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  • 1
    Online Resource
    Online Resource
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.) , 005317
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Families ; Quality of life ; Social history. ; China Social conditions 1976-2000. ; Canada ; Documentary films.
    Abstract: Through the words and lives of two families, the first of these companion films, made for Granada Television's Disappearing World series, examines change in two villages of southern China near Wuxi. One of these families, the Dings, are obviously influential members of the community and the parents have lived in the area of what is now called Big Ding Village all their lives. The other family, the Jues, live in a more traditional and rural Wong Jong Commune. Constantly the film compares life for these families before and after the Communist Revolution in 1949. Mrs Ding remembers her bitter childhood, the near infanticide of her fifth sister because as a girl the baby could only be a burden to the already over-extended family. Both the Dings and the Jues discuss the brutality of the Japanese, how the Japanese stole crops, how Mrs Ding's father hid her in the woodpile to save her from rape and possible murder by Japanese soldiers. The families recount their initial fear of the Communist Army, then their growing excitement for the ideals of the Party after the Revolution. They discuss the factions and fear of the Cultural Revolution, and the one Ding son who joined the Red Guards remembers his excitement on seeing Mao. He doesn't discuss the violence he may have helped create during these months as a Red Guard, although Mrs Ding hints at the dangers of giving any criticism of government policy during that period. More intimate revelations broadcast over national television could have been dangerous for the interviewees; the film-makers are to be commended for their portrayal, creating a picture of the individual in China while at the same time protecting that individual's privacy.The historical perspective sets the stage for the current prosperity of the villages and the families. The film-makers make clear that Wuxi, an area where prosperity and the success of the new economic policies after the Cultural Revolution are evident, was the Chinese government's choice not theirs, yet within that confine, they were given complete freedom in their filming. Individual memories compare a past of hunger and want, with present material consumption, a bride's dowry valued at 700 yuan, and new homes. The rights of women have improved: Mrs Ding is a Production Team Leader and a silkworm expert, while Mrs Jue makes money by working the family's alloted land. The interactions within each family are clearly drawn, and by the end of the film, we feel a closeness with these families, for all they have known and for the hope they have for their future.
    Note: Title from resource description page (viewed October 28, 2014). , Previously released as DVD. , In English.
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  • 2
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (57 min.). , 005704
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Kwegu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: 'The Kwegu' is an entirely tasteful and dignified presentation of the harsh realities of subsistence living, and it may help us understand how, even in stateless societies, dominated groups come to accept their domination as part of the natural order. The Kwegu are hunters and cultivators who live along the banks of the River Omo in Southwestern Ethiopia. They are experts on the river, manipulating their dugout canoes through a swift current where falling overboard could mean delivery into the jaws of a crocodile. The Mursi are cattle herders and cultivators who live with the Kwegu for several months of the year. This film is about the relationship between these two groups of people. The Mursi number about 5,000 and the Kwegu about 500. Both groups cultivate flood land along the Omo during the dry season, when the Mursi may also bring their cattle to the river. But the Kwegu keep themselves separate from the Mursi; they speak their own language among themselves, although they are bilingual and communicate with the Mursi only in Mursi. When the Mursi and Kwegu share a village, the Kwegu houses usually form a separate cluster. When a Kwegu marries, a vital part of the bridewealth is livestock. But since the Kwegu do not keep cattle, a system of exchange has developed whereby the Kwegu perform services in exchange for Mursi cattle. In addition to providing bridewealth cattle, the Mursi patron protects 'his' Kwegu from other Mursi and acts on his behalf in bridewealth negotiations. In return the Kwegu provides his patron with honey and game meat and is available to ferry him and his family across the Omo when needed. This is a vital economic service, since the Mursi cultivate on both banks of the river and yet do not, unlike the Kwegu, live at the Omo all the year round. The Kwegu are therefore 'guardians' of the canoes as well as ferrymen. There is some debate about the nature of the Mursi-Kwegu relationship. The anthropologist advisor for the film, David Turton, sees the relationship as one of domination. The Mursi depend economically on the Kwegu more than the Kwegu do on them, and yet the Kwegu see themselves as dependent, in a different, more extreme sense, on the Mursi they cannot marry without the aid of Mursi patron. The Mursi exploit the economic services of the Kwegu through their control of Kwegu marriage. Jean Lydall, in her review of the film in RAIN (June 1982), suggests another interpretation for the exchange of services. She wonders if indeed the Kwegu are not making the Mursi 'pay through the nose' for the services they require. This film suggests that far from being second-class citizens, the Kwegu are sharp manipulators who have acquired protection and material wealth by making their services indispensable to the Mursi. Turton defended his interpretation in a reply to Lydall (RAIN, No. 51, pp. 10–12) and has more recently provided a more detailed description and analysis of the Mursi-Kwegu relationship, following the same argument as developed in the film but including much additional ethnographic information (Turton, 1986). The Kwegu won the Grand Prix du Festival at the Festival International du Film de Grand Reportage in Paris. This film is the second part of a trilogy, In Search of Cool Ground. The film is particularly recommended for courses in anthropology, African studies, patron–client relationships, ethnicity and multi-cultural studies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 3
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Multiple languages
    Pages: 1 online resource (54 min.). , 005339
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Mountaineering ; Mountaineering. ; Sherpa (Nepalese people) ; Nepal. ; Canada ; Documentary films.
    Abstract: Thami is a village 12,000 feet up in the Himalayas in the Kingdom of Nepal. As the film's opening shots illustrate, in a type of filmic short-hand, Thami is composed of a patchwork of individual farms – indicative of the Sherpa emphasis on independence and family self-sufficiency. The main concern of the film is to examine what it means to be Sherpa today in both cultural and economic terms. To this end the film concentrates on the varied career choices of three brothers from Thami – peasant farmer, Buddhist monk and head guide. Interviews with the brothers, enabling them to express their own attitudes and expectations, deepen the analysis. The second half of the film deals with the preparations for the festivities of a Sherpa wedding, emphasising that negotiations about bridewealth are lengthy – often taking years – since marriage is viewed primarily as an economic transaction. Sequences showing peasant farming activities, in combination with scenes of Sherpa life in Katmandu, contrast the old way of life with the new and illustrate the changing socio-economic conditions encountered by Sherpas today.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Nepal. , Previously released as DVD. , This edition in Nepali, Sherpa and English with English subtitles.
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