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  • Ethn. Museum Berlin  (15)
  • English  (15)
  • 2020-2024  (15)
  • Musik  (15)
  • Musicology  (15)
  • General works
Datasource
Material
Language
Year
Subjects(RVK)
  • 1
    Journal/Serial
    Journal/Serial
    McLean, Va. : Music Library Assoc. | Rochester, NY [u.a.] : Assoc. | Washington, DC : MLA ; 2.Ser. 1.1943/44 -
    ISSN: 0027-4380 , 1534-150X , 1534-150X
    Language: English
    Pages: 23 cm
    Dates of Publication: 2.Ser. 1.1943/44 -
    Parallel Title: Erscheint auch als Notes
    Former Title: Vorg Music Library Association Notes for the members of the Music Library Association
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Musikwissenschaft ; Zeitschrift ; Musik ; Zeitschrift ; Musikbibliothek ; Musikwissenschaft ; Musik
    Note: Zusatz wechselt , Erscheinen vierteljährlich , Repr.: New York, NY : AMS Press , Ab 23.1966/67 ohne Serien-Zählung; ersch. vierteljährl. , Index regelmäßig für je 2 Jahre; Index 1/50.1943/93=50A.1993
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  • 2
    Book
    Book
    London [u.a.] : Oxford Univ. Press
    ISBN: 0198164475
    Language: English
    RVK:
    Keywords: Musik ; Geschichte
    Note: Angabe zum ed. board bei den Vol. 1 - 5; 7 und 10 , 2. ed. auch als "new ed." bezeichnet , Ital. Ausg. u.d.T.: Storia della musica , 2. ed. im Verlag Oxford Univ. Press, Oxford [u.a.], erschienen
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Journal/Serial
    Journal/Serial
    Belgrade : Union ; 1.1993 - 23.2004; 32.2008 -
    ISSN: 0354-818X , 0354-4362 , 0354-4362 , 0354-818X , 0354-4362 , 0354-818X
    Language: English
    Dates of Publication: 1.1993 - 23.2004; 32.2008 -
    Parallel Title: Erscheint auch als Novi zvuk
    Parallel Title: Erscheint auch als New sound
    DDC: 070
    RVK:
    Keywords: Zeitschrift ; Musikzeitschrift ; Jugoslawien ; Musik ; Zeitschrift
    Note: Urh. anfangs: Union of Yugoslav Composers' Organizations , 24.2004 - 31.2008 nur online
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  • 4
    Journal/Serial
    Journal/Serial
    Lucca : Libreria Musicale Italiana | Basel : Bärenreiter ; 1.1984 - 9/12.1992/95(1996); 13.1996(1998) -
    Show associated volumes/articles
    ISSN: 0255-8831
    Language: English , German
    Dates of Publication: 1.1984 - 9/12.1992/95(1996); 13.1996(1998) -
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Musik ; Kunst ; Musikalische Ikonographie
    Note: Urh. anfangs: International Repertory of Musical Iconography
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  • 5
    ISBN: 2735112608 , 9782735112609
    Language: French , English , Indonesian
    Pages: 2 Bände + 1 DVD-ROM
    Series Statement: Référentiels, patrimoines immatériels
    RVK:
    Keywords: Toradja ; Ritual ; Musik
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  • 6
    ISBN: 9780226810027 , 022681002X , 9780226810164
    Language: English
    Pages: xxx, 438 Seiten , Illustrationen, Karten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 780.89928073
    RVK:
    Keywords: Äthiopischer Einwanderer ; Musik ; USA
    Note: Bibliography Seite 391-416
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  • 7
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197546437 , 9780197546475
    Language: English
    Pages: xiv, 246 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.899240569442
    RVK:
    RVK:
    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Israel
    Note: Literaturverzeichnis Seite [225]-237
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  • 8
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226723471 , 9780226723334
    Language: English
    Pages: xix, 244 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 781.7/7009611
    RVK:
    RVK:
    Keywords: Sufismus ; Musik ; Ritual ; Öffentlicher Raum ; Tunesien ; Sufi music / Tunisia / History and criticism ; Sufi music / Social aspects / Tunisia ; Music / Tunisia / Religious aspects ; Sufism / Tunisia / Rituals ; Islamic music / Tunisia / History and criticism ; Islamic music / Social aspects / Tunisia ; MUSIC / History & Criticism ; Islamic music ; Music / Religious aspects ; Sufi music ; Sufism / Rituals ; Tunisia ; Criticism, interpretation, etc ; Tunesien ; Sufismus ; Musik ; Ritual ; Öffentlicher Raum
    Abstract: "Ambient Sufism is a study of the intertwined musical lives of several ritual communities in Tunisia that invoke the healing powers of long-deceased Muslim saints through music-driven trance rituals. Richard C. Jankowsky illuminates the (virtually undocumented) role of women and minorities in shaping the ritual musical ecology of the region, with case studies on men's and women's Sufi orders, Jewish and black Tunisian healing musical troupes, and the popular music of hard-drinking laborers, as well as the cohorts involved in mass-mediated staged spectacles of ritual that continue to inject ritual sounds into the public sphere. He uses the term "ambient Sufism" to illuminate these adjacent ritual practices, each serving as a musical, social, and devotional-therapeutic niche while contributing to a larger, shared ecology of practices surrounding and invoking the figures of saints. And he argues that ritual musical form--that is, the large-scale structuring of ritual through musical organization--has agency; that is, form is revealing and constitutive of experience and encourages particular subjectivities. Ambient Sufism promises many useful ideas for ethnomusicology, anthropology, Islamic and religious studies, and North African studies"--
    Description / Table of Contents: Introduction : Ambient Sufism -- Ritual reflexivity : musicality, Sufi pedigrees, and the masters of "intoxication" -- Ritual hospitality : women Sufis and the musical ethnics of accommodation -- Ritual alterity : the musical management of Sub-Saharan otherness -- Ritual remnants : legacies of Jewish-Muslim ritual musical convergences -- Ritual as resource : set-list modularity and the cultural politics of staging Sufi music -- Conclusion : ritual niches and the social work of musical form
    Note: Audio, video, and musical examples may be accessed on the accompanying website, https:///sites.tufts.edu/ambientsufism
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  • 9
    Book
    Book
    Berlin : VWB - Verlag für Wissenschaft und Bildung
    ISBN: 9783861356561 , 3861356562
    Language: English
    Pages: IV, 447 Seiten , Illustrationen , 25 cm, 1060 g
    Series Statement: Intercultural music studies 24
    DDC: 780.89
    RVK:
    RVK:
    Keywords: Musik ; Interkulturalität ; Musikleben ; Musikethnologie ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017
    Note: Literaturverzeichnis Seite 371-414
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  • 10
    ISBN: 9780197549568 , 9780197549551
    Language: English
    Pages: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 781.6296081/42
    RVK:
    Keywords: Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Description / Table of Contents: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 11
    ISBN: 9780190869137 , 9780190869144
    Language: English
    Pages: xxi, 304 Seiten , Illustrationen , 24 cm
    Series Statement: American musicspheres
    DDC: 780.8997120798
    RVK:
    Keywords: Indigenes Volk ; Musik ; Alaska
    Abstract: Sound Relations: Native Ways of Doing Music History in Alaska delves into histories of Inuit musical life in Alaska to amplify the broader significance of sound as integral to self-determination and sovereignty. The book offers radical and relational ways of listening to Inuit music across a range of genres-from hip hop to Christian hymnody and drumsongs to funk and R&B - to register how a density (not difference) of Indigenous ways of musicking from a vast archive of presence sounds out radical and relational entanglements between structures of Indigeneity and colonialism. The research aims to dismantle stereotypical understandings of "Eskimos," "Indians," and "Natives" by addressing the following questions: What exactly is "Native" about Native music? What does it mean to sound (or not sound) Native? Who decides? And how can in-depth analyses of Native music that center Indigeneity reframe larger debates of race, power, and representation in twenty-first century American music historiography? Instead of proposing singular truths or facts, this book invites readers to consider the existence of multiple simultaneous truths, a density of truths, all of which are culturally constructed, performed, and in some cases politicized and policed. A sound relations approach endeavors to advance a more Indigenized music studies and a more sounded Indigenous studies that works to move beyond colonial questions of containment - "who counts as Indigenous" and "who decides" - and measurement - "how much Indigenous is this person/performance" - and toward an aesthetics of self-determination and resurgent world-making.
    Note: Literaturverzeichnis Seite [269]-290
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  • 12
    ISBN: 9783861356547 , 3861356546
    Language: German , Turkish , English
    Pages: 368 Seiten , Illustrationen, Karte, Noten , 24 cm x 17 cm, 780 g
    Series Statement: Intercultural music studies 23
    Series Statement: Intercultural music studies
    DDC: 780.89
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1930-2020 ; Interkulturalität ; Musik ; Vielfalt ; Kulturaustausch ; Migration ; Türkei ; Deutschland ; Weltmusik ; Traditionelle Musik ; China ; Musikkultur ; Ethnomusikologie ; Gegenwartsmusik ; Musikpraxis ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Deutschland ; Türkei ; Musik ; Migration ; Kulturaustausch ; Interkulturalität ; Vielfalt ; Geschichte 1930-2020
    Note: Aus der Einleitung: "Die in diesem Band versammelten Beiträge gehen aus dem Symposium 'Transfer und Diversität. Musik und transkulturelle Praxis: Deitschland – Türkei' hervor, das am 08.-11. Oktober 2014 an der Humboldt-Universität zu Berlin in Kooperation mit dem Center for Advanced Studies in Music (MIAM) der Technischen Universität Istanbul (ITÜ) veranstaltet wurde." , Beiträge teilweise deutsch, teilweise türkisch, Zusammenfassungen englisch
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  • 13
    ISBN: 9780190887834
    Language: English
    Pages: xi, 344Seiten , Illustrationen , 24 cm
    Edition: First issued as an Oxford University Press paperback
    DDC: 780.956709051
    RVK:
    RVK:
    Keywords: Iraq War, 2003-2011 Music and the war ; Music Psychological aspects ; Iraq War, 2003-2011 Psychological aspects ; Music in the army ; Sound Psychological aspects ; Golfkrieg ; Musik ; Geräusch ; Musikpsychologie
    Note: Includes bibliographical references and index
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  • 14
    ISBN: 9780226740348
    Language: English
    Pages: xii, 351 Seiten , Illustrationen, Notenbeispiele, Porträts
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    DDC: 780.721
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1891-1961 ; Mittelalter ; Kulturvergleich ; Mission ; Kolonialismus ; Vergleichende Musikwissenschaft ; Musik ; Rezeption ; Deutsches Sprachgebiet ; Afrika ; Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    Abstract: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Description / Table of Contents: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
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  • 15
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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