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  • English  (49)
  • 2025-2025  (7)
  • 2020-2024  (49)
  • 1940-1944
  • 2020  (49)
  • New York : Oxford University Press  (42)
  • Halle an der Saale : Stekovics
  • Musicology  (27)
  • Ethnology  (21)
  • Economics  (2)
Material
Language
Years
Year
  • 1
    Journal/Serial
    Journal/Serial
    Berlin : Logos Verlag Berlin | Stockholm : Nordiska Musikförl. | Halle an der Saale : Stekovics | Münster : MV-Wissenschaft, Monsenstein und Vannerdat ; 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    ISSN: 2191-5261 , 2191-5261
    Language: English
    Pages: 24 cm
    Dates of Publication: 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    Additional Information: 1=3; 2=4; 3=5; 4=6; 5=7; 6=8; 7=9 von Musikmuseet 〈Stockholm〉 Musikhistoriska Museets skrifter Stockholm : Norstedt, 1964-1981 0081-5675
    Additional Information: 1=2; 2=3; 4=4; 5=5; 6=6; 7=7 von International Folk Music Council / Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Folk Music Council Stockholm : Musikhistoriska Museet, 1969-1981
    Additional Information: 8=10; 9=14; 10=24 von Musikmuseet 〈Stockholm〉 Musikmuseets skrifter Stockholm : Musikmuseet, 1985- 0282-8952
    Additional Information: 8=8 von International Council for Traditional Music / Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Council for Traditional Music Stockholm : Musikmuseet, 1985-1985
    Additional Information: 9=9; 10=10; 11=11; 12=12 von International Council for Traditional Music / Study Group on Folk Musical Instruments Report from the ... international meeting of the International Council for Traditional Music's Study Group on Folk Musical Instruments Stockholm : Musikmuseet, 1989-2004
    Additional Information: 15=15 von International Council for Traditional Music / Study Group on Folk Musical Instruments Proceedings from the ... international meeting / International Council for Traditional Music, Study Group on Folk Musical Instruments Stockholm : Svensk Visarkiv, 2005-2005
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    Keywords: Volksmusik ; Volksmusikinstrument ; Zeitschrift ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument
    Note: 13 u. 14 nicht ersch.
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  • 2
    Journal/Serial
    Journal/Serial
    Berlin : Logos Verlag Berlin | Stockholm : Nordiska Musikförl. | Halle an der Saale : Stekovics | Münster : MV-Wissenschaft, Monsenstein und Vannerdat ; 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    ISSN: 2191-5261
    Language: English
    Pages: 24 cm
    Dates of Publication: 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    Additional Information: 1=3; 2=4; 3=5; 4=6; 5=7; 6=8; 7=9 von Musikmuseet (Stockholm) Musikhistoriska Museets skrifter Stockholm : Norstedt, 1964 0081-5675
    Additional Information: 1=2; 2=3; 4=4; 5=5; 6=6; 7=7 von International Folk Music Council. Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Folk Music Council Stockholm : Musikhistoriska Museet, 1969
    Additional Information: 8=10; 9=14; 10=24 von Musikmuseet (Stockholm) Musikmuseets skrifter Stockholm : Musikmuseet, 1985 0282-8952
    Additional Information: 8=8 von International Council for Traditional Music. Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Council for Traditional Music Stockholm : Musikmuseet, 1985
    Additional Information: 9=9; 10=10; 11=11; 12=12 von International Council for Traditional Music. Study Group on Folk Musical Instruments Report from the ... international meeting of the International Council for Traditional Music's Study Group on Folk Musical Instruments Stockholm : Musikmuseet, 1989
    Additional Information: 15=15 von International Council for Traditional Music. Study Group on Folk Musical Instruments Proceedings from the ... international meeting Stockholm : Svensk Visarkiv, 2005
    DDC: 780
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    Keywords: Zeitschrift ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument
    Note: 13 u. 14 nicht ersch.
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  • 3
    Journal/Serial
    Journal/Serial
    Berlin : Logos Verlag Berlin | Stockholm : Nordiska Musikförl. | Halle an der Saale : Stekovics | Münster : MV-Wissenschaft, Monsenstein und Vannerdat ; 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    Show associated volumes/articles
    ISSN: 2191-5261
    Language: English
    Pages: 24 cm
    Dates of Publication: 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    Additional Information: 1=3; 2=4; 3=5; 4=6; 5=7; 6=8; 7=9 von Musikmuseet (Stockholm) Musikhistoriska Museets skrifter Stockholm : Norstedt, 1964 0081-5675
    Additional Information: 1=2; 2=3; 4=4; 5=5; 6=6; 7=7 von International Folk Music Council. Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Folk Music Council Stockholm : Musikhistoriska Museet, 1969
    Additional Information: 8=10; 9=14; 10=24 von Musikmuseet (Stockholm) Musikmuseets skrifter Stockholm : Musikmuseet, 1985 0282-8952
    Additional Information: 8=8 von International Council for Traditional Music. Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Council for Traditional Music Stockholm : Musikmuseet, 1985
    Additional Information: 9=9; 10=10; 11=11; 12=12 von International Council for Traditional Music. Study Group on Folk Musical Instruments Report from the ... international meeting of the International Council for Traditional Music's Study Group on Folk Musical Instruments Stockholm : Musikmuseet, 1989
    Additional Information: 15=15 von International Council for Traditional Music. Study Group on Folk Musical Instruments Proceedings from the ... international meeting Stockholm : Svensk Visarkiv, 2005
    DDC: 780
    RVK:
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    Keywords: Zeitschrift ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument
    Note: 13 u. 14 nicht ersch.
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  • 4
    Journal/Serial
    Journal/Serial
    Stockholm : Nordiska Musikförl. | Halle an der Saale : Stekovics | Münster : MV-Wissenschaft, Monsenstein und Vannerdat | Berlin : Logos Verlag Berlin ; 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    ISSN: 2191-5261 , 2191-5261
    Language: English
    Pages: 24 cm
    Dates of Publication: 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    Additional Information: 1=3; 2=4; 3=5; 4=6; 5=7; 6=8; 7=9 von Musikmuseet 〈Stockholm〉 Musikhistoriska Museets skrifter Stockholm : Norstedt, 1964-1981 0081-5675
    Additional Information: 1=2; 2=3; 4=4; 5=5; 6=6; 7=7 von International Folk Music Council. Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Folk Music Council
    Additional Information: 8=10; 9=14; 10=24 von Musikmuseet 〈Stockholm〉 Musikmuseets skrifter Stockholm : Musikmuseet, 1985- 0282-8952
    Additional Information: 8=8 von International Council for Traditional Music. Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Council for Traditional Music
    Additional Information: 9=9; 10=10; 11=11; 12=12 von International Council for Traditional Music. Study Group on Folk Musical Instruments Report from the ... international meeting of the International Council for Traditional Music's Study Group on Folk Musical Instruments
    Additional Information: 15=15 von International Council for Traditional Music. Study Group on Folk Musical Instruments Proceedings from the ... international meeting
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    Keywords: Volksmusikinstrument ; Volksmusik ; Zeitschrift ; Schriftenreihe
    Note: 13 u. 14 nicht ersch.
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  • 5
    Journal/Serial
    Journal/Serial
    Berlin : Logos Verlag Berlin | Stockholm : Nordiska Musikförl. | Halle an der Saale : Stekovics | Münster : MV-Wissenschaft, Monsenstein und Vannerdat ; 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    ISSN: 2191-5261 , 2191-5261
    Language: English
    Pages: 24 cm
    Dates of Publication: 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    Additional Information: 1=3; 2=4; 3=5; 4=6; 5=7; 6=8; 7=9 von Musikmuseet 〈Stockholm〉 Musikhistoriska Museets skrifter Stockholm : Norstedt, 1964-1981 0081-5675
    Additional Information: 1=2; 2=3; 4=4; 5=5; 6=6; 7=7 von International Folk Music Council / Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Folk Music Council Stockholm : Musikhistoriska Museet, 1969-1981
    Additional Information: 8=10; 9=14; 10=24 von Musikmuseet 〈Stockholm〉 Musikmuseets skrifter Stockholm : Musikmuseet, 1985- 0282-8952
    Additional Information: 8=8 von International Council for Traditional Music / Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Council for Traditional Music Stockholm : Musikmuseet, 1985-1985
    Additional Information: 9=9; 10=10; 11=11; 12=12 von International Council for Traditional Music / Study Group on Folk Musical Instruments Report from the ... international meeting of the International Council for Traditional Music's Study Group on Folk Musical Instruments Stockholm : Musikmuseet, 1989-2004
    Additional Information: 15=15 von International Council for Traditional Music / Study Group on Folk Musical Instruments Proceedings from the ... international meeting / International Council for Traditional Music, Study Group on Folk Musical Instruments Stockholm : Svensk Visarkiv, 2005-2005
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    Keywords: Volksmusik ; Volksmusikinstrument ; Zeitschrift ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument
    Note: 13 u. 14 nicht ersch.
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  • 6
    Journal/Serial
    Journal/Serial
    Berlin : Logos Verlag Berlin | Stockholm : Nordiska Musikförl. | Halle an der Saale : Stekovics | Münster : MV-Wissenschaft, Monsenstein und Vannerdat ; 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    ISSN: 2191-5261
    Language: English
    Pages: 24 cm
    Dates of Publication: 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    Additional Information: 1=3; 2=4; 3=5; 4=6; 5=7; 6=8; 7=9 von Musikmuseet (Stockholm) Musikhistoriska Museets skrifter Stockholm : Norstedt, 1964 0081-5675
    Additional Information: 1=2; 2=3; 4=4; 5=5; 6=6; 7=7 von International Folk Music Council. Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Folk Music Council Stockholm : Musikhistoriska Museet, 1969
    Additional Information: 8=10; 9=14; 10=24 von Musikmuseet (Stockholm) Musikmuseets skrifter Stockholm : Musikmuseet, 1985 0282-8952
    Additional Information: 8=8 von International Council for Traditional Music. Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Council for Traditional Music Stockholm : Musikmuseet, 1985
    Additional Information: 9=9; 10=10; 11=11; 12=12 von International Council for Traditional Music. Study Group on Folk Musical Instruments Report from the ... international meeting of the International Council for Traditional Music's Study Group on Folk Musical Instruments Stockholm : Musikmuseet, 1989
    Additional Information: 15=15 von International Council for Traditional Music. Study Group on Folk Musical Instruments Proceedings from the ... international meeting Stockholm : Svensk Visarkiv, 2005
    DDC: 780
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    Keywords: Zeitschrift ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument
    Note: 13 u. 14 nicht ersch.
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  • 7
    Journal/Serial
    Journal/Serial
    Berlin : Logos Verlag Berlin | Stockholm : Nordiska Musikförl. | Halle an der Saale : Stekovics | Münster : MV-Wissenschaft, Monsenstein und Vannerdat ; 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    ISSN: 2191-5261 , 2191-5261
    Language: English
    Pages: 24 cm
    Dates of Publication: 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    Additional Information: 1=3; 2=4; 3=5; 4=6; 5=7; 6=8; 7=9 von Musikmuseet 〈Stockholm〉 Musikhistoriska Museets skrifter Stockholm : Norstedt, 1964-1981 0081-5675
    Additional Information: 1=2; 2=3; 4=4; 5=5; 6=6; 7=7 von International Folk Music Council / Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Folk Music Council Stockholm : Musikhistoriska Museet, 1969-1981
    Additional Information: 8=10; 9=14; 10=24 von Musikmuseet 〈Stockholm〉 Musikmuseets skrifter Stockholm : Musikmuseet, 1985- 0282-8952
    Additional Information: 8=8 von International Council for Traditional Music / Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Council for Traditional Music Stockholm : Musikmuseet, 1985-1985
    Additional Information: 9=9; 10=10; 11=11; 12=12 von International Council for Traditional Music / Study Group on Folk Musical Instruments Report from the ... international meeting of the International Council for Traditional Music's Study Group on Folk Musical Instruments Stockholm : Musikmuseet, 1989-2004
    Additional Information: 15=15 von International Council for Traditional Music / Study Group on Folk Musical Instruments Proceedings from the ... international meeting / International Council for Traditional Music, Study Group on Folk Musical Instruments Stockholm : Svensk Visarkiv, 2005-2005
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    Keywords: Volksmusikinstrument ; Volksmusik ; Zeitschrift ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument
    Note: 13 u. 14 nicht ersch.
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  • 8
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190461652
    Language: English
    Pages: xii, 458 Seiten , Illustrationen
    Series Statement: Readers on American musicians
    DDC: 782.254092
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    Keywords: Jackson, Mahalia
    Note: Includes bibliographical references and index.
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  • 9
    ISBN: 9780190062972 , 9780190062965
    Language: English
    Pages: xvii, 305 Seiten
    Series Statement: Studies in feminist philosophy
    Parallel Title: Erscheint auch als
    DDC: 305.42098
    RVK:
    Keywords: Feministische Philosophie ; Imperialismus ; Hispanos ; Feminism ; Imperialism ; Feminism ; Imperialism ; Lateinamerika ; Latin America ; Aufsatzsammlung
    Note: Includes bibliographical references
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  • 10
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190054588
    Language: English
    Pages: 232 Seiten
    DDC: 323.44
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    Note: Includes bibliographical references and index.
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  • 11
    ISBN: 9780190882044
    Language: English
    Pages: xv, 633 Seiten, 16 ungezählte Seiten , Illustrationen , 25 cm
    Series Statement: Oxford cultural biographies
    DDC: 782.42164092
    RVK:
    Keywords: Cole, Nat King
    Abstract: One of the most popular and memorable American musicians of the 20th century, Nat King Cole (1919-65) is remembered today as both a pianist and a singer, a feat rarely accomplished in the world of popular music. Now, in this complete life and times biography, author Will Friedwald offers a new take on this fascinating musician, framing him first as a bandleader and then as a star. In Cole's early phase, Friedwald explains, his primary task of keeping his trio going was just as much of a focus for him as his own playing and singing, always a collective or group performance. In the second act, Cole's collaborators were more likely to be arranger-conductors like Nelson Riddle and Gordon Jenkins, rather than his sidemen on bass and guitar. In the first act, his sidemen were equals, in the second phase, his collaborators were tasked exclusively with putting the focus on him, making him sound good, while being largely invisible themselves. Friedwald brings his full musical knowledge to bear in putting the man in the work, demonstrating how this duality appears over and over again in Cole's life and career: jazz vs. pop, solo vs. trio, piano vs. voice, wife number one (Nadine) vs. wife number two (Maria), the good songs vs. the less-than-good songs, the rhythm numbers vs. the ballads, the funny songs and novelties vs. the serious" songs of love and loss, Cole as an advocate for the Great American Songbook vs. Cole the intrepid explorer of other options: world music, rhythm & blues, country & western. Cole was different from his contemporaries in other ways; for roughly ten years after the war, the majority of hitmakers on the pop charts were veterans of the big band experience, from Sinatra on down.
    Note: Literaturangaben
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  • 12
    ISBN: 9780190692278 , 9780190692285
    Language: English
    Pages: 283 Seiten , Illustrationen
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Rios, Fernando E Panpipes and ponchos
    DDC: 781.62/688408412
    RVK:
    Keywords: Folk music History and criticism ; Creoles Music ; History and criticism ; Mestizos Music ; History and criticism
    Abstract: "For several decades now, the Andean conjunto has been the preeminent format for 'Andean folk music' groups in the major cities of the world. Easily identified through the musicians' colorful ponchos and indigenous-associated instruments such as the panpipe, these 4-6 member ensembles interpret the music of the Andes in a style that bears little resemblance to traditional indigenous music, notwithstanding the efforts of "world music" labels to market their recordings as if they accurately reproduce indigenous expressions. Developed mainly by criollo and mestizo musicians, the Andean conjunto tradition has taken root in many Latin American countries, from Argentina to Mexico, but it is only in Bolivia that mainstream society has long regarded ensembles in this mold as exemplars of national folkloric music. As this book reveals, Bolivia's adoption of the Andean conjunto as a national musical expression in the late 1960s represents the culmination of over four decades of local folkloric activities that at various points articulated with transnational artistic currents, especially those emanating from Argentina, Chile, France, Mexico, and Peru, as well as with Bolivian state initiatives and nation-building projects. By elucidating these connections through an examination of La Paz city's musical scene from the 1920s to 1960s, this book not only sheds light on the rise of a prominent manifestation of Bolivian national culture, but also also offers the first detailed historical study of the Bolivian folkloric music movement that documents how it developed in dialogue with Bolivian state projects and transnational artistic trends in this period"--
    Note: Includes bibliographical references and index
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  • 13
    ISBN: 9780190077518
    Language: English
    Pages: x, 349 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Howard, Keith, 1956- Songs for "great leaders"
    DDC: 780.95193
    RVK:
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    Keywords: Music History and criticism ; Music Political aspects ; Music and state ; Dance History ; Nordkorea ; Musik ; Propaganda ; Politisches Lied ; Lied
    Abstract: Songs for the Great Leader -- Instruments of the People -- Pulling at Harp Strings -- Opera for the Revolution -- Contextualizing Revolutionary Operas -- What Revolutionary Operas Do -- From Spectacles to Dance -- Composing the Nation -- Songs for New Leaders.
    Abstract: "North Korea is often said to be unknown: a reclusive and secretive state. It behaves as if the whole country is a theatre that projects itself through performance. Song, together with other music and dance production, forms the soundtrack to the theater of daily life, embedding messages that tell the official history, the exploits of leaders, and the socialist utopia yet-to-come. Songs form the foundation stones of revolutionary operas, of instrumental and orchestral tone poems, and are rearranged in countless versions for use by children in kindergartens, for 50,000 young people who dance annually in celebration of the Eternal President's birthday, and for the 100,000 participants of mass spectacles such as the Arirang Festival. North Koreans are reminded daily on state-controlled television news how their songs are beamed around the world by satellite, and songs are today routinely uploaded to YouTube and Youku. This is the first book-length account of North Korean music and dance in any language other than Korean. It is based on fieldwork, on interviews, and resources researched in private and public archives and libraries in North Korea, but also in South Korea, China, North America and Europe. It explores revolutionary songs written in the 1940s and pop songs from the 2010s, exploring in a critical but informed way not just songs, but also developments of Korean instruments, the creation of revolutionary operas that embed the state's ideology of juche "self-reliance", mass spectacles, dance and dance notation, and composers and compositions"--
    Note: Includes index
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  • 14
    ISBN: 9780197504642
    Language: English
    Pages: xx, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.89/92405694
    RVK:
    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature ; Israel ; Kunstmusik ; Literatur ; Zionismus ; Juden ; Ethnische Identität ; Geschichte 1950-2000
    Abstract: Introduction. Stains? -- Non-Biblical Tonalities -- Biblocentrism in Modern Hebrew Culture and its Operatic Undoing -- Horizontal Realizations : The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s -- Broken Hebrewist Vessels -- Compositional Solutions (in the double sense of the word)
    Abstract: "Theological Stains traces the growth of art music in Israel from the mid twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers grappling with biblical redemptive promises and diasporic patrimonies. Unveiling the network that bred territorial nationalism and Hebrew culture, Shelleg shows how this mechanism infiltrated composers' work as much as it triggered less desirable responses from composers who sought to realize to the non-territorial Diasporic options Zionism has renounced. In the process compositional aesthetics gets stained by the state's nationalization of the theological, by diasporism that refuses redemption, and by Jewish musical traditions that permeated inaudibly to compositions written throughout the second half of the twentieth century. Accompanying this rich and dramatic story are equivalent developments in modern Hebrew literature and poetry alongside vast and previously unstudied archival sources. The book is also lavishly illuminated with 135 music examples that render it an incisive guide to fundamental chapters in modern and late modern art music"--
    Note: Includes bibliographical references and index
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  • 15
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190224226
    Language: English
    Pages: 1 Online-Ressource (xvii, 614 Seiten) , Illustrationen
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of the operatic canon
    DDC: 782.1
    RVK:
    Keywords: Opera ; Opera ; Oper ; Kanon ; Geschichte 1740-2020
    Abstract: This collection examines the phenomenon of the operatic canon: its formation, history, current ontology and practical influence, and future. It does so by taking an international and interdisciplinary view: the workshops from which it was derived included the participation of critics, producers, artistic directors, stage directors, opera company CEOs, and even economists, from the United Kingdom, the United States, France, Italy, Ireland, Germany, the Netherlands, Denmark, and Canada. The volume is structured as a series of dialogues: each subtopic is addressed by two essays, introduced jointly by the authors, and followed by a jointly compiled list of further reading.
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  • 16
    ISBN: 9780190660802
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of social media and music learning
    DDC: 780.71
    RVK:
    Keywords: Music Instruction and study ; Technological innovations ; Music Instruction and study ; Social aspects ; Social media in education ; Music ; Instruction and study ; Technological innovations ; Music ; Instruction and study ; Social aspects ; Social media in education ; Musikerziehung ; Social Media
    Abstract: The rapid pace of technological change over the last decade, particularly the rise of social media, has deeply affected the ways in which we interact as individuals, in groups, and among institutions to the point that it is difficult to grasp what it would be like to lose access to this everyday aspect of modern life. This handbook investigates the ways in which social media is now firmly engrained in all aspects of music education, providing fascinating insights into the ways in which social media, musical participation, and musical learning are increasingly entwined.
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  • 17
    ISBN: 9780199398409
    Language: English
    Pages: Online-Ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of history and material culture
    DDC: 907.2
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    Keywords: History Research ; Material culture ; History ; Research ; Material culture ; Aufsatzsammlung ; Kunst ; Sachkultur ; Geschichte
    Abstract: Most historians rely principally on written sources. Yet there are other traces of the past available to historians: the material things that people have chosen, made, and used. This book examines how material culture can enhance historians' understanding of the past, both worldwide and across time. The successful use of material culture in history depends on treating material things of many kinds not as illustrations, but as primary evidence. Each kind of material thing requires the application of interpretive skills appropriate to it. These skills overlap with those acquired by scholars in disciplines that may abut history but are often relatively unfamiliar to historians, including anthropology, archaeology, and art history. Historians can adapt and apply the same skills they honed while studying more traditional text-based sources even as they borrow methods from these fields.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 28, 2020)
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  • 18
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190948306
    Language: English
    Pages: 1 online resource (304 pages) , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 791.436
    RVK:
    Keywords: Jazz films History and criticism ; Jazz musicians in motion pictures ; Jazz ; Jazzmusiker ; Film
    Abstract: Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years-from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 30, 2020)
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  • 19
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190658472
    Language: English
    Pages: 1 Online-Ressource (xvii, 825 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and medievalism
    DDC: 781.59
    RVK:
    Keywords: Medievalism ; Music History and criticism ; Music Medieval influences ; Medievalism ; Music ; History and criticism ; Music ; Medieval influences ; Aufsatzsammlung ; Musik ; Mittelalter ; Rezeption ; Geschichte 1800-2020
    Abstract: The Oxford Handbook of Music and Medievalism brings together international scholars from a wide range of disciplines to provide a snapshot of the diverse ways in which medievalism-the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages-powerfully transforms many of the varied musical traditions of the last two centuries.
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  • 20
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190091002
    Language: English
    Pages: 1 online resource (288 pages).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Chia, Jack Meng-Tat Monks in motion
    DDC: 294.309512
    RVK:
    Keywords: Buddhism History 20th century ; Buddhism History 20th century ; Buddhist monks History 20th century ; Buddhist monks Travel 20th century ; History ; Buddhism and culture History 20th century ; Buddhist modernism History 20th century ; Chinese Religion 20th century ; South China Sea Region Religion 20th century ; Jinarakkhita, Ashin 1923-2002 ; Buddhist ; Buddhismus ; Südostasien ; Südchinesisches Meer
    Abstract: Chinese Buddhists have never remained stationary. They have always been on the move. Why did Buddhist monks migrate from China to Southeast Asia? How did they participate in transregional Buddhist networks across the South China Sea? In Monks in Motion, Jack Meng-Tat Chia tells a story of monastic connectivity across the South China Sea during the twentieth century. Following in the footsteps of three prominent monks-Chuk Mor (1913-2002), Yen Pei (1917-1996), and Ashin Jinarakkhita (1923-2002)-Chia explores the connected history of Buddhist communities in China and maritime Southeast Asia.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on August 17, 2020)
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  • 21
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190886912
    Language: English
    Pages: xi, 381 Seiten , Notenbeispiele
    Edition: 20th anniversary edition
    Parallel Title: Erscheint auch als
    DDC: 781.22
    RVK:
    RVK:
    Note: Literaturverzeichnis: Seite 375-377
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  • 22
    ISBN: 9780190056650
    Language: English
    Pages: viii, 201 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    Keywords: Popular music History and criticism 2001-2010 ; Popular music History and criticism 2011-2020 ; Popular music Analysis, appreciation
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  • 23
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190846121
    Language: English
    Pages: 471 Seiten
    RVK:
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  • 24
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197562246
    Language: English
    Pages: 1 Online-Ressource (xiv, 376 pages) , Illustrations.
    Series Statement: Oxford scholarship online
    RVK:
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    Keywords: Geschichte 1800-2005 ; Stadt ; Zerstörung ; Wiederaufbau ; Urban renewal History ; Disasters History ; Emergency management History ; Aufsatzsammlung
    Abstract: For as long as they have existed, cities have been destroyed - sacked, shaken, burnt, bombed, flooded, starved, irradiated and pillaged. In almost every case, they have risen again. Rarely in modern times has a city not been rebuilt following destruction, be it natural or man-made. 'The Resilient City' explores urban disasters from around the globe and the ongoing restoration of urban life.
    Note: Previously issued in print: 2005 , Includes bibliographical references
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  • 25
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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  • 26
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190054588
    Language: English
    Pages: xi, 249 Seiten
    Parallel Title: Erscheint auch als Somin, Ilya Free to move
    Parallel Title: Erscheint auch als Somin, Ilya Free to move
    DDC: 323.44
    RVK:
    Keywords: Freedom of movement Political aspects ; Freedom of movement (International law) Political aspects ; Political participation ; Immigrants Political activity ; Freizügigkeit ; Politische Beteiligung ; Geschichte
    Abstract: How foot voting outperforms ballot box voting -- Foot voting and federalism -- Foot voting and international migration -- Foot voting in the private sector -- Foot voting and self-determination -- Problems and keyhole solutions -- The foot voting constitution -- Implications for international law and global governance -- Conclusion : prospects for a foot voting future.
    Abstract: "Ballot box voting is often considered the essence of political freedom. But it has two major shortcomings: individual voters have only a tiny chance of making a difference, and they also have strong incentives to remain ignorant about the issues at stake. "Voting with your feet" is far superior on both counts. In Free to Move, Ilya Somin explains who expanding foot voting opportunities can greatly enhance political freedom for millions of people around the world. That applies to foot voting in federal systems, foot voting in the private sector, and especially foot voting through international migration. These three types of foot voting are rarely considered together. But Somin explains how they have major common virtues, and can be mutually reinforcing. Free to Move addresses a variety of objections to expanded migration rights, including claims that the "self-determination" of natives requires giving the power to exclude migrants, and arguments that migration is likely to have harmful side effects, such as undermining political institutions, overburdening the welfare state, increasing crime and terrorism, and spreading undesirable cultural values. While these objections are usually directed at international migration, Somin shows how a consistent commitment to such theories would also justify severe restrictions on internal freedom of movement. That implication is yet another reason to be skeptical of such arguments. The book also shows how both domestic constitutional systems and international law can be structured to increase opportunities for foot voting, while mitigating potential downsides of freedom of movement."--
    Note: "A Cato Institute Book" , Includes bibliographical references and index
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  • 27
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197512289
    Language: English
    Pages: xvi, 317 Seiten , Karten
    Parallel Title: Erscheint auch als Yavuz, M. Hakan Nostalgia for the empire
    DDC: 956.1015
    RVK:
    Keywords: Turkish literature History and criticism ; Collective memory ; Nostalgia ; Group identity ; Turkey History Ottoman Empire, 1288-1918 ; Historiography ; Turkey History Ottoman Empire, 1288-1918 ; Historiography ; Osmanisches Reich ; Türkei ; Geschichte ; Geschichtsschreibung ; Türkisch ; Literatur ; Kollektives Gedächtnis ; Nostalgie ; Gruppenidentität ; Soziale Identität
    Abstract: "This book examines the social and political origins of beleaguered and wistful expressions of nostalgia about the Ottoman Empire for various groups in the region. Rather than focus on how Ottomanism evolved, the book examines how social and political memories of the Ottoman past have been transformed in Turkish society along with reactions from the outside world. This Ottoman past, as remembered now, is grounded in contemporary conservative Islamic values. Thus, the connection between memories of the Ottoman past and these values defines Turkey's new identity. This new expression of memory portrays Turkey as a victim of the major powers, justifying its position against its imagined internal and external enemies. This book explores why Turkish society has selectively brought the Ottoman Empire back into the public mindset and for what purpose. The book traces how memory of the Ottoman period has changed in Turkish literature, mainstream history books and other cultural products from the 1940s to the 21st century. A key aspect of Turkish literature is its criticism of the Jacobin modernization of Turkey matched by its return to the Ottoman past to articulate an alternative political language. This book responds to several interrelated questions: What is neo-Ottomanism, in general, and what is the significance of various terms using Ottoman as a variant and for what purpose do they serve? Who constructed the term and for what purpose? What are the social and political origins of the current nostalgia for the Ottoman past?"--
    Note: Literaturverzeichnis: Seite 293-309
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  • 28
    ISBN: 9780190052218 , 9780190052201
    Language: English
    Pages: ix, 199 Seiten , Illustrationen
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als Malawey, Victoria, 1977- A blaze of light in every word
    DDC: 782.42/164143
    RVK:
    RVK:
    Keywords: Popular music Analysis, appreciation ; Singing ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Abstract: Introduction. Why Voice? Why Voice Analysis? -- Pitch -- Prosody -- Quality -- The Area in Between : Mediation with Technology -- Synthesis, or Why Covers of Elliott Smith Songs Don't Work.
    Abstract: "Singing Voice presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners' perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multi-dimensionality of singing voices"--
    Note: Includes bibliographical references and index
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  • 29
    ISBN: 9780190083946 , 9780190083953
    Language: English
    Pages: viii, 254 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Whitmore, Aleysia World music and the Black Atlantic
    DDC: 782.4216/3097291
    RVK:
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    Keywords: AfroCubism ; Orchestra Baobab ; Geschichte ; Weltmusik ; Globalisierung ; Afrokubanische Musik ; Orchestra Baobab ; AfroCubism (Musical group) ; Music and globalization ; World music / History and criticism ; Popular music / Africa / Cuban influences ; AfroCubism ; Orchestra Baobab ; Afrokubanische Musik ; Weltmusik ; Globalisierung ; Geschichte
    Abstract: ""In the mid-20th century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. This book offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange. ""--
    Note: Includes bibliographical references and index
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  • 30
    ISBN: 9780190086725 , 9780190086718
    Language: English
    Pages: xiii, 310 Seiten , Illustrationen , 24 cm
    DDC: 294.53509542
    RVK:
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    Keywords: Kult ; Govardhana ; Hinduism / India / Mathura (District) / Customs and practices ; Worship (Hinduism) ; Anthropomorphism ; Mathura (India : District) / Religious life and customs ; Girirāja (India) ; Govardhana ; Kult
    Note: Includes bibliographical references
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  • 31
    ISBN: 9780190928056 , 9780190928063
    Language: English
    Pages: xix, 441 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Dirksen, Rebecca After the dance, the drum is heavy
    DDC: 306.4/8424097294
    RVK:
    Keywords: Music Political aspects ; Carnival ; Haiti ; Musizieren ; Karneval
    Abstract: Sounding Carnival -- Mixed Modes and Performance Codes of Political Demonstrations and Carnival -- Wyclef's Score: Popular Motion, Emotion, and Commotion -- Sweet Micky's Allure : Vagabonds, Vulgarities, and Street Politics -- The Konpa President's Government on Parade -- Ti Lili and Nèg Bannann nan (the Banana Man) -- The Population's Bacchanalia -- Response from the Roots: Still Not Afraid -- Re-Sounding Mizik Angaje.
    Abstract: "Haitian carnival offers a lens into popular power and politics. Political demonstrations in Haiti often manifest as musical performances. Studying carnival and political protest side by side brings insight to the musical engagement that ordinary citizens and celebrity musicians often cultivate and revere in contemporary Haiti. This book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation's highest office while methodically crafting a political product inherently entangled with his musical product. It offers deep historical perspective on the characteristics of carnivalesque verbal play-and the performative skillset of the artist (Sweet Micky) who dominated carnival for more than a decade-including vulgarities and polemics. It moreover demonstrates that the practice of leveraging the carnivalesque for expedient political function has precedence in Haiti's history. Yet there has been profound resistance to this brand of politics led by many other high-profile artists, including Matyas and Jòj, Brothers Posse, Boukman Eksperyans, and RAM. These groups have each released popular carnival songs that have contributed to the public's discussions on what civic participation and citizenship in Haiti can and should be. Author Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population in the face of challenging political and economic circumstances. After the Dance, the Drums Are Heavy centers the voices of Haitian musicians and regular citizens by extensively sharing interviews and detailed analyses of musical performance in the context of contemporary events well beyond the musical realm"--
    Note: Includes bibliographical references and index
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  • 32
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190461652
    Language: English
    Series Statement: Readers on American musicians series
    Parallel Title: Erscheint auch als The Mahalia Jackson reader
    DDC: 782.25/4092
    RVK:
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    Keywords: Jackson, Mahalia ; African American gospel singers Biography ; Gospel singers Biography ; African Americans Music ; History and criticism ; Gospel music History and criticism
    Abstract: ""African American gospel singer Mahalia Jackson was just sixty years old when her heart finally gave out on January 27, 1972, as she lay alone in her sick bed at Little Company of Mary Hospital just south of Chicago. Obituaries faithfully recounted the best-known story lines of her unlikely career: how the power of her voice was rooted in her devout Baptist upbringing; her birth in 1911 and rise from dire poverty in Uptown New Orleans to international celebrity; a dedication to the black freedom struggle that further elevated her to the status of cultural and political symbol. Together, Jackson's voice, faith, prestige, and activism, made her at the time of her death, in the assessment of her friend Harry Belafonte, "the single most powerful black woman in the United States." Yet her reputation is also complex. Invoking the charisma of Martin and Malcolm, the persuasion of statesmen and despots, and the splendor of divas and diadems, Maceo Bowie's letter to the editor of the Chicago Defender seems to both celebrate and grapple with the substance of Jackson dynamism as a gospel singer and her consequence as an illustrious black public figure. In an editorial in the Defender following Jackson's death, E. Duke McNeil acknowledged Jackson's habitual acclaim as the "Queen of the gospel singers," while also observing: "You can almost say that Mahalia was the 'greatest' because she was the only gospel singer known everywhere." Indeed, for scholars of black gospel, the music itself is often hidden in plain sight. On the one hand, gospel voices are inescapable, audible not just within the music industry, where they have become a lingua franca for pop singers, but also in recurring representations of the black church, in the omnipresent sound of the black gospel choir, and in the personal histories of many black artists. On the other, in comparison with such genres as jazz, blues, country music, and hip hop, documentation of black gospel music, which has thrived in in-group settings, is relatively scant, leaving researchers with limited sources and largely reliant on oral history. Fortunately, the scope and coverage of Jackson's caereer produced a paper trail that enables us to study her personal and professional life while gaining insight into the black gospel field of which she was such an integral part. In compiling a wide swath of these sources on Jackson, The Mahalia Jackson Reader seeks to paint a fuller and more vivid picture of one of the most resonant musi ...
    Note: Includes bibliographical references and index
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  • 33
    ISBN: 9780190924751
    Language: English
    Pages: xv, 240 Seiten
    Edition: Seventh edition
    Parallel Title: Erscheint auch als
    DDC: 305.8
    RVK:
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    Keywords: Kulturanthropologie ; Ethnologie ; Theorie ; Bibliografie ; Lehrbuch
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  • 34
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190052119
    Language: English
    Pages: 1 Online-Ressource (252 pages).
    Series Statement: Oxford scholarship online
    DDC: 793.01
    RVK:
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    Keywords: Spiel
    Abstract: Games are a unique art form. Game designers don't just create a world; they create who you will be in that world. They tell you what abilities to use and what goals to take on. In other words, games work in the medium of agency. This book explores what games have to teach us about our own rationality and agency. We have the capacity for a peculiar sort of motivational inversion. For some of us, winning is not the point. We take on an interest in winning temporarily, so that we can play the game. Thus, we are capable of taking on temporary and disposable ends. At the center of this book is a view about games as communicative artifacts. Games are a way of recording forms of agency; they are a library of agencies. And exploring that library can help us develop our own agency and autonomy.
    Note: Includes bibliographical references and index
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  • 35
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197510483
    Language: English
    Pages: 1 Online-Ressource XI, 272 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190923419
    Language: English
    Pages: 1 Online-Ressource (372 pages).
    Series Statement: Oxford scholarship online
    DDC: 788.73165092
    RVK:
    Keywords: Parker, Charlie Criticism and interpretation ; Parker, Charlie ; Jazz ; Komposition ; Jazz History and criticism 1941-1950 ; Jazz History and criticism 1951-1960
    Abstract: Charlie Parker, Composer is the first assessment of a major jazz composer's oeuvre in its entirety. Providing analytical discussion of each of Parker's works, this study combines music-theoretical, historical, and philosophical perspectives. A variety of analytical techniques are brought to bear on Parker's compositions, including application of a revised Schenkerian approach to the music that was developed through the author's prior publications. After a review of Parker's life emphasizing his musical training and involvement in composition, the book proceeds by considering the types of Parker pieces as categorized by overall form and harmony and the amount of preplanned music they contain.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 37
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197562710
    Language: English
    Pages: 1 Online-Ressource (xv, 294 pages) , Illustrations (black and white), maps (black and white).
    Series Statement: Oxford scholarship online
    DDC: 307.1/4164097471
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    Keywords: Stadtforschung ; Gentrifizierung ; Stadtleben ; City and town life ; Urbanization ; Community development, Urban ; New York, NY
    Abstract: As cities have gentrified, educated urbanites have come to prize what they regard as 'authentic' urban life, but as Sharon Zukin shows in 'Naked City', the rapid and pervasive demand for authenticity has helped drive out the very people who first lent a neighborhood its authentic aura: immigrants, the working class, and artists.
    Note: Previously issued in print: 2010 , Includes bibliographical references and index
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  • 38
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197506561
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations.
    Edition: 20th anniversary edition.
    Series Statement: Oxford scholarship online
    DDC: 781.22
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    Keywords: Musical meter and rhythm ; Music Philosophy and aesthetics ; Time in music
    Abstract: Rhythm is often regarded as one of the most problematic and least understood aspects of music. Restricted to those attributes that are susceptible to calibration and measurement, rhythm is usually identified with meter, durational pattern, or durational proportion. But how shall one account for those attributes of rhythm that point to the particularity and spontaneity of aesthetic experience as it is happening? Drawing on insights from the modern "process" philosophy of Henri Bergson, William James, and A. N. Whitehead, this book releases meter from its mechanistic connotations and recognizes it as a concrete, visceral agent of musical expression. It reinterprets oppositions of law and freedom, structure and process, determinacy and indeterminacy to form a theory that engages diverse repertories and aesthetic issues. Ultimately, this revised 20th anniversary edition of Christopher Hasty's Meter as Rhythm facilitates the work's current contexts of application.
    Note: Includes bibliographical references and index
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  • 39
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190882075
    Language: English
    Pages: 1 Online-Ressource (560 pages) , Illustrations.
    Series Statement: Oxford cultural biographies
    Series Statement: Oxford scholarship online
    DDC: 782.42164092
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    Keywords: Cole, Nat King ; Cole, Nat King ; Singers Biography ; Pianists Biography ; Jazz musicians Biography
    Abstract: This book offers an interpretation of the two fragmentary texts of the P. Vindobonensis G 40822, now widely referred to as the Muziris papyrus. Without these two texts, there would be no knowledge of the Indo-Roman trade practices. The book also compares and contrasts the texts of the Muziris papyrus with other documents pertinent to Indo-Mediterranean (or Indo-European) trade in ancient, medieval, and early modern times. These other documents reveal the commercial and political geography of ancient South India; the sailing schedule and the size of the ships plying the South India sea route; the commodities exchanged in the South Indian emporia; and the taxes imposed on the Indian commodities en route from the Red Sea to the Mediterranean.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 40
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197561287
    Language: English
    Pages: 1 Online-Ressource (xiv, 226 pages) , Illustrations.
    Series Statement: Oxford scholarship online
    DDC: 304.6
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    Keywords: Bevölkerungswachstum ; Wirtschaftspolitik ; Family demography ; Family size Economic aspects ; Population Economic aspects
    Abstract: 'Population Dynamics' fills the gap between the classical supply-side theory of Malthus and the modern demand-side theory of economic demography. Specifically, it investigates the dynamic macroeconomic implications of various static microeconomic-family economic decisions. It is within this framework that Professor Chu studies the income distribution, the attitude composition, the job structure, and the savings (including pensions) of the population.
    Note: Previously issued in print: 1998 , Includes bibliographical references and indexes
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  • 41
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xiii, 212 Seiten , Illustrationen, Portraits (schwarz-weiß)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Rap (Music) / Political aspects / Great Britain / History / 21st century ; Rap (Music) / Great Britain / History and criticism
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"
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  • 42
    ISBN: 9780190854959 , 9780190854973
    Language: English
    Pages: xxii, 473 Seiten , Illustrationen
    Edition: Fifth edition
    DDC: 305.8
    RVK:
    Keywords: Multiculturalism ; Multiculturalism Psychological aspects ; Multicultural education ; Mental health education ; Ethnopsychology
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  • 43
    ISBN: 9780190925239
    Language: English
    Pages: xvii, 542 Seiten , Illustrationen
    Edition: Second Edition
    DDC: 305.8
    RVK:
    Keywords: Ethnology
    Note: First edition: 2017
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  • 44
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190923389
    Language: English
    Pages: xxvii, 338 Seiten , Illustrationen, Notenbeispiele
    DDC: 788.73165092
    RVK:
    Keywords: Parker, Charlie ; Jazz ; Komposition
    Note: Bibliography Seite 317-323 , Discography Seite 324
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  • 45
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190621476 , 9780190621469
    Language: English
    Pages: x, 253 Seiten , Illustrationen , 24 cm
    DDC: 783
    RVK:
    Keywords: Singing ; Voice culture ; Identity (Psychology) ; Music and identity politics
    Note: Literaturangaben: Seite 217-237
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  • 46
    ISBN: 9780190877538
    Language: English
    Pages: xvii, 204 Seiten , Illustrationen
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Herrera, Eduardo, 1977 - Elite art worlds
    DDC: 780.98/0904
    RVK:
    Keywords: Centro Latinoamericano de Altos Estudios Musicales (Instituto Torcuato Di Tella) ; Avant-garde (Music) History 20th century ; Music and diplomacy History 20th century ; Argentinien ; Experimentelle Musik ; Centro Latinoamericano de Altos Estudios Musicales
    Abstract: Introduction. Elite Art Worlds -- CLAEM : 1962- -- John Harrison, Alberto Ginastera, and the Creation of CLAEM -- The Rockefeller Foundation and Latin American Music in the 1950s and 1960s -- The Di Tella Family, Art Philanthropy, and the Legitimation of Elite Status -- Embodied Avant-garde(s) : A Way of Being in the World -- From Musical Pan Americanism to Latin Americanism -- The Closing and Lasting Impact of CLAEM.
    Abstract: "Between 1962 and 1971, the Centro Latinoamericano de Altos Estudios Musicales (CLAEM) of the Di Tella Institute in Buenos Aires became the central hub of Latin American avant-garde music. With the support of the Rockefeller Foundation and the wealthy Di Tella family, CLAEM offered two-year fellowships to some of the most recognized young composers of the region to undertake graduate studies in a unique privileged setting under the direction of Alberto Ginastera and with permanent and visiting faculty that included Gerardo Gandini, Francisco Kröpfl, Mario Davidovsky, Iannis Xenakis, Luigi Nono, Aaron Copland, Luigi Dallapiccola, Bruno Maderna, Riccardo Malipiero, Olivier Messiaen, Roger Sessions, and Earle Brown. In Elite Art Worlds, author Eduardo Herrera combines oral histories, ethnographic research, and archival sources to reveal CLAEM as a meeting point of US and Argentine philanthropy, local experiences in transnational currents of artistic experimentation and innovation, and regional discourses of musical Latin Americanism. The story of CLAEM shows how musical avant-gardes were articulated, embodied, resignified, and institutionalized in Latin America, how composers during the 1960s engaged with discourses of Latin Americanism as professional strategy, identification marker, and musical style, and sheds light into the role of art in the legitimation and construction of elite status and identity. By looking at CLAEM as both an artistic and a philanthropic project, Herrera illuminates the relationships between foreign policy, corporate interests, and funding for the arts concerning Latin America and the U.S. in the mid-twentieth century"--
    Note: Includes index
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  • 47
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190088897
    Language: English
    Pages: xii, 277 Seiten , Illustrationen
    Series Statement: AAR religion, culture, and history
    DDC: 954.87
    RVK:
    Keywords: Tipu Sultan ; Krishnarāja Wodeyar ; Hinduismus ; König ; Islam ; Politischer Wandel ; Religion ; Herrschaft ; Indien ; Fürstentum Mysore ; Britisch-Indien
    Note: Enthält Literaturverzeichnis (Seiten [249] - 264) und Index
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  • 48
    ISBN: 0190930721 , 9780190930721
    Language: English
    Pages: 248 Seiten , Illustrationen, Karten, Diagramme
    Parallel Title: Erscheint auch als Scott, Gregory Adam, - 1979- Building the Buddhist revival
    DDC: 726.78430951
    RVK:
    Keywords: Buddhism ; Buddhist monasteries ; China ; Church buildings ; Reconstruction ; China ; Buddhism ; Social aspects ; China ; China Religion ; China ; Buddhismus ; Revival
    Note: Inklusive Literaturangaben und Index
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  • 49
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190620134
    Language: English
    Pages: 397 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Cheng, William, 1985 - Loving music till it hurts
    DDC: 781.1/1
    RVK:
    Keywords: Music Social aspects ; Music Moral and ethical aspects ; Musikleben ; Moral ; Ethik
    Note: Includes bibliographical references and index
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