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  • FID-SKA-Lizenzen  (9)
  • Sino-Tibetan (Other)  (4)
  • French  (3)
  • Arabic  (2)
  • Nonfiction films.  (9)
Datasource
Material
Language
Years
Author, Corporation
Publisher
Keywords
  • 1
    Online Resource
    Online Resource
    Ritual journeys (2011)
    London, UK :Royal Anthropological Institute,
    Details
    Language: Sino-Tibetan (Other)
    Pages: 1 online resource (75 min.). , 011441
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Healing. ; Lepcha (South Asian people) ; Lepcha (South Asian people) Rites and ceremonies. ; Shamans ; Bhutan ; Nonfiction films.
    Abstract: The film is an intimate portrait of Merayk, an 80 years old Lepcha shaman or Padim. Merayk lives with his family in Dzongu, a Lepcha reserve in North Sikkim. He performs healing rituals for individuals as well as rituals for the well-being of the household, the clan and his village community. Cameraman Dawa Lepcha followed Meyrak and recorded his daily life and rituals between 2003 and 2007.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in Lepcha with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;1879733
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1879733
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    FID-SKA-Lizenzen
  • 2
    Online Resource
    Online Resource
    Other Europe (2011)
    London, UK :Royal Anthropological Institute,
    Details
    Language: Italian , Somali , Arabic , English
    Pages: 1 online resource (75 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Abandoned buildings ; Refugees Government policy ; Refugees Housing ; Refugees Political activity ; Somalis ; Squatter settlements ; Italy Personal narratives. Emigration and immigration ; Somalia Personal narratives. Emigration and immigration ; France ; Nonfiction films.
    Abstract: "What happens to African migrants once granted political refugee status? In Turin, a northern Italian city, an abandoned clinic has been squatted by more than 200 refugees since December 2008. Khaled, Shukri and Ali have been travelling through hell in order to arrive in Italy. They crossed the border and are determined to have a normal life. Their hopes are dashed and they find their lives "suspended." The film follows their stories over the years, showing life in the clinic, including the inevitable internal problems, the protests of citizenship and the initiatives of the city. Through the cold winter and unbearably sultry August, until the evacuation of the former clinic by the city authorities and the transfer of refugees to old barracks. Three emblematic characters guide us through a story that reveals, intimately, a collective history, an emblematic tale of all European countries today and their respective immigration policies and the changes occurring in the social fabric of European cities."--Original container.
    Note: Originally released as a motion picture in 2011. , Previously released as DVD. , This edition in Italian, Somali, Arabic and English with English suibtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;1874599
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1874599
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    Online Resource
    FID-SKA-Lizenzen
  • 3
    Online Resource
    Online Resource
    Je ne suis pas moi-même (2009)
    London, UK :Royal Anthropological Institute,
    Details
    Language: French
    Pages: 1 online resource (51 min.). , 005103
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Antiques business ; Antiques business ; Forgery of antiquities ; Cameroon Antiquities ; Collectors and collecting. ; France ; Nonfiction films.
    Abstract: Shot in Cameroon and Brussels, Je ne suis pas moi-même examines the complex network surrounding the international market of African antiquities, and the contradictions in a European art market hungry for new tribal objects. Where do the African masks come from? What journey do these masks make before their unveiling in the windows of the biggest galleries or art collections in Europe? Who determines the economic and aesthetic value of these objects now that colonialism is supposedly dead? And then there's a continent called Africa, in need of economic resources and therefore willing to sell its cultural heritage or, if need be, to fake it. The authenticity of the objects becomes blurred when the people that once adored them start to sell them.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in French and English with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;1879406
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1879406
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    Online Resource
    FID-SKA-Lizenzen
  • 4
    Online Resource
    Online Resource
    Sifinja - the iron bride (2009)
    London, UK :Royal Anthropological Institute,
    Details
    Language: Arabic
    Pages: 1 online resource (71 min.). , 011102
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Bedford trucks. ; Mechanics (Persons) ; Trucks Design and construction. ; Bhutan ; Nonfiction films.
    Abstract: A film about mobility, human creativity, and technology in a Sudanese truck community. The English Bedford-Lorry was introduced to Sudan in the late 1960s. Since then, local craftsmen technically modify the truck into an ideal vehicle, adequate for traveling off-road and for performing customers' expectations. The craftsmen and drivers call the lorry "Sifinja" because it is soft and comfortable like the plastic slippers it is named after. In different places in Sudan the carpenters and blacksmiths not only create a shiny iron bride, but they change the whole structure of the lorry through a highly unorthodox performance. Following closely the daily work, art and history of truck-modding on the Nile, a fascinating way of African creativity dealing with global commodities - the automobiles - is opened up. The documentary weaves the original sound of hammering and sawing, drilling and riveting, into a rhythmic, exhilarating audio-visual adventure.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in Arabic with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;1879646
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1879646
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    Online Resource
    FID-SKA-Lizenzen
  • 5
    Online Resource
    Online Resource
    Cham in the Lepcha village of Lingthem (2007)
    London, UK :Royal Anthropological Institute,
    Details
    Language: Sino-Tibetan (Other)
    Pages: 1 online resource (50 min.). , 005022
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Buddhism ; Cham (Dance) ; Documentary films. ; Lepcha (South Asian people) Religion. ; Religious dance ; South Africa ; Nonfiction films.
    Abstract: Every winter, over a period of six days, the lamas of Lingthem's village monastery hold their annual cham. These dramatic ritual masked dances impart elementary Buddhist teachings while providing entertainment to villagers. Their main purpose is to remove obstacles and ward off misfortune for the village, its inhabitants and the monastery. However, for lamas and more serious Buddhist practitioners, these cham and their rituals hold deep philosophical meanings. The dances were beautifully filmed by Dawa Tsering Lepcha in his own village monastery in the Lepcha reserve of Dzongu, North Sikkim. In the course of this village event, the deities who emerge in the period between death and rebirth make their rhythmic appearances followed by the Lord of Death who judges one's good and bad deeds in the after life. This film is the second produced by the Namgyal Institute of Tibetology as part of its visual anthropology project. This training program for indigenous filmmakers aims to produce a documented video record of Sikkim's vanishing indigenous and Buddhist cultures. Its primary purpose is to record and preserve the meaning and proper performance of Sikkim's rituals within their social and economic context.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in Lepcha with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;1879810
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1879810
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    Online Resource
    FID-SKA-Lizenzen
  • 6
    Online Resource
    Online Resource
    Alife with slate (2006)
    London, UK :Royal Anthropological Institute,
    Details
    Language: Sino-Tibetan (Other)
    Pages: 1 online resource (59 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Slate industry ; Alampu (Nepal) Social life and customs. ; South Africa ; Nonfiction films.
    Abstract: "Alampu is a beautiful and exceedingly remote village in Nepal. The majority of the settlers there are Thami people, one of the indigenous groups of Nepal. More than 90 percent of them are involved in the slate production at Alampu. This film includes technical details about the slate production in the mountainside mine, and how the slate is worked prior to distribution. In the film we see the social relationships, co-operation between the miners, and the intimacy of the mining families. Strong women perform the tough and arduous work alongside the men. They have to carry heavy slate loads far to sell them. The film also describes the socio-cultural life of the village and its interaction with the environment. The activities of the men and women in the mine, as well as in the village, have an almost poetic dimension."--RAI.
    Note: Previously released as DVD. , This edition in Thami with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;1870981
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1870981
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    Online Resource
    FID-SKA-Lizenzen
  • 7
    Online Resource
    Online Resource
    Tingvong : a Lepcha village in Sikkim. (2005)
    London, UK :Royal Anthropological Institute,
    Details
    Language: Sino-Tibetan (Other)
    Pages: 1 online resource (61 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    DDC: 306.0954167
    Keywords: Lepcha (South Asian people) ; Social change ; Social structure ; Sikkim (India) Social life and customs. ; Ireland ; Nonfiction films. ; Nonfiction films
    Abstract: "This film illustrates the changes the Lepcha of the Dzongu reserve, North Sikkim, have been through in the last 60 years. From the 1940's, the Lepcha of Tingvong village gradually abandoned hunting, gathering and the slash and burn cultivation of dry rice, and became settled agriculturalists. Entire mountains sides were converted to cardamom and terraced for the cultivation of irrigated paddy. The irrigated rice and the cardamom cash crop not only brought the Lepcha within Sikkim's market economy but helped create a surplus which could among other things be invested in religion. In the 1940's, the Lepcha of Tingvong embraced Buddhism and all its complex rituals without however abandoning their strong shamanic traditions. Today, both forms of rituals amiably co-exist in the village. This film is part of a long-term visual anthropology training project for the tribal communities of Sikkim."--Original container.
    Note: "For educational use only."--Original container. , "Produced by Director, Namgyal Institute of Tibetology, Gangtok, Sikkim." , Previously released as DVD. , This edition in Lepcha with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;1874615
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1874615
    URL: http://sozialundkulturanthropologie.proxy.fid-lizenzen.de/fid/evo/www.aspresolver.com/aspresolver.asp?ANTH;1874615
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;1874615
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    Online Resource
    GBV
    HeBIS
    FID-SKA-Lizenzen
  • 8
    Online Resource
    Online Resource
    Living with the invisibles (2003)
    London, UK :Royal Anthropological Institute,
    Details
    Language: French
    Pages: 1 online resource (53 min.). , 005254
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cultural psychiatry Case studies. ; Islamic demonology. ; Jinn ; Jinn ; France ; Nonfiction films.
    Abstract: When they emigrated to Europe in the 60's and 70's, Moroccans brought with them their culture and their "diseases" ( caused by the the jinn that inhabit some of them). In Europe, most North African families will include someone who is undergoing this kind of disorder, with diverse manifestations (asthma, paralysis, epilepsy, "crises", sterility etc.) which, if left untreated, may be extremely serious and destructive, causing suffering and delinquent behaviour. In the film we follow two Moroccan women: Hind and Fatima who are looking to solve their problems caused by invisibles. They are visiting healers in Europe and Morocco. The healers "negotiate" with invisible forces and are using therapeutic rituals.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in French with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;1879776
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1879776
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    Online Resource
    FID-SKA-Lizenzen
  • 9
    Online Resource
    Online Resource
    Tracking the pale fox : studies on the Dogon. (1983)
    London, UK :Royal Anthropological Institute,
    Details
    Language: French
    Pages: 1 online resource (48 min.). , 004824
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Griaule, Marcel, ; Dogon (African people) ; Ethnology History. ; Ireland ; Nonfiction films.
    Abstract: This film tells with verve and a touch of self-irony the history of research on the Dogon since the famous 1931 expedition of Marcel Griaule. The film establishes the original expedition in the context of French anthropology at the time. Jean Rouch, celebrated filmmaker and less known as an anthropologist on the Dogon, narrates part of the story, and interviews Dogon elders and veteran expedition-member, Germaine Dieterlen.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in French and English.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;1879377
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1879377
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    Online Resource
    FID-SKA-Lizenzen
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