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  • FID-SKA-Lizenzen  (7)
  • London :Royal Anthropological Institute,  (7)
  • Ireland  (4)
  • Nomads  (3)
  • gender
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  • FID-SKA-Lizenzen  (7)
Material
  • 1
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Albanian
    Pages: 1 online resource (54 min.). , 005417
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Albanians. ; Albania Social life and customs. ; Ireland ; Documentary films.
    Abstract: With the fall of the Stalinist regime in Albania, one of the poorest countries in Europe, the people of a remote mountain village, Rrogam, are faced with the dilemma of how to re-allocate the land and flocks after 40 years of collectivism. For the first time they have to make their own decisions in the face of an uncertain, changing future, and eke out an existence without the direction from above to which they have become accustomed. Rrogam is a small Catholic village more than 3,000 feel above sea level in Northern Albania. Closed to foreigners since the second world war, the Disappearing World team were the first outsiders to fully explore this area in the north. Traditional Northern Albanian society stressed honour and etiquette. Today these traditional codes have been replaced with Albanian law, effecting the Rrogamis deeply. But Northern Albanians still follow their own rules for interpersonal relations and stick to traditional behaviour when it does not conflict with new Albanian law.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Rrogam, Albania. , Previously released as DVD. , This edition in Albanian and English with English subtitles.
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  • 2
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Romani
    Pages: 1 online resource (54 min.). , 005335
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Romanies ; Hungary Social life and customs. ; Ireland ; Documentary films.
    Abstract: 'Across the Tracks' is a gripping film for the general viewer ... It is beautifully filmed in observational style (lingering scenes of muddy courtyards) with enough subtitled interview material to provide context. Rom is the word that describes Vlach Gypsies, unassimilated descendents of Gypsy slaves in Wallachia in Romania in the 19th century. A larger group, the Romungro, are more obviously part of Hungarian society: they speak Hungarian, not Romany. Romungros are the people who play violins in restaurants; 'true' Rom, the Vlach, wouldn't dream of it. The total Gypsy population in Hungary forms 3% of the Hungarian population the same proportion as people of Asian or Caribbean origin in Britain. This Disappearing World film explores the Vlach Gypsies' position in socialist Hungary through the eyes of three related families. Maron and her husband Jozi work in conventional jobs where work is compulsory: this is the fundamental first principle of the 'official' economy. Maron and Jozi use their income to improve their impoverished lives. They are becoming more like the gazo — the contemptuous Romany term for all Hungarians, meaning 'peasants'. Jozi's first wife, Terez, and her husband Mokus try to realise their dreams in a more Gypsy-like fashion. Terez scavenges in rubbish bins for bread to fatten pigs which she hopes to sell for Mokus to buy horses. Mokus reluctantly works in a factory but wants to be a horse dealer like his brother-in-law Sera. He is disqualified from work by a dubious disability, and instead buys and sells horses, 'turning money around, so that more comes to me.' The market is central to the Gypsy economy, but is not seen as a means of accumulating wealth. The market exists to circulate wealth, to ensure money passes through as many hands as possible – so that all may benefit from it. If a Gypsy acquires money, he is expected to celebrate with his friends, his 'brothers'. Horses are like temporary bank deposits, ready to be exchanged or cashed in when a 'brother' needs money. This film provides an interesting view of the tensions between the Hungarian state and the Gypsies, and of the complex contradictions of the Gypsies' lives. It is recommended for classes in anthropology, sociology, European studies, ethnicity, ecology, and political studies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Hungary. , Previously released as DVD. , This edition in Romani and English with English subtitles.
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  • 3
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Fula
    Pages: 1 online resource (54 min.). , 005330
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Nomads ; Wodaabe (African people) ; Canada ; Documentary films.
    Abstract: ... Is the Wodaabe world disappearing? and how are we to place the painted male faces? The very considerable success of this film is the ways it answers these questions. The Wodaabe follow their herds in an endless migration across the borders of Niger, Nigeria, Chad and Cameroon in search of pasture. The droughts which have ravaged the Sahel since the late 1960s have devastated Wodaabe cattle herds, and this film looks at the daily pattern of survival of one hard-pressed family group at the height of the dry season. Gorjo bi Rima and his family have been the focus of Mette Bovin's fieldwork since 1968 and she has seen his herds decline from more than 300 cows to less than half a dozen. Yet, as she emphasises, the Wodaabe see their life as a balance between hardship and joy, and the film expresses this in sequences which record a child's naming feast and the Wodaabe's obsession with male beauty and adornment. 'We like beauty,' Gorjo says. 'We like to see people who are young and handsome and this is why we put on make-up.' The elaborate make-up of the young men and their dances, a kind of male beauty contest to gain the attention of women, are linked to a complex system of taboos which the Wodaabe insist they will maintain despite mounting pressures to abandon their nomadic lives.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Fula and English with English subtitles.
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  • 4
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (58 min.). , 005743
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ashanti (African people) Economic conditions. ; Ashanti (African people) Social life and customs. ; Women merchants ; Women, Ashanti (African people) ; Ireland ; Documentary films.
    Abstract: As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this 'Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. The success of this crew is impressive. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, their perception of their society and also about marriage. The women control the market through Queen Mothers who are leaders of particular sections of the market such as the yam or tomato sections. Generally these Queen Mothers are elected by the traders. However, Oba, the Plantain Queen Mother acquired her position through influence and because of this she has less control over her workers and over the resolution of differences. Market traders work long hours, make less than a shoe clerk or office worker yet the rewards for them can be many. The residual matrilineal system of Asante society means that inheritance moves from a man to his sister's children. The result is that an Asante woman is left with no means of support if her husband dies. The traders have gone to work to protect themselves against this possibility, to pay for their children's education and to maintain their independence. Implicit in this analysis of women traders is the relationship between men and women in Asante society. Marriage is polygamous and the crew interview women about their feelings on marriage and of their hopes of coming marriages. The film portrays the influence women have in the market as a direct contrast to their position in the home. Interviews with several husbands reveal, perhaps not surprisingly, that their perception of women differs from the women's perception of themselves. The men talk of the importance of having two wives, one to serve when the other is tired; one to grant sexual favours while the other is menstruating; each to compete with the other for male attention thus allowing the husband to retain control. Although the men accept a woman earning extra money, they still say a woman should be submissive and serve men. The women regard themselves as assertive, capable, and in control. Interviews with two young women demonstrate a desire for equality in the home. The film's analysis is a sympathetic one and full of insight. The focus is, though, rather narrowly on the husband-wife relationship and women's important relationships with their female and male kin are given little attention.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kumasi, Ghana. , Previously released as DVD. , This edition in English and Akan with English subtitles.
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  • 5
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005309
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Refugees ; Afghanistan Exiles. ; Afghanistan History Soviet occupation, 1979-1989. ; Ireland ; Documentary films.
    Abstract: This documentary by Akbar Ahmed and Andre Singer is about the Soviet Invasion of Afghanistan and tribal groups in the area.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
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  • 6
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Cushitic (Other)
    Pages: 1 online resource (54 min.). , 005352
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Camels. ; Nomads ; Rendille (African people) Social life and customs. ; Ethnology ; North America ; Documentary films.
    Abstract: The Rendille are camel herders who live in villages and camps dotted over 10,000 square miles of desert and scrub bush in Northern Kenya. As the terrain they occupy is so dry, the Rendille grow no crops and their cultural and economic life is centred on their animals. As with other pastoral peoples, the Rendille have to be sensitive to the ever-shifting relationship between humans, animals and 'natural' resources in order to maintain a suitable balance between them. Throughout the year the Rendille have to follow the grazing and rains, dividing their herds between camel camps and semi-permanent village settlements. Long-term planning and decision-making are therefore crucial and this film brings out the manner in which the elders make their decisions. Each man gives his opinion and is listened to attentively until eventually a consensus is reached. The role of the sexual division of labour and the age-set system is explained in commentary, interviews and visual sequences, in a way which allows the viewer insights in the various interacting levels of Rendille social structure. Sequences detailing the ritual activities surrounding the naapo ceremony (which marks a young man's transition to elderhood) are given towards the end of the film, after explanation of the fact that young men have to live in camel camps for about 14 years, while girls look after sheep and goats living in settlements with women and elders. In this way the building of symbolic villages by moran, each man making his own 'home' with stones representative of wife and children before sacrificing a goat, is denied status as exotic spectacle the subtitled comments of the naapo participants convey their feelings of embarrassment and uncertainty about the ritual procedure and allow a visual statement to be made about the relationship of ritual to every-day life. The importance of the purely visual images in conveying a sense of vast desert space, of a daily life filled with the movement and sight of camels, sheep and goats, and of the social effects of village layout, is not to be underestimated. Although this colour film could be criticised for at times beautifying and softening the rough edges of pastoral life, its power as a statement of what it means to exist as a Rendille is very much a property of the camera work. The skilled usage of cinema verite techniques, combined with full subtitling of interviews, gives to this film an integrity and sensitivity which serves to reinforce its concern for the Rendille and its anxiety that for the Kenyan authorities the Rendille are a problem and an embarrassment.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in Rendille and English with English subtitles.
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  • 7
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Mongolian
    Pages: 1 online resource (53 min.). , 005313
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Nomads ; Mongolia Economic conditions. ; Mongolia Social conditions. ; Mongolia Social life and customs. ; Canada ; Documentary films.
    Abstract: Mongolia is a country the size of Western Europe with under 1.5 million people but over 23 million head of livestock. This film concentrates on life in the great plains of Mongolia, at the foot of the Altai mountains, where the ancient skills of the Mongol horsemen coexist with the new methods of the socialist revolution of 1921 which brought collective farming to the steppes. Professor Owen Lattimore, who serves as commentator, is the West's leading authority on Mongolia; he first crossed the Gobi in 1926. The Granada film crew were the first documentary unit allowed in from the West, during summer 1974 and winter 1975.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Mongolia. , Previously released as DVD. , This edition in Mongolian and English with English subtitles.
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