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  • FID-SKA-Lizenzen  (34)
  • 1985-1989  (33)
  • 1935-1939  (1)
  • Documentary films.  (32)
  • United Kingdom  (3)
Datasource
  • FID-SKA-Lizenzen  (34)
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Years
Year
Keywords
  • 1
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Igbo
    Pages: 1 online resource (61 min.). , 010052
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Water spirits ; Mami Wata (African deity) ; Rites and ceremonies. ; Rites and ceremonies ; Religion. ; Igbo (African people) Religion. ; Igbo (African people) Rites and ceremonies. ; Ijo (African people) Religion. ; Ijo (African people) Rites and ceremonies. ; Water spirits. ; Nigeria. ; Nigeria Religion. ; France ; Documentary films.
    Abstract: Mammy Water is a pidgin English name for a local water goddess worshipped by the Ibibio, Ijaw, and Igbo speaking peoples of southeastern Nigeria. The water goddess traditionally gives wealth and children, compensates for hardships, and is sought in times of illness and need, especially by women. Her various cults are led, predominantly, by priestesses.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1989 in Nigeria. , Previously released as DVD. , This edition in Igbo and English with English subtitles.
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  • 2
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (67 minutes) , 010623
    Keywords: Nubians Social conditions. ; Sudan Ethnic relations. ; Sudan Social conditions. ; Bhutan ; Documentary films.
    Abstract: Shot in 1989, Kafi's Story captures Nuba life at the moment before it was engulfed in the Sudanese civil war. Kafi narrates his own story into a portable tape record as he travels from his village, Torogi, to Khartoum to earn enough money to buy a new dress for his second wife, Tete. Kafi is quite consciously negotiating his own path between modernity and tradition. Kafi and the other Nuba react to the presence of the camera with neither awe nor apprehension; they seem to welcome the camera as an extension of their open, out-going, hospitable lifestyle. At the same time, they rapidly become sophisticated about the way film conventions can frame reality. When a friend walks away from a shot, they joke that he is walking into the screen. At the film's end Kafi asks the filmmaker for one thing: a camera of his own.
    Note: Title from resource description page (viewed June 24, 2016). , In English, Nubian and Arabic with English subtitles.
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  • 3
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Multiple languages
    Pages: 1 online resource (40 min.). , 003930
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnomusicology. ; Sound recordings in ethnomusicology. ; France ; Documentary films.
    Abstract: In the practice of overtone singing (called also bi-phonic singing), whose best known examples can be found in Mongolia and with the Tuva people of Southern Siberia, a single person sings what the audience perceives as two voices at the same time a low pitch with his vocal cords, and in addition, a high-pitched melody using harmonics (overtones) selected by modifying the volume of the mouth cavity. This documentary is not an ethnography filmed in location. It is partly an illustration of the results of former research, partly the very actual investigation on overtone singing carried out in Paris, in the Ethnomusicology Department of the Musée de l'Homme, during a workshop, during a concert of the Mongolian National Ensemble, and in the medical visualization department of a hospital. The central figure is Tran Quang Hai, a well-known musician specialized in Vietnamese music, a performer and researcher in overtone singing, who is there working with the filmmaker in the same research group. The initial idea was to explore new technologies allowing the visualization of music structure and performance. The film shows for the first time in real time and with synchronous sound how biphonic singing operates from the physiological as well as the acoustical point of view. While shooting the x-ray pictures of tongue movements and the spectral views of overtones, the filmmaker and his collaborators discovered for the first time — like the viewer of the film — how this unique vocal technique operates.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Paris in 1989. , Previously released as DVD. , This edition in Mongolian, French and English with English subtitles.
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  • 4
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005413
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cayapo Indians. ; Hydroelectric power plants Environmental aspects ; Hydroelectric power plants Political aspects ; Hydroelectric power plants Social aspects ; Indians of South America ; Indians, Treatment of ; Brazil ; North America ; Documentary films.
    Abstract: Early in 1989 the Kayapo rallied other Brazilian Indians to attend a reunification of the tribes at Altamira-the proposed site of a massive hydro-electric dam that will flood large parts of the Xingu valley. The gathering also served as a media event as the Kayapo and their allies demonstrated their case to the assembled international press. The film focuses on the Kayapo's ability to manipulate the media, including Chief Rop-ni stage-managing his entrance to arrive with the pop-star Sting. However, much of the power of this film, made for Granada Television's Disappearing World series, comes from the tensions that revolve around the intricate planning behind the Altamira meeting. A Kayapo warrior, Payakan, brings together previously hostile and warring factions in a common cause. Tension mounts when, only days before the conference, he is rushed to hospital for major surgery, and must force himself from his hospital bed to ensure the survival of the alliance he has created.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Brazil. , Previously released as DVD. , This edition in English.
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  • 5
    Online Resource
    Online Resource
    Berkeley, CA :University of California, Berkeley,
    Language: Indonesian
    Pages: 1 online resource (26 min.). , 002625
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology. ; Ethnology ; Manners and customs. ; Sumba Island (Indonesia) Social life and customs. ; Indonesia ; France ; Documentary films.
    Abstract: The eastern Indonesian island of Sumba is the last island in the Malay archipelago where the majority of the people still follow their ancestral religion, called marapu. This film, shot in 1986, focuses on a challenge to the authority of the spirits and ancestors in a village ritual to restore fertility after a fire and famine.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1986 in Manganipi-Kodi, Indonesia. , Previously released as DVD. , This edition in Indonesian and English with English subtitles.
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  • 6
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005458
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Tuvinians Social conditions. ; Tuvinians Social life and customs. ; Ethnology ; United Kingdom ; Documentary films.
    Abstract: The Tuvinians live deep inside the Soviet Union, at the very centre of Asia. Tuva is geographically closer to Beijing than to Moscow. It only entered the USSR in 1944 and was closed to foreigners until 1988. According to the film-makers the last known British visitors were members of the Carruthers expedition in 1910-11. With 'glasnost', the new openness, a Disappearing World film crew was given permission to film the nomadic yak-herders of Mongun-Taiga, a rugged district on the border with Mongolia. Mongun-Taiga or 'sacred wilderness' is, even at its lowest point, 6,000 feet above sea level. Two huge mountains dominate the landscape and provide a stunning backdrop for the film, accompanied at times on the film sound track by the traditional throat singing. Arable farming is impossible and the inhabitants are dependent on the nomadic herding of yak, sheep, goats and horses. Families live alone or in groups of two to three felt tents (yurts). Following the seasons and the pastures, they move camp several times each year. The film looks at the methods the herders use to protect their children from destructive spirits. A child, dressed in a traditional frock, is revealed in the film to be a boy. This cross-dressing of the sexes continues until a child is three or four, when it is believed that its soul is more firmly attached to its body and not so easily stolen by spirits. Shamanic beliefs continue, despite state disapproval, and include worship of the spirits of mountains, purification by the water of sacred springs, sacrifice, and the use of animals in exorcism, omens and divination. The opportunities for modern Soviet life which attract many young people are countered by the pull of an independent Mongolia, which is much closer to the Tuvinians in culture and way of life. Under Gorbachev, new systems of herding have been introduced which allow families to work for themselves as well as the state farms. The herders, however, still have reservations about the new ways. 'How are you doing with perestroika?' asks the daughter of Chugluur-Ool, a herder. 'Perestroika's doing all right,' he replies. Part of what makes this film interesting is the film-makers' admission of the material they were not able to obtain. Continually throughout the film, the narrator mentions the confusion and frustration the film-makers felt. This gives a refreshing honesty to the film as a whole.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Tuva Region, Russia. , Previously released as DVD. , This edition in English and Tuvan with English subtitles.
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  • 7
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (48 minutes) , 004735
    Keywords: Feminism ; Motion picture authorship. ; Sex role ; Women's rights ; Greece. ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, features a discussion with Margaret Papandreou and other Greek feminists about his film "Warriors and Maidens" and the position of women in Greek society.
    Note: Title from resource description page (viewed November 11, 2015). , In English.
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  • 8
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Spanish
    Pages: 1 online resource (52 min.). , 005215
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Sierra de Gredos (Spain) Economic conditions. ; Sierra de Gredos (Spain) Social life and customs. ; Canada ; Documentary films.
    Abstract: The 130 villagers of Navalguijo in the Sierra de Gredos of Central Spain live in a village perched high in the mountains and they face an extreme climate with very cold winters and hot summers. The soil is acid and poor, and the steep slopes and short growing season mean that agriculture cannot provide a living. Collectively the villagers own summer pastures high in the mountains, and individually they hold smaller autumn pastures. With access to winter pastures across the mountains in the region of Extremadura, they are able to maintain a large herd of beef cattle, which form their main source of wealth and which are their dearest possessions. To make this film, the crew joined the village men on their trek to Extremadura, when they drive their cattle down the mountains. This cattle drive is a mixture of hard work and holiday, with passing round of leather wine bottles, story-telling and evening stopovers at favourite inns punctuating the long march. This film portrays a society whose ideals of village co-operation and the rigid and efficient organisation of tasks have given the village a strong sense of identity over generations. It remains to be seen if this sense of identity survives the breakdown of their isolation from the outside world as tourists discover 'hidden Spain' and better communications and roads bring increasing contact with the rest of the country.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Spain. , Previously released as DVD. , This edition in Spanish and English with English subtitles.
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  • 9
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (3 minutes) , 000257
    Keywords: Herders ; Weddings ; Greece. ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, is about wedding traditions in rural Greece.
    Note: Title from resource description page (viewed November 11, 2015). , In English and Greek with English subtitles.
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  • 10
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: Greek, Modern (1453- )
    Pages: 1 online resource (4 minutes) , 000356
    Keywords: Inheritance and succession ; Crete (Greece) ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, is about inheritance customs in Western Crete.
    Note: Title from resource description page (viewed November 11, 2015). , In Greek.
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  • 11
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (1 minutes) , 000100
    Keywords: Sewing ; Crete (Greece) ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, is about sewing in Asi Gonia, Crete.
    Note: Title from resource description page (viewed November 11, 2015).
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  • 12
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (3 minutes) , 000238
    Keywords: Motion picture authorship. ; Crete (Greece) ; Asia ; Documentary films.
    Abstract: In this video, Barrie Machin discusses his film "Warriors and Maidens" and the village it was filmed in.
    Note: Title from resource description page (viewed November 11, 2015). , In English.
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  • 13
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (49 minutes) , 004805
    Keywords: Man-woman relationships ; Sex role ; Crete (Greece) ; Asia ; Documentary films.
    Abstract: This film, produced and directed by Barrie Machin, is about gender codes governing the social relationships between men and women in a remote village in Crete.
    Note: Title from resource description page (viewed November 11, 2015). , In English.
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  • 14
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Indonesian
    Pages: 1 online resource (53 min.). , 005303
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Whaling ; Lamalera (Indonesia) Social life and customs. ; Canada ; Documentary films.
    Abstract: The Whale Hunters of Lamalera was filmed over a period of four weeks during June 1987. Lamalera is a village which is perched on the rocky slopes of an active volcano on the southern coast of the island of Lembata, in Nusa Tenggara Timur in eastern Indonesia. An anonymous Portuguese document of 1624 describes the islanders as hunting whales with harpoons for their oil, and implies that they collected and sold ambergris. This report confirms that whaling took place in the waters of the Suva Sea at least two centuries before the appearance of American and English whaling ships at the beginning of the nineteenth century. The film follows the daily life of the villagers of Lamalera, a community of about 1500 people. The Christian Mission has been in place in the community for a hundred years, schools have been established and a training workshop teaches carpentry. It is a fishing village in a region where most communities support themselves by agriculture. Lamalera has very little productive land, so the villagers have to fish in order to survive. Their preferred quarry is sperm whale. Catching sperm whale with hand-thrown harpoons from small open boats powered by muscle and palm-leaf sail is no easy task, and the hunt is by no means uneven between man and whale. The tail flukes of a whale can smash the timbers of the boats and many boats are temporarily disabled by their prey. Harpooners have been disabled and killed. But the attraction of the whale is its size. The flesh of the whale (and shark and manta ray) is cut into strips and sun dried in the village. The meat is then carried to small markets where it is bartered with mountain villagers. One strip of dried fish or meat is equivalent to twelve ears of maize, twelve bananas, twelve pieces of dried sweet potatoes, twelve sections of sugar cane, or twelve sirih peppers plus twelve pinang nuts. Commercial whaling is banned throughout much of the world, but subsistence whaling is permitted by International Whaling Commission regulations in Alaska, the USA, the USSR and Greenland. Indonesia is not, however, a signatory to the IWC. Seven whales were caught in Lamalera in 1987.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Indonesian and English with English subtitles.
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  • 15
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English , Gujarati , English
    Pages: 1 online resource (39 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: City and town life ; Documentary films. ; Interpersonal relations. ; Motion pictures. ; National characteristics, East Indian. ; JaÌmnagar (India) Social life and customs. ; Bhutan ; Nonfiction films.
    Abstract: Raju's friendships with different people provide a map of contemporary Indian urban life in Jamnagar, western India.
    Note: "An Inca Production." , "Media Support and Development Centre, University of Manchester."--Original cassette. , Previously released as DVD. , This edition in English and Gujarati with English subtitles.
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  • 16
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Fula
    Pages: 1 online resource (54 min.). , 005330
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Nomads ; Wodaabe (African people) ; Canada ; Documentary films.
    Abstract: ... Is the Wodaabe world disappearing? and how are we to place the painted male faces? The very considerable success of this film is the ways it answers these questions. The Wodaabe follow their herds in an endless migration across the borders of Niger, Nigeria, Chad and Cameroon in search of pasture. The droughts which have ravaged the Sahel since the late 1960s have devastated Wodaabe cattle herds, and this film looks at the daily pattern of survival of one hard-pressed family group at the height of the dry season. Gorjo bi Rima and his family have been the focus of Mette Bovin's fieldwork since 1968 and she has seen his herds decline from more than 300 cows to less than half a dozen. Yet, as she emphasises, the Wodaabe see their life as a balance between hardship and joy, and the film expresses this in sequences which record a child's naming feast and the Wodaabe's obsession with male beauty and adornment. 'We like beauty,' Gorjo says. 'We like to see people who are young and handsome and this is why we put on make-up.' The elaborate make-up of the young men and their dances, a kind of male beauty contest to gain the attention of women, are linked to a complex system of taboos which the Wodaabe insist they will maintain despite mounting pressures to abandon their nomadic lives.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Fula and English with English subtitles.
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  • 17
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Romani
    Pages: 1 online resource (54 min.). , 005335
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Romanies ; Hungary Social life and customs. ; Ireland ; Documentary films.
    Abstract: 'Across the Tracks' is a gripping film for the general viewer ... It is beautifully filmed in observational style (lingering scenes of muddy courtyards) with enough subtitled interview material to provide context. Rom is the word that describes Vlach Gypsies, unassimilated descendents of Gypsy slaves in Wallachia in Romania in the 19th century. A larger group, the Romungro, are more obviously part of Hungarian society: they speak Hungarian, not Romany. Romungros are the people who play violins in restaurants; 'true' Rom, the Vlach, wouldn't dream of it. The total Gypsy population in Hungary forms 3% of the Hungarian population the same proportion as people of Asian or Caribbean origin in Britain. This Disappearing World film explores the Vlach Gypsies' position in socialist Hungary through the eyes of three related families. Maron and her husband Jozi work in conventional jobs where work is compulsory: this is the fundamental first principle of the 'official' economy. Maron and Jozi use their income to improve their impoverished lives. They are becoming more like the gazo — the contemptuous Romany term for all Hungarians, meaning 'peasants'. Jozi's first wife, Terez, and her husband Mokus try to realise their dreams in a more Gypsy-like fashion. Terez scavenges in rubbish bins for bread to fatten pigs which she hopes to sell for Mokus to buy horses. Mokus reluctantly works in a factory but wants to be a horse dealer like his brother-in-law Sera. He is disqualified from work by a dubious disability, and instead buys and sells horses, 'turning money around, so that more comes to me.' The market is central to the Gypsy economy, but is not seen as a means of accumulating wealth. The market exists to circulate wealth, to ensure money passes through as many hands as possible – so that all may benefit from it. If a Gypsy acquires money, he is expected to celebrate with his friends, his 'brothers'. Horses are like temporary bank deposits, ready to be exchanged or cashed in when a 'brother' needs money. This film provides an interesting view of the tensions between the Hungarian state and the Gypsies, and of the complex contradictions of the Gypsies' lives. It is recommended for classes in anthropology, sociology, European studies, ethnicity, ecology, and political studies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Hungary. , Previously released as DVD. , This edition in Romani and English with English subtitles.
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  • 18
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (87 min.). , 012655
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Love. ; Women Social conditions. ; Husband and wife. ; Domestic relations ; Men Attitudes. ; Sex role. ; Man-woman relationships. ; France ; Documentary films.
    Abstract: In our grandparents' time, most women and men committed themselves to each other for better or worse. Today, many men and women struggle to redefine relationships in a society where more women are in the workforce, where divorce is common, and where the marriage commitment is rapidly changing. How did this happen? What opportunities and barriers has it created in women's and men's lives? Love Stories: Women, Men, & Romance provides both a history of changing attitudes and expectations and a portrait of today's conflicted society — in which the old and new values clash, fueling debates over the lifestyle, sex roles, and birth control.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1987 in United States. , Previously released as DVD. , This edition in English.
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  • 19
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005434
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Basques. ; North America ; Documentary films.
    Abstract: In her book 'The Circle of Mountains' Sandra Ott provided a fascinating analysis of social reciprocity ... The film highlights the village's contemporary dilemmas and thereby complements rather than visualises the arguments in Ott's published ethnography ... The approach is to be applauded since the book and the film now make excellent companion pieces that can usefully be employed in any course on European ethnography. This film follows the lives over one year, shot during three intervals, of two Basque shepherding families who live in Santazi, a village in the foothills of the French Pyrenees. The film is the only Disappearing World film made in western Europe and it focuses on the continuity and change in the community. Change has come to the village of Santazi in recent years along the avenues of introduced roads and improved communication systems with the outside world. The effects stretch from people's relationship with the Catholic religion to inheritance customs. Television has of course also entered these villagers' homes. The traditional life of shepherding is also changing amidst the conflict of interest between those who have formed a syndicated in an effort to maintain the viability of shepherding and the sons who have taken jobs as linemen for the electricity company. This film shows the rationality behind the choice the villagers are making. This film is recommended for courses in anthropology, sociology, culture change, and European communities.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Santazi (Sainte-Engrâce), France. , Previously released as DVD. , This edition in English and Basque with English subtitles.
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  • 20
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Austronesian (Other)
    Pages: 1 online resource (55 min.). , 005441
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Solomon Islanders Religion. ; Solomon Islanders Social life and customs. ; Malaita (Solomon Islands) Social life and customs. ; Australia ; Documentary films.
    Abstract: Pierre Miranda and a team from Granada Television have made a fine film exploring the troubled realities of the people of the lagoon in the 1980s. This film focuses on the people of Lau lagoon in the Solomon Islands who live on artificial islands near the island of Malaita. These islands are built of coral rubble and the people moved to them in an attempt to escape the dangers of malaria and enemies, and to find better fishing. The film focuses on change and conflict. The concept of 'custom' is vital to the islanders' identity, yet this is being eroded, particularly by Christian missionaries. The conflict between Christian and Pagan now pervades daily life, creating divisions in families and eroding knowledge of traditional life. Two 'custom' priests recently committed ritual suicide, one by swimming under a canoe containing women and the other by deliberately making a mistake in a ceremony. Within weeks, both priests physically died. The despair in the ability of 'custom' to continue that these priests must have felt is presented visually throughout the film. Few of the islanders remember more than a fraction of the hundreds of traditional spirits and the young are turning more and more to the traditions and commodities of Western culture. That this theme is a common one makes it no less powerful or relevant. Spurred by the presence of the Disappearing World camera crew, the islanders built a house in which to store their traditional and ritual objects. A commendable act of preservation on the part of the islanders, but at the same time the implications of their act are saddening. They are taking their ritual things out of the sphere of living, daily tradition and placing them in the realm of objective history. The Lau is recommended for courses in anthropology, sociology, development, culture change, Melanesia, religion, and ecology.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Malaita, Solomon Islands. , Previously released as DVD. , This edition in Lau and English with English subtitles.
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  • 21
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: German
    Pages: 1 online resource (23 min.). , 002301
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Swiss yodelling series : "Jüüzli" of the Muotatal ; 2
    Keywords: Yodeling. ; Folk music Switzerland ; History and criticism. ; Folk songs, German History and criticism. ; Switzerland. ; France ; Documentary films.
    Abstract: Innovative graphic animations with sync sound visualize the features of both musical structure and performance technique related not only to traditional local voice characteristics but also to the polished yodelling of a renowned soloist performing at yodel festivals. The film also shows the connections with instrumental music, such as the small alphorn and the diatonic accordion. This documentary is a very rare example of elements of musical structure and performance being explained through visual means (another example is the filmmaker's The Song of Harmonics).
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Muotatal Valley, Switzerland. , Previously released as DVD. , This edition in German and English with English subtitles.
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  • 22
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: German
    Pages: 1 online resource (50 min.). , 004938
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Swiss yodelling series : "Jüüzli" of the Muotatal ; 1
    Keywords: Yodels. ; Yodeling. ; Music ; Switzerland Social life and customs. ; France ; Documentary films.
    Abstract: Performances of the local musical tradition and the official folklore are shown in their social contexts. We can see on the one hand peasant activities such as mowing, transporting wooden logs, milking and calling cattle, as well as people sitting together at home or in the local inn and on the other hand, a folk festival featuring wrestling and alphorn playing and the yearly concert of the local yodel choir. Singers of both styles discuss the differences between their practices.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1983 in Muotatal Valley, Switzerland. , Previously released as DVD. , This edition in German with English subtitles.
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  • 23
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005455
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cayapo Indians Social life and customs. ; Ethnology ; Ethnology. ; Indians of South America Social life and customs. ; Indians of South America Social life and customs. ; Brazil. ; North America ; Documentary films.
    Abstract: This film focuses on the conflicts and determination of a group of people trying to survive and maintain their ethnic identity in the face of almost overpowering odds. The film contrasts the reactions of two groups of Kayapo to outside influence. The Kapot have opposed contact and resisted both non-indigenous Brazilian settlers and gold miners. The Gorotire, by contrast, were invaded by gold miners who strip-mined their land and polluted their rivers. The miners paid the Gorotire very little for the destruction until 1985 when the Gorotire forced the miners to raise the commission by 5% when 200 warriors seized the airstrip. This commission amounts to two million dollars per year for the tribe and the tribe is learning to cope with the money, both with the problems it brings and the power it gives. They have trained several of their number to deal effectively with the outside world on behalf of the rest of the tribe and they now run a plane (and hire a pilot) to patrol their land against intruders. The Kapot, in their own way, are also trying to assert their identity and independence. This portion of the film shows the Kapot in the traditional activities of building and dismantling a hunting camp. The hunters returning with the tortoises they have caught are a particularly impressive sight. The now famous Chief Rop-ni is featured as a leader of the Kapot and he states eloquently his opposition to the Gorotire's acceptance of the gold miners. Despite their adherence to tradition, however, the Kapot use modern technology – video, radios, etc. – to protect their interests and record their rituals. This is a political film and would be excellent for courses in anthropology, Latin American studies, ecology, development, and international politics.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Brazil. , Previously released as DVD. , This edition in English.
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  • 24
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: German
    Pages: 1 online resource (29 min.). , 002926
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Swiss yodelling series : "Jüüzli" of the Muotatal ; 4
    Keywords: Yodels. ; Yodeling. ; Music ; Vocal music ; Schwyz (Switzerland : Canton) Social life and customs. ; Switzerland Social life and customs. ; France ; Documentary films.
    Abstract: Walking up to the summer alpine pastures is a yearly event that both people and cattle look forward to! Cattle calls, yootzing in the stable while milking, calling an alpine blessing through a milk funnel, yootzing together in the evening in the alpine chalet these are elements that many local people like to see, elements that reflect the idealized past of this people of herdsmen, as Swiss people like to call themselves. At the end of the film, an unexpected message reveals that real life was not as idyllic as it seems. It is a rare case of a film revealing its making of (years before the extras in DVDs became popular).
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1983 in Muotatal Valley, Switzerland. , Previously released as DVD. , This edition in German with English subtitles.
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  • 25
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: German
    Pages: 1 online resource (25 min.). , 002458
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Swiss yodelling series : "Jüüzli" of the Muotatal ; 3
    Keywords: Yodels. ; Yodeling. ; Music ; Weddings ; Schwyz (Switzerland : Canton) Social life and customs. ; France ; Documentary films.
    Abstract: Four manners of yodelling and yootzing take place on the same day. The Yodel Mass, written in Swiss German dialect by the composer Jost Marty, is conducted by the director of the yodel choir in the church organ loft. Following that is a traditional local yootz arranged for the yodel choir — also performed in the church as a Bach choral would be — which, in a way, makes the profane become sacred. At dinner in a restaurant, a locally well-known traditional yootzer family performs for the wedding party. In the evening some villagers can be found in another inn performing not for an audience this time, but for their own pleasure. The wedding party also appreciates local customs such as large cowbell ringing, whip cracking and diatonic accordion playing to accompany dancing.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1983 in Muotatal Valley, Switzerland. , Previously released as DVD. , This edition in German with English subtitles.
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  • 26
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005241
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Accordion music History and criticism. ; Accordion music History and criticism. ; Austrians Ethnic identity. ; Austrians Music ; History and criticism. ; Conjunto music History and criticism. ; Ethnicity. ; Ethnomusicology. ; Mexican Americans Music ; Ethnic identity. ; Mexican Americans Music ; History and criticism. ; Mexican Americans Music ; History and criticism. ; Polkas History and criticism. ; Polkas History and criticism. ; Popular music History and criticism. ; Popular music History and criticism. ; North America ; Documentary films.
    Abstract: The film confronts the accordion music of Chicano immigrants in southern Texas with the traditional music of accordion players in Austria. Without making any final judgments on the ‘roots’ of ‘conjunto’ music of the Chicanos, the film is able to reveal the different claims to ethnic identity. Most interestingly, Chicanos in Mexico and Texas and Austrians comment upon each others’ way of playing Polka.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in January 1986 in Monterrey, Mexico, San Antonio, Texas and Salzburgerland, Austria. , Previously released as DVD. , This edition in English.
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  • 27
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Chinese
    Pages: 1 online resource (64 min.). , 013415
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Feature films. ; Foreign films ; Manners and customs Drama. ; Marriage Drama. ; Motion pictures ; Women Drama. ; China Drama. ; United Kingdom ; Feature films.
    Abstract: In 1900 a twelve-year-old girl, Xiaoxiao, comes to a mountain village to discover that her uncle has arranged a marriage with a boy who is still breast-fed at two. Strict clan rules govern all behaviors, and she becomes her husband's nanny (he must call her sister until he is old enough to marry her). In one scene, the villagers are discussing a group of schoolgirls who are allowed to marry whomever they want, and who enjoy reading and a degree of freedom that Xiaoxiao longs for. Huagou, a local peasant, takes notice of Xiaoxiao, now sixteen and taking good care of six-year-old Chunguan, and a love affair begins with terrifying consequences. She knows the feudal values her community clings to, and watches them strip and drown a young widow who has been unfaithful to her husband. That woman's lover lives, albeit with broken legs. And what will happen to her?
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Hunan. , Previously released as DVD. , This edition in Mandarin.
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  • 28
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005254
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Strangers abroad
    Keywords: Spencer, Baldwin, ; Aboriginal Australians. ; Anthropologists. ; Anthropology Fieldwork. ; Anthropology Research. ; Anthropology. ; Australia ; Documentary films.
    Abstract: Spencer represents the link between the armchair anthropologist and the modern fieldworking anthropologist. The series begins by following in the footstep of the British scientist. It shows his work with the Australian Aborigines – who had, up until then, been regarded as a step in the evolutionary ladder between Neolithic men and the 'civilised' Victorian. Spencer went to Australia in 1887 as Professor of Biology at Melbourne University. While there he was invited to join the Horn expedition, an ambitious project to explore Australia's still largely unknown interior. At Alice Springs, Spencer met Frank J. Gillen, the operator of the telegraphic station and an initiated elder of the Aranda tribe. It was Gillen's special place in Aboriginal society that enabled Spencer to document the world of this ancient and complex culture through books, glass-plate photographs, wax cylinder recordings and some of the earliest cine films shot outside Europe. Spencer and Gillen made several expeditions together; the data they collected fueled the theories of anthropologists around the world. Some of their film was used in the programme.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 29
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Strangers abroad ; 6
    Keywords: Evans-Pritchard, E. E. ; Anthropologist Biography. ; Documentary films. ; Historical films. ; Nuer (African people) Religion. ; Witchcraft ; Zande (African people) Religion. ; Sudan Religious life and customs. ; Bhutan ; Nonfiction films.
    Abstract: Edward Evans-Pritchard was the first trained anthropologist to do work in Africa, where he lived among the Azande and studied their belief in witchcraft. Later, he worked with the Nuer tribe in the Sudan. His work on witchcraft caused philosophers to ask how rational thinking could be defined; his study of tribal organization intrigued political theorists; his attention to the sophisticated religious sentiments of so-called primitive peoples has strongly influenced theologians.
    Note: Documentary. , Originally issued as motion picture in 1985. , Previously released as DVD. , This edition in English.
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  • 30
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (61 min.). , 010116
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Vietnam War, 1961-1975 Protest movements ; Protest movements. ; United States. ; France ; Documentary films.
    Abstract: In 1970, thousands of young people thought of themselves as agents of change. They wanted to restore America's democratic vision; they wanted to end the war in Vietnam. This is the story of one collective — their successes and failures, and what they do and think fifteen years later.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1985 in Newton, MA. , Previously released as DVD. , This edition in English.
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  • 31
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (8 minutes) , 000722
    Keywords: Agricultural laborers ; Charcoal. ; Greece. ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, is about traditional charcoal making in Greece.
    Note: Title from resource description page (viewed November 11, 2015). , In English.
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  • 32
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005304
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: The Migrants is the third film in the trilogy In Search of Cool Ground made for Granada Television's Disappearing World series. It is about a drought-induced migration of Mursi from their traditional territory in the Omo valley to the Mago valley, about fifty miles away. This migration has brought them, for the first time, into contact with the market economy of the Ethiopian Highlands. David Turton notes that, when he first met the Mursi, men were seldom, and women never, seen at the highland markets. Now the Mago migrants, and especially women, are familiar figures in the weekly market at Berka, just four hours' walk from their new settlements. With their foothold in the pastoral economy weakening (tsetse flies make the Mago area quite unsuitable for cattle herding) and their dependence on market exchange growing, the migrants are in the process of becoming settled agriculturalists, like their highland neighbours, the Ari. By tracing the present and likely impact of this move on the lives of the migrants, the film shows how they are beginning to carve out a new ethnic identity for themselves, as well as a new home.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 33
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (22 minutes) , 002152
    Keywords: Funeral rites and ceremonies ; Mourning customs ; Crete (Greece) ; Canada ; Documentary films.
    Abstract: This film, written and filmed by Barrie Machin, is about funeral and mourning customs in Crete.
    Note: Title from resource description page (viewed October 06, 2015). , In English.
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  • 34
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Korean
    Pages: 1 online resource (52 min.). , 005219
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Fishers Drama. ; Kisaengs Drama. ; Man-woman relationships Drama. ; Korea Drama. ; United Kingdom ; Feature films.
    Abstract: In a remote fishing village, life is simple and tranquil. Dance and song open the film as the fishermen sing of their good harvest. Their cherished traditions keep the call of modern Seoul at bay, but not for In-soon, the daughter of fisherman Chun-san. She wants to join a friend in Seoul (Ok-boon, an independent woman) to make money and go to school. When her father is lost at sea, the debt he owes to a village lender falls upon In-soon, as her bereaved mother takes more cash from the lender who wants the daughter as his concubine. However, the lender's son, Cheol-soo, woos her into going with him to Seoul where he says she can find a job. Instead, he keeps her for himself and takes her purity. In-soon's friend Ok-boon knows Cheol-soo's ways and helps In-soon to escape. This sets In-soon on a course that threatens to destroy her life. Fisherman's Fire is one of the films from the late Japanese colonial period that the Korean Film Archive (KOFA) obtained through the China Film Archive (CFA) in 2004. Along with Homeless Angel (Jib-eobsneun cheonsa), Story of Sim-chung (Sim Cheongjeon), and Military Train (Gun-yong-yeolcha), it is one of just four films from the 1930s whose existence in Korea has been verified.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Korea. , Previously released as DVD. , This edition in Korean.
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