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  • FID-SKA-Lizenzen  (23)
  • 1995-1999  (10)
  • 1985-1989  (13)
  • Canada  (13)
  • Ethnology  (12)
Datasource
Material
Years
Year
  • 1
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Vietnamese
    Pages: 1 online resource (88 min.). , 012740
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Canada ; Feature films.
    Abstract: For twenty years, Camh has lived in North Vietnam, unable to return to his home in the south, a small fishing village where his wife waits for him. She has been a guerrilla fighter for the triumphant communist forces, and has made a living selling food in the market. She is happy to reunite with her husband until she learns that he has married a young woman in the north and has a child by her. The love triangle becomes more complicated: Huy, a man who has lost a leg is in love with Troa, who does not return his affection, and there is Hoa, a young woman who has lost both legs and who is in love with him. All of the characters' emotional injuries are as deep as those of Huy and Hoa, but they behave with great kindness towards one another. The movie was made for $36,000, but the lack of special effects allows us to concentrate on the difficulties of reunification and of finding both political and psychic peace. Winner of national prizes - Golden Lotus for Best Picture, Best Director, Best actress, Asia Pacific Film Festival for Best Actress, Best Supporting Actress, Best Director, Best Film, and Special Prize, Amiens Int'l Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Vietnam. , Previously released as DVD. , This edition in Vietnamese with English subtitles.
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  • 2
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005307
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Forbidden rites
    Keywords: Human sacrifice. ; Canada ; Documentary films.
    Abstract: The documentary gives insight into the ancient rituals and religious practices involved in human sacrifice. The Forbidden Rites trilogy explores cannibalism, head hunting and human sacrifice. This series includes first-hand accounts, expert interviews, and rarely seen footage. It reveals the legends behind man-eating tribes, headhunters in jungles of Ecuador and sheds light on the link between human sacrifice and salvation. The series looks at rituals considered important and acceptable to one society but regarded, particularly in the West, as unacceptable and even abhorrent. The aim is to look at the differences and get explanations from practitioners in other societies as to why such rituals worked for them.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 3
    Online Resource
    Online Resource
    San Francisco, CA :Center for Asian American Media,
    Language: English
    Pages: 1 online resource (87 minutes) , 012653
    Keywords: Immigrants ; Young adults Interviews. ; Young adults Attitudes. ; Hong Kong (China) History Transfer of Sovereignty from Great Britain, 1997. ; Canada ; Documentary films.
    Abstract: This multi-layered portrait examines San Francisco filmmaker Ruby Yang's childhood home in its first year of postcolonial existence. In 1997, as the long-anticipated handover of the city from British rule to Chinese authority was about to occur, Yang returned to see the transition for herself. Instead of mirroring mainstream news reporting, Yang intimately explores the everyday lives of the people of Hong Kong, showing how the city's ever changing dynamics and energy shaped them. CITIZEN HONG KONG does this by intimately following five individuals who represent a diverse cross section of Hong Kong youth.
    Note: Title from resource description page (viewed November 06, 2015). , In English.
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  • 4
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (49 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Marriage customs and rites ; Jambi (Indonesia : Province) Social life and customs. ; Olakkemang (Indonesia) Social life and customs. ; Sumatra (Indonesia) Social life and customs. ; South Africa ; Nonfiction films.
    Abstract: "This film records the preparations for the wedding of two sisters in eastern Sumatra in December 1996. There is an emphasis on the importance of the role of women in the village. Ritual exchanges of textiles and cakes, and a series of purification rituals are shown"--Original container.
    Note: "For educational use only"--Original container. , Originally produced as a motion picture in 1997. , Previously released as DVD. , This edition in English.
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  • 5
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Sinhalese
    Pages: 1 online resource (69 min.). , 010854
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Death Drama. ; Ethnic conflict Drama. ; War and society Drama. ; Canada ; Feature films.
    Abstract: Told against the backdrop of civil war, endemic poverty, and the struggles of everyday life in rural Sri Lanka, Death on a Full Moon Day revolves around the central protagonist, Wannihami, a blind man with a fierce sense of independence. When his son Bandara is killed by a land mine while fighting against Tamil rebels, Wannihami refuses to believe he is dead. Despite being overwhelmed by grief, Bandara's sister and her fiancee try to convince Wannihami to accept his son's death and the compensation payment the government is offering them. Impoverished as they are as a result of the civil war, the money could be used to complete construction of the family house and provide a better life for the family in a time of economic strife. However, even the poor conditions in which Wannihami and his family live cannot convince him to accept the money. Awards/Festivals: Golden Unicorn Best Feature Film Amiens International Film Festival 1999; FIPRESCI Prize Fribourg International Film Festival 1999; Silver Screen Award Best Asian Actor and Nominated Silver Screen Award Best Asian Film Singapore International Film Festival 1999; Thessaloniki International Film Festival 1998; Palm Springs International Film Festival 1999.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sri Lanka. , Previously released as DVD. , This edition in Sinhala with English subtitles.
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  • 6
    Online Resource
    Online Resource
    San Francisco, CA :Center for Asian American Media,
    Language: English
    Pages: 1 online resource (9 minutes) , 000838
    Keywords: Filipino Americans Drama. ; Italian Americans Drama. ; Racially mixed children Ethnic identity. ; Racially mixed children Family relationships. ; Racially mixed children ; Canada ; Short films.
    Abstract: This short film takes place in San Francisco, 1951, focusing on the experience of a young Filipino American trying to adjust to his predominantly Caucasian workplace. It explores the subtleties of how racism affects members of a multi-ethnic family, most tellingly when a mixed-blood sibling denies his ethnic heritage and 'passes' as an Italian American in order to fit in.
    Note: Title from resource description page (viewed November 06, 2015). , In English.
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  • 7
    Online Resource
    Online Resource
    San Francisco, CA :Center for Asian American Media,
    Language: English
    Pages: 1 online resource (56 minutes) , 005559
    Keywords: Ny, Sokly. ; Cambodian Americans ; Cambodians ; High school seniors ; Immigrants ; Refugees ; Canada ; Documentary films.
    Abstract: After escaping the Khmer Rouge in Cambodia, the Ny family became one of thousands of refugees faced with resettlement in the U.S. Their lives unfold through the lens of this stirring video diary. As 18-year-old Sokly Ny (Don Bonus) struggles to graduate from high school, his family is harassed in the housing projects, his eldest brother cannot fill a dead father's shoes and his youngest brother ends up in a youth prison. Sokly shares these experiences, his personal feelings and his hopes as the year progresses. Ultimately, A.K.A DON BONUS becomes a story of triumph and survival from the perspective of one of America’s newest arrivals.
    Note: Title from resource description page (viewed November 06, 2015). , In English.
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  • 8
    Online Resource
    Online Resource
    San Francisco, CA :Center for Asian American Media,
    Language: English
    Pages: 1 online resource (26 minutes) , 002548
    Keywords: Muslims Drama. Stereotypes ; Muslims. ; Racism. ; Canada ; Short films.
    Abstract: In the days following the 1995 Oklahoma City bombing, there was a media frenzy pointing fingers at the North American Muslim community. Several weeks later, Oklahoma police arrested Timothy McVeigh, a white American. The cruel irony of that historic moment inspired this offbeat tale of two Muslim American brothers' backyard barbecue mishaps.
    Note: Title from resource description page (viewed November 06, 2015). , In English.
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  • 9
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (26 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Matriarchy ; Na (Chinese people) Social life and customs. ; Naxi (Chinese people) ; Ireland ; Nonfiction films.
    Abstract: The Na are an ethnic group in south-east China. Their particularity is that all the members of each household are consanguineous relatives; their social organization is absolutely matrilineal and as incest is prohibited, like elsewhere, their sexual life mainly takes the form of nocturnal visits of men to women.
    Note: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in English.
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  • 10
    Online Resource
    Online Resource
    Honolulu, HI :Asia Pacific Films,
    Language: Mongolian
    Pages: 1 online resource (101 min.). , 014055
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Canada ; Feature films.
    Abstract: Adapted from the novel Black Steed by Zhang Chengzhi (who spent four years during the Chinese Cultural Revolution with an Inner Mongolian family), A Mongolian Tale begins with two children being raised by Nai Nai, a wise grandmother, in the peaceful purity of childhood and the Mongolian steppes. Xie Fei's storytelling is simple and resonates with dignity. The spacious, traditional world of the steppe people is an idyllic landscape that seems timeless. Yet this is no fairytale but the story of childhood sweethearts separated by a changing world. Beiyinbulog, a boy whose father has left him to be raised by Nai Nai, has to leave Somiya, her shepherd grandmother's helper, when his father summons him to train in veterinary science in the city. When he returns for her as a folksinger, three years later, he finds her circumstances radically changed. As adults the two find their true destinies and the hand that fate has dealt. How do we redeem our idyllic dreams dashed by realities? Can love and acceptance be found despite betrayal and loss? Beiyinbulog is played by Tengger, a Mongolian-born pop singer and composer who composed the film's haunting, nostalgic score. His songs in the film capture the future for the children of the Mongolian steppes and the virtuous legacy of their homeland - 'the vast and boundless grasslands are the cradle I was reared in.' Awards/Festivals: Best Director, Best Artistic Contribution, Tengger's Music, Montreal World Film Festival; Best Director, Shanghai Film Critics Awards.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Mongolia. , Previously released as DVD. , This edition in Mongolian.
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  • 11
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (67 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Samoa Social life and customs. ; France ; Nonfiction films.
    Abstract: This film is a valuable treatment of archival footage that George Milner shot while conducting field research in 1955 and 1959. The footage (eighteen minutes of the total film) focuses on traditional Samoan activities, such as fishing, cooking, house-building, hand-weaving, and bark-cloth making in preparation for the formal installation (saofa'i) of a Samoan matai (a male titleholder responsible for the welfare, prosperity and good behaviour of his extended family). This is one of the most important Samoan rites of passage. The ceremonies which validate his assumption of a new status are shown, both within the extended family and at the level of the village, whose existing titleholders formally acknowledge the new matai's right to a seat in council. Their approval is marked by the acceptance of gifts of goods and valuables, especially fine mats, which are of great importance. The musical sound track is of traditional songs recorded during the same period. Christina Toren, a South Pacific specialist, then interviews Reverend Lalomilo Kamu, a Samoan scholar currently at the University of Birmingham, about the previous footage and Samoan customs. In particular they discuss the formal preparation of a bowl of kava; the role of the taupou (ceremonial village virgin); the making of sinnet, the braided cord made from the fibres of coconut husk; the role of Samoan houses; cooking; the informal schooling of the young; the preparation of bark-cloth; and the process of hand-weaving. The interview provides a rare opportunity for viewers to hear a scholar from a filmed group comment on and explain the symbolism behind the pictures captured by the camera. The interview is quite detailed and is particularly useful for specialists in Polynesia or other regions of the South Pacific.
    Note: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in English.
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  • 12
    Online Resource
    Online Resource
    Berkeley, CA :University of California, Berkeley,
    Language: Indonesian
    Pages: 1 online resource (26 min.). , 002625
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology. ; Ethnology ; Manners and customs. ; Sumba Island (Indonesia) Social life and customs. ; Indonesia ; France ; Documentary films.
    Abstract: The eastern Indonesian island of Sumba is the last island in the Malay archipelago where the majority of the people still follow their ancestral religion, called marapu. This film, shot in 1986, focuses on a challenge to the authority of the spirits and ancestors in a village ritual to restore fertility after a fire and famine.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1986 in Manganipi-Kodi, Indonesia. , Previously released as DVD. , This edition in Indonesian and English with English subtitles.
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  • 13
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005458
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Tuvinians Social conditions. ; Tuvinians Social life and customs. ; Ethnology ; United Kingdom ; Documentary films.
    Abstract: The Tuvinians live deep inside the Soviet Union, at the very centre of Asia. Tuva is geographically closer to Beijing than to Moscow. It only entered the USSR in 1944 and was closed to foreigners until 1988. According to the film-makers the last known British visitors were members of the Carruthers expedition in 1910-11. With 'glasnost', the new openness, a Disappearing World film crew was given permission to film the nomadic yak-herders of Mongun-Taiga, a rugged district on the border with Mongolia. Mongun-Taiga or 'sacred wilderness' is, even at its lowest point, 6,000 feet above sea level. Two huge mountains dominate the landscape and provide a stunning backdrop for the film, accompanied at times on the film sound track by the traditional throat singing. Arable farming is impossible and the inhabitants are dependent on the nomadic herding of yak, sheep, goats and horses. Families live alone or in groups of two to three felt tents (yurts). Following the seasons and the pastures, they move camp several times each year. The film looks at the methods the herders use to protect their children from destructive spirits. A child, dressed in a traditional frock, is revealed in the film to be a boy. This cross-dressing of the sexes continues until a child is three or four, when it is believed that its soul is more firmly attached to its body and not so easily stolen by spirits. Shamanic beliefs continue, despite state disapproval, and include worship of the spirits of mountains, purification by the water of sacred springs, sacrifice, and the use of animals in exorcism, omens and divination. The opportunities for modern Soviet life which attract many young people are countered by the pull of an independent Mongolia, which is much closer to the Tuvinians in culture and way of life. Under Gorbachev, new systems of herding have been introduced which allow families to work for themselves as well as the state farms. The herders, however, still have reservations about the new ways. 'How are you doing with perestroika?' asks the daughter of Chugluur-Ool, a herder. 'Perestroika's doing all right,' he replies. Part of what makes this film interesting is the film-makers' admission of the material they were not able to obtain. Continually throughout the film, the narrator mentions the confusion and frustration the film-makers felt. This gives a refreshing honesty to the film as a whole.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Tuva Region, Russia. , Previously released as DVD. , This edition in English and Tuvan with English subtitles.
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  • 14
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Spanish
    Pages: 1 online resource (52 min.). , 005215
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Sierra de Gredos (Spain) Economic conditions. ; Sierra de Gredos (Spain) Social life and customs. ; Canada ; Documentary films.
    Abstract: The 130 villagers of Navalguijo in the Sierra de Gredos of Central Spain live in a village perched high in the mountains and they face an extreme climate with very cold winters and hot summers. The soil is acid and poor, and the steep slopes and short growing season mean that agriculture cannot provide a living. Collectively the villagers own summer pastures high in the mountains, and individually they hold smaller autumn pastures. With access to winter pastures across the mountains in the region of Extremadura, they are able to maintain a large herd of beef cattle, which form their main source of wealth and which are their dearest possessions. To make this film, the crew joined the village men on their trek to Extremadura, when they drive their cattle down the mountains. This cattle drive is a mixture of hard work and holiday, with passing round of leather wine bottles, story-telling and evening stopovers at favourite inns punctuating the long march. This film portrays a society whose ideals of village co-operation and the rigid and efficient organisation of tasks have given the village a strong sense of identity over generations. It remains to be seen if this sense of identity survives the breakdown of their isolation from the outside world as tourists discover 'hidden Spain' and better communications and roads bring increasing contact with the rest of the country.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Spain. , Previously released as DVD. , This edition in Spanish and English with English subtitles.
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  • 15
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Fragile Earth
    Keywords: Piailug, Mau. ; Thomas, Stephen D. ; Ethnology ; Micronesians Social life and customs. ; Navigation ; France ; Nonfiction films.
    Abstract: Stephen Thomas sails with Mau Piailug to learn about navigation and life in Micronesia.
    Note: Previously released as DVD. , This edition in English.
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  • 16
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Indonesian
    Pages: 1 online resource (53 min.). , 005303
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Whaling ; Lamalera (Indonesia) Social life and customs. ; Canada ; Documentary films.
    Abstract: The Whale Hunters of Lamalera was filmed over a period of four weeks during June 1987. Lamalera is a village which is perched on the rocky slopes of an active volcano on the southern coast of the island of Lembata, in Nusa Tenggara Timur in eastern Indonesia. An anonymous Portuguese document of 1624 describes the islanders as hunting whales with harpoons for their oil, and implies that they collected and sold ambergris. This report confirms that whaling took place in the waters of the Suva Sea at least two centuries before the appearance of American and English whaling ships at the beginning of the nineteenth century. The film follows the daily life of the villagers of Lamalera, a community of about 1500 people. The Christian Mission has been in place in the community for a hundred years, schools have been established and a training workshop teaches carpentry. It is a fishing village in a region where most communities support themselves by agriculture. Lamalera has very little productive land, so the villagers have to fish in order to survive. Their preferred quarry is sperm whale. Catching sperm whale with hand-thrown harpoons from small open boats powered by muscle and palm-leaf sail is no easy task, and the hunt is by no means uneven between man and whale. The tail flukes of a whale can smash the timbers of the boats and many boats are temporarily disabled by their prey. Harpooners have been disabled and killed. But the attraction of the whale is its size. The flesh of the whale (and shark and manta ray) is cut into strips and sun dried in the village. The meat is then carried to small markets where it is bartered with mountain villagers. One strip of dried fish or meat is equivalent to twelve ears of maize, twelve bananas, twelve pieces of dried sweet potatoes, twelve sections of sugar cane, or twelve sirih peppers plus twelve pinang nuts. Commercial whaling is banned throughout much of the world, but subsistence whaling is permitted by International Whaling Commission regulations in Alaska, the USA, the USSR and Greenland. Indonesia is not, however, a signatory to the IWC. Seven whales were caught in Lamalera in 1987.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Indonesian and English with English subtitles.
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  • 17
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Fula
    Pages: 1 online resource (54 min.). , 005330
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Nomads ; Wodaabe (African people) ; Canada ; Documentary films.
    Abstract: ... Is the Wodaabe world disappearing? and how are we to place the painted male faces? The very considerable success of this film is the ways it answers these questions. The Wodaabe follow their herds in an endless migration across the borders of Niger, Nigeria, Chad and Cameroon in search of pasture. The droughts which have ravaged the Sahel since the late 1960s have devastated Wodaabe cattle herds, and this film looks at the daily pattern of survival of one hard-pressed family group at the height of the dry season. Gorjo bi Rima and his family have been the focus of Mette Bovin's fieldwork since 1968 and she has seen his herds decline from more than 300 cows to less than half a dozen. Yet, as she emphasises, the Wodaabe see their life as a balance between hardship and joy, and the film expresses this in sequences which record a child's naming feast and the Wodaabe's obsession with male beauty and adornment. 'We like beauty,' Gorjo says. 'We like to see people who are young and handsome and this is why we put on make-up.' The elaborate make-up of the young men and their dances, a kind of male beauty contest to gain the attention of women, are linked to a complex system of taboos which the Wodaabe insist they will maintain despite mounting pressures to abandon their nomadic lives.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in Fula and English with English subtitles.
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  • 18
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Romani
    Pages: 1 online resource (54 min.). , 005335
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Romanies ; Hungary Social life and customs. ; Ireland ; Documentary films.
    Abstract: 'Across the Tracks' is a gripping film for the general viewer ... It is beautifully filmed in observational style (lingering scenes of muddy courtyards) with enough subtitled interview material to provide context. Rom is the word that describes Vlach Gypsies, unassimilated descendents of Gypsy slaves in Wallachia in Romania in the 19th century. A larger group, the Romungro, are more obviously part of Hungarian society: they speak Hungarian, not Romany. Romungros are the people who play violins in restaurants; 'true' Rom, the Vlach, wouldn't dream of it. The total Gypsy population in Hungary forms 3% of the Hungarian population the same proportion as people of Asian or Caribbean origin in Britain. This Disappearing World film explores the Vlach Gypsies' position in socialist Hungary through the eyes of three related families. Maron and her husband Jozi work in conventional jobs where work is compulsory: this is the fundamental first principle of the 'official' economy. Maron and Jozi use their income to improve their impoverished lives. They are becoming more like the gazo — the contemptuous Romany term for all Hungarians, meaning 'peasants'. Jozi's first wife, Terez, and her husband Mokus try to realise their dreams in a more Gypsy-like fashion. Terez scavenges in rubbish bins for bread to fatten pigs which she hopes to sell for Mokus to buy horses. Mokus reluctantly works in a factory but wants to be a horse dealer like his brother-in-law Sera. He is disqualified from work by a dubious disability, and instead buys and sells horses, 'turning money around, so that more comes to me.' The market is central to the Gypsy economy, but is not seen as a means of accumulating wealth. The market exists to circulate wealth, to ensure money passes through as many hands as possible – so that all may benefit from it. If a Gypsy acquires money, he is expected to celebrate with his friends, his 'brothers'. Horses are like temporary bank deposits, ready to be exchanged or cashed in when a 'brother' needs money. This film provides an interesting view of the tensions between the Hungarian state and the Gypsies, and of the complex contradictions of the Gypsies' lives. It is recommended for classes in anthropology, sociology, European studies, ethnicity, ecology, and political studies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Hungary. , Previously released as DVD. , This edition in Romani and English with English subtitles.
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  • 19
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005455
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cayapo Indians Social life and customs. ; Ethnology ; Ethnology. ; Indians of South America Social life and customs. ; Indians of South America Social life and customs. ; Brazil. ; North America ; Documentary films.
    Abstract: This film focuses on the conflicts and determination of a group of people trying to survive and maintain their ethnic identity in the face of almost overpowering odds. The film contrasts the reactions of two groups of Kayapo to outside influence. The Kapot have opposed contact and resisted both non-indigenous Brazilian settlers and gold miners. The Gorotire, by contrast, were invaded by gold miners who strip-mined their land and polluted their rivers. The miners paid the Gorotire very little for the destruction until 1985 when the Gorotire forced the miners to raise the commission by 5% when 200 warriors seized the airstrip. This commission amounts to two million dollars per year for the tribe and the tribe is learning to cope with the money, both with the problems it brings and the power it gives. They have trained several of their number to deal effectively with the outside world on behalf of the rest of the tribe and they now run a plane (and hire a pilot) to patrol their land against intruders. The Kapot, in their own way, are also trying to assert their identity and independence. This portion of the film shows the Kapot in the traditional activities of building and dismantling a hunting camp. The hunters returning with the tortoises they have caught are a particularly impressive sight. The now famous Chief Rop-ni is featured as a leader of the Kapot and he states eloquently his opposition to the Gorotire's acceptance of the gold miners. Despite their adherence to tradition, however, the Kapot use modern technology – video, radios, etc. – to protect their interests and record their rituals. This is a political film and would be excellent for courses in anthropology, Latin American studies, ecology, development, and international politics.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Brazil. , Previously released as DVD. , This edition in English.
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  • 20
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Austronesian (Other)
    Pages: 1 online resource (55 min.). , 005441
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Solomon Islanders Religion. ; Solomon Islanders Social life and customs. ; Malaita (Solomon Islands) Social life and customs. ; Australia ; Documentary films.
    Abstract: Pierre Miranda and a team from Granada Television have made a fine film exploring the troubled realities of the people of the lagoon in the 1980s. This film focuses on the people of Lau lagoon in the Solomon Islands who live on artificial islands near the island of Malaita. These islands are built of coral rubble and the people moved to them in an attempt to escape the dangers of malaria and enemies, and to find better fishing. The film focuses on change and conflict. The concept of 'custom' is vital to the islanders' identity, yet this is being eroded, particularly by Christian missionaries. The conflict between Christian and Pagan now pervades daily life, creating divisions in families and eroding knowledge of traditional life. Two 'custom' priests recently committed ritual suicide, one by swimming under a canoe containing women and the other by deliberately making a mistake in a ceremony. Within weeks, both priests physically died. The despair in the ability of 'custom' to continue that these priests must have felt is presented visually throughout the film. Few of the islanders remember more than a fraction of the hundreds of traditional spirits and the young are turning more and more to the traditions and commodities of Western culture. That this theme is a common one makes it no less powerful or relevant. Spurred by the presence of the Disappearing World camera crew, the islanders built a house in which to store their traditional and ritual objects. A commendable act of preservation on the part of the islanders, but at the same time the implications of their act are saddening. They are taking their ritual things out of the sphere of living, daily tradition and placing them in the realm of objective history. The Lau is recommended for courses in anthropology, sociology, development, culture change, Melanesia, religion, and ecology.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Malaita, Solomon Islands. , Previously released as DVD. , This edition in Lau and English with English subtitles.
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  • 21
    Online Resource
    Online Resource
    India :National Film Development Corporation,
    Language: Hindi
    Pages: 1 online resource (118 min.). , 015749
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Motion pictures ; Canada ; Feature films.
    Abstract: In a British-ruled India, a subedar, an officer of the Indian Army, is sent to collect taxes in a village. Riding into the village, the subedar chances upon Sonbai, a beautiful, married woman. Abusing his power as an officer, he demands that Sonbai sleeps with him while her husband is away. To his surprise, Sonbai slaps him in full view of his soldiers before running off. Enraged and embarrassed, the subedar orders his soldiers to capture Sonbai. However, Sonbai escapes to the spice factory, where the elderly watchman locks the soldiers out to protect her. The town leader is then commanded to deliver Sonbai to the subedar and after some deliberation, the patriarchal village decides to sacrifice Sonbai. As the spice factory comes under attack, Sonbai and the female factory workers finally decide to stand up for themselves. Awards/Festivals: Best Feature Film, Hawaii International Film Festival; Moscow International Film Festival.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in India. , Previously released as DVD. , This edition in Hindi with English subtitles.
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  • 22
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (22 minutes) , 002152
    Keywords: Funeral rites and ceremonies ; Mourning customs ; Crete (Greece) ; Canada ; Documentary films.
    Abstract: This film, written and filmed by Barrie Machin, is about funeral and mourning customs in Crete.
    Note: Title from resource description page (viewed October 06, 2015). , In English.
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  • 23
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005304
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: The Migrants is the third film in the trilogy In Search of Cool Ground made for Granada Television's Disappearing World series. It is about a drought-induced migration of Mursi from their traditional territory in the Omo valley to the Mago valley, about fifty miles away. This migration has brought them, for the first time, into contact with the market economy of the Ethiopian Highlands. David Turton notes that, when he first met the Mursi, men were seldom, and women never, seen at the highland markets. Now the Mago migrants, and especially women, are familiar figures in the weekly market at Berka, just four hours' walk from their new settlements. With their foothold in the pastoral economy weakening (tsetse flies make the Mago area quite unsuitable for cattle herding) and their dependence on market exchange growing, the migrants are in the process of becoming settled agriculturalists, like their highland neighbours, the Ari. By tracing the present and likely impact of this move on the lives of the migrants, the film shows how they are beginning to carve out a new ethnic identity for themselves, as well as a new home.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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