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  • FID-SKA-Lizenzen  (23)
  • London :Royal Anthropological Institute,  (23)
  • Canada  (23)
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  • FID-SKA-Lizenzen  (23)
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  • 1
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Undetermined
    Pages: 1 online resource (64 min.). , 010339
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Greenland. ; Canada ; Documentary films.
    Abstract: The people of East Greenland inhabit a small string of coastal land at the edge of the biggest island of the world. Long winters have always shaped daily life here, a life that has gone within a few generations from earth house to modernity, complete with helicopters, satellite TV and alcohol. This documentary shows us East Greenland today, the village in summer and winter, the family between seal hunting and computer games. It lets us experience in clear and poetical scenes normality in an extraordinary world, quietly observing events, faces, gestures that combine to form a portrait that is at the same time strange and strangely familiar.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in East Greenland. , Previously released as DVD. , This edition in an undetermined language with English subtitles.
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  • 2
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Hungarian
    Pages: 1 online resource (91 min.). , 013046
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Jews ; Synagogues ; Canada ; Documentary films.
    Abstract: The last orthodox synagogue in Makó was renewed and inaugurated in 2002. The little temple, as they call it, is more than a hundred years old and represents the link between the Jews who emigrated from this town in the south-eastern part of Hungary. The various members of the community have built new lives elsewhere whilst holding on to the values of their cultural past. Scenes were shot on location in Israel, United Kingdom and the United States portraying the lives of the Jewish members of the ex community. The mood ranges from a poignant visit to the grave of the last Makó rabbi to a spirited traditional Chasidic wedding in Jerusalem; Hanukah in London, New York and Mako.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2002 in Israel, United Kingdom and United States. , Previously released as DVD. , This edition in Hungarian with English subtitles.
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  • 3
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005307
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Forbidden rites
    Keywords: Human sacrifice. ; Canada ; Documentary films.
    Abstract: The documentary gives insight into the ancient rituals and religious practices involved in human sacrifice. The Forbidden Rites trilogy explores cannibalism, head hunting and human sacrifice. This series includes first-hand accounts, expert interviews, and rarely seen footage. It reveals the legends behind man-eating tribes, headhunters in jungles of Ecuador and sheds light on the link between human sacrifice and salvation. The series looks at rituals considered important and acceptable to one society but regarded, particularly in the West, as unacceptable and even abhorrent. The aim is to look at the differences and get explanations from practitioners in other societies as to why such rituals worked for them.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 4
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (65 min.). , 010516
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Yugoslav War, 1991-1995 ; Bosnia and Hercegovina History 1992- ; Bosnia and Hercegovina. ; Canada ; Documentary films.
    Abstract: In a Muslim/Catholic village near Sarajevo, rumors fly and suspicions spread. When Catholic Croats assert control, Muslim businesses are attacked, villagers arrested and harassed, and homes threatened. Three weeks later, neighbors who had been close friends for 50 years no longer speak to each other, and the peaceful coexistence between Croats and Muslims disintegrates into mutual distrust and fear.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 5
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005514
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Canada ; Documentary films.
    Abstract: A further visit to the Mursi of Southern Ethiopia, with whom contact was established 17 years ago, for an important coming of age ceremony which has had to be postponed many times. An elder of the Mursi faces his last and most important challenge -- to arrange this ceremony. The date has been finally set but life has been very difficult for the Mursi over the past few years owing to attacks by hostile tribes, drought, famine, disease and cattle raiders and even now the ceremony may not take palace. There was a meningitis epidemic from which many people died until a vaccination and treatment programme ended it. This time we visit the South, the heartland of the Mursi, but everyone is fearful for the future.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Omo Valley, Ethiopia. , Previously released as DVD. , This edition in English.
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  • 6
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005305
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Manners and customs. ; Mende (African people) ; Sierra Leone Social life and customs. ; Canada ; Documentary films.
    Abstract: Granada Television’s major documentary series looks at various aspects of societies from around the world.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sierra Leone. , Previously released as DVD. , This edition in English.
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  • 7
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005456
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Kalash (Pakistan people) ; Pakistan Social life and customs. ; Canada ; Documentary films.
    Abstract: The Kalasha are a tribal people, 3,000 strong, who live in the high valleys of the Hindu Kush mountains in the North West Frontier Province of Pakistan. The Kalasha are unique as a pagan people in this Islamic Republic. Joshi, their three day festival of song and dance, rituals and sacrifice and the re-telling of legends celebrates the coming of spring and encourages chivalrous romance between the sexes. All this provides a colourful focus for this film which explores the life and customs of the Kalasha. Before the menfolk depart to the high mountain pastures for the goats’ summer grazing they present the women with goats’ milk and bread that has been ritually purified. The women sing their thanks, praise and food and clamour for more. Whilst the men are away, the women stay in the narrow valleys, tending their tiny terraced fields of wheat, maize and millet. The Kalasha are worried that their way of life is under threat. The naively mortgaged land and walnut trees to their Chitrali Muslim neighbours, often in exchange for paltry loands. The Chitralis now covet the profits to be made from exploiting the cedar and holm oak which grow in the Kalasha valleys. The Pakistan government is aware of the problems and would like to safeguard the Kalashas’ existence as a flourishing minority culture and tourist industry. But a future as a ‘zoo people’ within a tourist park does not appeal to the Kalasha. They are happy to welcome tourists at their festivities and they appreciate interest in their customs, but they are pragmatic about its value to them.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Balanguru, Pakistan. , Previously released as DVD. , This edition in English and Kalash with English subtitles.
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  • 8
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Spanish
    Pages: 1 online resource (52 min.). , 005215
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Sierra de Gredos (Spain) Economic conditions. ; Sierra de Gredos (Spain) Social life and customs. ; Canada ; Documentary films.
    Abstract: The 130 villagers of Navalguijo in the Sierra de Gredos of Central Spain live in a village perched high in the mountains and they face an extreme climate with very cold winters and hot summers. The soil is acid and poor, and the steep slopes and short growing season mean that agriculture cannot provide a living. Collectively the villagers own summer pastures high in the mountains, and individually they hold smaller autumn pastures. With access to winter pastures across the mountains in the region of Extremadura, they are able to maintain a large herd of beef cattle, which form their main source of wealth and which are their dearest possessions. To make this film, the crew joined the village men on their trek to Extremadura, when they drive their cattle down the mountains. This cattle drive is a mixture of hard work and holiday, with passing round of leather wine bottles, story-telling and evening stopovers at favourite inns punctuating the long march. This film portrays a society whose ideals of village co-operation and the rigid and efficient organisation of tasks have given the village a strong sense of identity over generations. It remains to be seen if this sense of identity survives the breakdown of their isolation from the outside world as tourists discover 'hidden Spain' and better communications and roads bring increasing contact with the rest of the country.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Spain. , Previously released as DVD. , This edition in Spanish and English with English subtitles.
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  • 9
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Indonesian
    Pages: 1 online resource (53 min.). , 005303
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Whaling ; Lamalera (Indonesia) Social life and customs. ; Canada ; Documentary films.
    Abstract: The Whale Hunters of Lamalera was filmed over a period of four weeks during June 1987. Lamalera is a village which is perched on the rocky slopes of an active volcano on the southern coast of the island of Lembata, in Nusa Tenggara Timur in eastern Indonesia. An anonymous Portuguese document of 1624 describes the islanders as hunting whales with harpoons for their oil, and implies that they collected and sold ambergris. This report confirms that whaling took place in the waters of the Suva Sea at least two centuries before the appearance of American and English whaling ships at the beginning of the nineteenth century. The film follows the daily life of the villagers of Lamalera, a community of about 1500 people. The Christian Mission has been in place in the community for a hundred years, schools have been established and a training workshop teaches carpentry. It is a fishing village in a region where most communities support themselves by agriculture. Lamalera has very little productive land, so the villagers have to fish in order to survive. Their preferred quarry is sperm whale. Catching sperm whale with hand-thrown harpoons from small open boats powered by muscle and palm-leaf sail is no easy task, and the hunt is by no means uneven between man and whale. The tail flukes of a whale can smash the timbers of the boats and many boats are temporarily disabled by their prey. Harpooners have been disabled and killed. But the attraction of the whale is its size. The flesh of the whale (and shark and manta ray) is cut into strips and sun dried in the village. The meat is then carried to small markets where it is bartered with mountain villagers. One strip of dried fish or meat is equivalent to twelve ears of maize, twelve bananas, twelve pieces of dried sweet potatoes, twelve sections of sugar cane, or twelve sirih peppers plus twelve pinang nuts. Commercial whaling is banned throughout much of the world, but subsistence whaling is permitted by International Whaling Commission regulations in Alaska, the USA, the USSR and Greenland. Indonesia is not, however, a signatory to the IWC. Seven whales were caught in Lamalera in 1987.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Indonesian and English with English subtitles.
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  • 10
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Fula
    Pages: 1 online resource (54 min.). , 005330
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Nomads ; Wodaabe (African people) ; Canada ; Documentary films.
    Abstract: ... Is the Wodaabe world disappearing? and how are we to place the painted male faces? The very considerable success of this film is the ways it answers these questions. The Wodaabe follow their herds in an endless migration across the borders of Niger, Nigeria, Chad and Cameroon in search of pasture. The droughts which have ravaged the Sahel since the late 1960s have devastated Wodaabe cattle herds, and this film looks at the daily pattern of survival of one hard-pressed family group at the height of the dry season. Gorjo bi Rima and his family have been the focus of Mette Bovin's fieldwork since 1968 and she has seen his herds decline from more than 300 cows to less than half a dozen. Yet, as she emphasises, the Wodaabe see their life as a balance between hardship and joy, and the film expresses this in sequences which record a child's naming feast and the Wodaabe's obsession with male beauty and adornment. 'We like beauty,' Gorjo says. 'We like to see people who are young and handsome and this is why we put on make-up.' The elaborate make-up of the young men and their dances, a kind of male beauty contest to gain the attention of women, are linked to a complex system of taboos which the Wodaabe insist they will maintain despite mounting pressures to abandon their nomadic lives.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Fula and English with English subtitles.
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  • 11
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Zande
    Pages: 1 online resource (53 min.). , 005243
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Witchcraft ; Witchcraft. ; Zande (African people) Religion. ; Sudan. ; Canada ; Documentary films.
    Abstract: 'Witchcraft among the Azande' is suitable for showing in undergraduate and graduate classes on topics of religion, philosophy, and African ethnography. It could also be stimulating to discussions of psychology and medicine. The success of the Granada series on public television in England indicates its appeal to a much wider audience as well. P. Leis Evans-Pritchard's book Witchcraft, Oracles and Magic among the Azande has become a classic of both ethnography and theories of witchcraft. Now, anthropologist John Ryle and film-maker André Singer, who was himself one of Evans-Pritchard's students and has published on the Azande, have teamed together to produce the film Witchcraft among the Azande for Granada Television's Disappearing World series. Singer wanted to learn for himself the accuracy of Evans-Pritchard's analysis and to note the changes since the original fieldwork carried out between 1926 and 1930. Among the Azande, witchcraft is considered to be a major danger. They believe that witchcraft can be inherited and that a person can be a witch, causing others harm, without realising her or his influence. Because of this danger, effective means of diagnosing witchcraft are, for them, vital. One method is through the use of an oracle. Several kinds of oracles are explored in the film, the most important being benge, a poison which is fed to baby chickens. The chick's death or survival provides the oracle's answer. Azande also use benge to judge other evidence in a court before a chief. Anthropologists have long argued about the nature and significance of beliefs in witchcraft and sorcery and, more generally, about the similarities and differences between 'traditional' thought and Western science. This film treads a delicate path, exploring an explanation of reality incomprehensible to a majority of Westerners and, at the same time, trying to portray the Azande as a clear-thinking, and almost familiar group of people. In this aim the film succeeds by creating a tension whereby the oracle's answers are important to the viewers because they have become involved and are forming their own opinions about the guilt or innocence of the defendants. Zande is not a static society and much has changed since Evans-Pritchard's original fieldwork. The area filmed is influenced by Catholicism; people are Christian, but the church cannot give answers to many of the questions of the Azande people. The older people see their children abandoning traditional moral and other values. For this schism, the older people seem to blame the government more than the church as the church teaches a value system consonant with the traditional one. Yet, alongside the Christian influence and changes among the younger generation, the power of beliefs in witchcraft and oracles remains. If Singer wanted to give support to Evans-Pritchard's ethnography, he has done so with Witchcraft among the Azande.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in North Central Africa. , Previously released as DVD. , This edition in Zande and English with English subtitles.
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  • 12
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Portuguese
    Pages: 1 online resource (54 min.). , 005405
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Spirit possession Case studies. ; Umbanda (Cult) ; Canada ; Documentary films.
    Abstract: Umbanda is a syncretic religious movement, combining elements from orthodox Catholicism with submerged African and indigenous Indian spiritual beliefs. In spite of past attempts to suppress it, Umbanda flourishes in the heterogeneous culture of contemporary urban Brazil. The film somewhat ambitiously seeks to give an exposition of the eclectic repertoire of the Umbanda movement. There is lengthy coverage of ritual performances, including interviews with mediums and their clients, which emphasise the role the movement plays in the management of personal malaise and affliction experienced as a by-product of change and urbanisation. The concluding sequences of the Sea Goddess, Yemenya – identified with the Virgin Mary – show the annual Umbanda festival where half a million participants from all over the country assemble on the beaches of Säo Paulo. The film's strength lies in its graphic footage of spiritual possession and healing but it has been criticised for not providing a fuller account of the functioning of Umbanda groups, and the movement's articulation with the political authorities in Brazil.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sao Paulo, Brazil and Belem, Brazil. , Previously released as DVD. , This edition in Portuguese and English with English subtitles.
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  • 13
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Multiple languages
    Pages: 1 online resource (54 min.). , 005339
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Mountaineering ; Mountaineering. ; Sherpa (Nepalese people) ; Nepal. ; Canada ; Documentary films.
    Abstract: Thami is a village 12,000 feet up in the Himalayas in the Kingdom of Nepal. As the film's opening shots illustrate, in a type of filmic short-hand, Thami is composed of a patchwork of individual farms – indicative of the Sherpa emphasis on independence and family self-sufficiency. The main concern of the film is to examine what it means to be Sherpa today in both cultural and economic terms. To this end the film concentrates on the varied career choices of three brothers from Thami – peasant farmer, Buddhist monk and head guide. Interviews with the brothers, enabling them to express their own attitudes and expectations, deepen the analysis. The second half of the film deals with the preparations for the festivities of a Sherpa wedding, emphasising that negotiations about bridewealth are lengthy – often taking years – since marriage is viewed primarily as an economic transaction. Sequences showing peasant farming activities, in combination with scenes of Sherpa life in Katmandu, contrast the old way of life with the new and illustrate the changing socio-economic conditions encountered by Sherpas today.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Nepal. , Previously released as DVD. , This edition in Nepali, Sherpa and English with English subtitles.
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  • 14
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Arabic
    Pages: 1 online resource (60 min.). , 010027
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Women ; Canada ; Documentary films.
    Abstract: In Marrakech, traditional attitudes to women prevail perhaps more strongly than in other Moroccan cities. This is especially true for those women who live by the standards of traditional ideals in the Medina, the old city of Marrakech still enclosed by its ancient walls. This film attempts to say something about women such as Aisha and Hajiba – two main characters – who have experienced the hardships of life for women in such a society. Aisha's husband is an unskilled labourer and so she is forced to find work cooking and cleaning. Hajiba has been thrown out of her natal home by the brother who became household head on her father's death and she works as a dancer (shaykha) in a troupe entertaining men for money. For both of them the ideal of seclusion remains unrealisable, economic factors taking them out into the public world of men. The all-women film-crew were privileged to be allowed to attend a series of events involving women – a visit to the steam baths, a religious celebration, a wedding, a visit to a shuwafa (fortune teller), a possession cult trance and a trip to the market to buy cloth. At many of these social events the guests entertain each other, and the film is remarkable not least for sequences showing women dancing and playing musical instruments, the brilliant colours of their dress and surroundings adding to the visual interest. Some Women of Marrakech is important for the manner in which it situates these 'ethnographic events' in relation to the division between women in the private world and men in the public world, providing an analysis which puts in the foreground questions of women's consciousness, sexuality and male/female division.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Marrakesh, Morocco. , Previously released as DVD. , This edition in Arabic and English with English subtitles.
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  • 15
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005324
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Shilluk (African people) Kings and rulers. ; Shilluk (African people) Rites and ceremonies. ; Shilluk (African people) Social life and customs. ; Canada ; Documentary films.
    Abstract: This film presents a compelling visual and aural analysis of Shilluk kingship in 1975, and provides a very useful complement to Evans-Pritchard's 1948 text, The Divine Kingship of the Shilluk. Although the Reth (king) has been reduced to the status of second-class magistrate in dispute settlement by the Sundanese government, he is still the focus of political and national identity for a Shilluk people composed of competing territorial groupings. At the death of the Reth, his spirit passes into the Nile. This film follows the procession of priests as they carry the effigy of Nyikang, the 16th century founder of the Shilluk dynasty, and his son Dak on the pilgrimage from the Nile, retracing the movements of their conquest of the North, capturing the Reth and installing Nyikang. The journey is part of a spiritual renewal for the Shilluk, as well as a renewal of political unity which reaffirms the social order. The outcome of the journey is known, for the Reth-elect will be captured after a ritual battle, and only after being possessed by the spirit of Nyikang will he be installed as King. Thus, the office is seen to be more powerful than the man, and the continuity of divine kingship is affirmed. However, this is not simply a filmed version of the type of analysis provided in Evans-Pritchard's book, for it deals with the kingship in a quite different political context. For example, throughout the period which leads to his installation, the king-elect is guarded by Government police who are not Shilluk. It is apparent that the future king accedes to office with the 'support' of the Government, the 'mock' aspect of the ritual battle being somewhat confused by the very real presence of the guards and their disruptive effects on the proceedings. In any course on political anthropology this film is clearly crucial, and for those quick enough to appreciate it, the commentary carries a great deal of information and analysis. It is also rated highly for verbal and visual accuracy.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English and Shilluk with English subtitles.
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  • 16
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Mongolian
    Pages: 1 online resource (58 min.). , 005742
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ulaanbaatar (Mongolia) ; Canada ; Documentary films.
    Abstract: The second of two films on Mongolia made by Granada Television in 1974­-75 looks at life in Ulan Bator, the capital of Mongolia and home of a quarter of the population. The city celebrates the 53rd anniversary of the socialist revolution with parades, festivals, wrestling and archery contests, and a remarkable horse-race. (The child jockeys are usually between 7 and 12 years old.) The film returns to a shepherd's camp on a collective for the traditional celebration of Tsagan Sar, the lunar New Year festival now known as the Herdsman's New Year.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ulan Bator, Mongolia. , Previously released as DVD. , This edition in Mongolian and English with Mongolian subtitles.
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  • 17
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Mongolian
    Pages: 1 online resource (53 min.). , 005313
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Nomads ; Mongolia Economic conditions. ; Mongolia Social conditions. ; Mongolia Social life and customs. ; Canada ; Documentary films.
    Abstract: Mongolia is a country the size of Western Europe with under 1.5 million people but over 23 million head of livestock. This film concentrates on life in the great plains of Mongolia, at the foot of the Altai mountains, where the ancient skills of the Mongol horsemen coexist with the new methods of the socialist revolution of 1921 which brought collective farming to the steppes. Professor Owen Lattimore, who serves as commentator, is the West's leading authority on Mongolia; he first crossed the Gobi in 1926. The Granada film crew were the first documentary unit allowed in from the West, during summer 1974 and winter 1975.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Mongolia. , Previously released as DVD. , This edition in Mongolian and English with English subtitles.
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  • 18
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Austronesian (Other)
    Pages: 1 online resource (54 min.). , 005335
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Sakudei (Indonesian people) ; Indonesia. ; Canada ; Documentary films.
    Abstract: The Sakuddei are a small and ethnically separate community living on the island of Siberut off the west coast of Sumatra in Indonesia. Their distinctive way of life and elaborate religious ceremonies, centred on the umah (ceremonial house) are under threat from the Indonesian government which wishes to 'civilise' the Sakuddei. These people are also threatened by a timber company from the Philippines which has been granted a logging concession in the Sakuddei's territory. The first part of the film contains strikingly photographed scenes of ritual life in the umah, while in the second part there is an interview with a representative of the government who wants to send the Sakuddei children to school in a government village on the coast. The adults fear that the children will lose touch with their own customs and identity if placed in such an institution. Their concern forms part of a moving and dramatic film which explores the contrast between the Sakuddei's way of life and the various pressures of modern Indonesian society on them: Islam, money, police, administrators and the lumber companies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Siberut, Indonesia. , Previously released as DVD. , This edition in Mentawai and English with English subtitles.
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  • 19
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005308
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Acculturation ; Ethnology ; Indians of South America ; Mehinacu Indians. ; Canada ; Documentary films.
    Abstract: The Mehinacu live near the head-waters of the River Xingu in Central Brazil, in a single village within the protective confines of the Xingu National Park. Although the film concentrates upon the most exotic aspects of Mehinacu life, focusing on a series of rituals concerned with the planting and harvesting of the piqui tree, these rites are firmly located in their social context. Relations between the sexes in this society are formalised in an astonishing abundance of ritual, celebration, dances and games, performed to ensure fertile soil and good crops. Many sequences deal with the daily life of the Mehinacu, showing, for example, the sexual division of labour, with men fishing and women preparing manioc. The use of subtitled interviews provides a depth and sensitivity in the film's approach which helps to underline the concern with the fact that these Indians are seriously threatened by a road which is being cut through their territory. One of the highlights of the film is an interview with a Mehinacu elder who tells of the origin myth of the sacred flutes, a myth which is part of a complex belief system that will be lost if the Mehinacu, who are such a small group, are not able to survive under the pressures of the outside world. The film could be used to stimulate discussions of sex role differences, sexual division of labour in particular societies, and the connection between ritual and social relationships.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Xingu National Park, Brazil. , Previously released as DVD. , This edition in English and Mehinaku with English subtitles.
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  • 20
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (59 min.). , 005858
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Dervishes. ; Kurds Social life and customs. ; Qādirīyah ; Sufism ; Iran. ; Canada ; Documentary films.
    Abstract: A community of Kurds residing in Iran on the border with Iraq forms the subject of this film. Many of the inhabitants of the community are refugees from Kurdish areas of Iraq and the villagers are Qadiri Dervishes – followers of an ecstatic mystical cult of Islam. The unusual manifestations of the Qadiri Dervish faith are explored in this film, both in the context of religious ceremonies and everyday life, with the main focus on the spiritual and temporal power wielded by their leader, Sheikh Hussein. For the Durvishes, Hussein is the direct representative of Allah and, therefore, by serving the Sheikh they are also serving God. In rituals presided over by him they have the power to carry out acts which would normally be harmful, such as having electricity passed through their bodies, eating glass, handling poisonous snakes and skewering their faces. The film includes interviews, not only with members of the cult, but also with the local mullah (representative of orthodox Islam), in an attempt to explore the difference between those two manifestations of the same faith. The film is visually compelling, especially the sequences showing religious celebration and ceremony.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Baiveh, Iran. , Previously released as DVD. , This edition in English.
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  • 21
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005420
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Tuaregs Social life and customs. ; Tuaregs History. ; Tuaregs. ; Algeria. ; Canada ; Documentary films.
    Abstract: This film is about a group of nomadic Tuareg living high up in the Hoggar Mountains near Tamanrasset in Algeria. The main focus of the film is the collapse of the former economic basis of their camps. In 1962 the Algerian government banned the system of slavery and contract labour which had helped to keep the Tuareg camps supplied with grain. Now, instead of undertaking 500 mile long trading journeys to Niger, Tuareg buy grain in Tamanrasset with money obtained form selling cheap leather goods to the burgeoning tourist trade. The commentary, by Jeremy Keenan, also introduces aspects of the Tuareg kinship system, and material about the social life of the group. The second part of the film concentrates on the devastating effects of the recent drought on this way of life. The pasture is now so poor that camps have to move more frequently, and so traditional patterns of life are being abandoned in favour of a sedentary existence as cultivators alongside the Tuareg's former slaves.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 22
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005432
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Hmong (Asian people) Social life and customs. ; Hmong (Asian people) ; Laos History. ; Canada ; Documentary films.
    Abstract: Over the last three thousand years the Meo (Miao or Hmong) have migrated south from north and central China to avoid oppression and protect their way of life. Today they live in scattered mountain villages in south China and south-east Asia; and the 250,000 of them who live in the Kingdom of Laos have suffered greater losses, relative to their numbers, in the Indo-China wars than any other single group. In 1972, when this film was made, the Vietnam war was still at its peak; therefore it is not surprising that a fairly straightforward ethnographic account is combined with a more journalistic analysis of the political situation. Indeed it would be difficult to approach a discussion of the Meo without such an emphasis, and the review in RAIN (listed below) is a useful supplement to this. In effect, the film's narrative divides into two parts first we are introduced to a village which managed to remain neutral and avoid the worst effects of the war (which was why the anthropologist chose it for his fieldwork). The daily life and material culture of the Meo people are shown as they sow rice using slash-and-burn agricultural methods, distil opium for sale and entertainment, and discuss with the anthropologist their fear of conscription and its effects on other villages. Two rituals are shown ( the shaman who performed them was the close friend of the anthropologist) one to banish a nightmare, the other to exorcise the spirit of a man which haunts the house of the brother who accidentally killed him while out hunting. In the second part of the film we see the Meo who live in American-run refugee camps (which is the majority of them), far removed form the village life of their fellows. The interviews with some of the Meo pilots who fly American B28 bombers over their homeland emphasise the tragic absurdities of such a war; for these Meo are not sure exactly who the 'enemy' are, each one giving vague answers to the interviewer's questions.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in China and Laos. , Previously released as DVD. , This edition in English.
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  • 23
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (68 min.). , 010731
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Barasana Indians. ; Ethnology ; Indians of South America ; Macú Indians (Papury River watershed) ; Canada ; Documentary films.
    Abstract: While relying on a polemical stance directed against the cultural genocide wrought by missionaries, War of the Gods also contains a wealth of information and detail about Amazonian Indian cosmology, social life and sexual division of labour. Two groups of Indians from the Vaupes region of Colombia are shown, the Maku, who live mainly by hunting and gathering, and the sedentary Barasana, who live mainly by farming. The film contrasts the belief systems and way of life of the Indians, presented by the anthropologists who worked and lived with them, with those of Protestant and Catholic missionaries. The Protestants, North American Fundamentalists from the Summer Institute of Linguistics, are said to have used their organisation as a cover in order to be allowed to work with the Indians, because open Protestant missionary activity would not have been acceptable to the authorities. No attempt is made to gloss over the complexities of contact between Whites and Indians. The Barasana themselves want change, and the missionaries' influence is undoubtedly more beneficial to the Indians than that of rubber gatherers. Included in this film is an interview — using voice-over — with a Maku shaman, and there are scenes from the Barasana moloka, the communal house which is a centre of social and domestic activity. The climax of the film is a contrasting look at a church service at the S.I.L. headquarters, a Barasana ritual dance (accompanied by the ritual use of the hallucinogen yage), and a Mass at the Catholic mission attended by some of the Indians who took part in the ritual dance. Some missionaries who have seen this film consider that its editing is unfair to the S.I.L., but the head of another important missionary organisation has said that it should be screened during missionary training courses.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Vaupes, Colombia. , Previously released as DVD. , This edition in English.
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