two: the recording studio as fetish -- Cut three: producing liveness -- Cut four: sounding figures -- Cut five: performing zuluness -- Cut six: imagining overseas -- A final mix: mediating difference
    DOI: 10.1215/9780822384632
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
    BVB
    Bayreuth UB
  • 9
    Online Resource
    Online Resource
    Love Saves the Day : A History of American Dance Music Culture, 1970-1979 (2003)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780822385110
    Language: English
    Pages: 1 Online-Ressource (528 p.) , 73 photos and Illustrations
    Edition: 2004
    DDC: 306.4/84
    RVK:
    LQ 89307
    RVK:
    LS 48000
    RVK:
    LS 48640
    Abstract: Opening with David Mancuso's seminal "Love Saves the Day" Valentine's party, Tim Lawrence tells the definitive story of American dance music culture in the 1970s-from its subterranean roots in NoHo and Hell's Kitchen to its gaudy blossoming in midtown Manhattan to its wildfire transmission through America's suburbs and urban hotspots such as Chicago, Boston, San Francisco, Los Angeles, Newark, and Miami.Tales of nocturnal journeys, radical music making, and polymorphous sexuality flow through the arteries of Love Saves the Day like hot liquid vinyl. They are interspersed with a detailed examination of the era's most powerful djs, the venues in which they played, and the records they loved to spin-as well as the labels, musicians, vocalists, producers, remixers, party promoters, journalists, and dance crowds that fueled dance music's tireless engine.Love Saves the Day includes material from over three hundred original interviews with the scene's most influential players, including David Mancuso, Nicky Siano, Tom Moulton, Loleatta Holloway, Giorgio Moroder, Francis Grasso, Frankie Knuckles, and Earl Young. It incorporates more than twenty special dj discographies-listing the favorite records of the most important spinners of the disco decade-and a more general discography cataloging some six hundred releases. Love Saves the Day also contains a unique collection of more than seventy rare photos.
    DOI: 10.1515/9780822385110
    URL: https://doi.org/10.1515/9780822385110?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822385110
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Regensburg UB
    HeBIS
    BVB
  • 10
    Online Resource
    Online Resource
    Hit me, Fred : recollections of a side man (2002)
    Durham : Duke University Press
    Details
    ISBN: 9780822386957 , 082238695X
    Language: English
    Pages: 1 Online-Ressource (xiv, 326 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Wesley, Fred ; Wesley, Fred ; Trombonists United States ; Biography ; Funk musicians United States ; Biography ; Autobiografie ; Electronic books ; Wesley, Fred 1943- ; Autobiografie
    Note: "Foreword by Rickey Vincent"--Jacket. - Includes discography (pages [313]-316) and index , A musical upbringing -- Higher education -- Uncle Sam's army -- James Brown -- California -- James Brown again -- Bootsy's rubber band and Parliament/Funkadelic -- Count Basie -- Hollywood, Hollywood -- Mile high in Denver -- JB horns -- Star time
    DOI: 10.1215/9780822386957
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BVB
    Bayreuth UB
  • 11
    Online Resource
    Online Resource
    Soundtrack available : essays on film and popular music (2002)
    Durham : Duke University Press
    Details
    ISBN: 9780822380986 , 0822380986
    Language: English
    Pages: 1 Online-Ressource (x, 491 Seiten) , ill
    Parallel Title: Erscheint auch als
    DDC: 781.54209
    RVK:
    AP 47500
    RVK:
    LR 53509
    RVK:
    LS 48000
    Keywords: Motion pictures and music ; Motion picture music / History and criticism ; Popular music / History and criticism ; Filmmusik ; Geschichte ; Unterhaltungsmusik ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Filmmusik ; Unterhaltungsmusik ; Geschichte
    Abstract: Overture / Arthur Knight and Pamela Robertson Wojcik -- Cinema and popular song : the lost tradition / Rick Altman -- Surreal symphonies : l'age d'or and the discreet charms of classical music / Priscilla Barlow -- "The future's not ours to see" : song, singer, labyrinth in Hitchcock's The man who knew too much / Murray Pomerance -- "You think they call us plastic now--" : the Monkees and Head / Paul B. Ramaeker -- Real men don't sing ballads : the radio crooner in Hollywood, 1929-1933 / Allison McCracken -- Flower of the asphalt : the chanteuse réaliste in 1930s French cinema / Kelley Conway -- The embodied voice : song sequences and stardom in popular Hindi cinema / Neepa Majumdar -- Music as ethnic marker in film : the "Jewish" case / Andrew P. Killick -- Sounding the American heart : cultural politics, country music, and contemporary American film / Barbara Ching -- Crossing musical borders : the soundtrack for Touch of evil / Jill Leeper -- Documented/documentary Asians : Gurinder Chadha's I'm British but-- and the musical mediation of sonic and visual identities / Nabeel Zuberi -- Class swings : music, race, and social mobility in Broken strings / Adam Knee -- Borrowing black masculinity : the role of Johnny Hartman in The bridges of Madison County / Krin Gabbard -- "It ain't necessarily so that it ain't necessarily so" : African American recordings of Porgy and Bess as film and cultural criticism / Arthur Knight -- "Hollywood has taken on a new color" : the Yiddish blackface of Samuel Goldwyn's Porgy and Bess / Jonathan Gill -- Picturizing American cinema : Hindi film songs and the last days of genre / Corey K. Creekmur -- Popular songs and comic allusion in contemporary cinema / Jeff Smith -- The girl and the phonograph, or the vamp and the machine revisited / Pamela Robertson Wojcik
    Note: Includes bibliographical references (p. [455]-473) and index. - Description based on print version record
    DOI: 10.1215/9780822380986
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
  • 12
    Online Resource
    Online Resource
    Blue Nippon : Authenticating Jazz in Japan (2001)
    Durham : Duke University Press
    Details
    ISBN: 9780822380030
    Language: English
    Pages: 1 online resource (384 p.) , 17 b&w photos
    RVK:
    LS 48200
    RVK:
    LS 48200
    Keywords: Jazz / Japan / History and criticism ; MUSIC / Genres & Styles / Jazz
    Abstract: Japan’s jazz community—both musicians and audience—has been begrudgingly recognized in the United States for its talent, knowledge, and level of appreciation. Underpinning this tentative admiration, however, has been a tacit agreement that, for cultural reasons, Japanese jazz "can’t swing." In Blue Nippon E. Taylor Atkins shows how, strangely, Japan’s own attitude toward jazz is founded on this same ambivalence about its authenticity.Engagingly told through the voices of many musicians, Blue Nippon explores the true and legitimate nature of Japanese jazz. Atkins peers into 1920s dancehalls to examine the Japanese Jazz Age and reveal the origins of urban modernism with its new set of social mores, gender relations, and consumer practices. He shows how the interwar jazz period then became a troubling symbol of Japan’s intimacy with the West—but how, even during the Pacific war, the roots of jazz had taken hold too deeply for the "total jazz ban" that some nationalists desired. While the allied occupation was a setback in the search for an indigenous jazz sound, Japanese musicians again sought American validation. Atkins closes out his cultural history with an examination of the contemporary jazz scene that rose up out of Japan’s spectacular economic prominence in the 1960s and 1970s but then leveled off by the 1990s, as tensions over authenticity and identity persisted.With its depiction of jazz as a transforming global phenomenon, Blue Nippon will make enjoyable reading not only for jazz fans worldwide but also for ethnomusicologists, and students of cultural studies, Asian studies, and modernism
    DOI: 10.1515/9780822380030
    URL: https://doi.org/10.1515/9780822380030
    URL: https://www.degruyter.com/isbn/9780822380030
    URL: Cover
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    HBZ
  • 13
    Online Resource
    Online Resource
    Deep river : music and memory in Harlem Renaissance thought (2001)
    Durham : Duke University Press
    Details
    ISBN: 9780822383048 , 0822383047
    Language: English
    Pages: 1 Online-Ressource (x, 335 Seiten) , Illustrationen
    Series Statement: New Americanists
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    HU 1728
    RVK:
    LS 48050
    Keywords: African Americans New York (State) ; New York ; Music ; History and criticism ; Harlem Renaissance ; Harlem renaissance ; Musik ; Geschichte ; Schwarze ; Harlem (New York, N.Y.) Intellectual life ; 20th century ; USA ; New York, NY ; Electronic books ; New York, NY ; Musik ; Schwarze ; Geschichte ; USA ; Musik ; Schwarze ; Harlem renaissance ; Musik
    Note: Includes bibliographical references (pages [311]-323) and index , "Unvoiced longings": Du Bois and the "sorrow songs" -- Swan songs and art songs: the spirituals and the "new Negro" in the 1920s -- "The twilight of aestheticism": Locke on cosmopolitanism and musical evolution -- "Beneath the seeming informality": Hughes, Hurston, and the politics of form -- Saving jazz from its friends: the predicament of jazz criticism in the swing era
    DOI: 10.1215/9780822383048
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BVB
    Bayreuth UB
  • 14
    Online Resource
    Online Resource
    Songs of the unsung : the musical and social journey of Horace Tapscott (2001)
    Durham : Duke University Press
    Details
    ISBN: 9780822383185 , 0822383187
    Language: English
    Pages: 1 Online-Ressource (xvi, 253 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Tapscott, Horace ; Pianists United States ; Biography ; Jazz musicians United States ; Biography ; African American musicians Biography ; Autobiografie ; Electronic books ; Biografie ; Biografie ; Autobiografie
    Note: Preface -- 1 Early Years in Houston -- 2 California -- 3 Setting the Pace -- 4 Central Avenue -- 5 Military Service -- 6 On the Road with Lionel Hampton -- 7 To Preserve and Develop Black Culture -- 8 The Fire This Time -- 9 In the Middle of It -- 10 Stayin' Alive -- 11 The Union of God's Musicians and Artists Ascension -- 12 Settling into the Community -- 13 Movements to the Present -- 14 Reflections and Directions -- Postscript: From the Funeral Service -- Appendix: A Partial List of UGMAA Artists, 1961-1998 -- Discography 1: Horace Tapscott -- Discography 2: Music from the Ark. - Includes discographies and index
    DOI: 10.1215/9780822383185
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BVB
    Bayreuth UB
  • 15
    Online Resource
    Online Resource
    Blue Nippon : authenticating jazz in Japan (2001)
    Durham : Duke University Press
    Details
    ISBN: 082238003X , 0822327104 , 082232721X , 9780822380030 , 9780822327103 , 9780822327219
    Language: English
    Pages: Online-Ressource (xiv, 366 p) , ill , 25 cm
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Blue Nippon : Authenticating Jazz in Japan
    DDC: 781.65/0952
    RVK:
    LS 48200
    RVK:
    LS 43600
    Keywords: Jazz History and criticism ; Japan ; Jazz ; Geschichte
    Abstract: The history and culture of jazz in Japan
    Description / Table of Contents: Contents; List of Illustrations; Acknowledgments; Prelude: Plenty Plenty Soul; 1. The Japanese Jazz Artist and the Authenticity Complex; 2. The Soundtrack of Modern Life: Japan's Jazz Revolution; 3. Talkin' Jazz: Music, Modernism, and Interwar Japan's Culture Wars; 4. ""Jazz for the Country's Sake"": Toward a New Cultural Order in Wartime Japan; 5. Bop, Funk, Junk, and That Old Democracy Boogie: The Jazz Tribes of Postwar Japan; 6. Our Thing: Defining ""Japanese Jazz""; Postlude: J-Jazz and the Fin de Siecle Blues; Notes; References; Discography; Index
    Note: Includes bibliographical references (p. [329]-350), discography (p. [351]-355), and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    GBV
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