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  • FID-SKA-Lizenzen  (41)
  • 2000-2004  (23)
  • 1980-1984  (18)
  • Documentary films.  (41)
  • Rites and ceremonies
Material
Years
Year
  • 1
    Online Resource
    Online Resource
    Amsterdam, North Holland :Off the Fence,
    Language: English
    Pages: 1 online resource (49 minutes) , 004858
    Keywords: Maasai (African people) ; Manners and customs. ; Older people. ; Rites and ceremonies. ; Tanzania. ; Asia ; Documentary films.
    Abstract: This is the story Thomas Kuya, a Maasai warrior brought up near Kilimanjaro in northern Tanzania and now working as a guide and a member of an anti-poaching unit on a private ranch. At 38, he is about to go through the sacred ceremony of Orng'esher, which marks the transition from warrior to elder. Leaving behind the carefree ways of the warrior, he will assume new responsibilities, respect and privileges as a member of the ruling age-set of the tribe.
    Note: Title from resource description page (viewed November 11, 2015). , In English.
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  • 2
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: French , Arabic
    Pages: 1 online resource (30 minutes) , 002957
    Keywords: Hijab (Islamic clothing) ; Muslim women Clothing ; Muslim women ; Yemen Social life and customs. ; Bhutan ; Documentary films.
    Abstract: In Yemen, the land of Queen Saba, a wide variety of veils can be found. In the capital Sanaa, the women, although at first sight appearing to all be wearing but black, distinguish themselves one from the other through this diversity. Each veil not only carries its own symbolism, but the variety of ways of wearing each becomes a form of expression. It becomes a game of what one hides and what one unveils. Approaching the veil from a fashion standpoint, this film offers a different perspective on this highly and debated topic.
    Note: Title from resource description page (viewed June 24, 2016). , In French and Arabic with English subtitles.
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  • 3
    Online Resource
    Online Resource
    Iran :Iranian Independents,
    Language: Persian
    Pages: 1 online resource (106 min.). , 014621
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Blind women ; Motion picture authorship ; Women motion picture producers and directors ; Canada ; Documentary films.
    Abstract: In Spring 2004, Mohd Shirvani decided to answer an old question in his mind - What should I do if I, as a film director, would become blind? I was wondering if I could keep making films. This film has been made by a number of blind women filmmakers to answer that question. I taught them how to narrate their own stories through film language with small digital cameras and they also taught me how to see the world with my third eye on my forehead. The result of this experience is a feature episodic documentary 7 Blind Female Filmmakers.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2004 in Iran. , Previously released as DVD. , This edition in Farsi, western (Persian) with English subtitles.
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  • 4
    Online Resource
    Online Resource
    San Francisco, CA :Center for Asian American Media,
    Language: English
    Pages: 1 online resource (27 minutes) , 002652
    Keywords: Children of immigrants ; Deportation Government policy ; Immigrants Civil rights ; Immigrants Government policy ; Canada ; Documentary films.
    Abstract: WHOSE CHILDREN ARE THESE? provides a gripping view into the world of three Muslim teenagers affected by post 9/11 domestic anti-terrorism security measures. One such program, 'Special Registration,' required male non-citizens – as young as the age of 16 and from 25 countries – to register with the U.S. government and resulted in the discriminatory deportation of many. This film introduces Navila – an honors student who fought to release her father from detention; Sarfaraz – a popular basketball player who confronts pending deportation; and Hager – a young woman who faces prejudice and is spurred into activism as a result.
    Note: Title from resource description page (viewed November 06, 2015). , In English.
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  • 5
    Online Resource
    Online Resource
    San Francisco, CA :Center for Asian American Media,
    Language: English , Spanish , Korean
    Pages: 1 online resource (58 minutes) , 005717
    Keywords: African Americans Social conditions. ; Korean Americans Social conditions. ; Riots ; Social conflict ; Los Angeles (Calif.) Race relations. ; Canada ; Documentary films. ; Nonfiction films.
    Abstract: Filmmaker Dai Sil Kim-Gibson explores the aftermath of the 1992 LA Civil Unrest in her film WET SAND. Her groundbreaking 1993 documentary SA-I-GU stands as one of the crucial texts to offer a Korean American perspective on the events surrounding the Los Angeles riots – an invaluable discussion tool for promoting better understanding of the socio-political factors that played into one of the grimmest moments in United States race relations. With WET SAND, Kim-Gibson revisits Los Angeles to learn what changes have occurred since then, only to discover that living conditions have deteriorated and that few remedies have been administered to the communities most stricken. Through interviews with a multi-ethnic set of first-hand witnesses, this essential follow-up probes deeper into the racial and economic issues that not only shaped the climate of 1992 Los Angeles, but continue to affect all Americans today.
    Note: Title from resource description page (viewed November 06, 2015). , In English and Korean and Spanish with English subtitles.
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  • 6
    Online Resource
    Online Resource
    Iran :Iranian Independents,
    Language: Persian
    Pages: 1 online resource (55 min.). , 005434
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Feminism ; Muslim women ; Women Social conditions. ; Women Social life and customs. ; Women ; Iran Social conditions 1997- ; Tehran (Iran) ; North America ; Documentary films.
    Abstract: Filmed in a woman's restroom located in a public park in Iran's metropolitan center of Tehran, this documentary explodes Western stereotyping of women in Iran. The elder who runs the washroom offers a shoulder to cry on or tough love in a place where women, many of them especially marginalized because they are prostitutes, addicts or runaways, feel safe enough to remove their veils, and draw on cigarettes and their opinions on a wide range of subjects that men cannot hear them speaking about: sex, family abuse, relationships, drugs, religion and self-mutilation. The director (and admired actress) supplies the audience with an unflinching, detailed examination of the lives of the women who use the restroom as a gathering place. Mary Kerr, Programming Director of Silverdocs, highly praises the way private conversations establish community: "Never before have I been so surprised by a film's candor and honesty. The Ladies' Room is an amazing testament to Mahnaz Afzali's restraint as a filmmaker as she steps into the background and lets these women, who are second-class citizens in Iran, be themselves - totally unrestrained and surprisingly progressive." Awards/Festivals: Amsterdam International Documentary Film Festival 2003; Thessaloniki Documentary Festival 2004; Vienna International Film Festival 2004; Adelaide Film Festival 2005.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Tehran, Iran. , Previously released as DVD. , This edition in Farsi, western (Persian) with English subtitles.
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  • 7
    Online Resource
    Online Resource
    [South Korea] :Jeonju International Film Festival,
    Language: Persian
    Pages: 1 online resource (40 min.) , 003922
    Keywords: Daph. ; Daph Construction ; Rites and ceremonies ; France ; Documentary films.
    Abstract: This simple but affecting documentary portrays a rural craftsman who makes a traditional Iranian percussion instrument called a daf. All able-bodied family members participate in the production, including a blind son, whom we see hitching a ride to market with his sister to purchase the sheep skins and wood planks used in the instrument's manufacture. A doctor visits the father's younger 3-1/2 year-old son, who has also lost his eyesight, and offers this advice 'Pray to God. Give to charity. Have ceremonies and have a dervish play the daf for him.' The greater part of the film focuses on the laborious work involved in the fabrication of daf and culminates in a rousing ritual for the ailing boy. The accomplished camerawork takes advantage of the surrounding scenery and local color. Sensitive individuals are warned of a brief but graphic segment of sheep being slaughtered.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Iran. , Previously released as DVD. , In Persian (Farsi, Western) with English subtitles.
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  • 8
    Online Resource
    Online Resource
    [Honolulu, HI?] :['Olena Productions],
    Language: English
    Pages: 1 online resource (114 min.). , 015332
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cockers (Persons) ; Cockfighting ; Game fowl Breeding ; North America ; Documentary films.
    Abstract: In this Special Edition of Cockfighters: The Interviews, documentary filmmaker Stephanie J. Castillo has created a documentary which presents a non-judgmental, anthropological inquiry into the American subculture of cockfighting and game fowl breeding. We see five interviews with American cockfighters/game fowl breeders. They are asked to explain and show from their point of view What is cockfighting really and just who are cockfighters? A cockfighter's grandaughter, Castillo asked the 'cockers,' as they call themselves, to reveal the breadth and depth of their fascinating, controversial lifestyle spun around this American sport that has long been devalued and targeted for extinction by animal rights activists. Cockfighting is now banned in all states and has gone deeply underground. Castillo presents a multi-cultural view of the sport in America and an invaluable chronicle that expands one's understanding of cockfighters and captures the nuances lost on those who look no deeper than the cockpit.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in United States. , Previously released as DVD. , This edition in English.
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  • 9
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (57 min.). , 005712
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Prostitution ; Prostitution ; Prostitution ; Prostitution ; Forced labor ; Forced labor ; Forced labor ; Forced labor ; Women Crimes against ; Women Crimes against ; Women Crimes against ; Women Crimes against ; Burma. ; China. ; Laos. ; Thailand. ; France ; Documentary films.
    Abstract: Trading Women enters the worlds of brothel owners, trafficked girls, voluntary sex workers, corrupt police and anxious politicians. Filmed in Burma, China, Laos, and Thailand, this is the first film to follow the trade in women in all its complexity and to consider the impact of this 'far away' problem on the gobal community. Narrated by Oscar-winning actress Angelina Jolie, the documentary investigates the trade in minority girls and women from the hill tribes of Burma, Laos and China, into the Thai sex industry. Filmed on location in China, Thailand and Burma, Trading Women follows the trade of women in all its complexity, entering the worlds of brothel owners, trafficked girls, voluntary sex-workers, corrupt police and anxious politicians. The film also explores the international community's response to the issue. The culmination of five years of field research, Trading Women is the first film to demonstrate to viewers the relationship of the trade in drugs to the trade of women. The film dispels common beliefs about the sex trade, such as: The problem is the parents - it's part of their culture to sell their daughters; The sex trade exists because of Western sex tours; and They sell their girls for TVs. We take the audience behind the tourist tales and stereotyped news coverage to reveal the reality behind the myths, said David A. Feingold, the noted documentarian who wrote and directed Trading Women. We show how much of what the audience thinks they know about the issue is much more complex than they imagined. Thirty years ago, there was a thriving sex industry in Thailand, but there were no minority girls in it - what happened? The film cites the destruction of the traditional upland economy by a combination of well-meaning development and opium suppression programs in Thailand, and civil unrest, economic dislocation, and political repression in Burma as the answer to this question. These environmental and political factors have resulted in threats to both the physical and cultural survival of the highland minorities. Today, while hill tribe girls are perhaps thirty percent of the total number of sex workers in Thailand, they are disproportionately represented relative to their total numbers in the population. Moreover, they are employed in the lowest, most exploitative part of the industry. Trading Women examines the choices that hill tribe women make, and how these choices are constrained by the economic and political conditions in which they find themselves. The documentary explores how the politics of Burma determines the supply of women to the sex industry in Thailand and how the lack of citizenship for hill tribe women puts them at a greater risk for trafficking. Trading Women also addresses the international response to the issue. We find that it is an issue that, in the words of one United Nations official generates 'far more heat than light', said Feingold. The United States has passed a law that would block World Bank loans or other non-humanitarian aid to any country that does not meet America's minimum standards for combating trafficking. Some believe this might be counter-productive - bringing little help to the victims and pushing the problem further underground, said Feingold. Trading Women conveys that this is not a simple issue with simple answers. It is an issue that affects the futures not only of young tribal women, but also of their communities.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Thailand, Burma and China. , Previously released as DVD. , This edition in English.
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  • 10
    Online Resource
    Online Resource
    San Francisco, CA :Center for Asian American Media,
    Language: English
    Pages: 1 online resource (64 minutes) , 010322
    Keywords: Cambodian Americans ; Cambodians ; Immigrants ; Refugees ; Canada ; Documentary films. ; Nonfiction films.
    Abstract: Mike Siv has a plan: go to Cambodia with his buddies Paul and David, see the sights, have fun and reunite with his father and younger brother, whom he hasn’t seen in 22 years. Harsh reality sets in before the journey even begins, however, as Mike, Paul and David have never been out of the U.S., and are the first in their families to visit Cambodia since fleeing the bloody regime of Pol Pot in the late 1970s.
    Note: Title from resource description page (viewed November 06, 2015). , In English.
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  • 11
    Online Resource
    Online Resource
    Madrid :Explora Films,
    Language: English
    Pages: 1 online resource (86 min.) , 012521
    Series Statement: Ethnographic video online, volume 2
    Keywords: Assimilation (Sociology) ; Baka (West African people) ; Deforestation ; Folklore. ; Tribes. ; France ; Documentary films.
    Abstract: This documentary, directed by José Manuel Novoa, features the Baka pygmies and their battle with modernization.
    Note: Title from resource description page (viewed Februrary 25, 2015). , Previously released as DVD. , In English.
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  • 12
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English , Undetermined , English
    Pages: 1 online resource (52 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Documentary films. ; Music History and criticism. ; Musicians Social life and customs. ; France ; Nonfiction films.
    Abstract: A look at the musical activities in Afghanistan one year after the defeat of the Taliban. The film documents music from performances of rubab lute music to pop music played by students of Kabul University.
    Note: Previously released as DVD. , This edition in English; vocal selections sung in unidentified language with English subtitles.
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  • 13
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (78 min.). , 011732
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Prostitution ; Prostitution ; Prostitution ; Prostitution ; Forced labor ; Forced labor ; Forced labor ; Forced labor ; Women Crimes against ; Women Crimes against ; Women Crimes against ; Women Crimes against ; Burma. ; China. ; Laos. ; Thailand. ; France ; Documentary films.
    Abstract: Trading Women enters the worlds of brothel owners, trafficked girls, voluntary sex workers, corrupt police and anxious politicians. Filmed in Burma, China, Laos, and Thailand, this is the first film to follow the trade in women in all its complexity and to consider the impact of this 'far away' problem on the gobal community. Narrated by Oscar-winning actress Angelina Jolie, the documentary investigates the trade in minority girls and women from the hill tribes of Burma, Laos and China, into the Thai sex industry. Filmed on location in China, Thailand and Burma, Trading Women follows the trade of women in all its complexity, entering the worlds of brothel owners, trafficked girls, voluntary sex-workers, corrupt police and anxious politicians. The film also explores the international community's response to the issue. The culmination of five years of field research, Trading Women is the first film to demonstrate to viewers the relationship of the trade in drugs to the trade of women. The film dispels common beliefs about the sex trade, such as: The problem is the parents - it's part of their culture to sell their daughters; The sex trade exists because of Western sex tours; and They sell their girls for TVs. We take the audience behind the tourist tales and stereotyped news coverage to reveal the reality behind the myths, said David A. Feingold, the noted documentarian who wrote and directed Trading Women. We show how much of what the audience thinks they know about the issue is much more complex than they imagined. Thirty years ago, there was a thriving sex industry in Thailand, but there were no minority girls in it - what happened? The film cites the destruction of the traditional upland economy by a combination of well-meaning development and opium suppression programs in Thailand, and civil unrest, economic dislocation, and political repression in Burma as the answer to this question. These environmental and political factors have resulted in threats to both the physical and cultural survival of the highland minorities. Today, while hill tribe girls are perhaps thirty percent of the total number of sex workers in Thailand, they are disproportionately represented relative to their total numbers in the population. Moreover, they are employed in the lowest, most exploitative part of the industry. Trading Women examines the choices that hill tribe women make, and how these choices are constrained by the economic and political conditions in which they find themselves. The documentary explores how the politics of Burma determines the supply of women to the sex industry in Thailand and how the lack of citizenship for hill tribe women puts them at a greater risk for trafficking. Trading Women also addresses the international response to the issue. We find that it is an issue that, in the words of one United Nations official generates 'far more heat than light', said Feingold. The United States has passed a law that would block World Bank loans or other non-humanitarian aid to any country that does not meet America's minimum standards for combating trafficking. Some believe this might be counter-productive - bringing little help to the victims and pushing the problem further underground, said Feingold. Trading Women conveys that this is not a simple issue with simple answers. It is an issue that affects the futures not only of young tribal women, but also of their communities.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in China, Thailand and Burma. , Previously released as DVD. , This edition in English.
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  • 14
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (84 min.). , 012341
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Race relations. ; Social history. ; Brownsville (New York, N.Y.) Race relations. 20th century ; Brownsville (New York, N.Y.) Social conditions. 20th century ; Brownsville (New York, N.Y.) History 20th century. ; New York (N.Y.) Race relations. 20th century ; New York (N.Y.) Social conditions. 20th century ; New York (State) ; New York (State) ; France ; Documentary films.
    Abstract: This poignant and powerful documentary explores the complex history of interracial cooperation, urban change, and social conflict in Brownsville, a neighborhood of Brooklyn, New York, from the 1930s to the 2000s. A case study of the tragedy of urban American race relations, the film recounts the transformation of Brownsville from a poor but racially harmonious area made up largely of Jews and blacks to a community made up almost entirely of people of color. In the 1940s Brownsville was famous for its grass-roots integration. But it later achieved notoriety for one of the most divisive and bitter black-white confrontations in American history, the 1968 Ocean Hill Brownsville School War, in which the African-American (and Hispanic) community battled the predominantly white and Jewish Teachers Union.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2002 in Brownsville, NY. , Previously released as DVD. , This edition in English.
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  • 15
    Online Resource
    Online Resource
    India :Privately Published,
    Language: Hindi
    Pages: 1 online resource (34 min.) , 003329
    Series Statement: Ethnographic video online, volume 2
    Keywords: Blindness. ; Visions. ; India. ; Canada ; Documentary films.
    Abstract: This documentary, directed by Sidharth Srinivasan, features a holy man who suddenly becomes blind and taken with hallucinatory visions. After years of giving bad advice, the holy man is now forced to tell the truth, but finds that most people are uncomfortable with this truth.
    Note: Title from resource description page (viewed Februrary 25, 2015). , Previously released as DVD. , In Hindi with English subtitles.
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  • 16
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Hungarian
    Pages: 1 online resource (91 min.). , 013046
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Jews ; Synagogues ; Canada ; Documentary films.
    Abstract: The last orthodox synagogue in Makó was renewed and inaugurated in 2002. The little temple, as they call it, is more than a hundred years old and represents the link between the Jews who emigrated from this town in the south-eastern part of Hungary. The various members of the community have built new lives elsewhere whilst holding on to the values of their cultural past. Scenes were shot on location in Israel, United Kingdom and the United States portraying the lives of the Jewish members of the ex community. The mood ranges from a poignant visit to the grave of the last Makó rabbi to a spirited traditional Chasidic wedding in Jerusalem; Hanukah in London, New York and Mako.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2002 in Israel, United Kingdom and United States. , Previously released as DVD. , This edition in Hungarian with English subtitles.
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  • 17
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (88 minutes) , 012738
    Keywords: Children. ; Refugee children. ; Sudan. ; Sudan History ; Civil War, 1983-2005 ; Children. ; Bhutan ; Documentary films. ; Ethnographic films.
    Abstract: Years of war and ethnic conflict in the Sudan have created a generation of young men, known as the "Lost Boys," who have spent more years in refugee camps than in their home communities. This intimate film recounts the story of Benjamin, and William Deng, brothers joined in the struggle of a seemingly never-ending exile, who are then separated when one is accepted into a United States resettlement program while the other remains in a Kenyan refugee camp.
    Note: Title from resource description page (viewed June 24, 2016). , In English.
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  • 18
    Online Resource
    Online Resource
    Amsterdam, North Holland :Off the Fence,
    Language: English
    Pages: 1 online resource (15 minutes) , 001457
    Keywords: San (African people) Ethnic identity. ; San (African people) Social conditions. ; Namibia. ; South Africa. ; Asia ; Documentary films.
    Abstract: A documentary examining the life of the San people and recording their reactions to the internationally acclaimed feature film, The Great dance : a hunter's story.
    Note: Title from resource description page (viewed November 11, 2015). , In English.
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  • 19
    Online Resource
    Online Resource
    San Francisco, CA :Center for Asian American Media,
    Language: English
    Pages: 1 online resource (58 minutes) , 005710
    Keywords: Social history. ; Young adults Interviews. ; Young adults Attitudes. ; Shanghai (China) Social conditions 20th century. ; Shanghai (China) Social conditions 21st century. ; Canada ; Documentary films.
    Abstract: This eye-opening documentary follows four Chinese families as they step into the 21st century. Working without official permits, the filmmakers used compact digital video gear to record intimate portraits of ordinary people living in tumultuous times, capturing candid and sometimes emotional interviews. Families are small – one child in the city, two in the country – so children hold center stage. Veterans of the Cultural Revolution are saving up to send their son to business school. Another couple, whose son is a prize law student, glows with satisfaction. To insure his children's future, a peasant leaves his remote village to work in the quasi-legal urban job market. A farm family near Shanghai feels manhandled by the privatizing economy; they sacrifice to send their daughter to high school. CHINA 21 introduces otherwise anonymous people whose spark and initiative are changing their country.
    Note: Title from resource description page (viewed November 06, 2015). , English and Chinese with English subtitles.
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  • 20
    Online Resource
    Online Resource
    Amsterdam :Off the Fence,
    Language: English
    Pages: 1 online resource (54 min.) , 005312
    Keywords: Himba (African people) ; South Africa ; Documentary films.
    Abstract: In the pristine valley of the Kunene River, Namibia, the nomadic Himba people face an abrupt threat to their pastoral lifestyle: the Namibian Government wish to create an energy superhighway by building a dam and flooding the Himba's homeland. In response, the Himba people mount a spectacular resistance campaign, which lasts seven years. The film traces a journey into the memory and landscape of the nomadic Himba people. Guided by their oral history and rich ancestral tradition they resist the development of the dam scheme. Confronted with the completeness of their existence, the film poses questions about first world development and our own fragmented modern world.
    Note: Title from resource description page (viewed January 28, 2015). , Previously released as DVD. , Narration in English, with Himba dialogue and English subtitles.
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  • 21
    Online Resource
    Online Resource
    France :Production System TV,
    Language: English
    Pages: 1 online resource (51 minutes) , 005055
    Keywords: Circumcision ; Initiation rites ; India ; Documentary films.
    Abstract: Malick Sy films the initiation rites of Mandingan society for the first time, and with great discretion and respect. "Kankouran" is a document that unveils the practical aspects of age-old initiation rites and raises questions about the problems involved.
    Note: Title from resource description page (viewed November 11, 2015). , In English.
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  • 22
    Online Resource
    Online Resource
    New York, NY :Filmakers Library,
    Language: English
    Pages: 1 online resource (26 min.) , 002546
    Keywords: Arranged marriage. ; Marriage ; Women Social conditions. ; Women Social life and customs. ; Women's rights ; South Africa ; Documentary films.
    Abstract: The Mughals are a middle class family of ten living in Quetta, one of Pakistan's most culturally conservative cities. The two eldest children, Ilyas and Yasmin, are celebrating their engagements during the same week. But the two could not be more different. Ilyas is following tradition and marrying a woman he has never met. His candid comments about his engagement offer insight into the often misunderstood custom of arranged marriage, but the fear on his young bride-to-be's face tells a story in itself. Yasmin, his sister, is determined to make her own decisions. University educated, she drives a car and pursues a career in a society where women need permission to leave their home.She has chosen her own fiance, although getting her family's approval was not easy. Sibling rivalry, disapproving neighbors and lively family debate punctuate this up-close look at a family undergoing social change.
    Note: Title from resource description page (viewed May 24, 2011). , Previously released as DVD. , In English.
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  • 23
    Online Resource
    Online Resource
    St. Petersburg, Florida :Ljudost Productions,
    Language: English
    Pages: 1 online resource (30 min.). , 003003
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Group identity. ; Igbo (African people) ; West Africans ; Canada ; Documentary films.
    Abstract: This documentary by Jay Sokolovsky is about West Africans in St. Petersburg, Florida, and their struggle to retain their cultural identity.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in St. Petersburg, Florida. , Previously released as DVD. , This edition in English.
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  • 24
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (49 min.). , 004921
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 3
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; Canada ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about gender relationships in a Kenyan Maasai village.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 25
    Online Resource
    Online Resource
    San Francisco, CA :Center for Asian American Media,
    Language: English
    Pages: 1 online resource (27 minutes) , 002643
    Keywords: Asian American women Biography. ; Asian American women Education. ; Asian American women Employment. ; Asian American women. ; Canada ; Documentary films.
    Abstract: A compelling mosaic of oral histories and historical footage of Japanese, Chinese, Korean, Filipino and Laotian women featuring their journey to the U.S. and their unique immigrant stories.
    Note: Title from resource description page (viewed November 06, 2015). , In Chinese, Japanese, and English with English subtitles.
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  • 26
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (8 minutes) , 000733
    Keywords: Demonology ; Religion ; Rites and ceremonies ; Sri Lanka Social life and customs. ; Sri Lanka. ; Canada ; Documentary films.
    Abstract: This film, written and filmed by Barrie Machin, is about Mahasona, the Great Cemetary Demon of southwestern Sri Lanka.
    Note: Title from resource description page (viewed October 06, 2015). , In English.
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  • 27
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (52 min.). , 005148
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 1
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; North America ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about cattle and legal issues in a Kenyan Maasai Village.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 28
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (47 min.). , 004715
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 5
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; North America ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about a ceremony called the 'ox of ilbaa' which takes place in a Kenyan Maasai village.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 29
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: Greek, Modern (1453- )
    Pages: 1 online resource (10 minutes) , 000953
    Keywords: Agricultural laborers ; Agriculture ; Crete (Greece) ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, is about threshing in Western Crete.
    Note: Title from resource description page (viewed November 11, 2015). , In Greek.
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  • 30
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (50 min.). , 005013
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 4
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; Canada ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about the journeys of two wives to villages in the Maasai region of Kenya.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 31
    Online Resource
    Online Resource
    London :British Broadcasting Corporation (BBC),
    Language: English
    Pages: 1 online resource (52 min.). , 005219
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Diary of a Maasai village ; episode 2
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Maasai (African people) Social life and customs. ; Manners and customs. ; Kenya Social life and customs. ; Kenya. ; Canada ; Documentary films.
    Abstract: This documentary, directed by Melissa Llewelyn-Davies, is about stealing goats and making reparation in a Kenyan Maasai village.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English and Maasai with English subtitles.
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  • 32
    Online Resource
    Online Resource
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.) , 005317
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Families ; Quality of life ; Social history. ; China Social conditions 1976-2000. ; Canada ; Documentary films.
    Abstract: Through the words and lives of two families, the first of these companion films, made for Granada Television's Disappearing World series, examines change in two villages of southern China near Wuxi. One of these families, the Dings, are obviously influential members of the community and the parents have lived in the area of what is now called Big Ding Village all their lives. The other family, the Jues, live in a more traditional and rural Wong Jong Commune. Constantly the film compares life for these families before and after the Communist Revolution in 1949. Mrs Ding remembers her bitter childhood, the near infanticide of her fifth sister because as a girl the baby could only be a burden to the already over-extended family. Both the Dings and the Jues discuss the brutality of the Japanese, how the Japanese stole crops, how Mrs Ding's father hid her in the woodpile to save her from rape and possible murder by Japanese soldiers. The families recount their initial fear of the Communist Army, then their growing excitement for the ideals of the Party after the Revolution. They discuss the factions and fear of the Cultural Revolution, and the one Ding son who joined the Red Guards remembers his excitement on seeing Mao. He doesn't discuss the violence he may have helped create during these months as a Red Guard, although Mrs Ding hints at the dangers of giving any criticism of government policy during that period. More intimate revelations broadcast over national television could have been dangerous for the interviewees; the film-makers are to be commended for their portrayal, creating a picture of the individual in China while at the same time protecting that individual's privacy.The historical perspective sets the stage for the current prosperity of the villages and the families. The film-makers make clear that Wuxi, an area where prosperity and the success of the new economic policies after the Cultural Revolution are evident, was the Chinese government's choice not theirs, yet within that confine, they were given complete freedom in their filming. Individual memories compare a past of hunger and want, with present material consumption, a bride's dowry valued at 700 yuan, and new homes. The rights of women have improved: Mrs Ding is a Production Team Leader and a silkworm expert, while Mrs Jue makes money by working the family's alloted land. The interactions within each family are clearly drawn, and by the end of the film, we feel a closeness with these families, for all they have known and for the hope they have for their future.
    Note: Title from resource description page (viewed October 28, 2014). , Previously released as DVD. , In English.
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  • 33
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Kazakh
    Pages: 1 online resource (55 min.). , 005500
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Kazakhs ; North America ; Documentary films.
    Abstract: The Kazakhs of Xinjiang (Sinkiang) are one of the fifty-five national minorities that now live within the borders of the People's Republic of China. The policy of the Chinese Communist Party toward these people has been one of Sinofication, a neutralization of 'reactionary' local leaders and an alliance of Han Chinese with the indigenous culture. Xinjiang is a particularly sensitive area for the Chinese because of the traditional ties of the Kazakh with the Soviet Union. In 1962, some 50,000 Kazakhs and other non-Han peoples sought refuge in the Kazakh Soviet Socialist Republic. Since then, the Sino-Soviet border has been closed, and until recently the entire area was off-limits to non-Chinese outsiders. This film offers unique ethnographic material about the Kazakh, as well as about Chinese policies in the years following the Cultural Revolution. The film follows the movement of the family of Abdul Gair, illustrated the cycles and tensions of present day Kazakhs, mixes detail of their traditional life as herders with suggestion of the effect of Chinese rule. The Chinese government allowed the filmmakers freedom to choose the subjects and people for the interviews and action sequences. Because of this, the film expresses, to a great extent, the view of the filmmaker, not of the Chinese government. Against a background of the Tienshan Mountains, the Kazakhs are shown branding yaks, milking mares, drinking kumis (fermented mare's milk), making their yearly move from winter to summer quarters, and setting up their felt-covered summer tents. Then, through the trip of Ahmed the production team leader to the brigade headquarters, the film portrays the relations between Kazakh and Han, showing the brigade's authority. Rather than livestock, formerly a mark of wealth being owned for individual profit, production and gain is now controlled by the brigade leaders. Women are given more freedom within the community. Kazakh children now have an opportunity for education in the Kazakh language, but the teaching is largely Party doctrine; they have health care, but this again is Chinese. Yet, despite pre-1977 restrictions on local religion and nomadic culture, and although Abdul Gair is himself a Party member, the Chinese do not, as yet, control the Kazakh. The Kazakh have retained their horses, not only as wealth, but as a means of freedom. Here, as in other cultures where a strong centralized government controls a minority, the continued cultural independence of the Kazakh is an open question. The Chinese policy is currently to move as many Han as possible from the overcrowded central areas of China to the less populated border areas such as Xinjiang. This film gives an understanding, not only of a Kazakh society, but also insights into current change, of the conflicts of domination and independence.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in China. , Previously released as DVD. , This edition in Kazakh and English with English subtitles.
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  • 34
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (80 minutes) , 011919
    Keywords: Demonology ; Exorcism ; Healing ; Sri Lankans Medicine. ; Sri Lanka Social life and customs. ; Sri Lanka. ; Canada ; Documentary films.
    Abstract: This film, written and filmed by Barrie Machin, is about the beliefs of villagers in southwestern Sri Lanka in demonic possession causing illness and suffering. It shows the Iramudun and the Mahasona rituals being performed.
    Note: Title from resource description page (viewed October 06, 2015). , In English.
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  • 35
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (80 min.). , 012001
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ecology. ; Sewage. ; Water Pollution. ; Water Pollution ; Water-supply engineering Environmental aspects. ; Water-supply ; United States. ; France ; Documentary films.
    Abstract: From the cholera epidemics of the nineteenth century to the climbing cancer rate of our time; from the colossal scale of New York City's aqueduct and water tunnels to the water wars of the West; from the dangers of chemical contamination to the water politics of Polanski's film Chinatown, Water and the Dream of the Engineers explores both the engineers' dreams for, and public fears about, the world we have inherited. This is a fascinating documentary where rich social history frames a spirited debate between David Brower (former Sierra Club President), biologist Barry Commoner, and Able Wolman (dean of American Sanitary Engineering). The film's wider context is provided by the frustrations and concerns of those who maintain and use our water systems in the present day. The film is an educational odyssey about engineering, environmentalism, and the troubled relations between these two traditions. Most importantly, Water and the Dream of the Engineers reveals that conflicts over technology and the environment are, at root, debates about power and the promise of democracy.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1983 in New York City, New Orleans and California. , Previously released as DVD. , This edition in English.
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  • 36
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (57 min.). , 005704
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Kwegu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: 'The Kwegu' is an entirely tasteful and dignified presentation of the harsh realities of subsistence living, and it may help us understand how, even in stateless societies, dominated groups come to accept their domination as part of the natural order. The Kwegu are hunters and cultivators who live along the banks of the River Omo in Southwestern Ethiopia. They are experts on the river, manipulating their dugout canoes through a swift current where falling overboard could mean delivery into the jaws of a crocodile. The Mursi are cattle herders and cultivators who live with the Kwegu for several months of the year. This film is about the relationship between these two groups of people. The Mursi number about 5,000 and the Kwegu about 500. Both groups cultivate flood land along the Omo during the dry season, when the Mursi may also bring their cattle to the river. But the Kwegu keep themselves separate from the Mursi; they speak their own language among themselves, although they are bilingual and communicate with the Mursi only in Mursi. When the Mursi and Kwegu share a village, the Kwegu houses usually form a separate cluster. When a Kwegu marries, a vital part of the bridewealth is livestock. But since the Kwegu do not keep cattle, a system of exchange has developed whereby the Kwegu perform services in exchange for Mursi cattle. In addition to providing bridewealth cattle, the Mursi patron protects 'his' Kwegu from other Mursi and acts on his behalf in bridewealth negotiations. In return the Kwegu provides his patron with honey and game meat and is available to ferry him and his family across the Omo when needed. This is a vital economic service, since the Mursi cultivate on both banks of the river and yet do not, unlike the Kwegu, live at the Omo all the year round. The Kwegu are therefore 'guardians' of the canoes as well as ferrymen. There is some debate about the nature of the Mursi-Kwegu relationship. The anthropologist advisor for the film, David Turton, sees the relationship as one of domination. The Mursi depend economically on the Kwegu more than the Kwegu do on them, and yet the Kwegu see themselves as dependent, in a different, more extreme sense, on the Mursi they cannot marry without the aid of Mursi patron. The Mursi exploit the economic services of the Kwegu through their control of Kwegu marriage. Jean Lydall, in her review of the film in RAIN (June 1982), suggests another interpretation for the exchange of services. She wonders if indeed the Kwegu are not making the Mursi 'pay through the nose' for the services they require. This film suggests that far from being second-class citizens, the Kwegu are sharp manipulators who have acquired protection and material wealth by making their services indispensable to the Mursi. Turton defended his interpretation in a reply to Lydall (RAIN, No. 51, pp. 10–12) and has more recently provided a more detailed description and analysis of the Mursi-Kwegu relationship, following the same argument as developed in the film but including much additional ethnographic information (Turton, 1986). The Kwegu won the Grand Prix du Festival at the Festival International du Film de Grand Reportage in Paris. This film is the second part of a trilogy, In Search of Cool Ground. The film is particularly recommended for courses in anthropology, African studies, patron–client relationships, ethnicity and multi-cultural studies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 37
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (63 min.). , 010255
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Public housing ; Public housing Social aspects. ; Public housing. ; Massachusetts ; France ; Documentary films.
    Abstract: Down The Project ... From the Project: The Crisis of Public Housing presents the story of two projects that housed working families, both white and black, in the 1940s. In later years, crippled by lower budgets and the needs of poorer populations, they came to be regarded as eyesores, as danger zones. How did these changes occur? How did public housing begin? Which forces lobbied for it and against it? How do the people living in this housing see it?
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1982 in Boston, MA. , Previously released as DVD. , This edition in English.
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  • 38
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (58 min.). , 005743
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ashanti (African people) Economic conditions. ; Ashanti (African people) Social life and customs. ; Women merchants ; Women, Ashanti (African people) ; Ireland ; Documentary films.
    Abstract: As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this 'Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. The success of this crew is impressive. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, their perception of their society and also about marriage. The women control the market through Queen Mothers who are leaders of particular sections of the market such as the yam or tomato sections. Generally these Queen Mothers are elected by the traders. However, Oba, the Plantain Queen Mother acquired her position through influence and because of this she has less control over her workers and over the resolution of differences. Market traders work long hours, make less than a shoe clerk or office worker yet the rewards for them can be many. The residual matrilineal system of Asante society means that inheritance moves from a man to his sister's children. The result is that an Asante woman is left with no means of support if her husband dies. The traders have gone to work to protect themselves against this possibility, to pay for their children's education and to maintain their independence. Implicit in this analysis of women traders is the relationship between men and women in Asante society. Marriage is polygamous and the crew interview women about their feelings on marriage and of their hopes of coming marriages. The film portrays the influence women have in the market as a direct contrast to their position in the home. Interviews with several husbands reveal, perhaps not surprisingly, that their perception of women differs from the women's perception of themselves. The men talk of the importance of having two wives, one to serve when the other is tired; one to grant sexual favours while the other is menstruating; each to compete with the other for male attention thus allowing the husband to retain control. Although the men accept a woman earning extra money, they still say a woman should be submissive and serve men. The women regard themselves as assertive, capable, and in control. Interviews with two young women demonstrate a desire for equality in the home. The film's analysis is a sympathetic one and full of insight. The focus is, though, rather narrowly on the husband-wife relationship and women's important relationships with their female and male kin are given little attention.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kumasi, Ghana. , Previously released as DVD. , This edition in English and Akan with English subtitles.
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  • 39
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Zande
    Pages: 1 online resource (53 min.). , 005243
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Witchcraft ; Witchcraft. ; Zande (African people) Religion. ; Sudan. ; Canada ; Documentary films.
    Abstract: 'Witchcraft among the Azande' is suitable for showing in undergraduate and graduate classes on topics of religion, philosophy, and African ethnography. It could also be stimulating to discussions of psychology and medicine. The success of the Granada series on public television in England indicates its appeal to a much wider audience as well. P. Leis Evans-Pritchard's book Witchcraft, Oracles and Magic among the Azande has become a classic of both ethnography and theories of witchcraft. Now, anthropologist John Ryle and film-maker André Singer, who was himself one of Evans-Pritchard's students and has published on the Azande, have teamed together to produce the film Witchcraft among the Azande for Granada Television's Disappearing World series. Singer wanted to learn for himself the accuracy of Evans-Pritchard's analysis and to note the changes since the original fieldwork carried out between 1926 and 1930. Among the Azande, witchcraft is considered to be a major danger. They believe that witchcraft can be inherited and that a person can be a witch, causing others harm, without realising her or his influence. Because of this danger, effective means of diagnosing witchcraft are, for them, vital. One method is through the use of an oracle. Several kinds of oracles are explored in the film, the most important being benge, a poison which is fed to baby chickens. The chick's death or survival provides the oracle's answer. Azande also use benge to judge other evidence in a court before a chief. Anthropologists have long argued about the nature and significance of beliefs in witchcraft and sorcery and, more generally, about the similarities and differences between 'traditional' thought and Western science. This film treads a delicate path, exploring an explanation of reality incomprehensible to a majority of Westerners and, at the same time, trying to portray the Azande as a clear-thinking, and almost familiar group of people. In this aim the film succeeds by creating a tension whereby the oracle's answers are important to the viewers because they have become involved and are forming their own opinions about the guilt or innocence of the defendants. Zande is not a static society and much has changed since Evans-Pritchard's original fieldwork. The area filmed is influenced by Catholicism; people are Christian, but the church cannot give answers to many of the questions of the Azande people. The older people see their children abandoning traditional moral and other values. For this schism, the older people seem to blame the government more than the church as the church teaches a value system consonant with the traditional one. Yet, alongside the Christian influence and changes among the younger generation, the power of beliefs in witchcraft and oracles remains. If Singer wanted to give support to Evans-Pritchard's ethnography, he has done so with Witchcraft among the Azande.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in North Central Africa. , Previously released as DVD. , This edition in Zande and English with English subtitles.
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  • 40
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (39 min.). , 003852
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Afghans ; Ethnology ; Pushtuns Social life and customs. ; Refugees ; Pakistan Social life and customs. ; North America ; Documentary films.
    Abstract: There are twelve million Pathans. Bound by a common language, a common heritage and the unifying force of Islam, these proud and independent people do not acknowledge the geographical boundary which divides them between Afghanistan and Pakistan. This film was shot at the same time as Khyber in Pakistan, close to the Afghan border. The Pathans accept no imposed leadership, from without or from within. Their laws are the decisions of the democratic assembly of the village, known as the jirga. To disobey the jirga is to court heavy penalties against which there is no appeal. Their code of living is called pukhtunwali ­ the way of the Pathan. At its core are the principles of hospitality, personal honour and revenge. A man will fight to the death to avenge a wrong done to himself, his family or friends or, above all, his women. The film is noteworthy for the way in which it brings out the importance of these values. Their fierce loyalty, coupled with the independence of spirit which tolerates no formal leaders, makes the Pathans a formidable enemy, as the British once found out and, more recently, the Soviet invaders of Afghanistan have discovered.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
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  • 41
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005309
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Refugees ; Afghanistan Exiles. ; Afghanistan History Soviet occupation, 1979-1989. ; Ireland ; Documentary films.
    Abstract: This documentary by Akbar Ahmed and Andre Singer is about the Soviet Invasion of Afghanistan and tribal groups in the area.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
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