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  • Bayreuth UB  (26)
  • Buch  (25)
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  • Englisch  (26)
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  • Musik  (10)
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  • Criticism, interpretation, etc  (6)
  • Islam  (4)
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  • Musikwissenschaft  (14)
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  • 1
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Sprache: Englisch
    Seiten: x, 180 Seiten , 19,8 cm
    Serie: Genre, a 33 1/3 series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.630968
    RVK:
    Schlagwort(e): Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    ISBN: 9783828848221
    Sprache: Englisch
    Seiten: XXVI, 323 Seiten , Illustrationen, Karte, Notenbeispiele , 21 cm x 14.8 cm
    Ausgabe: 1st edition
    Serie: Wissenschaftliche Beiträge aus dem Tectum Verlag Band 19
    Serie: Reihe Musikwissenschaft
    Serie: Wissenschaftliche Beiträge aus dem Tectum Verlag
    Paralleltitel: Erscheint auch als
    DDC: 781.71009669
    RVK:
    Schlagwort(e): Kirchenmusik ; Anbetung ; Christentum ; Musik ; Nigeria ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Nigeria ; Musik ; Christentum ; Anbetung ; Nigeria ; Kirchenmusik
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 3
    ISBN: 9783658399535 , 3658399538
    Sprache: Englisch
    Seiten: XI, 216 Seiten , 21 cm, 308 g
    Paralleltitel: Erscheint auch als
    DDC: 306.697
    RVK:
    Schlagwort(e): Islam ; Moderne ; Weltgesellschaft ; Islam ; Modernity ; Middle East ; World Society ; Multiple Modernities ; Islamic Reform Movement ; World Culture ; Provincialisation of Europe ; Social theory ; Criticism of Orientalism ; Islamic Studies ; Postcolonialism ; Weltgesellschaft ; Islam ; Moderne
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 4
    Bild
    Bild
    Washington, DC : Smithsonian Books
    ISBN: 9781588347404 , 9781588347718
    Sprache: Englisch
    Seiten: 216 Seiten , 26 cm
    DDC: 305.896073
    RVK:
    RVK:
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    Schlagwort(e): Geschichte ; Popkultur ; Afrofuturismus ; Person of Color ; Schwarze ; USA ; Afrofuturism ; African American arts ; Black people in art ; Outer space / In art ; Black people in popular culture / United States ; National Museum of African American History and Culture (U.S.) / Catalogs ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; USA ; Schwarze ; Afrofuturismus ; Person of Color ; Popkultur ; Geschichte
    Kurzfassung: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"
    Beschreibung / Inhaltsverzeichnis: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis
    Anmerkung: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke
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  • 5
    ISBN: 9783643914293
    Sprache: Englisch
    Seiten: ii, 312 Seiten , Illustrationen , 21 cm
    Serie: Afrikanische Studien / African Studies 64
    Paralleltitel: Erscheint auch als
    DDC: 378.05096
    RVK:
    Schlagwort(e): Interaktion ; Zwischenmenschliche Beziehung ; Campus ; Universität ; Religion ; Islam ; Muslim ; Subsaharisches Afrika ; Muslims ; Islam ; Religion ; University campuses ; Social interactions ; Sub-Saharan Africa ; Islam ; Muslim ; Subsaharisches Afrika ; Religion ; Universität ; Campus ; Interaktion ; Zwischenmenschliche Beziehung
    Kurzfassung: Abstract: This volume examines religiosity on university campuses in Sub-Saharan Africa. Focusing on both individuals and organized groups, the contributions open a window onto how religion becomes a factor, affects social interactions, is experienced and mobilized by various actors. It brings together case studies from various disciplinary backgrounds (anthropology, sociology, history, religious studies, literature) and theoretical orientations to illustrate the significance of religiosity in recent developments on university campuses. It pays a particular attention to religion-informed activism and contributes a fresh analysis of processes that are shaping both the experience of being student and the university campus as a moral space. Last but not least, it sheds light onto the ways in which the campus becomes a site of a reformulation of both religiosity and sociality.
    Anmerkung: Favier, Vincent : Mobiliser l'Histoire dans le contexte académique nigérien , Madore, Frédérick : Exister en contexte autoritaire: les associations étudiantes chrétiennes et islamiques à l'Université de Lomé sous Gnassingbé Eyadéma, 1970–2005 , Madore, Frédérick; Binaté Issouf : Islam on University Campuses in Côte d'Ivoire since the 1970s: Muslim Intellectuals and Francophone Salafism , Sounaye, Abdoulaye; Madore, Frédérick : Introduction: Religiosity on University Campuses in Africa , Mahamadou, Bello Adamou : Tuba», une construction de l’identité religieuse par les étudiants salafis et pentecôtistes de l’Université Abdou Moumouni de Niamey, Niger​
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  • 6
    Buch
    Buch
    Cambridge, UK ; Medford, MA : polity
    ISBN: 9781509548330 , 9781509548323
    Sprache: Englisch
    Seiten: xxvii, 103 Seiten , 22 cm
    Serie: Critical South
    Originaltitel: Le triangle et l'hexagone
    Paralleltitel: Erscheint auch als
    DDC: 305.48
    RVK:
    Schlagwort(e): Schwarze ; Integration ; Ethnische Identität ; Frankreich ; Soumahoro, Maboula / 1976- ; Black people / France / Biography ; Women, Black / France / Biography ; Black people / Race identity / France ; Women, Black / Race identity / France ; Racism / France ; Blacks ; Blacks / Race identity ; Racism ; Women, Black ; France ; Biographies ; Frankreich ; Schwarze ; Ethnische Identität ; Integration
    Kurzfassung: "A powerful reflection on race and identity in the Black/African diaspora"--
    Beschreibung / Inhaltsverzeichnis: Foreword / Saidiya Hartman -- Introduction. Black speech/speaking blackness -- The triangle -- University trajectory -- The hexagon -- Conclusion: The orbs are black, or, what beauty owes to chaos
    Anmerkung: "Originally published in French as Le triangle et l'hexagone: Réflexions sur une identité noire © Éditions La Découverte, Paris, 2020.
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  • 7
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501374715 , 9781501374753
    Sprache: Englisch
    Seiten: vii, 290 Seiten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Fela ; Afrobeat ; Fela / 1938-1997 / Criticism and interpretation ; Fela / 1938-1997 / Philosophy ; Fela / 1938-1997 / Political and social views ; Afrobeat / Social aspects / Nigeria ; Afrobeat / Political aspects / Nigeria ; Nigeria / Politics and government / 20th century ; Afrobeat / Aspect social / Nigeria ; Afrobeat / Aspect politique / Nigeria ; Nigeria / Politique et gouvernement / 20e siècle ; Fela / 1938-1997 ; Philosophy ; Political and social views ; Politics and government ; Nigeria ; 1900-1999 ; Criticism, interpretation, etc ; Fela 1938-1997 ; Afrobeat
    Kurzfassung: "Reappraises the life, musical dynamics, and philosophy of Afrobeat legend Fela Anikulapo Kuti, and positions his music within the context of Africa's search for freedom"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Fela Anikulapo-Kuti and Fela Studies ; Fela in Perspectives -- Part A. History and Culture. Natal Tales : Fela and His Family ; The Performative Rhythm : From Highlife to Afrobeat ; The "Woman Question" : Fela and His Wives -- Part B. Fela, Art and Politics. Fela and the Postcolonial Political Economy of Nigeria ; The Politics of Fela's Music ; Fela's Use of Language ; Postcoloniality and Art in Fela and His Afrobeat -- Part C. Fela and Felasophy. Cultural Imperatives in Fela's Music ; Fela's Thoughts on African Indigenous Knowledge Systems ; Fela and Pan-Africanism ; Blackism : Fela's Political Philosophy ; Freedom and Excesses : Fela and His Social Eccentricities -- Part D. Fela in the Future. Post-Fela : Afrobeats as Memorialization ; Fela as a Legacy
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  • 8
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501379291 , 9781501379338
    Sprache: Englisch
    Seiten: 140 Seiten
    Paralleltitel: Online version Campbell, Mark V. Afrosonic life
    RVK:
    Schlagwort(e): Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Kurzfassung: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Beschreibung / Inhaltsverzeichnis: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
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  • 9
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780197549568 , 9780197549551
    Sprache: Englisch
    Seiten: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Serie: Currents in Latin American & Iberian music
    Paralleltitel: Erscheint auch als
    DDC: 781.6296081/42
    RVK:
    Schlagwort(e): Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Kurzfassung: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Beschreibung / Inhaltsverzeichnis: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 10
    Buch
    Buch
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Sprache: Englisch
    Seiten: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
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    Schlagwort(e): Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Kurzfassung: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Anmerkung: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 11
    Buch
    Buch
    Sheffield, UK ; Bristol, CT : Equinox Publishing Ltd
    ISBN: 9781781797860 , 9781781797853
    Sprache: Englisch
    Seiten: xiv, 200 Seiten , Illustrationen
    Serie: Transcultural music studies
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1970-1990 ; Bikutsi ; Kamerun ; Bikutsi / History and criticism ; Beti (African people) / Music / History and criticism ; Popular music / Cameroon / History and criticism ; Bikutsi ; Popular music ; Cameroon ; Criticism, interpretation, etc ; Kamerun ; Bikutsi ; Geschichte 1970-1990
    Kurzfassung: "This book offers the first ethnographically informed, in-depth historical study of the Cameroonian popular music genre bikutsi. The thriving dance music in Cameroon's day-to-day life has its foundation in the specific historical processes of the 1970s and 1980s, which led to the recognition of bikutsi as a distinct genre of Cameroonian dance music. Examining these processes in detail, this book analyses the various factors involved in the rise of a popular music genre within a national music scene"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Putting Bikutsi in Context -- The Sound of Yaoundé in the 1970s -- Women's Song-and-Dance-Pieces : The 'Original' Bikutsi -- Bikutsi on the Mendzánj : Dance Music on Xylophone Ensembles -- Musical Changes towards Beti Music by Modern Dance Bands in Yaoundé in the 1970s -- Performing Beti 'Village' Music : The Bikutsi of Les Vétérans -- Bikutsi in the 1980s: Political Change, Diversification, the Use of Télévision and Les Tétes Brulées -- Conclusion. Bikutsi Shifts
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  • 12
    Buch
    Buch
    Mankon, Bamenda : Langaa Research & Publishing CIG
    ISBN: 9956551090 , 9789956551095
    Sprache: Englisch
    Seiten: xii, 243 Seiten
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    Schlagwort(e): Dibango, Manu ; Musik ; Kamerun ; Dibango, Manu 1933-2020 ; Kamerun ; Musik
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  • 13
    Buch
    Buch
    Durham ; London : Duke University Press
    ISBN: 9781478011040 , 9781478010005
    Sprache: Englisch
    Seiten: xiii, 221 Seiten , Illustrationen
    Serie: Errantries
    Paralleltitel: Erscheint auch als
    DDC: 305.896/073
    RVK:
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    Schlagwort(e): African Americans Study and teaching ; African Americans Social conditions ; Race Philosophy ; African American feminists ; Cross-cultural studies ; Rassismus ; Kunst ; Schwarze ; Philosophie ; Musik ; Identität ; Schwarze ; Identität ; Rassismus ; Philosophie ; Kunst ; Musik
    Kurzfassung: He Liked to Say That This Love Was the Result of a Clinical Error -- Curiosities (My Heart Makes My Head Swim) -- Footnotes (Books and Papers Scattered about the Floor) -- The Smallest Cell Remembers a Sound -- Consciousness (Feeling like, Feeling like This) -- Something That Exceeds All Efforts to Definitively Pin It Down -- No Place, Unknown, Undetermined -- Notes -- Black Ecologies. Coral Cities. Catch a Wave -- Charmaine's Wire -- Polycarbonate, Aluminum (Gold), and Lacquer -- Black Children -- Telephone Listing -- Failure (My Head Was Full of Misty Fumes of Doubt) -- The Kick Drum Is the Fault -- (Zong) Bad Made Measure -- I Got Life/Rebellion Invention Groove -- (I Entered the Lists) -- Dear Science
    Kurzfassung: "In Dear Science and Other Stories Katherine McKittrick presents a creative and rigorous study of black and anticolonial methodologies. Drawing on black studies, studies of race, cultural geography, and black feminism as well as a mix of methods, citational practices, and theoretical frameworks, she positions black storytelling and stories as strategies of invention and collaboration. She analyzes a number of texts from intellectuals and artists ranging from Sylvia Wynter to the electronica band Drexciya to explore how narratives of imprecision and relationality interrupt knowledge systems that seek to observe, index, know, and discipline blackness. Throughout McKittrick offers curiosity, wonder, citations, numbers, playlists, friendship, poetry, inquiry, song, grooves, and anticolonial chronologies as interdisciplinary codes that entwine with the academic form. Suggesting that black life and black livingness are, in themselves, rebellious methodologies, McKittrick imagines without totally disclosing the ways in which black intellectuals invent ways of living outside prevailing knowledge systems"--
    Anmerkung: Includes bibliographical references and index
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  • 14
    ISBN: 9781498576208 , 9781498576222
    Sprache: Englisch
    Seiten: xiii, 283 Seiten , 24 x 16 cm
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Musik ; Künstler ; Widerstand ; Literatur ; Provinz Ostkap ; Music / Social aspects / South Africa / Eastern Cape / History ; Oral tradition / Social aspects / South Africa / Eastern Cape / History ; Government, Resistance to / South Africa / Eastern Cape / History ; Xhosa (African people) / South Africa / Eastern Cape / Social conditions ; Eastern Cape (South Africa) / Social conditions / History ; Eastern Cape (South Africa) / Race relations / History ; Government, Resistance to ; Music / Social aspects ; Oral tradition / Social aspects ; Race relations ; Social conditions ; Xhosa (African people) / Social conditions ; South Africa / Eastern Cape ; History ; Provinz Ostkap ; Künstler ; Widerstand ; Musik ; Literatur
    Kurzfassung: "Explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region's role in the history of South African protest politics and creativity"--
    Beschreibung / Inhaltsverzeichnis: "We Create Our Own Language" -- "Unite Like a Ball of Scrapings": Early History to the 1850s -- "Turn Phalo's Land on Its Head": Late Nineteenth and Early Twentieth Centuries -- "You Sent Us the Light, We Sit in the Dark": 1920s-1940s -- "A Spirit That Could Not Be Broken": 1950s-1960s -- "A Land in Calamity's Shadow": 1970s-1980s -- "Our Bull Has Escaped from the Pound": 1990s to the Present
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  • 15
    Buch
    Buch
    Colchester ; New York ; Port Watson : Minor Compositions
    ISBN: 9781570273780
    Sprache: Englisch
    Seiten: 178 Seiten , Illustrationen
    DDC: 303.3
    RVK:
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    Schlagwort(e): Radikalismus ; Soziale Kontrolle ; Schwarze ; USA ; USA ; Schwarze ; Radikalismus ; Soziale Kontrolle
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  • 16
    Buch
    Buch
    Berlin : VWB - Verlag für Wissenschaft und Bildung
    ISBN: 9783861356561 , 3861356562
    Sprache: Englisch
    Seiten: IV, 447 Seiten , Illustrationen , 25 cm, 1060 g
    Serie: Intercultural music studies 24
    DDC: 780.89
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    Schlagwort(e): Musik ; Interkulturalität ; Musikleben ; Musikethnologie ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017
    Anmerkung: Literaturverzeichnis Seite 371-414
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  • 17
    ISBN: 9789004437289
    Sprache: Englisch
    Seiten: XI, 257 Seiten , Illustrationen
    Serie: Islam in Africa volume 23
    Serie: Islam in Africa
    Paralleltitel: Erscheint auch als Abubakar, Dauda "They love us because we give them zakāt"
    Dissertationsvermerk: Dissertation Freie Universität Berlin 2014
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    Schlagwort(e): Jos (Nigeria) / Religious life and customs ; Jos (Nigeria) / Social conditions ; Nigeria / Jos ; Zakat / Nigeria / Jos ; Zakat / Economic aspects / Nigeria / Jos ; Zakat / Social aspects / Nigeria / Jos ; Islam / Nigeria / Jos ; Islam / Customs and practices ; Muslims / Nigeria / Jos / Social conditions ; Muslims / Nigeria / Jos / Economic conditions ; Islam ; Muslims / Economic conditions ; Muslims / Social conditions ; Social conditions ; Zakat ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Kurzfassung: "In 'They Love Us Because We Give Them' Zakāt, Dauda Abubakar describes the practice of Zakāt in northern Nigeria. Those who practice this pillar of Islam annually deduct Zakāt from their wealth and distribute it to the poor and needy people within their vicinity, mostly their friends, relatives and neighbours. The practice of giving and receiving Zakāt in northern Nigeria often leads to the establishment of social relations between the rich and needy. Dauda Abubakar provides details of the social relationship in the people's interpersonal dealings with one another that often lead to power relations, high table relations etc. The needy reciprocate the Zakāt they collect in many ways, respecting and given high positions to the rich in society"-- (Quelle: Buchrücken)
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  • 18
    Buch
    Buch
    Bradford, Ontario : Demeter
    ISBN: 9781772582222
    Sprache: Englisch
    Seiten: 245 Seiten , Illustrationen
    DDC: 306.7085/2
    RVK:
    Schlagwort(e): Gesellschaft ; Feminismus ; Sexualverhalten ; Mutterschaft ; Mutterrolle ; Mothers / Sexual behavior ; Sex ; Motherhood ; Motherhood ; Mothers / Sexual behavior ; Sex ; Feminismus ; Mutterschaft ; Sexualverhalten ; Gesellschaft ; Mutterrolle ; Sexualverhalten
    Kurzfassung: "Mothers, Sex, and Sexuality talks about things not normally dared spoken out loud—the interconnectedness and conflict between our parental and sexual selves, the taboo of the sexual mother, and why it matters so much to shatter it. What is it about the sexual mother that is incompatible, and at times even disturbing? Why are we threatened by maternal sexuality? And what does this tell us about the structures of gender and power that govern our bodies? Mothers, Sex, and Sexuality presents a rigorous academic analysis of the myriad ways in which the sexual/maternal divide affects women, birthing people, and those of us who assume or are ascribed the title "mother". We examine the way we as mothers talk to our daughters about sex, the way we talk about sex in a cultural context, and the deafening silence around sex in a medical system that overlooks maternal sexuality. We return repeatedly to the impact of both Christianity and Hinduism on the mother as someone to be revered but tightly controlled. We embrace the lost eroticism of mothering and hail breastfeeding as a sexual maternal practice, arguing for a new, broader, feminist understanding of sexuality. We discuss the way fat mothers destabalise the heteronormative maternal model, the way kinky queers are reconfiguring the sexual/maternal divide through erotic role-play, and we explore the strange, intense, and romantic domestic relationship that springs up between mothers and nannies—two heterosexual women trapped together in a homoerotic triangulation of need and desire. In a titillating climax we revel in the sexual maternal as embodied through performance art, poetry, installations, and comedy, disrupting queer readings of bodies as we are invited to both fuck, and fuck with, the maternal. This book boldly provides both a challenge to the patriarchal constraints of motherhood and a racy road-map escape route out of the sexual-maternal dichotomy."--
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  • 19
    Buch
    Buch
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910037 , 9781517910044
    Sprache: Englisch
    Seiten: 192 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Kurzfassung: "A sixty-year history of Afro-South Asian musical collaborations"--
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    URL: Volltext  (kostenfrei)
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  • 20
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    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367659929
    Sprache: Englisch
    Seiten: XV, 415 Seiten , Illustrationen
    Ausgabe: First issued in paperback
    Serie: Routledge companion
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Kollektives Gedächtnis ; Geschichtsschreibung ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Geschichtsschreibung ; Kollektives Gedächtnis
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 21
    Buch
    Buch
    New York : New York University Press
    ISBN: 9781479829965 , 9781479820375
    Sprache: Englisch
    Seiten: ix, 271 Seiten , Illustrationen
    Serie: Critical cultural communication
    Paralleltitel: Erscheint auch als
    DDC: 302.2308996073
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    Schlagwort(e): Computerunterstützte Kommunikation ; Identität ; Internet ; Schwarze ; USA ; African Americans / Communication ; African Americans and mass media ; African Americans / Intellectual life / 21st century ; Internet / Social aspects / United States ; Online social networks / United States ; USA ; Internet ; Identität ; Schwarze ; Computerunterstützte Kommunikation
    Anmerkung: Includes bibliographical references and index
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  • 22
    ISBN: 9783487155326 , 348715532X
    Sprache: Englisch
    Seiten: 188 Seiten , Illustrationen, Karten , 23 cm, 320 g
    Serie: Center for World Music. Studies in music Band 5
    Dissertationsvermerk: Dissertation Universität Hildesheim 2020
    DDC: 786.843
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    Schlagwort(e): Bura ; Musik ; Xylofon ; Musikinstrument ; Bestattungsmusik ; Soziokultur ; Nigeria ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Anmerkung: Literaturverzeichnis
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 23
    Buch
    Buch
    Chicago : The University of Chicago Press
    ISBN: 9780226664354
    Sprache: Englisch
    Seiten: 388 Seiten , Illustrationen
    DDC: 688.7/260973
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    Schlagwort(e): Novelties History ; Novelties Social aspects ; Consumption (Economics) Social aspects ; Material culture ; United States Civilization ; USA ; Massenkonsum ; Billigware ; Alltagskultur ; Gesellschaft ; Geschichte
    Kurzfassung: "Wendy Woloson considers seriously the detritus of everyday consumerist Western lives--a category that comprises objects that function as art, jokes, tools, embodiments of fantasies, cultural signifiers, status symbols, and much more; a.k.a. "crap." She seeks to use these possessions to illuminate our society, culture, and economy. Why do we--as individuals and as a culture--have these things? Where do they come from, and why do we want them? In her words, this investigation "brings together material culture, consumer culture, behavioral economics, cultural economics, the histories of industrialization, capitalism and international trade, among other disciplines." Also, there's a Lightning Sausage"--
    Anmerkung: Mit Anmerkungen
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 24
    Buch
    Buch
    Cambridge, UK ; Medford, MA : Polity Press
    ISBN: 9781509542062 , 9781509542079
    Sprache: Englisch
    Seiten: xiii, 288 Seiten , 22 cm
    Ausgabe: First published
    Serie: Critical South
    Paralleltitel: Erscheint auch als
    DDC: 305.896073
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    Schlagwort(e): Schwarze ; Ethnizität ; Soziale Bewegung ; Identität ; Entkolonialisierung ; Blacks / Study and teaching ; Blacks / Race identity ; Anti-imperialist movements ; Radicalism ; Anti-imperialist movements ; Blacks / Race identity ; Blacks / Study and teaching ; Radicalism ; Schwarze ; Identität ; Entkolonialisierung ; Ethnizität ; Soziale Bewegung
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  • 25
    Buch
    Buch
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538134023 , 9781538134016 , 1538134012 , 1538134020
    Sprache: Englisch
    Seiten: vi, 211 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 306.6
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    Schlagwort(e): Fundamentalismus ; Christentum ; Islam ; Geschlechterrolle ; Judentum ; Women in fundamentalist churches ; Jewish women ; Muslim women ; Women in Islam ; Mormon fundamentalism ; Jewish fundamentalism ; Islamic fundamentalism ; Religious fundamentalism ; Islamic fundamentalism ; Jewish women ; Jewish fundamentalism ; Mormon fundamentalism ; Muslim women ; Religious fundamentalism ; Women in fundamentalist churches ; Women in Islam ; Fundamentalismus ; Judentum ; Christentum ; Islam ; Geschlechterrolle
    Kurzfassung: Gendered Fundamentalism --Who Are They? --Modesty Above All --Marriage and Male Control --Women as Broodmares --Even More Extreme --And the Future?
    Kurzfassung: Women in Fundamentalism examines the striking similarities in three extreme fundamentalist religious communities in their views about and treatment of women
    Kurzfassung: "Women in Fundamentalism examines the striking similarities in three extreme fundamentalist religious communities in their views about and treatment of women. Whether Christian, Jewish or Muslim, the fundamentalist offshoots of these religions subject women to myriad restrictions in their daily lives. All three seek to maintain male control over women's bodies, women's activities, and the people with whom women associate. The three also share common ideologies about women's "true nature" and proper place. The specific cases covered in this text are (1) Mormon polygamists, specifically the Fundamentalist Church of Jesus Christ of Latter-Day Saints (FLDS), who live in Utah, Arizona, Texas, and isolated enclaves in Canada and Mexico; (2) the Satmar Hasidim of Williamsburg, Brooklyn; Kiryas Joel, a town in Rockland County, New York, and several settlements in Israel; and, (3) an extreme brand of Islam practiced by the Pashtun ethnic group of Afghanistan and neighboring areas of Pakistan.This book effectively bridges the disciplines of women's studies, religion, and anthropology, making it a valuable resource for professors and students seeking new qualitative and quantitative material on women's positions in various religious traditions." --
    Anmerkung: Includes bibliographical references and index
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  • 26
    ISBN: 9780226740348
    Sprache: Englisch
    Seiten: xii, 351 Seiten , Illustrationen, Notenbeispiele, Porträts
    Serie: New material histories of music
    Paralleltitel: Erscheint auch als
    DDC: 780.721
    RVK:
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    Schlagwort(e): Geschichte 1891-1961 ; Mittelalter ; Kulturvergleich ; Mission ; Kolonialismus ; Vergleichende Musikwissenschaft ; Musik ; Rezeption ; Deutsches Sprachgebiet ; Afrika ; Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    Kurzfassung: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Beschreibung / Inhaltsverzeichnis: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
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