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  • Bayreuth UB  (49)
  • 2015-2019  (34)
  • 1980-1984  (15)
  • USA  (49)
  • Musicology  (49)
Material
Language
Years
Year
  • 1
    Book
    Book
    Rochester, NY : University of Rochester Press
    ISBN: 9781580469524
    Language: English
    Pages: xi, 303 Seiten , Illustrationen , 24 cm
    DDC: 782.421640973091732
    RVK:
    Keywords: Geistesgeschichte 1900-1950 ; Unterhaltungsmusik ; Song ; Stadt ; USA
    Note: Literaturverzeichnis: Seite [297]-303
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  • 2
    ISBN: 9781978803596 , 9781978803589
    Language: English
    Pages: xiii, 246 Seiten , Illustrationen , 23 cm
    DDC: 306.484243
    RVK:
    Keywords: Geschichte 1970- ; Schwarze ; Rhythm and Blues ; Identität ; Sexualität ; Neoliberalismus ; USA
    Abstract: Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
    Note: Literaturverzeichnis: Seite 225-236
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  • 3
    Book
    Book
    [Marseille] : Le Mot et le reste
    ISBN: 9782360544950
    Language: French
    Pages: 350 Seiten , Illustrationen
    RVK:
    Keywords: Geschichte 1960-2015 ; Blues-Rock ; USA ; Blues-rock / États-Unis / Histoire et critique ; Blues-rock ; Histoire ; 1960-2015 ; Etats-Unis ; Blues-rock / États-Unis / Histoire et critique ; Blues / États-Unis / Histoire et critique / 1949-... ; USA ; Blues-Rock ; Geschichte 1960-2015
    Abstract: Au début des années 1960, une nouvelle génération de musiciens américains recueille l'héritage des grands maîtres du blues. Paul Butterfield à Chicago, Johnny Winter au Texas et bien d'autres encore, créent une musique puisant loin dans les racines du rhythm'n'blues pour répondre aux aspirations d'une jeunesse qui découvre le rock. Mûri dans la marginalité des ghettos, ce son électrisant embrase l'Amérique : à Newport avec Dylan, à San Francisco ou Woodstock, il nourrit en profondeur le bouleversement libertaire d'alors. Suivant l'émergence et l'évolution de ce blues rock américain, cet ouvrage permet de comprendre l'invention collective d'un blues qui, contrairement à celui des Anglais de la même époque, n'est pas blanc mais mixte, conservant ainsi aujourd'hui tout à la fois son caractère subversif et sa pertinence.
    Note: Bibliographie Seite 341-346
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  • 4
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan
    ISBN: 9783319770130
    Language: English
    Pages: 1 Online-Ressource (V, 158 p)
    Parallel Title: Erscheint auch als
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    Keywords: Hendrix, Jimi ; Culture / Study and teaching ; United States / Study and teaching ; Music ; Ethnicity ; Cultural and Media Studies ; Popular Culture ; Music ; American Culture ; Culture and Gender ; Ethnicity Studies ; Politik ; Popkultur ; USA ; Hendrix, Jimi 1942-1970 ; USA ; Popkultur ; Politik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319660417
    Language: English
    Pages: 1 Online-Ressource (VIII, 241 p)
    Series Statement: Palgrave Studies in Sound
    Parallel Title: Erscheint auch als
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    Keywords: Social sciences ; African Americans ; Music ; Technology in literature ; Social Sciences ; Science and Technology Studies ; Music ; African American Culture ; Literature and Technology/Media ; Technologie ; Sound Studies ; Musik ; Schwarze ; Film ; Futurismus ; USA ; USA ; Schwarze ; Musik ; Film ; Sound Studies ; Technologie ; Futurismus
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 6
    ISBN: 9783319904542
    Language: English
    Pages: 1 Online-Ressource (xi, 240 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 201.7
    RVK:
    Keywords: Geschichte ; Social Sciences ; Sociology of Culture ; Cultural Studies ; Music ; African American Culture ; Culture and Gender ; Men's Studies ; Social sciences ; African Americans ; Music ; Cultural studies ; Religion and culture ; Geschlechterrolle ; Musikalische Analyse ; Soziale Funktion ; Rap ; USA ; USA ; Rap ; Soziale Funktion ; Geschlechterrolle ; Musikalische Analyse ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 7
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319500232
    Language: English
    Pages: 1 Online-Ressource (VIII, 297 p)
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Culture / Study and teaching ; United States / Study and teaching ; Ethnology ; Music ; Religion and culture ; Cultural and Media Studies ; American Culture ; Cultural Anthropology ; Sociology of Culture ; Musik ; Unterhaltungsmusik ; Massenkultur ; Kulturelle Identität ; USA ; Kanada ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Kanada ; USA ; Unterhaltungsmusik ; Massenkultur ; Kulturelle Identität
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190252946
    Language: English
    Pages: xv, 302 Seiten, 16 ungezählte Seiten Bildtafeln
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421644092
    RVK:
    Keywords: Pickett, Wilson ; Pickett, Wilson ; Geschichte 1941-2006 ; Soul musicians Biography ; Sänger ; Soulmusiker ; USA ; USA ; Biografie ; Biografie ; Biografie ; Pickett, Wilson 1941-2006 ; USA ; Sänger ; Soulmusiker ; Geschichte 1941-2006
    Abstract: He was the Wicked Wilson Pickett, the legendary soul man whose forty-plus hits included "In the Midnight Hour," "634-5789," "Land of 1000 Dances," "Mustang Sally," and "Don't Let the Green Grass Fool You." Remarkably handsome and with the charisma to match, Wilson Pickett was considered by many to be the greatest, the most visceral and sensual of the classic 1960s soul singers, and as a man who turned screaming into an art form, the most forceful of them all. He was the living embodiment of soul. More than that, Wilson Pickett's journey reads like a guide to popular black American music in the late 20th century. From the gospel-rich cotton fields of Alabama to the pre-Motown metropolis of Detroit, and throughout his career at Atlantic Records--he was the first artist on that label to record at Stax in Memphis, Fame in Muscle Shoals, and Sigma in Philadelphia, and rehabilitated an exiled Bobby Womack and introduced Duane Allman along the way--Wilson Pickett led the shifts in Rhythm and Blues and soul music. Pickett's downfall, precipitated by the move towards softer soul and then disco in the 1970s, proved equally dramatic, leading to a heavy alcohol and drug addiction, a reputation for violence and gun use, a no-show for his induction into the Rock 'n' Roll Hall of Fame in 1991, and two jail terms later in the decade. Nonetheless, the "Wicked" Pickett climbed out of these depths to end his career with a Grammy-nominated album before his death in 2006. For this first-ever accounting of Wilson Pickett's life, bestselling biographer Tony Fletcher interviewed members of the singer's family, friends and partners, along with dozens of his studio and touring musicians. Offering equal attention to Pickett's personal and professional life, with detailed insight into his legendary studio sessions and his combative road style, In the Midnight Hour: The Life and Soul of Wilson Pickett is the essential telling of an epic life.
    Abstract: Tony Fletcher is the bestselling author of major biographies on Keith Moon, the Smiths, and R.E.M., as well as a memoir, a novel, and a history of the New York City music scene. Born in northern England, and raised in South London, where he started his own music magazine at the age of thirteen, he emigrated to New York City in the late 1980s. When not traveling with his family, he makes his home near Woodstock in the Catskill Mountains of upstate New York. A contributor to Salon and the Wall Street Journal, his writing has also appeared in Mojo, Rolling Stone, the New York Times, Spin, and Newsday, and he has contributed to a host of other publications, radio, and television shows worldwide.
    Description / Table of Contents: Dedication. Preface. Part I: 1941-1972 Rise. Part II: 1973-1996 Fall. Part III: 1997-2006 Redemption. Sources. Bibliography. Acknowledgments. Index
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  • 9
    ISBN: 9781501326141 , 9781501319020
    Language: English
    Pages: x, 240 Seiten , Illustrationen
    Series Statement: Alternate takes. Critical responses to popular music
    DDC: 781.66/165
    RVK:
    Keywords: Down Beat ; Rolling stone ; Geschichte 1950-1970 ; Jazz ; Rockmusik ; Rezeption ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 10
    Book
    Book
    Santa Barbara, California : Praeger
    ISBN: 9781440852947
    Language: English
    Pages: viii, 119 Seiten
    Series Statement: The Praeger singer-songwriter collection
    Parallel Title: Erscheint auch als Perone, James E. author Words and music of Taylor Swift
    DDC: 782.421642092
    RVK:
    Keywords: Swift, Taylor Criticism and interpretation ; Swift, Taylor ; Country music History and criticism 2001-2010 ; Popular music History and criticism 2011-2020 ; USA ; Swift, Taylor 1989-
    Note: Includes bibliographical references and index
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  • 11
    ISBN: 3837638324 , 9783837638325
    Language: German
    Pages: 325 Seiten , Illustrationen
    Series Statement: Studien zur Popularmusik
    Dissertation note: Dissertation Heinrich-Heine-Universität Düsseldorf [2016?]
    DDC: 782.4216490973
    RVK:
    Keywords: Hip-Hop ; Musikvideo ; Sakralisierung ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Dissertation eingereicht u.d.T.: I am a God. Inszenierungen des Sakralen in Musikvideos des US-amerikanischen Hip-Hops
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  • 12
    ISBN: 9781496810021
    Language: English
    Pages: viii, 420 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64309/041
    RVK:
    Keywords: Geschichte 1899-1926 ; Blues (Music) History and criticism To 1931 ; Vaudeville History and criticism ; Vaudeville ; Blues ; Schwarze ; USA ; USA ; USA ; Schwarze ; Blues ; Vaudeville ; Geschichte 1899-1926
    Abstract: In this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music, authoritatively connecting the black vaudeville movement with the explosion of blues that followed. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America's favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Black vaudeville theaters provided a safe haven where coon songs could be rehabilitated. Dynamic interaction between the performers and their audience unleashed creative energies that accelerated the development of the blues. The first blues star of black vaudeville was Butler "String Beans" May, a blackface comedian, pianist, singer, and dancer from Montgomery, Alabama.
    Abstract: Before his senseless death in 1917, he was recognized as the "blues master piano player of the world." His legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the Race recording era. While male blues singers remained tethered to the role of blackface comedian, female "coon shouters" acquired a more digni ed aura in the emergent persona of the "blues queen." Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, including forgotten blues heroine Ora Criswell and her protégé Trixie Smith, recon gured the use of blackface for their own subversive purposes. In 1921 black vaudeville was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collusion with the emergent Race recording industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell.
    Abstract: While the 1920s was the most celebrated and remunerative period of vaudeville blues, the previous decade was arguably the most creative, having witnessed the emergence, popularization, and early development of the original blues in southern theaters--Publisher description
    Note: Includes bibliographical references and index
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  • 13
    ISBN: 9781433145650 , 9781433145704
    Language: English
    Series Statement: Black Studies & Critical Thinking vol. 103
    Series Statement: Black Studies & Critical Thinking
    DDC: 370
    RVK:
    Keywords: Musikerziehung ; Jazz ; Schwarze ; Akademisierung ; Jazzmusiker ; Identität ; USA ; Black ; Called ; Conversations ; Culture ; Education ; Jazz ; Phillips ; Soul ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
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  • 14
    ISBN: 9780190610753 , 9780195384864
    Language: English
    Pages: xi, 292 Seiten , Illustrationen
    Edition: First issued as an Oxford University Press paperback
    DDC: 306.48426097309046
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    Keywords: Geschichte 1900-2000 ; Sozialgeschichte 1960-1970 ; Geschichte ; Gesellschaft ; Rock music Social aspects 20th century ; History ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Rock music History and criticism 1961-1970 ; Rockmusik ; USA ; USA ; Vietnam ; Rock music / Social aspects / History / 20th century / United States ; Rock music / Social aspects / History / 20th century / Vietnam ; Rock music / History and criticism / 1961-1970 / United States ; Rock music / History and criticism / 1961-1970 / Vietnam ; USA ; Vietnam ; Rockmusik ; Sozialgeschichte 1960-1970
    Note: Includes bibliographical references and index
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  • 15
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822373117
    Language: English
    Pages: 1 Online-Ressource (376 p.) , 23 illustrations
    Edition: 2017
    DDC: 780.89/96073
    RVK:
    Keywords: Geschichte ; Afroamerikanische Musik ; Rezeption ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; USA ; Afrika
    Abstract: In Listening for Africa David F. Garcia explores how a diverse group of musicians, dancers, academics, and activists engaged with the idea of black music and dance’s African origins between the 1930s and 1950s. Garcia examines the work of figures ranging from Melville J. Herskovits, Katherine Dunham, and Asadata Dafora to Duke Ellington, Dámaso Pérez Prado, and others who believed that linking black music and dance with Africa and nature would help realize modernity’s promises of freedom in the face of fascism and racism in Europe and the Americas, colonialism in Africa, and the nuclear threat at the start of the Cold War. In analyzing their work, Garcia traces how such attempts to link black music and dance to Africa unintentionally reinforced the binary relationships between the West and Africa, white and black, the modern and the primitive, science and magic, and rural and urban. It was, Garcia demonstrates, modernity’s determinations of unraced, heteronormative, and productive bodies, and of scientific truth that helped defer the realization of individual and political freedom in the world.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    URL: Cover
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 16
    ISBN: 9780822363705 , 9780822363545
    Language: English
    Pages: xii, 360 Seiten , Illustrationen, Diagramme
    DDC: 780.8996073
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    Keywords: Geschichte ; Afroamerikanische Musik ; Rezeption ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; USA ; Afrika ; Rezension ; Rezension
    Note: Literaturverzeichnis Seite 323-344
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  • 17
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9780292759435
    Language: English
    Pages: viii, 198 Seiten , Illustrationen, Porträts , 23 cm
    Edition: First edition
    Series Statement: American music series
    DDC: 782.421643092
    RVK:
    Keywords: Blige, Mary J. ; Blige, Mary J. ; Blige, Mary J. ; African American women singers / United States / Biography ; Soul musicians / United States / Biography ; Sound recording executives and producers / United States / Biography ; Rap musicians / United States / Biography ; Rhythm and blues musicians / United States / Biography ; Gospel musicians / United States / Biography ; African American actresses / United States / Biography ; African American actresses ; African American women singers ; Gospel musicians ; Rap musicians ; Rhythm and blues musicians ; Soul musicians ; Sound recording executives and producers ; United States ; USA ; Biografie ; Biografie ; Biografie ; Blige, Mary J. 1971-
    Abstract: Mary J. Blige is an icon who represents the political consciousness of hip hop and the historical promise of soul. She is an everywoman, celebrated by Oprah Winfrey and beloved by pop music fans of all ages and races. Blige has sold over fifty million albums, won numerous Grammys, and even played at multiple White House events, as well as the 2013 Nobel Peace Prize ceremony. Displaying astonishing range and versatility, she has recorded everything from Broadway standards to Led Zeppelin anthems and worked with some of popular music's greatest artists-Aretha Franklin, Eric Clapton, Elton John, Whitney Houston, Sting, U2, and Beyonce, among them. Real Love, No Drama: The Music of Mary J. Blige tells the story of one of the most important artists in pop music history. Danny Alexander follows the whole arc of Blige's career, from her first album, which heralded the birth of "hip hop soul," to her critically praised 2014 album, The London Sessions. He highlights the fact that Blige was part of the historically unprecedented movement of black women onto pop radio and explores how she and other women took control of their careers and used their music to give voice to women's (and men's) everyday struggles and dreams. This book adds immensely to the story of both black women artists and artists rooted in hip hop and pays tribute to a musician who, by expanding her reach and asking tough questions about how music can and should evolve, has proven herself an artistic visionary. - Beginning his career about the same time Mary J. Blige signed her first record deal, music journalist Danny Alexander has worked as an associate editor for Dave Marsh's music newsletter Rock & Rap Confidential and covered rock, hip hop, and soul for various publications. He is the author of "Liner Notes: Soul Asylum". He lives in Overland Park, Kansas
    Description / Table of Contents: 〈〈The〉〉 artist of a generation -- The slow bomb -- Ladies, ladies, it is our turn -- Uptown -- What's the 411? -- Changes I've been going through -- Hip hop a go-go -- My life -- Natural woman -- Share my world -- On the road with MJB : Alyson Williams -- The tour -- Sisters in the studio : Channette and Channoah Higgens -- Mary, the album -- No more drama -- Love & life -- Live from Los Angeles -- Message in our music -- The breakthrough -- Growing pains -- Stronger with each tear -- Hard times come again no more -- My life II : the journey continues (act 1) -- A Mary Christmas -- Think like a man too -- The London sessions -- Being with you
    Note: Includes bibliographical references and discography
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  • 18
    Book
    Book
    Chicago ; London : University of Chicago Press
    ISBN: 9780226180762
    Language: English
    Pages: XII, 256 Seiten, 12 ungezählte Seiten Bildtafeln , Illustrationen
    DDC: 785.32195165
    RVK:
    Keywords: Davis, Miles ; Davis, Miles ; Jazz History and criticism 1961-1970 ; Jazz History and criticism 1971-1980 ; Jazz musicians Biography ; Avantgarde ; Elektronische Musik ; Rock-Jazz ; Quintett ; USA ; Biografie ; Biografie ; Biografie ; Davis, Miles 1926-1991 Bitches Brew ; Quintett ; Elektronische Musik ; Avantgarde ; Rock-Jazz
    Abstract: Miles Davis's Bitches Brew is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. In this book, jazz historian and musician Bob Gluck explores the performances of this revolutionary group-Davis's first electric band-to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in. Gluck listens deeply to the uneasy tension between this group's driving rhythmic groove and the sonic and structural openness, surprise, and experimentation they were always pushing toward. There he hears-and outlines-a fascinating web of musical interconnection that brings Davis's funk-inflected sensibilities into conversation with the avant-garde worlds that players like Ornette Coleman and John Coltrane were developing. Going on to analyze the little-known experimental groups Circle and the Revolutionary Ensemble, Gluck traces deep resonances across a commercial gap between the celebrity Miles Davis and his less famous but profoundly innovative peers. The result is a deeply attuned look at a pivotal moment when once-disparate worlds of American music came together in explosively creative combinations. - Bob Gluck is a pianist, composer, and jazz historian, as well as associate professor of music and director of the Electronic Music Studio at the State University of New York, Albany. He is the author of You'll Know When You Get There: Herbie Hancock and the Mwandishi Band, also published by the University of Chicago Press. (Klappentext)
    Note: Includes bibliographical references and index
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  • 19
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780190245221
    Language: English
    Pages: 1 Online-Ressource (xvi, 434 Seiten) , Illustrationen, Notenbeispiele
    Edition: Second edition
    Parallel Title: Erscheint auch als
    DDC: 780.92
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    Keywords: Joplin, Scott ; Joplin, Scott ; Geschichte 1868-1917 ; Composers Biography ; Ragtime music History and criticism ; Ragtime ; USA ; USA ; Biografie ; Biografie ; USA ; Joplin, Scott 1868-1917 ; Ragtime ; Geschichte 1868-1917
    Abstract: When it was first published in 1994, "King of Ragtime: Scott Joplin and his Era" was widely heralded not only as the most thorough investigation of Scott Joplin's life and music, but also as a gripping read, almost a detective story. This new and expanded edition-more than a third larger than the first-goes far beyond the original publication in uncovering new details of the composer's life and insights into his music. It explores Joplin's early, pre-ragtime career as a quartet singer, a period of his life that was previously unknown. The book also surveys the nature of ragtime before Joplin entered the ragtime scene and how he changed the style. Author Edward A. Berlin offers insightful commentary on each of all of Joplin's works, showing his influence on other ragtime and non-ragtime composers. He traces too Joplin's continued music studies late in life, and how these reflect his dedication to education and probably account for the radical changes that occur in his last few rags. And he puts new emphasis on Joplin's efforts in musical theater, bringing in early versions of his Ragtime Dance and its precedents. Joplin's wife Freddie is shown to be a major inspiration to his opera Treemonisha, with her family background and values being reflected in that work. Joplin's reputation faded in the 1920s-30s, but interest in his music slowly re-emerged in the 1940s and gradually built toward a spectacular revival in the 1970s, when major battles ensued for possession of rights.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469627946 , 9781469627939
    Language: English
    Pages: 1 Online-Ressource (ix, 372 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 787.8709969
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    Keywords: Geschichte ; Geschichte ; Musik ; Hawaiian guitar History ; Music History ; Music History ; World music History ; Unterhaltungsmusik ; Weltmusik ; Steel Guitar ; Rezeption ; USA ; USA ; Hawaii ; Hawaii ; Steel Guitar ; Geschichte ; Hawaii ; Steel Guitar ; Rezeption ; USA ; Hawaii ; Steel Guitar ; Rezeption ; Unterhaltungsmusik ; Weltmusik
    Abstract: Since the nineteenth century, the distinct tones of kika kila, the Hawaiian steel guitar, have defined the island sound. Here historian and steel guitarist John W. Troutman offers the instrument's definitive history, from its discovery by a young Hawaiian royalist named Joseph Kekuku to its revolutionary influence on American and world music. During the early twentieth century, Hawaiian musicians traveled the globe, from tent shows in the Mississippi Delta, where they shaped the new sounds of country and the blues, to regal theaters and vaudeville stages in New York, Berlin, Kolkata, and beyond. In the process, Hawaiian guitarists recast the role of the guitar in modern life. But as Troutman explains, by the 1970s the instrument's embrace and adoption overseas also worked to challenge its cultural legitimacy in the eyes of a new generation of Hawaiian musicians. As a consequence, the indigenous instrument nearly disappeared in its homeland. Using rich musical and historical sources, including interviews with musicians and their descendants, Troutman provides the complete story of how this Native Hawaiian instrument transformed not only American music but the sounds of modern music throughout the world
    Note: "Published with the assistance of the Anniversary Fund of the University of North Carolina Press." - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    ISBN: 9780199391875 , 9780199391882
    Language: English
    Pages: XI, 264 Seiten , Illustrationen, Notenbeispiele
    DDC: 782.421640973
    RVK:
    Keywords: Geschichte ; Popular music History and criticism ; Unterhaltungsmusik ; USA ; USA ; USA ; Unterhaltungsmusik ; Geschichte
    Note: Includes bibliographical references
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  • 22
    Book
    Book
    New York ; London ; Toronto ; Sydney ; New Delhi : Simon & Schuster
    ISBN: 9781451648768 , 9781451648775
    Language: English
    Pages: vi, 679 Seiten , Illustrationen
    Uniform Title: Lyrics
    Parallel Title: Erscheint auch als
    DDC: 782.42164026/8
    RVK:
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    Keywords: Dylan, Bob ; Popular music Texts ; Songs, English Texts ; Song ; Text ; Lyrik ; Quelle ; USA ; Anthologie ; Anthologie ; Dylan, Bob 1941- ; Song ; Text ; Dylan, Bob 1941- ; Lyrik ; Quelle
    Note: Auf dem Schutzumschlag: "This collection contains Bob Dylan's lyrics, from his first album, Bob Dylan, to 2012's Tempest."
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  • 23
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780199740321
    Language: English
    Pages: xvi, 434 Seiten , Illustrationen, Notenbeispiele
    Edition: 2nd edition
    Parallel Title: Erscheint auch als
    DDC: 780.92
    RVK:
    RVK:
    Keywords: Joplin, Scott ; Joplin, Scott ; Geschichte 1868-1917 ; Composers Biography ; Ragtime music History and criticism ; Ragtime ; USA ; USA ; Biografie ; Biografie ; USA ; Joplin, Scott 1868-1917 ; Ragtime ; Geschichte 1868-1917
    Abstract: When it was first published in 1994, "King of Ragtime: Scott Joplin and his Era" was widely heralded not only as the most thorough investigation of Scott Joplin's life and music, but also as a gripping read, almost a detective story. This new and expanded edition-more than a third larger than the first-goes far beyond the original publication in uncovering new details of the composer's life and insights into his music. It explores Joplin's early, pre-ragtime career as a quartet singer, a period of his life that was previously unknown. The book also surveys the nature of ragtime before Joplin entered the ragtime scene and how he changed the style. Author Edward A. Berlin offers insightful commentary on each of all of Joplin's works, showing his influence on other ragtime and non-ragtime composers. He traces too Joplin's continued music studies late in life, and how these reflect his dedication to education and probably account for the radical changes that occur in his last few rags. And he puts new emphasis on Joplin's efforts in musical theater, bringing in early versions of his Ragtime Dance and its precedents. Joplin's wife Freddie is shown to be a major inspiration to his opera Treemonisha, with her family background and values being reflected in that work. Joplin's reputation faded in the 1920s-30s, but interest in his music slowly re-emerged in the 1940s and gradually built toward a spectacular revival in the 1970s, when major battles ensued for possession of rights.
    Note: Includes bibliographical references and index
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  • 24
    Book
    Book
    Urbana, Chicago : University of Illinois Press
    ISBN: 9780252040405 , 9780252082269
    Language: English
    Pages: 304 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music in American life
    DDC: 784.4/8165137
    RVK:
    RVK:
    Keywords: Willet, Chappie ; Geschichte 1930-1950 ; Big Band ; Jazz ; Arrangement ; USA
    Note: Includes bibliographical references and index
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  • 25
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469628837
    Language: English
    Pages: 1 Online-Ressource (201 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6213009043
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte ; Geschichte ; Politik ; Folk music Political aspects ; Folk music History and criticism ; Popular music 1931-1940 x History and criticism ; Politics and culture History 20th century ; Folk music ; Politik ; Weltwirtschaftskrise ; USA ; USA ; USA ; Folk music ; Politik ; Weltwirtschaftskrise ; Geschichte
    Abstract: The role of folk music, broadly defined, during the trying years of the Great Depression in the United States, 1929–40, with a particular focus on the role of left-wing political groups and individuals. The government promoted a labor and cultural renaissance through the "alphabet stew" of federal programs, employing Charles Seeger, John and Alan Lomax, and numerous others in collecting folk music. Performers such as Woody Guthrie, Lead Belly, Pete Seeger, and many others connected vernacular music with commercial outlets such as concerts, record companies, and radio shows. Members of the Communist Party, in particular, used folk music to promote labor unions, civil rights, and a peace movement. Folk music remained a vital part of popular culture throughout the Depression years into World War II. There is a particular focus on the role that folk music played in the clash between capitalism and the emerging grassroots proletarian movements
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 26
    Book
    Book
    Rochester, NY : University of Rochester Press | Woodbridge, Suffolk : Boydell & Brewer Limited
    ISBN: 9781580465489
    Language: English
    Pages: x, 242 Seiten , Illustrationen , 24 cm
    Series Statement: Eastman studies in music v. 131
    Series Statement: Eastman studies in music
    DDC: 781.640973/0954
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Popular music History and criticism ; Popular music American influences ; African American musicians ; Popmusik ; Musiker ; Schwarze ; Afroamerikanische Musik ; Unterhaltungsmusik ; Indien ; USA ; Britisch-Indien ; USA ; USA ; Unterhaltungsmusik ; Britisch-Indien ; USA ; Popmusik ; Afroamerikanische Musik ; Britisch-Indien ; USA ; Schwarze ; Musiker ; Britisch-Indien
    Abstract: "American Popular Music in Britain's Raj" is the first systematic study of the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the mid-nineteenth and mid-twentieth centuries. The book describes the entertainment idioms and frameworks that supported the growth of these imported styles; further, it surveys a variety of historical contexts under colonialism that influenced their meaning and commercial value. Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of this music between the United States, England, and India, and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries. - Bradley G. Shope is assistant professor of music at Texas A&M University-Corpus Christi. (Klappentext)
    Description / Table of Contents: List of Figures. - Acknowledgments. - Introduction. - 1 Entertainment Globalization, 1850s to 1910s. - 2 Technologies, Exoticism, and Entrepreneurs, 1920s and 1930s. - 3 Calcutta in the War. - 4 The Case of Lucknow. - 5 Cabaret Sequences in Hindi Films. - Afterword. - Notes. - Bibliography. - Filmography and Discography. - Index
    Note: Series numbering from CIP data. - Includes bibliographical references (pages 205-227), filmography (pages 229-230), discography (page 230) and index
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  • 27
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226305523 , 9780226305493
    Language: English
    Pages: vii, 312 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    DDC: 780.7873
    RVK:
    RVK:
    RVK:
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    Keywords: Music festivals ; Music festival attendees ; Festival ; Musikleben ; Kulturwirtschaft ; USA ; USA ; Musikleben ; Festival ; USA ; Kulturwirtschaft ; Festival
    Note: Includes bibliographical references and index
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  • 28
    Book
    Book
    London [u.a.] : Routledge
    ISBN: 9780415881807 , 9780415881814 , 9781315857671
    Language: English
    Pages: XV, 465 S. , Ill., Notenbeisp.
    Additional Material: 1 CD
    Edition: 2. ed.
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
    RVK:
    Keywords: African Americans / Music / History and criticism ; Musik ; Schwarze. USA ; Musik ; Afroamerikanische Musik ; Musikleben ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Musik ; USA ; Schwarze ; Musikleben ; Afroamerikanische Musik
    Note: Previous ed.: 2006
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  • 29
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780199379866
    Language: English
    Pages: 1 Online-Ressource (xviii, 197 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 793.33097471
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Einwanderer ; Geschichte ; Gesellschaft ; Ballroom dancing / New York (State) / New York / History / 20th century ; Dance / New York (State) / New York / History / 20th century ; Dance / Social aspects / New York (State) / New York / History / 20th century ; Jazz / New York (State) / New York / 1921-1930 / History and criticism ; Music and race / New York (State) / New York / History / 20th century ; Immigrants / New York (State) / New York / History / 20th century ; Racism / United States / History / 20th century ; Ragtime ; Ethnische Beziehungen ; Einwanderung ; Jazz ; Tanz ; USA ; New York (N.Y.) / Race relations / History / 20th century ; New York, NY ; New York, NY ; Tanz ; Ragtime ; Jazz ; Ethnische Beziehungen ; Einwanderung
    Abstract: 'Modern Moves' examines the movement of American social dances between black and white cultural groups and immigrant and migrant communities during the early twentieth century. It is structured by five overlapping case studies drawn from the disparate and yet related dance scenes of Manhattan, a black Atlantic capital into which diverse people and dances flowed and intermingled, and out of which new dances were marketed globally
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 30
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199389223
    Language: English
    Pages: 1 Online-Ressource (241 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 782.14
    RVK:
    RVK:
    RVK:
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    Keywords: Kern, Jerome, ; Kern, Jerome ; Geschichte 1900-2000 ; Geschichte ; Geschichte ; Music and race History 20th century ; Sänger ; Aufführung ; Ethnische Identität ; USA ; Kern, Jerome 1885-1945 Show boat ; Sänger ; Aufführung ; Ethnische Identität ; Geschichte
    Abstract: "Who should sing Ol' man river? : the lives of an American song tells the almost eighty-year performance history of a great popular song. Examining over two hundred recorded and filmed versions of Jerome Kern and Oscar Hammerstein II's classic song, the book reveals the power of performers to remake one popular song into many different guises"...Provided by publisher
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 31
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780190246068
    Language: English
    Pages: 1 Online-Ressource (XII, 409 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 793.33
    RVK:
    RVK:
    Keywords: Geschichte 1946-2016 ; Salsa (Dance) / California / Los Angeles ; Salsa (Dance) / Florida / Miami ; Salsa (Dance) / New York (State) / New York ; Mambo (Dance) ; Dance / Caribbean Area ; Mambo ; Salsa ; Sozialer Wandel ; Kommerzialisierung ; USA ; USA ; Salsa ; Mambo ; Kommerzialisierung ; Sozialer Wandel ; Geschichte 1946-2016
    Abstract: From mambo to salsa : dancing across generational divides -- How Fania, hustle, and salsa romántica gave birth to studio salsa : commercialization of New York salsa music and dance -- Academies or kitchens : refashioning latino cultural identities -- On-1 vs. on-2 : rhythm debates -- Neck drops, aerial cartwheels, and body rolls : L.A. style salsa -- Spaghetti arms, pretzel turns, and ruedas : casino dancing in Cuba and Miami -- Redirecting dance migration through hyperlinks : how the web gave birth to congress salsa -- From social dance floors to professional stages
    Abstract: This book traces history of salsa dance over three locations (New York, Los Angeles, and South Florida). It provides a fully integrated approach to dance and music history and addresses the way salsa functions as a commodity
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 32
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780190230944
    Language: English
    Pages: 1 Online-Ressource (XVI, 369 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 201/.678165
    RVK:
    Keywords: Geschichte ; Gesellschaft ; Musik ; Religion ; Jazz Religious aspects ; Jazz History and criticism ; Music Social aspects ; Religion ; Jazz ; USA ; USA ; USA ; Jazz ; Religion ; Geschichte
    Abstract: This is the first comprehensive comparative study of religions in the history of American jazz, and of jazz's contributions to American religions. Going beyond extant biographical studies of individual exemplars, or cursory attention to either 'spirituality' or jazz in the civil rights movement, the book argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that attention to jazz opens up new interpretations of American religious history.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 33
    Online Resource
    Online Resource
    Jackson, Mississippi : University Press of Mississippi
    ISBN: 9781626740846 , 9781628461572
    Language: English
    Pages: 1 Online-Ressource (XIX, 256 Seiten)
    Series Statement: American Made Music Series
    Uniform Title: Free jazz - black power
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte 1945-1970 ; Geschichte ; Gesellschaft ; Schwarze. USA ; Jazz History and criticism ; Free jazz History and criticism ; African Americans History 1964- ; Jazz Social aspects ; Black power ; Free Jazz ; Schwarze ; USA ; USA ; Free Jazz ; Black power ; Geschichte ; USA ; Free Jazz ; Schwarze ; Geschichte 1945-1970
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 34
    Book
    Book
    Basingstoke [u.a.] : Palgrave Macmillan
    ISBN: 9781137378095
    Language: English
    Pages: X, 200 S.
    DDC: 781.6420973
    RVK:
    RVK:
    Keywords: Soul ; Country and western music ; Gesellschaft ; Kulturelle Identität ; USA
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  • 35
    Language: English
    Pages: XI, 347 S.
    RVK:
    Keywords: Rodgers, Richard 〈1902-1979〉 ; Gesellschaft ; Festivals Social aspects ; Festivals ; Musical revues, comedies, etc. ; Historisches Festspiel ; Musical ; Europa ; USA ; Hochschulschrift ; Musical ; Historisches Festspiel
    Note: Kopie, erschienen im Verl. Univ. Microfilms Internat., Ann Arbor, Mich. - Eugene, Or., Univ.of Oregon, Diss.
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  • 36
    Book
    Book
    New York : Da Capo Pr.
    ISBN: 030680302X
    Language: English
    Pages: 258 S. , Ill.
    Edition: Reprint.
    Series Statement: A Da Capo paperback
    DDC: 782.42165
    RVK:
    Keywords: Geschichte 1900- ; Jazz musicians ; Jazz ; Geschichte ; USA ; USA ; USA ; Jazz ; Geschichte 1900- ; Jazz ; Geschichte
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  • 37
    ISBN: 091872838x , 091872838X
    Language: English
    Pages: IX, 211 S. , Ill., Noten
    Series Statement: Sociology of music no. 3
    Series Statement: Sociology of music
    DDC: 784.5/00973
    RVK:
    Keywords: Popular music History and criticism To 1901 ; Musikgeschichte ; Soziologie ; Amerika Nord-Amerika ; Populäre Musik ; USA ; Volkstümliche Musik ; Geschichte 1815-1860 ; USA ; Volksmusik ; Geschichte 1830-1860
    Note: Literaturverzeichnis S. 183 - 195
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  • 38
    Language: German , English
    Pages: 296 S. , Ill., Notenbeisp.
    RVK:
    RVK:
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    Keywords: Schwarze ; Ballade ; Lyrik ; Lied ; Negrospiritual ; USA ; Anthologie ; Anthologie ; Anthologie ; Anthologie ; Anthologie ; Anthologie ; Anthologie ; Schwarze ; Ballade ; USA ; Schwarze ; Lied ; USA ; USA ; Lyrik ; Schwarze ; Negrospiritual
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  • 39
    Book
    Book
    New York : Pathfinder Pr.
    ISBN: 0873481291
    Language: English
    Pages: 280 S. , Ill.
    Edition: 5. print.
    RVK:
    Keywords: Musik ; Nationalismus ; Schwarze ; USA ; USA ; Schwarze ; Nationalismus ; Musik
    Note: Expanded and rev. 2. ed. u.d.T.: Kofsky, Frank: John Coltrane and the jazz revolution of the 1960s
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  • 40
    Book
    Book
    New York : Vintage Books a division of Random House
    ISBN: 0394511638 , 0394722469
    Language: English
    Pages: 286 Seiten
    Edition: First Vintage Books Edition
    RVK:
    RVK:
    Keywords: Geschichte 1950-1997 ; Geschichte 1945- ; Musik ; USA ; USA ; Musik ; Geschichte 1950-1997 ; USA ; Musik ; Geschichte 1945-
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  • 41
    Book
    Book
    New York. NY [u.a.] : Norton
    ISBN: 0393952797
    Language: English
    Pages: XX, 602 S.
    Edition: 2. ed.
    DDC: 781.7296073
    RVK:
    RVK:
    Keywords: Geschichte ; Schwarze ; Musik ; Afroamerikanische Musik ; USA ; Amerika
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  • 42
    Book
    Book
    New York [u.a.] : Garland
    ISBN: 082409235X
    Language: English
    Pages: XXVII, 379 S.
    Series Statement: Garland reference library of the humanities 361
    Series Statement: Garland reference library of the humanities
    DDC: 811/.52/08089073
    RVK:
    RVK:
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    Keywords: Geschichte 1920-1942 ; Tonträger ; Blues ; USA ; Anthologie ; Verzeichnis ; Tonträger ; Anthologie ; Verzeichnis ; Anthologie ; Verzeichnis ; USA ; Blues ; Blues ; Tonträger ; Blues ; Geschichte 1920-1942 ; Blues ; Geschichte 1920-1942 ; Tonträger
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  • 43
    ISBN: 0137831676 , 0137831595
    Language: English
    Pages: XIV, 162 S. , Ill., Kt., graph. Darst., Notenbeisp.
    Series Statement: A Spectrum Book
    DDC: 781.76
    RVK:
    Keywords: Rezeption ; Afroamerikanische Musik ; Musik ; Afrika ; USA ; African music ; Afrika ; Musik ; Afrika ; Musik ; Rezeption ; USA ; Afroamerikanische Musik
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  • 44
    ISBN: 0517547791 , 0517547805
    Language: English
    Pages: 224 S. , Ill.
    Edition: 1. American ed.
    DDC: 780/.92/4
    RVK:
    Keywords: Schwarze ; Musiker ; Musik ; Biografie ; USA ; Wörterbuch ; Biografie ; Wörterbuch ; Biografie ; Wörterbuch ; Biografie ; Schwarze ; Musiker ; USA ; Biografie ; USA ; Musik ; Schwarze ; Biografie
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  • 45
    Book
    Book
    Westport, Conn. [u.a.] : Greenwood Press
    ISBN: 0313213399
    Language: English
    Pages: XVIII, 478 S.
    Series Statement: The Greenwood encyclopedia of black music
    DDC: 780/.92/2
    RVK:
    RVK:
    RVK:
    Keywords: Musiker ; Popmusiker ; Biografie ; Schwarze ; Amerika ; Afrika ; USA ; Biografie ; Wörterbuch ; Biografie ; Wörterbuch ; Biografie ; Wörterbuch ; Biografie ; Biografie ; Wörterbuch ; Biografie ; Wörterbuch ; Biografie ; Wörterbuch ; Biografie ; Schwarze ; Musiker ; USA ; Biografie ; Afrika ; Musiker ; Schwarze ; Biografie ; USA ; Popmusiker ; Biografie ; Afrika ; Musiker ; Biografie ; Amerika ; Schwarze ; Musiker ; Biografie ; USA ; Musiker ; Biografie
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  • 46
    Book
    Book
    New York, N. Y. : DaCapo Pr.
    ISBN: 0306801841
    Language: English
    Pages: XXV, 201 S. , Ill.
    Series Statement: A DaCapo paperback
    DDC: 780.89
    RVK:
    Keywords: Musik ; Schwarze. USA ; African Americans Music History and criticism ; Afroamerikanische Musik ; Musik ; Geschichte ; Schwarze ; USA ; USA ; Musik ; Schwarze ; Geschichte ; Afroamerikanische Musik ; Geschichte
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  • 47
    Book
    Book
    Metuchen, NJ : Scarecrow Press
    ISBN: 0810814439
    Language: English
    Pages: IX, 723 Seiten
    DDC: 016.7817296073
    RVK:
    RVK:
    Keywords: Schwarze ; Musik ; USA ; Bibliografie 1880-1979 ; Bibliografie 1880-1979 ; Bibliografie 1880-1979 ; Bibliografie 1880-1979 ; Bibliografie 1880-1979 ; Bibliografie ; Bibliografie
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  • 48
    Book
    Book
    Baton Rouge [u.a.] : Louisiana State Univ. Press
    ISBN: 0807124966
    Language: English
    Pages: 226 S. , Ill.
    DDC: 785.42/092/4
    RVK:
    Keywords: Page, Drew 〈1905-〉 ; Page, Drew ; Jazz musicians Biography ; USA ; Autobiografie ; Autobiografie ; Page, Drew 1905-1990
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  • 49
    Book
    Book
    Berkeley : University of California Press
    ISBN: 0520036719
    Language: English
    Pages: XIX, 248 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.57209041
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte 1900- ; Ragtime ; Geschichte ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis Seite 215 - 237
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