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  • Bayreuth UB  (556)
  • Ethn. Museum Berlin  (527)
  • Book  (974)
  • Musical Score  (3)
  • E-Resource  (2)
  • English  (884)
  • French  (102)
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  • Musicology  (964)
  • General works  (26)
  • Psychology  (6)
  • Geography  (5)
Datasource
Material
Language
Keywords
  • 1
    ISBN: 9004048731
    Language: English
    Series Statement: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
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    Keywords: Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Note: Erschienen: 1 - 2
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  • 2
    ISBN: 2735112608 , 9782735112609
    Language: French , English , Indonesian
    Pages: 2 Bände + 1 DVD-ROM
    Series Statement: Référentiels, patrimoines immatériels
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    Keywords: Toradja ; Ritual ; Musik
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  • 3
    Book
    Book
    New York : Dover Publications
    Language: English
    Pages: 25 cm
    Edition: 2. rev. ed
    DDC: 016.398
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    Keywords: Folklore Bibliography ; United States ; African Americans Folklore ; Bibliography ; Indians of North America Folklore ; Bibliography ; Folk songs Bibliography ; United States ; Folk songs Bibliography ; History and criticism ; United States ; Afro-Americans Music ; Bibliography ; Afro-Americans Music ; Bibliography ; History and criticism ; Indians of North America Music ; Bibliography ; Indians of North America Music ; Bibliography ; History and criticism ; Bibliografie ; Nordamerika ; Folksong ; Nordamerika ; Volkskultur ; Nordamerika ; Indianer ; Eskimo ; Folksong ; Volkskultur
    Note: The first ed. of this work appeared in one vol
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  • 4
    Book
    Book
    London [u.a.] : Oxford Univ. Press
    ISBN: 0198164475
    Language: English
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    Keywords: Musik ; Geschichte
    Note: Angabe zum ed. board bei den Vol. 1 - 5; 7 und 10 , 2. ed. auch als "new ed." bezeichnet , Ital. Ausg. u.d.T.: Storia della musica , 2. ed. im Verlag Oxford Univ. Press, Oxford [u.a.], erschienen
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  • 5
    Language: French
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    Keywords: Musik ; Enzyklopädie
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  • 6
    Language: French , German , English
    Pages: Medienkombination
    DDC: 780.216
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    Keywords: Music libraries Directories ; Music Catalogs Manuscripts ; Quelle ; Katalog ; Bibliografie ; Führer ; Verzeichnis ; CD-ROM ; Musik ; Geschichte ; Musikbibliothek ; Musikhandschrift ; Musikalien
    Description / Table of Contents: v. 1. Canada and the United States -- v. 2. Austria, Belgium, Switzerland, Germany, Denmark, Spain -- v. 3, pt. 1. France, Finland, United Kingdom, Ireland, Luxembourg, Norway, Netherlands, Portugal, Sweden -- v. 4. Australia, Israel, Japan, New Zealand -- v. 5. Czechoslovakia, Hungary, Poland, Yugoslavia
    Note: Teilw. publ. par la Société Internationale de Musicologie et l'Association Internationale des Bibliothèques, Archives et Centres de Documentation Musicaux , Ser. A und C später nur noch im Verlag Bärenreiter, Kassel [u.a.], erschienen , Bis auf B,8 = DKL 1 ersch. Ser. B im Verlag Henle, München , B,1,2 erschien bei Università, Facoltà di Musicologica, Pavia , A, 2, CD-ROM im Verl. Saur, München, New Providence, London, Paris
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  • 7
    Book
    Book
    Cambridge [u.a.] : Univ. Press
    Language: English
    Series Statement: Cambridge readings in the literature of music
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    Keywords: Griechenland ; Musik ; Quelle
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  • 8
    Language: German , English , French , Italian
    Series Statement: Taschenbücher zur Musikwissenschaft ...
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    Keywords: Wörterbuch ; Musik ; Englisch ; Musik ; Deutsch ; Französisch ; Musik ; Deutsch ; Italienisch ; Musik ; Deutsch
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  • 9
    ISBN: 9783828848221
    Language: English
    Pages: XXVI, 323 Seiten , Illustrationen, Karte, Notenbeispiele , 21 cm x 14.8 cm
    Edition: 1st edition
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag Band 19
    Series Statement: Reihe Musikwissenschaft
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag
    Parallel Title: Erscheint auch als
    DDC: 781.71009669
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    Keywords: Kirchenmusik ; Anbetung ; Christentum ; Musik ; Nigeria ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Nigeria ; Musik ; Christentum ; Anbetung ; Nigeria ; Kirchenmusik
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 10
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Language: English
    Pages: x, 180 Seiten , 19,8 cm
    Series Statement: Genre, a 33 1/3 series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.630968
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    Keywords: Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 11
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501379291 , 9781501379338
    Language: English
    Pages: 140 Seiten
    Parallel Title: Online version Campbell, Mark V. Afrosonic life
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    Keywords: Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Abstract: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Description / Table of Contents: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 12
    ISBN: 9780226810027 , 022681002X , 9780226810164
    Language: English
    Pages: xxx, 438 Seiten , Illustrationen, Karten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 780.89928073
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    Keywords: Äthiopischer Einwanderer ; Musik ; USA
    Note: Bibliography Seite 391-416
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  • 13
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197546437 , 9780197546475
    Language: English
    Pages: xiv, 246 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.899240569442
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    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Israel
    Note: Literaturverzeichnis Seite [225]-237
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  • 14
    Book
    Book
    Mankon, Bamenda : Langaa Research & Publishing CIG
    ISBN: 9956551090 , 9789956551095
    Language: English
    Pages: xii, 243 Seiten
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    Keywords: Dibango, Manu ; Musik ; Kamerun ; Dibango, Manu 1933-2020 ; Kamerun ; Musik
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  • 15
    Book
    Book
    Durham ; London : Duke University Press
    ISBN: 9781478011040 , 9781478010005
    Language: English
    Pages: xiii, 221 Seiten , Illustrationen
    Series Statement: Errantries
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
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    Keywords: African Americans Study and teaching ; African Americans Social conditions ; Race Philosophy ; African American feminists ; Cross-cultural studies ; Rassismus ; Kunst ; Schwarze ; Philosophie ; Musik ; Identität ; Schwarze ; Identität ; Rassismus ; Philosophie ; Kunst ; Musik
    Abstract: He Liked to Say That This Love Was the Result of a Clinical Error -- Curiosities (My Heart Makes My Head Swim) -- Footnotes (Books and Papers Scattered about the Floor) -- The Smallest Cell Remembers a Sound -- Consciousness (Feeling like, Feeling like This) -- Something That Exceeds All Efforts to Definitively Pin It Down -- No Place, Unknown, Undetermined -- Notes -- Black Ecologies. Coral Cities. Catch a Wave -- Charmaine's Wire -- Polycarbonate, Aluminum (Gold), and Lacquer -- Black Children -- Telephone Listing -- Failure (My Head Was Full of Misty Fumes of Doubt) -- The Kick Drum Is the Fault -- (Zong) Bad Made Measure -- I Got Life/Rebellion Invention Groove -- (I Entered the Lists) -- Dear Science
    Abstract: "In Dear Science and Other Stories Katherine McKittrick presents a creative and rigorous study of black and anticolonial methodologies. Drawing on black studies, studies of race, cultural geography, and black feminism as well as a mix of methods, citational practices, and theoretical frameworks, she positions black storytelling and stories as strategies of invention and collaboration. She analyzes a number of texts from intellectuals and artists ranging from Sylvia Wynter to the electronica band Drexciya to explore how narratives of imprecision and relationality interrupt knowledge systems that seek to observe, index, know, and discipline blackness. Throughout McKittrick offers curiosity, wonder, citations, numbers, playlists, friendship, poetry, inquiry, song, grooves, and anticolonial chronologies as interdisciplinary codes that entwine with the academic form. Suggesting that black life and black livingness are, in themselves, rebellious methodologies, McKittrick imagines without totally disclosing the ways in which black intellectuals invent ways of living outside prevailing knowledge systems"--
    Note: Includes bibliographical references and index
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  • 16
    Book
    Book
    Berlin : VWB - Verlag für Wissenschaft und Bildung
    ISBN: 9783861356561 , 3861356562
    Language: English
    Pages: IV, 447 Seiten , Illustrationen , 25 cm, 1060 g
    Series Statement: Intercultural music studies 24
    DDC: 780.89
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    Keywords: Musik ; Interkulturalität ; Musikleben ; Musikethnologie ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Konferenzschrift 2014-2017 ; Aufsatzsammlung ; Konferenzschrift 2014-2017
    Note: Literaturverzeichnis Seite 371-414
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  • 17
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226723471 , 9780226723334
    Language: English
    Pages: xix, 244 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 781.7/7009611
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    Keywords: Sufismus ; Musik ; Ritual ; Öffentlicher Raum ; Tunesien ; Sufi music / Tunisia / History and criticism ; Sufi music / Social aspects / Tunisia ; Music / Tunisia / Religious aspects ; Sufism / Tunisia / Rituals ; Islamic music / Tunisia / History and criticism ; Islamic music / Social aspects / Tunisia ; MUSIC / History & Criticism ; Islamic music ; Music / Religious aspects ; Sufi music ; Sufism / Rituals ; Tunisia ; Criticism, interpretation, etc ; Tunesien ; Sufismus ; Musik ; Ritual ; Öffentlicher Raum
    Abstract: "Ambient Sufism is a study of the intertwined musical lives of several ritual communities in Tunisia that invoke the healing powers of long-deceased Muslim saints through music-driven trance rituals. Richard C. Jankowsky illuminates the (virtually undocumented) role of women and minorities in shaping the ritual musical ecology of the region, with case studies on men's and women's Sufi orders, Jewish and black Tunisian healing musical troupes, and the popular music of hard-drinking laborers, as well as the cohorts involved in mass-mediated staged spectacles of ritual that continue to inject ritual sounds into the public sphere. He uses the term "ambient Sufism" to illuminate these adjacent ritual practices, each serving as a musical, social, and devotional-therapeutic niche while contributing to a larger, shared ecology of practices surrounding and invoking the figures of saints. And he argues that ritual musical form--that is, the large-scale structuring of ritual through musical organization--has agency; that is, form is revealing and constitutive of experience and encourages particular subjectivities. Ambient Sufism promises many useful ideas for ethnomusicology, anthropology, Islamic and religious studies, and North African studies"--
    Description / Table of Contents: Introduction : Ambient Sufism -- Ritual reflexivity : musicality, Sufi pedigrees, and the masters of "intoxication" -- Ritual hospitality : women Sufis and the musical ethnics of accommodation -- Ritual alterity : the musical management of Sub-Saharan otherness -- Ritual remnants : legacies of Jewish-Muslim ritual musical convergences -- Ritual as resource : set-list modularity and the cultural politics of staging Sufi music -- Conclusion : ritual niches and the social work of musical form
    Note: Audio, video, and musical examples may be accessed on the accompanying website, https:///sites.tufts.edu/ambientsufism
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  • 18
    ISBN: 9780197549568 , 9780197549551
    Language: English
    Pages: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 781.6296081/42
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    Keywords: Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Description / Table of Contents: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 19
    ISBN: 9780190869137 , 9780190869144
    Language: English
    Pages: xxi, 304 Seiten , Illustrationen , 24 cm
    Series Statement: American musicspheres
    DDC: 780.8997120798
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    Keywords: Indigenes Volk ; Musik ; Alaska
    Abstract: Sound Relations: Native Ways of Doing Music History in Alaska delves into histories of Inuit musical life in Alaska to amplify the broader significance of sound as integral to self-determination and sovereignty. The book offers radical and relational ways of listening to Inuit music across a range of genres-from hip hop to Christian hymnody and drumsongs to funk and R&B - to register how a density (not difference) of Indigenous ways of musicking from a vast archive of presence sounds out radical and relational entanglements between structures of Indigeneity and colonialism. The research aims to dismantle stereotypical understandings of "Eskimos," "Indians," and "Natives" by addressing the following questions: What exactly is "Native" about Native music? What does it mean to sound (or not sound) Native? Who decides? And how can in-depth analyses of Native music that center Indigeneity reframe larger debates of race, power, and representation in twenty-first century American music historiography? Instead of proposing singular truths or facts, this book invites readers to consider the existence of multiple simultaneous truths, a density of truths, all of which are culturally constructed, performed, and in some cases politicized and policed. A sound relations approach endeavors to advance a more Indigenized music studies and a more sounded Indigenous studies that works to move beyond colonial questions of containment - "who counts as Indigenous" and "who decides" - and measurement - "how much Indigenous is this person/performance" - and toward an aesthetics of self-determination and resurgent world-making.
    Note: Literaturverzeichnis Seite [269]-290
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  • 20
    ISBN: 9781498576208 , 9781498576222
    Language: English
    Pages: xiii, 283 Seiten , 24 x 16 cm
    Parallel Title: Erscheint auch als
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    Keywords: Musik ; Künstler ; Widerstand ; Literatur ; Provinz Ostkap ; Music / Social aspects / South Africa / Eastern Cape / History ; Oral tradition / Social aspects / South Africa / Eastern Cape / History ; Government, Resistance to / South Africa / Eastern Cape / History ; Xhosa (African people) / South Africa / Eastern Cape / Social conditions ; Eastern Cape (South Africa) / Social conditions / History ; Eastern Cape (South Africa) / Race relations / History ; Government, Resistance to ; Music / Social aspects ; Oral tradition / Social aspects ; Race relations ; Social conditions ; Xhosa (African people) / Social conditions ; South Africa / Eastern Cape ; History ; Provinz Ostkap ; Künstler ; Widerstand ; Musik ; Literatur
    Abstract: "Explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region's role in the history of South African protest politics and creativity"--
    Description / Table of Contents: "We Create Our Own Language" -- "Unite Like a Ball of Scrapings": Early History to the 1850s -- "Turn Phalo's Land on Its Head": Late Nineteenth and Early Twentieth Centuries -- "You Sent Us the Light, We Sit in the Dark": 1920s-1940s -- "A Spirit That Could Not Be Broken": 1950s-1960s -- "A Land in Calamity's Shadow": 1970s-1980s -- "Our Bull Has Escaped from the Pound": 1990s to the Present
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  • 21
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517910037 , 9781517910044
    Language: English
    Pages: 192 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Abstract: "A sixty-year history of Afro-South Asian musical collaborations"--
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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  • 22
    ISBN: 9782811126889
    Language: French
    Pages: 318, XVI Seiten , Illustrationen
    Series Statement: Les Afriques
    Dissertation note: Dissertation Paris, EHESS 2013
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    Keywords: Tuareg ; Musik ; Weltmusik ; Festival ; Globalisierung ; Musikethnologie ; Mali ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: A partir d'une recherche partagée entre les scènes européennes et celles du désert de Tombouctou au Mali, ma thèse questionne les dimensions mondialisées du label « musique touarègue ». De 2006 à 2012 j'ai étudié les modalités de la fabrication de ce label dans le cadre du réseau marchand de la World Music. Ceci m'a amenée à décrire les scènes sur lesquelles il est à l'affiche, à décrypter les opérations de manipulation technique et technologique de ses sons, à identifier les formes d'adaptation au format du « concert », à saisir les négociations nécessaires pour créer l'image d'un « retour aux sources », à réfléchir aux modalités de légitimation et de revendication d'une spécificité culturelle « touarègue » au sein d'un circuit musical interconnecté et global. De 2008 à 2012 j'ai élargi mon terrain au Mali, mettant la circulation des pratiques et des imaginaires liés à la World Music au prisme d'un festival qui se tenait dans la région de Tombouctou. La flexibilité des notions d' « authenticité » et de « tradition » mobilisées par les acteurs qui ont participé à ce festival m'a encouragée à saisir l'élaboration de ce modèle qu'est la « culture nomade » à travers le miroir de ses recompositions culturelles et touristiques et de ses branchements nationaux et internationaux, dans un contexte politique particulièrement conflictuel. De l'analyse d'un festival à celle d'une chanson, des trajectoires des musiciens à celles des stéréotypes et des imaginaires collectifs, ma thèse a ainsi contribué à illustrer la complexité des enjeux de singularisation et d'altérité qui fabriquent l'espace mondialisé d'une World Music et à relever les tensions entre les projets de société qui s'y reflètent.
    Abstract: Based on a double ethnography of European stages and those in the desert around Timbuktu in Mali, my dissertation addresses the globalized aspects of the "Tuareg music" label. I begin by describing the trajectories of groups who, since the mid-1990s, have been playing on international stages, with particular attention to how they interact with the professionals who bring them into the globalized music market. This leads me to analyze how festivals showcase these groups, how this music is recorded in studios, and the media discourse surrounding it, all the while focusing on what is at stake for a type of music that is produced and consumed in different parts of the world, but which is seen as a unique object, rooted in the desert "source". I then use a festival held in the Malian Sahara as a lens to look at the circulation of practices and images associated with world music. This festival provides its own model of "desert cultures" for national and international networks, defying the difficult political and security context. Via the analysis of a festival and a song, and that of musicians' career trajectories and the paths of collective imaginaries, my study clarifies the patrimonialization processes, the cultural and touristic shifts, and the identity and political demands that come to the fore when "Tuareg music" is pushed onto the stage of musical globalization. This serves to illustrate the complexity of the claims of singularity and atherness created by the globalized space of world music, thus revealing the tensions between the societal ideals reflected in it.
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  • 23
    ISBN: 9780367659929
    Language: English
    Pages: XV, 415 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Routledge companion
    Parallel Title: Erscheint auch als
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    Keywords: Kollektives Gedächtnis ; Geschichtsschreibung ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Geschichtsschreibung ; Kollektives Gedächtnis
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  • 24
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
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    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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  • 25
    ISBN: 9783487155326 , 348715532X
    Language: English
    Pages: 188 Seiten , Illustrationen, Karten , 23 cm, 320 g
    Series Statement: Center for World Music. Studies in music Band 5
    Dissertation note: Dissertation Universität Hildesheim 2020
    DDC: 786.843
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    Keywords: Bura ; Musik ; Xylofon ; Musikinstrument ; Bestattungsmusik ; Soziokultur ; Nigeria ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis
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  • 26
    ISBN: 9780190887834
    Language: English
    Pages: xi, 344Seiten , Illustrationen , 24 cm
    Edition: First issued as an Oxford University Press paperback
    DDC: 780.956709051
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    Keywords: Iraq War, 2003-2011 Music and the war ; Music Psychological aspects ; Iraq War, 2003-2011 Psychological aspects ; Music in the army ; Sound Psychological aspects ; Golfkrieg ; Musik ; Geräusch ; Musikpsychologie
    Note: Includes bibliographical references and index
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  • 27
    ISBN: 9783861356547 , 3861356546
    Language: German , Turkish , English
    Pages: 368 Seiten , Illustrationen, Karte, Noten , 24 cm x 17 cm, 780 g
    Series Statement: Intercultural music studies 23
    Series Statement: Intercultural music studies
    DDC: 780.89
    RVK:
    RVK:
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    Keywords: Geschichte 1930-2020 ; Interkulturalität ; Musik ; Vielfalt ; Kulturaustausch ; Migration ; Türkei ; Deutschland ; Weltmusik ; Traditionelle Musik ; China ; Musikkultur ; Ethnomusikologie ; Gegenwartsmusik ; Musikpraxis ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Deutschland ; Türkei ; Musik ; Migration ; Kulturaustausch ; Interkulturalität ; Vielfalt ; Geschichte 1930-2020
    Note: Aus der Einleitung: "Die in diesem Band versammelten Beiträge gehen aus dem Symposium 'Transfer und Diversität. Musik und transkulturelle Praxis: Deitschland – Türkei' hervor, das am 08.-11. Oktober 2014 an der Humboldt-Universität zu Berlin in Kooperation mit dem Center for Advanced Studies in Music (MIAM) der Technischen Universität Istanbul (ITÜ) veranstaltet wurde." , Beiträge teilweise deutsch, teilweise türkisch, Zusammenfassungen englisch
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  • 28
    ISBN: 9780226740348
    Language: English
    Pages: xii, 351 Seiten , Illustrationen, Notenbeispiele, Porträts
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    DDC: 780.721
    RVK:
    RVK:
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    Keywords: Geschichte 1891-1961 ; Mittelalter ; Kulturvergleich ; Mission ; Kolonialismus ; Vergleichende Musikwissenschaft ; Musik ; Rezeption ; Deutsches Sprachgebiet ; Afrika ; Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    Abstract: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Description / Table of Contents: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
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  • 29
    ISBN: 9781478007906 , 9781478008361
    Language: English
    Pages: xiv, 245 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Parallel Title: Erscheint auch als Hemmasi, Farzaneh, 1975- Tehrangeles dreaming
    DDC: 781.63089915507949
    RVK:
    Keywords: Popmusik ; Iranier ; Iranischer Einwanderer ; Los Angeles, Calif. ; Iranians / California / Los Angeles / Music ; Popular music / California / Los Angeles / History and criticism ; Iranians / California / Los Angeles / Ethnic identity ; Iranian diaspora ; Popular music / Iran / History and criticism ; Music / Political aspects / Iran / History / 20th century ; Iranian diaspora ; Iranians / Ethnic identity ; Music / Political aspects ; Popular music ; California / Los Angeles ; Iran ; 1900-1999 ; Criticism, interpretation, etc ; History ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: "Tehrangeles, a name that combines Tehran and Los Angeles, is the home of an extensive Iranian expatriate culture industry. The music and popular culture created in Tehrangeles is broadcast by satellite television around the globe and has been immensely popular in Iran and throughout the Iranian diaspora. In TEHRANGELES DREAMING, Farzaneh Hemmasi traces the sources of the music's popularity, showing the ways it is unquestionably Iranian yet able to express ideas and affects not possible within the country itself. The attachment to homeland comes through the Iranian rhythms, but the music frequently features female solo singers or dancers, which are forbidden within the Iranian state. At the same time the music is associated with stereotypes of rich emigres and Southern California, and thus dismissed by others. The music is unabashedly pop and generally apolitical, which Hemmasi shows to be the source of its politics.
    Abstract: The introduction sets up the argument and tells the story of the growth of the industry and the Los Angeles Iranian community in the context of post-revolutionary Iran. Chapter 2 describes the origins of Tehrangeles dance pop and its use of the six/eight time signature, a traditional Iranian dance rhythm long-associated with intimacy. Hemmasi argues that the practices and attitudes around six/eight time establish a sense of common sociality among cultural insiders but are also a sometime source of embarrassment. Chapter 3 focuses on expatriate narratives of Iranian popular music history. Hemmasi provides three views on the history of Iranian popular music prior to the revolution from four men involved with the music business since the 1950s and 1960s. Chapter 4 is about homeland, and the desire to return to the homeland of Iran through music and the reinvention of culture.
    Abstract: Cultural producers in Tehrangeles operate within multiple moral, legal, and transnational regimes that they often only partially predict or comprehend. Chapters 5 and 6 focus on two expatriate musical celebrities who have claimed to reach and represent the nation from afar: Googoosh, who is a popular female singer; and Dariush Eghbali, who is an activist whose music and media exist in the space between political and personal transformation. The book concludes with a chapter on the changes that have occurred in Iran since the Iranian Revolution and the establishment of expatriate industries in Southern California, affirming the dreaming space of music, creation, and negotiation of both expatriates and people living in Iran. This book will be of interest to scholars in ethnomusicology, transnational media studies, Middle Eastern studies, and cultural studies"--
    Description / Table of Contents: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index
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  • 30
    Book
    Book
    Evanston : Northwestern University Press
    ISBN: 9780810138582 , 9780810103054
    Language: English
    Pages: xiii, 200 Seiten
    Edition: Open access edition, [Nachdruck der Ausgabe] 1970
    Parallel Title: Erscheint auch als
    DDC: 016.7899/12
    RVK:
    Keywords: Musik ; Music Discography ; Musiktonträger ; Afrika ; Afrika ; Diskografie ; Diskografie ; Afrika ; Musiktonträger
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  • 31
    ISBN: 9780199949267 , 9780199949243
    Language: English
    Pages: xxix, 494 Seiten , Illustrationen, Notenbeispiele, Portraits
    Parallel Title: Erscheint auch als
    DDC: 781.62/914970561
    RVK:
    Keywords: Geschichte ; Romanies Music ; History and criticism ; Music Social aspects ; Romanies Social life and customs ; Music History and criticism ; Identität ; Roma ; Musikleben ; Türkei ; Türkei West ; Roma ; Musikleben ; Identität ; Geschichte
    Note: Includes bibliographical references and index
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  • 32
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190847524 , 9780190847531
    Language: English
    Pages: xii, 208 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.609593
    RVK:
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    Keywords: Geschichte 2010-2011 ; Protest movements History ; Demonstrations History ; Sounds Social aspects ; Music Social aspects ; Musik ; Politischer Protest ; Geräuschkulisse ; Thailand Politics and government 1988- ; Bangkok ; Bangkok ; Politischer Protest ; Geräuschkulisse ; Musik ; Geschichte 2010-2011
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  • 33
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190916756 , 0190916753 , 9780190916749 , 0190916745
    Language: English
    Pages: li, 268 Seiten , Illustrationen , 24 cm
    DDC: 781.599
    RVK:
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    Keywords: Crimean War, 1853-1856 Music and the war ; Music Political aspects ; History ; 19th century ; Sound Political aspects ; History ; 19th century ; Music and war ; Music Political aspects ; Aufsatzsammlung ; Krimkrieg ; Musik ; Geräusch ; Geschichte
    Note: Includes bibliographical references and index
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  • 34
    ISBN: 9780190658359 , 9780190658366
    Language: English
    Pages: xxxii, 444 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.89/927
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    Keywords: Geschichte 1900-2000 ; Music History and criticism 20th century ; Music theory ; Music Performance ; Maqām ; Musikinstrument ; Araber ; Musik ; Musiktheorie ; Mittlerer Osten ; Mittlerer Osten ; Araber ; Musik ; Musikinstrument ; Musiktheorie ; Geschichte 1900-2000
    Note: Includes bibliographical references and index
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  • 35
    ISBN: 9780190841485 , 9780190841492
    Language: English
    Pages: xvii, 431 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Thought and play in musical rhythm
    DDC: 781.2/24
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    Keywords: Musical meter and rhythm ; Musical meter and rhythm ; Musical meter and rhythm ; Aufsatzsammlung ; Afrika ; Asien ; Europa ; Nordamerika ; Musik ; Aufführung ; Rhythmus
    Abstract: Thinking with and about rhythm / Christopher Hasty -- Formative processes of durational projection in free rhythm world music / John Roeder -- Meter and rhythm in the sung poetry of Iranian Khorasan / Stephen Blum -- An approach to musical rhythm in agbadza / David Locke -- Rhythm and the physical / Eugene Montague -- Modern drum solos over ostinatos / Fernando Benadon -- Temporal and density flow in Javanese gamelan / Sumarsam -- Layers and elasticity in the rhythm of noh songs : taking komi and its social background / Takanori Fujita -- Rhythmic metamorphoses : botanical process models on the Atlas Mountains of Morocco / Miriam Rovsing Olsen -- Mapping a rhythmic revolution through eighteenth- and nineteenth-century sources on rhythm and drumming in North India / James Kippen -- Time changes : heterometric rhythm in South Asia / Richard Widdess -- Rhythm, beat, and freedom, in South Asian musical traditions / Richard K. Wolf -- New music - new rhythm / Christopher Hasty
    Note: Includes bibliographical references and index
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  • 36
    Book
    Book
    Pietermaritzburg, South Africa : University of KwaZulu-Natal Press
    ISBN: 9781869143961 , 9781869143978
    Language: English
    Pages: xviii, 343 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Thinking Africa
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    Keywords: Identität ; Aufführung ; Sozialer Wandel ; Indigenes Volk ; Musik ; Simbabwe ; Music / Zimbabwe ; Popular music / Zimbabwe ; Shona (African people) / Songs and music ; Ndebele (African people) / Songs and music ; Dance halls / Zimbabwe ; Mbira music / Zimbabwe ; Dance halls ; Mbira music ; Music ; Ndebele (African people) ; Popular music ; Shona (African people) ; Zimbabwe ; Songs and music ; Aufsatzsammlung ; Aufsatzsammlung ; Simbabwe ; Indigenes Volk ; Musik ; Aufführung ; Identität ; Sozialer Wandel
    Abstract: Performing Zimbabwe presents a transdisciplinary analysis of Zimbabwean music, drawing from different disciplines such as sociology, ethnomusicology, history, journalism, development studies, English, philology and drama. It offers a re-evaluation of Zimbabwean music by Zimbabwean scholars and, in so doing, reconsiders the work of international academics on the subject. Thus, the book highlights the significance of local scholars in the study of Zimbabwean music. Given that this book features a wide range of perspectives, it provides a solid foundation for future studies on Zimbabwean music, either historically in the precolonial and colonial periods, or in the contemporary postcolonial period.
    Description / Table of Contents: Introduction: The study of Zimbabwean music: the Shona and the Ndebele in Zimbabwe and beyond / Barbara Mahamba and Luis Gimenez Amoros. Part I. Indigenous music and its transformations. 1. Mbira in urban spaces: Mbira-making and the multiple contexts o Zvirimudeze Mbira Ensemble performances in Zimbabwe / Perminus Matiure -- 2. The Shangwe and Tsonga idioms in Xinombela musical arts for the adolescents in Gokwe and Chiredzi, north-west and south-west Zimbabwe / Renias Ngara and Doreen Sibanda -- 3. Performing subversion: negotiating social and political space in Zimbabwe through Chinyambera traditional dance / Innocent Tinashe Mutero -- 4. Shangwe Mukwerera: systems and hierarchies of communication in Gokwe, Zimbabwe / Renias Ngara -- 5. If vagina had teeth: song, film and the reshaping of female identities through rituals of rainmaking ceremonies among Shona people of western Mozambique / Maurice T. Vambe --
    Description / Table of Contents: 6. Doing the 'serious business of older people' correctly: Zimbabwean Mbira popular adaptations / Vimbai Chamisa. Part II. Zimbabwean urban popular music across time. 7. The middle class and the popularisation of musical concerts in Harare Township, Salisbury, from the 1940s to 1970 / Barbara Mahamba and Azon Twala -- 8. The promotion of popular music in the major cities of Zimbabwe: a contested terrain by musicians and promoters / Victoria Blessing Butete -- 9. Chimurenga music and the narrative of Zimbabwe's liberation struggle[s]: rethinking Simon Chimbetu's 'Zimbabwe Iyoyi', 'Ndarangarira Gamb' and 'Pane Vasipo' / Urther Rwafa --
    Description / Table of Contents: 10. Music and violence: discordant siblings? A study of political music in the Land Reform Programme of Zimbabwe, 2000-10 / Bridget Chinouriri and Munyaradzi Nyakudya. Part III. The rise of the dancehall in Zimbabwe: regarding transdisciplinary studies. 11. Dancehall music in Zimbabwe: youth activism or subalternity? Some notes on the politics of music based on select songs at the 2014 Zimdancehall Awards / Rekopantswe Mate -- 12. Performing manhood in Zimdancehall: music as a patriarchised space in Zimbabwe / Manase Kudzai Chiweshe and Sandra Bhatasara -- 13. The depiction of the unsung African s/hero or heroine in post-2000 Zimdancehall music lyrics: a critical analysis / Ruby Magosvongwe -- 14. The political underpinnings of Zimdancehall music: analysing selected songs of Winky D and Tocky Vibes / Itai Muwati, Tinotenda Mwamuka and Charles Tembo -- 15. Patterns of Ndebele Zimdancehall music / Zifikile Makwavaara and Albert Nyathi -- Conclusion / Luis Gimenez Amores
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  • 37
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253032072 , 9780253032096
    Language: English
    Pages: XXI, 210 Seiten , Illustrationen, 1 Karte
    Series Statement: African expressive cultures
    DDC: 782.2209669
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    Keywords: Cherubim and Seraphim Church Movement ; Cherubim and Seraphim Church Movement ; Church music ; Singing Religious aspects ; Christianity ; Singing Social aspects ; Yoruba (African people) Music ; History and criticism ; Yoruba (African people) Religion ; Geistliche Musik ; Gotteslob ; Musikpflege ; Yoruba ; Nigeria ; Lagos ; Nigeria ; Lagos ; Yoruba ; Cherubim and Seraphim Church Movement ; Geistliche Musik ; Gotteslob ; Musikpflege
    Note: Includes bibliographical references and index
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  • 38
    Book
    Book
    New York ; London : Routledge
    ISBN: 9781138585102
    Language: English
    Pages: viii, 131 Seiten , Illustrationen
    Series Statement: Routledge focus
    Parallel Title: Erscheint auch als
    DDC: 786.8/5096891
    RVK:
    Keywords: International Library of African Music ; Mbira music History and criticism ; Shona (African people) Music ; History and criticism ; Lamellophonmusik ; Lautarchiv ; Simbabwe ; Simbabwe ; Lamellophonmusik ; Lautarchiv ; International Library of African Music
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  • 39
    Book
    Book
    Bloomington, Indiana, USA : Indiana University Press
    ISBN: 9780253036797 , 9780253036759
    Language: English
    Pages: viii, 181 Seiten , 1 Karte
    Series Statement: Public cultures of the Middle East and North Africa
    Parallel Title: Erscheint auch als Witulski, Christopher, author Gnawa lions
    DDC: 781.62/92764
    RVK:
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    Keywords: Gnawa (Brotherhood) ; West Africans Music ; History and criticism ; Music Religious aspects ; Aufführung ; Musik ; Ritual ; Sozialer Wandel ; Gnawa ; Marokko ; Marokko ; Gnawa ; Musik ; Ritual ; Aufführung ; Sozialer Wandel
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  • 40
    Book
    Book
    Münster ; New York : Waxmann
    ISBN: 9783830938774
    Language: English , German
    Pages: 275 Seiten , Illustrationen
    Series Statement: Lied und populäre Kultur 63. Jahrgang (2018)
    Series Statement: Lied und populäre Kultur
    Parallel Title: Erscheint auch als
    DDC: 780.030366
    RVK:
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    Keywords: Musik ; Krieg ; Aufsatzsammlung ; Liederbuch ; Sammlung von Beiträgen ; Aufsatzsammlung ; Musik ; Krieg
    Note: Beiträge teilweise englisch, teilweise deutsch
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  • 41
    ISBN: 9782343140292
    Language: French
    Pages: 231 Seiten , Illustrationen
    Series Statement: Esthétiques 4
    RVK:
    Keywords: Philosophie ; Musik ; Tanz ; Subsaharisches Afrika ; Subsaharisches Afrika ; Tanz ; Musik ; Philosophie
    Note: Literaturverzeichnis Seite 224-227
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  • 42
    ISBN: 9781138218314
    Language: English
    Pages: XXXVIII, 321 Seiten , Illustrationen, Notenbeispiele
    Series Statement: SOAS musicology series
    Series Statement: An Ashgate book
    Parallel Title: Erscheint auch als
    DDC: 780.917/67
    RVK:
    Keywords: Geschichte ; Music History and criticism ; Musikpflege ; Musik ; Musiktheorie ; Islamische Staaten ; Festschrift ; Festschrift ; Festschrift ; Festschrift ; Festschrift ; Festschrift ; Islamische Staaten ; Musik ; Musikpflege ; Musiktheorie ; Geschichte
    Note: Includes bibliographical references and index
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  • 43
    ISBN: 9780190499631 , 9780190499648
    Language: English
    Pages: xiii, 253 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264/.2
    RVK:
    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; Gotteslob ; Neues geistliches Lied ; Gottesdienst ; Evangelikale Bewegung
    Note: Includes bibliographical references and index
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  • 44
    ISBN: 9780190626976 , 9780190626969
    Language: English
    Pages: xxi, 208 Seiten
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Sheffield
    DDC: 781.62/959720597
    RVK:
    Keywords: Soziale Identität ; Musik ; Miao ; Nordvietnam ; Hochschulschrift ; Hochschulschrift ; Nordvietnam ; Miao ; Musik ; Soziale Identität
    Note: Includes bibliographical references and index
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  • 45
    ISBN: 8928901987 , 9788928901982
    Language: English
    Pages: 383 Seiten , Illustrationen
    Series Statement: Encyclopedia of Korean folklore and traditional culture : The National Folk Museum of Korea Vol. 5
    Series Statement: Encyclopedia of Korean folklore and traditional culture
    Parallel Title: Übersetzung von Han'guk minsok yesul sajŏn. Ŭmak, nongak
    RVK:
    Keywords: Folk dance music Encyclopedias ; Farmers Encyclopedias Songs and music ; Folk dancing Encyclopedias ; Rites and ceremonies Encyclopedias ; Korea Encyclopedias Social life and customs ; Enzyklopädie ; Korea ; Musik ; Volkstanz ; Volksmusik ; Korea ; Volksmusik ; Volkstanz ; Brauch ; Geschichte
    Note: In Kassette , English language edition of: Han'guk minsok yesul sajŏn. Ŭmak, nongak. 2016 , Section and chapter headings also in Korean
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  • 46
    ISBN: 9780199392469
    Language: English
    Pages: xii, 258 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    DDC: 306.4842094641
    RVK:
    Keywords: Geschichte 1850-1930 ; Musik ; Gesellschaft ; Sozialordnung ; Madrid
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  • 47
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780199733163
    Language: English
    Pages: XII, 709 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks
    DDC: 303.376
    RVK:
    Keywords: Musik ; Zensur ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references and index.
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  • 48
    ISBN: 9783487157023 , 3487157020
    Language: German , English
    Pages: 367 Seiten , Illustrationen, Diagramme , 23 cm
    Series Statement: Folkwang Studien Band 19
    Series Statement: Folkwang Studien
    DDC: 780.74
    RVK:
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    Keywords: Konferenzschrift 2016 ; Aufsatzsammlung ; Musik ; Museum ; Ausstellung ; Musikinstrument
    Note: Beiträge überwiegend deutsch, teilweise englisch
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  • 49
    ISBN: 9780984413478
    Language: English
    Series Statement: Black music reference series 8
    Series Statement: Black music reference series
    RVK:
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    Keywords: Musik ; Subsaharisches Afrika ; Bibliografie ; Subsaharisches Afrika ; Musik
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  • 50
    ISBN: 9781472479624 , 9781138363069
    Language: English
    Pages: xvii, 320 Seiten
    Series Statement: Ashgate popular and folk music series
    DDC: 781.640943
    RVK:
    RVK:
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    Keywords: Popmusik ; Deutsch ; Musiksoziologie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: References and further reading: Seite 265-303 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 51
    Book
    Book
    Rochester, NY : University of Rochester Press
    ISBN: 9781580465731
    Language: English
    Pages: 251 Seiten , Illustrationen
    Series Statement: Eastman/Rochester studies in ethnomusicology
    DDC: 781.6200285
    RVK:
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    Keywords: Musik ; Indigenes Volk ; Neue Medien ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Aufsatzsammlung ; Konferenzschrift 2010
    Note: Literaturverzeichnis: Seiten 205-214
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  • 52
    ISBN: 9782343134949
    Language: French
    Pages: 123 Seiten , Illustrationen
    RVK:
    Keywords: Musik ; Algerien ; Algerien ; Musik
    Abstract: Malgré l'intérêt qu'elles suscitent auprès du public et quelques écrits partiels et dispersés, les publications sur les musiques algériennes restent rares. Le répertoire est immense et multiple, et les Algériens eux-mêmes en ignorent souvent l'étendue. Ce champ musical va bien au-delà du simple divertissement et offre un vaste domaine de recherche qui ne demande qu'à livrer ses secrets. Fait à partir de notices de disques, cet ouvrage aborde tous les styles de musique d'Algérie. - Taoufik Bestandji est musicien descendant d'une grande lignée de soufis et de musiciens constantinois. Spécialiste de la musique de sa ville natale, Constantine, il est diplômé en sciences de l'éducation, en sociologie et en anthropologie de la musique.
    Note: Literaturverzeichnis Seite 123
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  • 53
    Book
    Book
    Paris : Cité de la musique - Philarmonie de Paris
    ISBN: 9791094642160
    Language: French
    Pages: 298 Seiten , 17 cm
    Series Statement: La rue musicale. Série Anthropologie musicale
    DDC: 780
    RVK:
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    Keywords: Geschichte ; Creoles Music ; Folk music History and criticism ; Music and anthropology ; Musik ; Musikanthropologie ; Kreolen ; Französisches Sprachgebiet ; Kreolen ; Musik ; Geschichte ; Französisches Sprachgebiet ; Kreolen ; Musikanthropologie
    Note: Literaturverzeichnis Seite 288-298
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  • 54
    ISBN: 9781928357117 , 1928357113
    Language: English
    Pages: i, 193 Seiten , Illustrationen , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.48423
    RVK:
    Keywords: Geschichte 1900-2017 ; Criticism, interpretation, etc / fast / (OCoLC)fst01411635 ; Music / fast / (OCoLC)fst01423855 ; Afrikaners / fast / (OCoLC)fst00800022 ; Music / Political aspects / fast / (OCoLC)fst01030414 ; Music / Social aspects / fast / (OCoLC)fst01030444 ; Popular music / fast / (OCoLC)fst01071422 ; Popular music / Social aspects / fast / (OCoLC)fst01071460 ; Popular music History and criticism ; Popular music Social aspects ; Music Social aspects ; Music Political aspects ; Afrikaners Music ; History and criticism ; Afrikaners ; Music ; Music ; Popular music ; Popular music ; Musiksoziologie ; Afrikaans ; Gesellschaft ; Popmusik ; South Africa / fast / (OCoLC)fst01204616 ; South Africa ; Südafrika ; Südafrika ; Afrikaans ; Popmusik ; Gesellschaft ; Geschichte 1900-2017 ; Südafrika ; Afrikaans ; Popmusik ; Musiksoziologie
    Abstract: "Investigates the interplay between popular music and the unfolding of Afrikaans culture politics from the start of the twentieth century to the present. It includes a search for the earliest recorded Afrikaans songs and documents subsequent phases of music development that reflect the agency of ordinary individuals - artists and listeners - against a background of fundamental societal and political change. Regards both the music mainstream and the alternative, and reveals, among other things, historical cases of compliance and resistance regarding the master narrative of Afrikaner nationalist ideology, the attempts by cultural entrepreneurs to establish authority over popular Afrikaans culture, class tension, lasting racial exclusivity, protest and censorship "...
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 55
    ISBN: 9780199679485
    Language: English
    Pages: xix, 876 Seiten , Illustrationen, Notenbeispiele
    Edition: First edition
    DDC: 781.1/1
    RVK:
    RVK:
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    Keywords: Music Psychological aspects ; Identity (Psychology) ; Music Social aspects ; Music therapy ; Musik ; Identität
    Abstract: Music is a tremendously powerful channel through which people develop their personal and social identities. Music is used to communicate emotions, thoughts, political statements, social relationships, and physical expressions. But, just as language can mediate the construction and negotiation of developing identities, so music can also be a means of communication through which aspects of people's identities are constructed. Music can have a profound influence on our developing sense of identity, our values, and our beliefs, be it from rock music, classical music, or jazz. Musical identities (MacDonald, Hargreaves and Miell, 2002) was unique in being one of the first books to explore this fascinating topic. This new book documents the remarkable expansion and growth in the study of musical identities since the publication of the earlier work.The editors identify three main features of current psychological approaches to musical identities, which concern their definition, development, and the identification of individual differences, as well as four main real-life contexts in which musical identities have been investigated, namely in music and musical institutions; specific geographical communities; education; and in health and well-being
    Note: Literaturangaben
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  • 56
    ISBN: 9783837638561 , 3837638561
    Language: German , English
    Pages: 309 Seiten , Illustrationen , 23 cm, 393 g
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
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    Keywords: Unterhaltungsmusik ; Popmusik ; Rezeption ; Deutschland ; Aufsatzsammlung ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015
    Note: Beiträge größtenteils deutsch, teilweise englisch
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  • 57
    ISBN: 9781785333989
    Language: English
    Pages: x, 259 Seiten
    Series Statement: Dislocations volume 19
    Series Statement: Dislocations
    Parallel Title: Erscheint auch als
    DDC: 781.63096751
    RVK:
    RVK:
    Keywords: Popular music Economic aspects ; Popular music Social aspects ; Music patronage ; Congolese (Democratic Republic) Social conditions ; Musikwirtschaft ; Popmusik ; Demokratische Republik Kongo ; Demokratische Republik Kongo ; Popmusik ; Musikwirtschaft
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  • 58
    Book
    Book
    Basel : Basler Afrika Bibliographien
    ISBN: 9783905758832 , 3905758830
    Language: English
    Pages: XV, 188 Seiten , Illustrationen, Notenbeispiele, Karte , 25 cm
    Series Statement: Basel Southern Africa Studies 11
    Series Statement: Basel Southern Africa Studies
    DDC: 780/.96881
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Ambo ; Musikleben ; Musikanthropologie ; Namibia ; Music / Namibia / History and criticism ; Music / Social aspects / Namibia ; Music ; Music / Social aspects ; Namibia ; Criticism, interpretation, etc ; Namibia ; Ambo ; Musikleben ; Musikanthropologie
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  • 59
    Book
    Book
    New York ; Bern ; Frankfurt ; Berlin ; Brussels ; Vienna ; Oxford ; Warsaw :Peter Lang,
    ISBN: 978-1-4331-3401-2
    Language: English
    Pages: vii, 224 Seiten : , Illustrationen, Diagramme, Notenbeispiele.
    Series Statement: Religion & society in Africa vol. 3
    Series Statement: Religion & society in Africa
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9669
    RVK:
    RVK:
    Keywords: Gesellschaft ; Musik ; Music Social aspects ; Music History and criticism ; Music Instruction and study ; Ethnomusicology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: "Explores the diverse ways in which music reflects, and is shaped by historical and social dynamics of life in Nigeria. Contributors to this volume include some of the leading scholars of Nigerian music, such as Joshua Uzoigwe, Laz Ekwueme, Tunji Vidal, Richard C. Okafor, A.K. Achinivu, Ademola Adegbite, Femi Faseun, and Christian Onyeji. Focusing on ancient and new musical traditions, including modern African art music, and drawing on the methods of ethnography and music analysis, the various chapters of the book discuss the role of music in community life, enculturation and education, political institutions, historical processes, belief systems, and social hierarchies."...Publisher's description
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  • 60
    Book
    Book
    Berlin, Germany : VWB - Verlag für Wissenschaft und Bildung
    ISBN: 9783861356523 , 386135652X
    Language: English
    Pages: 256 Seiten , Illustrationen , 24 cm, 570 g
    Additional Material: 1 CD
    Edition: [1. Auflage]
    Series Statement: Intercultural music studies 21
    DDC: 780.951
    RVK:
    Keywords: Musik ; China ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 61
    Book
    Book
    Berlin : De Gruyter
    ISBN: 3110425718 , 9783110425710
    Language: English
    Pages: VI, 270 Seiten , 230 mm x 155 mm
    Series Statement: Companions to contemporary German culture Volume 6
    Parallel Title: Online-Ausg.
    DDC: 781.640943
    RVK:
    RVK:
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    Keywords: Geschichte 1945-2016 ; Popmusik ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturverzeichnis: Seite [257]-262
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  • 62
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190495008 , 9780190495015
    Language: English
    Pages: xxvi, 256 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.6909561
    RVK:
    Keywords: Musik ; Music History and criticism ; Melancholy in music ; Islam ; Heilung ; Affekt ; Klassische Musik ; Melancholie ; Musiker ; Türkei ; Türkei ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Türkei ; Islam ; Klassische Musik ; Musiker ; Melancholie ; Affekt ; Heilung
    Note: Includes bibliographical references and index
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  • 63
    Musical Score
    Musical Score
    Basel : Basler Afrika Bibliographien
    ISBN: 3905758830 , 9783905758832
    Language: English
    Pages: xv, 188 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Series Statement: Basel Southern Africa studies 11
    Series Statement: Basel Southern Africa studies
    DDC: 780/.96881
    RVK:
    RVK:
    RVK:
    Keywords: Music History and criticism ; Music Social aspects ; Music ; Namibia ; Namibia ; Social aspects ; History and criticism ; Criticism, interpretation, etc ; Namibia Ethnie/Volk ; Ovambo (Volk) ; Musik ; Musikinstrumente ; Traditionelle Kultur ; Namibia Ethnic/national groups ; Music ; Musical instruments ; Traditional culture ; Namibia ; Ambo ; Musik ; Tanz ; Ausdruck
    Note: Includes bibliographical references (pages 177-181) and index
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  • 64
    ISBN: 9780520234949 , 9780520234956 , 0520234944 , 0520234952
    Language: English
    Pages: xx, 315 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Herder, Johann Gottfried, 1744-1803, author Song loves the masses
    DDC: 781.5/99
    RVK:
    RVK:
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    Keywords: Herder, Johann Gottfried Criticism and interpretation ; Herder, Johann Gottfried 1744-1803 Criticism and interpretation ; Nationalism in music ; National characteristics ; Folk songs History and criticism ; Folk songs History and criticism ; Nationalism in music ; National characteristics ; Herder, Johann Gottfried von 1744-1803 ; Musik ; Volkslied ; Literatur ; Nationalismus
    Abstract: "Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder's writings on music and nationalism, from his early volumes of Volkslieder through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder's musings on music to think through several major questions: What meaning did religion and religious thought have for Herder? Why do the nation and nationalism acquire musical dimensions at the confluence of aesthetics and religious thought? How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? Bohlman uses the mode of translation to explore Herder's own interpretive practice as a translator of languages and cultures, providing today's readers with an elegantly narrated and exceptionally curated collection of essays on music by two major intellectuals"--Provided by publisher
    Abstract: Prologue : again Herder -- Folk song at the beginnings of national history : Alte Volkslieder (1774) -- The folk-song project at the confluence of music and nationalism : Volkslieder (1778/1779) and Stimmen der Völker in Liedern (1807) -- Singing the sacred body : Lieder der Liebe -- The nation and its fragments : extract from Correspondence about Ossian and the songs of ancient peoples -- Songs of the enlightenment bard : Homer and Ossian -- Redemption through sacred song : letter 46, theological writings -- The shores of modernity : Wirkung der Dichtkunst auf die Sitten neuerer Zeiten -- The epic as nation : Herder's Cid -- Music transcendent and sublime : On music (1800) -- Epilogue : Herder's journey
    Note: Includes bibliographical references and index , Translated from the German
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  • 65
    ISBN: 9780822361787 , 9780822361947 , 0822361949 , 0822361787
    Language: English
    Pages: 345 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Improvisation, community, and social practice
    Parallel Title: Erscheint auch als Improvisation and social aesthetics
    Parallel Title: Erscheint auch als Born, Georgina, 1955 - Improvisation and social aesthetics
    DDC: 781.3/6
    RVK:
    Keywords: Improvisation (Music) Social aspects ; Music Social aspects ; Aesthetics Social aspects ; Arts and society ; Improvisation ; Soziale Funktion ; Interaktion ; Musik ; Kunst ; Gesellschaft ; Geschichte
    Abstract: Addressing a wide range of improvised art and music forms-from jazz and cinema to dance and literature-this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith. Across its diverse chapters, Improvisation and Social Aesthetics argues that ensemble improvisation is not inherently egalitarian or emancipatory, but offers a potential site for the cultivation of new forms of social relations. It sets out a new conceptualization of the aesthetic as immanently social and political, proposing a new paradigm of improvisation studies that will have reverberations throughout the humanities
    Abstract: After relational aesthetics : improvised music, the social, and (re)theorizing the aesthetic / Georgina Born -- Scripting social interaction : improvisation, performance, and Western "art" music / Nicholas Cook -- From the American civil rights movement to Mali : reflections on social aesthetics and improvisation / Ingrid Monson - From network bands to ubiquitous computing : Rich Gold and the social aesthetics of interactivity / George E. Lewis -- The social aesthetics of swing in the 1940s : or the distribution of the non-sensible / David Brackett -- What is "great Black music"? The social aesthetics of the AACM in Paris / Eric Lewis -- Kenneth Goldsmith and uncreative improvisation / Darren Wershler -- Strayhorn's queer arrangements / Lisa Barg -- What's love got to do with it? Creating art, creating community, creating a better world / Tracey Nicholls -- Improvisation in New Wave cinema : beneath the myth, the social / Marion Froger, translated by William Straw -- Social aesthetics and transcultural improvisation : Wayde Compton and the performance of Black time / Winfried Siemerling -- Devices of existence : contact improvisation, mobile performances, and dancing through Twitter / Susan Kozel -- The dramaturgy of spontaneity : improvising the social in theater / Zoë Svendsen
    Note: Includes bibliographical references and index
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  • 66
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190263201 , 9780190263218
    Language: English
    Pages: x, 372 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.967
    RVK:
    Keywords: Musik ; Ethnologie ; Globalisierung ; Musikethnologie ; Afrika
    Note: Dscography Seite 335-342 , Videography Seite 343-344 , Bibliography Seite 345-363
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  • 67
    Book
    Book
    Newcastle upon Tyne : Cambridge Scholars Publishing
    ISBN: 978-1-4438-8677-2 , 1-4438-8677-7
    Language: English
    Pages: xviii, 294 Seiten
    RVK:
    Keywords: Geschichte 2000-2013 ; Politik ; Identität ; Geschlechterrolle ; Interdisziplinarität ; Musik ; Simbabwe ; Aufsatzsammlung ; Aufsatzsammlung ; Simbabwe ; Musik ; Politik ; Identität ; Geschlechterrolle ; Interdisziplinarität ; Geschichte 2000-2013
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  • 68
    Book
    Book
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781498510103
    Language: English
    Pages: xix, 215 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.4/8420968
    RVK:
    Keywords: Siphithemba Choir ; Gesellschaft ; Musik ; Music Social aspects ; AIDS (Disease) ; Chor ; Aids ; Musik ; Südafrika (Staat) ; Südafrika ; Südafrika ; Chor ; Musik ; Aids
    Abstract: This book is an ethnographic study of a HIV/AIDS choir who use music to articulate their individual and collective experiences of the disease. The study interrogates as to understand the bigger picture of HIV/AIDS using the approach of microanalysis of music event. It places the choir, and the cultural and political issues addressed in their music in the broader context of South Africa's public health and political history, and the global culture and politics of AIDS. - Austin C. Okigbo is assistant professor of ethnomusicology at the University of Colorado, Boulder.
    Note: Includes bibliographical references and index
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  • 69
    ISBN: 9782352841623
    Language: French
    Pages: 510 Seiten , Illustrationen , 25 cm
    DDC: 780/.89/9608
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    Keywords: Musique - Amérique latine ; Reggae ; Tango ; Musik ; Blacks Music ; History and criticism ; Blacks Music ; History and criticism ; Popular music History and criticism ; Popular music History and criticism ; Schwarze ; Musik ; Afroamerikanische Musik ; Amérique latine - Chants et musique ; Lateinamerika ; Karibik ; Lateinamerika ; Lateinamerika ; Karibik ; Schwarze ; Afroamerikanische Musik ; Lateinamerika ; Musik ; Schwarze ; Karibik ; Schwarze ; Musik
    Note: Bibliographie pages 448-460 , Discographie pages 461-470 , Index
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  • 70
    Book
    Book
    Gurgaon, India : Shubhi Publications
    ISBN: 9788182901711
    Language: English
    Pages: 168 Seiten, 14 ungezählte Blätter , Illustrationen
    Edition: First edition
    DDC: 792.0954
    RVK:
    Keywords: Geschichte ; Dance / India / History ; Music / India / History and criticism ; Theater / India / History ; Geschichte ; Musik ; Musiktheater ; Musik ; Tanz ; Indien ; Indien ; Indien ; Tanz ; Musik ; Geschichte ; Indien ; Musiktheater ; Geschichte
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  • 71
    Book
    Book
    Rochester, NY : University of Rochester Press | Woodbridge, Suffolk : Boydell & Brewer Limited
    ISBN: 9781580465489
    Language: English
    Pages: x, 242 Seiten , Illustrationen , 24 cm
    Series Statement: Eastman studies in music v. 131
    Series Statement: Eastman studies in music
    DDC: 781.640973/0954
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Popular music History and criticism ; Popular music American influences ; African American musicians ; Popmusik ; Musiker ; Schwarze ; Afroamerikanische Musik ; Unterhaltungsmusik ; Indien ; USA ; Britisch-Indien ; USA ; USA ; Unterhaltungsmusik ; Britisch-Indien ; USA ; Popmusik ; Afroamerikanische Musik ; Britisch-Indien ; USA ; Schwarze ; Musiker ; Britisch-Indien
    Abstract: "American Popular Music in Britain's Raj" is the first systematic study of the character and scope of American popular music in India during British rule. Drawing on ethnographic and archival research, it examines blackface minstrel shows, ragtime, jazz, and representations of Hollywood film music in Bombay cabarets and Hindi film songs, identifying key musical moments in the development of these styles between the mid-nineteenth and mid-twentieth centuries. The book describes the entertainment idioms and frameworks that supported the growth of these imported styles; further, it surveys a variety of historical contexts under colonialism that influenced their meaning and commercial value. Focusing on Calcutta (modern Kolkata), Lucknow, and Bombay (modern Mumbai), Bradley Shope traces the movement of this music between the United States, England, and India, and addresses a variety of groups and communities, including the US military in Calcutta during World War II, Anglo-Indians in Lucknow in the 1930s and 1940s, and British residents across North India in the nineteenth and twentieth centuries. - Bradley G. Shope is assistant professor of music at Texas A&M University-Corpus Christi. (Klappentext)
    Description / Table of Contents: List of Figures. - Acknowledgments. - Introduction. - 1 Entertainment Globalization, 1850s to 1910s. - 2 Technologies, Exoticism, and Entrepreneurs, 1920s and 1930s. - 3 Calcutta in the War. - 4 The Case of Lucknow. - 5 Cabaret Sequences in Hindi Films. - Afterword. - Notes. - Bibliography. - Filmography and Discography. - Index
    Note: Series numbering from CIP data. - Includes bibliographical references (pages 205-227), filmography (pages 229-230), discography (page 230) and index
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  • 72
    ISBN: 9789042933958 , 9782758402671
    Language: French
    Pages: x, 203 Seiten , Illustrationen, Diagramme, Karten, Notenbeispiele
    Series Statement: Ethnomusicologie 9
    Series Statement: SELAF n° 468
    Series Statement: Ethnomusicologie
    Series Statement: SELAF
    RVK:
    Keywords: Musik ; Wolof ; Ethnologie ; Senegal ; Senegal ; Wolof ; Musik ; Ethnologie
    Abstract: La musique vocale des Wolof, population majoritaire au Senegal, est ici presentee a travers une etude comparative fondee sur les chants collectes entre 1950 et 2006, dans les trois regions traditionnelles - le Kajoor, le Saalum et le Waalo. L'inventaire de ces chants, leur analyse et leur categorisation vernaculaire permettent d'eclairer la maniere dont les Wolof ordonnent leur patrimoine musical. L'organologie, l'etude de la systematique et ses liens avec les circonstances de la pratique musicale, ainsi que la comparaison de diverses versions d'un meme chant enregistrees dans ces trois regions a des epoques differentes, conduisent l'auteur a valider l'hypothese d'une seule et meme identite musicale wolof. Une telle approche - a la fois diachronique et synchronique - offre un eclairage sur les changements historiques et sociaux qui ont fortement influence le statut et le role du musicien professionnel, le gewel, depuis l'epoque des royaumes precoloniaux jusqu'a nos jours.
    Note: Literaturverzeichnis, Disko- und Filmographie Seite [137]-[144]
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  • 73
    Book
    Book
    Würzburg : Ergon Verlag Würzburg in Kommission
    ISBN: 9783956501654
    Language: English
    Pages: 187 Seiten , Illustrationen
    Series Statement: Istanbuler Texte und Studien Band 35
    DDC: 781.62919920561
    RVK:
    RVK:
    Keywords: Armenier ; Musik ; Türkei ; Armenien
    Note: Literaturverzeichnis: Seite 171-187
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  • 74
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226327068 , 022632723X , 9780226327235
    Language: English
    Pages: xvi, 319 Seiten , Illustrationen, Diagramm, Karte , 24 cm
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.62/927061
    RVK:
    Keywords: Music History and criticism ; Music History and criticism ; Arabs Music ; History and criticism ; Arabs Music ; History and criticism ; Music Spanish influences ; Urban ecology (Sociology) ; Ethnomusicology ; Andalusia (Spain) Civilization ; Islamic influences ; Algerien ; Marokko ; Araber ; al- Andalus ; Musik ; Revival
    Description / Table of Contents: Introduction -- Part I. The people of al-Andalus. Prologue: An istikhbår -- 1. An Andalusi archipelago -- 2. The Shaykh and the Mūlūʿ -- 3. Heavy and light : Andalusi music as genre -- Part II. Revival. Prologue: A photograph -- 4. Ambiguous revivals -- 5. Texts, authority, and possession -- 6. The associative movement -- 7. The politics of patrimony -- Conclusion: The lost
    Note: Literaturverzeichnis: Seite 277-298
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  • 75
    Book
    Book
    Philadelphia ; Rome ; Tokyo : Temple University Press
    ISBN: 9781439913994 , 9781439914007
    Language: English
    Pages: xx, 336 Seiten , Illustrationen, Notenbeispiele
    Edition: Third edition
    Parallel Title: Erscheint auch als
    DDC: 780.9729
    RVK:
    Keywords: Geschichte ; Geschichte Anfänge-1995 ; Musik ; Music History and criticism ; Music History and criticism ; Musik ; Musikleben ; Karibik ; Karibik ; Musik ; Musikleben ; Karibik ; Musik ; Geschichte Anfänge-1995 ; Karibik ; Musik ; Geschichte
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  • 76
    Book
    Book
    Lucca : Libreria musicale italiana
    ISBN: 9788870968378
    Language: English
    Pages: xii, 293 Seiten , Illustrationen , 24 cm
    Additional Material: 1 DVD
    DDC: 781
    RVK:
    Keywords: Folk music History and criticism ; Romanies Music ; History and criticism ; Romanies Rites and ceremonies ; Women, Romani Social life and customs ; Effeminacy ; Kosovo (Republic) Social life and customs ; Kosovo ; Roma ; Frau ; Fest ; Ritual ; Geschlechterrolle ; Musikpflege ; Musikanthropologie
    Note: Includes bibliographical references (pages 273-293)
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  • 77
    ISBN: 9783034319515
    Language: English
    Pages: xxviii, 571 Seiten , Illustrationen, Karten , 23 cm
    Series Statement: Exile studies vol. 14
    Series Statement: Exil-Studien
    Uniform Title: Die verschwundenen Musiker
    DDC: 780.89/924094
    RVK:
    Keywords: Jews Music ; History and criticism ; Jewish musicians ; Jewish refugees ; Aufsatzsammlung ; Juden ; Musiker ; Exil ; Australien ; Geschichte 1933-2000 ; Australien ; Musikleben ; Juden ; Geschichte 1933-2000
    Note: Bibliografie: Seite 540-556. - Index
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  • 78
    ISBN: 3864604737 , 9783864604737
    Language: German , English
    Pages: 108 Seiten , 20 cm, 209 g
    Edition: 1. Auflage
    DDC: 781.62924
    RVK:
    Keywords: Musik ; Juden ; Klezmer ; Afroamerikanische Musik ; Holzblasinstrument
    Note: Dieser Essay ist die Originalfassung der Beiträge zum Katalog der Ausstellung "Stars of David. Der Sound des 20. Jahrhunderts" im Jüdischen Museum Wien. Die Ausstellung lief von April bis Oktober 2016 , Text deutsch und englisch
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  • 79
    ISBN: 9783830933618
    Language: German , English
    Pages: 337 Seiten , Illustrationen
    Series Statement: Populäre Kultur und Musik Band 18
    DDC: 781.17
    RVK:
    RVK:
    RVK:
    Keywords: Unterhaltungsmusik ; Popmusik ; Kritik ; Musikproduktion ; Musikanschauung ; Rezeption ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben , Beiträge überwiegend in deutscher, zwei in englischer Sprache
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  • 80
    ISBN: 9780190497088 , 9780199844081
    Language: English
    Pages: 293 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: American musicspheres
    DDC: 782.3/6
    RVK:
    RVK:
    RVK:
    Keywords: Jews Music ; History and criticism ; Judaism Liturgy ; Judentum ; Liturgie ; Moderne
    Note: Includes bibliographical references (pages 275-283) and index
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  • 81
    ISBN: 9780998123905 , 9780998123912
    Language: English
    Pages: 267 Seiten , Illustrationen , 28 cm
    Additional Material: 1 DVD (75 min. : DVD video, sound, color)
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    Keywords: Hmong (Asian people) Music ; History anc criticism ; Folk songs, Hmong ; Folk music ; Hmong (Asian people) Social life and customs ; Hmong (Asian people) Civilization ; Miao ; Musik ; Brauch ; Ritus ; Musikethnologie
    Abstract: Explores Hmong vocal and instrumental musical heritage along with Hmong beliefs, traditions, and rituals. Set against a rural backdrop of small, remote villages in northern Laos and Thailand, the 75-min. film (in Hmong and English) offers an intimate look at Hmong secular and sacred music in the context of traditional daily life; includes performances of cycles-of-life pieces and a full shamanic healing ceremony
    Note: Accompanied by ethnographic film (Hmong songs of memory) filmed, edited, researched, and directed by Victoria Vorreiter , Includes bibliographical references (page 266) , In English
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  • 82
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226407425 , 9780226407562
    Language: English
    Pages: xxiv, 254 Seiten , Illustrationen
    Series Statement: Big issues in music
    Parallel Title: Erscheint auch als
    DDC: 782.42162/914110082
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    Keywords: Geschichte 1990-2015 ; Alltag, Brauchtum ; Gesellschaft ; Musik ; Music Social aspects ; Women singers ; Alltag ; Gesang ; Lied ; Spiritualität ; Frau ; Lebensführung ; Indien ; Kāngra (India : District) Social life and customs ; Kangra ; Kangra Region ; Frau ; Lied ; Gesang ; Alltag ; Spiritualität ; Lebensführung ; Geschichte 1990-2015
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  • 83
    ISBN: 9780253017512
    Language: English
    Pages: XXII, 676 Seiten , Illustrationen, Karten, Notenbeispiele , 25,4 x 20,3 cm
    DDC: 780.958
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    Keywords: Geschichte ; Musik ; Zentralasien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 84
    ISBN: 3837632946 , 9783837632941
    Language: English
    Pages: 262 Seiten , 23 cm
    Series Statement: Postcolonial studies volume 23
    Series Statement: Postcolonial studies
    Parallel Title: Erscheint auch als Postcolonial studies meets media studies
    DDC: 302.23
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    Keywords: Mass media and culture ; Postcolonialism ; Mass media and globalization ; Mass media Political aspects ; Medienforschung ; Relation ; Postkolonialismus ; Neokolonialismus ; Hegemonie ; Medienpolitik ; Medienwirtschaft ; Informationswirtschaft ; Globalisierung ; Medienforschung Relation ; Postkolonialismus ; Neokolonialismus ; Verhältnis Lokal - Global ; Hegemonie ; Medienpolitik ; Medienwirtschaft/Informationswirtschaft ; Globalisierung ; Media studies Relation(s) ; Postcolonialism ; Neocolonialism ; Relationship local - global ; Hegemonic systems ; Media policy ; Media industry/information sector ; Globalization ; Film Literatur ; Musik ; Programme von Massenmedien ; Fernsehen ; Wirkung von Massenmedien ; Internet ; Eurozentrismus ; Transnationaler Rundfunk ; Diaspora ; Films Literature ; Music ; Mass media programmes ; Television ; Mass media impact ; Eurocentrism ; Transnational broadcasting ; Aufsatzsammlung ; Aufsatzsammlung ; Medienwissenschaft ; Postkolonialismus ; Massenmedien ; Globalisierung
    Note: Enthält Literaturangaben , Introduction , Part I. Global media ; Media coverage , Media globalization: The "global public sphere" - a critical reappraisal , Transcultural subjectivity: Beyond the global/local divide - towards a transcultural understanding of mediated subjectivity , Diasporic media: Global media and the emergence of 'lonely sojourners' and 'passive transnationals' , Part II. Media politics ; Inter/national media politics: Approaches to postcolonial studies , Hegemony and counter-hegemony in postcolonial media theory and culture , Performing regulation: The politics of postcolonial film exhibition and DVD distribution , Part III. Media industries ; Postcolonial piracy , Sound cultures , Commodification , The marketing of postcolonial literature , Media History ; Postcolonial media history: Historical arguments for a future field of research
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 85
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520291614 , 9780520248717
    Language: English
    Pages: xvi, 368 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Parallel Title: Online version Categorizing sound
    DDC: 781.64
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    Keywords: Geschichte 1900-2000 ; Popmusik ; Musikgattung ; Musikalischer Stil ; Soziale Identität ; USA
    Note: Literaturverzeichnis: Seite 335-350
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  • 86
    Book
    Book
    Bristol, UK : Intellect
    ISBN: 9781783205998
    Language: English
    Pages: XI, 239 Seiten
    Series Statement: Studies on popular culture
    DDC: 940.5
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    Keywords: Geschichte 1945-2015 ; Englisch ; Popmusik ; Rezeption ; Sozialer Wandel ; Kulturelle Identität
    Abstract: English pop music was a dominant force on the global cultural scene in the decades after World War II and it served a key role in defining, constructing, and challenging various ideas about Englishness in the period. Kari Kallioniemi covers a stunning range of styles of pop from punk, reggae, and psychedelia to jazz, rock, Brit Pop, and beyond as he explores the question of how various artists (including such major figures as David Bowie and Morrissey), genres, and pieces of music contributed to the developing understanding of who and what was English in the transformative postwar years
    Note: References Seite 209-229
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  • 87
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190244514
    Language: English
    Pages: xxiv, 412 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.62/924
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    Keywords: Sozialgeschichte ; Juden ; Musik ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Klezmer ; Musikalischer Stil ; Aschkenasim ; Tanz ; Musik ; Musikleben ; Osteuropa ; Bibliografie ; Bibliografie ; Bibliografie ; Aufsatzsammlung ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Abstract: Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major sources principally in Russian, Yiddish, Hebrew, and Romanian from the 16th to the 20th centuries, including interviews with authoritative European-born klezmorim conducted over a period of more than thirty years in America, Eastern Europe, and Israel. In its musical analysis, this book draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. - Walter Zev Feldman is a leading researcher in both Ottoman Turkish and Jewish music. During the 1970s he spearheaded the revival of klezmer music. His book, Music of the Ottoman Court (Berlin, 1996) is taught as a basic text world wide. He is also an authority on East European Jewish dance, forming part of his current research on the role of gesture in the performing arts.
    Note: Includes bibliographical references and index
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  • 88
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190259082 , 9780190259075
    Language: English
    Pages: xix, 370 Seiten , Illustrationen, Karten
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 781.6
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    Keywords: Gesellschaft ; Musik ; Applied ethnomusicology ; Music Social aspects ; Sustainability ; Ecomusicology ; Nachhaltigkeit ; Musikethnologie ; Weltmusik ; Musikleben ; Tradition ; Kulturvergleich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich
    Abstract: The sustainability of music and other intangible expressions of culture has been high on the agenda of scholars, governments and NGOs in recent years. However, there is a striking lack of systematic research into what exactly affects sustainability across music cultures. By analyzing case studies of nine highly diverse music cultures against a single framework that identifies key factors in music sustainability, Sustainable Futures for Music Cultures offers an understanding of both the challenges and the dynamics of music sustainability in the contemporary global environment, and breathes new life into the previously discredited realm of comparative musicology, from an emphatically non-Eurocentric perspective. Situated within the expanding field of applied ethnomusicology, this book confirms some commonly held beliefs, challenges others, and reveals sometimes surprising insights into the dynamics of music cultures. By examining, comparing and contrasting highly diverse contexts from thriving to 'in urgent need of safeguarding,' Sustainable Futures for Music Cultures analyzes sustainability across five carefully defined domains. The book identifies pathways to strategies and tools that may empower communities to sustain and revitalize their music heritage on their terms. In this way, this book contributes to greater scholarly insight, new (sub)disciplinary approaches, and pathways to improved practical outcomes for the long-term sustainability of music cultures. As such it will be an essential resource for ethnomusicologists, as well as scholars and activists outside of music, with an interest in the preservation of intangible cultural heritage.
    Abstract: Professor Huib Schippers has broad, hands-on experience of more than forty years in the practice and study of world music, ethnomusicology and music education. He is a recognised leader of action research projects focusing on cultural diversity, and was responsible for establishing the World Music & Dance Centre (Rotterdam, 1996-2006) and the innovative Queensland Conservatorium Research Centre (Brisbane, 2003-2015). Dr Catherine Grant is a former Endeavour Australia Research Fellow and recipient of Australia's Future Justice medal for her work on issues of music endangerment and sustainability. Her book Music Endangerment: How Language Maintenance can Help was published in 2014 by Oxford University Press.
    Note: Includes bibliographical references and index
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  • 89
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226385549 , 9780226385402
    Language: English
    Pages: 216 Seiten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 784.18/8850982
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    Keywords: Tangos History and criticism ; Popular music ; Argentinien ; Tango ; Kulturindustrie ; Vermarktung ; Argentinien ; Tango ; Musik
    Abstract: On the values of music in expedient Argentina -- Expedient soundings: the genre culture of contemporary tango music -- Contemporary tango and the cultural politics of musica popular -- Tango among the nonprofit arts -- Tango as part of the intangible cultural heritage of humanity -- "This is going to be good for all of us": tango and the cultural industries -- Conclusion: he sings better every day: musical culture in the age of expediency
    Description / Table of Contents: On the values of music in expedient Argentina -- Expedient soundings: the genre culture of contemporary tango music -- Contemporary tango and the cultural politics of musica popular -- Tango among the nonprofit arts -- Tango as part of the intangible cultural heritage of humanity -- "This is going to be good for all of us": tango and the cultural industries -- Conclusion: he sings better every day: musical culture in the age of expediency.
    Note: Includes bibliographical references (pages 197-210) and index
    URL: Cover
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  • 90
    ISBN: 3770560817 , 9783770560813
    Language: German , English
    Pages: 119 Seiten , 19 cm
    Parallel Title: Erscheint auch als Hörisch, Jochen, 1951 - Pop und Papageno
    Parallel Title: Erscheint auch als Hörisch, Jochen, 1951 - Pop und Papageno
    DDC: 781.66
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    Keywords: Popular music History and criticism ; Music History and criticism ; Mozart, Wolfgang Amadeus 1756-1791 ; Musikästhetik ; Klassische Musik ; Popmusik ; Pop-Kultur ; Popularität ; Gleichartigkeit ; Verschiedenheit ; Cross-over
    Description / Table of Contents: Wertfragen : Gut und schlecht oder gut und böse -- Totengespräche : Franz Schubert trifft John Lennon -- Wahrscheinlich hört wieder keiner zu : Adorno und die Paradoxien der Avantgarde-Musik -- Zeitkunste : der Film und die Musik : das Kino als Sphäre für U- und E-Musik -- Liebe, Eros und Sex : die Gewalt der Leidenschaft und der Musik.
    Note: Text deutsch, teilweise englisch
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  • 91
    ISBN: 9780190618810 , 9780199765034
    Language: English
    Pages: X, 701 Seiten , Illustrationen
    Edition: First issued as an Oxford University Press paperback
    Parallel Title: Erscheint auch als The Oxford handbook of music revival
    DDC: 780.9
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    Keywords: Aufsatzsammlung ; Musik ; Tradition ; Erneuerung ; Kulturvergleich ; Geschichte
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  • 92
    Book
    Book
    London [u.a.] : Routledge
    ISBN: 9780415881807 , 9780415881814 , 9781315857671
    Language: English
    Pages: XV, 465 S. , Ill., Notenbeisp.
    Additional Material: 1 CD
    Edition: 2. ed.
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
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    Keywords: African Americans / Music / History and criticism ; Musik ; Schwarze. USA ; Musik ; Afroamerikanische Musik ; Musikleben ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Musik ; USA ; Schwarze ; Musikleben ; Afroamerikanische Musik
    Note: Previous ed.: 2006
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  • 93
    ISBN: 9781443876100
    Language: English
    Pages: xvi, 152 , Diagramme, Notenbeispiele
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    Keywords: Music / Turkey / History and criticism ; Music / Social aspects / Turkey ; Music / Physiological aspects ; Gesellschaft ; Musik ; Kognition ; Musik ; Rezeption ; Politik ; Gesellschaft ; Türkei ; Türkei ; Aufsatzsammlung ; Aufsatzsammlung ; Türkei ; Musik ; Gesellschaft ; Kognition ; Rezeption ; Politik ; Aufsatzsammlung
    Abstract: This book offers a range of trajectories of academic thought and musical practice in Turkey. It adopts a multidisciplinary approach, with chapters exploring the question posed by its title from the perspectives of ethnomusicology, historical musicology, neurology, psychology, social science, gender studies, acoustics, and linguistics. Some studies are experimental and scientific in nature, ranging from a friends focus on tonality, using EEG to investigate differences in the cognitive responses of musicians and non-musicians listening to tonal and atonal chords, to an examination of brain activation in response to reverberation time differences resulting from room acoustics. Another essay assesses the psychometric properties and effectiveness of the new Turkish version of the Music Performance Anxiety Inventory for Adolescents (MPAI-A), designed to survey performance anxiety and determine its severity in adolescent musicians. On a completely different tack, two studies investigate Turkey's heavy metal scene. The first explores the social forces propelling the "moral panic" over Satanism and heavy metal, generated by the national press in response to a gory murder in the 1990s. Through field interviews, this study examines the impact of this on the public perception and stereotypes of metal fans, and its effects on the fans themselves. The second contribution examines gender codes within the global extreme metal scene, looking specifically at the barriers faced - and overcome - by female Turkish extreme metal musicians. Setting Turkish music practices today in their historical context, a further contribution offers a critical appraisal of the mission to "contemporize" music, expounded (though ineffectually carried out) by the founding ideologies of Early Republican Turkey.
    Abstract: A similar chapter discusses how even Anatolian folk music, when examined more closely, caused consternation, looking at the change in the Turkish state's attitude towards the multicultural structure of Anatolia during the last decade. The final article in this volume focuses on how Turkish musicians use the term "sound" - the English word, as borrowed in Turkish - to discuss elements of music. Beyond the physical meaning of the word, the essay explores the ways the word is used by musicians to describe the timbre of instruments, the production quality of recordings, the application of music technology, the aural aesthetics of an album, and the distinctive and unique elements of an artist's performance. - Firat Kutluk is a Professor of Musicology, and received his PhD on "Cultural Analysis of Popular Music in Turkey" in 1994. In addition to participating in various conferences, seminars and symposiums, he has presented a series of lectures on "New Music" and "Music and Politics". Between 1991 and 2009, he made a number of music programmes for broadcast, and has published the books Music History (1997) and Music and Politics (1997). He is currently Director of the Graduate School of Fine Arts at Dokuz Eylul University and Principal of DABMER (Acoustic and Cognitive Musicology Research Centre). Ugur Turkmen graduated from Uludag University's Faculty of Education in 1993. He gained a Master's degree from the Department of Music Education of Selcuk University in 1996. In 2005, he received his doctorate from Bolu Abant Izzet Baysal University's Department of Music Education, before becoming an Associate Professor of Musicology in 2010. He is currently the Director of Afyon Kocatepe University State Conservatory.
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  • 94
    ISBN: 9782343062693
    Language: French
    Pages: 110 Seiten , 22 cm
    Series Statement: Harmattan Cameroun
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    Keywords: Protest songs / Cameroon / History and criticism ; Folk songs / Cameroon / History and criticism ; Songs / Social aspects / Cameroon ; Songs / Political aspects / Cameroon ; Social control / Cameroon ; Music / Social aspects / Cameroon ; Music / Political aspects / Cameroon ; Gesellschaft ; Musik ; Politik ; Protestsong ; Politisches Lied ; Kamerun ; Kamerun ; Politisches Lied ; Kamerun ; Protestsong
    Abstract: Ce livre traite des problèmes contemporains tels que la permanence de la vulnérabilité sociale, la violence politique, le pouvoir de l'argent et la corruption notoire, à travers la chanson camerounaise. Il est question de montrer comment l'art musical permet de mettre à nu les logiques qui astreignent les élites gouvernantes à travailler contre le développement et la démocratie. Cette étude est un essai de décryptage de la violence consécutive à l'adversité politique à laquelle les pauvres font face dans les pays en développement
    Description / Table of Contents: Includes bibliographical references
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  • 95
    ISBN: 9780810888951 , 9780810888968
    Language: English
    Pages: 243 Seiten
    Series Statement: Europea: Ethnomusicologies and modernities 17
    Series Statement: Europea
    DDC: 780.89/9457
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    Keywords: Sami (European people) Music ; History and criticism ; Music History and criticism ; Music ; Sami (European people) ; Lappland ; Samen ; Musik ; Musikleben
    Description / Table of Contents: Sámi musical performance : an introduction -- Performing Sápmi -- Reconceptualizing time -- Voicing nature -- Transmitting culture -- Aspiring cosmopolitanism.
    Note: Bbibliography p. 223-235 and index p. 237-242
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  • 96
    Language: German , English
    Pages: 18 Seiten , Illustrationen, Diagramme
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    Keywords: Musik ; Musikinstrument ; Tanz ; Aufführung ; Indonesien ; Ausstellungskatalog Weltkulturen Museum 30.09.2015-15.11.2015 ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog
    Note: Text deutsch und englisch
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  • 97
    ISBN: 9789383098927
    Language: English
    Pages: 118 S. , Ill. , 30 cm
    DDC: 781.629595
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    Keywords: Santal (South Asian people) Exhibitions Music ; Folk music Exhibitions ; Folk dance music Exhibitions ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Indien ; Santal ; Musik ; Saiteninstrument
    Note: "This book is an outcome of a collaborative project between the Museum Rietberg, Zurich and the Crafts Museum, New Delhi..."--Back flap , Includes bibliographical references (pages 114-115)
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  • 98
    Book
    Book
    Kingston ; Miami : Ian Randle Publishers
    ISBN: 9789766372538 , 9766372535
    Language: English
    Pages: xlvii, 735 pages , Illustrationen, Notenbeispiele
    DDC: 972.92
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    Keywords: Alltag, Brauchtum ; Folk music ; Folk dancing, Jamaican ; Religion ; Musik ; Tanz ; Jamaica Civilization ; African influences ; Jamaica Religion ; Jamaica Religious life and customs ; Jamaica Social life and customs ; Jamaika ; Jamaika ; Musik ; Tanz ; Religion
    Note: Originally published in various sources between 1907 and 1999. - Includes bibliographical references
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  • 99
    ISBN: 9781472449535
    Language: English
    Pages: xviii, 248 S. , Ill., Notenbeisp.
    Additional Material: 1 DVD
    Series Statement: SOAS musicology series
    DDC: 780.94965
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    Keywords: Music Social aspects ; Foreign workers, Albanian Songs and music ; History and criticism ; Albania Emigration and immigration ; Songs and music ; History and criticism ; Albanien Süd ; Volksmusik ; Migration
    Abstract: Introduction. Sound, space and mobility -- Vocal multipart practice in Albania -- Reading absences : approaching the field -- Migration and mobility in Albania -- Migration, emotions and creativity -- Migration in performance : village feasts and nostalgia -- "The deep wound" : memorialising migration -- Two absences : migration up to death -- Conclusion. Sound, space and mobility - lessons from the Albanian case
    Description / Table of Contents: Introduction. Sound, space and mobilityVocal multipart practice in Albania -- Reading absences : approaching the field -- Migration and mobility in Albania -- Migration, emotions and creativity -- Migration in performance : village feasts and nostalgia -- "The deep wound" : memorialising migration -- Two absences : migration up to death -- Conclusion. Sound, space and mobility - lessons from the Albanian case.
    Note: Includes bibliographical references and index
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  • 100
    ISBN: 3940255602 , 9783940255600
    Language: English , German
    Pages: xvi, 672 Seiten , Diagramme, Illustrationen, Notenbeispiele , 24 cm x 16.5 cm
    Series Statement: Beiträge zur Medienästhetik der Musik Band 15
    Series Statement: Beiträge zur Medienästhetik der Musik
    Parallel Title: Erscheint auch als Musik im Spektrum technologischer Entwicklungen und neuer Medien
    DDC: 780
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    Keywords: Music and technology ; Music Social aspects ; Music and the Internet ; Music Computer network resources ; Festschrift ; Aufsatzsammlung ; Musik ; Technologie ; Neue Medien ; Musikwissenschaft ; Musikerziehung ; Multimedia ; Musik ; Neue Medien ; Internationalisierung ; Musik ; Gesellschaft ; Kulturpädagogik ; Musikerziehung ; Musikverstehen
    Note: "Bernd Enders: Publikationen, Vorträge und betreute Arbeiten": Seite 647-656 , Musik als Kunst und als Wissenschaft ; Die Entstehung konstanter Impulsdauern bei Blasinstrumenten : Formal abgeleitet bei konischen Röhren anhand der abgeschnittenen Spitze (Teil A) und überprüft anhand der Daten Wolfgang Voigts (Teil B) , Von IML zu XML : Schlaglichter in der Entwicklung textbasierter Notencodes , Functional programming for computer music applications , Kunst und Technik : Historische Reflexionen anlässlich der Herausgabe der Schriften von Leo Kestenberg , Die Transkription des Poeme Vers la flamme op : 72 von Alexander Skrjabin für Bohlen-Pierce-Ensemble , Bamboo : the accordatura of Chinese musical sound , Konzeptionell-methodologische Fragen musikwissenschaftlicher Grundlagenforschung : der Einfluss von Transformationen und Neu- perspektivierungen musikalischer Praxen durch Neue Medienkunst und digitale Medientechnologie , Intonationstoleranz im Live-Konzert : das "Jump-Desaster" von Van Halen , OpenEar, emoTouch, kinelyze : Musikpsychologische Forschungssoftware aus Osnabrück , Theoretical and experimental music science : Musikinformatik als Katalysator einer Neuordnung in der Musikwissenschaft , Haben Pianisten eine bessere Feinwahrnehmung der Finger im Vergleich zu Nicht-Pianisten? , Das Form-Inhalts-Problem der Musik und musikwissenschaftliche Grundlagenforschung : das Forschungsprogramm der Kölner Kognitiven Musikwissenschaft , Modelling cognitive and analytic musical structures in the musitech framework , Musik als Grenzerfahrung und Grenzüberschreitung ; Digital music codes : Auswirkungen digitaler Codierung auf die Paradigmen der "Reproduktionsmusik" , On footbonauts, sound soccer and soccer chants : sound studies and soccer , Sound art and music : a challenge to sensory ecology , Musikalische Wiederholung und Wiederaneignung : Collagen, Loops und Samples , Der Elektroniker als moderner Organist : zum medialen Dispositiv der (Orgel-)Tastatur als Universalinterface , Ein biographisches Kaleidoskop : zur Musiktechnik und -elektronik , Muss i denn zum Städtele naus : Visualisierungen eines Liedes am Anfang des 20. Jahrhunderts , Visualisierung von Musik unter dem Zeichen medialer Musikvermittlung , Back to the roots ... hedonisch bewegte körperliche Gestaltung des "künstlichen" Klanges : Interfaces : Wahrnehmung, Ausdruck und deren Instrumentarisierungen/Mediatisierungen im musikalischen Kommunikationsprozess , Dave Brubeck sagt "dziekuye" zu Chopin : ich sage "danke" zu Bernd Enders : Brubecks Points on Jazz und eine musikalische Idee , Rückwärtsbotschaften in der Rock-, Pop- und Heavy-Metal-Musik , Des Wiedergängers Ungeist oder der Komplexitätsunsinn , 30 Jahre Computer im Musikunterricht : vom "Drill and Practice" zur App , Ich bin ein Musikant mit der App in der Hand. Gedanken zum Musizieren mit mobile devices , Medienkompetenz durch Musikunterricht? Zehn Jahre danach : Moving Sounds , Die musikalische Systeminkongruenz in Albertis Rucellai-Fassade , Musik im Spektrum von Kultur und Gesellschaft ; Wo soll die Reise hingehen? über die Potenziale der Popmusik für eine interkulturell orientierte Musikpädagogik , Freizeitaktivitäten von Jugendlichen im digitalen Zeitalter , Der Chip und das Ich : Chancen und Grenzen einer künftigen musik- und bewegungstechnologisch unterstützten Lern- und Verhaltensdiagnostik für Grundschulkinder , Grüsse aus dem Rheinland : "Ich mööch zo Foss noh Kölle gon" : Lieder von Willi Ostermann auf historischen Bildpostkarten , Der musikalische Futurismus und der Erste Weltkrieg , Der musikalische Reiseführer : vom Itinerario musicale zur App am Beispiel Italiens , Zur Vor- und Frühgeschichte sozialer Netzwerke in der Musik , Musiktechnologien als Herausforderung für die Musikpädagogik in der zweiten Hälfte des vorigen Jahrhunderts : Rückblick auf ein dialektisches Verhältnis , Zwischen Mensch und Maschine. Komponieren für Piano-Player und Player Piano , "... ohne uns vergessen zu machen das Unerreichbare" : Bertolt Brechts "Bericht vom Fliegen" und seine Vertonung durch Carl Orff im Kontext der Luftfahrtgeschichte , Was machen die Medien aus oder mit der Musik? , Anhang ; Vita Bernd Enders ; Bernd Enders : Publikationen, Vorträge und betreute Arbeiten ; Vitae der Autorinnen und Autoren. , Text deutsch und englisch
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