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  • FID-SKA-Lizenzen  (84)
  • English  (83)
  • Portuguese
  • Watertown, MA :Documentary Educational Resources (DER),  (45)
  • London :Royal Anthropological Institute,  (39)
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  • FID-SKA-Lizenzen  (84)
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  • 1
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (143 min.). , 022323
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Corn ; Agricultural innovations ; Technology transfer ; Malawi. ; France ; Documentary films.
    Abstract: Responding to recurrent food crises, by 1998 scientists in Malawi had developed and field-tested new maize varieties and crop combinations that promised Malawi a Green Revolution. However, with farmers too poor to purchase seed and fertilizer, how to empower Malawi's farmers with this new technology?
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2005 in Malawi. , Previously released as DVD. , This edition in English.
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  • 2
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (22 min.). , 002154
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Afflictions : culture and mental illness in Indonesia
    Keywords: Tourette syndrome Case studies. ; Tourette syndrome Case studies. Social aspects ; France ; Documentary films.
    Abstract: The film focuses on a growing boy, Wayan Yoga, and is not so much about illness as it is an exploration of the protective aspects of culture that may guide developmental neuropsychiatric processes. At six years old, Wayan Yoga is an energetic boy who flies kites and is obsessed with the monsters of Balinese mythology. He also has various tics, which move his parents to seek treatment. At twenty, he is a young man planning his career as a chef and an expressive Balinese dancer. Ultimately, Wayan Yoga's tics are insignificant to his evolving sense of self-compared to the saturation of symbols, images, and narratives of his culture. While Wayan must learn to negotiate the kinds of movements, interests, and goals that are culturally appropriate, the protective buffer of his family guides him successfully into normative Balinese adulthood.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1997 in Indonesia. , Previously released as DVD. , This edition in English and Balinese with English subtitles.
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  • 3
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (25 min.). , 002505
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Afflictions : culture and mental illness in Indonesia
    Keywords: Manic-depressive illness. ; Mentally ill. ; Mentally ill Case studies. ; Mental illness. ; Mental illness ; Indonesia. ; Bhutan ; Documentary films.
    Abstract: Ritual Burdens is part of the Afflictions : Culture and Mental Illness in Indonesia series of ethnographic films on severe mental illness in Indonesia, based on material drawn from 12 years of person-centered research by director and anthropologist Robert Lemelson. The film focuses on Ni Ketut Kasih who has lived her whole life surrounded by the complex rhythms of the Balinese ritual calendar. Here, participation in ritual events is both a spiritual mandate and social obligation for women who spend countless hours crafting offerings. Ni Ketut's masterful hand has contributed to her status as a highly respected ceremonial leader. However, the pressures of ritual requirements often overwhelm her, crowding her mind with memories of her difficult childhood during Indonesia's war for independence. This may trigger Ketut's bi-polar disorder episodes, for which she has been hospitalized over 35 times. Ni Ketut's case reveals the binding associations that may make certain burdens unbearable as cultural obligations, traumatic historical events, and personal experience overlap in unique schemas of stress that trigger cyclical episodes of mental illness.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1997 in Bali, Indonesia. , Previously released as DVD. , This edition in English and Balinese with English subtitles.
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  • 4
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (15 min.). , 001438
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Alzheimer's disease Personal narratives. ; France ; Documentary films.
    Abstract: In 2007, aged 54, Abby Hale was diagnosed with early onset of Alzheimer's. As a mom and medical practitioner Abby eloquently shares with grace and insight what she has both gained and lost as a result of this harsh and cruel disease. This film allows us a rare glimpse into a world that is becoming increasingly common in our society, but is rarely discussed in such an honest and open way.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2011. , Previously released as DVD. , This edition in English.
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  • 5
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (59 min.). , 005906
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Political campaigns ; Presidents Election 2008. ; Political campaigns ; High school students ; High school students ; Documentary films Production and direction ; Documentary films Production and direction ; Bhutan Parliament Elections, 2008. ; Bhutan ; Documentary films.
    Abstract: Shooting for Democracy brings together voices of students in the world's smallest emerging democracy with those in one of the largest, most established democracies. The film is a vibrant portrayal of the United States and Bhutan during their national elections. Inspired by the first democratic elections ever to take place in Bhutan coinciding with the 2008 US presidential elections, Shooting for Democracy views the election process through the eyes of high school students in both countries as they participate in a video education program. The result is a unique mix of familiar similarities and stark contrasts on the perspectives and understanding of democracy. Combining professionally produced footage with excerpts from the students' work, the film follows personal experiences of the students while also exploring the social and political contexts of these distinct nations, now linked by their use of a democratic system.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Bhutan, Brooklyn, New York and Walpole, Massachusetts in 2008. , Previously released as DVD. , This edition in English.
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  • 6
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (73 min.) , 011239
    Series Statement: Ethnographic video online, volume 2
    Keywords: McMullen, Rajive. ; Tantrism. ; Hindu pilgrims and pilgrimages ; Life cycle, Human Religious aspects ; Hinduism. ; Spiritual life Hinduism. ; Bhutan ; Documentary films.
    Abstract: A documentary feature film about one man's journey across northern India and his search for enlightenment. Rajive McMullen, a history teacher suffering from a debilitating illness, makes the painful journey into the heart of Tantra, searching for meaning in holy shrines, coming close to death in cremation grounds and enjoying the chaos of the Aghori seekers. This film offers dramatic insight into Tantrik ideas about the life cycle, particularly death, and contributes much to our understanding of how we seek knowledge and how we die. The Lover and The Beloved also represents a realistic attempt to understand both the practice and illusive theory behind Indian Tantrism, and is intended to challenge widespread Western misinterpretations of this system of thought. Along the way we visit Kamakhya Devi in Assam and Tarapith in West Bengal, two of the most important centres of Tantrik Hinduism.
    Note: Title from resource description page (viewed Februrary 25, 2015). , Previously released as DVD. , In English.
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  • 7
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (22 min.). , 002210
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Afflictions : culture and mental illness in Indonesia
    Keywords: Schizoaffective disorders Case studies. Patients ; France ; Documentary films.
    Abstract: Memory of My Face is part of the Afflictions: Culture and Mental Illness in Indonesia series of ethnographic films on severe mental illness in Indonesia, based on material drawn from 12 years of person-centered research by director and anthropologist Robert Lemelson.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2010 in Central Java, Indonesia. , Previously released as DVD. , This edition in English, Javanese and Indonesian with English subtitles.
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  • 8
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (38 min.). , 003820
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Afflictions : culture and mental illness in Indonesia
    Keywords: Mentally ill Family relationships ; Mental illness Social aspects ; France ; Documentary films.
    Abstract: Family Victim explores how families manage a troubled and troublesome member. Estu Wardhani is a young Javanese man and has struggled for most of his life to achieve a sense of competency and inclusion in his familial and social world. The second youngest of eight children born to an upper-class family living in the rural region of Gunung Kidul in Cental Java, Estu has been 'different' ever since he was a young boy. Estu's actions, and their disorienting power, cannot be understood outside of the cultural and social context within which they have taken shape nor can they be considered apart from the disruptive and painful effects they have on his family.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2010 in Gunung Kidul, Java, Indonesia. , Previously released as DVD. , This edition in English, Indonesian and Javanese with English subtitles.
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  • 9
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (57 min.). , 005708
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Bloom, Hyman, ; Painters Biography. ; France ; Documentary films.
    Abstract: Painter Hyman Bloom is one of the forefathers of abstract art in America. His career flourished in the 1940's and 50's garnering the highest praise in both art and popular press. His intense beliefs about composition and masterful command of color were breathtaking and are admired by artists to this day. But Hyman's decision to continue exploring figurative work when the art world was moving towards total abstraction and his habitual disdain for the public eye brought him from being one of the infamous Bad Boys from Boston to a man little known in the mainstream art scene.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2008. , Previously released as DVD. , This edition in English.
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  • 10
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (74 min.). , 011351
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Festivals ; Vietnam Social life and customs. ; France ; Documentary films.
    Abstract: This film documents the Chu Dong Tu festival of 2007. The festival was revived in 1986, the year in which the economic and political reforms were passed in Vietnam. The festival is an important example of the widespread revival of traditional folk festivals that has followed reform.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2010 in Yen Vinh, Hung Yen Province, Vietnam. , Previously released as DVD. , This edition in English and Vietnamese with English subtitles.
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  • 11
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (53 min.). , 005323
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Birth customs Case studies. ; M'nông (Vietnamese people) Social life and customs. ; M'nông (Vietnamese people) Rites and ceremonies. ; Childbirth ; Midwives Interviews. ; Midwifery ; France ; Documentary films.
    Abstract: On the basis of a social anthropological case study, this film documents the birth practices of the Bunong in Mondulkiri Province, located in the northeast of Cambodia. Social, economic, and political changes are transforming the province tremendously and are affecting villagers' beliefs, perceptions and habits regarding pregnancy, delivery and early motherhood. Traditional midwives, pregnant women, mothers and their families give a personal insight into their present decision-making strategies, which are at the crossroads between tradition and modernity.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2008 in Mondulkir Province, Cambodia. , Previously released as DVD. , This edition in English.
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  • 12
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (35 min.). , 003509
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Afflictions : culture and mental illness in Indonesia
    Keywords: Mental illness Case studies. ; Mentally ill Case studies. ; Bhutan ; Documentary films.
    Abstract: Shadows & Illuminations follows an older Balinese man, Nyoman Kereta, as he struggles with the intrusion of spirits into his consciousness. Kereta says he has been living in two worlds, the world of his family and community and the world of the spirits, for the past 40 years. His experiences skirt the borders of cultural and spiritual norms, simultaneously manifesting and exceeding Balinese beliefs about the supernatural world and the possibilities for human interaction with it. Kereta's reported experiences seem credible or explicable to some, bizarre and extraordinary to others, enigmatic or doubtful to his wife, and the sign of major mental illness to his psychiatrist. The film documents his painful history of trauma, loss and poisoning, and draws on his other family member's interpretations of how to understand his struggles and distress. Central questions of how to interpret his experiences, and what role a schizophrenia diagnosis entails are explored.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1997 in Bali, Indonesia. , Previously released as DVD. , This edition in English and Balinese with English subtitles.
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  • 13
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (80 min.). , 011949
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Poor ; Slums ; Cape Town (South Africa) Social conditions. ; France ; Documentary films.
    Abstract: In hardly any other city of the world can poverty and wealth be found as close together. When the Mountain Meets Its Shadow tells the stories of Ashraf, Mne, Zoliswa and Arnold, who, each in their own way, fight for survival in the informal settlements around Cape Town. While Ashraf and his friend Mne from the Anti-Eviction Campaign fight against evictions, water and electricity cut-offs in the townships, Zoliswa and Arnold put their trust in their ability to work. Zoliswa, a single mother, is looking for a new position as a cleaner and Arnold trains as an armed guard to work in the booming security industry. When the city council wants to clear an entire informal settlement, Ashraf and his friend Mne are confronted with their own, undigested experiences from the apartheid years.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2009 in Cape Town, South Africa. , Previously released as DVD. , This edition in English.
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  • 14
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (23 min.). , 002255
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Muslim women Clothing ; Fashion ; Muslim women Ethnic identity. ; Muslim women Religious life ; France ; Documentary films.
    Abstract: Fashioning Faith takes a behind the scenes look at the emerging world of Islamic fashion and US-based clothing designers who make it possible. The film interweaves interviews and verité footage from a diverse array of Muslim women with one goal in common – to express their faith through fashion.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2009 in New York, NY. , Previously released as DVD. , This edition in English.
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  • 15
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (20 min.). , 001935
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Rhesus monkey Conservation ; Tarsius Conservation ; Community-based conservation ; Biodiversity ; Buton Island (Sulawesi Selatan, Indonesia) Conservation. ; Bhutan ; Documentary films.
    Abstract: Operation Wallacea is a UK based group of scientists who have established a conservation strategy with outposts in 6 areas of the world which they consider to be biodiversity hotspots. A rainforest area of the Island of Buton, off the south coast of Sulawesi in Indonesia is the locus of this video. Operation Wallacea's scientists have been active here for a number of years, operating by a 4 stage process in which they survey the level of biological diversity, plan ways to maintain it, help the local people develop strategies to maintain income without harming the ecology and work to obtain grants to help development in the local area.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Wallacea, Indonesia in 2010. , Previously released as DVD. , This edition in English.
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  • 16
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (50 min.). , 004934
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Townsend, Robert E. ; Mazur, Michael, ; Jancsó, Miklós, Criticism and interpretation. ; Calder, Alexander, ; Dante Alighieri, Illustrations. ; Motion pictures Production and direction ; Steel sculpture ; Sculpture ; Sculptors ; Art ; Monotype (Engraving) 20th century. ; France ; Documentary films.
    Abstract: Making marks, or causing them to be made as in the case of filmmakers, is what artists do. They see, imagine, hallucinate some shape, color or tone and then pick up their tools to render it in steel, light, copper or almost anything else. Here are three examples of what can happen. The Great, Sail 10 minutes, 1966: Alexander Calder's La Grande Voile was erected on the Massachusetts Institute of Technology campus in 1966 with the artist directing the work. As the spectacular steel forms of this monumental stabile rise, it is filmed with time lapse and verite photography. One can see that the structure owes its spare elegance to the precision of its design and construction. Calder remains absorbed in quiet concentration as skeptical students and bemused bystanders observe the somewhat improbable event. Dancing with Miklos 28 minutes, 1993 - click here to preview this film While watching prolific Hungarian filmmaker Miklos Jancso make his political thriller, The Blue Danube Waltz, Robert Gardner begins to film. Jancso's style seeps through to the documentarian's factual eye to create more than a behind-the-scenes exploration; it's an insightful, eloquent, and entertaining tribute from one filmmaker to another. Good to Pull 10 minutes, 2000 - watch a preview This short video is about a collaboration between the artist Michael Mazur and his master printer, Robert Townsend, as they work on a suite of etchings drawn from the celebrated monotypes Mazur made for Dante's Inferno. The monotypes were published in an earlier collaboration between Mazur and Robert Pinsky, the poet and translator. The etchings will become part of a remarkable history of similar undertakings by such other illustrators as Botticelli, Blake, Doré, Lebrun and Phillips. As seen in the literary magazine AGNI #68.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Cambridge, Massachusetts and Budapest, Hungary. , Previously released as DVD. , This edition in English.
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  • 17
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (63 min.). , 010238
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Balikci, Asen, Biography. ; Anthropologists Biography. ; Visual anthropology ; Visual anthropology ; Visual anthropology ; Visual anthropology ; Visual anthropology ; Netsilik Eskimos. ; Pomaks. ; Bhotia (Tibetan people) ; Ethnographic films. ; Bhutan ; Documentary films.
    Abstract: Asen Balikci has been a leading figure in making ethnographic films for many decades. In a series of talks between Balikci and filmmaker Rolf Husmann in different locations, the life and work of Asen Balikci are shown and discussed the film takes us from Asen's youth in Istanbul to his career in Canada where he became famous for making the Netsilik Eskimo Series, to filming in Afghanistan and then turning to two other activities of his as a networker for the Commission on Visual Anthropology (CVA) and as a teacher of Summer Schools in Siberia and Bulgaria. His film work among the Bulgarian Pomak and his still ongoing work in Sikkim (India) conclude the film which is not only the portrait of a famous expert in Visual Ethnography, but also more generally touches upon vital issues of ethnographic filmmaking.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sikkim, India, Istanbul Turkey and Canada in 2009. , Previously released as DVD. , This edition in English.
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  • 18
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (42 min.). , 004201
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Scully, Sean, ; Short films. ; Painting. ; Bhutan ; Documentary films.
    Abstract: In 1997 Robert Gardner visited friend and well-known American painter Sean Scully in his Barcelona studio. He documented the making of two paintings, Testigos and Passenger, and the opening of “Sean Scully 1987-1997” at Salas del Palacio Episcopal in Malaga. This video, an important document of an influential modern artist, brings together the three short films made during that summer. Testigos - 10 minutes: Testigos is a small painting done when Gardner and Scully worked together in Barcelona. The title, which means 'witnesses,' is the name of a small island in the Caribbean. Testigos, and at least one other painting, was made on the days that the larger canvas Passenger was drying. Passenger - 25 minutes: In Passenger, Gardner made what he calls “an observation in four movements.” The intent of the piece is to impart an experience of the engagement by Scully with the work in question, an engagement which is both physical and emotional. The only sounds are those made by the artist as he works and, occasionally, musical passages from tapes Scully listens to while he is painting. Scully in Malaga - 7 minutes: A short film acknowledging the efforts of those responsible for installing the exhibition “Sean Scully 1987-1997” in Malaga. Equally important, the film captures Scully's parents dancing their beloved 'paso doble' in the midst of their son's work.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Barcelona and Malaga, Spain in 1997. , Previously released as DVD. , This edition in English.
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  • 19
    Language: English
    Pages: 1 online resource (117 min.). , 015655
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Sudan History Darfur Conflict, 2003- ; Foreign public opinion, American. ; Sudan History Darfur Conflict, 2003- ; France ; Documentary films.
    Abstract: Reporting the devastation, forced displacement, and genocide in Darfur should be a story with daily coverage. Mere mention of the word Darfur should set off a passionate exchange, or at least the question, What can be done? Unfortunately, the people of Darfur struggle with a problem common to so many victimized by geo-political realities how to overcome the willful indifference of powerful government and media interests who find their story unimportant or merely inconvenient. With images and first-hand accounts, filmmaker Mark Brecke shares his experience of the Darfur crisis with Amtrak train passengers journeying eastward on a three day trip to Washington D.C. Their reactions, interwoven with hard facts and expert opinion, raise the central question in They Turned Our Desert Into Fire - Why does the public not understand the severity of this crisis and how can the world continue to do nothing? In addition to the film and a slideshow of Brecke's photographs, this video also contains the short film War as a Second Language (27 min., 2002). Mark Brecke culled from 15 years of newsreels, documentaries, and raw footage of the Vietnam War to create an audio track which he then juxtaposed with moving and still images he shot in Vietnam and Cambodia in 1995. Tourists replace soldiers and the audio design becomes a haunting and evocative narrative about history and the legacies of war.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2003 in Darfur, Sudan and Washington, D.C. , Previously released as DVD. , This edition in English.
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  • 20
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (60 min.). , 010003
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Black Mountain College (Black Mountain, N.C.) ; Black Mountain College (Black Mountain, N.C.) History. ; Arts Study and teaching (Higher) ; Arts Study and teaching (Higher) ; North Carolina ; France ; Documentary films.
    Abstract: Hidden in the mountains of Western North Carolina, Black Mountain College (1933 - 1957) was an influential experiment in education that inspired and shaped twentieth century American art. Fully Awake Black Mountain College is a documentary film that explores the college's progressive pedagogy and radical approach to arts education. Highly democratic and faculty-owned, the school promoted practical responsibilities and the creative arts as equally important components to intellectual development.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Asheville, NC. , Previously released as DVD. , This edition in English.
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  • 21
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (51 min.). , 005113
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: School improvement programs ; France ; Documentary films.
    Abstract: In 1996, the state-funded Woodlands Country Primary School in Gillingham, Kent, UK was situated in one of the most socio-economically deprived areas outside the inner cities. Pupil places were under-subscribed 160 out of a possible 240 capacity. Subjected to years of neglect through Council underinvestment, its underachieving students aged 4 - 11 years were destined to be filtered through into similarly poor secondary schools and a life of mediocrity.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2008 in Gillingham, Kent, United Kingdom. , Previously released as DVD. , This edition in English.
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  • 22
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (12 min.). , 001138
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Painting. ; Short films. ; France ; Documentary films.
    Abstract: Testigos is a small painting done when Gardner and Scully worked together in Barcelona. The title, which means 'witnesses,' is the name of a small island in the Caribbean. Testigos, and at least one other painting, was made on the days that the larger canvas Passenger was drying.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1997 in Barcelona, Spain. , Previously released as DVD. , This edition in English.
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  • 23
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (40 min.). , 004007
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Smith, Margaret Charles, ; Midwifery. ; African American midwives. ; African American midwives ; Midwives ; Eutaw (Ala.) ; Bhutan ; Documentary films.
    Abstract: Miss Margaret successfully attended over 3,500 home births without a single maternal death, worked a farm like a man and triumphed over the advesities of Jim Crow, poverty, lack of education and the slavery of sharecropping. I've been through the wringer, she says of living in Greene County, Alabama, a Ku Klux Klan stronghold where, according to Ralph Abernathy, racism was so entrenched that winning the right to vote there was more historic than man's walk on the moon.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Eutaw, Alabama in 2001. , Previously released as DVD. , This edition in English.
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  • 24
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (63 min.). , 010231
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Arranged marriage ; Families ; Marriage customs and rites ; Australia ; Documentary films.
    Abstract: Director Simon Chambers follows the lives of young Bengali sisters - and close personal friends of his - as they travel from London to Bangladesh to undertake the arranged marriages that have long been planned for them. Although apparently reluctant to submit to the agreed arrangements, the sisters nonetheless seem unable or unwilling to ultimately escape their traditional destiny.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in East London, England and Bangladesh. , Previously released as DVD. , This edition in English.
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  • 25
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (71 min.). , 011114
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Acetics ; Hindu priests ; Hinduism ; Pilgrims and pilgrimages ; Sadhus ; North America ; Documentary films.
    Abstract: The film narrates the story of Uma Giri, a Swedish woman who has become a Hindu nun, called Uma Giri. She is one of the few western women to be accepted into the most radical order of wandering Hindu ascetics. The film follows her and 29-year-old yogi, Vasisht Giri, on an 18 day pilgrimage of self-discovery into the high Himalayas. They search out and stay with the saints and mystics of Hinduism in their remote huts and caves. They meet one sadhu who has not spoken for 14 years living beside the source of the River Ganges, Hinduism most sacred river. Finally, Uma discovers what she has been searching for.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in India. , Previously released as DVD. , This edition in English.
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  • 26
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (57 min.). , 005712
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Prostitution ; Prostitution ; Prostitution ; Prostitution ; Forced labor ; Forced labor ; Forced labor ; Forced labor ; Women Crimes against ; Women Crimes against ; Women Crimes against ; Women Crimes against ; Burma. ; China. ; Laos. ; Thailand. ; France ; Documentary films.
    Abstract: Trading Women enters the worlds of brothel owners, trafficked girls, voluntary sex workers, corrupt police and anxious politicians. Filmed in Burma, China, Laos, and Thailand, this is the first film to follow the trade in women in all its complexity and to consider the impact of this 'far away' problem on the gobal community. Narrated by Oscar-winning actress Angelina Jolie, the documentary investigates the trade in minority girls and women from the hill tribes of Burma, Laos and China, into the Thai sex industry. Filmed on location in China, Thailand and Burma, Trading Women follows the trade of women in all its complexity, entering the worlds of brothel owners, trafficked girls, voluntary sex-workers, corrupt police and anxious politicians. The film also explores the international community's response to the issue. The culmination of five years of field research, Trading Women is the first film to demonstrate to viewers the relationship of the trade in drugs to the trade of women. The film dispels common beliefs about the sex trade, such as: The problem is the parents - it's part of their culture to sell their daughters; The sex trade exists because of Western sex tours; and They sell their girls for TVs. We take the audience behind the tourist tales and stereotyped news coverage to reveal the reality behind the myths, said David A. Feingold, the noted documentarian who wrote and directed Trading Women. We show how much of what the audience thinks they know about the issue is much more complex than they imagined. Thirty years ago, there was a thriving sex industry in Thailand, but there were no minority girls in it - what happened? The film cites the destruction of the traditional upland economy by a combination of well-meaning development and opium suppression programs in Thailand, and civil unrest, economic dislocation, and political repression in Burma as the answer to this question. These environmental and political factors have resulted in threats to both the physical and cultural survival of the highland minorities. Today, while hill tribe girls are perhaps thirty percent of the total number of sex workers in Thailand, they are disproportionately represented relative to their total numbers in the population. Moreover, they are employed in the lowest, most exploitative part of the industry. Trading Women examines the choices that hill tribe women make, and how these choices are constrained by the economic and political conditions in which they find themselves. The documentary explores how the politics of Burma determines the supply of women to the sex industry in Thailand and how the lack of citizenship for hill tribe women puts them at a greater risk for trafficking. Trading Women also addresses the international response to the issue. We find that it is an issue that, in the words of one United Nations official generates 'far more heat than light', said Feingold. The United States has passed a law that would block World Bank loans or other non-humanitarian aid to any country that does not meet America's minimum standards for combating trafficking. Some believe this might be counter-productive - bringing little help to the victims and pushing the problem further underground, said Feingold. Trading Women conveys that this is not a simple issue with simple answers. It is an issue that affects the futures not only of young tribal women, but also of their communities.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Thailand, Burma and China. , Previously released as DVD. , This edition in English.
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  • 27
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (78 min.). , 011732
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Prostitution ; Prostitution ; Prostitution ; Prostitution ; Forced labor ; Forced labor ; Forced labor ; Forced labor ; Women Crimes against ; Women Crimes against ; Women Crimes against ; Women Crimes against ; Burma. ; China. ; Laos. ; Thailand. ; France ; Documentary films.
    Abstract: Trading Women enters the worlds of brothel owners, trafficked girls, voluntary sex workers, corrupt police and anxious politicians. Filmed in Burma, China, Laos, and Thailand, this is the first film to follow the trade in women in all its complexity and to consider the impact of this 'far away' problem on the gobal community. Narrated by Oscar-winning actress Angelina Jolie, the documentary investigates the trade in minority girls and women from the hill tribes of Burma, Laos and China, into the Thai sex industry. Filmed on location in China, Thailand and Burma, Trading Women follows the trade of women in all its complexity, entering the worlds of brothel owners, trafficked girls, voluntary sex-workers, corrupt police and anxious politicians. The film also explores the international community's response to the issue. The culmination of five years of field research, Trading Women is the first film to demonstrate to viewers the relationship of the trade in drugs to the trade of women. The film dispels common beliefs about the sex trade, such as: The problem is the parents - it's part of their culture to sell their daughters; The sex trade exists because of Western sex tours; and They sell their girls for TVs. We take the audience behind the tourist tales and stereotyped news coverage to reveal the reality behind the myths, said David A. Feingold, the noted documentarian who wrote and directed Trading Women. We show how much of what the audience thinks they know about the issue is much more complex than they imagined. Thirty years ago, there was a thriving sex industry in Thailand, but there were no minority girls in it - what happened? The film cites the destruction of the traditional upland economy by a combination of well-meaning development and opium suppression programs in Thailand, and civil unrest, economic dislocation, and political repression in Burma as the answer to this question. These environmental and political factors have resulted in threats to both the physical and cultural survival of the highland minorities. Today, while hill tribe girls are perhaps thirty percent of the total number of sex workers in Thailand, they are disproportionately represented relative to their total numbers in the population. Moreover, they are employed in the lowest, most exploitative part of the industry. Trading Women examines the choices that hill tribe women make, and how these choices are constrained by the economic and political conditions in which they find themselves. The documentary explores how the politics of Burma determines the supply of women to the sex industry in Thailand and how the lack of citizenship for hill tribe women puts them at a greater risk for trafficking. Trading Women also addresses the international response to the issue. We find that it is an issue that, in the words of one United Nations official generates 'far more heat than light', said Feingold. The United States has passed a law that would block World Bank loans or other non-humanitarian aid to any country that does not meet America's minimum standards for combating trafficking. Some believe this might be counter-productive - bringing little help to the victims and pushing the problem further underground, said Feingold. Trading Women conveys that this is not a simple issue with simple answers. It is an issue that affects the futures not only of young tribal women, but also of their communities.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in China, Thailand and Burma. , Previously released as DVD. , This edition in English.
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  • 28
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (84 min.). , 012341
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Race relations. ; Social history. ; Brownsville (New York, N.Y.) Race relations. 20th century ; Brownsville (New York, N.Y.) Social conditions. 20th century ; Brownsville (New York, N.Y.) History 20th century. ; New York (N.Y.) Race relations. 20th century ; New York (N.Y.) Social conditions. 20th century ; New York (State) ; New York (State) ; France ; Documentary films.
    Abstract: This poignant and powerful documentary explores the complex history of interracial cooperation, urban change, and social conflict in Brownsville, a neighborhood of Brooklyn, New York, from the 1930s to the 2000s. A case study of the tragedy of urban American race relations, the film recounts the transformation of Brownsville from a poor but racially harmonious area made up largely of Jews and blacks to a community made up almost entirely of people of color. In the 1940s Brownsville was famous for its grass-roots integration. But it later achieved notoriety for one of the most divisive and bitter black-white confrontations in American history, the 1968 Ocean Hill Brownsville School War, in which the African-American (and Hispanic) community battled the predominantly white and Jewish Teachers Union.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2002 in Brownsville, NY. , Previously released as DVD. , This edition in English.
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  • 29
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005307
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Forbidden rites
    Keywords: Human sacrifice. ; Canada ; Documentary films.
    Abstract: The documentary gives insight into the ancient rituals and religious practices involved in human sacrifice. The Forbidden Rites trilogy explores cannibalism, head hunting and human sacrifice. This series includes first-hand accounts, expert interviews, and rarely seen footage. It reveals the legends behind man-eating tribes, headhunters in jungles of Ecuador and sheds light on the link between human sacrifice and salvation. The series looks at rituals considered important and acceptable to one society but regarded, particularly in the West, as unacceptable and even abhorrent. The aim is to look at the differences and get explanations from practitioners in other societies as to why such rituals worked for them.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 30
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (30 min.). , 002953
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Anthropology, Cultural ; Art ; Skull ; France ; Documentary films.
    Abstract: This video documents the over-modeling in clay of a real human skull in Lae, Papua New Guinea, in the spring of 1997. A painted skull had been purchased from a trader. When Adam Kone visited, he found the skull poorly decorated and set out to mold a more elaborate skull-portrait, adding modern materials, in his friend's house. Asked to sculpt in the garden, he refused. Adam had nothing to do with the dead person, but was weary of head hunting suspicions, and feared arrest. Historically, skull art is associated with tribal warfare and headhunting, banned by the colonial administration in the 1920's, and equally outlawed in modern independent Papua New Guinea. Because of its association with a banned practice, skull art has become rare and is carried out in secrecy. In Adam's home on the Sepik, decorating skulls is a prominent, highly developed form of body art. A skull-portrait commemorates an initiate's first kill, a great warrior, a fierce enemy, an extraordinary, or beautiful person. The portrait honors a deceased person - friend or foe - and is held in high esteem. Sepik societies are known for their artistic wealth, but also as fierce warriors. The Iatmul people of the middle Sepik are the most prominent. Headhunting was once their major pastime, indulged like a sport, and feared by their neighbors. Among these warriors, killing an enemy was regarded an adult man's duty, a source of male pride, and a symbol of masculine identity. Ritualized homicide was part of initiation. Skull art belongs to the spirit house, Haus Tambaran. Adult men spend most of their time there. Only fully initiated, adult men are allowed into the men's house. The Haus Tambaran is the venue for all major male activities, including meetings, artistic exploits, religious rituals, and initiation ceremonies. Several long stones in front of the Haus Tambaran once served as sacred locations where a slain enemy's head was ritually severed from his body. Warriors' heads once provided the physical and spiritual foundations of Sepik society and its spirit houses. Skulls were buried under a Haus Tambaran's major supporting posts, adorned its cornices and windows, were kept inside on special shelves and skull racks, displayed, and carried around on special dance wards during funerary rites. An adorned skull commemorates and honors a dead person. Some have linked skull art to masking. Others have observed that skull art is quite realistic. Historic skulls-portraits capture individuals' real life features.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1997 in Sepik, Papua New Guinea. , Previously released as DVD. , This edition in English.
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  • 31
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005332
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Forbidden rites
    Keywords: North America ; Documentary films.
    Abstract: The history of cannibalism around the world and its role in different culture, from ancient Britain to Papua New Guinea. The Forbidden Rites trilogy explores cannibalism, head hunting and human sacrifice. This series includes first-hand accounts, expert interviews, and rarely seen footage. It reveals the legends behind man-eating tribes, headhunters in jungles of Ecuador and sheds light on the link between human sacrifice and salvation. The series looks at rituals considered important and acceptable to one society but regarded, particularly in the West, as unacceptable and even abhorrent. The aim is to look at the differences and get explanations from practitioners in other societies as to why such rituals worked for them.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 32
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (76 min.). , 011614
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Baïracli-Levy, Juliette de. ; Herbalists Biography. ; Holistic veterinary medicine. ; Animal welfare. ; France ; Documentary films.
    Abstract: Juliette of the Herbs is a beautifully filmed lyrical portrait of the life and work of Juliette de Bairacli Levy: world renowned herbalist, author, breeder of Afghan hounds, friend of the Gypsies, traveller in search of herbal wisdom and the pioneer of holistic veterinary medicine.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 33
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (100 min.). , 014029
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Textile Workers' Strike, Southern States, 1934. ; Textile workers Labor unions. ; Textile workers Labor unions ; Strikes and lockouts Textile industry ; Strikes and lockouts Textile industry. ; Textile industry. ; Textile industry ; Southern States. ; France ; Documentary films.
    Abstract: The Uprising of '34 is a startling documentary which tells the story of the General Strike of 1934, a massive but little-known strike by hundreds of thousands of Southern cotton mill workers during the Great Depression. The mill workers' defiant stance — and the remarkable grassroots organizing that led up to it — challenged a system of mill owner control that had shaped life in cotton mill communities for decades. Sixty years after the government brutally suppressed the strike, a dark cloud still hangs over this event, spoken of only in whispers if at all. Through the voices of those on all sides, The Uprising of '34 paints a rare portrait of the dynamics of life in mill communities, offering a penetrating look at class, race, and power in working communities throughout America and inviting the viewer to consider how those issues affect us today. The film raises critical questions about the critical role of history in making democracy work today. A thoughtful exploration of the paternalistic relationship between mill management and its employees, the relationship between black and white workers, and the impact of the New Deal on the lives of working people, The Uprising of '34 is “meant to challenge the myths that Southern workers can't be organized, that they will work for nothing, and that they hate unions,” says Stoney. More than a social document, the film is intended to spark discussion on class, race, economics, and power — issues as vital today as they were 77 years ago. “This is more than a story about a strike; it's a story about community. We went out of our way to make sure that we didn't make a 'which side are you on' film,” says Helfand. “The thrust of this film is to give the workers their chance to speak,” adds Rostock. “We're very proud of the fact that here's a film in which they speak for themselves [with no narrator].
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1995 in South Carolina, Georgia and North Carolina. , Previously released as DVD. , This edition in English.
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  • 34
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (44 min.). , 004348
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Architecture, Hausa ; Hausa (African people) Social life and customs. ; Vernacular architecture ; Nigeria, Northern. ; France ; Documentary films.
    Abstract: The beautiful architecture of Hausa cities in Northern Nigeria is examined in this film. Local builders, architects, and a museum curator explain the development of the Hausa style and traditional methods of construction. Master craftsmen and their apprentices show how traditional architectural forms influence contemporary design. Hausa building technology, as well as the social, religious and aesthetics of Hausa architecture are also discussed.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1994 in Nigeria. , Previously released as DVD. , This edition in English.
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  • 35
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (58 min.). , 005821
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Uduk (African people) ; Sudan History Civil War, 1983-2005. ; North America ; Documentary films.
    Abstract: Granada Television’s major documentary series looks at various aspects of societies from around the world.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sudan, Africa. , Previously released as DVD. , This edition in English.
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  • 36
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (65 min.). , 010516
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Yugoslav War, 1991-1995 ; Bosnia and Hercegovina History 1992- ; Bosnia and Hercegovina. ; Canada ; Documentary films.
    Abstract: In a Muslim/Catholic village near Sarajevo, rumors fly and suspicions spread. When Catholic Croats assert control, Muslim businesses are attacked, villagers arrested and harassed, and homes threatened. Three weeks later, neighbors who had been close friends for 50 years no longer speak to each other, and the peaceful coexistence between Croats and Muslims disintegrates into mutual distrust and fear.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 37
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (9 min.). , 000918
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Art films by Rina Sherman
    Series Statement: Ethnographic video online, volume 2
    Keywords: Experimental films ; Bhutan ; Short films.
    Abstract: In and around the pool, an array of creatures move about. A scene of the famous novel Seven Days at the Silbersteins by Etienne Leroux to the music of Peter Klatzow, Still-life with Moonbeams.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Johannesburg, Gauteng, South Africa in 1983. , Previously released as DVD. , This edition in English.
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  • 38
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (19 min.). , 001927
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Art films by Rina Sherman
    Series Statement: Ethnographic video online, volume 2
    Keywords: Experimental films ; Johannesburg (South Africa) ; Bhutan ; Short films.
    Abstract: An urban poem, in which a chauffeur drives his Madam about in downtown Johannesburg; visits friends, townships, wastelands. The trip ends with a nuptial-funeral ball where the men dance to the cock's crow and the rhythm of Zulu music. The film captures a certain Zeitgeist of the city of Johannesburg during the period of state of emergency in South Africa.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Johannesburg, Gauteng, South Africa in 1983. , Previously released as DVD. , This edition in English.
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  • 39
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (15 min.). , 001439
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Art films by Rina Sherman
    Series Statement: Ethnographic video online, volume 2
    Keywords: Experimental films ; Countertenors. ; Chickens. ; Bhutan ; Short films.
    Abstract: A male diva sings in a countertenor voice while massacring chickens brought to him by his butler, Jean Rouch, until a slave provides proof of his love for the chicken, which he has tucked under his arm. A film-opera based on a poem and musical theme by Rina Sherman.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Johannesburg, Gauteng, South Africa in 1983. , Previously released as DVD. , This edition in English.
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  • 40
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (26 min.). , 002629
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Sumbanese (Indonesian people) ; Horses. ; Horses ; Manners and customs. ; Sumba Island (Indonesia) ; Sumba Island (Indonesia) Social life and customs. ; France ; Documentary films.
    Abstract: The Pasola, a traditional jousting battle with hundreds of horses and riders, is the Sumbanese New Year celebration, and also a ritual that anticipates the rice harvest. It is staged to welcome the annual swarming of sea worms on the western beaches, since the worms are seen as representing the spirit of the rice crop. The spirit of the fertility of the seas and the land comes from the body of a sacrificed girl, and her return each year is celebrated with a dramatic display of masculine virility, courage, and horsemanship.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1991 in Sumba, Indonesia. , Previously released as DVD. , This edition in English and Indonesian with English subtitles.
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  • 41
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005514
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Canada ; Documentary films.
    Abstract: A further visit to the Mursi of Southern Ethiopia, with whom contact was established 17 years ago, for an important coming of age ceremony which has had to be postponed many times. An elder of the Mursi faces his last and most important challenge -- to arrange this ceremony. The date has been finally set but life has been very difficult for the Mursi over the past few years owing to attacks by hostile tribes, drought, famine, disease and cattle raiders and even now the ceremony may not take palace. There was a meningitis epidemic from which many people died until a vaccination and treatment programme ended it. This time we visit the South, the heartland of the Mursi, but everyone is fearful for the future.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Omo Valley, Ethiopia. , Previously released as DVD. , This edition in English.
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  • 42
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (56 min.). , 005550
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Murzu (African people) ; Murzu (African people) Rites and ceremonies. ; Ethiopia Social life and customs. ; North America ; Documentary films.
    Abstract: The proper time for a man to go through the Age Set Ceremony, the nitha, is just as he reaches physical maturity. But many years may elapse from one nitha to the next, so it is inevitable that some men will be well past this stage before they become 'adults'. Thus the occasion of this nitha, performed by the Mursi of Southwest Ehtiopia, gives adulthood to an entire generation for the first time in thirty years. The ceremony affirms individual identities as adults as well as their group identity as Mursi. The ceremony is performed admidst fears that this may be the last nitha. The continuing attacks on the tribe by the Bume and other neighbouring enemies using automatic weapons and the constant threat of drought and famine all undermine the existence of the Mursi.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1974 in Ethiopia. , Previously released as DVD. , This edition in English.
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  • 43
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005501
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cakchikel Indians. ; Indians of Central America ; Indians of Central America. ; Mayas. ; Guatemala. ; San Antonio Palopó (Guatemala) ; North America ; Documentary films.
    Abstract: The documentary shows how Cakchiquel Maya of a village on Lake Atitlan in Guatemala adapted to recent changes. It emerges that the lake has become a favoured spot for holiday homes and that the village has been subject to streams of tourists in the last decades. The filmmakers, while they are officially welcomed and given permission to film, in practice many people hid their faces, would not co-operate and even threw stones. The film team tried to find an explanation of the Maya hostility to the camera.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in San Antonio Palopo, Guatemala. , Previously released as DVD. , This edition in English.
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  • 44
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005305
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Manners and customs. ; Mende (African people) ; Sierra Leone Social life and customs. ; Canada ; Documentary films.
    Abstract: Granada Television’s major documentary series looks at various aspects of societies from around the world.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sierra Leone. , Previously released as DVD. , This edition in English.
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  • 45
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005456
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Kalash (Pakistan people) ; Pakistan Social life and customs. ; Canada ; Documentary films.
    Abstract: The Kalasha are a tribal people, 3,000 strong, who live in the high valleys of the Hindu Kush mountains in the North West Frontier Province of Pakistan. The Kalasha are unique as a pagan people in this Islamic Republic. Joshi, their three day festival of song and dance, rituals and sacrifice and the re-telling of legends celebrates the coming of spring and encourages chivalrous romance between the sexes. All this provides a colourful focus for this film which explores the life and customs of the Kalasha. Before the menfolk depart to the high mountain pastures for the goats’ summer grazing they present the women with goats’ milk and bread that has been ritually purified. The women sing their thanks, praise and food and clamour for more. Whilst the men are away, the women stay in the narrow valleys, tending their tiny terraced fields of wheat, maize and millet. The Kalasha are worried that their way of life is under threat. The naively mortgaged land and walnut trees to their Chitrali Muslim neighbours, often in exchange for paltry loands. The Chitralis now covet the profits to be made from exploiting the cedar and holm oak which grow in the Kalasha valleys. The Pakistan government is aware of the problems and would like to safeguard the Kalashas’ existence as a flourishing minority culture and tourist industry. But a future as a ‘zoo people’ within a tourist park does not appeal to the Kalasha. They are happy to welcome tourists at their festivities and they appreciate interest in their customs, but they are pragmatic about its value to them.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Balanguru, Pakistan. , Previously released as DVD. , This edition in English and Kalash with English subtitles.
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  • 46
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005413
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cayapo Indians. ; Hydroelectric power plants Environmental aspects ; Hydroelectric power plants Political aspects ; Hydroelectric power plants Social aspects ; Indians of South America ; Indians, Treatment of ; Brazil ; North America ; Documentary films.
    Abstract: Early in 1989 the Kayapo rallied other Brazilian Indians to attend a reunification of the tribes at Altamira-the proposed site of a massive hydro-electric dam that will flood large parts of the Xingu valley. The gathering also served as a media event as the Kayapo and their allies demonstrated their case to the assembled international press. The film focuses on the Kayapo's ability to manipulate the media, including Chief Rop-ni stage-managing his entrance to arrive with the pop-star Sting. However, much of the power of this film, made for Granada Television's Disappearing World series, comes from the tensions that revolve around the intricate planning behind the Altamira meeting. A Kayapo warrior, Payakan, brings together previously hostile and warring factions in a common cause. Tension mounts when, only days before the conference, he is rushed to hospital for major surgery, and must force himself from his hospital bed to ensure the survival of the alliance he has created.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Brazil. , Previously released as DVD. , This edition in English.
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  • 47
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005458
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Tuvinians Social conditions. ; Tuvinians Social life and customs. ; Ethnology ; United Kingdom ; Documentary films.
    Abstract: The Tuvinians live deep inside the Soviet Union, at the very centre of Asia. Tuva is geographically closer to Beijing than to Moscow. It only entered the USSR in 1944 and was closed to foreigners until 1988. According to the film-makers the last known British visitors were members of the Carruthers expedition in 1910-11. With 'glasnost', the new openness, a Disappearing World film crew was given permission to film the nomadic yak-herders of Mongun-Taiga, a rugged district on the border with Mongolia. Mongun-Taiga or 'sacred wilderness' is, even at its lowest point, 6,000 feet above sea level. Two huge mountains dominate the landscape and provide a stunning backdrop for the film, accompanied at times on the film sound track by the traditional throat singing. Arable farming is impossible and the inhabitants are dependent on the nomadic herding of yak, sheep, goats and horses. Families live alone or in groups of two to three felt tents (yurts). Following the seasons and the pastures, they move camp several times each year. The film looks at the methods the herders use to protect their children from destructive spirits. A child, dressed in a traditional frock, is revealed in the film to be a boy. This cross-dressing of the sexes continues until a child is three or four, when it is believed that its soul is more firmly attached to its body and not so easily stolen by spirits. Shamanic beliefs continue, despite state disapproval, and include worship of the spirits of mountains, purification by the water of sacred springs, sacrifice, and the use of animals in exorcism, omens and divination. The opportunities for modern Soviet life which attract many young people are countered by the pull of an independent Mongolia, which is much closer to the Tuvinians in culture and way of life. Under Gorbachev, new systems of herding have been introduced which allow families to work for themselves as well as the state farms. The herders, however, still have reservations about the new ways. 'How are you doing with perestroika?' asks the daughter of Chugluur-Ool, a herder. 'Perestroika's doing all right,' he replies. Part of what makes this film interesting is the film-makers' admission of the material they were not able to obtain. Continually throughout the film, the narrator mentions the confusion and frustration the film-makers felt. This gives a refreshing honesty to the film as a whole.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Tuva Region, Russia. , Previously released as DVD. , This edition in English and Tuvan with English subtitles.
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  • 48
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005455
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cayapo Indians Social life and customs. ; Ethnology ; Ethnology. ; Indians of South America Social life and customs. ; Indians of South America Social life and customs. ; Brazil. ; North America ; Documentary films.
    Abstract: This film focuses on the conflicts and determination of a group of people trying to survive and maintain their ethnic identity in the face of almost overpowering odds. The film contrasts the reactions of two groups of Kayapo to outside influence. The Kapot have opposed contact and resisted both non-indigenous Brazilian settlers and gold miners. The Gorotire, by contrast, were invaded by gold miners who strip-mined their land and polluted their rivers. The miners paid the Gorotire very little for the destruction until 1985 when the Gorotire forced the miners to raise the commission by 5% when 200 warriors seized the airstrip. This commission amounts to two million dollars per year for the tribe and the tribe is learning to cope with the money, both with the problems it brings and the power it gives. They have trained several of their number to deal effectively with the outside world on behalf of the rest of the tribe and they now run a plane (and hire a pilot) to patrol their land against intruders. The Kapot, in their own way, are also trying to assert their identity and independence. This portion of the film shows the Kapot in the traditional activities of building and dismantling a hunting camp. The hunters returning with the tortoises they have caught are a particularly impressive sight. The now famous Chief Rop-ni is featured as a leader of the Kapot and he states eloquently his opposition to the Gorotire's acceptance of the gold miners. Despite their adherence to tradition, however, the Kapot use modern technology – video, radios, etc. – to protect their interests and record their rituals. This is a political film and would be excellent for courses in anthropology, Latin American studies, ecology, development, and international politics.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Brazil. , Previously released as DVD. , This edition in English.
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  • 49
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005434
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Basques. ; North America ; Documentary films.
    Abstract: In her book 'The Circle of Mountains' Sandra Ott provided a fascinating analysis of social reciprocity ... The film highlights the village's contemporary dilemmas and thereby complements rather than visualises the arguments in Ott's published ethnography ... The approach is to be applauded since the book and the film now make excellent companion pieces that can usefully be employed in any course on European ethnography. This film follows the lives over one year, shot during three intervals, of two Basque shepherding families who live in Santazi, a village in the foothills of the French Pyrenees. The film is the only Disappearing World film made in western Europe and it focuses on the continuity and change in the community. Change has come to the village of Santazi in recent years along the avenues of introduced roads and improved communication systems with the outside world. The effects stretch from people's relationship with the Catholic religion to inheritance customs. Television has of course also entered these villagers' homes. The traditional life of shepherding is also changing amidst the conflict of interest between those who have formed a syndicated in an effort to maintain the viability of shepherding and the sons who have taken jobs as linemen for the electricity company. This film shows the rationality behind the choice the villagers are making. This film is recommended for courses in anthropology, sociology, culture change, and European communities.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Santazi (Sainte-Engrâce), France. , Previously released as DVD. , This edition in English and Basque with English subtitles.
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  • 50
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (87 min.). , 012655
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Love. ; Women Social conditions. ; Husband and wife. ; Domestic relations ; Men Attitudes. ; Sex role. ; Man-woman relationships. ; France ; Documentary films.
    Abstract: In our grandparents' time, most women and men committed themselves to each other for better or worse. Today, many men and women struggle to redefine relationships in a society where more women are in the workforce, where divorce is common, and where the marriage commitment is rapidly changing. How did this happen? What opportunities and barriers has it created in women's and men's lives? Love Stories: Women, Men, & Romance provides both a history of changing attitudes and expectations and a portrait of today's conflicted society — in which the old and new values clash, fueling debates over the lifestyle, sex roles, and birth control.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1987 in United States. , Previously released as DVD. , This edition in English.
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  • 51
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005254
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Strangers abroad
    Keywords: Spencer, Baldwin, ; Aboriginal Australians. ; Anthropologists. ; Anthropology Fieldwork. ; Anthropology Research. ; Anthropology. ; Australia ; Documentary films.
    Abstract: Spencer represents the link between the armchair anthropologist and the modern fieldworking anthropologist. The series begins by following in the footstep of the British scientist. It shows his work with the Australian Aborigines – who had, up until then, been regarded as a step in the evolutionary ladder between Neolithic men and the 'civilised' Victorian. Spencer went to Australia in 1887 as Professor of Biology at Melbourne University. While there he was invited to join the Horn expedition, an ambitious project to explore Australia's still largely unknown interior. At Alice Springs, Spencer met Frank J. Gillen, the operator of the telegraphic station and an initiated elder of the Aranda tribe. It was Gillen's special place in Aboriginal society that enabled Spencer to document the world of this ancient and complex culture through books, glass-plate photographs, wax cylinder recordings and some of the earliest cine films shot outside Europe. Spencer and Gillen made several expeditions together; the data they collected fueled the theories of anthropologists around the world. Some of their film was used in the programme.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 52
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005241
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Accordion music History and criticism. ; Accordion music History and criticism. ; Austrians Ethnic identity. ; Austrians Music ; History and criticism. ; Conjunto music History and criticism. ; Ethnicity. ; Ethnomusicology. ; Mexican Americans Music ; Ethnic identity. ; Mexican Americans Music ; History and criticism. ; Mexican Americans Music ; History and criticism. ; Polkas History and criticism. ; Polkas History and criticism. ; Popular music History and criticism. ; Popular music History and criticism. ; North America ; Documentary films.
    Abstract: The film confronts the accordion music of Chicano immigrants in southern Texas with the traditional music of accordion players in Austria. Without making any final judgments on the ‘roots’ of ‘conjunto’ music of the Chicanos, the film is able to reveal the different claims to ethnic identity. Most interestingly, Chicanos in Mexico and Texas and Austrians comment upon each others’ way of playing Polka.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in January 1986 in Monterrey, Mexico, San Antonio, Texas and Salzburgerland, Austria. , Previously released as DVD. , This edition in English.
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  • 53
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005304
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: The Migrants is the third film in the trilogy In Search of Cool Ground made for Granada Television's Disappearing World series. It is about a drought-induced migration of Mursi from their traditional territory in the Omo valley to the Mago valley, about fifty miles away. This migration has brought them, for the first time, into contact with the market economy of the Ethiopian Highlands. David Turton notes that, when he first met the Mursi, men were seldom, and women never, seen at the highland markets. Now the Mago migrants, and especially women, are familiar figures in the weekly market at Berka, just four hours' walk from their new settlements. With their foothold in the pastoral economy weakening (tsetse flies make the Mago area quite unsuitable for cattle herding) and their dependence on market exchange growing, the migrants are in the process of becoming settled agriculturalists, like their highland neighbours, the Ari. By tracing the present and likely impact of this move on the lives of the migrants, the film shows how they are beginning to carve out a new ethnic identity for themselves, as well as a new home.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 54
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (61 min.). , 010116
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Vietnam War, 1961-1975 Protest movements ; Protest movements. ; United States. ; France ; Documentary films.
    Abstract: In 1970, thousands of young people thought of themselves as agents of change. They wanted to restore America's democratic vision; they wanted to end the war in Vietnam. This is the story of one collective — their successes and failures, and what they do and think fifteen years later.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1985 in Newton, MA. , Previously released as DVD. , This edition in English.
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  • 55
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (80 min.). , 012001
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ecology. ; Sewage. ; Water Pollution. ; Water Pollution ; Water-supply engineering Environmental aspects. ; Water-supply ; United States. ; France ; Documentary films.
    Abstract: From the cholera epidemics of the nineteenth century to the climbing cancer rate of our time; from the colossal scale of New York City's aqueduct and water tunnels to the water wars of the West; from the dangers of chemical contamination to the water politics of Polanski's film Chinatown, Water and the Dream of the Engineers explores both the engineers' dreams for, and public fears about, the world we have inherited. This is a fascinating documentary where rich social history frames a spirited debate between David Brower (former Sierra Club President), biologist Barry Commoner, and Able Wolman (dean of American Sanitary Engineering). The film's wider context is provided by the frustrations and concerns of those who maintain and use our water systems in the present day. The film is an educational odyssey about engineering, environmentalism, and the troubled relations between these two traditions. Most importantly, Water and the Dream of the Engineers reveals that conflicts over technology and the environment are, at root, debates about power and the promise of democracy.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1983 in New York City, New Orleans and California. , Previously released as DVD. , This edition in English.
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  • 56
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (63 min.). , 010255
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Public housing ; Public housing Social aspects. ; Public housing. ; Massachusetts ; France ; Documentary films.
    Abstract: Down The Project ... From the Project: The Crisis of Public Housing presents the story of two projects that housed working families, both white and black, in the 1940s. In later years, crippled by lower budgets and the needs of poorer populations, they came to be regarded as eyesores, as danger zones. How did these changes occur? How did public housing begin? Which forces lobbied for it and against it? How do the people living in this housing see it?
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1982 in Boston, MA. , Previously released as DVD. , This edition in English.
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  • 57
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (57 min.). , 005704
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Kwegu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: 'The Kwegu' is an entirely tasteful and dignified presentation of the harsh realities of subsistence living, and it may help us understand how, even in stateless societies, dominated groups come to accept their domination as part of the natural order. The Kwegu are hunters and cultivators who live along the banks of the River Omo in Southwestern Ethiopia. They are experts on the river, manipulating their dugout canoes through a swift current where falling overboard could mean delivery into the jaws of a crocodile. The Mursi are cattle herders and cultivators who live with the Kwegu for several months of the year. This film is about the relationship between these two groups of people. The Mursi number about 5,000 and the Kwegu about 500. Both groups cultivate flood land along the Omo during the dry season, when the Mursi may also bring their cattle to the river. But the Kwegu keep themselves separate from the Mursi; they speak their own language among themselves, although they are bilingual and communicate with the Mursi only in Mursi. When the Mursi and Kwegu share a village, the Kwegu houses usually form a separate cluster. When a Kwegu marries, a vital part of the bridewealth is livestock. But since the Kwegu do not keep cattle, a system of exchange has developed whereby the Kwegu perform services in exchange for Mursi cattle. In addition to providing bridewealth cattle, the Mursi patron protects 'his' Kwegu from other Mursi and acts on his behalf in bridewealth negotiations. In return the Kwegu provides his patron with honey and game meat and is available to ferry him and his family across the Omo when needed. This is a vital economic service, since the Mursi cultivate on both banks of the river and yet do not, unlike the Kwegu, live at the Omo all the year round. The Kwegu are therefore 'guardians' of the canoes as well as ferrymen. There is some debate about the nature of the Mursi-Kwegu relationship. The anthropologist advisor for the film, David Turton, sees the relationship as one of domination. The Mursi depend economically on the Kwegu more than the Kwegu do on them, and yet the Kwegu see themselves as dependent, in a different, more extreme sense, on the Mursi they cannot marry without the aid of Mursi patron. The Mursi exploit the economic services of the Kwegu through their control of Kwegu marriage. Jean Lydall, in her review of the film in RAIN (June 1982), suggests another interpretation for the exchange of services. She wonders if indeed the Kwegu are not making the Mursi 'pay through the nose' for the services they require. This film suggests that far from being second-class citizens, the Kwegu are sharp manipulators who have acquired protection and material wealth by making their services indispensable to the Mursi. Turton defended his interpretation in a reply to Lydall (RAIN, No. 51, pp. 10–12) and has more recently provided a more detailed description and analysis of the Mursi-Kwegu relationship, following the same argument as developed in the film but including much additional ethnographic information (Turton, 1986). The Kwegu won the Grand Prix du Festival at the Festival International du Film de Grand Reportage in Paris. This film is the second part of a trilogy, In Search of Cool Ground. The film is particularly recommended for courses in anthropology, African studies, patron–client relationships, ethnicity and multi-cultural studies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 58
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (58 min.). , 005743
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ashanti (African people) Economic conditions. ; Ashanti (African people) Social life and customs. ; Women merchants ; Women, Ashanti (African people) ; Ireland ; Documentary films.
    Abstract: As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this 'Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. The success of this crew is impressive. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, their perception of their society and also about marriage. The women control the market through Queen Mothers who are leaders of particular sections of the market such as the yam or tomato sections. Generally these Queen Mothers are elected by the traders. However, Oba, the Plantain Queen Mother acquired her position through influence and because of this she has less control over her workers and over the resolution of differences. Market traders work long hours, make less than a shoe clerk or office worker yet the rewards for them can be many. The residual matrilineal system of Asante society means that inheritance moves from a man to his sister's children. The result is that an Asante woman is left with no means of support if her husband dies. The traders have gone to work to protect themselves against this possibility, to pay for their children's education and to maintain their independence. Implicit in this analysis of women traders is the relationship between men and women in Asante society. Marriage is polygamous and the crew interview women about their feelings on marriage and of their hopes of coming marriages. The film portrays the influence women have in the market as a direct contrast to their position in the home. Interviews with several husbands reveal, perhaps not surprisingly, that their perception of women differs from the women's perception of themselves. The men talk of the importance of having two wives, one to serve when the other is tired; one to grant sexual favours while the other is menstruating; each to compete with the other for male attention thus allowing the husband to retain control. Although the men accept a woman earning extra money, they still say a woman should be submissive and serve men. The women regard themselves as assertive, capable, and in control. Interviews with two young women demonstrate a desire for equality in the home. The film's analysis is a sympathetic one and full of insight. The focus is, though, rather narrowly on the husband-wife relationship and women's important relationships with their female and male kin are given little attention.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kumasi, Ghana. , Previously released as DVD. , This edition in English and Akan with English subtitles.
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  • 59
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005309
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Refugees ; Afghanistan Exiles. ; Afghanistan History Soviet occupation, 1979-1989. ; Ireland ; Documentary films.
    Abstract: This documentary by Akbar Ahmed and Andre Singer is about the Soviet Invasion of Afghanistan and tribal groups in the area.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
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  • 60
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (39 min.). , 003852
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Afghans ; Ethnology ; Pushtuns Social life and customs. ; Refugees ; Pakistan Social life and customs. ; North America ; Documentary films.
    Abstract: There are twelve million Pathans. Bound by a common language, a common heritage and the unifying force of Islam, these proud and independent people do not acknowledge the geographical boundary which divides them between Afghanistan and Pakistan. This film was shot at the same time as Khyber in Pakistan, close to the Afghan border. The Pathans accept no imposed leadership, from without or from within. Their laws are the decisions of the democratic assembly of the village, known as the jirga. To disobey the jirga is to court heavy penalties against which there is no appeal. Their code of living is called pukhtunwali ­ the way of the Pathan. At its core are the principles of hospitality, personal honour and revenge. A man will fight to the death to avenge a wrong done to himself, his family or friends or, above all, his women. The film is noteworthy for the way in which it brings out the importance of these values. Their fierce loyalty, coupled with the independence of spirit which tolerates no formal leaders, makes the Pathans a formidable enemy, as the British once found out and, more recently, the Soviet invaders of Afghanistan have discovered.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Pakistan. , Previously released as DVD. , This edition in English.
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  • 61
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005332
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Afghan Wars. ; Ethnology ; Pushtuns History. ; Khyber Pakhtunkhwa (Pakistan) History, Military. ; North America ; Documentary films.
    Abstract: For more than a century Britain was engaged in war with the Pashtun tribesmen of India's North West frontier. It began with the bloodiest massacre in the history of the British Empire when, in January 1842, some 17,000 British soldiers, women and children died in Gandamark, en route to the Khyber Pass. ‘Khyber’ tells the story of how the British experience in the North West Frontier was part of the Great Game, as Rudyard Kipling called it. It was never a successful game and rarely took cognisance of the wishes of the Pashtun tribes that bore the brunt of the different resulting wars. Looking at the history up to the Soviet invasion in 1979, Khyber features the final interview with Sir Olaf Caroe, last governor of the North West Frontier Province before partition, and with Field Marshall Sir Claude Auchinleck, last commander of the British Army in India. The film looks at the different perspectives of the conflicts by both British and Pashtun and provides fascinating parallels to what is happening in Afghanistan today.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 62
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (66 min.). , 010615
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Urban renewal ; Mission Hill (Boston, Mass.) ; Boston (Mass.) Race relations. ; Roxbury (Boston, Mass.) Social conditions. ; Bhutan ; Documentary films.
    Abstract: Mission Hill and the Miracle of Boston is the story of urban renewal, racial conflict, and the struggle of a neighborhood to survive these changing times. Spokespeople include real estate developers, community activists, workers, and residents.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Boston in 1978. , Previously released as DVD. , This edition in English.
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  • 63
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (54 min.). , 005359
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Birth control ; Contraception ; Acupuncture ; Herbs Therapeutic use ; China Social life and customs. ; France ; Documentary films.
    Abstract: In response to an invitation from the Chinese government, twenty-three American family planning workers from the fields of medicine, public health, media and administration spent seventeen days during August and September of 1977 in the People's Republic of China studying its birth control, maternity and child care methods and facilities. This video contains two video reports made during this trip: In China Family Planning is No Private Matter (32 min), and Acupuncture and Herbal Medicine (22 min). On this trip, they inquired about the government's methods of surveillance that were instrumental in conducting the declared policy of one child per family and observed its consequences in factories and communes. In their effort to comprehend the breadth of the government's health care policies, they recorded the extensive use of herbal therapy and acupuncture. Here is presented their recording of a birth by caesarian section using acupuncture as the sole anesthetic. Shortly afterward they talked with the mother as she celebrated the birth of a healthy son. The People-to-People China Trip was led by Phyllis Vineyard and Margaret Whitman, and was facilitated by Planned Parenthood USA as part of its exploration of the methods and consequences of family planning worldwide.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1977 in China. , Previously released as DVD. , This edition in English.
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  • 64
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (54 min.). , 005420
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Finnish Americans ; France ; Documentary films.
    Abstract: Featured at the 1977 New York Film Festival, Children of Labor is the story of how Finnish immigrants came into contact — and conflict — with industrial America. Three generations of Finnish-Americans recount how they coped with harsh realities by creating their own institutions: churches, temperance halls, socialist halls, and cooperatives. The film focuses on the people, their organizations, and the challenges posed by both McCarthy-era political repression and present-day Home Useism. At the same time, Children of Labor deals with questions that reverberate in the lives of most Americans, especially the sons and daughters of immigrants.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1977 in Minnesota. , Previously released as DVD. , This edition in English.
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  • 65
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: Portuguese
    Pages: 1 online resource (54 min.). , 005405
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Spirit possession Case studies. ; Umbanda (Cult) ; Canada ; Documentary films.
    Abstract: Umbanda is a syncretic religious movement, combining elements from orthodox Catholicism with submerged African and indigenous Indian spiritual beliefs. In spite of past attempts to suppress it, Umbanda flourishes in the heterogeneous culture of contemporary urban Brazil. The film somewhat ambitiously seeks to give an exposition of the eclectic repertoire of the Umbanda movement. There is lengthy coverage of ritual performances, including interviews with mediums and their clients, which emphasise the role the movement plays in the management of personal malaise and affliction experienced as a by-product of change and urbanisation. The concluding sequences of the Sea Goddess, Yemenya – identified with the Virgin Mary – show the annual Umbanda festival where half a million participants from all over the country assemble on the beaches of Säo Paulo. The film's strength lies in its graphic footage of spiritual possession and healing but it has been criticised for not providing a fuller account of the functioning of Umbanda groups, and the movement's articulation with the political authorities in Brazil.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sao Paulo, Brazil and Belem, Brazil. , Previously released as DVD. , This edition in Portuguese and English with English subtitles.
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  • 66
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005324
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Eskimos Social life and customs. ; Eskimos Social life and customs. ; Ethnology ; Pond Inlet (Nunavut : Inlet) ; Australia ; Documentary films.
    Abstract: For the Eskimos of Pond Inlet ­ a new village in North Baffin Island in which they have been settled by the Canadian Government ­ the life of the semi-nomadic hunter has given way to that of wage-labourer, in what appears as a pre-fabricated 'township'. Although hunting provides an important supplement to the Eskimos' income, it is now a part-time activity, and since 1975 (ten years after the start of the government's housing programme) nobody has lived all year round in hunting camps. For the older inhabitants of Pond Inlet, the old way of life is still vivid (in 1935 only 37 Eskimos lived in the village) and their reminiscences and recollections form part of a powerful statement about the present situation. These statements take the form of monologues, or comments addressed to friends and family about the effects of fifty years of contact with whites. Apart from these 'interviews' with the Eskimos, the film accompanies one family ­ grandfather, father, mother and children ­ as they go out hunting seals and jigging for fish. The visual contrast between the splendours of the open spaces of snow and water and the township of Pond Inlet is a startling one which reinforces the Eskimos' statements. We also see one member of this family selling seal skins in a trade store, and captioned information is given about the cost of maintaining the hunter's equipment and what he can expect to earn in any one year. The material was filmed during a seven week period in June and July 1975. A sophisticated 'observational' style is used, with long takes, few pans, no commentary or formal interviews and full subtitling. Caption cards are used to good effect, conveying necessary information without intruding on the narrative. These 'technical' factors have important consequences for the film's anthropological value, not least because one of the aims was to enable the Eskimos to 'speak for themselves'. Although it would be naive to suggest that the 'people's voice' manages to override the exigencies of making such a film for a 52 minute television slot, the Eskimos did have a say in the making of the film, and one of them was also involved in the editing. The striking oratorical style of the Eskimos awakens the viewer to the point that in this film they are addressing the Whites, voicing their distrust, having overcome the fear with which they first encountered these 'visitors' to the people's land.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1975 in North Baffin Island, NT. , Previously released as DVD. , This edition in English.
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  • 67
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005324
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Shilluk (African people) Kings and rulers. ; Shilluk (African people) Rites and ceremonies. ; Shilluk (African people) Social life and customs. ; Canada ; Documentary films.
    Abstract: This film presents a compelling visual and aural analysis of Shilluk kingship in 1975, and provides a very useful complement to Evans-Pritchard's 1948 text, The Divine Kingship of the Shilluk. Although the Reth (king) has been reduced to the status of second-class magistrate in dispute settlement by the Sundanese government, he is still the focus of political and national identity for a Shilluk people composed of competing territorial groupings. At the death of the Reth, his spirit passes into the Nile. This film follows the procession of priests as they carry the effigy of Nyikang, the 16th century founder of the Shilluk dynasty, and his son Dak on the pilgrimage from the Nile, retracing the movements of their conquest of the North, capturing the Reth and installing Nyikang. The journey is part of a spiritual renewal for the Shilluk, as well as a renewal of political unity which reaffirms the social order. The outcome of the journey is known, for the Reth-elect will be captured after a ritual battle, and only after being possessed by the spirit of Nyikang will he be installed as King. Thus, the office is seen to be more powerful than the man, and the continuity of divine kingship is affirmed. However, this is not simply a filmed version of the type of analysis provided in Evans-Pritchard's book, for it deals with the kingship in a quite different political context. For example, throughout the period which leads to his installation, the king-elect is guarded by Government police who are not Shilluk. It is apparent that the future king accedes to office with the 'support' of the Government, the 'mock' aspect of the ritual battle being somewhat confused by the very real presence of the guards and their disruptive effects on the proceedings. In any course on political anthropology this film is clearly crucial, and for those quick enough to appreciate it, the commentary carries a great deal of information and analysis. It is also rated highly for verbal and visual accuracy.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English and Shilluk with English subtitles.
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  • 68
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (52 min.). , 005215
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Kyrgyz Economic conditions. ; Kyrgyz Social life and customs. ; Kyrgyz ; Afghanistan Social life and customs. ; Kyrgyzstan Social life and customs. ; North America ; Documentary films.
    Abstract: The Kirghiz of Afghanistan are a group of some 2,000 pastoralists living on a bleak mountain plateau in a narrow isthmus of land between the borders of the Soviet Union and China. For nine months of the year heavy snows cover the ground, which was formerly used only by the Kirghiz for their summer pastures before the borders were closed, virtually terminating the contact of this group with other Kirghiz communities. Although the film shows dramatically the ten-day journey which lowland traders must make to reach this remote people, as well as scenes of a Kirghiz wedding and the traditional Central Asian sport of 'buzkashi' ­ demonstrating the horse-riding skills of the people ­ there is very little about the pastoral economy and society of the ordinary Kirghiz. The main reason for this is that the film focuses on the remarkable wealth and authority of their leader ­ the Khan ­ by far the wealthiest pastoralist on the plateau. Ninety-five Kirghiz families work for him as shepherds and herders. The film's principal concern is to show the way in which the Khan wields his power (using interviews with him and illustrative scenes) which thus turns The Kirghiz into a study of oppressive paternalism in this remote corner of the world. There is, however, some disagreement over the interpretation of the Khan's role.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Afghanistan. , Previously released as DVD. , This edition in English.
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  • 69
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005405
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Maasai (African people) ; Maasai (African people) Education. ; Maasai (African people) Social life and customs. ; Men, Masai Social conditions. ; Australia ; Documentary films.
    Abstract: This film was made after Masai Women and in the same area. Together the two films provide a vivid view of Masai men and women and their place in Masai society. The Masai are pastoral nomads in the East African rift valley with a social system which differentiates sharply between men and women and between age-sets. A particularly crucial distinction is made between men who are moran ('warriors') and more senior men classed as elders. After circumcision men live in the forest on the fringes of Masai society as moran debarred from marriage and excluded from crucial decision-making procedures. The film is focused on the life of the moran and on the dramatic eunoto ceremony which marks the important transition from warriorhood to full social maturity and the responsibilities of elderhood. The moran are given an opportunity in the film to talk about warriorhood and they sensitively strive to explain their ideals to the anthropologist. Their words are effectively translated in sub-titles. There is much valuable information in the film on the events leading up to the eunoto ceremony ­ including a fascinating sequence on the joking abuse directed by the moran at their mothers ­ and on the ritual procedures involved in the rite de passage itself. This may well be the last eunoto ceremony ever to be held as the pressures on the Masai to change their way of life are increasingly strong, and the film is important for the way in which it conveys the drama of the events and their significance both for the participants and for the Masai social system.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Kenya. , Previously released as DVD. , This edition in English.
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  • 70
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005443
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ceremonial exchange ; Ethnology ; Kawelka (Papua New Guinean people) Social life and customs. ; Western Highlands Province (Papua New Guinea) Social life and customs. ; North America ; Documentary films.
    Abstract: Ongka is a charismatic big-man of the Kawelka tribe who live scattered in the Western highlands, north of Mount Hagen, in New Guinea. The film focuses on the motivations and efforts involved in organising a big ceremonial gift-exchange or moka planned to take place sometime in 1974. Ongka has spent nearly five years preparing for this ceremonial exchange, using all his big-man skills of oratory and persuasion in order to try to assemble what he hopes will be a huge gift of 600 pigs, some cows, some cassowaries, a motorcycle, a truck and £5,500 in cash. As an example of the big-man familiar from written texts, Ongka is memorable, and the film manages to convey through this main character the importance of pigs, of exchange and of prestige in the life of these Highlanders. The film-crew never in fact managed to film the big moka, as the conspiratorial and complex manoeuvres involved in setting the date thwarted their plans. But we are shown Ongka replacing tee-shirt and shorts with his ceremonial feathers and setting off to a little moka where he collects pigs he 'invested' with his wife's father. The interview with Ongka's wife raises the issue of the sexual division of labour and the importance of the wife's labour in pig-rearing and moka preparation, as well as the role of women in the establishment of a big-man.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Papua New Guinea. , Previously released as DVD. , This edition in English.
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  • 71
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005409
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: What made this trilogy special was that, unlike most television reportage, it had a temporal dimension. That is to say, it offered not a brutal, intrusive and uncomprehending snapshot, but a sympathetic, well-informed and thoughtful history of ten difficult years in the life of a tribe. Its insight derived from an anthropologist, David Turton, who has been studying the Mursi for years and who was able to provide the absolutely essential explanations of the mysterious events filmed by the Granada crew. This is the kind of illumination which is often provided by books or by personal experience, but almost never by television. This is a trilogy about aspects of the culture of two groups of people, the Kwegu and the Mursi, in Ethiopia. The titles are THE MURSI, THE KWEGU, THE MIGRANTS.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 72
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (29 min.). , 002854
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Flood damage prevention. ; Global warming. ; Hudson (N.Y.) ; Rapid City (S.D.) ; Mississippi River. ; France ; Documentary films.
    Abstract: The distribution and use of Planning for Floods by the Environmental Defense Fund (EDF) spread the message of public environmental responsibility well beyond the immediate community of the Mississippi River. It anticipates by more than 30 years the present concerns about global warming.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1974 in Hudson, NY. , Previously released as DVD. , This edition in English.
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  • 73
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005308
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Acculturation ; Ethnology ; Indians of South America ; Mehinacu Indians. ; Canada ; Documentary films.
    Abstract: The Mehinacu live near the head-waters of the River Xingu in Central Brazil, in a single village within the protective confines of the Xingu National Park. Although the film concentrates upon the most exotic aspects of Mehinacu life, focusing on a series of rituals concerned with the planting and harvesting of the piqui tree, these rites are firmly located in their social context. Relations between the sexes in this society are formalised in an astonishing abundance of ritual, celebration, dances and games, performed to ensure fertile soil and good crops. Many sequences deal with the daily life of the Mehinacu, showing, for example, the sexual division of labour, with men fishing and women preparing manioc. The use of subtitled interviews provides a depth and sensitivity in the film's approach which helps to underline the concern with the fact that these Indians are seriously threatened by a road which is being cut through their territory. One of the highlights of the film is an interview with a Mehinacu elder who tells of the origin myth of the sacred flutes, a myth which is part of a complex belief system that will be lost if the Mehinacu, who are such a small group, are not able to survive under the pressures of the outside world. The film could be used to stimulate discussions of sex role differences, sexual division of labour in particular societies, and the connection between ritual and social relationships.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Xingu National Park, Brazil. , Previously released as DVD. , This edition in English and Mehinaku with English subtitles.
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  • 74
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (18 min.). , 001800
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Fishes Effect of water pollution on. ; Hudson (N.Y.) ; France ; Documentary films.
    Abstract: Folk music legend and environmental activist Pete Seeger, in despair over the pollution of his beloved Hudson River, launched a project to clean it up in the sixties. In Hudson Shad, Seeger and others in the River Keepers, make a statement about our responsibility for keeping the waters of the river clean enough for the shad to thrive.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1974 in Hudson, NY. , Previously released as DVD. , This edition in English.
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  • 75
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (59 min.). , 005858
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Dervishes. ; Kurds Social life and customs. ; Qādirīyah ; Sufism ; Iran. ; Canada ; Documentary films.
    Abstract: A community of Kurds residing in Iran on the border with Iraq forms the subject of this film. Many of the inhabitants of the community are refugees from Kurdish areas of Iraq and the villagers are Qadiri Dervishes – followers of an ecstatic mystical cult of Islam. The unusual manifestations of the Qadiri Dervish faith are explored in this film, both in the context of religious ceremonies and everyday life, with the main focus on the spiritual and temporal power wielded by their leader, Sheikh Hussein. For the Durvishes, Hussein is the direct representative of Allah and, therefore, by serving the Sheikh they are also serving God. In rituals presided over by him they have the power to carry out acts which would normally be harmful, such as having electricity passed through their bodies, eating glass, handling poisonous snakes and skewering their faces. The film includes interviews, not only with members of the cult, but also with the local mullah (representative of orthodox Islam), in an attempt to explore the difference between those two manifestations of the same faith. The film is visually compelling, especially the sequences showing religious celebration and ceremony.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Baiveh, Iran. , Previously released as DVD. , This edition in English.
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  • 76
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005332
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Hinduism ; Kārttikeya (Hindu deity) ; Kataragama (Sri Lanka) Religious life and customs. ; Sri Lanka Religious life and customs. ; North America ; Documentary films.
    Abstract: In ever-increasing numbers Sinhalese of all religions (Muslims, Christians and Buddhists) are turning to Kataragama, an ancient Hindu God, at times of trouble and desperation. Once a year pilgrims make the journey to Kataragama's shrine in southeast Sri Lanka (Ceylon) to fulfil vows by performing acts of penance and worship in payment for a favour received. Kataragama is called on to help with a wide range of problems (unemployment, sickness, examinations, personal relationships) and is appealed to by people of all social backgrounds, notably the growing middle class and urban dwellers. A good third of the film is concerned with the annual festival, showing the often gruesome and sensational acts which the pilgrims perform including fire-walking, and the piercing of body and tongue with needles – all acts designed to obtain forgiveness and grace. One man is suspended from hooks in his back – a self-torture undertaken with apparent joy by a man who, like many others that perform such acts, feels himself (after a time) to be possessed by the God's spirit. These rather sensational acts are interwoven with the story of a peasant family whose son has disappeared, leading them eventually to seek help from Kataragama. The unfolding of this personal drama (with reconstruction of early episodes, and voice-over to detail their thoughts and feelings) forms the context for the events we see at the festival. The effect of the interweaving of these two 'stories' is to place the otherwise purely exotic spectacle of the pilgrims' acts of penance within a universally understandable social context – that of the despair of a family whose young son is lost. The unplanned return of the boy, apparently in response to the family's appeal to Kataragama, provides a dramatic and moving finale to a film which has been compared in some respects to the great Italian neo-realist films. Clearly this film is an important one both for anthropologists and those concerned with ethnographic film per se.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sri Lanka. , Previously released as DVD. , This edition in English.
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  • 77
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005420
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Tuaregs Social life and customs. ; Tuaregs History. ; Tuaregs. ; Algeria. ; Canada ; Documentary films.
    Abstract: This film is about a group of nomadic Tuareg living high up in the Hoggar Mountains near Tamanrasset in Algeria. The main focus of the film is the collapse of the former economic basis of their camps. In 1962 the Algerian government banned the system of slavery and contract labour which had helped to keep the Tuareg camps supplied with grain. Now, instead of undertaking 500 mile long trading journeys to Niger, Tuareg buy grain in Tamanrasset with money obtained form selling cheap leather goods to the burgeoning tourist trade. The commentary, by Jeremy Keenan, also introduces aspects of the Tuareg kinship system, and material about the social life of the group. The second part of the film concentrates on the devastating effects of the recent drought on this way of life. The pasture is now so poor that camps have to move more frequently, and so traditional patterns of life are being abandoned in favour of a sedentary existence as cultivators alongside the Tuareg's former slaves.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 78
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005432
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Hmong (Asian people) Social life and customs. ; Hmong (Asian people) ; Laos History. ; Canada ; Documentary films.
    Abstract: Over the last three thousand years the Meo (Miao or Hmong) have migrated south from north and central China to avoid oppression and protect their way of life. Today they live in scattered mountain villages in south China and south-east Asia; and the 250,000 of them who live in the Kingdom of Laos have suffered greater losses, relative to their numbers, in the Indo-China wars than any other single group. In 1972, when this film was made, the Vietnam war was still at its peak; therefore it is not surprising that a fairly straightforward ethnographic account is combined with a more journalistic analysis of the political situation. Indeed it would be difficult to approach a discussion of the Meo without such an emphasis, and the review in RAIN (listed below) is a useful supplement to this. In effect, the film's narrative divides into two parts first we are introduced to a village which managed to remain neutral and avoid the worst effects of the war (which was why the anthropologist chose it for his fieldwork). The daily life and material culture of the Meo people are shown as they sow rice using slash-and-burn agricultural methods, distil opium for sale and entertainment, and discuss with the anthropologist their fear of conscription and its effects on other villages. Two rituals are shown ( the shaman who performed them was the close friend of the anthropologist) one to banish a nightmare, the other to exorcise the spirit of a man which haunts the house of the brother who accidentally killed him while out hunting. In the second part of the film we see the Meo who live in American-run refugee camps (which is the majority of them), far removed form the village life of their fellows. The interviews with some of the Meo pilots who fly American B28 bombers over their homeland emphasise the tragic absurdities of such a war; for these Meo are not sure exactly who the 'enemy' are, each one giving vague answers to the interviewer's questions.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in China and Laos. , Previously released as DVD. , This edition in English.
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  • 79
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005055
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Embera Indians. ; Indians of South America ; Australia ; Documentary films.
    Abstract: The way of life of the 10,000 Embera Indians who live in the Choco region of Colombia, South American, is threatened by the encroachments of Negro Libres (descendants of freed slaves) and by the expansion of the Pan-American highway which cuts through their land. The film's main concern is to show the effects of interaction between the Embera river dwellers and two groups of outsiders the Libres with whom they trade, and the local Catholic mission which administers education, religion and civil justice. Although the Embera are exploited by the Libres (who, for example, sell them hunting dogs at very high prices) both groups are poor and largely without rights in Colombian society. In an interview, the Embera explain to the anthropologist that they want protection from the physical attacks of the Libres and legal rights over the land which they have inhabited for many years. Sequences such as this bring out the Embera's plight they are caught between the bulldozers and the banknotes of the Libres. We are shown the material culture and way of life of the Indians (canoe building, pot making, hunting, curing rituals) but not in a romanticised way, and the polemical organisation of the film allows the ethnographic details of the life of these river Indians to be placed in a wide social and economic context.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Choco, Colombia. , Previously released as DVD. , This edition in English.
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  • 80
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (66 min.). , 010625
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cuiba Indians Social life and customs. ; Ethnology ; Indians of South America ; Colombia Social life and customs. ; Australia ; Documentary films.
    Abstract: The film focuses on recent changes in the culture and society of the Cuiva, hunters and gatherers in a remote forest region of south-eastern Colombia, brought about through contact with Colombian settlers. Two groups of Cuiva are shown: one is relatively isolated, while the other has had extensive contacts with the settlers. The first group live a nomadic life moving frequently; the men hunt and fish, the women gather. The second group has been drawn into the Colombian economy, working occasionally for the ranchers to earn money to buy trade goods. The film also usefully includes interviews with white ranchers, showing their racist attitudes to the Indians, whom in the past they feared and on whose land they are now continually encroaching. The basic incompatibility between the economic systems of the Cuiva (based on communal distribution of food, gift-giving and receiving), and that of the settlers who attempt to survive within the world-capitalist market, is startlingly illustrated. Unlike later films in the series, The Last of the Cuiva relies on a moving commentary recorded during filming by the French-Canadian anthropologist, Bernard Arcand, who emphasises that the traditional way of life of the Cuiva (whom he describes, following Sahlins, as exemplifying the 'original affluent society') will be seriously damaged by these contacts with whites. Rather than giving a more conventional anthropological description, Arcand's commentary is a humanist plea for the survival of hunter-gatherer groups, and carries an implicit criticism of western lifestyles.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Colombia. , Previously released as DVD. , This edition in English and Spanish.
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  • 81
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (68 min.). , 010731
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Barasana Indians. ; Ethnology ; Indians of South America ; Macú Indians (Papury River watershed) ; Canada ; Documentary films.
    Abstract: While relying on a polemical stance directed against the cultural genocide wrought by missionaries, War of the Gods also contains a wealth of information and detail about Amazonian Indian cosmology, social life and sexual division of labour. Two groups of Indians from the Vaupes region of Colombia are shown, the Maku, who live mainly by hunting and gathering, and the sedentary Barasana, who live mainly by farming. The film contrasts the belief systems and way of life of the Indians, presented by the anthropologists who worked and lived with them, with those of Protestant and Catholic missionaries. The Protestants, North American Fundamentalists from the Summer Institute of Linguistics, are said to have used their organisation as a cover in order to be allowed to work with the Indians, because open Protestant missionary activity would not have been acceptable to the authorities. No attempt is made to gloss over the complexities of contact between Whites and Indians. The Barasana themselves want change, and the missionaries' influence is undoubtedly more beneficial to the Indians than that of rubber gatherers. Included in this film is an interview — using voice-over — with a Maku shaman, and there are scenes from the Barasana moloka, the communal house which is a centre of social and domestic activity. The climax of the film is a contrasting look at a church service at the S.I.L. headquarters, a Barasana ritual dance (accompanied by the ritual use of the hallucinogen yage), and a Mass at the Catholic mission attended by some of the Indians who took part in the ritual dance. Some missionaries who have seen this film consider that its editing is unfair to the S.I.L., but the head of another important missionary organisation has said that it should be screened during missionary training courses.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Vaupes, Colombia. , Previously released as DVD. , This edition in English.
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  • 82
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (40 min.). , 004017
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Indians of South America ; Indians of South America. ; Panare Indians. ; Venezuela. ; North America ; Documentary films.
    Abstract: In common with many other Indian groups in South America, the culture of the Panare Indians of Venezuela is threatened by their almost daily contact with neighbouring creoles, Spanish-speaking peasants. However, in spite of nearly fifty years of interaction, their culture has remained distinctively Indian. The film focuses on activities of their daily life, such as making cassava, preparing blow-darts, hunting and gathering. The Indians strongly resented the presence of the camera-crew; indeed, as Dumont points out early in the film, they were loath to reveal details of their belief-system even to him, although he had been living with them for eighteen months. This was the first and the shortest of the films in the Disappearing World series. Although useful and interesting, it is relatively superficial and its commentary contains some anthropological oddities; it cannot be compared with the much more sophisticated films made later in the series.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Venezuela. , Previously released as DVD. , This edition in English.
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  • 83
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (30 min.). , 003012
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Rural-urban migration ; Labor supply ; Bhutan ; Documentary films.
    Abstract: The Newcomers is a film about economically threatened Appalachian people in transition. Fresh as the day it was made in 1963, the issues of immigration and migration and learning how to live with people who are different from one's self are as challenging and critical as ever.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Cincinnati, Ohio in 1963. , Previously released as DVD. , This edition in English.
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  • 84
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (54 min.). , 005355
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Coley, Mary Francis Hill, ; Midwifery. ; Midwives Biography. ; France ; Documentary films.
    Abstract: This is a training film about midwifery which transcends the form. It was selected by the Library of Congress for placement on the National Film Registry in 2002 as a culturally, historically and artistically significant work. All My Babies was written, produced and directed by Stoney in collaboration with the featured midwife, Mrs. Mary Francis Hill Coley, as well as with local public health doctors and nurses. Recorded on location in Albany, Georgia, it shows the preparation for and home delivery of healthy babies in both relatively good and bad rural conditions among African American families at that time. The film is not only a profound portrait of Miss Mary as she was affectionately and respectfully known, but also is a documentary record of the actual living conditions of her patients.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1949 in Albany, Georgia. , Previously released as DVD. , This edition in English.
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