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  • Englisch  (6)
  • Französisch
  • 2020-2024  (6)
  • Durham : Duke University Press  (4)
  • Chapel Hill : The University of North Carolina Press  (2)
  • Amerikanistik  (6)
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  • Englisch  (6)
  • Französisch
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  • 1
    Buch
    Buch
    How the earth feels : geological fantasy in the nineteenth-century United States (2024)
    Durham : Duke University Press
    Details
    ISBN: 9781478025702 , 9781478020967
    Sprache: Englisch
    Seiten: xii, 242 Seiten , Illustrationen
    Serie: Anima
    Serie: critical race studies otherwise
    Paralleltitel: Erscheint auch als Luciano, Dana How the earth feels
    Paralleltitel: Erscheint auch als Luciano, Dana How the earth feels
    RVK:
    HT 1691
    RVK:
    HD 470
    RVK:
    RU 10123
    Schlagwort(e): c 1800 to c 1900 ; 19. Jahrhundert (1800 bis 1899 n. Chr.) ; Geology in literature ; Geology Social aspects 19th century ; History ; Geology History 19th century ; American literature History 19th century ; NATURE / Environmental Conservation & Protection ; HISTORY / Modern / 19th Century ; Conservation of the environment ; General & world history ; Geschichte allgemein und Weltgeschichte ; SOC069000 ; Umweltschutz
    Kurzfassung: "By the start of the nineteenth century, the impact of the geological sciences and advancements in the field had radically expanded people's perception of the Earth's age. In How the Earth Feels, Dana Luciano maps the emergence of a "geological fantasy," in which increased knowledge of planetary life was used to racialize Native peoples as fossils and curiosities. Further, the geological fantasy served to cement the notion that the Earth had been preparing for the presence of humans, and that humans were in fact the ultimate expression of the Earth's teleological development in a both scientific and spiritual sense. Counterposing a range of texts-from early European and US geological texts to Indigenous accounts of earthquakes to African American men's anti-slavery writing featuring geological tropes-Luciano reveals the workings of the geological fantasy as it operated across the racial and biopolitical discourses of the nineteenth-century United States. Luciano offers a rich and historically nuanced account of how imagined relations with the non-human world have long served as a means of avoiding engagement with the dynamics of racial and colonial power"
    Kurzfassung: Dana Luciano examines the impacts of the new science of geology on nineteenth-century US culture, showing how it catalyzed transformative conversations regarding the intersections between humans and the nonhuman world
    Beschreibung / Inhaltsverzeichnis: The "Fashionable Science" -- 'The Infinite Go-Before of the Present': Geological Time, Worldmaking, and Race in the Nineteenth Century -- Unsettled Ground: Indigenous Prophecy, Geological Fantasy, and the New Madrid Earthquakes -- Romancing the Trace: Ichnology, Affect, Race -- Matters of Spirit: Vibrant Materiality and White Femme Geophilia -- The Natural History of Freedom: Blackness, Geomorphology, Worldmaking -- Ishmael's Anthropocenes and Others: Geological Fantasy in the Twentiethfirst Century.
    Anmerkung: Includes bibliographical references and index
    URL: Cover  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Buch
    MPI Ethno. Forsch.
  • 2
    Buch
    Buch
    Before Equiano : a prehistory of the North American slave narrative (2022)
    Chapel Hill : The University of North Carolina Press
    Details
    ISBN: 9781469671536 , 9781469671543
    Sprache: Englisch
    Seiten: xii, 291 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als Hutchins, Zachary McLeod Before Equiano
    DDC: 326.0973
    RVK:
    HS 1730
    Schlagwort(e): Slave narratives History and criticism ; Slavery History 17th century ; American newspapers History 17th century ; USA ; Sklave ; Zeitung ; Berichterstattung ; Autobiografie ; Geschichte 1690-1789
    Kurzfassung: "In the antebellum United States, formerly enslaved men and women who told their stories and advocated for abolition helped establish a new genre with widely recognized tropes: the slave narrative. This book investigates how enslaved black Africans conceived of themselves and their stories before the War of American Independence and the genre's development in the nineteenth century. Zachary McLeod Hutchins argues that colonial newspapers were pivotal in shaping popular understandings of both slavery and the black African experience well before the slave narrative's proliferation"--
    Beschreibung / Inhaltsverzeichnis: Slavery and the Newspaper : A Foreign Affair -- Sewall's Secret : The Selling of More than Two Dozen Black Africans -- Daniel and the Scotts : The Serialized Stories of Serial Runaways -- Royalty Enslaved : Of Princes, Pretenders, and Politics -- Fighting for, and against, the English : Briton Hammon and the Power of Black Africans' Allegiance -- Narratives of Slavery and the Stamp Act : Dickinson and Crèvecoeur Debate the Racial Limits of a Genre -- After Equiano : The Medium and the Message.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Buch
    BSZ
  • 3
    Online-Ressource
    Online-Ressource
    Before Equiano : a prehistory of the North American slave narrative (2022)
    Chapel Hill : The University of North Carolina Press
    Details
    ISBN: 9781469671567 , 1469671565 , 9781469671550 , 1469671557
    Sprache: Englisch
    Seiten: 1 Online-Ressource (291 pages)
    Paralleltitel: Erscheint auch als Hutchins, Zachary McLeod Before Equiano
    RVK:
    HS 1730
    Schlagwort(e): Slave narratives History and criticism ; Slavery History 17th century ; American newspapers History 17th century ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; USA ; Sklave ; Zeitung ; Berichterstattung ; Autobiografie ; Geschichte 1690-1789
    Kurzfassung: Introduction. Slavery and the Newspaper: A Foreign Affair -- Sewall's Secret: The Selling of More than Two Dozen Black Africans -- Daniel and the Scotts: The Serialized Stories of Serial Runaways -- Royalty Enslaved: Of Princes, Pretenders, and Politics -- Fighting for, and against, the English: Briton Hammon and the Power of Black Africans' Allegiance -- Narratives of Slavery and the Stamp Act: Dickinson and Crèvecoeur Debate the Racial Limits of a Genre -- Conclusion. After Equiano: The Medium and the Message.
    Kurzfassung: "In the antebellum United States, formerly enslaved men and women who told their stories and advocated for abolition helped establish a new genre with widely recognized tropes: the slave narrative. This book investigates how enslaved black Africans conceived of themselves and their stories before the War of American Independence and the genre's development in the nineteenth century. Zachary McLeod Hutchins argues that colonial newspapers were pivotal in shaping popular understandings of both slavery and the black African experience well before the slave narrative's proliferation. Introducing the voices and art of black Africans long excluded from the annals of literary history, Hutchins shows how the earliest life writing by and about enslaved black Africans established them as political agents in an Atlantic world defined by diplomacy, war, and foreign relations. In recovering their stories, Hutchins sheds new light on how black Africans became Black Americans; how the earliest accounts of enslaved life were composed editorially from textual fragments rather than authored by a single hand; and how the public discourse of slavery shifted from the language of just wars and foreign policy to a heritable, race-based system of domestic oppression."--
    Anmerkung: Includes bibliographical references and index
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    BSZ
    GBV
    KOBV
  • 4
    Buch
    Buch
    Counterlife : slavery after resistance and social death (2021)
    Durham : Duke University Press
    Details
    ISBN: 9781478011446 , 9781478010418
    Sprache: Englisch
    Seiten: x, 137 Seiten , Illustrationen , 23 cm
    Paralleltitel: Erscheint auch als Freeburg, Christopher Counterlife
    Paralleltitel: Erscheint auch als Freeburg, Christopher, 1972 - Counterlife
    DDC: 306.3/620973
    RVK:
    AK 26600
    RVK:
    HR 1728
    RVK:
    NW 8295
    Schlagwort(e): Slavery History ; Slavery Sociological aspects ; Slavery in literature ; Schwarze ; Sklaverei ; Psychische Verarbeitung ; Kreativität
    Kurzfassung: Introduction: Slavery's Hereafter -- Sambo's Cloak -- Kaleidoscope Views -- Sounds of Blackness -- The Last Black Hero -- Coda: Chasing Ghosts
    Kurzfassung: "Counterlife demonstrates that scholarship on slavery in the Americas has its imaginative roots in the emergence of sociology/social theory in the 1950s as well as aesthetic movements (e.g., naturalism and modernism) that flourished in the early twentieth century. Debates between social scientists, artists, and politicians about mass culture, modern urban space, and socialization amplify slavery studies' preoccupation with political insurgency and resistance. This book analyzes the kinds of descriptions of social space, power, and personality type that became pivotal in the early sociology and psychology of slavery studies"--
    Anmerkung: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    BSZ
    GBV
  • 5
    Online-Ressource
    Online-Ressource
    Are You Entertained? : black popular culture in the twenty-first century (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478009009
    Sprache: Englisch
    Seiten: 1 Online-Ressource (325 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.896/073
    RVK:
    HU 1728
    Schlagwort(e): Geschichte 2000-2019 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American arts ; African Americans in popular culture ; Politics and culture ; Popular culture ; Racism in popular culture ; Massenkultur ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Kurzfassung: The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
    DOI: 10.1515/9781478009009
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: https://doi.org/10.1515/9781478009009?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478009009
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
    Bayreuth UB
  • 6
    Buch
    Buch
    Influx and efflux : writing up with Walt Whitman (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478008309 , 9781478007791
    Sprache: Englisch
    Seiten: xxv, 195 Seiten , Illustrationen , 23 cm
    Paralleltitel: Erscheint auch als Bennett, Jane, 1957- Influx and efflux
    DDC: 811/.3
    RVK:
    HT 6915
    Schlagwort(e): Whitman, Walt Criticism and interpretation ; Sympathy in literature ; Human ecology in literature ; American literature History and criticism 19th century ; Whitman, Walt 1819-1892 ; Philosophie
    Kurzfassung: Prologue. Influx and efflux -- Position and disposition -- Circuits of sympathy -- Solar judgment -- Refrain. The alchemy of affects -- Bad influence -- Thoreau experiments with natural influences -- Epilogue. A peculiar efficacy.
    Kurzfassung: "In her 2009 book Vibrant Matter, Jane Bennett explored the vital materiality of non-human objects and the deep interrelation of human and non-human forces. Yet she was left with a question: if we recognize human agency as bound up with the agentic forces of the material world, what does that mean for our conception of the self? Bennett's new work, INFLUX AND EFFLUX, draws on the work of Walt Whitman to address this question. Bennett uses Whitman's ideas of composition and decomposition, physical shapes and dispositions, and material and affective influences to posit a processual form of self that can form the basis for a more ecologically oriented and just world. This "democratic personality" is formed through constant influx and efflux (a reference to "Song of Myself") or influence, the way in which the sea, or anything external, comes in, changes things, and leaves again. The first chapter considers Whitman's ideology of "phiz"-a manner or position that affects one's disposition-which for Whitman was linked to the project of egalitarian democracy. Next, Bennett looks at sympathy as a more-than-human atmospheric force-considering the sympathetic currents involved in the transmission of pain, affection, love, and the erotic. Whitman called for his readers to engage in nonchalance and pluralism, instead of applying moral judgement-a stance that Bennett acknowledges might seem to contradict Whitman's ideal of a democratic vista. Yet Whitman assigned his poetry the task of expanding sympathy from the narrow confines of sentiment to a physical force itself. For example, Bennett shows that "I Sing the Body Electric" deliberately evokes a vital flow of sympathy that generates in the reader a sense of the linked value of every body-soul. Rather than directly engaging with the racialized violence of slavery in a way that might make people defensive, Whitman generated a cloud of possibility for abolitionist thought. Bennett concludes by considering Henry David Thoreau's engagements with natural influences-which he calls "the circulation of vitality beyond our bodies"-including sympathizing with trees and exploring psychedelic intoxication. For Bennett, these interactions represent a way of engaging with the more-than-human that recognizes the significant flows of influence that nature has on our lives. Beautifully written and accompanied by Bennett's own drawings and doodles, INFLUX AND EFFLUX will be an important text for scholars in literary theory, political th ...
    Anmerkung: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Buch
    MPI Ethno. Forsch.
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