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  • 1
    ISBN: 9781478025160 , 9781478020271
    Sprache: Englisch
    Seiten: 554 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Alvarez, Daniela Future/present
    Paralleltitel: Erscheint auch als FUTURE/PRESENT
    Paralleltitel: Erscheint auch als FUTURE/PRESENT
    RVK:
    Schlagwort(e): Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Kurzfassung: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Beschreibung / Inhaltsverzeichnis: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Anmerkung: Includes bibliographical references
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  • 2
    ISBN: 1912520958 , 9781912520954
    Sprache: Englisch
    Seiten: 141 Seiten
    DDC: 700.8996073
    RVK:
    Schlagwort(e): 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Kurzfassung: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Anmerkung: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    ISBN: 0691245452 , 9780691245454
    Sprache: Englisch
    Seiten: 175 Seiten , 26 cm
    RVK:
    Schlagwort(e): 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Kurzfassung: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Anmerkung: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 4
    Buch
    Buch
    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Sprache: Englisch
    Seiten: xii, 233 Seiten , Illustrationen , 24 cm
    DDC: 700.89/96073
    RVK:
    Schlagwort(e): Geschichte 1985-2015 ; Kunst ; Schwarze ; USA ; African American art / 20th century ; African American art / 21st century ; Art and society / United States / History / 20th century ; Art and society / United States / History / 21st century ; Art noir américain / 20e siècle ; Art noir américain / 21e siècle ; Artistes noirs américains / 20e siècle ; Artistes noirs américains / 21e siècle ; African American art ; African American artists ; 1900-2099 ; USA ; Kunst ; Schwarze ; Geschichte 1985-2015
    Kurzfassung: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1985 to 2015. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
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  • 5
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    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Sprache: Englisch
    Seiten: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
    RVK:
    Schlagwort(e): African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Kurzfassung: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Anmerkung: Includes bibliographical references and index
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  • 6
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Sprache: Englisch
    Seiten: 143 Seiten , Illustrationen , 29 cm
    RVK:
    Schlagwort(e): Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Kurzfassung: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Beschreibung / Inhaltsverzeichnis: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Anmerkung: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 7
    ISBN: 9780262048668
    Sprache: Englisch
    Seiten: xvii, 243 Seiten , Illustrationen , 23 cm
    Paralleltitel: Erscheint auch als Anthology of Blackness
    Paralleltitel: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
    RVK:
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    Schlagwort(e): Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Kurzfassung: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Beschreibung / Inhaltsverzeichnis: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Anmerkung: Bibliographie (Seite 234 - 243)
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  • 8
    ISBN: 9780300272963
    Sprache: Englisch
    Seiten: 263 Seiten
    DDC: 702.81/20973
    RVK:
    Schlagwort(e): African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Kurzfassung: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Beschreibung / Inhaltsverzeichnis: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Anmerkung: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 9
    Buch
    Buch
    New York : Columbia University Press
    ISBN: 9780231205023 , 9780231205030
    Sprache: Englisch
    Seiten: xi, 287 Seiten , Illustrationen
    Serie: Literature now
    Paralleltitel: Erscheint auch als Brooks, John, - 1989- The racial unfamiliar
    DDC: 810.9/896073
    RVK:
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    Schlagwort(e): American literature African American authors ; History and criticism ; African American art 21st century ; African Americans Race identity ; Race in literature ; Race in art ; African Americans in literature ; African Americans in art ; African Americans Intellectual life 21st century ; Literary criticism ; USA ; Literatur ; Kunst ; Schwarze ; Ästhetik ; Abstraktion
    Kurzfassung: "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--
    Anmerkung: Includes bibliographical references and index
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  • 10
    Online-Ressource
    Online-Ressource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Serie: Routledge research in art and race
    Paralleltitel: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
    RVK:
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    Schlagwort(e): Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 11
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Sprache: Englisch
    Seiten: 151 Seiten , 28 cm
    DDC: 305.896073075
    RVK:
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    Schlagwort(e): Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Kurzfassung: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Anmerkung: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 12
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    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Sprache: Englisch
    Seiten: 133 Seiten , 23 x 28 cm
    DDC: 709.73
    RVK:
    Schlagwort(e): Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Anmerkung: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 13
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Sprache: Englisch
    Seiten: 267 Seiten , Illustrationen
    Serie: Exhibition histories
    DDC: 704.039604109045
    RVK:
    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 14
    Buch
    Buch
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469663036 , 9781469663043
    Sprache: Englisch
    Seiten: xii, 224 Seiten , Illustrationen
    Serie: The John Hope Franklin series in African American history and culture
    Paralleltitel: Erscheint auch als Smethurst, James Behold the Land
    DDC: 810.9/896073
    RVK:
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    Schlagwort(e): Black Arts movement ; American literature African American authors ; History and criticism ; African Americans in literature ; Black nationalism in literature ; Black nationalism History 20th century ; African Americans Intellectual life 20th century ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; USA ; Black arts movement ; Geschichte 1960-1985
    Anmerkung: Includes bibliographical references and index
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  • 15
    Buch
    Buch
    Cambridge, Massachusetts : The MIT Press
    ISBN: 9780262045841
    Sprache: Englisch
    Seiten: 282 Seiten
    DDC: 391.00973
    RVK:
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    Schlagwort(e): Geschichte 1850-1900 ; Haute couture ; Damenmode ; Bekleidungsindustrie ; Kunde ; High-Society ; Paris ; USA
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  • 16
    Online-Ressource
    Online-Ressource
    Bielefeld : transcript
    ISBN: 9783839452943
    Sprache: Englisch
    Seiten: 1 Online-Ressource (215 Seiten) , Illustrationen
    Serie: Image volume 180
    Serie: Image
    Paralleltitel: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
    RVK:
    Schlagwort(e): Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Kurzfassung: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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  • 17
    Buch
    Buch
    New York : Routledge, Taylor & Francis Group
    ISBN: 9780367553647
    Sprache: Englisch
    Seiten: xxxiv, 487 Seiten , Illustrationen , 25 cm
    Ausgabe: First issued in paperback
    Serie: Routledge companions
    Serie: Visual studies
    DDC: 700.8996073
    RVK:
    Schlagwort(e): African American art ; Art, American Historiography ; Electronic books ; USA ; Schwarze ; Kunst ; Geschichte 1700-2020
    Anmerkung: First published 2020 by Routledge
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  • 18
    ISBN: 1934351199 , 9781934351192
    Sprache: Englisch
    Seiten: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Schlagwort(e): African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Kurzfassung: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Kurzfassung: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Anmerkung: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 19
    ISBN: 9781941366325 , 1941366325
    Sprache: Englisch
    Seiten: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Schlagwort(e): African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Kurzfassung: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Anmerkung: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 20
    Online-Ressource
    Online-Ressource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Serie: North Carolina scholarship online
    DDC: 302.23082
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    Schlagwort(e): Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Kurzfassung: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
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  • 21
    ISBN: 9780691208190
    Sprache: Englisch
    Seiten: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
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    Schlagwort(e): Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Anmerkung: Includes bibliographical references and index
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  • 22
    Buch
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    Princeton ; Oxford : Princeton University Press
    ISBN: 9780691208190
    Sprache: Englisch
    Seiten: VII, 254 Seiten , Illustrationen, Pläne
    Paralleltitel: Erscheint auch als
    DDC: 745.40973/0904
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    Schlagwort(e): Geschichte 1950-1959 ; ART / History / General ; Decorative arts Marketing ; Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Power (Social sciences) History 20th century ; Geschlecht ; Design ; Rasse ; Industriedesign ; USA ; USA ; Industriedesign ; Geschichte 1950-1959 ; USA ; Design ; Geschlecht ; Rasse
    Kurzfassung: The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture
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  • 23
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    Charlottesville : University of Virginia Press
    ISBN: 9780813943749
    Sprache: Englisch
    Seiten: xviii, 194 Seiten , Illustrationen
    Serie: Midcentury: architecture, landscape, urbanism, and design
    Paralleltitel: Erscheint auch als Grubiak, Margaret M Monumental jesus
    DDC: 306.6/773
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    Schlagwort(e): Christianity and culture ; Cultural landscapes ; Popular culture Religious aspects ; Christianity ; United States Religion ; USA ; Religiöse Kunst ; Architektur ; Monumentalplastik
    Kurzfassung: Touchdown Jesus! -- Dorothy, The Wizard of Oz, and the Mormon Temple -- Adventures in the evangelical theme park -- Charles Darwin's Night at the Creation Museum -- Gumby Jesus.
    Kurzfassung: "This book explores how religious doubt is made manifest in the built environment by taking seriously the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. It challenges how audiences typically consider religious architecture by shifting the focus from believers to doubters and from architectural producers to architectural consumers. Its chapters explore landscapes of doubt created by "Touchdown Jesus" at the University of Notre Dame in Indiana; the Mormon temple outside Washington, D.C., recast as something from The Wizard of Oz; Jerry Falwell's waterslide plunge photograph and The Simpson's "Praiseland" episode satirizing Jim and Tammy Faye Bakker's Heritage USA evangelical theme park in South Carolina; the doctored photograph making fun of Oral Roberts's claim of seeing a 900-foot Jesus at Oral Roberts University in Tulsa, Oklahoma; MAD magazine's "Charles Darwin's Night at the Creation Museum" parody of the Creation Museum in Kentucky; and the "Gumby Jesus" renaming of the Christ of the Ozarks statue in Eureka Springs, Arkansas. These expressions of doubt activate the religious built environment in ways unanticipated but illuminating, asking Americans to consider and clarify what it is they believe"--
    Anmerkung: Includes bibliographical references and index
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  • 24
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    University Park, Pennsylvania : The Pennsylvania State University Press
    ISBN: 9780271086040
    Sprache: Englisch
    Seiten: 241 Seiten , Illustrationen
    DDC: 759.13
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    Schlagwort(e): Jones, Lois Mailou Criticism and interpretation ; African diaspora in art ; Jones, Loi͏̈s Mailou 1905-1998 ; USA ; Schwarze ; Kunst
    Kurzfassung: Introduction : claiming middle ground -- Seeking success : school, society, and career aspirations -- Routes to roots : from Black Washington to Black Paris -- Diasporic directions : Haiti, collage, and composite aesthetics -- In and out : Africa and the academy -- Conclusion : composite naming practices and art histories.
    Kurzfassung: "A critical analysis of the art and career of African American painter Loïs Mailou Jones (1905-1998). Examines Jones's engagement with African and Afrodiasporic themes as well as the challenges she faced as a black woman artist"--
    Anmerkung: Includes bibliographical references and index
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  • 25
    ISBN: 9789490153328 , 949015332X
    Sprache: Englisch
    Seiten: 184 Seiten , Illustrationen
    Serie: KA series 32
    Paralleltitel: Parallele Sprachausgabe
    DDC: 700.411
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    Schlagwort(e): 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Kurzfassung: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Anmerkung: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 26
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    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    ISBN: 9780300245745 , 0300245742
    Sprache: Englisch
    Seiten: xii, 228 Seiten , Illustrationen , 26 cm
    DDC: 704.0396073
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    Schlagwort(e): Harrington, Oliver W ; Colescott, Robert ; African American art ; African American artists ; African Americans in art ; Satire, American History and criticism ; USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
    Kurzfassung: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Kurzfassung: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Anmerkung: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
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  • 27
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    London : Phaidon Press Limited | New York, NY : New Museum
    ISBN: 9781838661298 , 1838661298
    Sprache: Englisch
    Seiten: 263 Seiten , 29 x 25 cm
    DDC: 704.9491524
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    Schlagwort(e): Ausstellungskatalog New Museum of Contemporary Art, New York, NY 2020-2021 ; Bildband ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 1964-2020 ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 2016-2020
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Impressum: "In association with New Museum New York, on the occasion of the exhibition "Grief and Grievance: Art and Mourning in America" October 20, 2020-January 24, 2021"
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  • 28
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    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476669496
    Sprache: Englisch
    Seiten: x, 274 Seiten, 8 Seiten , Illustrationen
    DDC: 303.482730969
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    Schlagwort(e): Einfluss ; Massenkultur ; USA ; Hawaii
    Anmerkung: Bibliography Seite 256-264
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  • 29
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    Lanham : Rowman & Littlefield
    ISBN: 9781538101452
    Sprache: Englisch
    Seiten: xxvii, 382 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Mitchell, Verner D., 1957- author Encyclopedia of the Black Arts Movement
    DDC: 700.89/96073
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    Schlagwort(e): Black Arts movement Encyclopedias ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Black arts movement ; USA ; Schwarze ; Künste ; Black power
    Kurzfassung: "The Black Arts Movement (BAM) was the name given to a group of black poets, artists, dramatists, musicians, and writers who emerged in the wake of the Black Power Movement. The entries in this volume include key contributors to the Black Arts Movement, their major works produced during the period, significant publications, and influential groups and organizations"--
    Anmerkung: Includes bibliographical references and index
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  • 30
    Buch
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    New Haven : Yale University Press in association with the Hutchins Center for African & African American Research, Harvard University
    ISBN: 9780300230383
    Sprache: Englisch
    Seiten: xiii, 134 Seiten , Illustrationen
    Serie: Richard D. Cohen lectures in African and African American Art
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    Schlagwort(e): Kunst ; Moderne ; Rassismus ; Kunst ; Moderne ; Rassismus ; Leonard, Zoe 1961- ; Marshall, Kerry James 1955- ; Pope.L, William 1955- ; USA ; Kunst ; Moderne ; Rassismus ; Geschichte 1950-2016
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  • 31
    ISBN: 9781138605923
    Sprache: Englisch
    Seiten: XX, 211 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
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    Schlagwort(e): USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
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  • 32
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    Årsta, Sweden : Dokument Press
    ISBN: 9188369196 , 9789188369192
    Sprache: Englisch
    Seiten: 93 Seiten , 22 cm
    DDC: 700.411
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    Schlagwort(e): Rap (Music) Pictorial works ; Rap (Music) Maps ; Bildband ; USA ; Installation ; Rap
    Kurzfassung: A visual catalog of site-specific rap lyrics in New York, Los Angeles, Philadelphia, Atlanta, Houston and more. Since 2013, multi-disciplinary artist Jay Shells (Jason Shelowitz) has been travelling to major US cities, installing his Rap Quotes campaign. At the time of this publication, the campaign has touched down in New York, Los Angeles, Philadelphia, Atlanta, Houston and the Bay Area. 0Part art book and part guide book, 'The Rap Quotes Coast to Coast' takes you on a new kind of journey, with gorgeous photography by Aymann Ismail to offer context for the hip hop lyrics that mark locations in these major cities. Each city/chapter opens with remarks by local hip hop journalists and ends with a map plotting every site-specifc rap lyric for that city, giving the reader the ability to take their own hip hop-specific tour of the city they love. The Rap Quotes campaign is ongoing, and in the next few years will launch in Chicago, New Orleans, Miami and other cities around the globe
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  • 33
    ISBN: 0892075481 , 9780892075485
    Sprache: Englisch
    Seiten: 153 Seiten , 25 cm
    DDC: 759.13
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    Schlagwort(e): Basquiat, Jean-Michel Exhibitions ; Basquiat, Jean-Michel Political and social views ; Police brutality Art ; Racism Art ; Basquiat, Jean-Michel ; Basquiat, Jean Michel ; Exhibition catalogs ; Exhibition catalogs ; Ausstellungskatalog Solomon R. Guggenheim Museum 2019 ; Basquiat, Jean Michel 1960-1988 ; USA ; Politische Kunst ; Antirassismus
    Kurzfassung: Defacement: moment, history, and memory / Chaédria LaBouvier -- The man nobody killed / Nancy Spector -- The art of Basquiat belongs to the people / J. Faith Almiron -- Black like B. / Greg Tate -- Recollections / compiled by Chaédria LaBouvier.
    Kurzfassung: Jean-Michel Basquiat painted 'Defacement' (The Death of Michael Stewart) in 1983 to commemorate the death of a young, black artist who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway station. Published to accompany a focused exhibition of Basquiat's response to anti-black racism and police brutality, this catalogue explores a chapter in the artist's career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s
    Anmerkung: Includes bibliographical references
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  • 34
    Online-Ressource
    Online-Ressource
    Boca Raton, FL : Routledge,
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Sprache: Englisch
    Seiten: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Ausgabe: First edition.
    Serie: Routledge Research in Art and Race
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Schlagwort(e): Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Kurzfassung: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Anmerkung: Includes bibliographical references and index
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  • 35
    Buch
    Buch
    Oakland, California : University of California Press
    ISBN: 9780520286535
    Sprache: Englisch
    Seiten: xx, 318 Seiten , Illustrationen , 28 cm
    Serie: Ahmanson Murphy Fine Arts imprint
    DDC: 709.2/396073
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    Schlagwort(e): African American artists 20th century ; African American artists 21st century ; Artists, Black 20th century ; Artists, Black 21st century ; Großbritannien ; USA ; Kunst ; Künstler ; Künstlerin ; Person of Color ; Geschichte 1965-2015 ; Großbritannien ; USA ; Schwarze ; Kunst ; Geschichte 1965-2015
    Anmerkung: Includes bibliographical references and index
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  • 36
    ISBN: 9781943263141 , 9781943263141
    Sprache: Englisch
    Seiten: 149 Seiten , Illustrationen , 23 cm
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    Schlagwort(e): Art and race History ; Freedom and art 20th century ; United States ; Art and race History ; Freedom and art 20th century ; United States ; Art and race ; Freedom and art ; Nonfiction ; Rassismus ; Kunst ; USA ; Geschichte 1969-2017 ; Rassismus ; Kunst ; USA
    Kurzfassung: In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York's Artists Space entitled Nigger Drawings. In 1969, the Metropolitan Museum of Art's exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. 'Whitewalling: Art, Race, & Protest in 3 Acts' reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world - no less than the country at large - has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. 'Whitewalling' takes a critical and intimate look at these three "acts" in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak?
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Setting the stage , Act 1: Open casket, Whitney Biennial, 2017 , Act 2: The nigger drawings, Artists Space, 1979 , Act 3: Harlem on my mind, Metropolitan Museum of Art, 1969
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  • 37
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479832774 , 9781479890170
    Sprache: Englisch
    Seiten: xxii, 299 Seiten , Illustrationen
    Serie: Sexual cultures
    Paralleltitel: Erscheint auch als
    DDC: 306.7601
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    Schlagwort(e): Ishioka, Eiko ; González-Torres, Félix ; Bustamante, Nao ; Tseng, Kwong Chi ; Simone, Nina ; Danh Vo ; Queer theory ; Performance art ; Minorities Social conditions ; Performance ; Kleinkunst ; Identität ; Soziale Situation ; Darstellender Künstler ; Queer-Theorie ; USA ; USA ; Kleinkunst ; Performance ; Darstellender Künstler ; Soziale Situation ; Identität ; Queer-Theorie ; Bustamante, Nao 1963- ; Simone, Nina 1933-2003 ; Danh Vo 1975- ; Ishioka, Eiko 1939-2012 ; Tseng, Kwong Chi 1950-1990 ; González-Torres, Félix 1957-1996
    Anmerkung: Includes bibliographical references and index
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  • 38
    Buch
    Buch
    Madrid : Iberoamericana | Frankfurt am Main : Vervuert
    ISBN: 9788416922291 , 9783954876211
    Sprache: Spanisch
    Seiten: 348 Seiten , Illustrationen
    Serie: La casa de la riqueza 41
    Serie: La casa de la riqueza
    DDC: 306
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    Schlagwort(e): García Lorca, Federico ; Buñuel, Luis ; Dalí, Salvador ; Amerikabild ; USA ; Konferenzschrift 15.10.2015-17.10.2015 ; Aufsatzsammlung ; Aufsatzsammlung ; García Lorca, Federico 1898-1936 ; Buñuel, Luis 1900-1983 ; Dalí, Salvador 1904-1989 ; USA ; Amerikabild
    URL: Cover
    URL: Cover
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  • 39
    ISBN: 9783837642537 , 3837642534
    Sprache: Deutsch
    Seiten: 375 Seiten , Illustrationen
    Serie: Edition Medienwissenschaften Band 51
    Serie: Edition Medienwissenschaft
    Paralleltitel: Erscheint auch als Miggelbrink, Monique Fernsehen und Wohnkultur
    Dissertationsvermerk: Dissertation Universität Paderborn 2017
    DDC: 302.2345094309046
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    Schlagwort(e): Wohnkultur ; Fernsehempfänger ; Design ; Deutschland ; USA ; Hochschulschrift ; Hochschulschrift ; Deutschland ; USA ; Fernsehempfänger ; Design ; Wohnkultur ; Geschichte 1953-1970 ; Fernsehen ; Möbel ; Fernsehen ; Wohnkultur ; Fernsehempfänger ; Möbel
    Anmerkung: Quellen- und Literaturverzeichnis: Seite 349-375
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  • 40
    ISBN: 9780872731844 , 0872731847
    Sprache: Englisch
    Seiten: 152 Seiten , Illustrationen , 27 cm
    DDC: 305.48/896073
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    Schlagwort(e): African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism and the arts Exhibitions History 20th century ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism and the arts Exhibitions ; History ; 20th century ; United States ; African American feminists ; African American radicals ; African American women authors ; African American women Political activity ; Feminism and the arts ; Feminist literature United States ; African American feminists ; African American feminists ; African American radicals ; African American radicals ; African American women ; African American women ; African American women authors ; African American women authors ; Feminism and the arts ; Feminism and the arts ; Feminist literature ; Feminist literature ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Schwarze ; Frauenkunst ; Geschichte 1965-1985
    Kurzfassung: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Anmerkung: Includes bibliographical references , Impressum: "Published on the occasion of the exhibition We Wanted a Revolution: Black Radical Women, 1965-85, organized by the Brooklyn Museum. Itinerary Brooklyn Museum, April 21-September 17, 2017, California African American Museum, Los Angeles, October 13, 2017-January 14, 2018, Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018, The Institute of Contemporary Art/Boston, June 26-September 30, 2018."
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  • 41
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    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Sprache: Englisch
    Seiten: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Schlagwort(e): Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Kurzfassung: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Anmerkung: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 42
    ISBN: 9780872731837
    Sprache: Englisch
    Seiten: 319 Seiten , Illustrationen
    DDC: 305.48/896073
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    Schlagwort(e): African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism Sources ; Exhibitions ; History ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Black arts movement ; Schwarze Frau ; Frauenkunst ; Engagierte Kunst ; Geschichte 1965-1994
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 43
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    New Haven and London : Yale University Press | New Haven : Yale University Press
    ISBN: 9780876332726 , 9780300225891
    Sprache: Englisch
    Seiten: 496 Seiten , Illustrationen
    DDC: 750
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    Schlagwort(e): Watercolor painting Exhibitions 20th century ; Watercolor painting, American Exhibitions 19th century ; Watercolor painting, American Exhibitions 20th century ; Watercolor painting Exhibitions 19th century ; Watercolor painting ; Watercolor painting ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; USA ; Aquarell ; Geschichte 1800-1930 ; USA ; Aquarell ; Geschichte 1800-1930
    Kurzfassung: The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture
    Kurzfassung: The American watercolor movement -- American watercolor before 1866: separate worlds -- Ruskin, Turner, and the English tradition, 1855-1865 -- The formation of the American Watercolor Society -- "Strenuous and persistent efforts": the watercolor movement, 1873-1877 -- Landscape in the 1870s -- The illustrators: from "black and white" to color, 1873-1882 -- Figure painting in the 1870s: Homer and Eakins -- Art for a Decorative Age -- Impressionism from Munich and Rome -- High-water mark: figure painters in the 1880s -- Landscape painting after 1880: tonalism -- Illustration and decoration in the Gilded Age -- Impressionism and post-impressionism: Prendergast, Homer, and Sargent -- The "American medium" and the moderns -- Flash in the pan: a history of manufacturing watercolor paint in America / Rebecca Pollak
    Anmerkung: Rückseite der Titelseite: "Published on the occasion of the exhibition American Watercolor in the Age of Homer and Sargent, March 1-May 14, 2017."
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  • 44
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    Cambridge, Massachusetts ; London, England : The MIT Press
    ISBN: 9780262035743 , 9780262544917
    Sprache: Englisch
    Seiten: 254 Seiten , Illustrationen
    DDC: 725/.7609793135
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    Schlagwort(e): Architektur ; Architecture ; Architecture and society ; American dream ; Transformation ; Architektur ; USA ; Las Vegas Strip (Nev.) ; Las Vegas (Nev.) Buildings, structures, etc ; Las Vegas, Nev. ; Las Vegas, Nev. ; Architektur ; American dream ; Transformation
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
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  • 45
    ISBN: 9780872731837
    Sprache: Englisch
    Seiten: 319 Seiten , Illustrationen
    Ausgabe: First published
    Suppl.: In Beziehung stehendes Werk We wanted a revolution 2018
    DDC: 305.48896073
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    Schlagwort(e): Nengudi, Senga ; Geschichte 1900-2000 ; Geschichte 1965-1994 ; Geschichte 1965-1985 ; Geschichte ; Weibliche Schwarze. Amerika ; African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; Frauenkunst ; Person of Color ; Künstlerin ; USA ; USA ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Quelle ; USA ; Frauenkunst ; Person of Color ; Geschichte 1965-1994 ; Künstlerin ; Person of Color ; Geschichte 1965-1985 ; Nengudi, Senga 1943-
    Anmerkung: Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 46
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9780822371458 , 9780822358978
    Sprache: Englisch
    Seiten: XVI, 344 Seiten , Illustrationen, Porträts , 27 cm
    Serie: Art history publication initiative
    Paralleltitel: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03/9607300747471
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    Schlagwort(e): Geschichte 1960-1990 ; African American art Exhibitions 20th century ; History ; Racism in museum exhibits History 20th century ; Museum exhibits Social aspects 20th century ; History ; Museum exhibits Political aspects 20th century ; History ; Künstler ; Kunst ; Schwarze ; Kunstmuseum ; Kunstausstellung ; Kunstpolitik ; Rassismus ; USA ; Aufsatzsammlung ; New York ; Kunst ; Schwarze ; New York ; Ausstellung ; Museum ; Rassismus ; Geschichte 1900-2000
    Beschreibung / Inhaltsverzeichnis: Electronic refractions II at the Studio Museum in HarlemHarlem on my mind at the Metropolitan Museum of Art -- Contemporary Black artists in America at the Whitney Museum of American Art -- Romare Bearden : the prevalence of ritual and the sculpture of Richard Hunt at the Museum of Modern Art.
    Anmerkung: Includes bibliographical references (pages 319-333) and index
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  • 47
    Buch
    Buch
    Bielefeld : Transcript-Verl.
    ISBN: 3837631117 , 9783837631111
    Sprache: Englisch
    Seiten: 425 S. , graph. Darst., Kt.
    Serie: Urban studies
    Paralleltitel: Online-Ausg. ISBN 9783839431115
    DDC: 810.9321732
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    Schlagwort(e): Geschichte 1880-2015 ; Literatur ; Amerikabild ; Stadt ; Stadt ; Soziokultureller Wandel ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Literaturangaben
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  • 48
    ISBN: 9780300214680
    Sprache: Englisch
    Seiten: viii, 281 Seiten , Illustrationen
    Serie: Studies in the history of art 81
    Serie: Center for Advanced Study in the Visual Arts 58
    Serie: Studies in the history of art
    DDC: 704.9/499737
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    Schlagwort(e): Art and war Congresses ; Art and history Congresses ; Collective memory Congresses ; United States Art and the war History Civil War, 1861-1865 ; Congresses ; Konferenzschrift 08.11.2013-09.11.2013 ; Konferenzschrift 2013 ; Konferenzschrift 08.11.2013-09.11.2013 ; Konferenzschrift 2013 ; Sezessionskrieg ; Kollektives Gedächtnis ; Kunst ; Geschichte 1861-2000 ; USA ; Sezessionskrieg ; Schwarze ; Rassenkonflikt ; Kollektives Gedächtnis ; Kunst ; Gedenkstätte ; Kriegerdenkmal
    Anmerkung: Includes index , Rückseite Titelblatt: "Proceedings of the symposium "The Civil War in Art and Memory," organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and sponsored by the Arthur Vining Davis Foundations. The symposium was held November 8-9, 2013, in Washington" , Konferenzschrift zum Symposium Civil War in Art and Memory
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  • 49
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Press
    ISBN: 978-1-62040-375-4 , 1-62040-375-7 , 9781620403761
    Sprache: Englisch
    Seiten: x, 333 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen , 25 cm
    DDC: 306.09
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    Schlagwort(e): Wright, Frank Lloyd / 1867-1959 / Friends and associates ; Wright, Frank Lloyd / 1867-1959 / Criticism and interpretation ; Johnson, Philip / 1906-2005 / Friends and associates ; Johnson, Philip / 1906-2005 / Criticism and interpretation ; Johnson, Philip / 1906-2005 ; Wright, Frank Lloyd / 1867-1959 ; Wright, Frank Lloyd ; Johnson, Philip ; Geschichte 1900-2000 ; Geschichte 1900-2000 ; Architecture / United States / History / 20th century ; ARCHITECTURE / History / General ; HISTORY / Americas (North, Central, South, West Indies) ; BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers ; ARCHITECTURE / History / Modern (late 19th Century to 1945) ; ARCHITECTURE / History / Contemporary (1945- ) ; Architecture ; Friendship ; Architektur ; Geschichte ; Architektur ; United States ; USA ; USA ; Wright, Frank Lloyd 1867-1959 ; Johnson, Philip 1906-2005 ; USA ; Architektur ; Geschichte 1900-2000
    Kurzfassung: "In architectural terms, the twentieth century can be largely summed up with two names: Frank Lloyd Wright and Philip Johnson. Wright (1867-1959) began it with his romantic prairie style; Johnson (1906-2005) brought down the curtain with his spare postmodernist experiments. Between them, they built some of the most admired and discussed buildings in American history. Differing radically in their views on architecture, Wright and Johnson shared a restless creativity, enormous charisma, and an outspokenness that made each man irresistible to the media. Often publicly at odds, they were the twentieth century's flint and steel; their repeated encounters consistently set off sparks. Yet as acclaimed historian Hugh Howard shows, their rivalry was also a fruitful artistic conversation, one that yielded new directions for both men. It was not despite but rather because of their contentious--and not always admiring--relationship that they were able so powerfully to influence history. In Architecture's Odd Couple, Howard deftly traces the historical threads connecting the two men and offers readers a distinct perspective on the era they so enlivened with their designs. Featuring many of the structures that defined modern space--from Fallingwater to the Guggenheim, from the Glass House to the Seagram Building--this book presents an arresting portrait of modern architecture's odd couple and how they shaped the American landscape by shaping each other"--
    Beschreibung / Inhaltsverzeichnis: Prologue: The master and the maestro -- Part I: a meeting of minds -- Two conversations -- Plotting a comeback -- European travels -- Part II: The MOMA moment -- The new museum -- An invitation issued -- Wright vs. Johnson -- The show must go on -- Part III: Acting out their antagonism -- The banks of Bear Run -- Politics and art -- Wright's Manhattan project -- Philip comes out classical -- The whiskey bottle and the teapot -- Epilogue: A friendly wrangle
    Anmerkung: Includes bibliographical references (pages 285-320) and index
    URL: Cover
    URL: Cover
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  • 50
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    Chicago : The University of Chicago Press
    ISBN: 9780226131054 , 022613105X
    Sprache: Englisch
    Seiten: 285 Seiten , illustrationen , 24 cm
    DDC: 700.89/96073
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    Schlagwort(e): Contemporary Black Artists in America (Exhibition) 〈(1971〉 ; De Luxe Show (Exhibition) 〈(1971〉 ; Contemporary Black Artists in America (Exhibition) ; De Luxe Show (Exhibition) ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; Art, American Exhibitions 20th century ; History ; Art and race ; Art and society ; Modernism (Art) Social aspects ; Nineteen seventy-one, A.D ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; United States ; Art, American Exhibitions ; History ; 20th century ; Art and race ; Art and society United States ; Modernism (Art) Social aspects ; United States ; Nineteen seventy-one, A.D ; African American art Exhibitions ; 20th century ; USA ; Schwarze ; Person of Color ; Kunst ; Kulturpolitik ; Kunstausstellung ; Rassismus ; Geschichte 1971
    Kurzfassung: Introduction: Social experiments with modernism -- The figure of the black modernist -- Making a show of discomposure: Contemporary Black Artists in America -- Local color and its discontents: the DeLuxe show -- Appendix: Raymond Saunders, Black is a color
    Kurzfassung: In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts〈U+2014〉and those of their advocates〈U+2014〉to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists〈U+2014〉among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas〈U+2014〉rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture〈U+2019〉s preoccupation with color
    Anmerkung: Includes bibliographical references and index , Introduction: Social experiments with modernism , How it looks to be a problem , Making a show of discomposure: Contemporary Black Artists in America , Local color and its discontents: the DeLuxe show , Appendix: Raymond Saunders, Black is a color (1967)
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  • 51
    ISBN: 9781851778911 , 9781851778928 , 1851778918
    Sprache: Englisch
    Seiten: 320 Seiten , Illustrationen, Diagramme , 24 x 3.2 x 31 cm
    Ausgabe: First published
    DDC: 781.6609
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    Schlagwort(e): Rock music Exhibitions 1961-1970 ; Nineteen sixties Exhibitions ; Counterculture Exhibitions History 20th century ; Protest movements Exhibitions History 20th century ; Bildband ; Ausstellungskatalog Victoria and Albert Museum 10.09.2016-26.02.2017 ; USA ; Großbritannien ; Pop-Kultur ; Gegenkultur ; Protestbewegung ; Musik ; Gebrauchsgrafik ; Mode ; Geschichte 1966-1970
    Kurzfassung: The late 1960s were a period of great turbulence and rapid social and political change. You Say You Want a Revolution? examines that moment when youth culture drove an optimistic idealism, motivating people to come together and question established power structures across every area of society. It shows how many of the issues that dominate contemporary discourse environmentalism, globalization, individualism or mass-communication - have roots that can be traced back to the 1960s.1960s design culture culminated in an orgy of colour and form: a sensorial overload of Barbarella-style inflatables, plush Verner Panton playrooms and high-tech 2001: Space Odyssey furniture systems. Here, essays on music, politics, the counter-culture, social living, mind-altering experiences, festivals and more chart revolutions across media and culture, illustrated throughout with some of the most iconic images of the time - including the records that provided both the soundtrack and the key means of identification.The idealism of the period informed such disparate phenomena as the high-tech innovations of Silicon Valley and the environmental movement.Half a century later, we can reassess the genesis of these movements and explore whether the revolutions they started can be considered complete, ongoing or interrupted
    Kurzfassung: The late 1960s were a period of great turbulence and rapid social and political change. You Say You Want a Revolution? examines that moment when youth culture drove an optimistic idealism, motivating people to come together and question established power structures across every area of society. It shows how many of the issues that dominate contemporary discourse - environmentalism, globalization, individualism or mass-communication - have roots that can be traced back to the 1960s.〈br〉1960s design culture culminated in an orgy of colour and form: a sensorial overload of Barbarella-style inflatables, plush Verner Panton playrooms and high-tech 2001: Space Odyssey furniture systems. Here, essays on music, politics, the counter-culture, social living, mind-altering experiences, festivals and more chart revolutions across media and culture, illustrated throughout with some of the most iconic images of the time - including the records that provided both the soundtrack and the key means of identification.〈br〉The idealism of the period informed such disparate phenomena as the high-tech innovations of Silicon Valley and the environmental movement. Half a century later, we can reassess the genesis of these movements and explore whether the revolutions they started can be considered complete, ongoing or interrupted
    Anmerkung: Aus dem Internet: Exhibition,Victoria & Albert Museum, London,10 September 2016- 26 February 2017 , "In the exhibition and book You Say You Want a Revolution? Records and Rebels 1966-1970, we explore key subject areas and locations where these revolutions took place" -Vorwort, Seite 12 , A tale of two cities : London, San Francisco and the transatlantic bridge , Revolution now : the traumas and legacies of US politics in the late 1960s , The counter-culture , All together now? , The Fillmore, the Grande and the Sunset Strip : the evolution of a musical revolution , You say you want a revolution? : looking at the Beatles , British fashion 1966-70 : 'A state of anarchy' , The chrome-plated marshmallow : the 1960s consumer revolution and its discontents , 'We are as gods...' : computers and America's new communalism, 1965-75 , Epilogue. Michael Sandel on where we go from here. , Englisch
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  • 52
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    Newcastle upon Tyne : Cambridge Scholars Publishing
    ISBN: 9781443883757 , 1443883751
    Sprache: Englisch
    Seiten: xxv, 182 Seiten, 38 ungezählte Seiten , Illustrationen
    DDC: 306.09
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    Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunst ; Politik ; Gesellschaft ; Geschichte 1914-1970 ; USA ; Kunst ; Politik ; Gesellschaft ; Geschichte 1914-1970
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  • 53
    ISBN: 9783775739498 , 3775739491
    Sprache: Englisch
    Seiten: 167 S. , zahlr. Ill. , 22 cm
    Paralleltitel: Dt. Ausg. u.d.T. Pop, Politik und Propaganda
    DDC: 720
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    Schlagwort(e): Auswärtige Kulturpolitik ; Internationale Kooperation ; Bildung ; Kulturinstitut ; Ausland ; Ziel ; Grundsatzprogramm ; Einrichtung ; Organisation ; Architektur ; Umerziehung ; Konzeption ; Wandel ; USA ; Deutschland ; Deutschland ; Amerika-Haus Berlin ; Kultur ; Geschichte
    Anmerkung: Literaturangaben
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  • 54
    ISBN: 9781606996690
    Sprache: Englisch
    Seiten: 179 Seiten , Illustrationen
    Ausgabe: 1. Fantagraphics Books edition
    DDC: 305.309
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    Schlagwort(e): Women cartoonists History 20th century ; Women cartoonists History 21st century ; USA ; Comiczeichnerin ; Cartoonistin ; Geschichte 1896-2013
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  • 55
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    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469607542
    Sprache: Englisch
    Seiten: XII, 274 S. , Ill.
    Zusätzliches Material: 1 CD (audio ; 12 cm), 1 DVD (12 cm)
    DDC: 810.8/0975
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    Schlagwort(e): American literature ; Southern States Literary collections ; USA ; Englisch ; Literatur ; Schriftsteller ; Schriftstellerin
    Anmerkung: CDs enth.: Musikbeispiele, Film , Includes bibliographical references and index -- Includes filmography
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  • 56
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    New York, NY : Palgrave Macmillan
    ISBN: 9781137023919 , 1137023910
    Sprache: Englisch
    Seiten: [IX], 209 S. , 23 cm
    DDC: 790.2
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    Schlagwort(e): Performing arts Audiences ; Performing arts ; Communication and culture ; Kunst ; Gespräch ; Ästhetik ; USA ; Neue Medien ; Kunstvermittlung ; Rezeptionsästhetik ; USA ; Neue Medien ; Kunstvermittlung ; Kunstinterpretation ; Ästhetisches Urteil ; Öffentliche Meinung ; Partizipation ; Kommunikation ; Gesellschaft ; Rezeptionsästhetik
    Kurzfassung: Preamble: we the audience -- Defining arts talk. Roadmap to pleasure -- Eras of social interpretation -- Geographies of social interpretation -- Facilitating arts talk. Audience learning communities -- Fundamentals of productive talk -- Arts talk -- Conclusion: the pleasures of interpretation in the live/digital era
    Beschreibung / Inhaltsverzeichnis: Preamble: we the audienceDefining arts talk. Roadmap to pleasure -- Eras of social interpretation -- Geographies of social interpretation -- Facilitating arts talk. Audience learning communities -- Fundamentals of productive talk -- Arts talk -- Conclusion: the pleasures of interpretation in the live/digital era.
    Anmerkung: Includes bibliographical references (pages 177-199) and index
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  • 57
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    Chicago, Ill. [u.a.] : Univ. of Chicago Press
    ISBN: 9780226115702 , 0226115704
    Sprache: Englisch
    Seiten: XVI, 256 S. , zahlr. Ill. , 30 cm
    DDC: 704.03/96073
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    Schlagwort(e): Wilson, Fred Criticism and interpretation ; Simpson, Lorna Criticism and interpretation ; Ligon, Glenn Criticism and interpretation ; Green, Renée Criticism and interpretation ; Installations (Art) ; African American artists ; Slavery in art ; USA ; Schwarze ; Kunst ; Geschichte 1985-2010 ; Wilson, Fred 1954- ; Simpson, Lorna 1960- ; Ligon, Glenn 1960- ; Green, Renée 1959-
    Beschreibung / Inhaltsverzeichnis: Introduction. The blackness of thingsFred Wilson and the rhetoric of redress -- Lorna Simpson's figurative transitions -- Glenn Ligon and the matter of fugitivity -- Renée Green's diasporic imagination -- Epilogue. Alternate routes.
    Anmerkung: Includes bibliographical references (pages 229-248) and index
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  • 58
    ISBN: 3864420431 , 9783864420436
    Sprache: Deutsch , Englisch
    Seiten: 199 S. , Ill. , 230 mm x 265 mm
    DDC: 700
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    Schlagwort(e): Bildband ; Ausstellungskatalog Museum Ludwig 2013 ; Steinberg, Saul 1914-1999 ; Zeichnung ; USA ; Karikatur ; Steinberg, Saul 1914-1999 The Americans ; Pavillon der USA
    Anmerkung: Text dt. und engl
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  • 59
    ISBN: 89-9371930-6 , 978-89-9371930-7
    Sprache: Englisch , Koreanisch
    Seiten: 231 S. , Ill., Kt. , 28 cm
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    Schlagwort(e): Traditionale Kultur ; Sammlung ; Kunstwerk ; Korea ; USA ; Ausstellungskatalog Special Exhibition Gallery of the National Museum of Korea 05.06.2012-05.08.2012 ; Ausstellungskatalog Special Exhibition Gallery of the National Museum of Korea 05.06.2012-05.08.2012 ; Ausstellungskatalog Special Exhibition Gallery of the National Museum of Korea 05.06.2012-05.08.2012 ; Korea ; Traditionale Kultur ; Kunstwerk ; USA ; Sammlung
    Anmerkung: Includes bibliographical references. - Text in Korean and English
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  • 60
    ISBN: 8993719306 , 9788993719307
    Sprache: Koreanisch , Englisch
    Seiten: 231 S. , Ill., Kt. , 28 cm
    Ausgabe: Ch'op'an
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    Schlagwort(e): Art, Korean Exhibitions ; Art, Korean Exhibitions ; Ausstellungskatalog 2012 ; Ausstellungskatalog 2012 ; Korea ; Kunst ; USA
    Anmerkung: Korean. Schreibweise der Ausstellung: 미국, 한국미술을 만나다 , Includes bibliographical references. - Text in Korean and English , Erscheinungsjahr in Vorlageform:c2012 , Text in Korean and English
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  • 61
    ISBN: 1851496904 , 9781851496907
    Sprache: Englisch
    Seiten: 271 S. , zahlr. Ill , 30 cm
    DDC: 306.094109046
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    Schlagwort(e): Popular culture History 20th century ; Popular culture History 20th century ; Pop art ; Pop art ; Design History 20th century ; Design History 20th century ; Popular culture ; Great Britain ; History ; 20th century ; Popular culture ; United States ; History ; 20th century ; Pop art ; Great Britain ; Pop art ; United States ; Design ; Great Britain ; History ; 20th century ; Design ; United States ; History ; 20th century ; Bildband ; USA ; Pop-Art ; Mode ; Design ; Industriedesign ; Gebrauchsgrafik ; Geschichte 1956-1976 ; Großbritannien
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  • 62
    Buch
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    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199767601
    Sprache: Englisch
    Seiten: 354 Seiten , zahlr. Ill
    DDC: 704.04208996073
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    Schlagwort(e): Identitätsfindung ; Schwarze Frau ; Kunst ; Künstlerin ; USA ; USA ; Schwarze Frau ; Künstlerin ; Identitätsfindung ; USA ; Schwarze Frau ; Kunst
    Kurzfassung: Inhaltsverzeichnis: The image -- Creativity and the era of slavery -- The nineteenth-century professional vanguard -- The Harlem Renaissance and the New Negro -- The New Negro and the New Deal -- Civil rights and Black power -- Black feminist art -- Abstract explorations -- Conceptualism : art as idea -- Vernacular artists : against the odds -- Postmodern pluralism -- "Post-black" art and the new millennium.
    Kurzfassung: Verlagsinfo: Creating Their Own Image marks the first comprehensive history of African-American women artists, from slavery to the present day. Using an analysis of stereotypes of Africans and African-Americans in western art and culture as a springboard, Lisa E. Farrington here richly details hundreds of important works--many of which deliberately challenge these same identity myths, of the carnal Jezebel, the asexual Mammy, the imperious Matriarch - in crafting a portrait of artistic creativity unprecedented in its scope and ambition. In these lavishly illustrated pages, some of which feature images never before published, we learn of the efforts of Elizabeth Keckley, fashion designer to Mary Todd Lincoln; the acclaimed sculptor Edmonia Lewis, internationally renowned for her neoclassical works in marble; and the artist Nancy Elizabeth Prophet and her innovative teaching techniques. We meet Laura Wheeler Waring who portrayed women of color as members of a socially elite class in stark contrast to the prevalent images of compliant maids, impoverished malcontents, and exotics "others" that proliferated in the inter-war period. We read of the painter Barbara Jones-Hogu's collaboration on the famed Wall of Respect, even as we view a rare photograph of Hogu in the process of painting the mural. Farrington expertly guides us through the fertile period of the Harlem Renaissance and the "New Negro Movement," which produced an entirely new crop of artists who consciously imbued their work with a social and political agenda, and through the tumultuous, explosive years of the civil rights movement
    Anmerkung: Originally published: 2005. First issued as an Oxford University Press paperback, 2011
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  • 63
    Sprache: Deutsch
    Seiten: II, 368, XIV S. , Ill.
    Ausgabe: [Mikrofiche-Ausg.]
    Ausgabe: Mikroform-Ausgabe 2011 4 Mikrofiches : 24x Mikrofiche-Ausg.:
    Paralleltitel: Reproduktion von Park-Gessner, Susann, 1976- American Self-Fashioning
    Dissertationsvermerk: Berlin, Freie Univ., Diss., 2011
    DDC: 391.00973
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    Schlagwort(e): Geschichte 1776-1945 ; Kleidung ; Mode ; Anerkennung ; Identität ; USA ; Hochschulschrift ; USA ; Kleidung ; Mode ; Identität ; Anerkennung ; Geschichte 1776-1945
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  • 64
    Buch
    Buch
    East Lansing, Mich. : Michigan State University Press
    ISBN: 0870139991 , 9780870139994
    Sprache: Englisch
    Seiten: XXIV, 243 S. , Ill. , 23 cm
    Serie: American Indian studies series
    DDC: 700.89/97009051
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    Schlagwort(e): Indian arts ; Arts and society ; Indians of North America Intellectual life ; Indians of North America Ethnic identity ; Visual communication ; Indigenous films ; Indians in motion pictures ; Indian motion picture producers and directors Biography ; Indian art ; Indian artists Biography ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Indianer ; Film ; Kunst ; Visuelle Kommunikation
    Kurzfassung: Introduction: Indigenous visualities -- pt. 1. Indigenous film practices -- Visual prophecies : Imprint and It starts with a whisper / Michelle H. Raheja -- Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne -- Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo. Van Alst -- Elusive identities : representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli -- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey -- Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper -- pt. 2. Contemporary American Indian art -- Indigenous semiotics and shared modernity / Dean Rader -- Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin -- Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler -- Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen
    Anmerkung: Includes bibliographical references and index , Introduction: Indigenous visualities ; pt. 1. Indigenous film practices ; Visual prophecies : Imprint and It starts with a whisper , Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals , Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing , Elusive identities : representations of Native Latin America in the contemporary film industry , Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) , Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view , pt. 2. Contemporary American Indian art ; Indigenous semiotics and shared modernity , Seeing memory, storying memory : Printup Hope, Rickard, Gansworth , Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects , Text-messaging prayers : George Longfish and his art of communication
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  • 65
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    Amherst [u.a.] :Univ. of Massachusetts Press,
    ISBN: 978-1-55849-875-4
    Sprache: Englisch
    Seiten: XV, 205 S., [8] Bl. : , Ill.
    DDC: 704.0396073
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    Schlagwort(e): Geschichte 1927-2011 ; Gesellschaft ; Art museums Social aspects ; African American art Exhibitions ; Social aspects ; Art and society ; Art and race ; Schwarze. ; Künstler. ; Kunstmuseum. ; USA ; USA. ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Schwarze ; Künstler ; Kunstmuseum ; Geschichte 1927-2011
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (Inhaltsverzeichnis)
    URL: Volltext  (Inhaltsverzeichnis)
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  • 66
    ISBN: 9783863351199
    Sprache: Deutsch , Englisch
    Seiten: 419 S. , zahlr. Ill , 24 cm
    DDC: 709.7309047
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    Schlagwort(e): Ausstellungskatalog 2011 ; USA ; Kunst ; Fotorealismus ; Geschichte 1963-1991 ; USA ; Kultur ; Medien ; Fotorealismus ; Fotografie ; Geschichte 1965-1975
    Anmerkung: Text in dt. und engl.
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  • 67
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9780822391524
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 254 Seiten) , Illustrationen
    Serie: Perverse modernities
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.896073
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    Schlagwort(e): Sexualität ; Gewalt ; Massenkultur ; Schwarze Frau ; Sklaverei ; USA ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Anmerkung: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 68
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    Buch
    Chicago : The University of Chicago Press
    ISBN: 0226102378 , 0226102386 , 9780226102375 , 9780226102382
    Sprache: Englisch
    Seiten: XII, 240 S.
    Suppl.: Rezensiert in Schorey, Shannon Trosper Review: Enabling Creative Chaos: The Organization Behind the Burning Man Event, by Katherine K. Chen 2011
    DDC: 394.2509793/54
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    Schlagwort(e): Black Rock City, LLC Management ; Burning Man (Festival) Management ; Art festivals Management ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunst ; Geschichte 2005-2007
    Beschreibung / Inhaltsverzeichnis: Introduction: the perils of under- and overorganizing -- Context: the development of the Burning Man event and organization -- Reflexive organizing: incorporating suggestions and criticisms -- Radical inclusion: attracting and placing members -- No spectators: motivating members to contribute -- Managing relations in the pursuit of legitimacy -- Conclusion: sustaining creative chaos -- Appendix 1. Ethnography and qualitative research -- Appendix 2. Interview protocols.
    Anmerkung: Includes bibliographical references and index
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  • 69
    ISBN: 9780822343905 , 9780822344087
    Sprache: Englisch
    Seiten: XV, 277 S., [4] Bl. , Ill.
    Serie: Objects - histories : critical perspectives on art, material culture, and representation
    Paralleltitel: Erscheint auch als The Indian craze
    DDC: 709/.01/1
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    Schlagwort(e): Indian art Collectors and collecting 19th century ; History ; Indian art Collectors and collecting 20th century ; History ; Indian art Influence ; Indian art History 19th century ; Indian art History 20th century ; Indianer ; Kunst ; Rezeption ; USA ; Künstler ; Gesellschaft ; Geschichte 1890-1915 ; USA ; Indianer ; Künstler ; Geschichte 1890-1915
    Beschreibung / Inhaltsverzeichnis: Unpacking the Indian corner -- The white man's Indian art : teaching aesthetics at the Indian schools -- Playing Indian : Native American art and modern aesthetics -- The Indians in Käsebier's studio -- Angel DeCora's cultural politics.
    Anmerkung: Literaturverz. S. [263] - 265
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  • 70
    ISBN: 978-3-8260-3629-3
    Sprache: Deutsch , Englisch
    Seiten: 326 S. : , Ill.
    Serie: Epistemata : Reihe Literaturwissenschaft 600
    Serie: Epistemata / Reihe Literaturwissenschaft
    Dissertationsvermerk: Zugl.: Berlin, Humboldt-Univ., Diss., 2006
    DDC: 730.92
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    Schlagwort(e): Catlett, Elizabeth 〈1915-〉 ; Saar, Betye ; Catlett, Elizabeth ; Saar, Betye ; Geschichte ; Geschichte ; Politik ; African American art History ; African American art Political aspects ; African American women artists ; USA ; Schwarze ; Kulturelle Identität ; Schwarze Frau ; Geschlechterrolle ; Assemblage. ; Hochschulschrift ; Hochschulschrift ; 1915-2012 Catlett, Elizabeth ; USA ; Schwarze ; Kulturelle Identität ; Geschichte ; 1915-2012 Catlett, Elizabeth ; USA ; Schwarze Frau ; Geschlechterrolle ; Geschichte ; 1926- Saar, Betye ; Assemblage ; USA ; Schwarze ; Kulturelle Identität ; Geschichte ; 1926- Saar, Betye ; Assemblage ; USA ; Schwarze Frau ; Geschlechterrolle ; Geschichte
    Anmerkung: Text teilw. dt., teilw. engl.
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  • 71
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    Newark : Univ. of Delaware Press
    ISBN: 9780874139617 , 0874139619
    Sprache: Englisch
    Seiten: 220 S. , zahlr. Ill. , 29 cm
    Serie: The University of Delaware Press studies in seventeenth- and eighteenth-century art and culture
    DDC: 306.47
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    Schlagwort(e): Geschichte 1675-1800 ; Illustration ; USA
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  • 72
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    Durham : Duke University Press
    ISBN: 0822338505 , 0822338661 , 9780822338505 , 9780822338666
    Sprache: Englisch
    Seiten: XXX, 235 S. , Ill. (überw. farb.) , 26 cm
    Serie: Objects/histories
    DDC: 759.13
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    Schlagwort(e): Indian painting ; Modernism (Art) ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Indianer ; Malerei ; Moderne ; Geschichte 1940-1960
    Beschreibung / Inhaltsverzeichnis: Art and modern Indian policyThe culture brokers : the Pueblo paintings of José Lente and Jimmy Byrnes -- "Our inter-American consciousness" : Barnett Newman and the primitive universal -- The importance of place : the Ojibwe modernism of Patrick Desjarlait and George Morrison -- Becoming Indian : the self-invention of Yeffe Kimball -- "A fine painting-- but not Indian" : Oscar Howe, Dick West, and native American modernism -- Making modern native American artists.
    Beschreibung / Inhaltsverzeichnis: Art and modern Indian policy -- The culture brokers : the Pueblo paintings of José Lente and Jimmy Byrnes -- "Our inter-American consciousness" : Barnett Newman and the primitive universal -- The importance of place : the Ojibwe modernism of Patrick Desjarlait and George Morrison -- Becoming Indian : the self-invention of Yeffe Kimball -- "A fine painting-- but not Indian" : Oscar Howe, Dick West, and native American modernism -- Making modern native American artists
    Anmerkung: Includes bibliographical references (p. [217]-225) and index
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  • 73
    Buch
    Buch
    Barcelona : Actar
    ISBN: 8496540111
    Sprache: Englisch
    Seiten: 320, 301 S. , zahlr. Ill.
    DDC: 720.97309045
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    Schlagwort(e): Architecture, Domestic Case studies ; Architecture 20th century ; Modern movement (Architecture) ; Architecture and society History 20th century ; USA ; Haus ; Häuslichkeit ; Architektur ; Geschichte 1949-1965
    Anmerkung: The book consists of an image part and a text part, which are connected by a linking system
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  • 74
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    Albuquerque : University of New Mexico Press
    ISBN: 0826337694 , 9780826337696
    Sprache: Englisch
    Seiten: XVI, 127 S , Ill , 26 cm
    DDC: 769.973/08997
    RVK:
    RVK:
    Schlagwort(e): Indian prints Catalogs ; Prints, American Catalogs 21st century ; Ausstellungskatalog 2006 ; USA ; Indianer ; Kunst
    Beschreibung / Inhaltsverzeichnis: EssaysMoving days: Lucy R. Lippard -- Crow's shadow: art and community: Gerald McMaster -- A quiet commitment: Tamarind and Native American artists: Kathleen Stewart Howe -- Multiple migrations: (E)merging imagery: Jo Ortel -- Artists: Steven Deo -- Tom Jones -- Larry McNeil -- Ryan Lee Smith -- Star Wallowing Bull -- Marie Watt.
    Beschreibung / Inhaltsverzeichnis: Essays -- Moving days: Lucy R. Lippard -- Crow's shadow: art and community: Gerald McMaster -- A quiet commitment: Tamarind and Native American artists: Kathleen Stewart Howe -- Multiple migrations: (E)merging imagery: Jo Ortel -- Artists: Steven Deo -- Tom Jones -- Larry McNeil -- Ryan Lee Smith -- Star Wallowing Bull -- Marie Watt
    Anmerkung: Includes bibliographical references , Published in conjunction with an exhibition at the University of New Mexico Art Museum in Sept. 2006
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  • 75
    ISBN: 9783829602655 , 9783829602785 , 3829602650 , 3829602782
    Sprache: Deutsch
    Seiten: 223 Seiten , Illustrationen , 30 cm
    DDC: 750
    RVK:
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    Schlagwort(e): Münter, Gabriele Exhibitions ; Photography, Artistic Exhibitions ; Foto's ; Texas Pictorial works ; Exhibitions ; Ausstellungskatalog 2006 ; Münter, Gabriele 1877-1962 ; Fotografie ; USA ; Geschichte 1899-1900
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 76
    ISBN: 9289900318
    Sprache: Englisch
    Seiten: 116 S , zahlr. Ill , 27 cm
    DDC: 750
    RVK:
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    Schlagwort(e): Ausstellungskatalog ; Ausstellungskatalog 2006 ; Federal Reserve System Board of Governors ; Sammlung ; Malerei ; USA ; Kunst
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 77
    ISBN: 0300109245 , 0300109253
    Sprache: Englisch
    Seiten: 376 S. , zahlr. Ill
    DDC: 940.5488
    RVK:
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    Schlagwort(e): Geschichte 1931-1945 ; Mode ; Krieg ; Kunst ; Kleidung ; Geschichte ; Militär ; Großbritannien ; Japan ; USA ; Geschichte 1931-1945 ; Ausstellung ; Ausstellungskatalog Allentown Art Museum 08.10.2006-07.01.2007 ; Ausstellungskatalog Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture 18.11.2005-05.02.2006 ; Ausstellungskatalog ; Ausstellungskatalog Allentown Art Museum 08.10.2006-07.01.2007 ; Ausstellungskatalog Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture 18.11.2005-05.02.2006 ; Ausstellungskatalog Allentown Art Museum 08.10.2006-07.01.2007 ; Ausstellungskatalog Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture 18.11.2005-05.02.2006 ; Ausstellungskatalog ; Japan ; Großbritannien ; USA ; Mode ; Militär ; Krieg ; Geschichte 1931-1945 ; Japan ; Mode ; Kleidung ; Geschichte 1931-1945 ; Japan ; Kunst ; Geschichte ; Geschichte 1931-1945 ; Großbritannien ; Mode ; Kleidung ; Geschichte 1931-1945 ; Großbritannien ; Kunst ; Geschichte ; Geschichte 1931-1945 ; USA ; Mode ; Kleidung ; Geschichte 1931-1945 ; USA ; Krieg ; Geschichte 1931-1945 ; USA ; Mode ; Kleidung ; Geschichte 1931-1945 ; USA ; Kunst ; Geschichte ; Geschichte 1931-1945
    Anmerkung: Ausst.: Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture 〈New York, NY〉 : 18.11.2005-5.2.2006 , Ausst.: Allentown Art Museum : 8.10.2006-7.1.2007
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  • 78
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 019516721X , 9780195167214
    Sprache: Englisch
    Seiten: 354 S , Ill , 29 cm
    DDC: 704.04208996073
    RVK:
    Schlagwort(e): African American art ; African American women artists ; Bibliografie ; Bibliografie ; USA ; Schwarze ; Frau ; Kunst
    Anmerkung: Literaturverz. S. [325] - 329
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  • 79
    Buch
    Buch
    New York : Princeton Architectural Press
    ISBN: 1568985142
    Sprache: Englisch
    Seiten: 181 S , zahlr. Ill
    Ausgabe: 1st ed
    DDC: 693.997
    RVK:
    RVK:
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    Schlagwort(e): Red Feather Development Group ; Straw bale houses Handbooks, manuals, etc Design and construction ; Indians of North America Housing ; USA ; Strohballenhaus ; Indianer ; USA ; Wohnungsnot ; Strohballenhaus ; Strohballenhaus
    Beschreibung / Inhaltsverzeichnis: Includes bibliographical references
    URL: Cover
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  • 80
  • 81
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    Washington, DC : University of Washington Press [u.a.]
    ISBN: 0295984864 , 0295984856
    Sprache: Englisch
    Seiten: XIV, 98 S. , Ill.
    Ausgabe: 1. ed.
    DDC: 704.039794
    RVK:
    Schlagwort(e): Coast Salish art Exhibitions ; Ausstellungskatalog Stonington Gallery 05.06.2005-31.07.2005 ; Küsten-Salish ; Kunsthandwerk ; USA ; Nordwestküstenindianer ; Kunst
    Anmerkung: Catalog of an exhibition organized by the Stonington Gallery, June 5, 2005-July 31, 2005 , Includes bibliographical references
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 82
    ISBN: 3883759090
    Sprache: Deutsch
    Seiten: 337 S. , zahlr. Ill., Kt.
    Serie: Kunstwissenschaftliche Bibliothek 26
    Serie: Kunstwissenschaftliche Bibliothek
    DDC: 700
    RVK:
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    Schlagwort(e): Cities and towns United States ; Human geography United States ; Landscape assessment United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Landschaft ; Geschichte 1925-2005
    Kurzfassung: Stadt und Landschaft sind heute keine Antipoden mehr. Der Begriff Landschaft wird hier in der zeitgenössischen Theorie neu verhandelt - die Entwicklung einer kritischen Landschaftstheorie zeichnet sich ab. In den USA hat sich mit den Cultural Landscape Studies bereits seit den 1950er Jahren eine Kulturwissenschaft der Landschaft entwickelt. Der Band stellt diese Ansätze, die von 1952 bis in die Gegenwart reichen, erstmals im deutschsprachigen Raum vor. Die Beiträge aus Kunst- und Kulturwissenschaft, Geografie und Raumplanung spiegeln die Komplexität heutiger Landschaften wider - im Spannungsfeld von Medien, Ökonomien und kulturellen Identitäten. Sie werden von den Herausgeberinnen kommentiert und um eine europäische Perspektive erweitert (Quelle: Verlag).
    Anmerkung: Aus dem Engl. übers.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 83
    ISBN: 1856693988
    Sprache: Englisch
    Seiten: [112] S. , überw. Ill. , 22 cm
    DDC: 303.48241073
    RVK:
    Schlagwort(e): USA ; Nationalcharakter ; Großbritannien ; Nationalcharakter
    Anmerkung: Wendebuch
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  • 84
    Buch
    Buch
    London : Thames & Hudson
    ISBN: 0500203776
    Sprache: Englisch
    Seiten: 232 S. , zahlr. Ill. , 21cm
    Serie: Thames & Hudson world of art
    DDC: 745.08997
    RVK:
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    Schlagwort(e): Indian art North America ; Indians of North America Material culture ; Indians of North America Antiquities ; Indian art North America ; Indians of North America Material culture ; Indians of North America Antiquities ; North America Antiquities ; North America Antiquities ; Eskimo ; Indianer ; Kanada ; USA ; Kunst
    Anmerkung: Literaturverz
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 85
    Buch
    Buch
    Westport, Conn. [u.a.] : Greenwood Press
    ISBN: 0313326827 , 9780313333286
    Sprache: Englisch
    Seiten: XLV, 321 S. , Ill.
    DDC: 304.873
    RVK:
    Schlagwort(e): Geschichte ; Einwanderung ; Einwanderungspolitik ; Ellis Island ; USA ; Wörterbuch ; Wörterbuch ; Wörterbuch ; Wörterbuch ; Wörterbuch ; Wörterbuch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 86
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    New York [u.a.] : Abrams
    ISBN: 0810945274
    Sprache: Englisch
    Seiten: 128 S , Ill , 27 cm
    DDC: 704.03/96073
    RVK:
    Schlagwort(e): African-American art Juvenile literature ; African-American artists Biography ; Juvenile literature ; African American art Juvenile literature ; African American artists Juvenile literature ; Biografie ; Bildband ; USA ; Künstler ; Schwarze
    Kurzfassung: Presents a history of African American visual arts and artists from the days of slavery to the present
    Kurzfassung: Presents a history of African American visual arts and artists from the days of slavery to the present
    Anmerkung: Published in association with the National Museum of American Art, Smithsonian Institution
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  • 87
    ISBN: 0810946378
    Sprache: Englisch
    Seiten: 271 S. , überw. Ill.
    DDC: 391.7
    RVK:
    Schlagwort(e): Tiffany & Co. ; Geschichte 1900-2000 ; Schmuck ; USA ; Bildband ; Bildband ; Bildband ; USA ; Schmuck ; Geschichte 1900-2000 ; Tiffany & Co.
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  • 88
    Buch
    Buch
    Westport, Conn. [u.a.] : Greenwood Press
    ISBN: 0313315442
    Sprache: Englisch
    Seiten: XIX, 314 S , Ill , 26 cm
    Ausgabe: 1. publ.
    Serie: An Oryx book
    DDC: 709/.2/368
    RVK:
    Schlagwort(e): Artists Biography ; Dictionaries ; Hispanic American artists Biography ; Dictionaries ; Art, Latin American Dictionaries 20th century ; Art, Latin American 20th century ; Dictionaries ; Artists Latin America ; Biography ; Dictionaries ; Hispanic American artists Biography ; Dictionaries ; Bibliografie ; Biografie ; Wörterbuch ; Lateinamerika ; Künstler ; Biografie ; Geschichte 1852-2002 ; USA ; Lateinamerika ; Künstler
    Anmerkung: Includes bibliographical references and index
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  • 89
    Buch
    Buch
    Seattle, Wash. : Fantagraphics
    ISBN: 1560974648
    Sprache: Englisch
    Seiten: 292 S , Ill
    DDC: 741.50922
    RVK:
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    Schlagwort(e): Underground comic books, strips, etc. History and criticism ; Enzyklopädie ; USA ; Comic ; Underground ; Geschichte 1963-1975
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  • 90
    Buch
    Buch
    Westport, CT : Bergin & Garvey
    ISBN: 0897898109
    Sprache: Englisch
    Seiten: XVI, 225 S. , Ill.
    DDC: 306.1
    RVK:
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    Schlagwort(e): African American youth Social life and customs ; African American youth Social conditions ; Hip-hop ; Graffiti Social aspects ; United States ; African American arts ; Young artists United States ; Interviews ; African American United States ; Interviews ; USA ; Pop-Kultur ; Graffito
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  • 91
    Buch
    Buch
    New York : Free Press
    ISBN: 0684813548
    Sprache: Englisch
    Seiten: 288 p , ill , 24 cm
    DDC: 700.97309045
    RVK:
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    Schlagwort(e): Bop (Music) History and criticism ; United States ; Avant-garde (Aesthetics) History ; 20th century ; United States ; USA ; Bebop ; Geschichte
    Anmerkung: Includes filmography (p. 280-281), discography (p. 281), bibliography (p. 270-280), and index
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  • 92
    Buch
    Buch
    New York [u.a.] : Free Press
    ISBN: 0684813548
    Sprache: Englisch
    Seiten: 288 S. , Ill.
    RVK:
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    Schlagwort(e): Geschichte ; Modern Jazz ; Bebop ; Geschichte ; USA ; USA ; Bebop ; Geschichte ; USA ; Bebop ; Geschichte ; Modern Jazz
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 93
    Buch
    Buch
    Boulder [u.a.] : Westview Press
    ISBN: 0813397650
    Sprache: Englisch
    Seiten: X, 206 S. , Ill.
    Ausgabe: 2. ed.
    DDC: 720.47
    RVK:
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    Schlagwort(e): Zivilisation ; Symbol ; Architektur ; Umwelt ; USA ; USA ; Zivilisation ; Symbol ; USA ; Architektur ; Umwelt ; Symbol
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  • 94
    Buch
    Buch
    London [u.a.] : Tauris
    ISBN: 1860643825
    Sprache: Englisch
    Seiten: X, 258 S. , Ill.
    DDC: 306.4/7/08996041
    RVK:
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    Schlagwort(e): Geschichte 1900-2000 ; Geschichte 1980-1999 ; Art, Black ; Art, British 20th century ; Blacks in art ; Multiculturalism in art ; Postmodernism ; Schwarze ; Kultur ; Visuelle Wahrnehmung ; Großbritannien ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kultur ; Schwarze ; USA ; Schwarze ; Kultur ; Visuelle Wahrnehmung ; Geschichte 1980-1999
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 95
    Buch
    Buch
    New Haven, Conn. [u.a.] : Yale Univ. Press
    ISBN: 0300070454
    Sprache: Englisch
    Seiten: IX, 198 S. , zahlr. Ill.
    DDC: 720
    RVK:
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    Schlagwort(e): Geschichte 1850-1950 ; Architektur ; Gesellschaft ; Öffentlichkeit ; USA
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 96
    Buch
    Buch
    New York : Harry N. Abrams
    ISBN: 0810936836
    Sprache: Englisch
    Seiten: 384 S , Ill , 25 cm
    DDC: 709/.73/09045
    RVK:
    Schlagwort(e): Art, American 20th century ; Art, American ; Art, Modern 20th century ; United States ; Art, American ; 20th century ; Aufsatzsammlung ; USA ; Kunst ; Geschichte 1900-1999
    Beschreibung / Inhaltsverzeichnis: What is American about American art? -- Resurrecting Augustus Vincent Tack -- Dada bouquet for New York -- Reconstructing Benton -- De Chirico's long American shadow -- Remembrace of fairs past -- American painting since the second world war -- Abstract sublime -- Arshile Gorky -- Jackson Pollock -- Fatal women of Picasso and De Kooning -- Notes on De Kooning -- Rothko's surrealist years -- Rothko and tradition -- My life with Rothko -- View of Andrew Wyeth -- Morris Louis at the Guggenheim Museum -- Louise Nevelson -- James Bishop : reason and impulse -- Cy Twombly -- Jasper Johns -- Johns's Three flags -- Jasper Johns : the realm of memory -- Frank Stella : five years of variations on an "irreducible" theme -- Frank Stella, 1958 to 1965 -- Stella's third dimension -- Pop art and non-pop art -- Roy Lichtenstein and the realist revolt -- Roy Lichtenstein : past, present, future -- Andy Warhol : court painter to the 70s -- Warhol as art history -- Mel Ramos : how Venus came to California -- Bill Anthony's greatest hits -- Notes on Sol Lewitt -- Dan Flavin : name in lights -- Alex Katz's American accent -- George Segal -- Alfred Leslie -- Remembering Joe Brainard -- Robert Moskowitz -- Postcript : some recent neo-romantic mutations -- Scott Burton : the last tableau -- Sturtevant -- Mike Bidlo -- Eric Fischl -- David Salle -- Mark Innerst's time capsules -- Jeff Koons -- Mike and Doug Starn -- McDermott and McGough : the art of time travel -- Bibliography of writings by Robert Rosenblum.
    Beschreibung / Inhaltsverzeichnis: What is American about American art? -- Resurrecting Augustus Vincent Tack -- Dada bouquet for New York -- Reconstructing Benton -- De Chirico's long American shadow -- Remembrace of fairs past -- American painting since the second world war -- Abstract sublime -- Arshile Gorky -- Jackson Pollock -- Fatal women of Picasso and De Kooning -- Notes on De Kooning -- Rothko's surrealist years -- Rothko and tradition -- My life with Rothko -- View of Andrew Wyeth -- Morris Louis at the Guggenheim Museum -- Louise Nevelson -- James Bishop : reason and impulse -- Cy Twombly -- Jasper Johns -- Johns's Three flags -- Jasper Johns : the realm of memory -- Frank Stella : five years of variations on an "irreducible" theme -- Frank Stella, 1958 to 1965 -- Stella's third dimension -- Pop art and non-pop art -- Roy Lichtenstein and the realist revolt -- Roy Lichtenstein : past, present, future -- Andy Warhol : court painter to the 70s -- Warhol as art history -- Mel Ramos : how Venus came to California -- Bill Anthony's greatest hits -- Notes on Sol Lewitt -- Dan Flavin : name in lights -- Alex Katz's American accent -- George Segal -- Alfred Leslie -- Remembering Joe Brainard -- Robert Moskowitz -- Postcript : some recent neo-romantic mutations -- Scott Burton : the last tableau -- Sturtevant -- Mike Bidlo -- Eric Fischl -- David Salle -- Mark Innerst's time capsules -- Jeff Koons -- Mike and Doug Starn -- McDermott and McGough : the art of time travel -- Bibliography of writings by Robert Rosenblum.
    Beschreibung / Inhaltsverzeichnis: What is American about American art? -- Resurrecting Augustus Vincent Tack -- Dada bouquet for New York -- Reconstructing Benton -- De Chirico's long American shadow -- Remembrace of fairs past -- American painting since the second world war -- Abstract sublime -- Arshile Gorky -- Jackson Pollock -- Fatal women of Picasso and De Kooning -- Notes on De Kooning -- Rothko's surrealist years -- Rothko and tradition -- My life with Rothko -- View of Andrew Wyeth -- Morris Louis at the Guggenheim Museum -- Louise Nevelson -- James Bishop : reason and impulse -- Cy Twombly -- Jasper Johns -- Johns's Three flags -- Jasper Johns : the realm of memory -- Frank Stella : five years of variations on an "irreducible" theme -- Frank Stella, 1958 to 1965 -- Stella's third dimension -- Pop art and non-pop art -- Roy Lichtenstein and the realist revolt -- Roy Lichtenstein : past, present, future -- Andy Warhol : court painter to the 70s -- Warhol as art history -- Mel Ramos : how Venus came to California -- Bill Anthony's greatest hits -- Notes on Sol Lewitt -- Dan Flavin : name in lights -- Alex Katz's American accent -- George Segal -- Alfred Leslie -- Remembering Joe Brainard -- Robert Moskowitz -- Postcript : some recent neo-romantic mutations -- Scott Burton : the last tableau -- Sturtevant -- Mike Bidlo -- Eric Fischl -- David Salle -- Mark Innerst's time capsules -- Jeff Koons -- Mike and Doug Starn -- McDermott and McGough : the art of time travel -- Bibliography of writings by Robert Rosenblum.
    Anmerkung: Includes bibliographical references (p. 352-365) and index
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  • 97
    ISBN: 3791320513
    Sprache: Deutsch
    Seiten: 298 S. , überw. Ill.
    Paralleltitel: Engl. Ausg. u.d.T. Ausstellung America - die Neue Welt in Bildern des 19. Jahrhunderts (1999 : Wien) America
    RVK:
    Schlagwort(e): Bildband ; Aufsatzsammlung ; Ausstellungskatalog ; USA ; Malerei ; Geschichte 1758-1913 ; USA ; Malerei ; Geschichte 1750-1900
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  • 98
    Buch
    Buch
    New York [u.a.] : New York Univ. Press
    ISBN: 0814793517 , 0814793509
    Sprache: Englisch
    Seiten: 316 S. , Ill.
    DDC: 306.47097309045
    RVK:
    Schlagwort(e): Geschichte 1980-1999 ; Kunst ; Ästhetik ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 99
    Buch
    Buch
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0192842668 , 0192842188 , 9780192842183
    Sprache: Englisch
    Seiten: IX, 291 S. , zahlr. Ill., Kt. , 25 cm
    Ausgabe: 1. publ.
    Serie: Oxford history of art
    DDC: 704.0397
    RVK:
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    Schlagwort(e): Indian art ; Indiens Art ; Indian art North America ; Indian art North America ; History ; North America Antiquities ; Amérique du Nord Antiquités ; Indianer ; USA ; Kanada ; Kunst ; Kunsthandwerk ; Geschichte
    Kurzfassung: An introduction to the indigenous arts of North America -- The southwest -- The east -- The west -- The north -- The northwest coast -- The twentieth century : trends in modern native art
    Anmerkung: "Bibliographic Essay" S. 254 - 273
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  • 100
    Buch
    Buch
    Berkeley, Calif. [u.a.] : Univ. of California Press
    ISBN: 0520219325 , 0520209788
    Sprache: Englisch
    Seiten: XVIII, 265 S. , Ill.
    Suppl.: Rezensiert in Marling, Karal Ann Visual Piety: A History and Theory of Popular Religious Images. David Morgan 1999
    DDC: 246
    RVK:
    Schlagwort(e): Spirituality United States ; History ; 20th century ; Spirituality United States ; History ; 19th century ; Spirituality History ; Christian art and symbolism United States ; Christian art and symbolism Modern period, 1500- ; Christian art and symbolism ; Popular culture United States ; United States Religious life and customs ; Bibliografie ; Christliche Kunst ; Religiöse Kunst ; USA ; Christusdarstellung ; Frömmigkeit
    Anmerkung: Includes bibliographical references and index
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