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  • MPI Ethno. Forsch.  (8)
  • GRASSI Mus. Leipzig
  • MFK München
  • Online Resource  (8)
  • Kunst  (8)
  • Art History  (8)
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  • 1
    ISBN: 9789004424593 , 9004424598
    Language: English
    Pages: 1 Online-Ressource (xvi, 304 pages) , illustrations
    Edition: Expanded edition
    Uniform Title: Medieval encounters
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    Keywords: Basílica de San Isidoro (León, Spain) ; Basílica de San Isidoro (León, Spain) ; Luxuries History ; Archaeology, Medieval ; Social archaeology ; Cultural relations ; Antiquities ; Archaeology, Medieval ; Cultural relations ; Luxuries ; Social archaeology ; HISTORY / General ; History ; León (Spain) Antiquities ; Spain ; León ; León ; Kunst ; Kulturaustausch ; Geschichte 500-1500 ; San Isidoro ; Kirchenbau ; Architektur ; Ausstattung ; Geschichte 1100-1500
    Abstract: Beyond the treasury of San Isidoro : a tale of two projects / Therese Martin -- Caskets of silver and ivory from diverse parts of the world : strategic collecting for an Iberian treasury / Therese Martin -- Narrating the treasury : what medieval Iberian chronicles choose to recount about luxury objects / Ana Rodríguez -- Textiles from the Museum of San Isidoro (León) : new evidence for reevaluating their chronology and provenance / Ana Cabrera Lafuente -- Sovereign, saint, and city : honor and reuse of textiles in the treasury of San Isidoro (León) / María Judith Feliciano -- Between León and the Levant : the Infanta Sancha's altar as material evidence for medieval history / Jitske Jasperse -- Demons and diversity in León / Pamela A. Patton -- Jews, real and imagined, at San Isidoro De León and beyond / Julie A. Harris -- The Scandinavian container at San Isidoro, León, in the context of Viking art and society / Nancy L. Wicker.
    Abstract: "The Medieval Iberian Treasury in the Context of Cultural Interchange-expanded beyond the special issue of Medieval Encounters from which it was drawn-centers on the magnificent treasury of San Isidoro de León to address wider questions about the meanings of cross-cultural luxury goods in royal-ecclesiastical settings during the central Middle Ages. Now fully open access and with an updated introduction to ongoing research, an additional chapter, composite bibliographies, and indices, this multidisciplinary volume opens fresh ways into the investigation of medieval objects and textiles through historical, art historical, and technical analyses. Carbon-14 dating, iconography, and social history are among the methods applied to material and textual evidence, together shining new light on the display of rulership in medieval Iberia"--
    Note: "Originally published, in part, as Volume 25, No. 1-2 (2019) of Brill's journal Medieval encounters." , Includes bibliographical references and index
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  • 2
    ISBN: 9781433148354 , 9781433148361 , 9781433148378
    Language: English
    Pages: 1 Online-Ressource (xviii, 214 Seiten)
    DDC: 748.0945
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    Keywords: Optics and art History To 1500 ; Glass ; Glass art History ; Italy Civilization 476-1268 ; Italy Civilization 1268-1559 ; Italien ; Renaissance ; Kunst ; Glas ; Optik ; Geschichte 1250-1425
    Note: Includes bibliographical references and index
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  • 3
    ISBN: 9789004334601 , 9789004334601
    Language: English
    Pages: 1 Online-Ressource (VII, 489, 40 ungezählte Seiten) , 182 Illustrationen
    Series Statement: Heritage and identity volume 5
    Parallel Title: Erscheint auch als Greenhalgh, Michael, 1943 - Syria's monuments
    DDC: 363.6/9095691
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    Keywords: Monuments ; Cultural property Protection ; Historic preservation ; Syria Antiquities ; Syria History ; Syria Description and travel ; Syrien ; Architektur ; Kunst ; Antike ; Syrien ; Architektur ; Kunst ; Kriegsverlust ; Kunstraub ; Syrien ; Ikonoklasmus
    Abstract: "Syria's monuments : their survival and destruction examines the fate of the various monuments in Syria (including present-day Lebanon, Jordan and Palestine/Israel) from Late Antiquity to the fall of the Ottoman Empire in the early 20th century. It examines travellers' accounts, mainly from the 17th to 19th centuries, which describe religious buildings and housing in numbers and quality unknown elsewhere. The book charts the reasons why monuments lived or died, varying from earthquakes and desertification to neglect and re-use, and sets the political and social context for the Empire's transformation toward a modern state, provoked by Western trade and example. An epilogue assesses the impact of the recent civil war on the state of the monuments, and strategies for their resurrection, with plentiful references and web links"--Provided by publisher
    Description / Table of Contents: The extent of Syria -- Mapping Syria -- The Syria of yesterday -- The state of Syria in recent centuries -- Governance -- Earthquakes and disease -- Trade -- Circassians and other settlers amongst the monuments -- Nomadic Arabs -- Agriculture and desertification -- Conclusion : impact of Ottoman decline on antiquities -- Travel throughout Syria -- Where to go and how to get there -- Languages, dress and descriptions -- Scholars in the East -- The Bible as a guidebook -- Changing horizons meet the unchanging East -- Biblical monuments "identified" -- Other guidebooks : Baedeker, Cook & Murray -- Confected guidebooks : an example -- Travel then tourism : the agony and the ecstasy -- Taxes and robbery -- Profiteering sheikhs -- Haram/forbidden : access to Muslim sites -- Architectural quality : is Syria worth visiting? -- One-upmanship and verbal wars in travel narratives -- Modernisation changes travelling in the unchanging East -- Conclusion -- The life and death of monuments -- Superstitions and monuments -- Treasure-hunting and locals' knowledge of the past -- Vandalism -- Roads milestones bridges -- Railways -- Aqueducts -- Temples -- Degradation -- Locals and antiquities -- Columns as structural tie-bars -- Mosaics and veneers -- Quarries and marble -- Re-use -- Ancient towns and villages and their houses -- The seabord : harbours and ports north to south -- Iskenderun -- Seleucia Pieria -- Lattakia -- Banias -- Tortosa/Tartus & Ruad -- Tripoli -- Byblos -- Beirut -- Sidon -- Sarepta -- Tyre -- Acre -- Haifa -- Caesarea -- Jaffa -- Ascalon -- Gaza -- Aleppo and the north -- Aleppo -- Antioch -- Cyrrhus & Menbij -- Dead cities -- Apamea & Qalaat Mudiq -- Deir -- Semaan & Saint Simeon -- Hama & Homs -- Qasr Ibn Wardan -- Hosn Suleiman -- Damascus and the centre -- Damascus -- Baalbek -- Palmyra -- Anjar, Medjel Anjar & the nearby temple -- Bosra and the south -- Bosra -- Hauran -- Shahba -- Slim, Hit, Atil -- Suweida -- Qanawat -- Salkhad -- Deraa -- Ledja -- Ezraa -- Burak & Mismiye -- Bashan -- Jaulan / Golan Heights -- Counting the settlements -- West of the River Jordan -- Samaria Janin, Capernaum -- Jerusalem -- Herodium -- Jericho & Hebron -- Tiberias -- Beisan -- Beth Shean / Scythopolis -- East of the River Jordan -- Irbid -- Pella -- Yajuz -- Mmm al-Jimal -- Gadara -- Difficult sites - Jerash, Amman, & Petra -- Jerash -- Amman -- Um rasas -- Iraq al-Amir -- Madaba -- Petra -- Fortresses Roman, Muslim, Crusader -- Building and rebuilding "Crusader" fortresses -- Saphet -- Shaizar -- Baalbek -- Beirut -- Athlit -- Kerak -- Krak des Chevaliers -- Desert castles -- Qasr el-Hallabat -- Mschatta and nearby antiquities -- Qasr al-Heir west -- Qasr al-Heir east -- Roman fortresses -- Qasr el-Abyad -- Qasr el-Bai'j -- Masada and its siege camps -- Mayhem : archaeology, museums and mandates -- Archaeology -- Digging in Palestine -- Filling western museums -- The First World War and the French mandates -- Conclusion -- Epilogue : the monuments of Syria in 2016 -- Syria : timelines -- History of archaeology and travel in Syria -- Recent political/military developments in the region, and their sources -- Websites detailing Syria's monuments -- Damaged sites, monuments and museums -- Photographic evidence of destruction in Syria -- Guides/surveys of monuments and regions -- Computer reconstructions -- Conclusion : warning about "restoration
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  • 4
    ISBN: 9783662464885
    Language: English
    Pages: Online-Ressource (XVIII, 195 p. 70 illus., 57 illus. in color, online resource)
    Edition: 1st ed. 2016
    Series Statement: Chinese Contemporary Art Series
    Series Statement: SpringerLink
    Series Statement: Bücher
    Series Statement: Springer eBook Collection
    Series Statement: Humanities, Social Sciences and Law
    Parallel Title: Druckausg. Gladston, Paul Deconstructing Contemporary Chinese Art
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    Keywords: Humanities ; Humanities / Arts ; Fine arts. ; Cultural studies. ; Aufsatzsammlung ; China ; Kunst ; Geschichte 1990-2014
    Abstract: The book presents a range of articles and discussions that offer critical insights into the development of contemporary Chinese art, both within China and internationally. It brings together selected writings, both published and unpublished, by Paul Gladston, one of the foremost international scholars on contemporary Chinese art. The articles are based on extensive first-hand research, much of which was carried out during an extended residence in China between 2005 and 2010. In contrast to many other writers on contemporary Chinese art, Gladston analyses his subject with specific reference to the concerns of critical theory. In his writings he consistently argues for a “polylogic” (multi-voiced) approach to research and analysis grounded in painstaking attention to local, regional and international conditions of artistic production, reception and display
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 5
    ISBN: 9783205777205
    Language: German
    Pages: 1 Online-Ressource (632 Seiten)
    Parallel Title: Erscheint auch als Telesko, Werner, 1965 - Kulturraum Österreich
    DDC: 306.09
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    Keywords: History of the arts ; History of the arts ; Arts in general ; Österreich ; Kunst ; Regionale Identität ; Geschichte 1800-1900
    Abstract: While the first volume of the overalll work, which was published as "The historical Area of Austria" ("Geschichtsraum Österreich") in 2006, focused on the Hapsburgian "whole state" from the perspective of the most important phenomena and protagonists of the "Hapsburgian iconography", this second and concluding volume examines multifarious visualisations of the regional and supraregional historical myths of the 19th century in Vienna, the "centre", and in the regions, i.e. the Austrian Crownlands (part of which are identical with today´s federal provinces of the Republic of Austria). The difficult relationship between the "whole state" and the Crownlands constitutes the entire, extremely complex spectrum of reflections on Austrian 19th century history. Here, the kinds of methods and concrete goals with which regional memorial foundations interact or compete with dynastic strategies is a pivotal issue - on that has been examined only far too rarely in the past. Hence the present work intends to discuss both art-historical and historical phenomena with explore various historical reflections at the - frequently neglected - "periphery" and investigate visual approaches to one´s "own" history from the "present" of the 19th century (using prominent events such as the second Ottoman siege of 1683 and the "wars of liberation" against Napoleon as an example). The degrees of complexity, quantitative permeation and significant contrasts between Vienna - the "centre" - and the "provinces" in their different reflections on Austrian history clearly begin to emerge when we examine an extensive range of topics against the background of competing national, regional and communal strategies. Compared to the first volume "The historical Area of Austria", the perspective of the multifarious "historical area of Austria" shifts from the "whole state" to an analysis of a highly distinct "plurality of areas" (Karl Schlögel) with its own intrinsic laws. Such diversity is also an essential factor when we come to investigate the prolific amount of Austrian landscape art in the 19th century and the role it played in forging identity. It graphically demonstrates that a deeper understanding of Austria´s federal structures is not possible without gaining a comprehensive insight into 19th century history.〈p〉Während im ersten Band der Gesamtpublikation, der unter dem Titel "Geschichtsraum Österreich" im Jahr 2006 erschienen ist, der habsburgische "Gesamtst ...
    Note: de , de
    URL: Volltext  (Description of rights in Directory of Open Access Books (DOAB): Attribution Non-commercial No Derivatives (CC by-nc-nd))
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  • 6
    Language: German
    Pages: Online-Ressource
    Parallel Title: Druckausg. Krasa-Florian, Selma, 1927 - 2014 Die Allegorie der Austria
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    Keywords: Habsburg, House of Art patronage ; Personification in art ; The arts ; Österreich-Ungarn ; Kunst ; Nationalismus ; Allegorie ; Geschichte
    Abstract: Diese Arbeit ist der Versuch, durch die Verbindung von kunsthistorischen und politikgeschichtlichen Erkenntnissen ein genaueres korrekteres Bild der behandelten Epochen zu erhalten. Die Allegorie der Austria ist dabei das Instrument zur genauen Evaluierung der jeweiligen nationalen und staatspolitischen Vorstellungen. Die Allegorie der Austria verkörpert dabei sehr genau die jeweiligen politischen Konstellationen. Die dynamische Austria mit der rudolphinischen Hauskrone bedeutet die Prädominanz des Herrscherhauses, die bürgerliche Austria mit der Mauerkrone die Vorstellungen dieser Bevölkerungsschicht, vor allem im deutschsprachigen Teil von Österreich, die Stellung des Staates über dem Herrscher der Sinne Hegels, sowie auch die siegreiche Austria mit dem Lorbeerkranz als Zeichen der Überwindung der Revolution von 1848. Gerade im Vielvölkerstaat der Habsburger, wo die divergierenden gesamtstaatlichen und nationalen Sichtweisen zu Konflikten führen mußten, ist so die Allegorie der Austria ein wichtiger Hinweis auf die jeweilige Stellung der Öffentlichkeit zu der angedeuteten Problematik. Der in der Arbeit vorgegebene Zeitraum umfaßt die Periode vom Beginn des Aufstiegs Österreichs zur Großmacht bis zum Ende der Monarchie nach dem ersten Weltkrieg. Dabei werden verschiedene künstlerische Aspekte in einer neueren und genaueren Betrachtungsweise angesprochen, wie zum Beispiel der Zyklus von 13 Porträts aus dem Umfeld von Rudolph II. im Linzer Museum Nordico, die in der großen Ausstellung über diesen Herrscher "Prag um 1600" nicht repräsentiert waren und die am Beginn der Austria-Allegorie in der bildenden Kunst stehen, oder die Denkmalsentwürfe Otto Wagners, die im Großteil der Literatur über diesen Architekten nur als Gelegenheitsentwürfe bezeichnet werden, aber in Wahrheit ernstzunehmende Auseinandersetzungen Wagners mit der nationalen Kunst sind. Ein weiterer gedanklicher Ansatzpunkt ist der Vergleich des Ringens um einen modernen Gesamtstaat vor allem seit dem Anfang des 20. Jahrhunderts im Verhältnis zum heutigen Europa mit seinen überstaatlichen Strukturen. Dazu gehört die im Weltkrieg aufgekommene Idee von Mitteleuropa unter Einschluß der Türkei und der Wiedererrichtung des Königreiches Polen als Pufferstaat gegenüber dem revolutionären Russland. Hier ist schon lange vor der Gründung der europäischen Union der Versuch gemacht, den Kontinent friedlich zu einen
    Abstract: The intention of this paper is to give a correct inside in the review of the discussed periods. It tries to achieve this by using the means of Art History and Political History to get an exact inside. The allegorical representation of the Austria in this case is the means to get it. It stands for the specific aspects of the time, so for instance the dynastic Austria with the crown of Emperor Rudolph II. meaning the predominance of the ruling Habsburgs, the civic Austria with the mural crown showing the ideas of the middle class, especially in the German speaking parts of the country, with the acceptance of the predominance of the state over the ruler, according to Hegel, or also the victorious Austria with the laurel wreath as a symbol of the conquest of the revolution of 1848. The Habsburg monarchy including many different nations was the proper breeding ground of dissatisfaction and diversified nationalistic ideas. So the representation of the Austria is an important means of showing these ideas. The periods the paper is working on are roughly speaking starting with the time of the beginning of the position of the monarchy as one of the ruling powers of Europe until her dissolution and the end of World War I. Different aspects of art history are also dealt with. So for example the 13 portraits of Habsburg rulers in the Museum Nordico at Linz, which are positioned in the time of Rudolph II. and mark the beginning of the representation of the allegory of the Austria, or the designs for monuments by Otto Wagner which are dealt with in the many books on this architect only as a side issue, whereas they are a very important part of wagners work and show his national feelings, towards his fatherland. It is furthermore interesting to look at the nationalistic problems shown in this paper and compare them with contemporary Europe and the overcoming of them. These ideas are not new, the date back to the 19th and especially the beginning of the 20th century when the Monarchy tried to overcome the problems with the slogan of Großösterreich (Greater Austria). During World War one followed the idea of Mitteleuropa (Central Europe) including Turkey and the institution of a Polish State to hold off revolutionary Russia
    Description / Table of Contents: Literaturverz. S. 261 -276
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  • 7
    Language: German
    Pages: Online-Ressource
    Parallel Title: Druckausg. Telesko, Werner, 1965 - Geschichtsraum Österreich
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    Keywords: Habsburg, House of ; History in art ; The arts ; Habsburger Dynastie : 1200- ; Österreich ; Kunst ; Geschichte 1800-1900
    Abstract: The history is intended as the first comprehensive examination of the role of Austrian history in the visual arts of the Habsburg monarchy between 1804 and 1918. At its centre are the following three key questions: What status did the general preoccupation with history acquire? What where the favorite historical subjects for artistic representation? What significance did the Habsburgs´own history (almost endlessly "extendible" all the way back to its fictitious mythical beginnings) hold for the issues of the day? Works of art contribute to the creation of traditions in a double sense: a given work simultaneously contains and creates history. A work of art is also a medium for social identification, facilitating communication between the monarch and the people. Investigating the characteristics of the different "reflections on history" in the visual arts in Austria in the 19th century led to the practical necessity of significantly widening the known material basis. It became apparent that previous research was based on a relatively limited range of works (primarily "high art") and failed to relate these works to literary documents from the fiields of historiography or belles-lettres. I believe it is only by expanding the basis in terms of both word and picture documentation that a reliable overview of the different strategies pursued by Habsburg iconography can be gained. Not only did my chosen methodology seem expedient, and indeed almost indispensable for an examination of concrete historical cases, it also reveals that this interlocking approach (furthermore justified by the nature of the material) based on interrelating picture and text media contains the very key to a proper investigation of the historical art of the 19th century. In approaching the central questions, this study begins with an introduction that looks at concepts and methodology and charts the difficult formation of the "Austrian nation" from "Casa d´Austria" to the Habsburg "nation state". The second chapter examines the relevance of the Austrian 18th century in the consciousness of the following century based on the examples of rulers Maria Theresia and Joseph II. This is folloewd almost of necessity by a long section on the ruler iconography of the period Emperor Franz II (I) to Emperor Franz Joseph I. The visual strategies of the Habsburg rulers in the 19th century and the inseparable question of the legitimation of the Austrian Empire in the years after 1848 steer attention back ...
    Abstract: Ziel der vorliegenden Arbeit ist es, die Bedeutung der österreichischen Geschichte in der bildenden Kunst der Habsburgermonarchie von 1804 bis 1918 erstmals umfassend deutlich zu machen. Im Zentrum stehen vor allem folgende drei Fragen: Welchen Stellenwert gewann die Beschäftigung mit Geschichte ganz allgemein? Auf welche historischen Ereignisse bezog man sich vorzugsweise in den Darstellungen der Kunst? In welcher Hinsicht besaß die eigene - bis zu fiktiven mythischen Anfängen gleichsam beliebig "verlängerbare" - Geschichte für gegenwärtige Fragestellungen Bedeutung? Kunstwerke tragen zur Konstruktion von Traditionen bei - und dies in höchst doppelsinniger Weise: das jeweilige Werk enthält und erzeugt zugleich Geschichte. Es ist darüber hinaus ein soziales "Identifikationsmedium" und vermittelt zwischen dem Regenten und den Bürgern. Die Charakteristika der unterschiedlichen "Geschichtsreflexionen" in Österreich im 19. Jahrhundert in den Medien der bildenden Kunst zu untersuchen brachte die praktische Notwendigkeit mit sich, die bekannte Materialbasis beträchtlich zu erweitern. Es zeigte sich, daß die Forschung bisher zumeist von einem eher begrenzten Werkbestand (vor allem der "Hochkunst") ausging und diesen nicht mit literarischen Dokumenten aus Historiographie und Belletristik in Beziehung setzte. Erst auf dieser entsprechend erweiterten Basis von Dokumenten in Wort und Bild läßt sich meines Erachtens ein verläßliches Gesamtbild für die unterschiedlichen Strategien habsburgischer Ikonographie gewinnen. Die gewählte Methodik erschien nicht nur zweckmäßig und darüber hinaus für den konkreten historischen Fall geradezu unerläßlich, sondern sie zeigt auch, daß gerade in dieser verschränkten (und in der Ausrichtung des Materials begründeten) Betrachtungsweise aufeinander bezogener Bild- und Textmedien der Schlüssel für die Erforschung der österreichischen Historienkunst des 19. Jahrhunderts liegt. Die vorliegende Arbeit nähert sich den zentralen Fragestellungen über eine Einführung zu Begrifflichkeit und Methodik und verfolgt die schwierige Formierung der "Nation Österreich" von der "Casa d´Austria" bis zum habsburgischen "Gesamtstaat". Die Aktualität des österreichischen 18. Jahrhunderts im Bewußtsein des folgenden Jahrhunderts am Beispiel der Regenten Maria Theresia und Joseph II. ist Gegenstand des zweiten Kapitels. Fast zwingend schließt sich hier der große Abschnitt zur Herrscherikonographie von Kaiser Franz II. ...
    Note: Literaturverz. S. [507] - 564 , de
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  • 8
    Online Resource
    Online Resource
    Austin : University of Texas Press
    ISBN: 029279889X , 9780292798892
    Language: English
    Pages: Online-Ressource
    Edition: 1st ed
    Series Statement: Surrealist revolution series
    Series Statement: EBSCOhost eBook Collection
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    Keywords: Ernst, Max 1891-1976 Criticism and interpretation ; Ernst, Max, Criticism and interpretation. ; Ernst, Max ; Surrealism France ; Dadaism France ; Alchemy in art ; Occultism in art ; Surrealism ; Dadaism ; Alchemy in art. ; Occultism in art. ; Alchemie ; Dadaismus ; Kunst ; Okkultismus ; Surrealismus ; Electronic books. ; Electronic books ; Ernst, Max 1891-1976 ; Alchemie ; Okkultismus ; Surrealismus ; Dadaismus ; Kunst
    Abstract: The myth of the child -- Alchemy : its history, revival, and symbolism -- Initiation -- The occultation of surrealism -- Collage as alchemy -- The alchemical androgyne : Ernst and the women in his life -- As above, so below : the alchemical landscapes
    Description / Table of Contents: The myth of the child -- Alchemy : its history, revival, and symbolism -- Initiation -- The occultation of surrealism -- Collage as alchemy -- The alchemical androgyne : Ernst and the women in his life -- As above, so below : the alchemical landscapes
    Description / Table of Contents: The myth of the child -- Alchemy : its history, revival, and symbolism -- Initiation -- The occultation of surrealism -- Collage as alchemy -- The alchemical androgyne : Ernst and the women in his life -- As above, so below : the alchemical landscapes
    Note: Includes bibliographical references (p. 269-288) and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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