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  • BVB  (14)
  • Cambridge : Cambridge University Press  (10)
  • Frankfurt am Main : Suhrkamp
  • Gesellschaft  (13)
  • Globalisierung
  • Musikwissenschaft  (7)
  • Theologie/Religionswissenschaften  (7)
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Erscheinungszeitraum
  • 1
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781107032491 , 9781108447799
    Sprache: Englisch
    Seiten: xiii, 276 Seiten , Illustrationen
    Ausgabe: First paperback edition
    Serie: Critical perspectives on empire
    DDC: 305.6/970947409034
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    Schlagwort(e): Geschichte 1788-1914 ; HISTORY / Europe / Eastern ; Geschichte ; Gesellschaft ; Muslims History ; Muslims Social conditions ; Community life History ; Islam Social aspects ; History ; Social change History ; Volga-Ural Region (Russia) Ethnic relations ; Volga-Ural Region (Russia) Social conditions ; Muslims History ; Imperialism Social aspects ; History ; HISTORY / Europe / Eastern ; Muslim ; Europa ; Russland ; Russia History 1801-1917 ; Russland ; Russland ; Muslim ; Geschichte 1788-1914
    Kurzfassung: "Imperial Russia's Muslims offers an exploration of social and cultural change among the Muslim communities of Central Eurasia from the late eighteenth century through to the outbreak of the First World War. Drawing from a wealth of Russian and Turkic sources, Mustafa Tuna surveys the roles of Islam, social networks, state interventions, infrastructural changes and the globalization of European modernity in transforming imperial Russia's oldest Muslim community: the Volga-Ural Muslims. Shifting between local, imperial and transregional frameworks, Tuna reveals how the Russian state sought to manage Muslim communities, the ways in which both the state and Muslim society were transformed by European modernity, and the extent to which the long nineteenth century either fused Russia's Muslims and the tsarist state or drew them apart. The book raises questions about imperial governance, diversity, minorities, and Islamic reform, and in doing so proposes a new theoretical model for the study of imperial situations"..
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  • 2
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781316271476
    Sprache: Englisch
    Seiten: 1 online resource (ix, 284 pages)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/842094
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    Schlagwort(e): Geschichte 1400-1600 ; Geschichte ; Gesellschaft ; Musik ; Music / Social aspects / History ; Music therapy / History ; Plague / Europe / History ; Musik ; Pest ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Pest ; Musik ; Geschichte 1400-1600
    Kurzfassung: Plague, a devastating and recurring affliction throughout the Renaissance, had a major impact on European life. Not only was pestilence a biological problem, but it was also read as a symptom of spiritual degeneracy and it caused widespread social disorder. Assembling a picture of the complex and sometimes contradictory responses to plague from medical, spiritual and civic perspectives, this book uncovers the place of music - whether regarded as an indispensable medicine or a moral poison that exacerbated outbreaks - in the management of the disease. This original musicological approach further reveals how composers responded, in their works, to the discourses and practices surrounding one of the greatest medical crises in the pre-modern age. Addressing topics such as music as therapy, public rituals and performance and music in religion, the volume also provides detailed musical analysis throughout to illustrate how pestilence affected societal attitudes toward music
    Anmerkung: Title from publisher's bibliographic system (viewed on 07 Jul 2017)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 3
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781107100862 , 9781107498297
    Sprache: Englisch
    Seiten: xii, 287 Seiten , Illustrationen, Diagramme
    Serie: Cambridge cultural social studies
    Paralleltitel: Erscheint auch als
    DDC: 306.4842
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    Schlagwort(e): Gesellschaft ; Musik ; Music / Social aspects ; Music / History and criticism ; Klassische Musik ; Wettbewerb ; Klassische Musik ; Wettbewerb
    Anmerkung: Literaturverz. S. 264 - 281 , Paperback edition 2017
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  • 4
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781139506366
    Sprache: Englisch
    Seiten: 1 online resource (xiii, 276 pages)
    Serie: Critical perspectives on empire
    Paralleltitel: Erscheint auch als
    DDC: 305.6/970947409034
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    Schlagwort(e): Geschichte 1788-1914 ; Geschichte ; Gesellschaft ; Muslims / Russia (Federation) / Volga-Ural Region / History ; Muslims / Russia (Federation) / Volga-Ural Region / Social conditions ; Community life / Russia (Federation) / Volga-Ural Region / History ; Islam / Social aspects / Russia (Federation) / Volga-Ural Region / History ; Social change / Russia (Federation) / Volga-Ural Region / History ; Muslims / Russia / History ; Imperialism / Social aspects / Russia / History ; Muslim ; Russland ; Volga-Ural Region (Russia) / Ethnic relations ; Volga-Ural Region (Russia) / Social conditions ; Russia / History / 1801-1917 ; Russland ; Russland ; Muslim ; Geschichte 1788-1914
    Kurzfassung: Imperial Russia's Muslims offers an exploration of social and cultural change among the Muslim communities of Central Eurasia from the late eighteenth century through to the outbreak of the First World War. Drawing from a wealth of Russian and Turkic sources, Mustafa Tuna surveys the roles of Islam, social networks, state interventions, infrastructural changes and the globalization of European modernity in transforming imperial Russia's oldest Muslim community: the Volga-Ural Muslims. Shifting between local, imperial and transregional frameworks, Tuna reveals how the Russian state sought to manage Muslim communities, the ways in which both the state and Muslim society were transformed by European modernity, and the extent to which the long nineteenth century either fused Russia's Muslims and the tsarist state or drew them apart. The book raises questions about imperial governance, diversity, minorities, and Islamic reform, and in doing so proposes a new theoretical model for the study of imperial situations
    Beschreibung / Inhaltsverzeichnis: A world of Muslims -- 2. Connecting Volga-Ural Muslims to the Russian State -- 3. Russification : unmediated governance and the Empire's quest for ideal subjects -- 4. Peasant responses : protecting the inviolability of the Muslim domain -- 5. Russia's great transformation in the second half of the long nineteenth century (1860-1914) -- 6. The wealthy : prospering with the sea-change and giving back -- 7. The cult of progress -- 8. Alienation of the Muslim intelligentsia -- 9. Imperial paranoia -- 10. Flexibility of the Imperial domain and the limits of integration
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 5
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139029476
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxvi, 851 Seiten)
    Serie: The Cambridge history of music
    DDC: 780.9
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    Schlagwort(e): Weltmusik ; Folk music ; Globalisierung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Kurzfassung: Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.
    Anmerkung: Literaturangaben
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  • 6
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Sprache: Englisch
    Seiten: 1 online resource (vii, 294 pages)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.65/09
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    Schlagwort(e): Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Sozialgeschichte ; Jazz ; Geschichte ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Kurzfassung: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Sprache: Englisch
    Seiten: 1 online resource (vii, 294 pages)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.65/09
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    Schlagwort(e): Gesellschaft ; Musik ; Jazz / History and criticism ; Music / Social aspects ; Geschichte ; Sozialgeschichte ; Jazz ; Jazz ; Geschichte ; Jazz ; Sozialgeschichte
    Kurzfassung: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Introduction: the quest for cultural legitimacy , Before the Jazz Age: professional musicians and good music , Jazz Age: professional musicians and the cultivated vernacular , Swing craze: professional musicians, swing music and the art of improvisation , Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt , New jazz age: the jazz art world and the modern jazz renaissance , Conclusion: the jazz art world and American culture
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Online-Ressource
    Online-Ressource
    Alexandria, VA : Alexander Street Press | Frankfurt am Main : Suhrkamp
    Sprache: Deutsch
    Seiten: 1 Online-Ressource (1 electronic resource (361 p.))
    Ausgabe: 1. Aufl.
    Ausgabe: Online-Ausgabe 2009 Social Theory Sonstige Standardnummer des Gesamttitels: 041190-5
    Ausgabe: Electronic reproduction; Available via World Wide Web
    Paralleltitel: Reproduktion von Luhmann, Niklas, 1927-1998 Die Religion der Gesellschaft
    DDC: 306.6
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    Schlagwort(e): Godsdienst ; Maatschappij ; Religião ; Sociedade ; Sociologia (teoria) - Alemanha ; Religion ; Religion and sociology ; Religionssoziologie ; Gesellschaft ; Systemtheorie ; Religion ; Religion and sociology ; Religion ; Gesellschaft ; Religionssoziologie ; Religion ; Systemtheorie
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 9
    Buch
    Buch
    Frankfurt am Main : Suhrkamp
    ISBN: 3518287257
    Sprache: Deutsch
    Seiten: 604 S. , Kt.
    Ausgabe: 1. Aufl., Nachdr.
    Serie: Suhrkamp-Taschenbuch Wissenschaft 1125
    Serie: Suhrkamp-Taschenbuch Wissenschaft
    Originaltitel: Les formes élémentaires de la vie religieuse
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    Schlagwort(e): Geschichte 1912 ; Naturreligion ; Religion ; Religionssoziologie ; Totemismus ; Religionssoziologie ; Theorie ; Seele ; Animismus ; Naturismus ; Religion ; Ritual ; Religionsphänomenologie ; Totemismus ; Ethnische Religion ; Aborigines ; Gesellschaft ; Australien ; Religionsphänomenologie ; Religion ; Theorie ; Religion ; Animismus ; Naturismus ; Totemismus ; Seele ; Ritual ; Aborigines ; Religion ; Religion ; Gesellschaft ; Australien ; Totemismus ; Ethnische Religion ; Religionssoziologie ; Religionssoziologie ; Geschichte 1912
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  • 10
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9780511895500
    Sprache: Englisch
    Seiten: 1 online resource (xii, 390 pages)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.6409
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    Schlagwort(e): Gesellschaft ; Musik ; Popular music / History and criticism ; Music / Social aspects ; Unterhaltungsmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik
    Kurzfassung: This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes. Specific topics include the use of popular song to rouse anti-slavery sentiment in mid-nineteenth-century America, the reception of such African-American styles and genres as rock 'n' roll and soul music by the black population of South Africa, the question of genre in the early songs of Irving Berlin, the attempts by the governments of South Africa and China to impose specific bodies of music on their populations, the persistence of the minstrel show in rural twentieth-century America and the impact of modernist modes of thought on writing about popular music
    Beschreibung / Inhaltsverzeichnis: Modernist narratives and popular music -- Rock and the facts of life -- Changing patterns in society and music: the US since World War II -- "If I were a voice": or, The Hutchinson Family and popular song as political and social protest -- Some thoughts on the measurement of popularity in music -- Elvis, a review -- Home cooking and American soul in black South African popular music -- Rock 'n' roll in a very strange society -- African-American music, South Africa, and apartheid -- "The constant companion of man": Separate development, radio Bantu, and music -- Privileging the moment of reception: music and radio in South Africa -- Music and radio in the People's Republic of China -- Towards a new reading of Gershwin -- A blues for the ages -- Graceland revisited -- Dvořák in America: nationalism, racism, and national race -- The last minstrel show? -- The role of rock, a review -- Genre, performance, and ideology in the early songs of Irving Berlin -- Epilogue: John Cage revisited
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9780511586156
    Sprache: Englisch
    Seiten: 1 online resource (xii, 228 pages)
    Originaltitel: Rockmusik
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/84
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    Schlagwort(e): Gesellschaft ; Musik ; Rock music / History and criticism ; Music / Philosophy and aesthetics ; Music / Social aspects ; Popular culture
    Kurzfassung: Rock music - powerful, sensual, loud and full of energy. It has changed the face of modern music. But what is its fascination for, and its significance in contemporary society and what cultural values does it reflect? Peter Wicke addresses these issues in a stimulating and penetrating study of rock music tracing the genesis and influence of this diverse strand of popular music. Beginning with the advent of rock 'n' roll, Wicke chronicles the development through Elvis Presley and the Beatles to the current music industry, its performers, and the impact of the music video. The book will appeal to readers with an interest in music history, popular culture, and media studies
    Beschreibung / Inhaltsverzeichnis: Preface -- 'Roll over Beethoven': new experiences in art -- 'Rock Around the Clock': emergence -- 'Love Me Do': the aesthetics of sensuousness -- 'My Generation': rock music and subcultures -- 'Revolution': the ideology of rock -- 'We're Only in It for the Money': the rock business -- 'Anarchy in the UK': the punk rebellion -- 'Wild Boys': the aesthetic of the synthetic -- Postscript: 'The Times They are A-Changing' -- Notes -- Bibliography -- Discography -- Index of people and groups -- General index
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 12
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9780511897108
    Sprache: Englisch
    Seiten: 1 online resource (xiii, 253 pages)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.6/2/042
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    Schlagwort(e): Katholische Kirche ; Geschichte 1900-2000 ; Geschichte 1900-1987 ; Sozialgeschichte 1945-1986 ; Alltag, Brauchtum ; Geschichte ; Catholics / England / History / 20th century ; Catholics / Wales / History / 20th century ; Katholizismus ; Katholik ; Gesellschaft ; England / Social life and customs / 1945- ; Wales / Social life and customs ; Großbritannien ; Wales ; England ; Großbritannien ; Katholik ; Gesellschaft ; Geschichte 1900-1987 ; Großbritannien ; Katholische Kirche ; Geschichte 1900-1987 ; England ; Katholizismus ; Sozialgeschichte 1945-1986 ; Wales ; Katholizismus ; Sozialgeschichte 1945-1986
    Kurzfassung: This book is about change in the Roman Catholic community in England and Wales. It argues that in the post-war years of economic growth and expanded educational opportunities, Catholics born in Great Britain achieved rates of upward social mobility comparable to those of the general population. In so doing there arose a 'new Catholic middle class', likely to be crucial for the future of Roman Catholicism in England and Wales. However, since one quarter of English Catholics were first-generation immigrants who had experienced some downward mobility, it could not be said that English Catholics generally had experienced a 'mobility momentum' relative to the rest of the population. Apart from the effects of social change, post-war Catholicism was also transformed as a result of the religious reforms legitimated by the Second Vatican Council in the early 1960s. The net effect of these social and religious forces on English Catholicism was the dissolution of the boundaries which had formerly defended a 'fortress' church in a hostile world. The book identifies this, inter alia, in the widespread heterodoxy of belief and practice, and in the decline of marital endogamy and communal involvement
    Anmerkung: Title from publisher's bibliographic system (viewed on 24 Feb 2016)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 13
    ISBN: 3518063588
    Sprache: Deutsch
    Seiten: 404 S.
    Ausgabe: 36. - 37. Tsd.
    Serie: Theorie-Diskussion
    DDC: 301.01
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    Schlagwort(e): Habermas, Jürgen ; Luhmann, Niklas ; Sociale stelsels ; Sociologie - Méthodologie ; Systeemtheorie ; Soziologie ; Sociology Methodology ; Sozialtechnologie ; Soziologie ; Systemforschung ; Gesellschaft ; Systemtheorie ; Soziologische Theorie ; Aufsatzsammlung ; Aufsatzsammlung ; Systemtheorie ; Gesellschaft ; Systemforschung ; Soziologische Theorie ; Soziologie ; Sozialtechnologie ; Luhmann, Niklas 1927-1998 ; Habermas, Jürgen 1929-
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  • 14
    ISBN: 3518078356
    Sprache: Deutsch
    Seiten: 581 S. , Ill.
    Ausgabe: 1. Aufl.
    Serie: Suhrkamp-Taschenbuch Wissenschaft 235
    Serie: Suhrkamp-Taschenbuch Wissenschaft
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    Schlagwort(e): Anyi ; Ethnopsychoanalyse ; Gesellschaft ; Psychoanalyse ; Psychoanalyse ; Sozialstruktur ; Anyi ; Anyi ; Anyi
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