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  • FID-SKA-Lizenzen  (48)
  • English  (48)
  • Japanese
  • 1985-1989  (32)
  • 1970-1974  (16)
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Years
Year
  • 1
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005413
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cayapo Indians. ; Hydroelectric power plants Environmental aspects ; Hydroelectric power plants Political aspects ; Hydroelectric power plants Social aspects ; Indians of South America ; Indians, Treatment of ; Brazil ; North America ; Documentary films.
    Abstract: Early in 1989 the Kayapo rallied other Brazilian Indians to attend a reunification of the tribes at Altamira-the proposed site of a massive hydro-electric dam that will flood large parts of the Xingu valley. The gathering also served as a media event as the Kayapo and their allies demonstrated their case to the assembled international press. The film focuses on the Kayapo's ability to manipulate the media, including Chief Rop-ni stage-managing his entrance to arrive with the pop-star Sting. However, much of the power of this film, made for Granada Television's Disappearing World series, comes from the tensions that revolve around the intricate planning behind the Altamira meeting. A Kayapo warrior, Payakan, brings together previously hostile and warring factions in a common cause. Tension mounts when, only days before the conference, he is rushed to hospital for major surgery, and must force himself from his hospital bed to ensure the survival of the alliance he has created.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Brazil. , Previously released as DVD. , This edition in English.
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  • 2
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (48 minutes) , 004735
    Keywords: Feminism ; Motion picture authorship. ; Sex role ; Women's rights ; Greece. ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, features a discussion with Margaret Papandreou and other Greek feminists about his film "Warriors and Maidens" and the position of women in Greek society.
    Note: Title from resource description page (viewed November 11, 2015). , In English.
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  • 3
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Healers ; Medical care ; Physicians ; Traditional medicine ; Bolivia Social life and customs. ; South Africa ; Nonfiction films.
    Abstract: In the Bolivian highlands an English doctor is setting up a network of health care for remote mountain villages. While teaching the inhabitants the essentials of Western medicine the doctor is confronted with and tries to learn the methods of the local curandero’s methods of healing. The film is a highly revealing document of the encounter of different approaches to illness and is particularly suited for the teaching of Medical Anthropology.
    Note: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in English and an undetermined language with English subtitles.
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  • 4
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005458
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Tuvinians Social conditions. ; Tuvinians Social life and customs. ; Ethnology ; United Kingdom ; Documentary films.
    Abstract: The Tuvinians live deep inside the Soviet Union, at the very centre of Asia. Tuva is geographically closer to Beijing than to Moscow. It only entered the USSR in 1944 and was closed to foreigners until 1988. According to the film-makers the last known British visitors were members of the Carruthers expedition in 1910-11. With 'glasnost', the new openness, a Disappearing World film crew was given permission to film the nomadic yak-herders of Mongun-Taiga, a rugged district on the border with Mongolia. Mongun-Taiga or 'sacred wilderness' is, even at its lowest point, 6,000 feet above sea level. Two huge mountains dominate the landscape and provide a stunning backdrop for the film, accompanied at times on the film sound track by the traditional throat singing. Arable farming is impossible and the inhabitants are dependent on the nomadic herding of yak, sheep, goats and horses. Families live alone or in groups of two to three felt tents (yurts). Following the seasons and the pastures, they move camp several times each year. The film looks at the methods the herders use to protect their children from destructive spirits. A child, dressed in a traditional frock, is revealed in the film to be a boy. This cross-dressing of the sexes continues until a child is three or four, when it is believed that its soul is more firmly attached to its body and not so easily stolen by spirits. Shamanic beliefs continue, despite state disapproval, and include worship of the spirits of mountains, purification by the water of sacred springs, sacrifice, and the use of animals in exorcism, omens and divination. The opportunities for modern Soviet life which attract many young people are countered by the pull of an independent Mongolia, which is much closer to the Tuvinians in culture and way of life. Under Gorbachev, new systems of herding have been introduced which allow families to work for themselves as well as the state farms. The herders, however, still have reservations about the new ways. 'How are you doing with perestroika?' asks the daughter of Chugluur-Ool, a herder. 'Perestroika's doing all right,' he replies. Part of what makes this film interesting is the film-makers' admission of the material they were not able to obtain. Continually throughout the film, the narrator mentions the confusion and frustration the film-makers felt. This gives a refreshing honesty to the film as a whole.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Tuva Region, Russia. , Previously released as DVD. , This edition in English and Tuvan with English subtitles.
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  • 5
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (67 minutes) , 010623
    Keywords: Nubians Social conditions. ; Sudan Ethnic relations. ; Sudan Social conditions. ; Bhutan ; Documentary films.
    Abstract: Shot in 1989, Kafi's Story captures Nuba life at the moment before it was engulfed in the Sudanese civil war. Kafi narrates his own story into a portable tape record as he travels from his village, Torogi, to Khartoum to earn enough money to buy a new dress for his second wife, Tete. Kafi is quite consciously negotiating his own path between modernity and tradition. Kafi and the other Nuba react to the presence of the camera with neither awe nor apprehension; they seem to welcome the camera as an extension of their open, out-going, hospitable lifestyle. At the same time, they rapidly become sophisticated about the way film conventions can frame reality. When a friend walks away from a shot, they joke that he is walking into the screen. At the film's end Kafi asks the filmmaker for one thing: a camera of his own.
    Note: Title from resource description page (viewed June 24, 2016). , In English, Nubian and Arabic with English subtitles.
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  • 6
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Fragile Earth
    Keywords: Piailug, Mau. ; Thomas, Stephen D. ; Ethnology ; Micronesians Social life and customs. ; Navigation ; France ; Nonfiction films.
    Abstract: Stephen Thomas sails with Mau Piailug to learn about navigation and life in Micronesia.
    Note: Previously released as DVD. , This edition in English.
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  • 7
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English , Indonesian
    Pages: 1 online resource (54 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Fragile Earth
    Keywords: Rice Economic aspects ; Rice Irrigation ; Mathematical models. ; Bali (Indonesia : Province) Social life and customs. ; South Africa ; Nonfiction films.
    Abstract: A biologist and an anthropologist look at a Bali irrigation system and propose a computer model to explore the effect of changes in the traditional system.
    Note: "An Inca Production." , "Media Support and Development Centre, University of Manchester."--Original cassette. , Title on original container: The water goddess and the computer. , Previously released as DVD. , This edition in English and Indonesian with English subtitles.
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  • 8
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (67 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Samoa Social life and customs. ; France ; Nonfiction films.
    Abstract: This film is a valuable treatment of archival footage that George Milner shot while conducting field research in 1955 and 1959. The footage (eighteen minutes of the total film) focuses on traditional Samoan activities, such as fishing, cooking, house-building, hand-weaving, and bark-cloth making in preparation for the formal installation (saofa'i) of a Samoan matai (a male titleholder responsible for the welfare, prosperity and good behaviour of his extended family). This is one of the most important Samoan rites of passage. The ceremonies which validate his assumption of a new status are shown, both within the extended family and at the level of the village, whose existing titleholders formally acknowledge the new matai's right to a seat in council. Their approval is marked by the acceptance of gifts of goods and valuables, especially fine mats, which are of great importance. The musical sound track is of traditional songs recorded during the same period. Christina Toren, a South Pacific specialist, then interviews Reverend Lalomilo Kamu, a Samoan scholar currently at the University of Birmingham, about the previous footage and Samoan customs. In particular they discuss the formal preparation of a bowl of kava; the role of the taupou (ceremonial village virgin); the making of sinnet, the braided cord made from the fibres of coconut husk; the role of Samoan houses; cooking; the informal schooling of the young; the preparation of bark-cloth; and the process of hand-weaving. The interview provides a rare opportunity for viewers to hear a scholar from a filmed group comment on and explain the symbolism behind the pictures captured by the camera. The interview is quite detailed and is particularly useful for specialists in Polynesia or other regions of the South Pacific.
    Note: Title from resource description page (viewed Apr. 23, 2013). , Previously released as DVD. , This edition in English.
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  • 9
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (25 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Sepik River Region (Indonesia and Papua New Guinea) Social life and customs. ; South Africa ; Nonfiction films.
    Abstract: Shows life in Rauit Village, a Sepik village in Papua New Guinea. Shows the lives of the women, as they search for and prepare food.
    Note: "A film by Ariane Lewis and Jon Jerstad." , On original cassette label: Media Support and Development Centre, University of Manchester. , Previously released as DVD. , This edition in English.
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  • 10
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (3 minutes) , 000257
    Keywords: Herders ; Weddings ; Greece. ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, is about wedding traditions in rural Greece.
    Note: Title from resource description page (viewed November 11, 2015). , In English and Greek with English subtitles.
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  • 11
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English , Gujarati , English
    Pages: 1 online resource (39 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: City and town life ; Documentary films. ; Interpersonal relations. ; Motion pictures. ; National characteristics, East Indian. ; JaÌmnagar (India) Social life and customs. ; Bhutan ; Nonfiction films.
    Abstract: Raju's friendships with different people provide a map of contemporary Indian urban life in Jamnagar, western India.
    Note: "An Inca Production." , "Media Support and Development Centre, University of Manchester."--Original cassette. , Previously released as DVD. , This edition in English and Gujarati with English subtitles.
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  • 12
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (49 minutes) , 004805
    Keywords: Man-woman relationships ; Sex role ; Crete (Greece) ; Asia ; Documentary films.
    Abstract: This film, produced and directed by Barrie Machin, is about gender codes governing the social relationships between men and women in a remote village in Crete.
    Note: Title from resource description page (viewed November 11, 2015). , In English.
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  • 13
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (1 minutes) , 000100
    Keywords: Sewing ; Crete (Greece) ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, is about sewing in Asi Gonia, Crete.
    Note: Title from resource description page (viewed November 11, 2015).
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  • 14
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (3 minutes) , 000238
    Keywords: Motion picture authorship. ; Crete (Greece) ; Asia ; Documentary films.
    Abstract: In this video, Barrie Machin discusses his film "Warriors and Maidens" and the village it was filmed in.
    Note: Title from resource description page (viewed November 11, 2015). , In English.
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  • 15
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (31 min.). , 003054
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Sheep ranchers ; Falkland Islands Social conditions. ; France ; Nonfiction films.
    Abstract: The 1982 war between Britain and Argentina brought the Falkland or Malwinas Islands into the news headlines. This film is less spectacular: It shows the way of life of one inhabitant of this remote island in the South Atlantic. The film tells us in measured style about sheep farmer's Ian Gleadell's struggle with the rough landscape, the island's administration and loneliness.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 16
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (87 min.). , 012655
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Love. ; Women Social conditions. ; Husband and wife. ; Domestic relations ; Men Attitudes. ; Sex role. ; Man-woman relationships. ; France ; Documentary films.
    Abstract: In our grandparents' time, most women and men committed themselves to each other for better or worse. Today, many men and women struggle to redefine relationships in a society where more women are in the workforce, where divorce is common, and where the marriage commitment is rapidly changing. How did this happen? What opportunities and barriers has it created in women's and men's lives? Love Stories: Women, Men, & Romance provides both a history of changing attitudes and expectations and a portrait of today's conflicted society — in which the old and new values clash, fueling debates over the lifestyle, sex roles, and birth control.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1987 in United States. , Previously released as DVD. , This edition in English.
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  • 17
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005434
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Basques. ; North America ; Documentary films.
    Abstract: In her book 'The Circle of Mountains' Sandra Ott provided a fascinating analysis of social reciprocity ... The film highlights the village's contemporary dilemmas and thereby complements rather than visualises the arguments in Ott's published ethnography ... The approach is to be applauded since the book and the film now make excellent companion pieces that can usefully be employed in any course on European ethnography. This film follows the lives over one year, shot during three intervals, of two Basque shepherding families who live in Santazi, a village in the foothills of the French Pyrenees. The film is the only Disappearing World film made in western Europe and it focuses on the continuity and change in the community. Change has come to the village of Santazi in recent years along the avenues of introduced roads and improved communication systems with the outside world. The effects stretch from people's relationship with the Catholic religion to inheritance customs. Television has of course also entered these villagers' homes. The traditional life of shepherding is also changing amidst the conflict of interest between those who have formed a syndicated in an effort to maintain the viability of shepherding and the sons who have taken jobs as linemen for the electricity company. This film shows the rationality behind the choice the villagers are making. This film is recommended for courses in anthropology, sociology, culture change, and European communities.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Santazi (Sainte-Engrâce), France. , Previously released as DVD. , This edition in English and Basque with English subtitles.
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  • 18
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (43 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Bon (Tibetan religion) Rituals. ; Bonpos ; Fasts and feasts Buddhism. ; Holidays. ; New Year. ; Ireland ; Nonfiction films.
    Abstract: "This outstanding documentary is placed in Northern India among a group of Tibetan refugees. They celebrate the New Year following a ritual of their religion, Bonpo, which is older than Buddhism."--Original container.
    Note: Previously released as DVD. , This edition in English.
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  • 19
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005455
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cayapo Indians Social life and customs. ; Ethnology ; Ethnology. ; Indians of South America Social life and customs. ; Indians of South America Social life and customs. ; Brazil. ; North America ; Documentary films.
    Abstract: This film focuses on the conflicts and determination of a group of people trying to survive and maintain their ethnic identity in the face of almost overpowering odds. The film contrasts the reactions of two groups of Kayapo to outside influence. The Kapot have opposed contact and resisted both non-indigenous Brazilian settlers and gold miners. The Gorotire, by contrast, were invaded by gold miners who strip-mined their land and polluted their rivers. The miners paid the Gorotire very little for the destruction until 1985 when the Gorotire forced the miners to raise the commission by 5% when 200 warriors seized the airstrip. This commission amounts to two million dollars per year for the tribe and the tribe is learning to cope with the money, both with the problems it brings and the power it gives. They have trained several of their number to deal effectively with the outside world on behalf of the rest of the tribe and they now run a plane (and hire a pilot) to patrol their land against intruders. The Kapot, in their own way, are also trying to assert their identity and independence. This portion of the film shows the Kapot in the traditional activities of building and dismantling a hunting camp. The hunters returning with the tortoises they have caught are a particularly impressive sight. The now famous Chief Rop-ni is featured as a leader of the Kapot and he states eloquently his opposition to the Gorotire's acceptance of the gold miners. Despite their adherence to tradition, however, the Kapot use modern technology – video, radios, etc. – to protect their interests and record their rituals. This is a political film and would be excellent for courses in anthropology, Latin American studies, ecology, development, and international politics.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Brazil. , Previously released as DVD. , This edition in English.
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  • 20
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (52 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Strangers abroad ; 2
    Keywords: Rivers, W. H. R. ; Torres Strait Islands. ; South Africa ; Nonfiction films.
    Abstract: Central Television’s major documentary series looks at the first anthropologists to stop ‘armchair theorising’ and go out to live among the peoples who so interested them. The six part series was filmed all over the world, from the frozen Canadian Arctic to the dry outback of Australia, from New Guinea to India, Africa to the South Pacific. The programme makers retraced the steps of the pioneering anthropologists in those countries and, by following the life story of each scholar, they reveal how social anthropology has contributed to our lives.
    Note: Previously released as DVD. , This edition in English.
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  • 21
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Strangers abroad ; 5
    Keywords: Mead, Margaret, ; Child development Social aspects. ; Child development Social aspects. ; Child development Social aspects. ; Bali Island (Indonesia) Social life and customs. ; United States Social life and customs. ; South Africa ; Nonfiction films.
    Abstract: The most widely read, and best known anthropologist is probably Margaret Mead, an American who went study adolescence in the South Sea-Islands at the age of 23. Although her fieldwork has been criticised, she was nevertheless one of the foremost fieldworkers of her day. In America, Bali and New Guinea she examined child development, sex and temperament to see what role society has in making people what they are. Adolescence was a time of emotional stress and personal conflict in America and Europe. Mead claimed that in Samoa, adolescence was in many ways the most enjoyable and happy time of life.
    Note: Previously released as DVD. , This edition in English.
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  • 22
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005241
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Accordion music History and criticism. ; Accordion music History and criticism. ; Austrians Ethnic identity. ; Austrians Music ; History and criticism. ; Conjunto music History and criticism. ; Ethnicity. ; Ethnomusicology. ; Mexican Americans Music ; Ethnic identity. ; Mexican Americans Music ; History and criticism. ; Mexican Americans Music ; History and criticism. ; Polkas History and criticism. ; Polkas History and criticism. ; Popular music History and criticism. ; Popular music History and criticism. ; North America ; Documentary films.
    Abstract: The film confronts the accordion music of Chicano immigrants in southern Texas with the traditional music of accordion players in Austria. Without making any final judgments on the ‘roots’ of ‘conjunto’ music of the Chicanos, the film is able to reveal the different claims to ethnic identity. Most interestingly, Chicanos in Mexico and Texas and Austrians comment upon each others’ way of playing Polka.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in January 1986 in Monterrey, Mexico, San Antonio, Texas and Salzburgerland, Austria. , Previously released as DVD. , This edition in English.
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  • 23
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Strangers abroad ; 6
    Keywords: Evans-Pritchard, E. E. ; Anthropologist Biography. ; Documentary films. ; Historical films. ; Nuer (African people) Religion. ; Witchcraft ; Zande (African people) Religion. ; Sudan Religious life and customs. ; Bhutan ; Nonfiction films.
    Abstract: Edward Evans-Pritchard was the first trained anthropologist to do work in Africa, where he lived among the Azande and studied their belief in witchcraft. Later, he worked with the Nuer tribe in the Sudan. His work on witchcraft caused philosophers to ask how rational thinking could be defined; his study of tribal organization intrigued political theorists; his attention to the sophisticated religious sentiments of so-called primitive peoples has strongly influenced theologians.
    Note: Documentary. , Originally issued as motion picture in 1985. , Previously released as DVD. , This edition in English.
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  • 24
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (50 min.). , 004933
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnomusicology. ; Islamic music. ; Music Instruction and study. ; Muslims ; Bradford (West Yorkshire, England) Ethnic relations. ; France ; Nonfiction films.
    Abstract: Bradford is a mill town in the north of England with a population of some 350,000 people of whom about 60,000 are Asians, predominantly Muslim Asians. Lessons from Gulam is a detailed study of musical enculturation and education within this Muslim community. Gulam Musa comes from Gujarat (India), and is a member of the Khalita group whose traditional caste occupations include those of barber and musician. In Bradford he is a music teacher and singer of qawwali, a form of Muslim devotional music found in India and Pakistan and also a genre of media-disseminated popular music. He runs an amateur qawwali group (called Saz aur Awaz, `Music and Song'), usually training his accompanists, and also takes part in Asian music workshops in the schools of Bradford. Lessons from Gulam explains several aspects of Asian music, especially drumming, and contrasts musical education in the school with what goes on in people's homes. It has long shots of musical performance, filmed and edited in the observational style, presented as the narrative of a visit to Bradford, and shows the film-maker getting his own lessons from Gulam. The film-maker is an ethnomusicologist and his musical knowledge is revealed in the detail and attention paid to the specifics of this Indian music style. Such insight is rare in ethnographic films and makes this film particularly valuable for music teachers and for teachers at both the school and university level who wish to expose students to the multi-cultural elements of music in Britain today. John Baily made this film at the National Film and Television School during his training as an ethnographic film-maker under the scheme organised by the Royal Anthropological Institute and the National Film and Television School and funded by the Leverhulme Trust.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 25
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Strangers abroad ; 4
    Keywords: Malinowski, Bronislaw, ; France ; Nonfiction films.
    Abstract: Bronislaw Kaspar Malinowski was born into an aristocratic family in Poland in 1984. It was the chance reading of Frazer's Golden Bough that put him on the path of his future career. He pursuit anthropological training at London School of Economics and was awarded a doctorate for work on Australian Aborigines, based on data provided by Spencer and Gillen. Following a first field study among the Mailu off the New Guinea cost, using the well-tested formula of his predecessors, Spencer and Rivers, he moved 1915 to the Trobriands. There he abandoned the veranda and developed his style of fieldwork, which came to be called participant-observation: speaking the language, living in the community and becoming part of it, making a detailed record of all aspects of native life. Malinowski's intimate experience with Trobriand society generated a growing awareness of the myriad of links that hold society together.
    Note: Previously released as DVD. , This edition in English.
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  • 26
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005340
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Strangers abroad ; 3
    Keywords: Boas, Franz, ; Anthropologists Biography. ; Bhutan ; Nonfiction films.
    Abstract: Central Television's major documentary series looks at the first anthropologists to stop 'armchair theorising' and go out to live among the peoples who so interested them. In 1883, a young German scientist - Franz Boas - arrived in the Canadian Arctic to map the coastline and indulge in his new interest the study of other cultures. As he charted Baffin Island, he recorded the lives and ideas of the Eskimo who helped him with his work. He became so absorbed by the common features that unite humans everywhere that he made the study of culture his life's work and did fieldwork in both the Arctic and the North West Coast of America among Indian tribes. Considered to be the founding father of American anthropology, Boas taught at Columbia University, encouraging his students to follow his example by actually working in the field.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 27
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005254
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Series Statement: Strangers abroad
    Keywords: Spencer, Baldwin, ; Aboriginal Australians. ; Anthropologists. ; Anthropology Fieldwork. ; Anthropology Research. ; Anthropology. ; Australia ; Documentary films.
    Abstract: Spencer represents the link between the armchair anthropologist and the modern fieldworking anthropologist. The series begins by following in the footstep of the British scientist. It shows his work with the Australian Aborigines – who had, up until then, been regarded as a step in the evolutionary ladder between Neolithic men and the 'civilised' Victorian. Spencer went to Australia in 1887 as Professor of Biology at Melbourne University. While there he was invited to join the Horn expedition, an ambitious project to explore Australia's still largely unknown interior. At Alice Springs, Spencer met Frank J. Gillen, the operator of the telegraphic station and an initiated elder of the Aranda tribe. It was Gillen's special place in Aboriginal society that enabled Spencer to document the world of this ancient and complex culture through books, glass-plate photographs, wax cylinder recordings and some of the earliest cine films shot outside Europe. Spencer and Gillen made several expeditions together; the data they collected fueled the theories of anthropologists around the world. Some of their film was used in the programme.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 28
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (22 minutes) , 002152
    Keywords: Funeral rites and ceremonies ; Mourning customs ; Crete (Greece) ; Canada ; Documentary films.
    Abstract: This film, written and filmed by Barrie Machin, is about funeral and mourning customs in Crete.
    Note: Title from resource description page (viewed October 06, 2015). , In English.
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  • 29
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (61 min.). , 010116
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Vietnam War, 1961-1975 Protest movements ; Protest movements. ; United States. ; France ; Documentary films.
    Abstract: In 1970, thousands of young people thought of themselves as agents of change. They wanted to restore America's democratic vision; they wanted to end the war in Vietnam. This is the story of one collective — their successes and failures, and what they do and think fifteen years later.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1985 in Newton, MA. , Previously released as DVD. , This edition in English.
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  • 30
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: English
    Pages: 1 online resource (8 minutes) , 000722
    Keywords: Agricultural laborers ; Charcoal. ; Greece. ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, is about traditional charcoal making in Greece.
    Note: Title from resource description page (viewed November 11, 2015). , In English.
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  • 31
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (48 min.). , 004752
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ambler (Alaska) History. ; Ambler (Alaska) Social life and customs. ; Ireland ; Nonfiction films.
    Abstract: Tuktu is the Kuvanmiit Eskimo word for caribou. The film traces the early evolution of Ambler, founded almost 30 years ago on the Kobuk River in Alaska. Change and development mark life now in this village near an old caribou migration path. Subsistence values face rapid Westernization, but the villagers' desire to combine their old way of life with the new remains the strongest force.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 32
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005304
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: The Migrants is the third film in the trilogy In Search of Cool Ground made for Granada Television's Disappearing World series. It is about a drought-induced migration of Mursi from their traditional territory in the Omo valley to the Mago valley, about fifty miles away. This migration has brought them, for the first time, into contact with the market economy of the Ethiopian Highlands. David Turton notes that, when he first met the Mursi, men were seldom, and women never, seen at the highland markets. Now the Mago migrants, and especially women, are familiar figures in the weekly market at Berka, just four hours' walk from their new settlements. With their foothold in the pastoral economy weakening (tsetse flies make the Mago area quite unsuitable for cattle herding) and their dependence on market exchange growing, the migrants are in the process of becoming settled agriculturalists, like their highland neighbours, the Ari. By tracing the present and likely impact of this move on the lives of the migrants, the film shows how they are beginning to carve out a new ethnic identity for themselves, as well as a new home.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 33
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (18 min.). , 001800
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Fishes Effect of water pollution on. ; Hudson (N.Y.) ; France ; Documentary films.
    Abstract: Folk music legend and environmental activist Pete Seeger, in despair over the pollution of his beloved Hudson River, launched a project to clean it up in the sixties. In Hudson Shad, Seeger and others in the River Keepers, make a statement about our responsibility for keeping the waters of the river clean enough for the shad to thrive.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1974 in Hudson, NY. , Previously released as DVD. , This edition in English.
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  • 34
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (50 min.). , 004955
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Rolong (African people) ; France ; Nonfiction films.
    Abstract: The 'Barolong boo Ratshidi' are one of the group of Tswana peoples, who together form a culturally homogeneous population of over two million. The Barolong themselves number about 75000 and are one of the southernmost of the Tswana chiefdoms. The international boundary between South Africa and Botswana now divides this formerly united nation into two political communities, the smaller in south-east Botswana and the larger in the northern Cape Province of South Africa where this film was made. After the Union of South Africa was created in 1910 the Barolong were rapidly incorporated into the wider national economy. Soon, most adult males were compelled to enter the migrant labour market and were exposed to the cultural melting pot of the burgeoning industrial cities. Yet, despite rapid change in their social horizons, they were restricted, like other blacks, from any meaningful participation in white urban culture and its political institutions. Not surprisingly cultural change among the Baralong has been markedly uneven and the selective adoption of western forms has been accompanied by a perpetuation of much of their traditional corpus of belief and practice. The cultural diversity is perhaps most dramatically exemplified in the context of ritual and cosmology. The Barolong share the keenness of other black peoples in southern Africa for assimilating elements drawn from the various Christian denominations with which they have made contact. The chiefdom accommodates numerous churches, each comprising a number of individual congregations. Religious organisations here are prone to rapid subdivision, the splinter groups retaining the emphasis upon elaborate ritual and uniform, and upon complicated leadership hierarchies which are found in the parent churches. Leaders in those churches are widely regarded as the educated elite; but while they formally condemn traditional ritual practice, nearly all Barolong continue to conduct their lives in terms of traditional cosmology. Beliefs in sorcery, pollution and ancestral potency flourish, and are expressed in the ritual of most the churches. The film examines Barolong religious syncretism in the context of the modern socio-political predicament. Two main types of religious organisation may be distinguished: the larger churches, whose form approximates that of the original mission church; and the smaller, highly factious groups, whose structure and ritual activities combine American fundamentalism with indigenous practice. The film attempts to show how seemingly irrational belief and action make sense when viewed in their proper context. The apparently bizarre syncretistic religion of the Barolong can be seen as part of the universal human quest to impose order and meaning upon everyday experience.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English and Baralong with English subtitles.
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  • 35
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (40 min.). , 003933
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Economic development ; Families ; Social change ; Women Social conditions ; Cyprus Social conditions. ; Cyprus Social life and customs. ; France ; Nonfiction films.
    Abstract: A careful account of social change in a prosperous Greek Cypriot village, which follows four closely related families before the Turkish made them all refugees. Their lives reflect the possibilities available to individuals and families in the village society.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
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  • 36
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: English
    Pages: 1 online resource (29 min.). , 002854
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Flood damage prevention. ; Global warming. ; Hudson (N.Y.) ; Rapid City (S.D.) ; Mississippi River. ; France ; Documentary films.
    Abstract: The distribution and use of Planning for Floods by the Environmental Defense Fund (EDF) spread the message of public environmental responsibility well beyond the immediate community of the Mississippi River. It anticipates by more than 30 years the present concerns about global warming.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1974 in Hudson, NY. , Previously released as DVD. , This edition in English.
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  • 37
    Online Resource
    Online Resource
    London, England :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.) , 005401
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Maasai (African people) ; Women, Maasai ; Women, Maasai. ; Kenya. ; Canada ; Documentary films.
    Abstract: The Masai are cattle herders living in the East African rift valley: they grow no crops and are proud of being a non-agricultural people. Cattle are the all-important source of wealth and social status, and Masai love their cattle, composing poems to them. However, it is the men who have exclusive control over rights to cattle, and women are dependent, throughout their lives, on a man – father, husband or son – for rights of access to property. A woman's status as 'daughter', 'wife' or 'mother' is therefore crucial and this film examines with depth and sensitivity the social construction of womanhood in Masai society, concentrating upon women's attitudes to their own lives. The film details a series of events in women's lives, from their circumcision ceremonies which mark their transition from girlhood to womanhood, to the moment when they proudly watch their sons make the transition to elderhood in the eunoto ceremony.
    Note: Title from resource description page (viewed October 28, 2014). , Previously released as DVD. , In English.
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  • 38
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005443
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ceremonial exchange ; Ethnology ; Kawelka (Papua New Guinean people) Social life and customs. ; Western Highlands Province (Papua New Guinea) Social life and customs. ; North America ; Documentary films.
    Abstract: Ongka is a charismatic big-man of the Kawelka tribe who live scattered in the Western highlands, north of Mount Hagen, in New Guinea. The film focuses on the motivations and efforts involved in organising a big ceremonial gift-exchange or moka planned to take place sometime in 1974. Ongka has spent nearly five years preparing for this ceremonial exchange, using all his big-man skills of oratory and persuasion in order to try to assemble what he hopes will be a huge gift of 600 pigs, some cows, some cassowaries, a motorcycle, a truck and £5,500 in cash. As an example of the big-man familiar from written texts, Ongka is memorable, and the film manages to convey through this main character the importance of pigs, of exchange and of prestige in the life of these Highlanders. The film-crew never in fact managed to film the big moka, as the conspiratorial and complex manoeuvres involved in setting the date thwarted their plans. But we are shown Ongka replacing tee-shirt and shorts with his ceremonial feathers and setting off to a little moka where he collects pigs he 'invested' with his wife's father. The interview with Ongka's wife raises the issue of the sexual division of labour and the importance of the wife's labour in pig-rearing and moka preparation, as well as the role of women in the establishment of a big-man.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Papua New Guinea. , Previously released as DVD. , This edition in English.
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  • 39
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (53 min.). , 005308
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Acculturation ; Ethnology ; Indians of South America ; Mehinacu Indians. ; Canada ; Documentary films.
    Abstract: The Mehinacu live near the head-waters of the River Xingu in Central Brazil, in a single village within the protective confines of the Xingu National Park. Although the film concentrates upon the most exotic aspects of Mehinacu life, focusing on a series of rituals concerned with the planting and harvesting of the piqui tree, these rites are firmly located in their social context. Relations between the sexes in this society are formalised in an astonishing abundance of ritual, celebration, dances and games, performed to ensure fertile soil and good crops. Many sequences deal with the daily life of the Mehinacu, showing, for example, the sexual division of labour, with men fishing and women preparing manioc. The use of subtitled interviews provides a depth and sensitivity in the film's approach which helps to underline the concern with the fact that these Indians are seriously threatened by a road which is being cut through their territory. One of the highlights of the film is an interview with a Mehinacu elder who tells of the origin myth of the sacred flutes, a myth which is part of a complex belief system that will be lost if the Mehinacu, who are such a small group, are not able to survive under the pressures of the outside world. The film could be used to stimulate discussions of sex role differences, sexual division of labour in particular societies, and the connection between ritual and social relationships.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Xingu National Park, Brazil. , Previously released as DVD. , This edition in English and Mehinaku with English subtitles.
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  • 40
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005409
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: What made this trilogy special was that, unlike most television reportage, it had a temporal dimension. That is to say, it offered not a brutal, intrusive and uncomprehending snapshot, but a sympathetic, well-informed and thoughtful history of ten difficult years in the life of a tribe. Its insight derived from an anthropologist, David Turton, who has been studying the Mursi for years and who was able to provide the absolutely essential explanations of the mysterious events filmed by the Granada crew. This is the kind of illumination which is often provided by books or by personal experience, but almost never by television. This is a trilogy about aspects of the culture of two groups of people, the Kwegu and the Mursi, in Ethiopia. The titles are THE MURSI, THE KWEGU, THE MIGRANTS.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
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  • 41
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005332
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Hinduism ; Kārttikeya (Hindu deity) ; Kataragama (Sri Lanka) Religious life and customs. ; Sri Lanka Religious life and customs. ; North America ; Documentary films.
    Abstract: In ever-increasing numbers Sinhalese of all religions (Muslims, Christians and Buddhists) are turning to Kataragama, an ancient Hindu God, at times of trouble and desperation. Once a year pilgrims make the journey to Kataragama's shrine in southeast Sri Lanka (Ceylon) to fulfil vows by performing acts of penance and worship in payment for a favour received. Kataragama is called on to help with a wide range of problems (unemployment, sickness, examinations, personal relationships) and is appealed to by people of all social backgrounds, notably the growing middle class and urban dwellers. A good third of the film is concerned with the annual festival, showing the often gruesome and sensational acts which the pilgrims perform including fire-walking, and the piercing of body and tongue with needles – all acts designed to obtain forgiveness and grace. One man is suspended from hooks in his back – a self-torture undertaken with apparent joy by a man who, like many others that perform such acts, feels himself (after a time) to be possessed by the God's spirit. These rather sensational acts are interwoven with the story of a peasant family whose son has disappeared, leading them eventually to seek help from Kataragama. The unfolding of this personal drama (with reconstruction of early episodes, and voice-over to detail their thoughts and feelings) forms the context for the events we see at the festival. The effect of the interweaving of these two 'stories' is to place the otherwise purely exotic spectacle of the pilgrims' acts of penance within a universally understandable social context – that of the despair of a family whose young son is lost. The unplanned return of the boy, apparently in response to the family's appeal to Kataragama, provides a dramatic and moving finale to a film which has been compared in some respects to the great Italian neo-realist films. Clearly this film is an important one both for anthropologists and those concerned with ethnographic film per se.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sri Lanka. , Previously released as DVD. , This edition in English.
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  • 42
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (59 min.). , 005858
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Dervishes. ; Kurds Social life and customs. ; Qādirīyah ; Sufism ; Iran. ; Canada ; Documentary films.
    Abstract: A community of Kurds residing in Iran on the border with Iraq forms the subject of this film. Many of the inhabitants of the community are refugees from Kurdish areas of Iraq and the villagers are Qadiri Dervishes – followers of an ecstatic mystical cult of Islam. The unusual manifestations of the Qadiri Dervish faith are explored in this film, both in the context of religious ceremonies and everyday life, with the main focus on the spiritual and temporal power wielded by their leader, Sheikh Hussein. For the Durvishes, Hussein is the direct representative of Allah and, therefore, by serving the Sheikh they are also serving God. In rituals presided over by him they have the power to carry out acts which would normally be harmful, such as having electricity passed through their bodies, eating glass, handling poisonous snakes and skewering their faces. The film includes interviews, not only with members of the cult, but also with the local mullah (representative of orthodox Islam), in an attempt to explore the difference between those two manifestations of the same faith. The film is visually compelling, especially the sequences showing religious celebration and ceremony.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Baiveh, Iran. , Previously released as DVD. , This edition in English.
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  • 43
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005432
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Hmong (Asian people) Social life and customs. ; Hmong (Asian people) ; Laos History. ; Canada ; Documentary films.
    Abstract: Over the last three thousand years the Meo (Miao or Hmong) have migrated south from north and central China to avoid oppression and protect their way of life. Today they live in scattered mountain villages in south China and south-east Asia; and the 250,000 of them who live in the Kingdom of Laos have suffered greater losses, relative to their numbers, in the Indo-China wars than any other single group. In 1972, when this film was made, the Vietnam war was still at its peak; therefore it is not surprising that a fairly straightforward ethnographic account is combined with a more journalistic analysis of the political situation. Indeed it would be difficult to approach a discussion of the Meo without such an emphasis, and the review in RAIN (listed below) is a useful supplement to this. In effect, the film's narrative divides into two parts first we are introduced to a village which managed to remain neutral and avoid the worst effects of the war (which was why the anthropologist chose it for his fieldwork). The daily life and material culture of the Meo people are shown as they sow rice using slash-and-burn agricultural methods, distil opium for sale and entertainment, and discuss with the anthropologist their fear of conscription and its effects on other villages. Two rituals are shown ( the shaman who performed them was the close friend of the anthropologist) one to banish a nightmare, the other to exorcise the spirit of a man which haunts the house of the brother who accidentally killed him while out hunting. In the second part of the film we see the Meo who live in American-run refugee camps (which is the majority of them), far removed form the village life of their fellows. The interviews with some of the Meo pilots who fly American B28 bombers over their homeland emphasise the tragic absurdities of such a war; for these Meo are not sure exactly who the 'enemy' are, each one giving vague answers to the interviewer's questions.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in China and Laos. , Previously released as DVD. , This edition in English.
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  • 44
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (54 min.). , 005420
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Tuaregs Social life and customs. ; Tuaregs History. ; Tuaregs. ; Algeria. ; Canada ; Documentary films.
    Abstract: This film is about a group of nomadic Tuareg living high up in the Hoggar Mountains near Tamanrasset in Algeria. The main focus of the film is the collapse of the former economic basis of their camps. In 1962 the Algerian government banned the system of slavery and contract labour which had helped to keep the Tuareg camps supplied with grain. Now, instead of undertaking 500 mile long trading journeys to Niger, Tuareg buy grain in Tamanrasset with money obtained form selling cheap leather goods to the burgeoning tourist trade. The commentary, by Jeremy Keenan, also introduces aspects of the Tuareg kinship system, and material about the social life of the group. The second part of the film concentrates on the devastating effects of the recent drought on this way of life. The pasture is now so poor that camps have to move more frequently, and so traditional patterns of life are being abandoned in favour of a sedentary existence as cultivators alongside the Tuareg's former slaves.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
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  • 45
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (55 min.). , 005055
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Embera Indians. ; Indians of South America ; Australia ; Documentary films.
    Abstract: The way of life of the 10,000 Embera Indians who live in the Choco region of Colombia, South American, is threatened by the encroachments of Negro Libres (descendants of freed slaves) and by the expansion of the Pan-American highway which cuts through their land. The film's main concern is to show the effects of interaction between the Embera river dwellers and two groups of outsiders the Libres with whom they trade, and the local Catholic mission which administers education, religion and civil justice. Although the Embera are exploited by the Libres (who, for example, sell them hunting dogs at very high prices) both groups are poor and largely without rights in Colombian society. In an interview, the Embera explain to the anthropologist that they want protection from the physical attacks of the Libres and legal rights over the land which they have inhabited for many years. Sequences such as this bring out the Embera's plight they are caught between the bulldozers and the banknotes of the Libres. We are shown the material culture and way of life of the Indians (canoe building, pot making, hunting, curing rituals) but not in a romanticised way, and the polemical organisation of the film allows the ethnographic details of the life of these river Indians to be placed in a wide social and economic context.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Choco, Colombia. , Previously released as DVD. , This edition in English.
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  • 46
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (66 min.). , 010625
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cuiba Indians Social life and customs. ; Ethnology ; Indians of South America ; Colombia Social life and customs. ; Australia ; Documentary films.
    Abstract: The film focuses on recent changes in the culture and society of the Cuiva, hunters and gatherers in a remote forest region of south-eastern Colombia, brought about through contact with Colombian settlers. Two groups of Cuiva are shown: one is relatively isolated, while the other has had extensive contacts with the settlers. The first group live a nomadic life moving frequently; the men hunt and fish, the women gather. The second group has been drawn into the Colombian economy, working occasionally for the ranchers to earn money to buy trade goods. The film also usefully includes interviews with white ranchers, showing their racist attitudes to the Indians, whom in the past they feared and on whose land they are now continually encroaching. The basic incompatibility between the economic systems of the Cuiva (based on communal distribution of food, gift-giving and receiving), and that of the settlers who attempt to survive within the world-capitalist market, is startlingly illustrated. Unlike later films in the series, The Last of the Cuiva relies on a moving commentary recorded during filming by the French-Canadian anthropologist, Bernard Arcand, who emphasises that the traditional way of life of the Cuiva (whom he describes, following Sahlins, as exemplifying the 'original affluent society') will be seriously damaged by these contacts with whites. Rather than giving a more conventional anthropological description, Arcand's commentary is a humanist plea for the survival of hunter-gatherer groups, and carries an implicit criticism of western lifestyles.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Colombia. , Previously released as DVD. , This edition in English and Spanish.
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  • 47
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (68 min.). , 010731
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Barasana Indians. ; Ethnology ; Indians of South America ; Macú Indians (Papury River watershed) ; Canada ; Documentary films.
    Abstract: While relying on a polemical stance directed against the cultural genocide wrought by missionaries, War of the Gods also contains a wealth of information and detail about Amazonian Indian cosmology, social life and sexual division of labour. Two groups of Indians from the Vaupes region of Colombia are shown, the Maku, who live mainly by hunting and gathering, and the sedentary Barasana, who live mainly by farming. The film contrasts the belief systems and way of life of the Indians, presented by the anthropologists who worked and lived with them, with those of Protestant and Catholic missionaries. The Protestants, North American Fundamentalists from the Summer Institute of Linguistics, are said to have used their organisation as a cover in order to be allowed to work with the Indians, because open Protestant missionary activity would not have been acceptable to the authorities. No attempt is made to gloss over the complexities of contact between Whites and Indians. The Barasana themselves want change, and the missionaries' influence is undoubtedly more beneficial to the Indians than that of rubber gatherers. Included in this film is an interview — using voice-over — with a Maku shaman, and there are scenes from the Barasana moloka, the communal house which is a centre of social and domestic activity. The climax of the film is a contrasting look at a church service at the S.I.L. headquarters, a Barasana ritual dance (accompanied by the ritual use of the hallucinogen yage), and a Mass at the Catholic mission attended by some of the Indians who took part in the ritual dance. Some missionaries who have seen this film consider that its editing is unfair to the S.I.L., but the head of another important missionary organisation has said that it should be screened during missionary training courses.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Vaupes, Colombia. , Previously released as DVD. , This edition in English.
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  • 48
    Online Resource
    Online Resource
    London :Royal Anthropological Institute,
    Language: English
    Pages: 1 online resource (40 min.). , 004017
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Indians of South America ; Indians of South America. ; Panare Indians. ; Venezuela. ; North America ; Documentary films.
    Abstract: In common with many other Indian groups in South America, the culture of the Panare Indians of Venezuela is threatened by their almost daily contact with neighbouring creoles, Spanish-speaking peasants. However, in spite of nearly fifty years of interaction, their culture has remained distinctively Indian. The film focuses on activities of their daily life, such as making cassava, preparing blow-darts, hunting and gathering. The Indians strongly resented the presence of the camera-crew; indeed, as Dumont points out early in the film, they were loath to reveal details of their belief-system even to him, although he had been living with them for eighteen months. This was the first and the shortest of the films in the Disappearing World series. Although useful and interesting, it is relatively superficial and its commentary contains some anthropological oddities; it cannot be compared with the much more sophisticated films made later in the series.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Venezuela. , Previously released as DVD. , This edition in English.
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