ISBN:
9781789909692
Language:
English
Pages:
1 Online-Ressource (1 volume)
Series Statement:
Elgar research reviews in law
Keywords:
Intellectual property
;
Cultural property
;
Electronic books
Abstract:
The number and variety of methodological and substantive challenges that face those working at the interface of intellectual and cultural property have generated a rich interdisciplinary literature. Responding to a myriad of questions that the juxtaposition of the concepts of intellectual property and cultural property provoke, this research review focuses on the importance of creativity and cultural production in social, political and economic terms. The text will be of value to anyone interested in this important frontier
Description / Table of Contents:
Recommended readings (Machine generated): 1. -- (2019), Natsuko Akagawa and Laurajane Smith (eds), Safeguarding Intangible Heritage: Practices and Politics, Oxford, UK and New York, NY, USA: Routledge -- 2. (2017), Jane Anderson and Haidy Geismar (eds), The Routledge Companion to Cultural Property, Oxford, UK and New York, NY, USA: Routledge -- 3. (2018), Christoph Antons and William Logan (eds), Intellectual Property, Cultural Property and Intangible Cultural Heritage, Oxford, UK and New York, NY, USA: Routledge -- 4. (1996), Ronald V. Bettig (ed.), Copyrighting Culture: The Political Economy of Intellectual Property, Oxford, UK and New York, NY, USA: Routledge -- 5. Janet Blake (2000), On Defining Cultural Heritage', International and Comparative Law Quarterly, 49, 61-85 -- 6. Michael Blakeney (2013), 'The Protection of Traditional Knowledge Under Intellectual Property Law', European Intellectual Property Law Review, 22, 251-61 -- 7. Michael Blakeney (2009), 'Protecting the Spiritual Beliefs of Indigenous Peoples: Australian Case Studies', Pacific Rim Law and Policy Journal, 22, 391-427 -- 8. Kathy Bowrey and Jane Anderson (2009), 'The Politics of Global Information Sharing: Whose Cultural Agendas are Being Advanced?', Social and Legal Studies, 18, 479-504 -- 9. (2008), James Boyle (ed.), The Public Domain: Enclosing the Commons of the Mind, New Haven, USA and London, UK: Yale University Press -- 10. (2018), Merima Bruncevic (ed.), Art and the Commons: Space, Materiality and the Normative, Oxford, UK and New York, NY, USA: Routledge -- 11. Kristen A. Carpenter, Sonya K. Katyal and Angela R. Riley (2009), 'In Defense of Property', Yale Journal of Law, 100-204 -- 12. (1998), Rosemary J. Coombe (ed.), The Cultural Life of Intellectual Properties: Authorship, Appropriation and the Law, Durham, NC, USA: Duke University Press -- 13. Rosemary J. Coombe (2009), 'The Expanding Purview of Cultural Properties and their Politics', Annual Review of Law and Social Science, 5, 393-412 -- 14. (2011), Carys J. Craig (ed.), Copyright, Communication and Culture: Towards a Relational Theory of Copyright Law, Cheltenham, UK and Northampton, MA, USA: Edward Elgar Publishing Ltd -- 15. (2018), Charlotte Waelde, Catherine Cummings, Mathilde Pavis and Helena Enright (eds), Research Handbook on Contemporary Intangible Cultural Heritage: Law and Heritage, Cheltenham, UK and Northampton, MA, USA: Edward Elgar Publishing Ltd -- 16. -- William Fisher (2018), 'Theories of Intellectual Property' in Stephen R. Munzer (ed.), New Essays in the Legal and Political Theory of Property, Chapter 6, Cambr+AI4idge, UK: Cambridge University Press, 168-200 -- 17. Peter Fitzpatrick and Richard Joyce (2007), 'Copying Right: Cultural Property and the Limits of (Occidental) Law', in Fiona Macmillan (ed.), New Directions in Copyright Law: Volume 4, Chapter 8, Cheltenham, UK and Northampton, MA, USA: Edward Elgar Publishing Ltd, 169-90
Description / Table of Contents:
18. Tatiana Flessas (2003), 'Cultural Property Defined and Redefined as Nietzschean Aphorism', Cardozo Law Review, 1067-98 -- 19. Manlio Frigo (2004), 'Cultural Property v. Cultural Heritage: A battle of Concepts in International Law?', International Review of the Red Cross, 86 (854), 367-78 -- 20. (1991), Jane M. Gaines (ed.), Contested Culture: The Image, the Voice, and the Law, Chapel Hill, NC, USA and London, UK: University of North Carolina Press -- 21.Johanna Gibson (2006), 'Community and the Exhaustion of Culture: Creative Territories in Traditional Cultural Expressions', in Fiona Macmillan and Kathy Bowrey (eds), New Directions in Copyright Law: Volume 3, Chapter 2, Cheltenham, UK and Northampton, MA, USA: Edward Elgar Publishing Ltd -- 22. (2008), Christoph Beat Graber and Mira Burri-Nenova (eds), Intellectual Property and Traditional Cultural Expressions in a Digital Environment, Cheltenham, UK and Northampton, MA, USA: Edward Elgar Publishing Ltd -- 23. Martin Skrydstrup and Valdimar Tr. Hafstein (2017), 'Heritage vs. Property: Contrasting Regimes and Rationalities in the Patrimonial Field', in Jane Anderson and Haidy Geismar (eds), The Routledge Companion to Cultural Property, Oxford, UK and New York, NY, USA: Routledge, 38-53 -- 24. (2013), Rodney Harrison (ed.), Heritage: Critical Approaches, London, UK and New York, NY, USA: Routledge -- 25. (2004), Eva Hemmings Wirtén (ed.), No Trespassing: Authorship, Intellectual Property Rights, and the Boundaries of Globalization, Toronto, Canada: University of Toronto Press -- 26. Eva Hemmings Wirtén (2006), 'Our of Sight & Out of Mind: On the Cultural Hegemony of Intellectual Property (Critique)', Cultural Studies, 20, 282-91 -- 27. -- (2008), Eva Hemmings Wirtén (ed.), Terms of Use: Negotiating the Jungle of the Intellectual Commons, Toronto, Canada: University of Toronto Press -- 28. Lawrence Liang (2011), 'Beyond Representation: The Figure of the Pirate', in Mario Biagiola, Peter Jaszi and Martha Woodmansee (eds), Making and Unmaking Intellectual Property: Creative Production in Legal and Cultural Perspective, Chicago, IL, USA and London, UK: University of Chicago Press, 167-80 -- 29. Fiona Macmillan (2005), 'Commodification and Cultural Ownership', in Jonathan Griffiths and Uma Suthersanen (eds), Copyright and Free Speech: Comparative and International Analyses, Chapter 3, Oxford, UK and New York, NY, USA: Oxford University Press -- 30. (2006), Fiona Macmillan and Kathy Bowrey (eds), New Directions in Copyright Law: Volume 3, Cheltenham, UK and Northampton, MA, USA: Edward Elgar Publishing Ltd -- 31. (2021), Fiona Macmiilan (ed.), Intellectual and Cultural Property: Between Market and Commodity, London, UK and New York, NY, USA: Routledge -- 32. (2002), Kartsen Schubert and Daniel McClean (eds), Dear Images: Art, Copyright and Culture, London, UK: Ridinghouse and Institute of Contemporary Arts -- 33. (2001), Kembrew McLeod (ed.), Owning Culture: Authorship, Ownership and Intellectual Property Law, New York, NY, USA: Peter Lang Publishing Inc. -- 34. (2018), Jani McCutcheon and Fiona McGaughey (eds), Research Handbook on Art and Law, Cheltenham, UK and Northampton, MA, USA: Edward Elgar Publishing Ltd -- 35. Naomi Mezey (2007), 'The Paradoxes of Cultural Property', Columbia Law Review, 107, 2004-46
Description / Table of Contents:
36. (2014), Laura J. Murray, S. Tina Piper and Kirsty Robertson (eds), Putting Intellectual Property in its Place: Rights Discourses, Creative Labor, and the Everyday, Oxford, UK and New York, NY, USA: Oxford University Press -- 37. Neil Weinstock Netanel (1996), 'Copyright and a Democratic Civil Society', Yale Law Journal, 106, 283-387 -- 38. (2008), Neil Weinstock Netanel (ed.), Copyright's Paradox, Oxford, UK and New York, NY, USA: Oxford University Press -- 39. (1997), Patrick Parrinder and Warren L. Chernaik (eds), Textual Monopolies: Literary Copyright and the Public Domain, London, UK: University of London Press -- 40. Lyndel V. Prott and Patrick J. O'Keefe (1992), '"Cultural Heritage" or "Cultural Property"?', International Journal of Cultural Property, 1, 307-20 -- 41. Carol M. Rose (2003), 'Roman, Roads and Romantic Creators: Traditions of Public Property in the Information Age', Law & Contemporary Problems, 66, 89-110 -- 42. (1993), Mark Rose (ed.), Authors and Owners: The Invention of Copyright, Boston, MA, USA: Harvard University Press -- 43. (1992), David Saunders (ed.), Authorship and Copyright, London, UK and New York, NY, USA: Routledge -- 44. Joseph R. Slaughter (2011), 'Form and Informality: An Unliterary Look at World Literature', in Robyn Warhol (ed.), The Work of Genre: Selected Essays from the English Institute, Cambridge, MA, USA: The English Institute in collaboration with the American Council of Learned Societies, 182-226 -- 45. (2006), Laurajane Smith (ed.), Uses of Heritage, London, UK and New York, NY, USA: Routledge -- 46. (2001), Siva Vaidhyanathan (ed.), Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity, New York, NY, USA: New York University Press -- 47. Jeremy Waldron (1993), 'From Authors to Copiers: Individual Rights and Social Values in Intellectual Property', Chicago-Kent Law Review, 68, 841-87 -- 48. (1994), Martha Woodmansee and Peter Jaszi (eds), The Construction of Authorship: Textual Appropriation in Law and Literature, Durham, NC, USA: Duke University Press
Note:
The recommended readings are available in the print version, or may be available via the link to your library's holdings
,
Includes bibliographical references and index
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