Language:
Undetermined
Pages:
2038MB, 00:41:46:19 (unknown)
Angaben zur Quelle:
(Jan. 1983)
Keywords:
commercial-use buildings
;
handicraft
;
Nahrungsverzehr
;
banana
;
work / division of labour
;
cooking
;
nutrition
;
tools
;
Kochen
;
weeding
;
food preparation
;
tree felling
;
pottery / spiral form technique
;
Gesellschaft
;
Magie
;
work
;
Kunst
;
landwirtschaftliche Ausrüstung
;
plants, plantation
;
flora
;
woodworking
;
religion
;
magic
;
Malen
;
agricultural devices
;
Handwerk
;
Sepik-Gebiet
;
forestry (ethnology)
;
yams
;
food and meals
;
arts (ethnology)
;
Knollen
;
shaping of clay
;
sculpture
;
Kulturwissenschaften
;
Papua-Neuguinea
;
leading men
;
division of labour
;
rootcrops
;
Arbeit
;
agricultural equipment
;
magische Therapie
;
Arbeitsteilung
;
men's house
;
head men
;
Nahrungsmittelzubereitung
;
machete
;
sago / sago palm
;
Sepik Region
;
Australien/Ozeanien
;
Bauen
;
tubers (ethnology)
;
ornamental beams
;
dye
;
Schnitzen
;
Australia/Oceania
;
painting
;
Agrikultur/Landwirtschaft
;
teamwork
;
agriculture (ethnology)
;
magical therapy
;
building trade
;
Töpferei
;
forestry, silviculture
;
division of labor
;
material culture
;
Formen der Tonwaren
;
art
;
eating
;
Wirtschaft (Ethnologie)
;
Arbeitsbeziehungen
;
crop growing methods
;
labor relations
;
sower
;
Pflanzenwelt
;
Religion
;
Speisen/Gerichte
;
Papua New Guinea
;
construction work
;
carving
;
religious practices
;
ethnology of medicine
;
cultural studies
;
materielle Kultur
;
Ethnologie/Kulturanthropologie
;
Kwoma
;
digging stick
;
painting (ethnology)
;
Gebäude
;
ethnology/cultural anthropology
;
logging
;
landwirtschaftliche Geräte
;
buildings
;
artist / Papua New Guinea
;
plant magic
;
magic act
;
Künste (Ethnologie)
;
Werkzeug
;
colour
;
economy
;
Medizinethnologie
;
religiöse Praktiken
;
Holzarbeiten
;
Waldwirtschaft
;
pandanus
;
Ernährung
;
society
;
Wirtschaftsgebäude
;
slash and burn
;
Anbaumethoden
;
agriculture
;
pottery
Abstract:
How closely linked the various domains of a planting culture are in daily life is demonstrated by means of examples from the activities of a leading Kwoma, Yessomari, who comes from the village of Meno-Saserman in the Washkuk Hills (Ambunti District, East Sepik Province). The film largely follows the planting cycle, from clearing the land (work done co-opertively by the planter, other men from his close cricle of friends and relations, and women) and burning the stubble through the digging of planting holes (done co-operatively by a large group of men), planting the yams, tying up and tending the creepers (the planter's three specific activities) to harvesting the crop. In between, glimpses are given of other sectors of male responsibility, like carving a decorated beam for a men's house, preparing a pandanus soup, extracting sago starch, making and decorating a piece of ceremonial pottery and painting a chip-carved shield. The film closes with a look at a harvest festival, which women with shields made of decorated net bags also take part in, dancing in front of the men's house.
Note:
Audiovisuelles Material
DOI:
10.3203/IWF/D-1479eng
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