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  • FID-SKA-Lizenzen  (4)
  • London, England :Royal Anthropological Institute,  (4)
  • Families  (2)
  • Nonfiction films.  (2)
  • North America
  • identity
Datasource
  • FID-SKA-Lizenzen  (4)
Material
Years
  • 1
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (71 minutes) , 011050
    Keywords: Smith, Mary ; Smith, Muscle. ; Mothers and sons ; Alcoholics ; Families ; Abused women ; Abused children ; Bhutan ; Documentary films.
    Abstract: Noted anthropologist Mary Catherine Bateson (daughter of Margaret Mead) recently chose The Bastard Sings as the film she would introduce with a talk about ageing and poverty, two of the films' themes, at the Anthropological Film Festival at the Jerusalem Cinematheque. The Bastard, using direct cinema style, introduces us to the Smith family in Georgetown, Guyana where both Muscle, and his mother Mary, each struggle to fight the family demons of violence and alcoholism, bringing them into conflict with each other.
    Note: Title from resource description page (viewed June 24, 2016). , In English.
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  • 2
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: Spanish , English , South American Indian (Other)
    Pages: 1 online resource (86 minutes) , 012529
    Keywords: Palmer, John ; Anthropologists Biography. ; Mataco Indians Social life and customs. ; Indians of South America ; Indians of South America Civil rights ; Ethnology ; Bhutan ; Nonfiction films. ; Documentary films.
    Abstract: John Palmer arrived in a Wichí community, located in Argentina, thirty years ago as an anthropologist - today he has married a Wichí woman with whom he has five sons in the last 5 years, who babble English, Wichí, and Spanish words. As the legal advisor of the Lapacho Mocho community, and as a part of the family, he works to obtain Qatu's freedom, a member of the Wichí community who has been in jail for 5 years waiting for an oral hearing on a charge of abusing his wife's daughter. The film gains depth and impact from its more intimate domestic interludes involving John's wife Tojweya their young children - including a baby only weeks old. So while Palmer has achieved considerable eminence in his field, winning the Royal Anthropological Institute's Lucy Mair Medal in 2009, his immersion into Wichí culture, history and customs has become much more than a matter of academic ethnography.
    Note: Title from resource description page (viewed June 24, 2016). , In Spanish, English, and Wichí (Mataco).Optional subtitles in Spanish, English, French, Portuguese, Italian.
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  • 3
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (61 minutes) , 010033
    Keywords: Kwanghwamun (Seoul, Korea) ; Gates History. ; Gates Conservation and restoration ; Historic sites Conservation and restoration ; Historic sites History. ; Seoul (Korea) Buildings, structures, etc. ; Bhutan ; Nonfiction films. ; Documentary films.
    Abstract: This documentary, by West Park Pictures, is about the reconstruction of the historic Gwanghwamun, or Arch of Enlighhtenment, in Seoul, South Korea. The arch was destroyed during the Korean War.
    Note: Title from resource description page (viewed June 24, 2016). , In English.
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  • 4
    Online Resource
    Online Resource
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.) , 005317
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Families ; Quality of life ; Social history. ; China Social conditions 1976-2000. ; Canada ; Documentary films.
    Abstract: Through the words and lives of two families, the first of these companion films, made for Granada Television's Disappearing World series, examines change in two villages of southern China near Wuxi. One of these families, the Dings, are obviously influential members of the community and the parents have lived in the area of what is now called Big Ding Village all their lives. The other family, the Jues, live in a more traditional and rural Wong Jong Commune. Constantly the film compares life for these families before and after the Communist Revolution in 1949. Mrs Ding remembers her bitter childhood, the near infanticide of her fifth sister because as a girl the baby could only be a burden to the already over-extended family. Both the Dings and the Jues discuss the brutality of the Japanese, how the Japanese stole crops, how Mrs Ding's father hid her in the woodpile to save her from rape and possible murder by Japanese soldiers. The families recount their initial fear of the Communist Army, then their growing excitement for the ideals of the Party after the Revolution. They discuss the factions and fear of the Cultural Revolution, and the one Ding son who joined the Red Guards remembers his excitement on seeing Mao. He doesn't discuss the violence he may have helped create during these months as a Red Guard, although Mrs Ding hints at the dangers of giving any criticism of government policy during that period. More intimate revelations broadcast over national television could have been dangerous for the interviewees; the film-makers are to be commended for their portrayal, creating a picture of the individual in China while at the same time protecting that individual's privacy.The historical perspective sets the stage for the current prosperity of the villages and the families. The film-makers make clear that Wuxi, an area where prosperity and the success of the new economic policies after the Cultural Revolution are evident, was the Chinese government's choice not theirs, yet within that confine, they were given complete freedom in their filming. Individual memories compare a past of hunger and want, with present material consumption, a bride's dowry valued at 700 yuan, and new homes. The rights of women have improved: Mrs Ding is a Production Team Leader and a silkworm expert, while Mrs Jue makes money by working the family's alloted land. The interactions within each family are clearly drawn, and by the end of the film, we feel a closeness with these families, for all they have known and for the hope they have for their future.
    Note: Title from resource description page (viewed October 28, 2014). , Previously released as DVD. , In English.
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