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  • English  (4)
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  • 1
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496805843
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.00973
    RVK:
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    Keywords: Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; Yodeling History ; Popular music History and criticism ; USA
    Abstract: Considering yodeling as a musical device in American music, this text investigates in parallel two ways of understanding various meanings associated with yodeling: as the connotative functions of yodeling within specific musical texts and as the ideological implications of its use. It aims to provoke a reflection on the concept of singing and received cultural ideas associated with it. Starting with the premise that music is a discursive practice that is itself inseparable from a critical verbal discourse about music, the work interrogates the relationship between yodeling and predominating musical orthodoxy. Through a critical examination of that relationship, the book explores numerous examples of yodeling in American music, questioning why it achieved prominence and status in some genres and not in others and attempting to account for the relatively low prestige accorded to music featuring yodeling.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    ISBN: 9780197266564
    Language: English
    Pages: xvi, 408 Seiten
    Edition: First edition
    Series Statement: Proceedings of the British Academy 223
    DDC: 781
    RVK:
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    Keywords: Geschichte ; Musik ; Kulturaustausch ; Westliche Welt ; Seidenstraße ; Orient ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift
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  • 3
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 0195156072 , 0195304497 , 128050241X , 1423746708 , 1602568855 , 9780195304497 , 9781280502415 , 9781423746706 , 9781602568853
    Language: English
    Pages: 1 Online-Ressource (xxiv, 632 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65
    RVK:
    Keywords: Geschichte 1990-2003 ; Jazz / Histoire et critique ; Arts du spectacle ; MUSIC / Genres & Styles / Jazz ; Jazz ; Performing arts ; Jazz History and criticism ; Performing arts ; Jazz ; Jazz ; Geschichte 1990-2003
    Note: Includes index , The beige decade : jazz criticism, 1990-2000 -- Meantime : miscellaneous criticism, 1990-2003 -- The second century : jazz criticism, 2001-2003 , The book covers the criticism of jazz critic Gary Giddins from 1990 to 2003. It includes a group of major pieces on such jazz players as Louis Armstrong, Billie Holiday, Duke Ellington, Benny Carter, Mildred Bailey, Sonny Rollins and the Modern Jazz Quartet
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  • 4
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 0195348257 , 1602568332 , 9780195348255 , 9781602568334
    Language: English
    Pages: 1 Online-Ressource (312 pages)
    Parallel Title: Erscheint auch als
    DDC: 781.64/0973
    RVK:
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    Keywords: Geschichte ; Musique populaire / États-Unis / Histoire et critique ; Jazz / États-Unis / Histoire et critique ; MUSIC / Genres & Styles / Pop Vocal ; Jazz ; Popular music ; Popular music History and criticism ; Jazz History and criticism ; Unterhaltungsmusik ; USA ; USA ; USA ; Unterhaltungsmusik ; Geschichte
    Note: Avatars -- The postwar jazz era -- Rebirth of the blues -- In the garage -- Possible futures , What do Louis Armstrong, Ray Charles, Bob Dylan, Willie Nelson, Tom Waits, Cassandra Wilson, and Ani DiFranco have in common? In Highway 61 Revisited, acclaimed music critic Gene Santoro says the answer is jazz-not just the musical style, but jazz's distinctive ambiance and attitudes. As legendary bebop rebel Charlie Parker once put it, "If you don't live it, it won't come out of your horn." Unwinding that Zen-like statement, Santoro traces how jazz's existential art has infused outstanding musicians in nearly every wing of American popular music-blues, folk, gospel, psychedelic rock, country
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