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  • English  (291)
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  • 2010-2014  (290)
  • 1945-1949  (1)
  • USA  (241)
  • Electronic books  (56)
  • Musicology  (291)
Material
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  • 1
    Book
    Book
    Charleston, SC : History Press
    ISBN: 1626192391 , 9781626192393
    Language: English
    Pages: 158 S. , zahlr. Ill , 23 cm
    DDC: 780.2
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    Keywords: Muscle Shoals Sound Studio ; FAME Recording Studios ; Muscle Shoals Swampers ; Geschichte ; Geschichte 1969-2013 ; Tonstudio ; Musikgruppe ; USA
    Note: The sound of Muscle Shoals -- Becoming famous -- The Swampers -- The singing river -- A slow start -- The Rolling Stones -- Time to kill -- Lynyrd Skynyrd -- The Staple Singers -- Where black and white meet -- The hit parade -- Continued success -- Alabama Avenue -- Noel Webster -- The Black Keys -- A memorial to music -- Documenting the sound -- Marching to a new beat -- Onward
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  • 2
    ISBN: 9781626197404
    Language: English
    Pages: 175 pages , Illustrationen
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    Keywords: Small, Drink ; Geschichte 1933- ; Bluesmusiker ; USA ; Biografie
    Note: Includes bibliographical references (pages 167-169) , discography (pages 135-138) , and index
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  • 3
    ISBN: 9780810883505
    Language: English
    Pages: VIII, 848 S. , zahlr. Ill.
    Edition: 2. ed.
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    Keywords: Schwarze ; Musical ; Afroamerikanische Musik ; USA
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  • 4
    Book
    Book
    New York [u.a.] : Simon & Schuster
    ISBN: 9781451626926
    Language: English
    Pages: 241 S.
    DDC: 782.421640922
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    Keywords: Dylan, Bob ; Rezeption ; USA
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  • 5
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780199366491 , 0199366489 , 9780199366484
    Language: English
    Pages: x, 220 Seiten , Illustrationen
    Series Statement: The Oxford music/media series
    DDC: 791.436578
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    Keywords: Geschichte 1923-1936 ; Filmmusik ; Oper ; Jazz ; USA
    Note: Bibliography Seite 183-197 , Filmography Seite 199-202
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  • 6
    Online Resource
    Online Resource
    Baltimore : Johns Hopkins University Press
    ISBN: 9781421413921 , 1421413922 , 9781421413938 (Sekundärausgabe) , 1421413930 (Sekundärausgabe)
    Language: English
    Edition: Online-Ausg. Online-Ressource UPCC book collections on Project MUSE ISBN 9781421413938
    Edition: ISBN 1421413930
    Edition: [Online-Ausg.]
    DDC: 306.4/8426
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    Keywords: Rockmusiker ; Ruhm ; USA
    Note: Online-Ausg.:
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  • 7
    ISBN: 9780252096426 , 0252096428
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Music in American life
    Series Statement: UPCC book collections on Project MUSE
    DDC: 781.62/13009045
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    Keywords: Geschichte 1950-1960 ; Folk music ; Folk music History and criticism ; Folk music History and criticism ; USA ; Großbritannien
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  • 8
    ISBN: 0810888343 , 9780810888340
    Language: English
    Pages: XVIII, 271 Seiten , Illustrationen
    DDC: 786.9/16409252
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    Keywords: Schlagzeugerin ; USA
    Note: Literaturverzeichnis Seite 240-250
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  • 9
    Online Resource
    Online Resource
    Urbana, IL : University of Illinois Press
    ISBN: 9780252080333 , 9780252096723 (Sekundärausgabe) , 025209672X (Sekundärausgabe)
    Language: English
    Edition: Online-Ausg. Online-Ressource UPCC book collections on Project MUSE ISBN 9780252096723
    Edition: ISBN 025209672X
    Edition: [Online-Ausg.]
    Series Statement: Music in american life
    DDC: 781.6420922
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    Keywords: Stanley Brothers ; Geschichte 1947-1966 ; Duo ; Countrymusic ; Tonträger ; USA ; Biographie ; Verzeichnis
    Note: Online-Ausg.:
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  • 10
    Online Resource
    Online Resource
    Philadelphia : Temple University Press
    ISBN: 9781439911297
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
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    Keywords: Wilder, Joe ; Geschichte 1922-2004 ; Jazzmusiker ; Trompeter ; USA ; Biografie ; Diskografie ; Wilder, Joe 1922-2014 ; USA ; Jazzmusiker ; Trompeter ; Geschichte 1922-2004
    Note: Trumpeter Joe Wilder is distinguished for his achievements in both the jazz and classical worlds. He was a founding member of the Symphony of the New World, where he played first trumpet, and he performed as lead trumpet and soloist with Lionel Hampton, Jimmy Lunceford, Dizzy Gillespie, and Count Basie. Yet Wilder is also known as a pioneer who broke down racial barriers, the first African American to hold a principal chair in a Broadway show orchestra, and one of the first African Americans to join a network studio orchestra. In Softly, with Feeling, Edward Berger tells Wilder's remarkable story from his youth in working-class Philadelphia and his apprenticeship in the big bands, to his experience as one of the first 1,000 black Marines during World War II, and his achievements in the worlds of jazz, classical, and popular music. Reminiscences by Wilder and his colleagues, including renowned Philadelphia-area musicians Jimmy Heath and Buddy DeFranco help place Wilder's experiences within a broader context of American musical and social history. Wilder's modesty and ability to perform in many musical genres may have prevented him from achieving popular recognition, but in Softly, with Feeling, his legacy and contributions to music and culture are assured. - Edward Berger is a writer/photographer, whose other books include "Benny Carter: A Life in American Music" (with Morroe Berger and James Patrick) and "Bassically Speaking: An Oral History of George Duvivier". He produced two Grammy-winning albums for jazz great Benny Carter, has been a long-time cohost of Jazz from the Archives on WBGO-FM, Newark, and regularly teaches at Jazz at Lincoln Center's Swing University. He retired as Associate Director of the Rutgers Institute of Jazz Studies in 2011, but continues to serve IJS as a consultant.
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  • 11
    ISBN: 9780957260016
    Language: English
    Pages: 187 S. , zahlr. Ill.
    DDC: 781.660922
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    Keywords: Geschichte 1950-1975 ; Jazz ; USA
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  • 12
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 0199794588 , 0199397546 , 9780199794584 , 9780199397549
    Language: English
    Pages: 1 Online-Ressource (xvi, 151 Seiten)
    Series Statement: Very short introductions
    Parallel Title: Erscheint auch als Rice, Timothy, 1945 - Ethnomusicology
    DDC: 780.89
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    Keywords: Ethnomusicology ; MUSIC ; Genres & Styles ; Classical ; MUSIC ; Reference ; Ethnomusicology ; Electronic books ; Einführung ; Musikethnologie
    Abstract: Defining ethnomusicology -- A bit of history -- Conducting research -- The nature of music -- Music and culture -- Individual musicians -- Writing music history -- Ethnomusicology in the modern world -- Ethnomusicologists at work
    Note: Includes bibliographical references and index
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  • 13
    ISBN: 9780199859115 , 0199859116 , 9780199859122 , 0199859124 , 9780199859139 , 0199859132 , 9780199859146 , 0199859140 , 9780199316694 , 0199316694
    Language: English
    Pages: XX, 598 S. , Ill.
    Additional Material: Downloadable audio access code
    Edition: 4. ed.
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    Keywords: Geschichte ; Popular music / United States / History and criticism ; Unterhaltungsmusik ; Popmusik ; Geschichte ; Jazz ; USA ; USA ; USA ; Unterhaltungsmusik ; Geschichte ; USA ; Jazz ; Geschichte ; USA ; Popmusik ; Geschichte ; USA ; Unterhaltungsmusik ; Geschichte ; USA ; Popmusik ; Geschichte
    Note: Themes and streams of American popular music -- "After the ball" : popular music of the nineteenth and early twentieth centuries -- "Catching as the small-pox" : social dance and jazz, 1917-1935 -- "I got rhythm" : the golden age of Tin Pan Alley song, 1920s and 1930s -- "St. Louis blues" : race records and hillbilly music, 1920s and 1930s -- "In the mood" : the swing era, 1935-1945 -- "Choo choo ch' boogie" : the postwar era, 1946-1954 -- "Rock around the clock" : rock 'n' roll, 1954-1959 -- "Good vibrations" : American pop and the British invasion, 1960s -- "Blowin' in the wind" : country, soul, urban folk, and the rise of rock, 1960s -- The 1970s : rock music, disco, and the popular mainstream -- Outsiders' music : progressive country, reggae, salsa, punk, funk, and rap, 1970s -- The 1980s : digital technology, MTV, and the popular mainstream -- "Smells like teen spirit" : hip-hop, "alternative" music, and the entertainment business -- Conclusion
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  • 14
    ISBN: 9780521881197 , 9781139021357
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    DDC: 781.65092
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    Keywords: Ellington, Duke, Criticism and interpretation ; Ellington, Duke ; MUSIC / General ; Jazz musicians Biography ; MUSIC / General ; USA ; Biografie ; Ellington, Duke 1899-1974
    Abstract: "Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in-depth, Ellington's career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellington's life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and song-writing, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composer's life and major recordings, this book is essential reading for anyone with an interest in Ellington's enduring artistic legacy"..
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  • 15
    Book
    Book
    London ; New York :Routledge,
    ISBN: 978-1-4094-6219-4
    Language: English
    Pages: 264 Seiten : , Diagramme, Karten.
    Edition: First issued in paperback
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 363.74/1
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    Keywords: City noise Case studies ; City noise Case studies ; City and town life Case studies ; City and town life Case studies ; Stadt. ; Geräusch. ; Lärm. ; Europa ; USA ; Nordamerika. ; Europa. ; Fallstudiensammlung ; Stadt ; Geräusch ; Lärm
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  • 16
    ISBN: 978-0-399-16387-6
    Language: English
    Pages: XVII, 314 S. , Ill.
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    Keywords: Johns, Glyn / 1942- ; Sound recording executives and producers / United States / Biography ; USA ; Biografie ; Biografie
    Abstract: Born just outside London in 1942, Glyn Johns was 16 years old at the dawn of rock and roll. His big break as a producer came on the Steve Miller Band's debut album, Children of the Future, and he went on to engineer or produce iconic albums for the best in the business: Abbey Road with the Beatles, Led Zeppelin's and the Eagles' debuts, Who's Next by the Who, and many others. Even more impressive, Johns was perhaps the only person on a given day in the studio who was entirely sober, so he is one of the most reliable insiders to tell these stories today. In this entertaining and observant memoir, Johns takes us on a tour of his world during the heady years of the sixties, with beguiling stories that will delight music fans the world over. Johns's career has been long and prolific, and he's still at it--over the last two decades he has worked with Crosby, Stills & Nash; Emmylou Harris; Linda Ronstadt; Band of Horses; and, most recently, Ryan Adams. Sound Man provides a firsthand glimpse into the art of making music and reveals how the industry--like musicians themselves--has changed since those freewheeling first years of rock and roll.--From publisher description
    Note: Includes discography (pages 291-300) and index , Early years -- Jack Good -- Sunday sessions -- First session, 1960 -- Singer-songwriter/freelance producer, early sixties -- Stu '62 -- Norwegian bird -- To continue '62 -- Going freelance -- Andrew Oldham -- Bill Wyman, Spain, 1966 -- Managers in the early sixties -- Chris Blackwell -- Let's spend the night together, 1966 -- Stones European tour, Spring 1967 -- Children of the future, part one, 1968 -- Brian Jones and the Gnawa, 1968 -- California, 1968 -- Sailor, 1968 -- Led Zeppelin, October 1968 -- The Beatles, 1969 -- Children of the future, part two -- Back to The Beatles -- David Anderle, March 1969 -- Mimi, Jan, and Bob, July 1969 -- Sixties sum-up, Howlin' wolf, humble pie, Mad Dogs, Sticky Fingers, "Gimme shelter," and "Sympathy for the devil" -- The Who and Neil Young 1971 -- The Stones at the Marquee club -- Who's next -- Denny Cordell and Leon Russell -- The Eagles 1971 -- Desperado and On the Border, 1973 -- The Small Faces / The Faces, 1965-73 -- Ronnie Wood, Pete & Eric, the "Black box" album, and the last meeting with John, 1971 -- Black and Blue, December 1974 -- February 1975 -- Fairport convention, Keith Moon, Derek Green, AFL, and Joan Armatrading -- Rough Mix and Slowhand, 1976-77 -- White Mansions and The Legend of Jesse James, 1978-79 -- MTV -- The Clash, 1982 -- ARMS, 1983 -- The eighties and nineties -- Frek Walecki -- Ashes and fire -- 2014
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  • 17
    Language: English
    Pages: 426 Seiten , Illustrationen
    Dissertation note: Dissertation Technische Universität Dortmund 2014
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    Keywords: Geschichte 1910-1956 ; Musikleben ; Jazz ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Jazz ; Musikleben ; Geschichte 1910-1956
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  • 18
    Book
    Book
    Chicago ; London : University of Chicago Press
    ISBN: 9780226896182 , 9780226896168
    Language: English
    Pages: 329 S. , Ill.
    Parallel Title: Erscheint auch als Weisbard, Eric Top 40 democracy
    DDC: 780
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    Keywords: Geschichte ; Unterhaltungsmusik ; Zielgruppenprogramm ; Hörfunksender ; Mainstream ; USA ; USA ; Hörfunksender ; Unterhaltungsmusik ; Mainstream ; Zielgruppenprogramm ; Geschichte
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  • 19
    Book
    Book
    Boston, Mass. [u.a.] : Pearson
    ISBN: 978-0-205-95680-7
    Language: English
    Pages: XIV, 538 S. , Ill.
    Edition: 6., rev. ed.
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    Keywords: Geschichte ; Popmusik ; Geschichte ; Rockmusik ; USA ; USA ; Rockmusik ; Popmusik ; Geschichte ; USA ; Rockmusik ; Geschichte ; USA ; Popmusik ; Geschichte
    Note: Literaturverz. S. 491 - 505
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  • 20
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226194370
    Language: English
    Pages: 1 Online-Ressource (329 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Unterhaltungsmusik ; Zielgruppenprogramm ; Mainstream ; Hörfunksender ; USA ; USA ; Hörfunksender ; Unterhaltungsmusik ; Mainstream ; Zielgruppenprogramm ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    Book
    Book
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    ISBN: 9780062071798
    Language: English
    Pages: 255 Seiten , Illustrationen
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    Keywords: Kidjo, Angélique / 1960- ; Kidjo, Angélique ; Geschichte 1960- ; Singers / Benin / Biography ; Afroamerikanische Musik ; Sängerin ; Benin ; USA ; Biografie ; Biografie ; Kidjo, Angélique 1960- ; Benin ; USA ; Sängerin ; Afroamerikanische Musik ; Geschichte 1960-
    Abstract: Grammy Award-winning singer Angelique Kidjo is known for her electrifying voice and fearless advocacy work. In this intimate memoir, she reveals how she escaped Communist Africa to make her dreams a reality, and how she's prompting others all around the world to reach for theirs as well. Born in the West African nation of Benin, Angelique Kidjo grew up surrounded by the rich sounds, rhythms, and storytelling of traditional Beninese culture. When the Communists took over, they silenced her dynamic culture and demanded that she sing in praise of them. In "Spirit Rising: My Life, My Music", Angelique reveals the details of her dangerous escape into France, and how she rose from poverty to become a Grammy Award-winning artist and an international sensation at the top of Billboard's World Albums chart. She also explains why it's important to give back by sharing stories from her work as a UNICEF ambassador and as founder of the Batonga Foundation, which gives African girls access to education. Desmond Tutu has contributed the foreword to this remarkable volume; Alicia Keys has provided an introduction. Her eloquent, inspiring narrative is paired with more than one hundred colorful photographs documenting Angelique's life and experiences, as well as a sampling of recipes that has sustained her on her remarkable odyssey. - Angelique Kidjo is a Grammy Award-winning musician, a UNICEF ambassador, and the founder of the Batonga Foundation, which gives African girls access to education. She has collaborated with artists including Carlos Santana, Peter Gabriel, Alicia Keys, Josh Groban, Branford Marsalis, and Joss Stone, and has been praised by leading political figures such as Bill Clinton, Nelson Mandela, and Desmond Tutu. Rachel Wenrick received an MFA from Columbia University. She lives in Philadelphia and teaches at Drexel University. (Klappentext)
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  • 22
    ISBN: 9781315850573
    Language: English
    Pages: Online-Ressource (xiii, 223 p.) , ill.
    Series Statement: Routledge contemporary Russia and Eastern Europe series 55
    Parallel Title: Erscheint auch als Gololobov, Ivan Valerʹevič, 1975 - Punk in Russia
    DDC: 305.2350947
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    Keywords: Youth Russia (Federation) ; Subculture Russia (Federation) ; Punk culture Russia (Federation) ; Electronic books ; Youth ; Subculture ; Punk culture ; Aufsatzsammlung ; Aufsatzsammlung ; Russland ; Punk
    Abstract: 1. Punk, but not as we know it : rethinking punk from a post-socialist perspective / Hilary Pilkington -- 2. The evolution of punk in Russia / Ivan Gololobov and Yngvar B. Steinholt -- 3. St Petersburg : big city : small scenes / Yngvar B. Steinholt, Ivan Gololobov and Hilary Pilkington -- 4. Krasnodar : perpendicular culture in the biggest village on Earth / Ivan Gololobov -- 5. Vorkuta : a live scene in a 'rotting city' / Hilary Pilkington -- 6. Conclusion / Hilary Pilkington, Ivan Gololobov and Yngvar B. Steinholt
    Abstract: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries of the world. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia. It considers the music and lyrics of classic and new punk bands, explores social media underpinning punk scenes, and reports on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Abstract: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia, considering the music and lyrics of classic and new punk bands, exploring social media, and reporting on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Note: Includes bibliographical references and index
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  • 23
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199366514
    Language: English
    Pages: 1 Online-Ressourcece
    DDC: 791.436578
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    Keywords: Geschichte 1923-1936 ; Filmmusik ; Oper ; Jazz ; Motion pictures and opera ; Opera in motion pictures ; Jazz in motion pictures ; Musical films History and criticism ; USA
    Abstract: 'Sounding American' looks at the role played by 1920s musical shorts in crafting studio identity and establishing American film sound. It argues that the persistence of opera and jazz on the soundtrack during and after the conversion produces a fragmentary text and encourages an active spectator.
    Note: Includes bibliographical references and index
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  • 24
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199394319
    Language: English
    Pages: 1 Online-Ressource (231 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 791.45/72
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    Keywords: Austin City Limits Music Festival ; Austin city limits (Television program) ; Austin city limits ; Geschichte 2002- ; Geschichte 1976- ; Country music History and criticism ; Folk music ; Fernsehen ; Musiksendung ; Countrymusic ; Musikfestspiel ; Rockmusik ; USA ; Austin city limits ; Austin City Limits Music Festival Austin, Tex. ; USA ; Fernsehen ; Musiksendung ; Geschichte 1976- ; USA ; Musikfestspiel ; Rockmusik ; Countrymusic ; Folk music ; Geschichte 2002-
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
    ISBN: 9780252080128 , 9780252038518
    Language: English
    Pages: 182 S. , Ill.
    Series Statement: Music in American life
    DDC: 781.6213009045
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    Keywords: Geschichte 1950-1960 ; Folk music ; USA ; Großbritannien
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  • 26
    Online Resource
    Online Resource
    s.l. : transcript Verlag
    ISBN: 1306998301 , 9783839422106 , 9781306998307
    Language: English
    Pages: Online-Ressource
    Series Statement: Kultur- und Medientheorie
    Parallel Title: Print version SABOTAGE! : Pop als dysfunktionale Internationale
    DDC: 900
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    Keywords: Electronic books
    Abstract: Funktionalität wird sabotiert! Dieses Buch untersucht an sieben populär- und popkulturellen Feldern, wie Sabotage entsteht, wie sie sich medial, technisch, gesellschaftlich, kulturell und politisch auswirkt - und wie sie selbst wiederum unterlaufen wird - durch Gegensabotage. Die Beiträge zeigen: Sabotage und Gegensabotage, Dysfunktionalisierung und Refunktionalisierung sind seit dem Entstehen populärer Kulturen im 19. Jahrhundert und von Popkulturen ab Mitte der 1950er Jahre gleichsam Motor und Narkotikum ihrer Formierungen und Fortschreibungen. Der Band unternimmt eine (Medien-)Geschichtssch
    Description / Table of Contents: Cover SABOTAGE! ; Inhalt; REVOLUTION DER GESTÖRTEN; Dies ist eine Störung; REVOLUTION; Mit Pop ist keine Revolution zu machen Zur Dysfunktionalität der Popularisierung von Widerstandskulturen; More Pop Politics! Dysfunktionale Medienästhetik von politischen Videoinhalten auf YouTube; GESTÖRTE; Dreck, Lärm & Gestammel; Jetzt knallts Zur disruptiven Funktion der Knallcharge - einer popkulturellen Randfigur; DIE ABWEICHUNG; Die Medienästhetik der Störung Künstliche Filmalterungsprozesse im digitalen Zeitalter oder: Auf der Suche nach dem „wahren" Kino
    Description / Table of Contents: Abweichung vom Selbst Entwurf eines Gesellschaftsspiels zur Identitätskonstruktion in sozialen NetzwerkenSTÖRENDE UND GESTÖRTE; Widerstand und Geschlecht The Rebel Girl: I Got This Fucking Thorn In My Side; Quellenverzeichnis der Meme; Autorinnen und Autoren
    Note: Description based upon print version of record
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  • 27
    Online Resource
    Online Resource
    s.l. : transcript Verlag
    ISBN: 1322003157 , 9783839415719 , 9781322003153
    Language: English
    Pages: Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung v.37
    Parallel Title: Print version Thema Nr. 1 : Sex und populäre Musik
    DDC: 306.4
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    Keywords: Electronic books
    Abstract: Sex ist Ekstase - und auch Musik kann Ekstase sein. Sex provoziert - und schafft durch Skandale Öffentlichkeit für die Ware Musik. Sex polarisiert - und ist daher Mittel der Distinktion für die Musik von sozialen Gruppen und Generationen. Populäre Musik ist ein Kulturprodukt, das in besonderem Maße jugendliche Lebenswelten repräsentiert. Wie kaum ein anderes Medium gibt sie Aufschluss über männliche und weibliche Identitätsmodelle und damit verbundene Machtstrukturen, über Moralvorstellungen, über intime Wünsche, Sehnsüchte, Hoffnungen und Idealvorstellungen in der Gesellschaft. So umfassend w
    Description / Table of Contents: CoverThema Nr. 1; INHALT; Editorial; Theoret ische Überlegungen und historische Schlagl ichter zum Thema »Erotik und Musik«; I'm bound to check your oil - Sexualisierte Metaphorik im Pre-War-Blues; What is this that stands before me? Männerbilder im Heavy Metal; Gender, Sex und populäre Mus ik. Drei Fallbeispiele; Technikphobie und Sexismus. Eine Interviewstudie zu Erfahrungen weiblicher DJs in Frankfurt am Main; »Je t'aime« und andere Stöhnsongs - über Musik und Erotik; »Make A Sex Noise Here«: Frank Zappa, Sex and Popular Music
    Description / Table of Contents: ». ..the only thing we're straight about is the edge«. Die Diskussion über (Homo-)Sexualität in Straight Edge»Come inna mi ramping shop«. Slackness und Schwulenhass in der jamaikanischen und deutschen Dancehall; Frauenrollen und Popmusik in der arabischen Welt: Von unantastbaren Starsängerinnen, Models in Unterwäsche und selbstbewussten Musikerinnen; Kopulations-Kulissen: Ergebnisse und Forschungsperspektiven einer explorativen Studie zu Selektions- und Nutzungsbedingungen von Popmusik in erotischen und sexuellen Kontexten; Zu den Autoren
    Note: Description based upon print version of record
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  • 28
    Online Resource
    Online Resource
    s.l. : transcript Verlag
    ISBN: 1322003432 , 9783839415764 , 9781322003436
    Language: English
    Pages: Online-Ressource
    Series Statement: texte zur populären musik v.6
    Parallel Title: Print version Schwermetallanalysen : Die musikalische Sprache des Heavy Metal
    DDC: 781.66
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    Keywords: Electronic books ; Heavy Metal
    Abstract: Die Attraktivität von Heavy Metal ist seit 40 Jahren ungebrochen. »Metal« stellt trotz - oder wegen - seines oft zwiespältigen Leumunds ein globales Phänomen dar, in dessen Mittelpunkt die Liebe zur Musik steht. Dietmar Elflein beschäftigt sich intensiv mit Heavy Metal als Musik und untersucht LPs und Bands, die das Genre geprägt haben, auf musikalische Gemeinsamkeiten und Entwicklungslinien - die musikalische Sprache des Heavy Metal. Die Vielfalt der untersuchten musikalischen Ansätze reicht von Black Sabbath über Judas Priest und Iron Maiden bis zu Metallica, Megadeth und Slayer, schließt ab
    Description / Table of Contents: CoverSchwermetallanalysen; INHALT; I. Einleitung; Danksagung; II. Theoretische Überlegungen zur musikalischen Sprache eines Musikstils - komplexe musikalische Äußerungen im Traditionsstrom; Der Traditionsstrom als Reservoir des momentan verfügbaren Wissens; Verschiedene Arten des Zugriffs auf den Traditionsstrom: Erwartungshorizont und Kompositionsmodell; Bakhtins endlose Kette der Äußerungen; Die Bedeutung des Klangs - zum Verhältnis von Musik und Sprache; Das Werk als Äußerung im Dialog; Heavy Metal als Schichtung komplexer Äußerungen; Heavy Metal als Genre und/oder Stil
    Description / Table of Contents: Der Formverbrauchseffekt - „das ist kein Metal mehr"Zusammenfassung; III. Heavy Metal in der Literatur; Die soziologische Beschäftigung mit der Kulturwelt, Szene oder Subkultur Heavy Metal; Eine kurze Genregeschichte; Heavy Metal als Musikstil; Zusammenfassung; IV. Methodik; Zur Konzentration auf Tonträger; Drei sich ergänzende Zugänge zum Traditionsstrom; Zugang 1: Die Stichprobe; Zugang 2: Musikalische Assoziationen; Zugang 3: Zufallsstichprobe; Methodik der musikalischen Analyse; V. Die Auswertung der Stichprobe; Nationale Herkunftsverteilung; Die herausgehobenen Bands
    Description / Table of Contents: Herkunftsverteilung der herausgehobenen BandsDie herausgehobenen Alben I; Zeitliche Verteilung - die herausgehobenen Alben II; Fazit der Auswertung; VI. Musikalische Analysen; 1. Heavy (Metal) - die Erweiterung des Blues Rock und die Vereinfachung des Progressive Rock: Black Sabbath; Black Sabbath in der Auswertung; Bandbiographie; Black Sabbath mit Ozzy Osbourne - Instrumentierung, Komposition, Produktion; Die Klangfarbe - zur Dominanz verzerrter Gitarren; Die formale Struktur der komplexen Äußerungen; Paralleles Ensemblespiel; Das Gitarrenriff als komplexe musikalische Äußerung
    Description / Table of Contents: Die unverzerrte Klangfarbe - Akkordbrechungen und EinleitungenDie Emanzipation vom Backbeat - das Schlagzeugspiel auf Black Sabbath und Paranoid; Der Beginn einer musikalischen Sprache des Heavy Metal; Black Sabbath mit Ronnie James Dio - Unterschiede und Gemeinsamkeiten; 2. Classic Metal I - das Zurückdrängen des Blues Rock- und Progressive Rock-Einflusses: Judas Priest; Judas Priest in der Auswertung; Bandbiographie und Imagewechsel; Judas Priest mit Rob Halford - Instrumentierung, Komposition, Produktion; Die ‚Metallisierung' der Klangfarbe I - die Ausdünnung der Mitten
    Description / Table of Contents: ‚Scream For Me' - zur Wichtigkeit des Schreis im Traditionsstrom des Heavy MetalDie formale Struktur der komplexen Äußerungen; Die Aufwertung des Pulses im Ensemblespiel; ‚Metrische Ketten' - die Reihung von Gruppen von Pulsen zu Gitarrenriffs; Pulsbasiertes Instrumentalspiel; Das Ensemblespiel mit zwei Gitarren - Möglichkeiten und Beschränkungen; Eine erste Ausdifferenzierung einer musikalischen Sprache des Heavy Metal; 3. Harter Rock'n'Roll - vom parallelen Leben des Blues-Einflusses: AC/DC, Guns N'Roses, Motörhead; AC/DC, Guns N'Roses und Motörhead in der Auswertung; Bandbiographien
    Description / Table of Contents: Instrumentierung, Komposition, Produktion
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  • 29
    ISBN: 1306997763 , 9783839423233 , 9781306997768
    Language: English
    Pages: Online-Ressource
    Series Statement: Studien zur Popularmusik
    Parallel Title: Print version Die Do-it-yourself-Karrieren der DJs : Über die Arbeit in elektronischen Musikszenen
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    Keywords: Electronic books ; Discjockey ; Elektronische Musik ; Musikleben ; Jugendkultur ; Berufserfolg ; Karriere ; Arbeitsfeld
    Abstract: Über das Leben am Plattenteller - dieses Buch zeichnet die ökonomisch erfolgreichen Do-it-yourself-Karrieren von Diskjockeys (DJs) in elektronischen Musikszenen nach. Ausgehend von aktuellen Forschungen zu Jugendkulturen und Kulturarbeitsmärkten und mit Rekurs auf Pierre Bourdieus Theorie der kulturellen Felder beschreibt Rosa Reitsamer die zentralen Tätigkeitsbereiche von DJs. Die qualitative Studie rekonstruiert die Konstruktionsprozesse, durch die »gute« und erfolgreiche DJs im Feld erzeugt werden und legt die Inkorporierungsprozesse neoliberaler Arbeitsverhältnisse offen, anhand derer sich
    Description / Table of Contents: Cover Die Do-it-yourself-Karrieren der DJs; Inhalt; Einleitung; I.Zum Stand der Forschung: Ein Überblick; 1.»Jugend-Subkultur«: Ein Forschungsparadigma und seine Kritik; 2.Neuere Konzepte: Clubkulturen, Neo-Tribes, Musikszenen; 3.Ökonomien der Jugendkulturen und Kulturarbeitsmärkte; II.Theoretischer Rahmen für die empirische Untersuchung; 1.Kultur als »soziale Praxis«; 2.Musikszenen: Felder der kulturellen Produktion; 3.Kulturelles Kapital in Musikszenen; 4.Das Wissen der DJs; 5.Die Logik der Felder; III.Methodologie und Erhebungsinstrumente; 1.Grounded Theory: Grundprinzipien
    Description / Table of Contents: 2.Grounded Theory: Untersuchungslogik3.Erhebungsinstrumente der feldspezifischen Analyse; 4.Erhebungsinstrumente der fallspezifischen Analyse; 4.1Beobachtung, Begleitung und Leitfadeninterview; IV.Darstellung der Untersuchungsergebnisse; 1.Genese, Struktur und Organisationsweise lokaler Musikszenen; 1.1Theoretische Bestimmung des Begriffs Musikszene; 1.2Wiener Techno-Szene; 1.3Wiener Szene für experimentelle elektronische Musik; 1.4Wiener Drum'n'Bass-Szene; 2.DJ-Tätigkeit; 2.1Der Plattenladen und die Tonträgersammlung der DJs; 2.2Die Praxis des DJ-ings
    Description / Table of Contents: 2.3Die (Selbst-)Konstruktion »guter« DJs2.4Wie kommen DJs zu ihren Auftritten?; 3.Die Musikproduktion im »Wohnzimmer-Studio«; 3.1Das »Song Getting« elektronischer Musikstücke; 3.2Musikproduktion und Kreativität; 3.3Die Suche nach dem Plattenlabel für die Veröffentlichung von Tonträgern; 3.4Die Bedeutung der Tonträger für die DJ-Karriere; 4.Netzwerke; 4.1Clubhosts und Organisationseliten; 4.2Einladungspolitik der Clubhosts; 4.3Netzwerke von DJ-Frauen: Female Pressure; 5.Selbstvermarktung; 5.1Das verwertbare DJ-Profil; 5.2Selbststeuerung der Karriere durch Selbstvermarktung
    Description / Table of Contents: 5.3Die Arbeits- und Zeiteinteilung der DJsVon der Schwierigkeit, ein/e erfolgreiche/r DJ zu werden; Resümee und Ausblick; Literatur; Anhang
    Note: Description based upon print version of record
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  • 30
    ISBN: 1306997674 , 9783839423219 , 9781306997676
    Language: English
    Pages: Online-Ressource
    Series Statement: Studien zur Popularmusik
    Parallel Title: Print version »Tief in Neukölln« : Soundkulturen zwischen Improvisation und Gentrifizierung in einem Berliner Bezirk
    DDC: 780.943155090512
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    Keywords: Electronic books ; Berlin-Neukölln ; Musikleben ; Musikästhetik ; Musiksoziologie ; Klangkunst ; Experimentelle Musik ; Stadtsoziologie
    Abstract: Stadträume werden für und durch Musik erobert und transformiert. Dieser Band bietet Erkenntnisse über die symbolischen Konstruktionen von sowohl sozialen als auch geographischen Grenzen im Berliner Stadtteil Neukölln. In mehr als 60 Interviews mit Musikern, Soundkünstlern und Akteuren städtischer Institutionen wird nach der lokalen Verortung ästhetisch-klanglicher Phänomene gefragt. Medial vermittelte Vorstellungen über Neukölln und institutionelle Rahmenbedingungen erweisen sich dabei als konstitutiv für die Lebenswelten der kreativen Newcomer und deren ästhetische Ideen. Daneben veranschauli
    Description / Table of Contents: Cover »Tief in Neukölln«; Inhalt; Danksagung; Einleitung; I. Musikräume im Reuterquartier; 1. Vereine und Kneipen im Reuterquartier; 2. Erste Spuren des Quartiersmanagements im Kiez; 3. Die Weserrakete; 4. Konzerte im Reuterquartier; 5. Zusammenfassung: Gemeinschaft im Reuterquartier?; II. Neuköllner Zonen. Lokale und ästhetische Dispositionen; 1. Von Kreuzberg über Mitte und Prenzlauer Berg bis ins ›tiefe‹ Neukölln; 2. Ästhetisierungen Neuköllns; 3. ›Andere‹ Orte in Neukölln; 4. Zusammenfassung und Diskussion; III. Räume des Dubstep; 1. Musikalische Raumeroberung
    Description / Table of Contents: 2. Dubstep-Party und Zukunftsmusik in Neukölln3. Dubstep als Neuköllner Subkultur und die Frage nach Authentizität; 4. Dubstep in Space. Dislokalisierte Identitäten und imaginierte Musikräume; 5. Lokale Repräsentationen von Berliner Clubkulturen aus der Sichtweis von Kulturwissenschaftlern und Journalisten; 6. Zusammenfassung und Diskussion; IV. Räume der Experimentalmusik und Improvisation in Neukölln; 1. Die Neuköllner Fluxus-Performance Candle Piece for Radios; 2. Gegen Akademismus, Institutionen und Determination; 3. Experimentelle, elektronische Kammermusik
    Description / Table of Contents: 4. Künstleridentitäten in Neukölln5. Experimentalmusik-»Szene« in Neukölln?; 6. Zusammenfassung: Neukölln Haven. Idealisierung eines Ortes; V. Medialer Raum Neukölln; 1. Neukölln als sogenannter Problemkiez; 2. Kiez der Vielfalt oder die Eventisierung von Differenzen; 3. Neukölln in Transformation. Über Gentrifierung, kreative Spannungen und subkulturellen Imperialismus; 4. Branding, Empowerment und der Wert von Kunst für Neukölln; 5. Wissensgesellschaft in Neukölln; 6. Zusammenfassung: Raum ›urbaner Regeneration‹; Fazit und Ausblick; Epilog; Literatur; Anhang
    Note: Description based upon print version of record
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  • 31
    Online Resource
    Online Resource
    Farnham : Ashgate Publishing Ltd
    ISBN: 9781409469810
    Language: English
    Pages: Online-Ressource (226 p)
    Edition: Online-Ausg.
    Series Statement: SEMPRE Studies in The Psychology of Music
    Parallel Title: Print version Coughing and Clapping : Investigating Audience Experience
    DDC: 306.4842
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    Keywords: Electronic books ; Musik ; Aufführung ; Publikumsforschung
    Abstract: This collection explores the processes and experiences of attending live music events from the initial decision to attend through to audience responses and memories of a performance after it has happened. The book brings together international researchers who consider the experience of being an audience member from a range of theoretical and empirical perspectives and the question of what makes an audience, arguing convincingly for the practical and academic value of that question
    Description / Table of Contents: Cover; Contents; List of Figures; List of Tables; Notes on Contributors; Series Editors' Preface; Acknowledgements; 1 Prelude; SECTION 1: Before the Event; 2 Marketing Live Music; 3 Musical, Social and Moral Dilemmas: Investigating Audience Motivations to Attend Concerts; 4 Safe and Sound: Audience Experience in New Venues for Popular Music Performance; SECTION 2: During the Event; 5 Interlude - Audience Members as Researchers; 6 The Value of 'Being There': How the Live Experience Measures Quality for the Audience
    Description / Table of Contents: 7 In the Heat of the Moment: Audience Real-time Response to Music and Dance Performance8 Texting and Tweeting at Live Music Concerts; 9 Moving the Gong: Exploring the Contexts of Improvisation and Composition; 10 Context, Cohesion and Community; 11 Interlude - Lasting Memories of Ephemeral Events; 12 'The Gigs I've Gone To': Mapping Memories and Places of Live Music; 13 Warts and All: Recording the Live Music Experience; 14 Staying Behind: Explorations in Post-performance Musician-Audience Dialogue; 15 Postlude; References; Index
    Note: Description based upon print version of record
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  • 32
    Online Resource
    Online Resource
    Hoboken : Taylor and Francis
    ISBN: 9780415970563 , 9781136797453 (Sekundärausgabe)
    Language: English
    Pages: 406 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9781136797453
    Edition: [Online-Ausg.]
    DDC: 782.42164097309045
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    Keywords: Geschichte 1950-2000 ; Popmusik ; USA ; Online-Publikation
    Abstract: First published in 20Classic American Popular Song: The Second Half-Century, 1950-2000 addresses the question: ""What happened to American popular song after 1950?"" There are numerous books available on the so-called ""Golden Age"" of popular song, but none that follow the development of popular song styles in the second half of the 20th century. While 1950 is seen as the ""end of an era,"" the tap of popular song creation hardly ran dry after that date. Many of the classic songwriters continued to work through the following decades: Porter was active until 1958; Rodgers until the later 1970s...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 33
    ISBN: 9781137071392
    Language: English
    Pages: 1 Online-Ressource (XXVII, 284 Seiten)
    Series Statement: Contemporary Black History
    DDC: 305.896073
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    Keywords: Schwarze ; Volkskultur ; Protestsong ; Hip-Hop ; USA ; Aufsatzsammlung
    Abstract: Considers the misappropriation of African American popular culture through various genres, largely Hip Hop, to argue that while such cultural creations have the potential to be healing agents, they are still exploited -often with the complicity of African Americans- for commercial purposes and to maintain white ruling class hegemony.
    Note: Description based upon print version of record
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  • 34
    Book
    Book
    Berkeley : University of California Press
    ISBN: 9780520280656 , 9780520280663
    Language: English
    Pages: xiv, 225 Seiten , Illustrationen , 24 cm
    DDC: 781.642086/640973
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    Keywords: Country music History and criticism ; Country music Social aspects ; Homosexuality and popular music ; USA ; Countrymusic ; Homosexualität ; Musiksoziologie
    Note: Includes bibliographical references (pages 195-207) and indexes
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  • 35
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199984701
    Language: English
    Pages: 1 Online-Ressource (xxiii, 481 Seiten)
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of Sondheim studies
    DDC: 780
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    Keywords: Sondheim, Stephen Criticism and interpretation ; Sondheim, Stephen ; Sondheim, Stephen ; Criticism and interpretation ; Aufsatzsammlung ; Sondheim, Stephen 1930-2021 ; USA ; Komponist ; Musical
    Abstract: This handbook examines the scope and ambition of Stephen Sondheim's musicals by drawing on the perspectives of musicological and dramaturgical scholars, literary and film critics, and musical theatre practitioners. Consisting of twenty-seven essays, it analyses Sondheim's radical re-invention of the artistic form of the Broadway musical in response to various traditions of artistic innovation and popular entertainment and how his work with several collaborators has radically transformed the history of American musical theatre.
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  • 36
    Online Resource
    Online Resource
    Thousand Oaks : SAGE Publications | Ann Arbor, Michigan : ProQuest
    ISBN: 9781452283029
    Language: English
    Pages: 1 Online-Ressource (1350 pages)
    Edition: 1st ed.
    DDC: 306.4/842
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    Keywords: Electronic books
    Abstract: This first definitive reference resource to take a broad interdisciplinary approach to the nexus between music and the social and behavioral sciences examines how music affects human beings and their interactions in and with the world. The interdisciplinary nature of the work provides a starting place for students to situate the status of music within the social sciences in fields such as anthropology, communications, psychology, linguistics, sociology, sports, political science and economics, as well as biology and the health sciences. Features: Approximately 450 articles, arranged in A-to-Z fashion and richly illustrated with photographs, provide the social and behavioral context for examining the importance of music in society. Entries are authored and signed by experts in the field and conclude with references and further readings, as well as cross references to related entries. A Reader's Guide groups related entries by broad topic areas and themes, making it easy for readers to quickly identify related entries. A Chronology of Music places material into historical context; a Glossary defines key terms from the field; and a Resource Guide provides lists of books, academic journals, websites and cross-references. The multimedia digital edition is enhanced with video and audio clips and features strong search-and-browse capabilities through the electronic Reader's Guide, detailed index, and cross references. Music in the Social and Behavioral Sciences, available in both multimedia digital and print formats, is a must-have reference for music and social science library collections.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
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  • 37
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
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    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 38
    Online Resource
    Online Resource
    Minneapolis, London : University of Minnesota Press
    ISBN: 9781452942797
    Language: English
    Pages: 1 online resource (xi, 256 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000- ; Popmusik ; Jugendkultur ; Musiksoziologie ; Kairo ; Music ; Social aspects ; Egypt ; Cairo ; History ; 21st century ; Music and youth ; Egypt ; Cairo ; History ; 21st century ; Popular culture ; Egypt ; Cairo ; History ; 21st century ; Popular music ; Egypt ; Cairo ; History and criticism ; Electronic books ; Kairo ; Jugendkultur ; Popmusik ; Musiksoziologie ; Geschichte 2000-
    Abstract: Cairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world.Before Cairo Pop, most scholarship on the popular music of Egypt focused on musiqa al-ṭarab. Immensely popular in the 1950s and '60s and even into the '70s, musiqa al-ṭarab adheres to Arabic musical theory, with non-Western scales based on tunings of the strings of the 'ud-the lute that features prominently, nearly ubiquitously, in Arabic music. However, today one in five Egyptians is between the ages of 15 and 24; half the population is under the age of 25. And shababiyya is their music of choice. By speaking informally with dozens of everyday young people in Cairo, Gilman comes to understand shababiyya as more than just a musical genre: sometimes it is for dancing or seduction, other times it propels social activism, at others it is simply sonic junk food.In addition to providing a clear Egyptian musical history as well as a succinct modern political history of the nation, Cairo Pop elevates the aural and visual aesthetic of shababiyya-and its role in the lives of a nation's youth
    Abstract: Cover -- Contents -- Preface -- Acknowledgments -- Note on Transliteration and Pseudonyms -- Introduction: Good Music, Bad Music, and Youth Music -- 1. "My Patience Is Short": Youth Talk about Grandpa's Music -- 2. " Oh, My Brown Skinned Darling": Sex, Music, and Egyptianness -- 3. "The Hardest Thing to Say": Taxonomies of Aesthetics -- 4. " A Poem Befitting of Her": Ambiguity and Sincerity in Revolutionary Pop Culture -- Epilogue: On the Counterrevolution -- Notes -- Glossary -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
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  • 39
    ISBN: 9781315569482 , 9781409469148 , 9781409469155
    Language: English
    Pages: 1 Online-Ressource (XVI, 240 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Black popular music in Britain since 1945
    DDC: 781.6408996041
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    Keywords: Popular music History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Popular music History and criticism ; Great Britain ; MUSIC Instruction & Study ; Theory ; Blacks ; Popular music Great Britain ; Electronic books ; Electronic books Criticism, interpretation, etc ; Music ; Aufsatzsammlung ; Großbritannien ; Afroamerikanische Musik ; Geschichte 1948-2013
    Note: Includes bibliographical references, discography, and index. - Print version record
    URL: Volltext  (lizenzpflichtig)
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  • 40
    Online Resource
    Online Resource
    New York, NY [u.a.] : Palgrave Macmillan
    ISBN: 9781137395825 , 9781137395832
    Language: English
    Pages: 292 S.
    Edition: 1. ed.
    Parallel Title: Print version The Cultural Impact of Kanye West
    DDC: 306
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    Keywords: Communication ; Electronic books ; Electronic books ; Aufsatzsammlung
    Abstract: Through rap and hip hop, entertainers have provided a voice questioning and challenging the sanctioned view of society. Examining the moral and social implications of Kanye West's art in the context of Western civilization's preconceived ideas, the contributors consider how West both challenges religious and moral norms and propagates them
    Description / Table of Contents: Cover; Title; Copyright; Dedication; Contents; Foreword; Preface: The Cultural Impact of Kanye West ; Acknowledgments; Part I Revisiting the Pharmakon: Artistic Gifts / Human Complexities; Chapter 1 Now I Ain't Saying He's a Crate Digger: Kanye West, "Community Theaters" and the Soul Archive; Chapter 2 Kanye West: Asterisk Genius?; Chapter 3 Afrofuturism: The Digital Turn and the Visual Art of Kanye West; Chapter 4 You Got Kanyed: Seen but Not Heard; Chapter 5 An Examination of Kanye West's Higher Education Trilogy; Part II Unpacking Hetero-normativity and Complicating Race and Gender
    Description / Table of Contents: Chapter 6 "By Any Means Necessary": Kanye West and the Hypermasculine ConstructChapter 7 Kanye West's Sonic [Hip-hop] Cosmopolitanism; Chapter 8 "Hard to Get Straight"; Chapter 9 You Can't Stand the Nigger I See!: Kanye West's Analysis of Anti-Black Death; Part III Theorizing the Aesthetic, the Political, and the Existential; Chapter 10 When Apollo and Dionysus Clash: A Nietzschean Perspective on the Work of Kanye West; Chapter 11 God of the New Slaves or Slave to the Ideas of Religion and God?*; Chapter 12 Trimalchio from Chicago*: Flashing Lights and The Great Kanye in West Egg
    Description / Table of Contents: Chapter 13 Confidently (Non)cognizant of Neoliberalism: Kanye West and the Interruption of Taylor SwiftChapter 14 Kanye Omari West: Visions of Modernity; References; Notes on Contributors; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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  • 41
    Online Resource
    Online Resource
    Lanham : Rowman & Littlefield Publishers
    ISBN: 9780810888340 , 9780810888357 (Sekundärausgabe)
    Language: English
    Pages: 317 p.
    Edition: Online-Ausg. Ann Arbor Proquest Online-Ressource ISBN 9780810888357
    Edition: [Online-Ausg.]
    DDC: 786.9/16409252
    RVK:
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    Keywords: Schlagzeugerin ; USA ; Online-Publikation
    Abstract: Combining archival research with personal interviews of over 50 female drummers representing more than eight decades in music history, Women Drummers: A History from Rock and Jazz to Blues and Country paints a vivid picture of their struggles to overcome discrimination not only as professional musicians but in other parts of their lives. Looking back several centuries, drum historian Angela Smith outlines the evolution of the woman drummer from pre-biblical times when women held important leadership roles to their silencing by the church during the middle ages to their changing role as they sp...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 42
    Online Resource
    Online Resource
    New York : Palgrave Macmillan
    ISBN: 9781306837965 , 9781137375230 , 9781137375223
    Language: English
    Pages: 1 Online-Ressource (VIII, 296 Seiten)
    DDC: 306.400904
    RVK:
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    Keywords: Geschichte 1960-1970 ; Counterculture History 20th century ; Art and society History 20th century ; Mass media Social aspects 20th century ; Gegenkultur ; Massenmedien ; Rebellion ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Massenmedien ; Gegenkultur ; Rebellion ; Geschichte 1960-1970
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 43
    Online Resource
    Online Resource
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839421796
    Language: English
    Pages: 1 Online-Ressource (231 pages)
    Edition: 1st ed.
    Series Statement: Sound Studies v.5
    DDC: 700.108
    RVK:
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    Keywords: Geschichte 1920-2010 ; Urbanität ; Darstellung ; Geräusch ; Museum ; Audiovisuelle Medien ; City sounds-Netherlands-Amsterdam ; City sounds ; Sound in art ; Berlin ; London ; Amsterdam ; Aufsatzsammlung ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 44
    ISBN: 1306997267 , 9783839422984 , 9781306997263
    Language: English
    Pages: Online-Ressource (229 Seiten)
    Series Statement: Beiträge zur Popularmusikforschung 39
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Print version Ware Inszenierungen : Performance, Vermarktung und Authentizität in der populären Musik
    DDC: 780.2
    RVK:
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    Keywords: Electronic books ; Konferenzschrift 2011
    Abstract: Populäre Musik ist 'performte' Musik, sie ist eine Musik des Machens - im Gegensatz zu einer Musik des Erdenkens und Notierens des schriftlich fixierten Werkes. Ihre Medien sind Medien, die Performance ermöglichen, vervielfältigen und transportieren: die Schallplatte, das Video, die MP3-Datei - und zuerst das Konzert, das als Urform in alle Verbreitungsmedien eingeschrieben ist. Die Beiträge dieses Bandes zeigen: Die Art und Weise, wie (mit stimmlichen, instrumentalen oder körperlichen Gesten), wo (im Studio, im Club, auf Festivals) und von wem (welcher Persönlichkeit, welchen Geschlechts, wel
    Description / Table of Contents: Cover Ware Inszenierungen; INHALT; EDITORIAL; EDITORIAL; THE VALUE OF LIVE MUSIC; THE VALUE OF LIVE MUSIC; SOUND UND BILD: DIE AUDIO/VISUELLE ÖKONOMIE MUSIKALISCHER PERFORMANCE; SOUND UND BILD: DIE AUDIO/VISUELLE ÖKONOMIE MUSIKALISCHER PERFORMANCE; SCHEIN ODER NICHT-SCHEIN? ZUR INSZENIERUNG VON AUTHENTIZITÄT AUF DER BÜHNE; SCHEIN ODER NICHT-SCHEIN? ZUR INSZENIERUNG VON AUTHENTIZITÄT AUF DER BÜHNE; INSZENIERTE AUTHENTIZITÄT VERSUS AUTHENTISCHE INSZENIERUNG: EIN ORDNUNGSVERSUCH ZUM KONZEPT AUTHENTIZITÄT IN MEDIENKULTUR UND POPMUSIK
    Description / Table of Contents: INSZENIERTE AUTHENTIZITÄT VERSUS AUTHENTISCHE INSZENIERUNG: EIN ORDNUNGSVERSUCH ZUM KONZEPT AUTHENTIZITÄT IN MEDIENKULTUR UND POPMUSIKABHÄNGIGE INSZENIERUNGEN DER UNABHÄNGIGKEIT. DER INDEPENDENT-DISKURS IN MUSIKZEITSCHRIFTEN; ABHÄNGIGE INSZENIERUNGEN DER UNABHÄNGIGKEIT. DER INDEPENDENT-DISKURS IN MUSIKZEITSCHRIFTEN; ›GUTE FRAGE!‹ POPULÄRE INSZENIERUNGEN VON FRAGE-ANTWORT-STRATEGIEN AUF PRESSEKONFERENZEN IM BEREICH DER POPMUSIK; ›GUTE FRAGE!‹ POPULÄRE INSZENIERUNGEN VON FRAGE-ANTWORT-STRATEGIEN AUF PRESSEKONFERENZEN IM BEREICH DER POPMUSIK
    Description / Table of Contents: DER DOKUMENTARISCHE GESTUS. EINE SPURENSUCHE IN POPULÄRER MUSIK UND KULTUR IN DER BRD DER 1970ER JAHREDER DOKUMENTARISCHE GESTUS. EINE SPURENSUCHE IN POPULÄRER MUSIK UND KULTUR IN DER BRD DER 1970ER JAHRE; FACETTEN DER JOSEPHINE BAKER; FACETTEN DER JOSEPHINE BAKER; AN UNDERSTANDING OF PERFORMANCE: THE BEATLES IN HAMBURG; AN UNDERSTANDING OF PERFORMANCE: THE BEATLES IN HAMBURG; PINK RIEFENSTAHL. (UN-)AUTHENTISCHE INSZENIERUNGEN VON HOMOPHILIE UND HOMOPHOBIE IM MUSIKVIDEO »MANN GEGEN MANN« VON RAMMSTEIN
    Description / Table of Contents: PINK RIEFENSTAHL. (UN-)AUTHENTISCHE INSZENIERUNGEN VON HOMOPHILIE UND HOMOPHOBIE IM MUSIKVIDEO »MANN GEGEN MANN« VON RAMMSTEINÜBERSETZEN UND RAHMEN. AUFFÜHRUNGEN IN GLOBALISIERTEN POP(ULÄR)KULTUREN; ÜBERSETZEN UND RAHMEN. AUFFÜHRUNGEN IN GLOBALISIERTEN POP(ULÄR)KULTUREN; ZU DEN AUTOREN; ZU DEN AUTOREN
    Note: Description based upon print version of record
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  • 45
    Book
    Book
    Baltimore : Johns Hopkins Univ. Press
    ISBN: 9781421413921
    Language: English
    Pages: XVII, 244 S. , Ill.
    DDC: 306.48426
    RVK:
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    Keywords: Rockmusiker ; Ruhm ; USA
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  • 46
    Online Resource
    Online Resource
    Baltimore : Johns Hopkins University Press | [Ann Arbor, Michigan] : [ProQuest]
    ISBN: 9781421413938
    Language: English
    Pages: 1 Online-Ressource (265 pages)
    DDC: 306.48426
    RVK:
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    Keywords: Rockmusiker ; Ruhm ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 47
    Book
    Book
    Philadelphia, Penn. : Temple University Press
    ISBN: 9781439910788 , 9781439910795
    Language: English
    Pages: XI, 225 S.
    DDC: 781.6213
    RVK:
    Keywords: Geschichte 1930-1970 ; Folk music ; Nationalbewusstsein ; USA
    Note: Literaturverz. S. 213 - 220
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  • 48
    Book
    Book
    Austin, Tex. : Univ. of Texas Press
    ISBN: 9780292729148 , 9781477310519
    Language: English
    Pages: XIII, 352 S. , Ill. , 24 cm
    Edition: 1. ed.
    Series Statement: Discovering America
    DDC: 782.42164092
    RVK:
    Keywords: Belafonte, Harry / 1927- ; Belafonte, Harry ; African American civil rights workers / Biography ; Musicians, Black / United States / Biography ; Actors, Black / United States / Biography ; USA ; Biografie ; Biografie ; Biografie ; Belafonte, Harry 1927-2023
    Abstract: A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II -- from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael -- Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power. --Publisher's description
    Note: Hier auch später erschienene, unveränderte Nachdrucke , From Harlem, Jamaica, and the segregated navy to New York City's interracial left-wing culture, 1927/1948 -- Black left, white stage, Cold War : moving into the spotlight, 1949/1954 -- Multimedia stardom and the struggle for racial equality, 1955/1960 -- Storming the gates : producing film and television, 1957/1970 , Includes bibliographical references and index
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  • 49
    ISBN: 9780822357421 , 9780822357575
    Language: English
    Pages: XXIV, 384 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 940.53/1
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    Keywords: Hollywood Canteen ; Hollywood Canteen ; Geschichte 1900-2000 ; Geschichte 1942-1945 ; Geschichte ; Gesellschaft ; Weltkrieg (1939-1945) ; World War, 1939-1945 Social aspects ; Memory Social aspects ; Dance Social aspects 20th century ; History ; Soldat ; Filmstar ; Swing ; Restaurant ; USA ; Los Angeles (Calif.) Social conditions 20th century ; Los Angeles, Calif. ; Los Angeles, Calif. ; Restaurant ; Swing ; Filmstar ; Soldat ; Geschichte 1942-1945 ; Hollywood Canteen ; Geschichte 1942-1945
    Note: Includes bibliographical references (pages 351-363) and index
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  • 50
    ISBN: 9781472434319 , 9781472418357
    Language: English
    Pages: xv, 339 Seiten
    DDC: 305.896073
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    Keywords: Ice T ; Schwarze ; Bande ; Soziale Situation ; USA ; Aufsatzsammlung
    Note: Literaturangaben
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  • 51
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press
    ISBN: 022613895X , 9780226138954
    Language: English
    Pages: 1 Online-Ressource (291 pages) , illustrations
    Parallel Title: Erscheint auch als Fry, Andy Paris Blues : African American Music and French Popular Culture, 1920-1960
    DDC: 781.65089/96073044
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    RVK:
    Keywords: Jazz History and criticism 20th century ; Musical theater History 20th century ; Musical films History 20th century ; African American jazz musicians ; African Americans in the performing arts History 20th century ; PERFORMING ARTS ; Theater ; General ; African American jazz musicians ; African Americans in the performing arts ; Jazz ; Musical films ; Musical theater ; Jazz ; Afroamerikanische Musik ; Rezeption ; Afroamerikansk musik ; historia ; Jazz ; historia ; Jazzmusiker ; Music ; Music, Dance, Drama & Film ; Music History & Criticism, Popular - Jazz, Rock, etc ; Criticism, interpretation, etc ; History ; Frankrike ; Frankreich ; France ; Electronic books
    Abstract: Introduction -- Rethinking the Revue nègre : black musical theatre after Josephine Baker -- Jack à l'opéra : jazz bands in black and white -- "Du jazz hot à la créole" : Josephine Baker sings Offenbach -- "That gypsy in France" : Django Reinhardt's occupation blouze -- Remembrance of jazz past : Sidney Bechet in France.
    Abstract: The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France's complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation reinvention in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.--
    Note: Includes bibliographical references and index , English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 52
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252096723
    Language: English
    Pages: 1 Online-Ressource (313 pages)
    Series Statement: Music in American Life
    DDC: 781.6420922
    RVK:
    Keywords: Stanley Brothers ; Geschichte 1947-1966 ; Duo ; Countrymusic ; Tonträger ; USA ; Biographie ; Verzeichnis
    Abstract: The premier guide to the lives and work of bluegrass icons.
    Note: Description based on publisher supplied metadata and other sources
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  • 53
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252096426
    Language: English
    Pages: 1 Online-Ressource (217 pages)
    Series Statement: Music in American Life
    DDC: 781.6213009045
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    Keywords: Geschichte 1950-1960 ; Folk music ; USA ; Großbritannien
    Abstract: Comparing the impact of the folk revival on each side of the Atlantic.
    Note: Description based on publisher supplied metadata and other sources
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  • 54
    Online Resource
    Online Resource
    New York, NY : Palgrave Macmillan | Ann Arbor, Michigan : ProQuest
    ISBN: 9781137305251
    Language: English
    Pages: 1 Online-Ressource (xii, 187 Seiten)
    DDC: 305.896073
    RVK:
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    Keywords: Schwarze ; Hip-Hop ; Subkultur ; Soziale Situation ; USA
    Note: Literaturangaben , Description based upon print version of record
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  • 55
    ISBN: 9781439911273
    Language: English
    Pages: XVIII, 378 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 788.92165092
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    Keywords: Wilder, Joe ; Wilder, Joe ; Geschichte 1922-2004 ; Jazz musicians Biography ; Trumpet players Biography ; Trompeter ; Jazzmusiker ; USA ; USA ; Biografie ; Diskografie ; Biografie ; Diskografie ; Biografie ; Diskografie ; Wilder, Joe 1922-2014 ; USA ; Jazzmusiker ; Trompeter ; Geschichte 1922-2004
    Abstract: Trumpeter Joe Wilder is distinguished for his achievements in both the jazz and classical worlds. He was a founding member of the Symphony of the New World, where he played first trumpet, and he performed as lead trumpet and soloist with Lionel Hampton, Jimmy Lunceford, Dizzy Gillespie, and Count Basie. Yet Wilder is also known as a pioneer who broke down racial barriers, the first African American to hold a principal chair in a Broadway show orchestra, and one of the first African Americans to join a network studio orchestra. In Softly, with Feeling, Edward Berger tells Wilder's remarkable story from his youth in working-class Philadelphia and his apprenticeship in the big bands, to his experience as one of the first 1,000 black Marines during World War II, and his achievements in the worlds of jazz, classical, and popular music. Reminiscences by Wilder and his colleagues, including renowned Philadelphia-area musicians Jimmy Heath and Buddy DeFranco help place Wilder's experiences within a broader context of American musical and social history. Wilder's modesty and ability to perform in many musical genres may have prevented him from achieving popular recognition, but in Softly, with Feeling, his legacy and contributions to music and culture are assured. - Edward Berger is a writer/photographer, whose other books include "Benny Carter: A Life in American Music" (with Morroe Berger and James Patrick) and "Bassically Speaking: An Oral History of George Duvivier". He produced two Grammy-winning albums for jazz great Benny Carter, has been a long-time cohost of Jazz from the Archives on WBGO-FM, Newark, and regularly teaches at Jazz at Lincoln Center's Swing University. He retired as Associate Director of the Rutgers Institute of Jazz Studies in 2011, but continues to serve IJS as a consultant.
    Note: Includes bibliographical references, discography, and index
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  • 56
    ISBN: 1306997380 , 9783839422519 , 9781306997386
    Language: English
    Pages: Online-Ressource (307 S.)
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Print version Rap in Deutschland
    Dissertation note: Zugl.: Köln, Univ., Diss., 2012
    DDC: 782.4216490943
    RVK:
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    Keywords: Electronic books ; Deutschland ; Rap
    Abstract: Rap - für die einen der Inbegriff des subversiven Widerstands einer marginalisierten Unterschicht, für die anderen klanglicher Ausdruck von Homophobie, Misogynie und Gewaltverherrlichung. Vergessen wird dabei oft, dass Rap in erster Linie Partymusik ist. Seit der Entstehung des Stils in den 1970er Jahren ist die HipHop-Kultur ein stark umkämpftes Terrain. Ayla Güler Saieds Studie legt den empirischen Fokus auf die Biographien von Rapperinnen und Rappern verschiedener Genres und bettet diese in die theoretische Analyse der Entstehungsgeschichten des HipHop in Deutschland und den USA ein. Auf di
    Description / Table of Contents: Cover Rap in Deutschland; Inhalt; 1 Einleitung; 2 HipHop: Vier Elemente für eine Kultur; 2.1 DJing und Graffiti; 2.2 Dancing to the Beat: B-Boys and B-Girls; 2.3 Rap als letztes Element; 2.4 Das Urbane als das Zentrale; 2.5 Gangster-Rap; 2.6 HipHop-Kritik; 2.7 HipHop und die Rezeption als Widerstandskultur; 2.8 Female MCs - Ladies First; 3 HipHop in der BRD; 3.1 One, two, three - from New York to Germany; 3.2 Multikulturalität und Mehrsprachigkeit im HipHop: Ein aufgezwungenes Konzept; 3.3 HipHop im neuen Jahrtausend; 3.4 Ethnisierende Diskurse im HipHop
    Description / Table of Contents: 3.5 „Fremd im eigenen Land" als nationales Statement3.6 Rap im politischen Diskurs; 3.7 Das urbane Quartier im Rap; 3.8 Köln-Porz Deadline; 4 Einwanderungsland BRD; 4.1 Migrations-Diskurse in der multikulturellen Stadt; 4.2 Imaginierte Ghettos und Parallelgesellschaften; 4.3 Ethnische Kategorisierung im Kontext des Pluralismus; 4.4 Ethnisierung und rassistische Praxen; 4.5 Verweigerung von Zugehörigkeit und Anerkennung; 4.6 Zwischenbilanz; 5 Forschungsdesign der empirischen Untersuchung; 5.1 Die „Entdeckung" der Grounded Theory; 5.2 Die Methoden der Grounded Theory
    Description / Table of Contents: 5.3 Das dreifache Kodierparadigma nach Strauss und Corbin5.3.1 Offenes Kodieren; 5.3.2 Axiales Kodieren; 5.3.3 Selektives Kodieren; 5.4 Biographischer Ansatz; 5.5 Das narrative Interview; 5.6 Feldzugang und Forschungsprotokoll; 5.6.1 Interviewdurchführung; 5.6.2 Transkription; 5.6.3 Auswertung des empirischen Datenmaterials; 6 Kurzbiographien; 6.1 Die erste Generation von Rappern in Deutschland; 6.1.1 Asia; 6.1.2 Signore Rossi; 6.1.3 Hannes Loh; 6.1.4 Killa Hakan; 6.1.5 Scope; 6.2 Female MCs; 6.2.1 Duygu DAI; 6.2.2 MC Sinaya; 6.2.3 MISS PM; 6.2.4 Aziza A.; 6.2.5 Akua Naru; 6.2.6 MC Soom T
    Description / Table of Contents: 6.3 Rapper Generation 20006.3.1 OJ Kingpin; 6.3.2 Ja2NI; 6.3.3 Patrik; 6.3.4 Dihad; 6.3.5 Ashraf; 6.3.6 David; 6.3.7 MC Hasso; 6.3.8 Mighty Maho; 6.3.9 Chaoze One; 6.4 Expertinnen-Interviews; 7 Bildungswege: „Ganz locker eingeschult worden!"; 7.1 Familiärer Kontext und die Konstruktion von sozialen Schichten; 7.2 „Ich sag nicht Rap, weil ich mit Rappen überhaupt nichts am Hut hatte!"; 7.3 „Wir kannten nicht den Türken, den Italiener. Wir waren einfach Wir!"; 7.4 „Ich mags nicht, wenn man Deutsch-Türkin sagt!"; 7.5 „Für ein Mädchen ist die aber echt gut!"
    Description / Table of Contents: 7.6 „Frauen sollen in Deutschland einfach nur als MCs akzeptiert werden!"7.7 „Die wichtigen Sachen, die vielleicht dazu beitragen, dass man das besser versteht, die haben die ausgelassen. So wie es halt im Journalismus ist."; 7.8 „Oh Gott, wo tun wir denn diese Scheibe hin in den Läden?"; 8 Resümee; Ausblick; Diskografie; Literaturverzeichnis
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  • 57
    ISBN: 9780521881197 , 9781139021357
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    DDC: 781.65092
    RVK:
    RVK:
    Keywords: Ellington, Duke, Criticism and interpretation ; Ellington, Duke ; MUSIC / General ; Jazz musicians Biography ; MUSIC / General ; USA ; Biografie ; Ellington, Duke 1899-1974
    Abstract: "Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in-depth, Ellington's career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellington's life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and song-writing, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composer's life and major recordings, this book is essential reading for anyone with an interest in Ellington's enduring artistic legacy"..
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  • 58
    ISBN: 9780739166932
    Language: English
    Pages: Online-Ressource (320 p)
    Parallel Title: Erscheint auch als Youth and rock in the Soviet bloc
    DDC: 306.484260947
    RVK:
    RVK:
    Keywords: Youth - Europe, Eastern - History - 20th century ; Youth - Europe, Eastern - History - 20th century ; Electronic books ; Electronic books ; Aufsatzsammlung ; Osteuropa ; Jugend ; Popmusik ; Rockmusik ; Kulturpolitik ; Jugendkultur ; Musiksoziologie ; Geschichte 1945-1989
    Abstract: 〈span〉〈span style=""font-style:italic;""〉Youth and Rock in the Soviet Bloc 〈/span〉〈span〉explores the impact of Western popular culture on young people in Russia and Eastern Europe during the Cold War. 〈/span〉〈/span〉
    Description / Table of Contents: Contents; Introduction; 1 Swinging between East and West; 2 Against "Pop-Song" Poison from the West; 3 Coercion and Consumption; 4 Only Rock 'n' Roll?; 5 The Making of the Gang; 6 Détente and Western Cultural Products in Soviet Ukraine during the 1970s; 7 Punk and the State of Youth in the GDR; 8 "A Room-Sized Ocean"; 9 Shostakovich versus Boney M.; 10 Facing the Music; 11 Rockin' Down the Mainline; 12 East of (Teenaged) Eden, or, Is Eastern Youth Culture So Different from the West?; Select Bibliography; Index; About the Contributors
    Note: Description based upon print version of record
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  • 59
    Online Resource
    Online Resource
    Middletown : Wesleyan University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780819574824
    Language: English
    Pages: 1 Online-Ressource (213 Seiten) , Illustrationen
    Series Statement: Music Culture
    DDC: 782.42164914
    RVK:
    Keywords: Rap ; Hip-Hop ; Turntablism ; Sampling ; USA ; Hochschulschrift
    Abstract: First book on hip-hop sampling as a musical process, now with a new foreword and afterword.
    Note: Bibliographie Seite 194-197 , Description based on publisher supplied metadata and other sources
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  • 60
    Online Resource
    Online Resource
    Berkeley ; Los Angeles ; London : University of California Press
    ISBN: 9780520958340
    Language: English
    Pages: 1 Online-Ressource (XIV, 225 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.642086/640973
    RVK:
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    Keywords: Gesellschaft ; Country music History and criticism ; Country music Social aspects ; Homosexuality and popular music ; Musiksoziologie ; Countrymusic ; Homosexualität ; USA ; USA ; Online-Publikation ; USA ; Countrymusic ; Homosexualität ; Musiksoziologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 61
    ISBN: 0810884887 , 9780810884885
    Language: English
    Pages: XXVI, 265 S. , Ill.
    Series Statement: American folk music and musicians 19
    Series Statement: American folk music and musicians
    DDC: 782.42162/96073
    RVK:
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    Keywords: Gellert, Lawrence ; Geschichte 1900-1980 ; Geschichte 1898-1979 ; Afroamerikanische Musik ; Folk music ; Schallaufzeichnung ; Sammler ; USA ; Biographie
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  • 62
    ISBN: 9780985200497
    Language: English
    Pages: XV, 479 S.
    Edition: 3., revised & expanded ed.
    RVK:
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    Keywords: Tonträger ; Musikwirtschaft ; Musiker ; Pseudonym ; USA ; Verzeichnis
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  • 63
    Book
    Book
    Basingstoke [u.a.] : Palgrave Macmillan
    ISBN: 023039096X , 9780230390966
    Language: English
    Pages: VIII, 80 S.
    Series Statement: Theatre &
    RVK:
    RVK:
    Keywords: Theater ; Schwarze ; USA
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  • 64
    Book
    Book
    Upper Saddle River, New Jersey : Pearson
    ISBN: 9780205940721 , 9780205956807
    Language: English
    Pages: XIV, 538 pages
    Edition: 6th edition
    DDC: 781.640973
    RVK:
    Keywords: Geschichte ; Rockmusik ; Popmusik ; USA
    Note: Forthcoming publication , Previous edition: Upper Saddle River, N.J.: Prentice Hall, 2011. , Includes ebook access.
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  • 65
    Book
    Book
    Lanham, Maryland [u.a.] : The Scarecrow Press
    ISBN: 9780810888272
    Language: English
    Pages: XIX, 185 S. , 24 cm
    DDC: 781.640973
    RVK:
    Keywords: Popmusik ; Urbanität ; Globalisierung ; USA ; Aufsatzsammlung
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  • 66
    ISBN: 9781613744925
    Language: English
    Pages: XVII, 414 S. , Ill.
    Edition: 1. ed.
    DDC: 781.6440973
    RVK:
    RVK:
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    Keywords: Brown, James ; The Lumpen ; Geschichte 1960-1975 ; Black power ; Soul ; Musikpolitik ; USA
    Note: Literaturverz. S. 343 - 359, Discogr. S. 359 - 361
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  • 67
    Book
    Book
    Oxford ; New York :Oxford University Press,
    ISBN: 978-0-19-531403-8
    Language: English
    Pages: 296 Seiten : , Illustrationen.
    Parallel Title: Escheint auch als
    DDC: 323.1196073
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1940-1980 ; Geschichte ; Musik ; Politik ; Schwarze. USA ; African American women political activists History 20th century ; African American women entertainers Political activity 20th century ; History ; Performing arts Political aspects 20th century ; African Americans Music 20th century ; Political aspects ; History ; African Americans Civil rights 20th century ; History ; Schwarze Frau. ; Entertainerin. ; Bürgerrechtsbewegung. ; Black power. ; USA ; United States Race relations 20th century ; History ; USA. ; Schwarze Frau ; Entertainerin ; Bürgerrechtsbewegung ; Black power ; Geschichte 1940-1980
    Note: Includes bibliographical references (pages 197-272) and index
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  • 68
    Book
    Book
    Austin : Univ. of Texas Press
    ISBN: 9780292723290
    Language: English
    Pages: XX, 664 Seiten , Illustrationen , 24 cm
    Edition: 3., rev. edition
    DDC: 781.6420973
    RVK:
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    Keywords: Countrymusic ; USA
    Note: "Since its first publication in 1968, Bill C. Malone's 'Country Music, U.S.A.'has won universal acclaim as the definitive history of American country music. Starting with the music's folk roots in the rural South, it traces country music from the early days of radio through the first decade of the twenty-first century. This third revised edition includes an extensive new chapter in which new coauthor Jocelyn R. Neal tracks developments in country music in the post-9/11 world, exploring the relationship between the current scene and the traditions from which the music emerged."--Back cover , Bibliographical essays S. [497] - 601
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  • 69
    Online Resource
    Online Resource
    Hoboken : Wiley
    ISBN: 9780745630892
    Language: English
    Pages: Online-Ressource (274 p)
    Edition: Online-Ausg.
    Series Statement: Polity celebrities series
    Parallel Title: Print version Bob Marley : Herald of a Postcolonial World
    DDC: 782.421646092
    RVK:
    RVK:
    Keywords: Electronic books
    Abstract: Is Bob Marley the only third world superstar? How did he achieve this unique status? In this captivating new study of one of the most influential musicians of the twentieth century, Jason Toynbee sheds new light on issues such as Marley's contribution as a musician and public intellectual, how he was granted access to the global media system, and what his music means in cultural and political terms.Tracing Marley's life and work from Jamaica to the world stage, Toynbee suggests that we need to understand Marley first and foremost as a 'social author'. Trained in the co-operative yet al
    Description / Table of Contents: COPYRIGHT; contents; acknowledgements; INTRODUCTION; 1 HOW DO YOU SOLVE A PROBLEM LIKE BOB MARLEY?; 2 NESTA MARLEY AND COLONIAL JAMAICA; 3 BOB MARLEY AT THE REGGAE CONJUNCTURE; 4 STANDING UP AND FINALLY BEING COUNTED; 5 UP ON THE ROCK , CHANTING DOWN BABYLON; 6 AFTER BOB; discography and filmography; bibliography; index
    Note: Description based upon print version of record
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  • 70
    Book
    Book
    Santa Barbara, Calif. : Praeger
    ISBN: 0313395772 , 9780313395772
    Language: English
    Pages: VII, 297 Seiten , Illustrationen , 25 cm
    DDC: 973.932
    RVK:
    RVK:
    Keywords: Schwarze ; Hip-Hop ; Alltagskultur ; Öffentliche Meinung ; USA
    Note: Literaturverzeichnis Seite 267-285
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  • 71
    ISBN: 9780571289134
    Language: English
    Pages: XLIV, 765 S. , 24 cm
    Edition: New and revised ed.
    DDC: 306.1
    RVK:
    Keywords: USA ; Rave ; Techno ; Drogenkonsum ; Rave ; Drogenabhängigkeit ; Popmusik
    Note: First publ. by Picador, 1998
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  • 72
    Online Resource
    Online Resource
    New York, NY : Palgrave Macmillan
    ISBN: 9781137337559
    Language: English
    Pages: Online-Ressource (209 S.) , Ill.
    Edition: Online-Ausg.
    Series Statement: Studies in European culture and history
    Parallel Title: Druckausg. Shahan, Cyrus Punk rock and German crisis
    DDC: 781.660943
    RVK:
    Keywords: Geschichte 1977-1989 ; Punk rock music Social aspects ; Germany (West) ; Punk culture Germany (West) ; Deutschland 〈Bundesrepublik〉 ; Punk Rock ; Germany (West) Social life and customs ; Electronic books ; Deutschland ; Punk Rock ; Geschichte 1977-1989
    Abstract: Introduction--representing "no future" -- Punk poetics -- Psycho punk and the legacies of state emergency -- Post-punk poaching, subversive consumerism and reading for anti-racism -- After punk
    Note: Includes bibliographical references. - Description based on print version record
    URL: Cover
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  • 73
    Online Resource
    Online Resource
    Abingdon, Oxon : Taylor and Francis
    ISBN: 9780415146708
    Language: English
    Pages: 1 Online-Ressource (xxxvi, 353 Seiten)
    Parallel Title: Erscheint auch als Sexing the groove
    DDC: 306.484
    RVK:
    RVK:
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    Keywords: Electronic books ; Rockmusik ; Sexualverhalten
    Abstract: Sexing the Groove discusses these issues and many more, bringing together leading music and cultural theorists to explore the relationships between popular music, gender and sexuality. The contributors, who include Mavis Beayton, Stella Bruzzi, Sara Cohen, Sean Cubitt, Keith Negus and Will Straw, debate how popular music performers, subcultures, fans and texts construct and deconstruct `masculine' and `feminine' identities. Using a wide range of case studies, from Mick Jagger to Riot Grrrls, they demonstrate that there is nothing `natural', permanent or immovable about the r
    Description / Table of Contents: Cover; Title; Copyright Page; Contents; List of contributors; Acknowledgements; INTRODUCTION; Part I Rock music culture; 1 SIZING UP RECORD COLLECTIONS; 2 MEN MAKING A SCENE; 3 WOMEN AND THE ELECTRIC GUITAR; 4 (R)EVOLUTION NOW?; Part II Masculinities and popular music; 5 LITTLE RED ROOSTER v. THE HONKY TONK WOMAN; 6 BRUCE SPRINGSTEEN AND MASCULINITY; 7 THE PET SHOP BOYS; Part III A time of growth and change: Femininities and popular music; 8 CAN A FUJIYAMA MAMA BE THE FEMALE ELVIS?; 9 FEMALE IDENTITY AND THE WOMAN SONGWRITER; 10 SINÉAD O'CONNOR - MUSICAL MOTHER; 11 MANNISH GIRL
    Description / Table of Contents: 12 THE MISSING LINKS13 'REBEL GIRL, YOU ARE THE QUEEN OF MY WORLD'; Part IV Music, image and identity; 14 SEDUCED BY THE SIGN; 15 FEELING AND FUN; 16 ROLLING AND TUMBLING; Part V Annotated bibliography; 17 SOURCES FOR FURTHER READING AND RESEARCH; Index; Discography
    Note: Description based upon print version of record
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  • 74
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199354467
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 306.1
    RVK:
    Keywords: Geschichte 1940-1970 ; Gesellschaft ; Counterculture / United States ; Popular music / Social aspects / United States ; Hippie ; Musik ; Soziale Bewegung ; USA ; USA ; USA ; Hippie ; Soziale Bewegung ; Musik ; Geschichte 1940-1970
    Abstract: 'Dig' argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples author Phil Ford shows why and how music became a central facet of hipness and the counterculture
    Note: Includes bibliographical references and index
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  • 75
    Book
    Book
    Lanham, Md. [u.a.] : Scarecrow Press
    ISBN: 9780810886384 , 9780810886285 , 9780810886292
    Language: English
    Pages: X, 463 S.
    DDC: 781.6409730904
    RVK:
    Keywords: Geschichte 1930-1965 ; Popular music History and criticism 1931-1940 ; Popular music History and criticism 1941-1950 ; Popular music History and criticism 1951-1960 ; Rhythm and blues music History and criticism ; Rock music History and criticism To 1961 ; Rock 'n' Roll ; USA ; Einführung ; Einführung ; Einführung ; USA ; Rock 'n' Roll ; Geschichte 1930-1965
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  • 76
    ISBN: 9781908279392 , 1908279397
    Language: English
    Pages: 317 S. , Ill.
    RVK:
    Keywords: Devo (Musical group) ; Devo (Musical group) / History ; Devo ; Geschichte 1969-1990 ; New wave music / History and criticism ; Rock musicians / United States / Biography ; Geschichte ; New wave ; Rockgruppe ; USA ; USA ; Biografie ; Biografie ; Biografie ; Devo ; Geschichte 1969-1990 ; USA ; Rockgruppe ; New wave ; Geschichte 1969-1990
    Note: Includes bibliographical references (p. 303-305), discography (p. 305-308), and index , Prologue. 1969 -- Strange pursuit, or Life in the rubber city (1970-75) -- The beginning was the end (1976-77) -- Wiggly world (1978-79) -- Epilogue. The 80s
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  • 77
    Book
    Book
    New York, NY [u.a.] : Oxford Univ. Press
    ISBN: 9780199939916
    Language: English
    Pages: XII, 306 S. , Ill.
    DDC: 306.1
    RVK:
    Keywords: Unterhaltungsmusik ; Gegenkultur ; USA
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  • 78
    Book
    Book
    London : Orion Books
    ISBN: 9781409120186
    Language: English
    Pages: 278 S.
    Edition: Paperback ed.
    RVK:
    Keywords: Walker, Scott ; Geschichte 1943- ; Komponist ; Popmusiker ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Walker, Scott 1943-2019 ; USA ; Popmusiker ; Komponist ; Geschichte 1943-
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  • 79
    Book
    Book
    Urbana [u.a.] : Univ. of Illinois Press
    ISBN: 9780252078927 , 9780252037399 , 0252078926 , 0252037391
    Language: English
    Pages: XII, 274 S. , Ill.
    Series Statement: Music in American life
    DDC: 782.421640973
    RVK:
    Keywords: Sozialgeschichte 1900-1970 ; Popmusik ; Musikgattung ; Regionalismus ; Verbreitung ; Technologie ; USA
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  • 80
    Book
    Book
    Durham [u.a.] : Duke Univ. Press
    ISBN: 9780822351498 , 0822351498 , 9780822351634 , 0822351633
    Language: English
    Pages: 383 S. , Ill.
    DDC: 781.64208996073
    RVK:
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    Keywords: Countrymusic ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 81
    ISBN: 978-1-4088-4214-0 , 1408842149
    Language: English
    Pages: 256 S. , Ill. , 23 cm
    Edition: 1. publ.
    RVK:
    RVK:
    Keywords: Hendrix, Jimi ; Hendrix, Jimi ; Biography & autobiography ; Composers & musicians ; Pop & Rock ; Rock musicians / United States / Biography ; Guitarists / United States / Biography ; USA ; Autobiografie ; Autobiografie ; Hendrix, Jimi 1942-1970
    Abstract: Jimi Hendrix in his own words. An intimate, posthumous memoir from one of the great gods of rock and roll
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  • 82
    ISBN: 9780230111271 , 9780230111288
    Language: English
    Pages: xix, 210 Seiten , Illustrationen
    Series Statement: Palgrave studies in oral history
    DDC: 782.42162130092
    RVK:
    RVK:
    Keywords: Handcox, John L. 1904-1992 ; Southern Tenant Farmers' Union ; Musik ; Folksong ; USA ; Schwarze
    Note: Includes bibliographical references
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  • 83
    ISBN: 9781617037917 , 9781617038181
    Language: English
    Pages: VIII, 264 S. , Ill.
    Edition: 1. Aufl.
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    DDC: 787.87/166092
    RVK:
    Keywords: Moore, Scotty ; Presley, Elvis ; Presley, Elvis ; Moore, Scotty ; Guitarists Biography ; Tonträger ; USA ; Biografie ; Verzeichnis ; Biografie ; Verzeichnis ; Biografie ; Verzeichnis ; Moore, Scotty 1931-2016 ; Presley, Elvis 1935-1977 ; Moore, Scotty 1931-2016 ; Tonträger
    Note: Includes bibliographical references, discography, and index
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  • 84
    ISBN: 9781496802484 , 9781617036750
    Language: English
    Pages: IX, 468 S. , Ill.
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    DDC: 782.25/4071176
    RVK:
    Keywords: Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; African Americans Music ; Instruction and study ; Spirituals (Songs) History and criticism ; Gospel music History and criticism ; Afroamerikanische Musik ; Musikerziehung ; Gesangsquartett ; Gospelsong ; USA ; USA ; Afroamerikanische Musik ; Gospelsong ; Gesangsquartett ; Musikerziehung ; Geschichte
    Note: Includes bibliographical references and index
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  • 85
    Online Resource
    Online Resource
    Jefferson, N.C. : McFarland
    Language: English
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.640943/0973
    RVK:
    RVK:
    Keywords: Popular music / United States / History and criticism ; Music / Germany / 20th century / History and criticism ; Music / United States / German influences ; Deutsch ; Kabarett ; Unterhaltungsmusik ; Rezeption ; USA ; USA ; Unterhaltungsmusik ; Rezeption ; Kabarett ; Deutsch
    Note: Includes bibliographical references and index
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  • 86
    Online Resource
    Online Resource
    Middletown, CT. 06459 : Wesleyan University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780819573872
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    Edition: 1st ed.
    Series Statement: Music / Culture Series
    DDC: 780.9560905
    RVK:
    Keywords: Avant-garde (Music)--Middle East ; Music--Middle East--20th century--History and criticism ; Music--Middle East--21st century--History and criticism ; Popular music--Middle East--History and criticism ; Music--Political aspects--Middle East ; Electronic books
    Abstract: The first in-depth study of diverse and radical innovation in Arab music.
    Note: Description based on publisher supplied metadata and other sources
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  • 87
    Online Resource
    Online Resource
    Burlington, Vt : Ashgate
    ISBN: 9781409445180
    Language: English
    Pages: Online-Ressource (XVIII, 237 S.) , Ill.
    Edition: Online-Ausg.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Druckausg. Bodies of sound
    DDC: 781.6409
    RVK:
    Keywords: Popular music History and criticism ; Dance History ; Electronic books ; Popmusik ; Tanz
    Abstract: Constructing the popular. The problem of popularity : the cancan between the French and digital revolutions / Clare Parfitt-Brown ; Bellowhead : re-entering folk through a pop movement aesthetic / Sherril Dodds ; Sound understandings : embodied musical knowledge and "connection" in a ballroom dance community / Joanna Bosse -- Authenticity, revival, and reinvention. Dancing out of time : the forgotten Boston of Edwardian England / Theresa Jill Buckland ; The English folk voice : singing and cultural identity in the English folk revival, 1955-65 / Simon Featherstone ; Halling as a tool for nationalistic strategies / Anne Margrete Fiskvik -- (Re)framing value. Rocking the rhythm : dancing identities in drum 'n' bass club culture / Joanna Hall ; Authenticity, uplift, and cultural value in Bahian samba junino / Danielle Robinson and Jeff Packman ; Hierarchical reversals : the interplay of dance and music in West Side story / Rachel Duerden & Bonnie Rowell ; Talking machines, dancing bodies : marketing recorded dance music before World War 1 / Susan C. Cook -- Politics of the popular. Superficial profundity : performative translation of the dancing body in contemporary Taiwanese popular culture / Chih-Chieh Liu ; Keeping the faith : issues of identity, spectacle, and embodiment in Northern soul / Laura Robinson ; Jazz, dance, and black British identities / Catherine Tackley
    Note: Includes bibliographical references and index. - Electronic reproduction; Palo Alto, Calif; ebrary; 2013; Available via World Wide Web; Access may be limited to ebrary affiliated libraries
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  • 88
    Online Resource
    Online Resource
    Durham [N.C.] : Duke University Press
    ISBN: 0822394170 , 9780822394174
    Language: English
    Pages: Online-Ressource (XVI, 335 S.) , Ill.
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Eddy, Chuck Rock and roll always forgets
    DDC: 781.64
    RVK:
    Keywords: Rock music History and criticism ; 1981-1990 ; Rock music History and criticism ; 1991-2000 ; Rock music History and criticism ; 2001-2010 ; Popular music History and criticism ; 1981-1990 ; Popular music History and criticism ; 1991-2000 ; Popular music History and criticism ; 2001-2010 ; Electronic books
    Abstract: Over and out -- Rhymed funk hits area -- Skin yard, skin yard -- Drug crazed teens: flaming lips -- Music that passes the acid test -- New kids in the '90s: a decade in the life -- Radiohead, the bends -- Walking into spiderwebs : the ultimate band list -- Talking world war iii blues -- Bombast in the blood: bad religion -- Conscience of some conservatives: the ramones -- Punk's first family grow old together : the Ramones -- Howls from the heartland : the untamed Midwest -- An indie rises above: SST records -- Slime is money (bastard) -- Big black give you a headache -- Nirvana, "all apologies" -- Wrong is right : Marilyn Manson -- Live : Tower Theatre, Philadelphia, 18 february 1997 -- City of dreams : rock in Mexico -- Chumbawamba at the piss factory -- Mr. and Mrs. used to be : the White Stripes find a little place to fight 'em off -- Great beats-per-minute -- Seduce, seduce -- Agnostic front, beyond possession, Dr. Know, Helstar, Raw Power -- Top 40 that radio won't touch : Metallica -- Welcome home (sanitarium): Metallica seek psychiatric help -- Mentors, up the dose -- Robert Plant, technobilly -- Def Leppard?s magic and loss -- AC/DC's aged currencies -- White Wizzard escape each other -- Mantronix : strange loops -- Spoonie Gee : unreformed -- Just-Ice : rap with teeth -- Pazz & jop ballot excerpt 1989 : N.W.A -- Pazz & jop ballot excerpt 1992 : Arrested Development -- Sir Mix-a-Lot : Chief Boot Knocka -- From Taco Bell to Pachelbel : Coolio -- Pazz & jop ballot excerpt 1997 : Erykah Badu and B-Rock & the Bizz -- Timbaland, Magoo, and ma
    Note: Includes index. - Description based on print version record. - Includes bibliographical references and index. - Electronic reproduction; Palo Alto, Calif; ebrary; 2013; Available via World Wide Web; Access may be limited to ebrary affiliated libraries
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  • 89
    ISBN: 9781906615581
    Language: English
    Pages: 349 pages , 22 cm
    Edition: [Revised and updated edition]
    RVK:
    Keywords: Dream Theater (Musical group) ; Dream Theater (Musical group) ; Dream Theater ; Geschichte ; Rock groups / United States / Biography ; Rock groups ; United States ; USA ; Biografie ; Dream Theater ; Geschichte
    Note: This book covers the band's history from the mid-1980s to today. This updated edition includes the departure of founding drummer Mike Portner and the search for his replacement
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  • 90
    ISBN: 9781623564377
    Language: English
    Pages: 1 Online-Ressource (342 Seiten)
    Parallel Title: Erscheint auch als DJ culture in the mix
    DDC: 781.648
    RVK:
    Keywords: Electronic books ; Aufsatzsammlung ; Discjockey ; Elektronische Musik ; Tanzmusik ; Musiksoziologie
    Abstract: The DJ stands at a juncture of technology, performance and culture in the increasingly uncertain climate of the popular music industry, functioning both as pioneer of musical taste and gatekeeper of the music industry. Together with promoters, producers, video jockeys (VJs) and other professionals in dance music scenes, DJs have pushed forward music techniques and technological developments in last few decades, from mashups and remixes to digital systems for emulating vinyl performance modes. This book is the outcome of international collaboration among academics in the study of electronic dan
    Description / Table of Contents: FC; Half Title; Title Page; Copyright; Dedication; Contents; Acknowledgements; 1. Introduction; 2. Subjectivity in the Groove: Phonography, Digitality and Fidelity; 3.DJ Technologies, Social Networks and Gendered Trajectories in European DJ Cultures; 4.Journey to the Light? Immersion, Spectacle and Mediation; 5. The DJ as ElectronicDeterritorializer; 6.'It's Not the Mix, It's the Selection': Music Programming in Contemporary DJ Culture; 7.Electronic Dance Music and Technological Change: Lessons from Actor-Network Theory; 8. DJ Culture and the Commercial Club Scene in Sydney
    Description / Table of Contents: 9.DJs and the Aesthetic of Acceleration in Drum 'n' Bass10. The Forging of a White Gay Aesthetic at the Saint, 1980-4; 11. DJs as Cultural Mediators: The Mixing Work of São Paulo's Peripheral DJs; 12. War on the Dancefloor: Synthscenen's Military Power Games; 13.DJ-driven Literature: A Linguistic Remix; Contributors; Index
    Note: Description based upon print version of record
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  • 91
    ISBN: 9780807754313 , 9780807754320
    Language: English
    Pages: x, 182 Seiten
    RVK:
    Keywords: Hip-Hop ; Pädagogik ; Education, Urban Sociological aspects ; Hip-hop Influence ; USA
    Note: Literaturangaben
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  • 92
    Online Resource
    Online Resource
    Lanham, Md. : Scarecrow Press
    ISBN: 9780810886292
    Language: English
    Pages: x, 461 p
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.640973/0904
    RVK:
    Keywords: Geschichte 1930-1965 ; Popular music History and criticism 1931-1940 ; Popular music History and criticism 1941-1950 ; Popular music History and criticism 1951-1960 ; Rhythm and blues music History and criticism ; Rock music History and criticism To 1961 ; Rock 'n' Roll ; USA ; Einführung ; USA ; Rock 'n' Roll ; Geschichte 1930-1965
    Note: Includes bibliographical references and index
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  • 93
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190268305
    Language: English
    Pages: 1 Online-Ressource (XIV, 361 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64809
    RVK:
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    Keywords: Geschichte ; Industrial music History and criticism ; Industrial Rock ; Electronic books ; Electronic books ; Industrial Rock ; Geschichte
    Abstract: Noisy, confrontational, and controversial, industrial music first emerged in the mid-1970s around bands and performance groups who combined avant-garde electronic music with the provocative attitude and style of punk rock. In its early days, bands such as Throbbing Gristle and Cabaret Voltaire produced a genuinely radical form of music bent on recontextualizing the signs and methods of cultural authority in an attempt to liberate listeners from the trappings of modernity. But, as industrial music took on more and more elements of popular music over the course of the 1980s it slowly abandoned its mission. By the mid-1990s, it was seen as simply another style of pop music, and had ironically fallen into the trappings it sought by its very existence to destroy. In "Assimilate", S. Alexander Reed provides the first ever critical history of this fascinating and enigmatic genre tracing industrial music's trajectory from Throbbing Gristle's founding of the record label Industrial Music in 1976, to its peak in popularity on the back of the band Nine Inch Nails in the mid-1990s, and through its decline to the present day. Through a series of revealing explorations of works spanning the entirety of industrial music's past, and drawing on extensive interviews with musicians, record label owners, DJs, and concert promoters, Reed paints a thorough historical picture that includes not only the bands, but the structures that supported them, and the scenes they created. In so doing, he reveals an engaging story of an ideological disintegration and its aftermath. The definitive text on the genre, "Assimilate" is essential reading for fans of industrial music, and scholars and students of popular music alike.
    Note: Published to Oxford Scholarship Online: May 2015
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 94
    Online Resource
    Online Resource
    Oxford [England] : Oxford University Press
    ISBN: 9780199322176
    Language: English
    Pages: 1 online resource (365 pages) , illustrations
    Parallel Title: Erscheint auch als Vernallis, Carol Unruly media : YouTube, music video, and the new digital cinema
    DDC: 302.23/1
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    Keywords: Music videos History and criticism ; Digital media Technological innovations ; Neue Medien ; Media-Mix ; Musikvideo ; YouTube ; Electronic books ; Neue Medien ; YouTube ; Musikvideo ; Media-Mix
    Description / Table of Contents: New digital cinema. The new cut-up cinema ; The audiovisual turn and post-classical cinema ; Music video into post-classical cinema ; Moulin Rouge : delirious cinema ; Music video, songs, sound : Eternal sunshine of the spotless mind ; Reciprocity, Bollywood and music video : Mani Ratnam's Dil se and Yuva -- YouTube. YouTube aesthetics ; Audiovisual change : viral web media and the Obama campaign ; Refiguring music video : Beyonce's 'video phone' -- Music video. Music video's second aesthetic? ; Digital style : Francis Lawrence and Dave Meyers ; A music video canon?
    Note: Description based on print version record
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  • 95
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822391902 , 0822354152 , 0822354306 , 9780822391906 , 9780822354154 , 9780822354307
    Language: English
    Pages: Online-Ressource (xvii, 364 pages) , illustrations
    Edition: Online-Ausg.
    Parallel Title: Print version Making samba
    DDC: 781.640981
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    Keywords: Blacks Race identity ; Blacks Music ; History ; Music and race History ; Sambas History ; Sambas Social aspects ; History ; Sambas -- Brazil -- History ; Sambas -- Social aspects -- Brazil -- History ; Blacks -- Brazil -- Music -- History ; Music and race -- Brazil -- History ; Blacks -- Race identity -- Brazil ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈DIV〉By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.〈/div〉
    Description / Table of Contents: Contents; A Note about Brazilian Terminology, Currency, and Orthography; Abbreviations; Acknowledgments; Introduction; One. Between Fascination and Fear, Musicians' Worlds in Nineteenth-Century Rio de Janeiro; Two. Beyond the Punishment Paradigm, Popular Entertainment and Social Control after Abolition; Three. Musicians Outside the Circle, Race, Wealth, and Property in Fred Figner's Music Market; Four. "Our Music", "Pelo telefone," the Oito Batutas, and the Rise of "Samba""; Five. Mediators and Competitors, Musicians, Journalists, and the Roda do Samba
    Description / Table of Contents: Six. Bodies and Minds: Mapping Africa and Brazil during the Golden AgeSeven. Alliances and Limits: The SBAT and the Rise of the Entertainment Class; Eight. Everywhere and Nowhere: The UBC and the Consolidation of Racial and Gendered Difference; Nine. After the Golden Age: Reinvention and Political Change; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages [299]-335) and index
    URL: Volltext  (lizenzpflichtig)
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  • 96
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822378877 , 0822378876
    Language: English
    Pages: 1 Online-Ressource (xviii, 333 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 780.97291
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    Keywords: Music / History and criticism / Cuba ; Music / Performance / Cuba ; Unterhaltungsmusik ; Aufführung ; Kuba ; Aufsatzsammlung ; Electronic books ; Electronic books ; Kuba ; Unterhaltungsmusik ; Aufführung
    Abstract: Introduction -- Performing anthology : the mystical qualities of Alfredo Rodriguez's Cuba linda -- "Una escuela rara" : the Graciela School -- Itinerant outbursts: the grunt of Dámaso Pérez Prado -- Visual arrangements, sonic impressions: the Cuban musical documentaries of Rogelio París and Sara Gómez -- Cold war kids in concert
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 97
    Online Resource
    Online Resource
    Farnham, Surrey, UK, England : Ashgate
    ISBN: 9781409441779 , 1409441776 , 9781409441762 , 1409441768 , 9781472402806 , 1472402804 , 1299636845 , 9781299636842
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Ashgate popular and folk music series
    DDC: 781.640973
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    Keywords: MUSIC / Genres & Styles / Pop Vocal ; Popular music ; Sound recording industry ; Popular music History and criticism ; Sound recording industry ; Debüt ; Tonträger ; Popmusiker ; USA ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Popmusiker ; Tonträger ; Debüt
    Note: Includes bibliographical references and index , Lubbock or leave it / George H. Lewis -- Good time rollers / B. Lee Cooper and William L. Schurk -- Joan Baez / Jerome Rodnitzky -- From Roger and out into dang me/chug a lug / Don Cusic -- Midnight in Memphis with the wicked Pickett / B. Lee Cooper -- Jackson C. Frank / Edward Whitelock -- What time has told me about Nick Drake's Five leaves left / Kevin Holm-Hudson -- The voice of the quiet one / Ian Inglis -- That's it / George Plasketes -- New York Dolls / Thomas M. Kitts -- Warren Zevon / George Plasketes -- Chasing after vengeance / David Janssen -- Steve Forbert, alive on arrival from Meridian to Manhattan / George Plasketes -- Ready for the house / Nicole Marchesseau -- Rickie Lee Jones / George Plasketes -- Metallica kills / Deena Weinstein -- I know someday you'll have a beautiful life / Marcello Giovanelli -- Leann Rimes blue / Sarita Stewart -- Third Eye Blind / Josh Hillyer -- Dap-dippin' independent tradition / Andrew Davis -- Pilfering the past or postmodern punks? / Micah Rueber -- Cinematic fantastic sampledic funky found sound sifting / George Plasketes and Rivers Plasketes , These essays bring together the stories of 23 debut albums over a nearly fifty year span, ranging from Buddy Holly and the Crickets in 1957 to The Go! Team in 2004. In addition to biographical background and a wealth of historical information about the genesis of each album, essayists look back at the albums and place them within multiple contexts, particularly the artist's career development. In this way, the book will be of as much interest to sociologists and historians as to culture critics and musicologists
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  • 98
    ISBN: 9781409445333 , 140944533X
    Language: English
    Pages: XII, 205 S. , Notenbeisp.
    Series Statement: SOAS musicology series
    DDC: 782.42089/924073
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    Keywords: Geschichte ; Musik ; Folk music ; Gesang ; Klezmer ; Jiddisch ; USA ; New York, NY
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  • 99
    ISBN: 9780199921515 , 9780199921539
    Language: English
    Pages: XXXV, 175 S. , Ill.
    DDC: 792.80951
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    Keywords: Alltag, Brauchtum ; Gesellschaft ; Verstädterung ; Dance ; Movement, Aesthetics of ; Dance Social aspects ; Public spaces ; Urbanization ; Chinesen ; Kulturelle Identität ; Stadt ; Tanz ; China Social life and customs ; USA ; China ; China ; USA ; Chinesen ; Stadt ; Kulturelle Identität ; Tanz
    Note: Includes bibliographical references and index
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  • 100
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469607542
    Language: English
    Pages: XII, 274 S. , Ill.
    Additional Material: 1 CD (audio ; 12 cm), 1 DVD (12 cm)
    DDC: 810.8/0975
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    Keywords: American literature ; Southern States Literary collections ; USA ; Englisch ; Literatur ; Schriftsteller ; Schriftstellerin
    Note: CDs enth.: Musikbeispiele, Film , Includes bibliographical references and index -- Includes filmography
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