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  • FID-SKA-Lizenzen  (70)
  • 1985-1989  (51)
  • 1975-1979  (17)
  • 1950-1954  (2)
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Years
Year
  • 1
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Igbo
    Pages: 1 online resource (61 min.). , 010052
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Water spirits ; Mami Wata (African deity) ; Rites and ceremonies. ; Rites and ceremonies ; Religion. ; Igbo (African people) Religion. ; Igbo (African people) Rites and ceremonies. ; Ijo (African people) Religion. ; Ijo (African people) Rites and ceremonies. ; Water spirits. ; Nigeria. ; Nigeria Religion. ; France ; Documentary films.
    Abstract: Mammy Water is a pidgin English name for a local water goddess worshipped by the Ibibio, Ijaw, and Igbo speaking peoples of southeastern Nigeria. The water goddess traditionally gives wealth and children, compensates for hardships, and is sought in times of illness and need, especially by women. Her various cults are led, predominantly, by priestesses.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1989 in Nigeria. , Previously released as DVD. , This edition in Igbo and English with English subtitles.
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  • 2
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005413
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cayapo Indians. ; Hydroelectric power plants Environmental aspects ; Hydroelectric power plants Political aspects ; Hydroelectric power plants Social aspects ; Indians of South America ; Indians, Treatment of ; Brazil ; North America ; Documentary films.
    Abstract: Early in 1989 the Kayapo rallied other Brazilian Indians to attend a reunification of the tribes at Altamira-the proposed site of a massive hydro-electric dam that will flood large parts of the Xingu valley. The gathering also served as a media event as the Kayapo and their allies demonstrated their case to the assembled international press. The film focuses on the Kayapo's ability to manipulate the media, including Chief Rop-ni stage-managing his entrance to arrive with the pop-star Sting. However, much of the power of this film, made for Granada Television's Disappearing World series, comes from the tensions that revolve around the intricate planning behind the Altamira meeting. A Kayapo warrior, Payakan, brings together previously hostile and warring factions in a common cause. Tension mounts when, only days before the conference, he is rushed to hospital for major surgery, and must force himself from his hospital bed to ensure the survival of the alliance he has created.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Brazil. , Previously released as DVD. , This edition in English.
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  • 3
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Fragile Earth
    Keywords: Piailug, Mau. ; Thomas, Stephen D. ; Ethnology ; Micronesians Social life and customs. ; Navigation ; France ; Nonfiction films.
    Abstract: Stephen Thomas sails with Mau Piailug to learn about navigation and life in Micronesia.
    Note: Previously released as DVD. , This edition in English.
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  • 4
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English , Indonesian
    Pages: 1 online resource (54 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Fragile Earth
    Keywords: Rice Economic aspects ; Rice Irrigation ; Mathematical models. ; Bali (Indonesia : Province) Social life and customs. ; South Africa ; Nonfiction films.
    Abstract: A biologist and an anthropologist look at a Bali irrigation system and propose a computer model to explore the effect of changes in the traditional system.
    Note: "An Inca Production." , "Media Support and Development Centre, University of Manchester."--Original cassette. , Title on original container: The water goddess and the computer. , Previously released as DVD. , This edition in English and Indonesian with English subtitles.
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  • 5
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005458
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Tuvinians Social conditions. ; Tuvinians Social life and customs. ; Ethnology ; United Kingdom ; Documentary films.
    Abstract: The Tuvinians live deep inside the Soviet Union, at the very centre of Asia. Tuva is geographically closer to Beijing than to Moscow. It only entered the USSR in 1944 and was closed to foreigners until 1988. According to the film-makers the last known British visitors were members of the Carruthers expedition in 1910-11. With 'glasnost', the new openness, a Disappearing World film crew was given permission to film the nomadic yak-herders of Mongun-Taiga, a rugged district on the border with Mongolia. Mongun-Taiga or 'sacred wilderness' is, even at its lowest point, 6,000 feet above sea level. Two huge mountains dominate the landscape and provide a stunning backdrop for the film, accompanied at times on the film sound track by the traditional throat singing. Arable farming is impossible and the inhabitants are dependent on the nomadic herding of yak, sheep, goats and horses. Families live alone or in groups of two to three felt tents (yurts). Following the seasons and the pastures, they move camp several times each year. The film looks at the methods the herders use to protect their children from destructive spirits. A child, dressed in a traditional frock, is revealed in the film to be a boy. This cross-dressing of the sexes continues until a child is three or four, when it is believed that its soul is more firmly attached to its body and not so easily stolen by spirits. Shamanic beliefs continue, despite state disapproval, and include worship of the spirits of mountains, purification by the water of sacred springs, sacrifice, and the use of animals in exorcism, omens and divination. The opportunities for modern Soviet life which attract many young people are countered by the pull of an independent Mongolia, which is much closer to the Tuvinians in culture and way of life. Under Gorbachev, new systems of herding have been introduced which allow families to work for themselves as well as the state farms. The herders, however, still have reservations about the new ways. 'How are you doing with perestroika?' asks the daughter of Chugluur-Ool, a herder. 'Perestroika's doing all right,' he replies. Part of what makes this film interesting is the film-makers' admission of the material they were not able to obtain. Continually throughout the film, the narrator mentions the confusion and frustration the film-makers felt. This gives a refreshing honesty to the film as a whole.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Tuva Region, Russia. , Previously released as DVD. , This edition in English and Tuvan with English subtitles.
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  • 6
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Healers ; Medical care ; Physicians ; Traditional medicine ; Bolivia Social life and customs. ; South Africa ; Nonfiction films.
    Abstract: In the Bolivian highlands an English doctor is setting up a network of health care for remote mountain villages. While teaching the inhabitants the essentials of Western medicine the doctor is confronted with and tries to learn the methods of the local curandero’s methods of healing. The film is a highly revealing document of the encounter of different approaches to illness and is particularly suited for the teaching of Medical Anthropology.
    Note: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in English and an undetermined language with English subtitles.
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  • 7
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Multiple languages
    Pages: 1 online resource (40 min.). , 003930
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnomusicology. ; Sound recordings in ethnomusicology. ; France ; Documentary films.
    Abstract: In the practice of overtone singing (called also bi-phonic singing), whose best known examples can be found in Mongolia and with the Tuva people of Southern Siberia, a single person sings what the audience perceives as two voices at the same time a low pitch with his vocal cords, and in addition, a high-pitched melody using harmonics (overtones) selected by modifying the volume of the mouth cavity. This documentary is not an ethnography filmed in location. It is partly an illustration of the results of former research, partly the very actual investigation on overtone singing carried out in Paris, in the Ethnomusicology Department of the Musée de l'Homme, during a workshop, during a concert of the Mongolian National Ensemble, and in the medical visualization department of a hospital. The central figure is Tran Quang Hai, a well-known musician specialized in Vietnamese music, a performer and researcher in overtone singing, who is there working with the filmmaker in the same research group. The initial idea was to explore new technologies allowing the visualization of music structure and performance. The film shows for the first time in real time and with synchronous sound how biphonic singing operates from the physiological as well as the acoustical point of view. While shooting the x-ray pictures of tongue movements and the spectral views of overtones, the filmmaker and his collaborators discovered for the first time — like the viewer of the film — how this unique vocal technique operates.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Paris in 1989. , Previously released as DVD. , This edition in Mongolian, French and English with English subtitles.
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  • 8
    Online Resource
    Online Resource
    Berkeley, CA :University of California, Berkeley,
    Language: Indonesian
    Pages: 1 online resource (26 min.). , 002625
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology. ; Ethnology ; Manners and customs. ; Sumba Island (Indonesia) Social life and customs. ; Indonesia ; France ; Documentary films.
    Abstract: The eastern Indonesian island of Sumba is the last island in the Malay archipelago where the majority of the people still follow their ancestral religion, called marapu. This film, shot in 1986, focuses on a challenge to the authority of the spirits and ancestors in a village ritual to restore fertility after a fire and famine.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1986 in Manganipi-Kodi, Indonesia. , Previously released as DVD. , This edition in Indonesian and English with English subtitles.
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  • 9
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (67 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Samoa Social life and customs. ; France ; Nonfiction films.
    Abstract: This film is a valuable treatment of archival footage that George Milner shot while conducting field research in 1955 and 1959. The footage (eighteen minutes of the total film) focuses on traditional Samoan activities, such as fishing, cooking, house-building, hand-weaving, and bark-cloth making in preparation for the formal installation (saofa'i) of a Samoan matai (a male titleholder responsible for the welfare, prosperity and good behaviour of his extended family). This is one of the most important Samoan rites of passage. The ceremonies which validate his assumption of a new status are shown, both within the extended family and at the level of the village, whose existing titleholders formally acknowledge the new matai's right to a seat in council. Their approval is marked by the acceptance of gifts of goods and valuables, especially fine mats, which are of great importance. The musical sound track is of traditional songs recorded during the same period. Christina Toren, a South Pacific specialist, then interviews Reverend Lalomilo Kamu, a Samoan scholar currently at the University of Birmingham, about the previous footage and Samoan customs. In particular they discuss the formal preparation of a bowl of kava; the role of the taupou (ceremonial village virgin); the making of sinnet, the braided cord made from the fibres of coconut husk; the role of Samoan houses; cooking; the informal schooling of the young; the preparation of bark-cloth; and the process of hand-weaving. The interview provides a rare opportunity for viewers to hear a scholar from a filmed group comment on and explain the symbolism behind the pictures captured by the camera. The interview is quite detailed and is particularly useful for specialists in Polynesia or other regions of the South Pacific.
    Note: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in English.
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  • 10
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Spanish
    Pages: 1 online resource (52 min.). , 005215
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Sierra de Gredos (Spain) Economic conditions. ; Sierra de Gredos (Spain) Social life and customs. ; Canada ; Documentary films.
    Abstract: The 130 villagers of Navalguijo in the Sierra de Gredos of Central Spain live in a village perched high in the mountains and they face an extreme climate with very cold winters and hot summers. The soil is acid and poor, and the steep slopes and short growing season mean that agriculture cannot provide a living. Collectively the villagers own summer pastures high in the mountains, and individually they hold smaller autumn pastures. With access to winter pastures across the mountains in the region of Extremadura, they are able to maintain a large herd of beef cattle, which form their main source of wealth and which are their dearest possessions. To make this film, the crew joined the village men on their trek to Extremadura, when they drive their cattle down the mountains. This cattle drive is a mixture of hard work and holiday, with passing round of leather wine bottles, story-telling and evening stopovers at favourite inns punctuating the long march. This film portrays a society whose ideals of village co-operation and the rigid and efficient organisation of tasks have given the village a strong sense of identity over generations. It remains to be seen if this sense of identity survives the breakdown of their isolation from the outside world as tourists discover 'hidden Spain' and better communications and roads bring increasing contact with the rest of the country.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Spain. , Previously released as DVD. , This edition in Spanish and English with English subtitles.
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  • 11
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (48 minutes) , 004735
    Keywords: Feminism ; Motion picture authorship. ; Sex role ; Women's rights ; Greece. ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, features a discussion with Margaret Papandreou and other Greek feminists about his film "Warriors and Maidens" and the position of women in Greek society.
    Note: Title from resource description page (viewed November 11, 2015). , In English.
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  • 12
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (67 minutes) , 010623
    Keywords: Nubians Social conditions. ; Sudan Ethnic relations. ; Sudan Social conditions. ; Bhutan ; Documentary films.
    Abstract: Shot in 1989, Kafi's Story captures Nuba life at the moment before it was engulfed in the Sudanese civil war. Kafi narrates his own story into a portable tape record as he travels from his village, Torogi, to Khartoum to earn enough money to buy a new dress for his second wife, Tete. Kafi is quite consciously negotiating his own path between modernity and tradition. Kafi and the other Nuba react to the presence of the camera with neither awe nor apprehension; they seem to welcome the camera as an extension of their open, out-going, hospitable lifestyle. At the same time, they rapidly become sophisticated about the way film conventions can frame reality. When a friend walks away from a shot, they joke that he is walking into the screen. At the film's end Kafi asks the filmmaker for one thing: a camera of his own.
    Note: Title from resource description page (viewed June 24, 2016). , In English, Nubian and Arabic with English subtitles.
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  • 13
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English , Gujarati , English
    Pages: 1 online resource (39 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: City and town life ; Documentary films. ; Interpersonal relations. ; Motion pictures. ; National characteristics, East Indian. ; JaÌmnagar (India) Social life and customs. ; Bhutan ; Nonfiction films.
    Abstract: Raju's friendships with different people provide a map of contemporary Indian urban life in Jamnagar, western India.
    Note: "An Inca Production." , "Media Support and Development Centre, University of Manchester."--Original cassette. , Previously released as DVD. , This edition in English and Gujarati with English subtitles.
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  • 14
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Indonesian
    Pages: 1 online resource (53 min.). , 005303
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Whaling ; Lamalera (Indonesia) Social life and customs. ; Canada ; Documentary films.
    Abstract: The Whale Hunters of Lamalera was filmed over a period of four weeks during June 1987. Lamalera is a village which is perched on the rocky slopes of an active volcano on the southern coast of the island of Lembata, in Nusa Tenggara Timur in eastern Indonesia. An anonymous Portuguese document of 1624 describes the islanders as hunting whales with harpoons for their oil, and implies that they collected and sold ambergris. This report confirms that whaling took place in the waters of the Suva Sea at least two centuries before the appearance of American and English whaling ships at the beginning of the nineteenth century. The film follows the daily life of the villagers of Lamalera, a community of about 1500 people. The Christian Mission has been in place in the community for a hundred years, schools have been established and a training workshop teaches carpentry. It is a fishing village in a region where most communities support themselves by agriculture. Lamalera has very little productive land, so the villagers have to fish in order to survive. Their preferred quarry is sperm whale. Catching sperm whale with hand-thrown harpoons from small open boats powered by muscle and palm-leaf sail is no easy task, and the hunt is by no means uneven between man and whale. The tail flukes of a whale can smash the timbers of the boats and many boats are temporarily disabled by their prey. Harpooners have been disabled and killed. But the attraction of the whale is its size. The flesh of the whale (and shark and manta ray) is cut into strips and sun dried in the village. The meat is then carried to small markets where it is bartered with mountain villagers. One strip of dried fish or meat is equivalent to twelve ears of maize, twelve bananas, twelve pieces of dried sweet potatoes, twelve sections of sugar cane, or twelve sirih peppers plus twelve pinang nuts. Commercial whaling is banned throughout much of the world, but subsistence whaling is permitted by International Whaling Commission regulations in Alaska, the USA, the USSR and Greenland. Indonesia is not, however, a signatory to the IWC. Seven whales were caught in Lamalera in 1987.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Indonesian and English with English subtitles.
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  • 15
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Romani
    Pages: 1 online resource (54 min.). , 005335
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Romanies ; Hungary Social life and customs. ; Ireland ; Documentary films.
    Abstract: 'Across the Tracks' is a gripping film for the general viewer ... It is beautifully filmed in observational style (lingering scenes of muddy courtyards) with enough subtitled interview material to provide context. Rom is the word that describes Vlach Gypsies, unassimilated descendents of Gypsy slaves in Wallachia in Romania in the 19th century. A larger group, the Romungro, are more obviously part of Hungarian society: they speak Hungarian, not Romany. Romungros are the people who play violins in restaurants; 'true' Rom, the Vlach, wouldn't dream of it. The total Gypsy population in Hungary forms 3% of the Hungarian population the same proportion as people of Asian or Caribbean origin in Britain. This Disappearing World film explores the Vlach Gypsies' position in socialist Hungary through the eyes of three related families. Maron and her husband Jozi work in conventional jobs where work is compulsory: this is the fundamental first principle of the 'official' economy. Maron and Jozi use their income to improve their impoverished lives. They are becoming more like the gazo — the contemptuous Romany term for all Hungarians, meaning 'peasants'. Jozi's first wife, Terez, and her husband Mokus try to realise their dreams in a more Gypsy-like fashion. Terez scavenges in rubbish bins for bread to fatten pigs which she hopes to sell for Mokus to buy horses. Mokus reluctantly works in a factory but wants to be a horse dealer like his brother-in-law Sera. He is disqualified from work by a dubious disability, and instead buys and sells horses, 'turning money around, so that more comes to me.' The market is central to the Gypsy economy, but is not seen as a means of accumulating wealth. The market exists to circulate wealth, to ensure money passes through as many hands as possible – so that all may benefit from it. If a Gypsy acquires money, he is expected to celebrate with his friends, his 'brothers'. Horses are like temporary bank deposits, ready to be exchanged or cashed in when a 'brother' needs money. This film provides an interesting view of the tensions between the Hungarian state and the Gypsies, and of the complex contradictions of the Gypsies' lives. It is recommended for classes in anthropology, sociology, European studies, ethnicity, ecology, and political studies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Hungary. , Previously released as DVD. , This edition in Romani and English with English subtitles.
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  • 16
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Fula
    Pages: 1 online resource (54 min.). , 005330
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Nomads ; Wodaabe (African people) ; Canada ; Documentary films.
    Abstract: ... Is the Wodaabe world disappearing? and how are we to place the painted male faces? The very considerable success of this film is the ways it answers these questions. The Wodaabe follow their herds in an endless migration across the borders of Niger, Nigeria, Chad and Cameroon in search of pasture. The droughts which have ravaged the Sahel since the late 1960s have devastated Wodaabe cattle herds, and this film looks at the daily pattern of survival of one hard-pressed family group at the height of the dry season. Gorjo bi Rima and his family have been the focus of Mette Bovin's fieldwork since 1968 and she has seen his herds decline from more than 300 cows to less than half a dozen. Yet, as she emphasises, the Wodaabe see their life as a balance between hardship and joy, and the film expresses this in sequences which record a child's naming feast and the Wodaabe's obsession with male beauty and adornment. 'We like beauty,' Gorjo says. 'We like to see people who are young and handsome and this is why we put on make-up.' The elaborate make-up of the young men and their dances, a kind of male beauty contest to gain the attention of women, are linked to a complex system of taboos which the Wodaabe insist they will maintain despite mounting pressures to abandon their nomadic lives.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Fula and English with English subtitles.
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  • 17
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Indonesian
    Pages: 1 online resource (50 min.). , 004948
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Dance ; Ireland ; Nonfiction films.
    Abstract: Jaipongan is a new style of music and dancing which was 'invented' about a decade ago on Western Java, Indonesia. Drawing on more classical Javanese music and taking elements from Japanese and Indian music as well, Jaipongan has become widely popular. Dancers and musicians explain the place of Jaipongan within Sundanese culture.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in Indonesian with English subtitles.
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  • 18
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (49 minutes) , 004805
    Keywords: Man-woman relationships ; Sex role ; Crete (Greece) ; Asia ; Documentary films.
    Abstract: This film, produced and directed by Barrie Machin, is about gender codes governing the social relationships between men and women in a remote village in Crete.
    Note: Title from resource description page (viewed November 11, 2015). , In English.
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  • 19
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: Greek, Modern (1453- )
    Pages: 1 online resource (4 minutes) , 000356
    Keywords: Inheritance and succession ; Crete (Greece) ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, is about inheritance customs in Western Crete.
    Note: Title from resource description page (viewed November 11, 2015). , In Greek.
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  • 20
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (3 minutes) , 000238
    Keywords: Motion picture authorship. ; Crete (Greece) ; Asia ; Documentary films.
    Abstract: In this video, Barrie Machin discusses his film "Warriors and Maidens" and the village it was filmed in.
    Note: Title from resource description page (viewed November 11, 2015). , In English.
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  • 21
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (1 minutes) , 000100
    Keywords: Sewing ; Crete (Greece) ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, is about sewing in Asi Gonia, Crete.
    Note: Title from resource description page (viewed November 11, 2015).
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  • 22
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (3 minutes) , 000257
    Keywords: Herders ; Weddings ; Greece. ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, is about wedding traditions in rural Greece.
    Note: Title from resource description page (viewed November 11, 2015). , In English and Greek with English subtitles.
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  • 23
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Spanish
    Pages: 1 online resource (42 min.). , 004143
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Cuyagua ; part II
    Series Statement: Ethnographic video online, volume 2
    Keywords: Rites and ceremonies ; Bhutan ; Nonfiction films.
    Abstract: The Feast of St John the Baptist begins two or three weeks after Corpus Christi, on June 23rd. According to biblical tradition, St John lived in the desert, renouncing the pleasures of this world. But the people of Cuyagua think of him as a flamboyantly dressed young man, with a passion for making merry. Although men provide drum music and join in the dancing, the celebration of St John's Feast is a predominantly female affair in Cuyagua, based on a large body of women's songs. The Saint with Two Faces introduces some of the leading women followers of St John, both at work cleaning the beach for tourists, and at home with their children. A group of these women describe their beliefs about St John and the way in which they organise his Feast. But these preliminary scenes also serve to establish the themes that will underlie the Feast itself - an extraordinary conjunction of the sacred and the profane, of celebration and mourning.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Recorded in 1986. , Previously released as DVD. , This edition in Spanish and English with English subtitles.
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  • 24
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (25 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Sepik River Region (Indonesia and Papua New Guinea) Social life and customs. ; South Africa ; Nonfiction films.
    Abstract: Shows life in Rauit Village, a Sepik village in Papua New Guinea. Shows the lives of the women, as they search for and prepare food.
    Note: "A film by Ariane Lewis and Jon Jerstad." , On original cassette label: Media Support and Development Centre, University of Manchester. , Previously released as DVD. , This edition in English.
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  • 25
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Undetermined
    Pages: 1 online resource (53 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Inner Mongolia (China) Social life and customs. ; Mongolia Social life and customs. ; Mongols Social life and customs. ; Nomads ; Nomads ; South Africa ; Nonfiction films.
    Abstract: This two part film focusses on Mongols living in the Inner Mongolia Autonomous Region of China. Both sections would be excellent as teaching aids, particularly when accompanied by appropriate literature. The cinematography is stunning, evoking a strong mixture of the power of the environment-the expanse of the desert and grasslands-and the will of the people who live there. The Grasslands follows the life of a nomadic Mongol family on their year's journey following their herds across northern China. This section portrays a traditional view of Mongolian life. The second part of the film, The Desert, gives a more contemporary view of Mongols attempting to reclaim the desert in the more sedentary lifestyle currently encouraged by the Chinese government. This second section brings in disturbing environmental questions regarding the destruction of these northern grasslands.
    Note: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in an undetermined language with English subtitles.
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  • 26
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (87 min.). , 012655
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Love. ; Women Social conditions. ; Husband and wife. ; Domestic relations ; Men Attitudes. ; Sex role. ; Man-woman relationships. ; France ; Documentary films.
    Abstract: In our grandparents' time, most women and men committed themselves to each other for better or worse. Today, many men and women struggle to redefine relationships in a society where more women are in the workforce, where divorce is common, and where the marriage commitment is rapidly changing. How did this happen? What opportunities and barriers has it created in women's and men's lives? Love Stories: Women, Men, & Romance provides both a history of changing attitudes and expectations and a portrait of today's conflicted society — in which the old and new values clash, fueling debates over the lifestyle, sex roles, and birth control.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1987 in United States. , Previously released as DVD. , This edition in English.
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  • 27
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: German
    Pages: 1 online resource (23 min.). , 002301
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Swiss yodelling series : "Jüüzli" of the Muotatal ; 2
    Keywords: Yodeling. ; Folk music Switzerland ; History and criticism. ; Folk songs, German History and criticism. ; Switzerland. ; France ; Documentary films.
    Abstract: Innovative graphic animations with sync sound visualize the features of both musical structure and performance technique related not only to traditional local voice characteristics but also to the polished yodelling of a renowned soloist performing at yodel festivals. The film also shows the connections with instrumental music, such as the small alphorn and the diatonic accordion. This documentary is a very rare example of elements of musical structure and performance being explained through visual means (another example is the filmmaker's The Song of Harmonics).
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Muotatal Valley, Switzerland. , Previously released as DVD. , This edition in German and English with English subtitles.
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  • 28
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005434
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Basques. ; North America ; Documentary films.
    Abstract: In her book 'The Circle of Mountains' Sandra Ott provided a fascinating analysis of social reciprocity ... The film highlights the village's contemporary dilemmas and thereby complements rather than visualises the arguments in Ott's published ethnography ... The approach is to be applauded since the book and the film now make excellent companion pieces that can usefully be employed in any course on European ethnography. This film follows the lives over one year, shot during three intervals, of two Basque shepherding families who live in Santazi, a village in the foothills of the French Pyrenees. The film is the only Disappearing World film made in western Europe and it focuses on the continuity and change in the community. Change has come to the village of Santazi in recent years along the avenues of introduced roads and improved communication systems with the outside world. The effects stretch from people's relationship with the Catholic religion to inheritance customs. Television has of course also entered these villagers' homes. The traditional life of shepherding is also changing amidst the conflict of interest between those who have formed a syndicated in an effort to maintain the viability of shepherding and the sons who have taken jobs as linemen for the electricity company. This film shows the rationality behind the choice the villagers are making. This film is recommended for courses in anthropology, sociology, culture change, and European communities.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Santazi (Sainte-Engrâce), France. , Previously released as DVD. , This edition in English and Basque with English subtitles.
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  • 29
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Austronesian (Other)
    Pages: 1 online resource (55 min.). , 005441
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Solomon Islanders Religion. ; Solomon Islanders Social life and customs. ; Malaita (Solomon Islands) Social life and customs. ; Australia ; Documentary films.
    Abstract: Pierre Miranda and a team from Granada Television have made a fine film exploring the troubled realities of the people of the lagoon in the 1980s. This film focuses on the people of Lau lagoon in the Solomon Islands who live on artificial islands near the island of Malaita. These islands are built of coral rubble and the people moved to them in an attempt to escape the dangers of malaria and enemies, and to find better fishing. The film focuses on change and conflict. The concept of 'custom' is vital to the islanders' identity, yet this is being eroded, particularly by Christian missionaries. The conflict between Christian and Pagan now pervades daily life, creating divisions in families and eroding knowledge of traditional life. Two 'custom' priests recently committed ritual suicide, one by swimming under a canoe containing women and the other by deliberately making a mistake in a ceremony. Within weeks, both priests physically died. The despair in the ability of 'custom' to continue that these priests must have felt is presented visually throughout the film. Few of the islanders remember more than a fraction of the hundreds of traditional spirits and the young are turning more and more to the traditions and commodities of Western culture. That this theme is a common one makes it no less powerful or relevant. Spurred by the presence of the Disappearing World camera crew, the islanders built a house in which to store their traditional and ritual objects. A commendable act of preservation on the part of the islanders, but at the same time the implications of their act are saddening. They are taking their ritual things out of the sphere of living, daily tradition and placing them in the realm of objective history. The Lau is recommended for courses in anthropology, sociology, development, culture change, Melanesia, religion, and ecology.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Malaita, Solomon Islands. , Previously released as DVD. , This edition in Lau and English with English subtitles.
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  • 30
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (31 min.). , 003054
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Sheep ranchers ; Falkland Islands Social conditions. ; France ; Nonfiction films.
    Abstract: The 1982 war between Britain and Argentina brought the Falkland or Malwinas Islands into the news headlines. This film is less spectacular: It shows the way of life of one inhabitant of this remote island in the South Atlantic. The film tells us in measured style about sheep farmer's Ian Gleadell's struggle with the rough landscape, the island's administration and loneliness.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 31
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: German
    Pages: 1 online resource (25 min.). , 002458
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Swiss yodelling series : "Jüüzli" of the Muotatal ; 3
    Keywords: Yodels. ; Yodeling. ; Music ; Weddings ; Schwyz (Switzerland : Canton) Social life and customs. ; France ; Documentary films.
    Abstract: Four manners of yodelling and yootzing take place on the same day. The Yodel Mass, written in Swiss German dialect by the composer Jost Marty, is conducted by the director of the yodel choir in the church organ loft. Following that is a traditional local yootz arranged for the yodel choir — also performed in the church as a Bach choral would be — which, in a way, makes the profane become sacred. At dinner in a restaurant, a locally well-known traditional yootzer family performs for the wedding party. In the evening some villagers can be found in another inn performing not for an audience this time, but for their own pleasure. The wedding party also appreciates local customs such as large cowbell ringing, whip cracking and diatonic accordion playing to accompany dancing.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1983 in Muotatal Valley, Switzerland. , Previously released as DVD. , This edition in German with English subtitles.
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  • 32
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Spanish
    Pages: 1 online resource (41 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Cuyagua ; part I
    Series Statement: Ethnographic video online, volume 2
    Keywords: Dance ; Dancers ; Religion Rites and ceremonies ; Music dances. ; South Africa ; Nonfiction films.
    Abstract: The men of the Afro-Caribbean population of Cuyagua enact a ritual that occurs 60 days after Easter. The film is a portrait of the two men who direct the devil dancing. They tell the history of the village, the organization of the devil dancing, and stories associated with the devil. The film also discusses the intriguing ritual of the dancing itself.
    Note: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in Spanish and English with English subtitles.
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  • 33
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: German
    Pages: 1 online resource (29 min.). , 002926
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Swiss yodelling series : "Jüüzli" of the Muotatal ; 4
    Keywords: Yodels. ; Yodeling. ; Music ; Vocal music ; Schwyz (Switzerland : Canton) Social life and customs. ; Switzerland Social life and customs. ; France ; Documentary films.
    Abstract: Walking up to the summer alpine pastures is a yearly event that both people and cattle look forward to! Cattle calls, yootzing in the stable while milking, calling an alpine blessing through a milk funnel, yootzing together in the evening in the alpine chalet these are elements that many local people like to see, elements that reflect the idealized past of this people of herdsmen, as Swiss people like to call themselves. At the end of the film, an unexpected message reveals that real life was not as idyllic as it seems. It is a rare case of a film revealing its making of (years before the extras in DVDs became popular).
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1983 in Muotatal Valley, Switzerland. , Previously released as DVD. , This edition in German with English subtitles.
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  • 34
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005455
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cayapo Indians Social life and customs. ; Ethnology ; Ethnology. ; Indians of South America Social life and customs. ; Indians of South America Social life and customs. ; Brazil. ; North America ; Documentary films.
    Abstract: This film focuses on the conflicts and determination of a group of people trying to survive and maintain their ethnic identity in the face of almost overpowering odds. The film contrasts the reactions of two groups of Kayapo to outside influence. The Kapot have opposed contact and resisted both non-indigenous Brazilian settlers and gold miners. The Gorotire, by contrast, were invaded by gold miners who strip-mined their land and polluted their rivers. The miners paid the Gorotire very little for the destruction until 1985 when the Gorotire forced the miners to raise the commission by 5% when 200 warriors seized the airstrip. This commission amounts to two million dollars per year for the tribe and the tribe is learning to cope with the money, both with the problems it brings and the power it gives. They have trained several of their number to deal effectively with the outside world on behalf of the rest of the tribe and they now run a plane (and hire a pilot) to patrol their land against intruders. The Kapot, in their own way, are also trying to assert their identity and independence. This portion of the film shows the Kapot in the traditional activities of building and dismantling a hunting camp. The hunters returning with the tortoises they have caught are a particularly impressive sight. The now famous Chief Rop-ni is featured as a leader of the Kapot and he states eloquently his opposition to the Gorotire's acceptance of the gold miners. Despite their adherence to tradition, however, the Kapot use modern technology – video, radios, etc. – to protect their interests and record their rituals. This is a political film and would be excellent for courses in anthropology, Latin American studies, ecology, development, and international politics.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Brazil. , Previously released as DVD. , This edition in English.
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  • 35
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (43 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Bon (Tibetan religion) Rituals. ; Bonpos ; Fasts and feasts Buddhism. ; Holidays. ; New Year. ; Ireland ; Nonfiction films.
    Abstract: "This outstanding documentary is placed in Northern India among a group of Tibetan refugees. They celebrate the New Year following a ritual of their religion, Bonpo, which is older than Buddhism."--Original container.
    Note: Previously released as DVD. , This edition in English.
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  • 36
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: German
    Pages: 1 online resource (50 min.). , 004938
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Swiss yodelling series : "Jüüzli" of the Muotatal ; 1
    Keywords: Yodels. ; Yodeling. ; Music ; Switzerland Social life and customs. ; France ; Documentary films.
    Abstract: Performances of the local musical tradition and the official folklore are shown in their social contexts. We can see on the one hand peasant activities such as mowing, transporting wooden logs, milking and calling cattle, as well as people sitting together at home or in the local inn and on the other hand, a folk festival featuring wrestling and alphorn playing and the yearly concert of the local yodel choir. Singers of both styles discuss the differences between their practices.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1983 in Muotatal Valley, Switzerland. , Previously released as DVD. , This edition in German with English subtitles.
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  • 37
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005241
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Accordion music History and criticism. ; Accordion music History and criticism. ; Austrians Ethnic identity. ; Austrians Music ; History and criticism. ; Conjunto music History and criticism. ; Ethnicity. ; Ethnomusicology. ; Mexican Americans Music ; Ethnic identity. ; Mexican Americans Music ; History and criticism. ; Mexican Americans Music ; History and criticism. ; Polkas History and criticism. ; Polkas History and criticism. ; Popular music History and criticism. ; Popular music History and criticism. ; North America ; Documentary films.
    Abstract: The film confronts the accordion music of Chicano immigrants in southern Texas with the traditional music of accordion players in Austria. Without making any final judgments on the ‘roots’ of ‘conjunto’ music of the Chicanos, the film is able to reveal the different claims to ethnic identity. Most interestingly, Chicanos in Mexico and Texas and Austrians comment upon each others’ way of playing Polka.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in January 1986 in Monterrey, Mexico, San Antonio, Texas and Salzburgerland, Austria. , Previously released as DVD. , This edition in English.
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  • 38
    Online Resource
    Online Resource
    India :National Film Development Corporation,
    Language: Hindi
    Pages: 1 online resource (118 min.). , 015749
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Canada ; Feature films.
    Abstract: In a British-ruled India, a subedar, an officer of the Indian Army, is sent to collect taxes in a village. Riding into the village, the subedar chances upon Sonbai, a beautiful, married woman. Abusing his power as an officer, he demands that Sonbai sleeps with him while her husband is away. To his surprise, Sonbai slaps him in full view of his soldiers before running off. Enraged and embarrassed, the subedar orders his soldiers to capture Sonbai. However, Sonbai escapes to the spice factory, where the elderly watchman locks the soldiers out to protect her. The town leader is then commanded to deliver Sonbai to the subedar and after some deliberation, the patriarchal village decides to sacrifice Sonbai. As the spice factory comes under attack, Sonbai and the female factory workers finally decide to stand up for themselves. Awards/Festivals: Best Feature Film, Hawaii International Film Festival; Moscow International Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in India. , Previously released as DVD. , This edition in Hindi with English subtitles.
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  • 39
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Strangers abroad ; 6
    Keywords: Evans-Pritchard, E. E. ; Anthropologist Biography. ; Documentary films. ; Historical films. ; Nuer (African people) Religion. ; Witchcraft ; Zande (African people) Religion. ; Sudan Religious life and customs. ; Bhutan ; Nonfiction films.
    Abstract: Edward Evans-Pritchard was the first trained anthropologist to do work in Africa, where he lived among the Azande and studied their belief in witchcraft. Later, he worked with the Nuer tribe in the Sudan. His work on witchcraft caused philosophers to ask how rational thinking could be defined; his study of tribal organization intrigued political theorists; his attention to the sophisticated religious sentiments of so-called primitive peoples has strongly influenced theologians.
    Note: Documentary. , Originally issued as motion picture in 1985. , Previously released as DVD. , This edition in English.
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  • 40
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (50 min.). , 004933
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnomusicology. ; Islamic music. ; Music Instruction and study. ; Muslims ; Bradford (West Yorkshire, England) Ethnic relations. ; France ; Nonfiction films.
    Abstract: Bradford is a mill town in the north of England with a population of some 350,000 people of whom about 60,000 are Asians, predominantly Muslim Asians. Lessons from Gulam is a detailed study of musical enculturation and education within this Muslim community. Gulam Musa comes from Gujarat (India), and is a member of the Khalita group whose traditional caste occupations include those of barber and musician. In Bradford he is a music teacher and singer of qawwali, a form of Muslim devotional music found in India and Pakistan and also a genre of media-disseminated popular music. He runs an amateur qawwali group (called Saz aur Awaz, `Music and Song'), usually training his accompanists, and also takes part in Asian music workshops in the schools of Bradford. Lessons from Gulam explains several aspects of Asian music, especially drumming, and contrasts musical education in the school with what goes on in people's homes. It has long shots of musical performance, filmed and edited in the observational style, presented as the narrative of a visit to Bradford, and shows the film-maker getting his own lessons from Gulam. The film-maker is an ethnomusicologist and his musical knowledge is revealed in the detail and attention paid to the specifics of this Indian music style. Such insight is rare in ethnographic films and makes this film particularly valuable for music teachers and for teachers at both the school and university level who wish to expose students to the multi-cultural elements of music in Britain today. John Baily made this film at the National Film and Television School during his training as an ethnographic film-maker under the scheme organised by the Royal Anthropological Institute and the National Film and Television School and funded by the Leverhulme Trust.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 41
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005254
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Strangers abroad
    Keywords: Spencer, Baldwin, ; Aboriginal Australians. ; Anthropologists. ; Anthropology Fieldwork. ; Anthropology Research. ; Anthropology. ; Australia ; Documentary films.
    Abstract: Spencer represents the link between the armchair anthropologist and the modern fieldworking anthropologist. The series begins by following in the footstep of the British scientist. It shows his work with the Australian Aborigines – who had, up until then, been regarded as a step in the evolutionary ladder between Neolithic men and the 'civilised' Victorian. Spencer went to Australia in 1887 as Professor of Biology at Melbourne University. While there he was invited to join the Horn expedition, an ambitious project to explore Australia's still largely unknown interior. At Alice Springs, Spencer met Frank J. Gillen, the operator of the telegraphic station and an initiated elder of the Aranda tribe. It was Gillen's special place in Aboriginal society that enabled Spencer to document the world of this ancient and complex culture through books, glass-plate photographs, wax cylinder recordings and some of the earliest cine films shot outside Europe. Spencer and Gillen made several expeditions together; the data they collected fueled the theories of anthropologists around the world. Some of their film was used in the programme.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 42
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Chinese
    Pages: 1 online resource (64 min.). , 013415
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Feature films. ; Foreign films ; Manners and customs Drama. ; Marriage Drama. ; Motion pictures ; Women Drama. ; China Drama. ; United Kingdom ; Feature films.
    Abstract: In 1900 a twelve-year-old girl, Xiaoxiao, comes to a mountain village to discover that her uncle has arranged a marriage with a boy who is still breast-fed at two. Strict clan rules govern all behaviors, and she becomes her husband's nanny (he must call her sister until he is old enough to marry her). In one scene, the villagers are discussing a group of schoolgirls who are allowed to marry whomever they want, and who enjoy reading and a degree of freedom that Xiaoxiao longs for. Huagou, a local peasant, takes notice of Xiaoxiao, now sixteen and taking good care of six-year-old Chunguan, and a love affair begins with terrifying consequences. She knows the feudal values her community clings to, and watches them strip and drown a young widow who has been unfaithful to her husband. That woman's lover lives, albeit with broken legs. And what will happen to her?
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Hunan. , Previously released as DVD. , This edition in Mandarin.
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  • 43
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005340
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Strangers abroad ; 3
    Keywords: Boas, Franz, ; Anthropologists Biography. ; Bhutan ; Nonfiction films.
    Abstract: Central Television's major documentary series looks at the first anthropologists to stop 'armchair theorising' and go out to live among the peoples who so interested them. In 1883, a young German scientist - Franz Boas - arrived in the Canadian Arctic to map the coastline and indulge in his new interest the study of other cultures. As he charted Baffin Island, he recorded the lives and ideas of the Eskimo who helped him with his work. He became so absorbed by the common features that unite humans everywhere that he made the study of culture his life's work and did fieldwork in both the Arctic and the North West Coast of America among Indian tribes. Considered to be the founding father of American anthropology, Boas taught at Columbia University, encouraging his students to follow his example by actually working in the field.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 44
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Strangers abroad ; 4
    Keywords: Malinowski, Bronislaw, ; France ; Nonfiction films.
    Abstract: Bronislaw Kaspar Malinowski was born into an aristocratic family in Poland in 1984. It was the chance reading of Frazer's Golden Bough that put him on the path of his future career. He pursuit anthropological training at London School of Economics and was awarded a doctorate for work on Australian Aborigines, based on data provided by Spencer and Gillen. Following a first field study among the Mailu off the New Guinea cost, using the well-tested formula of his predecessors, Spencer and Rivers, he moved 1915 to the Trobriands. There he abandoned the veranda and developed his style of fieldwork, which came to be called participant-observation: speaking the language, living in the community and becoming part of it, making a detailed record of all aspects of native life. Malinowski's intimate experience with Trobriand society generated a growing awareness of the myriad of links that hold society together.
    Note: Previously released as DVD. , This edition in English.
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  • 45
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (52 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Strangers abroad ; 2
    Keywords: Rivers, W. H. R. ; Torres Strait Islands. ; South Africa ; Nonfiction films.
    Abstract: Central Television’s major documentary series looks at the first anthropologists to stop ‘armchair theorising’ and go out to live among the peoples who so interested them. The six part series was filmed all over the world, from the frozen Canadian Arctic to the dry outback of Australia, from New Guinea to India, Africa to the South Pacific. The programme makers retraced the steps of the pioneering anthropologists in those countries and, by following the life story of each scholar, they reveal how social anthropology has contributed to our lives.
    Note: Previously released as DVD. , This edition in English.
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  • 46
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Strangers abroad ; 5
    Keywords: Mead, Margaret, ; Child development Social aspects. ; Child development Social aspects. ; Child development Social aspects. ; Bali Island (Indonesia) Social life and customs. ; United States Social life and customs. ; South Africa ; Nonfiction films.
    Abstract: The most widely read, and best known anthropologist is probably Margaret Mead, an American who went study adolescence in the South Sea-Islands at the age of 23. Although her fieldwork has been criticised, she was nevertheless one of the foremost fieldworkers of her day. In America, Bali and New Guinea she examined child development, sex and temperament to see what role society has in making people what they are. Adolescence was a time of emotional stress and personal conflict in America and Europe. Mead claimed that in Samoa, adolescence was in many ways the most enjoyable and happy time of life.
    Note: Previously released as DVD. , This edition in English.
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  • 47
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (61 min.). , 010116
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Vietnam War, 1961-1975 Protest movements ; Protest movements. ; United States. ; France ; Documentary films.
    Abstract: In 1970, thousands of young people thought of themselves as agents of change. They wanted to restore America's democratic vision; they wanted to end the war in Vietnam. This is the story of one collective — their successes and failures, and what they do and think fifteen years later.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1985 in Newton, MA. , Previously released as DVD. , This edition in English.
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  • 48
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005304
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: The Migrants is the third film in the trilogy In Search of Cool Ground made for Granada Television's Disappearing World series. It is about a drought-induced migration of Mursi from their traditional territory in the Omo valley to the Mago valley, about fifty miles away. This migration has brought them, for the first time, into contact with the market economy of the Ethiopian Highlands. David Turton notes that, when he first met the Mursi, men were seldom, and women never, seen at the highland markets. Now the Mago migrants, and especially women, are familiar figures in the weekly market at Berka, just four hours' walk from their new settlements. With their foothold in the pastoral economy weakening (tsetse flies make the Mago area quite unsuitable for cattle herding) and their dependence on market exchange growing, the migrants are in the process of becoming settled agriculturalists, like their highland neighbours, the Ari. By tracing the present and likely impact of this move on the lives of the migrants, the film shows how they are beginning to carve out a new ethnic identity for themselves, as well as a new home.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 49
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (8 minutes) , 000722
    Keywords: Agricultural laborers ; Charcoal. ; Greece. ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, is about traditional charcoal making in Greece.
    Note: Title from resource description page (viewed November 11, 2015). , In English.
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  • 50
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (48 min.). , 004752
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ambler (Alaska) History. ; Ambler (Alaska) Social life and customs. ; Ireland ; Nonfiction films.
    Abstract: Tuktu is the Kuvanmiit Eskimo word for caribou. The film traces the early evolution of Ambler, founded almost 30 years ago on the Kobuk River in Alaska. Change and development mark life now in this village near an old caribou migration path. Subsistence values face rapid Westernization, but the villagers' desire to combine their old way of life with the new remains the strongest force.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 51
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (22 minutes) , 002152
    Keywords: Funeral rites and ceremonies ; Mourning customs ; Crete (Greece) ; Canada ; Documentary films.
    Abstract: This film, written and filmed by Barrie Machin, is about funeral and mourning customs in Crete.
    Note: Title from resource description page (viewed October 06, 2015). , In English.
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  • 52
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005332
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Afghan Wars. ; Ethnology ; Pushtuns History. ; Khyber Pakhtunkhwa (Pakistan) History, Military. ; North America ; Documentary films.
    Abstract: For more than a century Britain was engaged in war with the Pashtun tribesmen of India's North West frontier. It began with the bloodiest massacre in the history of the British Empire when, in January 1842, some 17,000 British soldiers, women and children died in Gandamark, en route to the Khyber Pass. ‘Khyber’ tells the story of how the British experience in the North West Frontier was part of the Great Game, as Rudyard Kipling called it. It was never a successful game and rarely took cognisance of the wishes of the Pashtun tribes that bore the brunt of the different resulting wars. Looking at the history up to the Soviet invasion in 1979, Khyber features the final interview with Sir Olaf Caroe, last governor of the North West Frontier Province before partition, and with Field Marshall Sir Claude Auchinleck, last commander of the British Army in India. The film looks at the different perspectives of the conflicts by both British and Pashtun and provides fascinating parallels to what is happening in Afghanistan today.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 53
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: French
    Pages: 1 online resource (176 min.). , 025601
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Areare (Solomon Islands people) Songs and music. ; Panpipes ; Panpipes Construction ; Musical instruments ; Musical instruments Construction ; Folk songs, Areare ; Panpipes ensembles. ; Music ; France ; Documentary films.
    Abstract: Part 1: A fascinating documentation of the traditional musical culture of the 'Are'are people of the Solomon Islands, in the South-Western Pacific. The three LP records published after a first one-year field-research in 1969-70 were a phenomenal surprise (Garfias) as they revealed a completely unknown music (outside of the Solomon Islands) of an exceptional beauty and complexity in its instrumental and vocal polyphonies. It seemed to the researcher an absolute necessity to document visually what had been published on sound recordings, showing in detail all the playing techniques, body movements of performers, and spatial coordination of music ensembles and dancers. The documentary consists of a comprehensive inventory of all the twenty musical genres of the 'Are'are people and is structured according to native classification, along with explanations by master musician 'Irisipau.
    Abstract: Parts 2 & 3: For the 'Are'are people of the Solomon Islands, the most valued music is that of the four types of panpipe ensembles. With the exception of slit drums, all musical instruments are made of bamboo; therefore the general word for instruments and the music performed with them is bamboo ('au). This film shows the making of panpipes, from the cutting the bamboo in the forest to the making of the final bindings. The most important part of the work consists in shaping each tube to its necessary length. Most 'Are'are panpipe makers measure the length of old instruments before they shape new tubes. Master musician 'Irisipau, surprisingly, takes the measure using his body, and adjusts the final tuning by ear. For the first time we can see here how the instruments and their artificial equiheptatonic scale—seven equidistant degrees in an octave—are practically tuned.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1979 in Solomon Islands. , Previously released as DVD. , This edition in French with English subtitles.
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  • 54
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (66 min.). , 010615
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Urban renewal ; Mission Hill (Boston, Mass.) ; Boston (Mass.) Race relations. ; Roxbury (Boston, Mass.) Social conditions. ; Bhutan ; Documentary films.
    Abstract: Mission Hill and the Miracle of Boston is the story of urban renewal, racial conflict, and the struggle of a neighborhood to survive these changing times. Spokespeople include real estate developers, community activists, workers, and residents.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Boston in 1978. , Previously released as DVD. , This edition in English.
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  • 55
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (54 min.). , 005359
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Birth control ; Contraception ; Acupuncture ; Herbs Therapeutic use ; China Social life and customs. ; France ; Documentary films.
    Abstract: In response to an invitation from the Chinese government, twenty-three American family planning workers from the fields of medicine, public health, media and administration spent seventeen days during August and September of 1977 in the People's Republic of China studying its birth control, maternity and child care methods and facilities. This video contains two video reports made during this trip: In China Family Planning is No Private Matter (32 min), and Acupuncture and Herbal Medicine (22 min). On this trip, they inquired about the government's methods of surveillance that were instrumental in conducting the declared policy of one child per family and observed its consequences in factories and communes. In their effort to comprehend the breadth of the government's health care policies, they recorded the extensive use of herbal therapy and acupuncture. Here is presented their recording of a birth by caesarian section using acupuncture as the sole anesthetic. Shortly afterward they talked with the mother as she celebrated the birth of a healthy son. The People-to-People China Trip was led by Phyllis Vineyard and Margaret Whitman, and was facilitated by Planned Parenthood USA as part of its exploration of the methods and consequences of family planning worldwide.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1977 in China. , Previously released as DVD. , This edition in English.
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  • 56
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Multiple languages
    Pages: 1 online resource (54 min.). , 005339
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Mountaineering ; Mountaineering. ; Sherpa (Nepalese people) ; Nepal. ; Canada ; Documentary films.
    Abstract: Thami is a village 12,000 feet up in the Himalayas in the Kingdom of Nepal. As the film's opening shots illustrate, in a type of filmic short-hand, Thami is composed of a patchwork of individual farms – indicative of the Sherpa emphasis on independence and family self-sufficiency. The main concern of the film is to examine what it means to be Sherpa today in both cultural and economic terms. To this end the film concentrates on the varied career choices of three brothers from Thami – peasant farmer, Buddhist monk and head guide. Interviews with the brothers, enabling them to express their own attitudes and expectations, deepen the analysis. The second half of the film deals with the preparations for the festivities of a Sherpa wedding, emphasising that negotiations about bridewealth are lengthy – often taking years – since marriage is viewed primarily as an economic transaction. Sequences showing peasant farming activities, in combination with scenes of Sherpa life in Katmandu, contrast the old way of life with the new and illustrate the changing socio-economic conditions encountered by Sherpas today.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Nepal. , Previously released as DVD. , This edition in Nepali, Sherpa and English with English subtitles.
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  • 57
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005324
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Eskimos Social life and customs. ; Eskimos Social life and customs. ; Ethnology ; Pond Inlet (Nunavut : Inlet) ; Australia ; Documentary films.
    Abstract: For the Eskimos of Pond Inlet ­ a new village in North Baffin Island in which they have been settled by the Canadian Government ­ the life of the semi-nomadic hunter has given way to that of wage-labourer, in what appears as a pre-fabricated 'township'. Although hunting provides an important supplement to the Eskimos' income, it is now a part-time activity, and since 1975 (ten years after the start of the government's housing programme) nobody has lived all year round in hunting camps. For the older inhabitants of Pond Inlet, the old way of life is still vivid (in 1935 only 37 Eskimos lived in the village) and their reminiscences and recollections form part of a powerful statement about the present situation. These statements take the form of monologues, or comments addressed to friends and family about the effects of fifty years of contact with whites. Apart from these 'interviews' with the Eskimos, the film accompanies one family ­ grandfather, father, mother and children ­ as they go out hunting seals and jigging for fish. The visual contrast between the splendours of the open spaces of snow and water and the township of Pond Inlet is a startling one which reinforces the Eskimos' statements. We also see one member of this family selling seal skins in a trade store, and captioned information is given about the cost of maintaining the hunter's equipment and what he can expect to earn in any one year. The material was filmed during a seven week period in June and July 1975. A sophisticated 'observational' style is used, with long takes, few pans, no commentary or formal interviews and full subtitling. Caption cards are used to good effect, conveying necessary information without intruding on the narrative. These 'technical' factors have important consequences for the film's anthropological value, not least because one of the aims was to enable the Eskimos to 'speak for themselves'. Although it would be naive to suggest that the 'people's voice' manages to override the exigencies of making such a film for a 52 minute television slot, the Eskimos did have a say in the making of the film, and one of them was also involved in the editing. The striking oratorical style of the Eskimos awakens the viewer to the point that in this film they are addressing the Whites, voicing their distrust, having overcome the fear with which they first encountered these 'visitors' to the people's land.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1975 in North Baffin Island, NT. , Previously released as DVD. , This edition in English.
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  • 58
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Cushitic (Other)
    Pages: 1 online resource (54 min.). , 005352
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Camels. ; Nomads ; Rendille (African people) Social life and customs. ; Ethnology ; North America ; Documentary films.
    Abstract: The Rendille are camel herders who live in villages and camps dotted over 10,000 square miles of desert and scrub bush in Northern Kenya. As the terrain they occupy is so dry, the Rendille grow no crops and their cultural and economic life is centred on their animals. As with other pastoral peoples, the Rendille have to be sensitive to the ever-shifting relationship between humans, animals and 'natural' resources in order to maintain a suitable balance between them. Throughout the year the Rendille have to follow the grazing and rains, dividing their herds between camel camps and semi-permanent village settlements. Long-term planning and decision-making are therefore crucial and this film brings out the manner in which the elders make their decisions. Each man gives his opinion and is listened to attentively until eventually a consensus is reached. The role of the sexual division of labour and the age-set system is explained in commentary, interviews and visual sequences, in a way which allows the viewer insights in the various interacting levels of Rendille social structure. Sequences detailing the ritual activities surrounding the naapo ceremony (which marks a young man's transition to elderhood) are given towards the end of the film, after explanation of the fact that young men have to live in camel camps for about 14 years, while girls look after sheep and goats living in settlements with women and elders. In this way the building of symbolic villages by moran, each man making his own 'home' with stones representative of wife and children before sacrificing a goat, is denied status as exotic spectacle the subtitled comments of the naapo participants convey their feelings of embarrassment and uncertainty about the ritual procedure and allow a visual statement to be made about the relationship of ritual to every-day life. The importance of the purely visual images in conveying a sense of vast desert space, of a daily life filled with the movement and sight of camels, sheep and goats, and of the social effects of village layout, is not to be underestimated. Although this colour film could be criticised for at times beautifying and softening the rough edges of pastoral life, its power as a statement of what it means to exist as a Rendille is very much a property of the camera work. The skilled usage of cinema verite techniques, combined with full subtitling of interviews, gives to this film an integrity and sensitivity which serves to reinforce its concern for the Rendille and its anxiety that for the Kenyan authorities the Rendille are a problem and an embarrassment.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in Rendille and English with English subtitles.
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  • 59
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Arabic
    Pages: 1 online resource (60 min.). , 010027
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Women ; Canada ; Documentary films.
    Abstract: In Marrakech, traditional attitudes to women prevail perhaps more strongly than in other Moroccan cities. This is especially true for those women who live by the standards of traditional ideals in the Medina, the old city of Marrakech still enclosed by its ancient walls. This film attempts to say something about women such as Aisha and Hajiba – two main characters – who have experienced the hardships of life for women in such a society. Aisha's husband is an unskilled labourer and so she is forced to find work cooking and cleaning. Hajiba has been thrown out of her natal home by the brother who became household head on her father's death and she works as a dancer (shaykha) in a troupe entertaining men for money. For both of them the ideal of seclusion remains unrealisable, economic factors taking them out into the public world of men. The all-women film-crew were privileged to be allowed to attend a series of events involving women – a visit to the steam baths, a religious celebration, a wedding, a visit to a shuwafa (fortune teller), a possession cult trance and a trip to the market to buy cloth. At many of these social events the guests entertain each other, and the film is remarkable not least for sequences showing women dancing and playing musical instruments, the brilliant colours of their dress and surroundings adding to the visual interest. Some Women of Marrakech is important for the manner in which it situates these 'ethnographic events' in relation to the division between women in the private world and men in the public world, providing an analysis which puts in the foreground questions of women's consciousness, sexuality and male/female division.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Marrakesh, Morocco. , Previously released as DVD. , This edition in Arabic and English with English subtitles.
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  • 60
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (54 min.). , 005420
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Finnish Americans ; France ; Documentary films.
    Abstract: Featured at the 1977 New York Film Festival, Children of Labor is the story of how Finnish immigrants came into contact — and conflict — with industrial America. Three generations of Finnish-Americans recount how they coped with harsh realities by creating their own institutions: churches, temperance halls, socialist halls, and cooperatives. The film focuses on the people, their organizations, and the challenges posed by both McCarthy-era political repression and present-day Home Useism. At the same time, Children of Labor deals with questions that reverberate in the lives of most Americans, especially the sons and daughters of immigrants.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1977 in Minnesota. , Previously released as DVD. , This edition in English.
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  • 61
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Portuguese
    Pages: 1 online resource (54 min.). , 005405
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Spirit possession Case studies. ; Umbanda (Cult) ; Canada ; Documentary films.
    Abstract: Umbanda is a syncretic religious movement, combining elements from orthodox Catholicism with submerged African and indigenous Indian spiritual beliefs. In spite of past attempts to suppress it, Umbanda flourishes in the heterogeneous culture of contemporary urban Brazil. The film somewhat ambitiously seeks to give an exposition of the eclectic repertoire of the Umbanda movement. There is lengthy coverage of ritual performances, including interviews with mediums and their clients, which emphasise the role the movement plays in the management of personal malaise and affliction experienced as a by-product of change and urbanisation. The concluding sequences of the Sea Goddess, Yemenya – identified with the Virgin Mary – show the annual Umbanda festival where half a million participants from all over the country assemble on the beaches of Säo Paulo. The film's strength lies in its graphic footage of spiritual possession and healing but it has been criticised for not providing a fuller account of the functioning of Umbanda groups, and the movement's articulation with the political authorities in Brazil.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sao Paulo, Brazil and Belem, Brazil. , Previously released as DVD. , This edition in Portuguese and English with English subtitles.
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  • 62
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005324
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Shilluk (African people) Kings and rulers. ; Shilluk (African people) Rites and ceremonies. ; Shilluk (African people) Social life and customs. ; Canada ; Documentary films.
    Abstract: This film presents a compelling visual and aural analysis of Shilluk kingship in 1975, and provides a very useful complement to Evans-Pritchard's 1948 text, The Divine Kingship of the Shilluk. Although the Reth (king) has been reduced to the status of second-class magistrate in dispute settlement by the Sundanese government, he is still the focus of political and national identity for a Shilluk people composed of competing territorial groupings. At the death of the Reth, his spirit passes into the Nile. This film follows the procession of priests as they carry the effigy of Nyikang, the 16th century founder of the Shilluk dynasty, and his son Dak on the pilgrimage from the Nile, retracing the movements of their conquest of the North, capturing the Reth and installing Nyikang. The journey is part of a spiritual renewal for the Shilluk, as well as a renewal of political unity which reaffirms the social order. The outcome of the journey is known, for the Reth-elect will be captured after a ritual battle, and only after being possessed by the spirit of Nyikang will he be installed as King. Thus, the office is seen to be more powerful than the man, and the continuity of divine kingship is affirmed. However, this is not simply a filmed version of the type of analysis provided in Evans-Pritchard's book, for it deals with the kingship in a quite different political context. For example, throughout the period which leads to his installation, the king-elect is guarded by Government police who are not Shilluk. It is apparent that the future king accedes to office with the 'support' of the Government, the 'mock' aspect of the ritual battle being somewhat confused by the very real presence of the guards and their disruptive effects on the proceedings. In any course on political anthropology this film is clearly crucial, and for those quick enough to appreciate it, the commentary carries a great deal of information and analysis. It is also rated highly for verbal and visual accuracy.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English and Shilluk with English subtitles.
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  • 63
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (30 min.). , 003014
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Folklore Performances. ; Masks ; Masquerades ; Tiv (African people) Folklore. ; France ; Nonfiction films.
    Abstract: Four million Tiv people form the major culture of the Benue state of southern Nigeria. They are popularly known as the greatest democrats in Africa as their society is based on fraternal cooperation between age mates rather than on authoritative chieftaincy. Men of an age work together on communal farming and house building and celebrate their achievements with feasts famed for the excellence of their music and dance. Their women create amongst the greatest dances in Nigeria within their extended family compounds. Each year, during the dry season, when there is little farm work, the leaders of the dance teams compose songs to record recent experiences and new features in their lives which they express in the rhythms and gestures of their dance. This flare for continuous invention reached great heights of creativity in the Tiv storytelling drama known as the Kwagh-hir. Kwagh-Hir (literally meaning "something magical") is a traditional Nigerian puppet theatre show of the Tiv tribe of central Nigeria. The Kwagh Hir performance is a mixture of: Storytelling, poetry, puppetry, music, dance, and drama. Traditionally the Kwagh-Hir group has consistently been organised into four different categories which are: the management, the musicians, the performers and the sculptors. There is normally a role that is suitable for different members of the entire community. An elderly man usually tends to be the leader of the Kwagh Hir group the Ter-u-Kwagh-Hir meaning father of Kwagh Hir. His job is to organise the group and settle any differences or disputes that may arise.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 64
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Mongolian
    Pages: 1 online resource (53 min.). , 005313
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Nomads ; Mongolia Economic conditions. ; Mongolia Social conditions. ; Mongolia Social life and customs. ; Canada ; Documentary films.
    Abstract: Mongolia is a country the size of Western Europe with under 1.5 million people but over 23 million head of livestock. This film concentrates on life in the great plains of Mongolia, at the foot of the Altai mountains, where the ancient skills of the Mongol horsemen coexist with the new methods of the socialist revolution of 1921 which brought collective farming to the steppes. Professor Owen Lattimore, who serves as commentator, is the West's leading authority on Mongolia; he first crossed the Gobi in 1926. The Granada film crew were the first documentary unit allowed in from the West, during summer 1974 and winter 1975.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Mongolia. , Previously released as DVD. , This edition in Mongolian and English with English subtitles.
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  • 65
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Mongolian
    Pages: 1 online resource (58 min.). , 005742
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ulaanbaatar (Mongolia) ; Canada ; Documentary films.
    Abstract: The second of two films on Mongolia made by Granada Television in 1974­-75 looks at life in Ulan Bator, the capital of Mongolia and home of a quarter of the population. The city celebrates the 53rd anniversary of the socialist revolution with parades, festivals, wrestling and archery contests, and a remarkable horse-race. (The child jockeys are usually between 7 and 12 years old.) The film returns to a shepherd's camp on a collective for the traditional celebration of Tsagan Sar, the lunar New Year festival now known as the Herdsman's New Year.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ulan Bator, Mongolia. , Previously released as DVD. , This edition in Mongolian and English with Mongolian subtitles.
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  • 66
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (52 min.). , 005215
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Kyrgyz Economic conditions. ; Kyrgyz Social life and customs. ; Kyrgyz ; Afghanistan Social life and customs. ; Kyrgyzstan Social life and customs. ; North America ; Documentary films.
    Abstract: The Kirghiz of Afghanistan are a group of some 2,000 pastoralists living on a bleak mountain plateau in a narrow isthmus of land between the borders of the Soviet Union and China. For nine months of the year heavy snows cover the ground, which was formerly used only by the Kirghiz for their summer pastures before the borders were closed, virtually terminating the contact of this group with other Kirghiz communities. Although the film shows dramatically the ten-day journey which lowland traders must make to reach this remote people, as well as scenes of a Kirghiz wedding and the traditional Central Asian sport of 'buzkashi' ­ demonstrating the horse-riding skills of the people ­ there is very little about the pastoral economy and society of the ordinary Kirghiz. The main reason for this is that the film focuses on the remarkable wealth and authority of their leader ­ the Khan ­ by far the wealthiest pastoralist on the plateau. Ninety-five Kirghiz families work for him as shepherds and herders. The film's principal concern is to show the way in which the Khan wields his power (using interviews with him and illustrative scenes) which thus turns The Kirghiz into a study of oppressive paternalism in this remote corner of the world. There is, however, some disagreement over the interpretation of the Khan's role.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Afghanistan. , Previously released as DVD. , This edition in English.
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  • 67
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (31 minutes) , 003005
    Keywords: Ijo (African people) ; Nigeria Social life and customs. ; Bhutan ; Documentary films. ; Ethnographic films.
    Abstract: This documentary is about the Ijo people of Nigeria. The performance is a celebration of the Ijo hero Ozidi.
    Note: Title from resource description page (viewed June 24, 2016). , In English.
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  • 68
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005405
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Maasai (African people) ; Maasai (African people) Education. ; Maasai (African people) Social life and customs. ; Men, Masai Social conditions. ; Australia ; Documentary films.
    Abstract: This film was made after Masai Women and in the same area. Together the two films provide a vivid view of Masai men and women and their place in Masai society. The Masai are pastoral nomads in the East African rift valley with a social system which differentiates sharply between men and women and between age-sets. A particularly crucial distinction is made between men who are moran ('warriors') and more senior men classed as elders. After circumcision men live in the forest on the fringes of Masai society as moran debarred from marriage and excluded from crucial decision-making procedures. The film is focused on the life of the moran and on the dramatic eunoto ceremony which marks the important transition from warriorhood to full social maturity and the responsibilities of elderhood. The moran are given an opportunity in the film to talk about warriorhood and they sensitively strive to explain their ideals to the anthropologist. Their words are effectively translated in sub-titles. There is much valuable information in the film on the events leading up to the eunoto ceremony ­ including a fascinating sequence on the joking abuse directed by the moran at their mothers ­ and on the ritual procedures involved in the rite de passage itself. This may well be the last eunoto ceremony ever to be held as the pressures on the Masai to change their way of life are increasingly strong, and the film is important for the way in which it conveys the drama of the events and their significance both for the participants and for the Masai social system.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English.
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  • 69
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (58 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Trobriand Islands (Papua New Guinea) Social life and customs. ; Ireland ; Nonfiction films.
    Abstract: The Trobriand Islands, regarded as anthropology's most sacred place, lie off the eastern tip of Papua New Guinea. The island society has a complex balance of male authority and female wealth. Magic spells and sorcery pervade everyday life. This program focuses on two important events: the distribution of women's wealth after a death, and the "month of play", a time of celebration following the yam harvest.
    Note: "Media Support and Development Centre, University of Manchester"---original cassette label. , Previously released as DVD. , This edition in English.
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  • 70
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (54 min.). , 005355
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Coley, Mary Francis Hill, ; Midwifery. ; Midwives Biography. ; France ; Documentary films.
    Abstract: This is a training film about midwifery which transcends the form. It was selected by the Library of Congress for placement on the National Film Registry in 2002 as a culturally, historically and artistically significant work. All My Babies was written, produced and directed by Stoney in collaboration with the featured midwife, Mrs. Mary Francis Hill Coley, as well as with local public health doctors and nurses. Recorded on location in Albany, Georgia, it shows the preparation for and home delivery of healthy babies in both relatively good and bad rural conditions among African American families at that time. The film is not only a profound portrait of Miss Mary as she was affectionately and respectfully known, but also is a documentary record of the actual living conditions of her patients.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1949 in Albany, Georgia. , Previously released as DVD. , This edition in English.
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