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  • HeBIS  (374)
  • Schwarze  (302)
  • Soziologie
  • English Studies  (194)
  • Musicology  (194)
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  • 1
    Online Resource
    Online Resource
    Stuttgart : W. Kohlhammer GmbH
    ISBN: 9783170426498
    Language: German
    Pages: 1 Online-Ressource (187 p.)
    Edition: 1st ed.
    RVK:
    RVK:
    Keywords: Heavy Metal ; Musik ; Musiksoziologie ; Soziologie
    Abstract: Ehemals Musik junger Abgehängter und Outlaws, ist Heavy Metal heute mehr und mehr in der Mitte der Gesellschaft angekommen: Wohl mehr als 10 Millionen Deutsche hören Heavy Metal. Aber warum tun sie das? Was suchen und was finden sie in dieser Musik, die von Außenstehenden oft als purer Lärm empfunden wird? Warum wimmelt es im Heavy Metal nur so von Monstern und Teufeln - und wieso schweigen auch die Götter und die Engel nicht? Was erleben Metalfans, wenn sie ihre Musik hören - und welche Erfahrung treibt sie immer wieder ins Konzert? Wieso lesen sie ständig Musikzeitschriften und hören nicht auf, CDs zu kaufen? Wie ist es zu erklären, dass 40 Prozent der Metalfans behaupten, die Musik habe ihr Leben gerettet? Und warum ist Heavy Metal stärker als die Musikindustrie? Worum geht es im Heavy Metal wirklich? Diese Fragen und mehr beantwortet Hartmut Rosa in dieser kleinen Soziologie des Heavy Metal.
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  • 2
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 3
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Leonard Hastings Schoff Lectures
    DDC: 781.650973
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    Keywords: Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Abstract: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
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  • 4
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
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    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
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    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 6
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
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    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
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  • 7
    ISBN: 9781496832108 , 9781496832115
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele , 23 cm
    Edition: First printing
    DDC: 781.6508996073
    RVK:
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    Keywords: Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Abstract: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Note: Literaturangaben
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  • 8
    Online Resource
    Online Resource
    New York : New York University Press
    ISBN: 9781479810932 , 9781479810925
    Language: English
    Pages: 1 Online-Ressource (261 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
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    Keywords: LITERARY CRITICISM / American / African-American ; African Americans ; Age Social aspects ; Blacks ; Human body Social aspects ; Racism ; Altern ; Körper ; Soziale Situation ; Aussehen ; Schwarze ; USA ; USA ; Schwarze ; Körper ; Aussehen ; Altern ; Soziale Situation
    Abstract: A view of transatlantic slavery's afterlife and modern Blackness through the lens of age. Although more than fifty years apart, the murders of Emmett Till and Trayvon Martin share a commonality: Black children are not seen as children. Time and time again, excuses for police brutality and aggression-particularly against Black children- concern the victim "appearing" as a threat. But why and how is the perceived "appearance" of Black persons so completely separated from common perceptions of age and time? Black Age: Oceanic Lifespans and the Time of Black Life posits age, life stages, and lifespans as a central lens through which to view Blackness, particularly with regard to the history of transatlantic slavery. Focusing on Black literary culture of the late twentieth and early twenty-first centuries, Habiba Ibrahim examines how the history of transatlantic slavery and the constitution of modern Blackness has been reimagined through the embodiment of age. She argues that Black age-through nearly four centuries of subjugation- has become contingent, malleable, and suited for the needs of enslavement. As a result, rather than the number of years lived or a developmental life stage, Black age came to signify exchange value, historical under-development, timelessness, and other fantasies borne out of Black exclusion from the human.Ibrahim asks: What constitutes a normative timeline of maturation for Black girls when "all the women"-all the canonically feminized adults-"are white"? How does a "slave" become a "man" when adulthood is foreclosed to Black subjects of any gender? Black Age tracks the struggle between the abuses of Black exclusion from Western humanism and the reclamation of non-normative Black life, arguing that, if some of us are brave, it is because we dare to live lives considered incomprehensible within a schema of "human time.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 9
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Resling | Berlin : Walter de Gruyter GmbH
    ISBN: 9783110723168
    Language: English
    Pages: 1 Online-Ressource (VI, 273 p.)
    Edition: 2021
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    Keywords: Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; Amerikanische Musik ; Ethnizität ; Juden ; Musikindustrie ; HISTORY / General ; USA ; African-American ; American Music ; Civil Rights history ; Ethnicity ; Hegemony ; Jews ; Music industry ; New Left ; Old Left ; Semiotics ; WASP
    Abstract: Stairway to Paradise reveals how American Jewish entrepreneurs, musicians, and performers influenced American popular music from the late nineteenth century till the mid-1960s. From blackface minstrelsy, ragtime, blues, jazz, and Broadway musicals, ending with folk and rock 'n' roll. The book follows the writers and artists' real and imaginative relationship with African-American culture's charisma. Stairway to Paradise discusses the artistic and occasionally ideological dialogue that these artists, writers, and entrepreneurs had with African-American artists and culture. Tracing Jewish immigration to the United States and the entry of Jews into the entertainment and cultural industry, the book allocates extensive space to the charged connection between music and politics as reflected in the Jewish-Black Alliance - both in the struggle for social justice and in the music field. It reveals Jewish success in the music industry and the unique and sometimes problematic relationships that characterized this process, as their dominance in this field became a source of blame for exploiting African-American artistic and human capital. Alongside this, the book shows how black-Jewish cooperation, and its fragile alliance, played a role in the hegemonic conflicts involving American culture during the 20th century. Unintentionally, it influenced the process of decline of the influence of the WASP elite during the 1960s. Stairway to Paradise fuses American history and musicology with cultural studies theories. This inter-disciplinary approach regarding race, class, and ethnicity offers an alternative view of more traditional notions regarding understanding American music's evolution.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
    URL: Cover
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  • 10
    Online Resource
    Online Resource
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781479890491
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Intersections 18
    DDC: 302.23089/96073
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    Keywords: Schwarze ; Diskriminierung ; Frauenfeindlichkeit ; Rassismus ; USA
    Abstract: Where racism and sexism meet-an understanding of anti-Black misogynyWhen Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central's The Daily Show and CNN's Cuomo Prime Time. In Misogynoir Transformed, Bailey delves into her groundbreaking concept, highlighting Black women's digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms. At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous-and, most importantly, effective-ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs. Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women's remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Language: English
    Pages: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Series Statement: Mississippi scholarship online
    DDC: 781.6508996073
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    Keywords: Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Abstract: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 12
    Online Resource
    Online Resource
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781479803392
    Language: English
    Pages: 1 Online-Ressource
    Edition: 2021
    Series Statement: Intersections 18
    DDC: 302.23089/96073
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    Keywords: Schwarze ; Diskriminierung ; Frauenfeindlichkeit ; Rassismus ; African American women in popular culture ; African American women in social media ; African American women Social conditions ; Misogynoir ; Misogyny ; Social media ; SOCIAL SCIENCE / Media Studies ; USA ; #FreeCeCe ; #GirlsLikeUs ; #RuinABlackGirlsMonday ; #YourSlipIsShowing ; 195 Lewis ; Adultification ; Between Women ; Black Girls ; Black queer women ; Black trans women ; Black women ; CeCe McDonald ; Defensive Digital Alchemy ; Digital Alchemy ; Drag ; Generative Digital Alchemy ; Harm Reduction ; Health ; Janet Mock ; Masculinity ; Nap Ministry ; Networks ; Nonbinary femmes ; Queer ; Reading ; Redefining Realness ; Relationships ; Skye’s The Limit ; Social Media Platforms ; Social Media ; Stereotypes ; Therapy ; Trans ; Transformation ; Transformative Justice ; Tumblr ; Twitter ; UrDoinGreat ; Web Shows ; YouTube ; “Shit Black Girls Say”
    Abstract: Where racism and sexism meet—an understanding of anti-Black misogynyWhen Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time. In Misogynoir Transformed, Bailey delves into her groundbreaking concept, highlighting Black women’s digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms. At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous—and, most importantly, effective—ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs. Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women’s remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)
    URL: Cover
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  • 13
    ISBN: 9780252052750
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: The new Black studies series
    Series Statement: Illinois scholarship online
    DDC: 305.8960730904
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    Keywords: Geschichte 1900-2016 ; Schwarze ; Geistesleben ; Rassismus ; African Americans Intellectual life 20th century ; African American intellectuals History 20th century ; African Americans Race identity 20th century ; History ; Blacks Race identity 20th century ; History ; Black nationalism History 20th century ; African Americans Social conditions 20th century ; USA ; United States Race relations 20th century ; History ; Aufsatzsammlung
    Abstract: From 1900 to the present, people of African descent living in the United States have drawn on homegrown and diasporic minds to create a Black intellectual tradition engaged with ideas on race, racial oppression, and the world. This volume presents essays on the diverse thought behind the fight for racial justice as developed by African American artists and intellectuals; performers and protest activists; institutions and organizations; and educators and religious leaders. By including both women's and men's perspectives from the U.S. and the Diaspora, the essays explore the full landscape of the Black intellectual tradition.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 14
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Language: English
    Pages: xiv, 392 Seiten
    Series Statement: Refiguring american music
    Parallel Title: Online version Mahon, Maureen Black diamond queens
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    Keywords: Schwarze ; Frau ; Rockmusik ; USA
    Abstract: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Note: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
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  • 15
    Book
    Book
    Amherst : University of Massachusetts Press
    ISBN: 9781625345141 , 9781625345158
    Language: English
    Pages: xi, 227 Seiten , 24 cm
    Series Statement: African American intellectual history
    DDC: 780.8996073
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    Keywords: Baraka, Amiri ; Geschichte 1960- ; Schwarze ; Afroamerikanische Musik ; Soziale Identität ; Black arts movement ; USA
    Abstract: Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological development of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called the urban crisis" and a projection of a liberated black future beyond that crisis.
    Note: Literaturangaben
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  • 16
    Book
    Book
    Detriot : Wayne State University Press
    ISBN: 9780814348314 , 0814348319 , 9780814345146 , 081434514X
    Language: English
    Pages: xiv, 178 Seiten , Illustrationen , 21 cm
    DDC: 305.896/073
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    Keywords: Schwarze ; Diskriminierung ; Soziale Situation ; Sklaverei ; Erbe ; USA ; Aufsatzsammlung
    Abstract: This book is a plea to America to understand what life post-slavery remains like for many African Americans, who are descended from people whose unpaid labor built this land, but have had to spend the last century and a half carrying the dual burden of fighting racial injustice and rising above the lowered expectations and hateful bigotry that attempt to keep them shackled to that past
    Note: Foreword / Nikole Hannah-Jones -- Introduction -- The burden / Rochelle Riley -- The armor we still need / A'Lelia Bundles -- A military family, descended from slaves / Benét J. Wilson -- Remnants of survival: black women and legacies of defiance / Charlene A. Carruthers -- Quiet defiance / Aku Kadogo -- Living without a beginning / Patrice Gaines -- Forged by fire / Tim Reid -- Eternal bondage / Leonard Pitts Jr. -- Sports industries as plantations / Kevin B. Blackistone -- What slavery means to me / Betty DeRamus -- If America had believed that black girls were girls / Tamara Winfrey-Harris -- Kalief Browder: a life marked for death / Vann R. Newkirk II -- An abomination, but you got fed / Julianne Malveaux -- Object lessons: re-encountering slavery through Rose's gift / Mark Auslander -- Chasing my past on a different map / Paula Williams Madison -- Our internal war: embracing a greatness that should be normal / Aisha Hinds -- The footprint of America's racial struggle in Cuba / DeWayne Wickham -- Lemonade: the duality of a black woman's devotion in the shadow of slave culture / Tonya M. Matthews -- It's not just hair / T'Keyah Crystal Keymáh -- The weapon of narrative and the African American story / Michael Simanga -- Our new civil rights movement will begin in our schools / Torrance G. Latham -- The black press -- more needed than ever / Herb Boyd -- Big Mama's money: a lasting lesson from bondage: don't be a slave to debt / Michelle Singletary -- Catching hands: African Americans and everyday rebellions / Carolyn Edgar -- Notes -- Author biographies
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  • 17
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012771 , 1478012773
    Language: English
    Pages: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 782.421660820973
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    Keywords: Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Abstract: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 18
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226653174
    Language: English
    Pages: 1 Online-Ressource (272 pages) , Illustrations (black and white).
    Series Statement: Chicago scholarship online
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    Keywords: Soulmusiker ; Soul ; Schwarze ; Soul music History and criticism ; Soul music Social aspects ; Soul music Political aspects ; Soul musicians ; African Americans Music ; History and criticism ; Chicago, Ill.
    Abstract: Chicago's place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like 'We're a Winner' and 'I Plan to Stay a Believer.' Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 19
    Book
    Book
    New York : Routledge, Taylor & Francis Group
    ISBN: 9780367373481 , 9780367373474
    Language: English
    Pages: 294 Seiten
    Edition: Third edition
    DDC: 305.800973
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    Keywords: Rassendiskriminierung ; Ethnische Beziehungen ; Soziale Situation ; Schwarze ; USA
    Note: Previous edition: 2013.
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  • 20
    ISBN: 9781526131232 , 9781526131256
    Language: English
    Pages: xv, 271 Seiten, Seiten I-VIII , Illustrationen
    Series Statement: Music and society
    DDC: 781.64089960421
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    Keywords: Schwarze ; Musikleben ; Sozialer Wandel ; London
    Note: Literaturverzeichnis Seite 248-263
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  • 21
    Book
    Book
    Lanham : Lexington Books
    ISBN: 9781498530989
    Language: English
    Pages: ix, 245 Seiten , 24 cm
    DDC: 781.629697290243
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    Keywords: Geschichte 1945-1965 ; Schwarze ; Rhythm and Blues ; Calypso ; Schallaufzeichnung ; USA
    Note: Literaturverzeichnis: Seite 209-217
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  • 22
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 9781501333323
    Language: English
    Pages: 148 Seiten
    Series Statement: 33 1/3
    DDC: 782.42162130092
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    Keywords: Odetta ; Geschichte 1963 ; Sängerin ; Schwarze ; Musikalbum ; Bürgerrechtsbewegung ; USA
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  • 23
    Online Resource
    Online Resource
    Manchester : Manchester University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781526131249
    Language: English
    Pages: 1 Online-Ressource (296 pages)
    Series Statement: Music and Society Ser.
    DDC: 781.64089960421
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    Keywords: Schwarze ; Musikleben ; Sozialer Wandel ; London
    Abstract: This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture.
    Note: Description based on publisher supplied metadata and other sources
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  • 24
    Image
    Image
    New Haven : Yale University Press
    ISBN: 9780300198669
    Language: English
    Pages: xi, 266 Seiten , Illustrationen, Karten , 24 cm
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    Keywords: Geschichte ; Schwarze ; Minderheit ; Diskriminierung ; Ethnische Identität ; USA ; Afrika
    Abstract: What is an "African American" and how does this identity relate to the African continent? Rising immigration levels, globalization, and the United States' first African American president have all sparked new dialogue around the question. This work provides an introduction to the relationship between African Americans and Africa from the era of slavery to the present, mapping several overlapping diasporas. It examines the diversity of African American identities through relationships with region, ethnicity, slavery, and immigration to investigate questions fundamental to the study of African American history and culture but often overlooked.
    Note: Literaturverzeichnis: Seite 245-253
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  • 25
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469646510
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
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    Keywords: Broonzy, Big Bill ; Broonzy, Bill ; Schwarze ; Blues ; Ethnische Identität ; African American musicians Biography ; Blues musicians Biography ; Blues (Music) History and criticism ; Amerika ; Hochschulschrift
    Abstract: Over the course of his long career, legendary bluesman William 'Big Bill' Broonzy (1893-1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the north, to its eventual international acclaim. Through Broonzy's life and times, Kevin D. Greene assesses major themes and events in African American history.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 26
    ISBN: 9781978803596 , 9781978803589
    Language: English
    Pages: xiii, 246 Seiten , Illustrationen , 23 cm
    DDC: 306.484243
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    Keywords: Geschichte 1970- ; Schwarze ; Rhythm and Blues ; Identität ; Sexualität ; Neoliberalismus ; USA
    Abstract: Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
    Note: Literaturverzeichnis: Seite 225-236
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  • 27
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 146964648X , 9781469646480 , 1469646498 , 9781469646497
    Language: English
    Pages: XIII, 226 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Broonzy, Bill ; Schwarze ; Blues ; Ethnische Identität ; Amerika ; Hochschulschrift ; Biografie
    Abstract: "Over the course of his long career, legendary bluesman William 'Big Bill' Broonzy (1893-1958) helped shape the trajectory of the genre ... Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century
    Note: Bibliography Seite 207-218
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  • 28
    Book
    Book
    Münster : edition assemblage
    ISBN: 9783960420354 , 3960420358
    Language: English , German
    Pages: 375 Seiten , Illustrationen
    Edition: 1. Auflage
    DDC: 305.896043
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    Keywords: Geschichte ; Schwarze ; Diaspora ; Intersektionalität ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturverzeichnis Seite 330-365 , Beiträge in Deutsch und Englisch
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  • 29
    ISBN: 9781476673387
    Language: English
    Pages: vii, 459 Seiten
    DDC: 016.78089/96
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    Keywords: Geschichte 1901-1943 ; Blacks Discography Music ; Field recordings Catalogs ; Schwarze ; Afroamerikanische Musik ; Field Recording ; Schallaufzeichnung ; Karibik ; Westafrika ; USA Südoststaaten ; Diskografie ; Diskografie ; Diskografie ; Westafrika ; Karibik ; USA Südoststaaten ; Schwarze ; Afroamerikanische Musik ; Schallaufzeichnung ; Field Recording ; Geschichte 1901-1943
    Abstract: "Traditional African musical forms have long been accepted as fundamental to the emergence of blues and jazz. This discography brings together recordings that trace the evolution of the African American musical experience, from early wax cylinder recordings made in West Africa to voodoo rituals from the Carribean Basin to the songs of former slaves in the American South"...
    Note: Includes bibliographical references and index
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  • 30
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: The new black studies series
    DDC: 810.9/896073
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    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; American literature African American authors ; History and criticism ; Jazz in literature ; Modernism (Literature) ; African Americans Music ; History and criticism ; Black nationalism History 20th century ; African Americans Social life and customs 20th century ; USA
    Abstract: 'Jazz Internationalism' argues for the critical significance of jazz in Afro-modernist literature, from the beginning of the Great Depression through the radical social movements of the 1960s.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 31
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226492773
    Language: English
    Pages: 1 Online-Ressourcece
    DDC: 305.800973
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    Keywords: Schwarze ; Ethnische Beziehungen ; Sklaverei ; Rassismus ; Racism ; African Americans Social conditions ; Slavery ; USA ; United States Race relations
    Abstract: Why do race relations appear to be getting worse instead of better since the election and reelection of the country's first black president? David Ikard speaks directly to us, in the first person, as a professor and father and also as self-described working-class country boy from a small town in North Carolina. His lively account teems with anecdotes - from gritty to elegant, sometimes scary, sometimes funny, sometimes endearing - that show how parasitically white identity is bound up with black identity in America.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 32
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252099540
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Women, gender, and sexuality in American history
    DDC: 305.48/896073
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    Keywords: National Association of Colored Women (U ; Geschichte 1880-1980 ; Schwarze ; Frau ; Intellektueller ; Geistesleben ; Feminismus ; African American women Intellectual life 19th century ; African American women Intellectual life 20th century ; USA
    Abstract: 'Beyond Respectability' charts the development of African American women as public intellectuals and the evolution of their thought from the end of the 1800s through the Black Power era of the 1970s. Eschewing the Great Race Man paradigm so prominent in contemporary discourse, Brittney C. Cooper looks at the far-reaching intellectual achievements of female thinkers and activists like Anna Julia Cooper, Mary Church Terrell, Fannie Barrier Williams, Pauli Murray, and Toni Cade Bambara. Cooper delves into the processes that transformed these women and others into racial leadership figures, including long-overdue discussions of their theoretical output and personal experiences. As Cooper shows, their body of work critically reshaped our understandings of race and gender discourse. It also confronted entrenched ideas of how - and who - produced racial knowledge.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 33
    Book
    Book
    New York : Farrar, Straus and Giroux
    ISBN: 9780374537449 , 9780374189976
    Language: English
    Pages: 306 Seiten , Illustrationen , 24 cm
    Edition: First paperback edition
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    Keywords: Geschichte 1948-2016 ; Schwarze ; Justiz ; Diskriminierung ; HV9950 ; Criminal justice, Administration of ; Discrimination in criminal justice administration ; Life and death, Power over ; African American judges ; African American politicians ; African American police ; Social justice ; USA ; United States Race relations
    Abstract: "An original and consequential argument about race, crime, and the law Today, Americans are debating our criminal justice system with new urgency. Mass incarceration and aggressive police tactics -- and their impact on people of color -- are feeding outrage and a consensus that something must be done. But what if we only know half the story? In Locking Up Our Own, the Yale legal scholar and former public defender James Forman Jr. weighs the tragic role that some African Americans themselves played in escalating the war on crime. As Forman shows, the first substantial cohort of black mayors, judges, and police chiefs took office around the country amid a surge in crime. Many came to believe that tough measures -- such as stringent drug and gun laws and "pretext traffic stops" in poor African American neighborhoods -- were needed to secure a stable future for black communities. Some politicians and activists saw criminals as a "cancer" that had to be cut away from the rest of black America. Others supported harsh measures more reluctantly, believing they had no other choice in the face of a public safety emergency. Drawing on his experience as a public defender and focusing on Washington, D.C., Forman writes with compassion for individuals trapped in terrible dilemmas -- from the young men and women he defended to officials struggling to cope with an impossible situation. The result is an original view of our justice system as well as a moving portrait of the human beings caught in its coils.
    Abstract: "Recounts the tragic role that some African Americans--as judges, prosecutors, politicians, police officers, and voters--played in escalating the war on crime
    Note: Literaturangaben
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  • 34
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781469638621
    Language: English
    Pages: 1 Online-Ressource (xiv, 280 Seiten)
    Series Statement: The John Hope Franklin Series in African American History and Culture
    Parallel Title: Erscheint auch als
    DDC: 782.25089/96073
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    Keywords: Schwarze ; Anthem ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 35
    ISBN: 3837644820 , 9783837644821
    Language: German
    Pages: 366 Seiten , Illustrationen, Diagramme , 22.5 cm x 14.8 cm, 573 g
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Erfurt, Philosophische Fakultät
    DDC: 780
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    Keywords: Popmusik ; Digitalisierung ; Soziologie ; Wirtschaft ; Musikerlebnis ; Sozialisation ; Medienkonsum ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 36
    ISBN: 9781438469874 , 9781438469867
    Language: English
    Pages: xxvi, 200 Seiten , Illustrationen , 23 cm
    Series Statement: SUNY series, philosophy and race
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073043
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    Keywords: Geschichte 1918-1939 ; Philosophy, German 20th century ; Jazz History and criticism 20th century ; Blacks Race identity 20th century ; History ; Jazz ; Schwarze ; Nationalsozialismus ; Ethnische Identität ; Afroamerikanische Musik ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Note: Includes bibliographical references and index
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  • 37
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839444825
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
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    Keywords: Popmusik ; Digitalisierung ; Soziologie ; Wirtschaft ; Musikerlebnis ; Sozialisation ; Medienkonsum ; Popmusik ; Musikerlebnis ; Sozialisation ; Digitalisierung ; Medienkonsum ; Cultural Studies ; Culture ; Digitalisierung ; Digitalization ; Kultur ; Media Appropriation ; Medienaneignung ; Mediensoziologie ; Music ; Musicology ; Musik ; Musikwissenschaft ; Perception ; Pop Music ; Popkultur ; Popmusik ; Popular Culture ; Rezeption ; Sociology of Media ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Aug 2018)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 38
    Online Resource
    Online Resource
    New York :New York University Press,
    ISBN: 978-1-4798-1025-3
    Language: English
    Pages: 1 Online-Ressource (v, 209 Seiten).
    Series Statement: Keywords 8
    Series Statement: Keywords
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.440896/073
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    Keywords: SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African Americans Research ; Information retrieval ; Sociolinguistics ; Schwarze. ; Kultur. ; Gesellschaft. ; USA. ; Wörterbuch ; Aufsatzsammlung ; Wörterbuch ; Wörterbuch ; Wörterbuch ; Schwarze ; Kultur ; Gesellschaft
    Abstract: A new vocabulary for African American StudiesAs the longest-standing interdisciplinary field, African American Studies has laid the foundation for critically analyzing issues of race, ethnicity, and culture within the academy and beyond. This volume assembles the keywords of this field for the first time, exploring not only the history of those categories but their continued relevance in the contemporary moment. Taking up a vast array of issues such as slavery, colonialism, prison expansion, sexuality, gender, feminism, war, and popular culture, Keywords for African American Studies showcases the startling breadth that characterizes the field.Featuring an august group of contributors across the social sciences and the humanities, the keywords assembled within the pages of this volume exemplify the depth and range of scholarly inquiry into Black life in the United States. Connecting lineages of Black knowledge production to contemporary considerations of race, gender, class, and sexuality, Keywords for African American Studies provides a model for how the scholarship of the field can meet the challenges of our social world
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 39
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372028 , 0822372029
    Language: English
    Pages: 1 Online-Ressource (xii, 321 pages)
    Series Statement: Consent not to be a single being [v. 2]
    Parallel Title: Erscheint auch als
    DDC: 305.896
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    Keywords: Geschichte ; Black race / Philosophy ; Blacks / Race identity / Philosophy ; Philosophy, Black ; Schwarze ; Identität ; Soziale Situation ; Philosophie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Schwarze ; Identität ; Geschichte ; Philosophie ; Soziale Situation
    Abstract: Knowledge of freedom -- Gestural critique of judgment -- Uplift and criminality -- The new international of decent feelings -- Rilya Wilson. Precious doe. Buried angel -- Black op -- The touring machine (flesh thought inside out) -- Seeing things -- Air shaft, rent party -- Notes on passage -- Here, there, and everywhere -- Anassignment letters -- The animaternalizing call -- Erotics of fugitivity
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 40
    Book
    Book
    London : Pan Books
    ISBN: 9781447299769
    Language: English
    Pages: xxii, 602 Seiten , Illustrationen
    DDC: 305.896041
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    Keywords: Geschichte ; Schwarze ; Großbritannien
    Note: TV tie-in. , Originally published: London: Macmillan, 2016. , Includes bibliographical references and index.
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  • 41
    ISBN: 9780253024947 , 9780253353573
    Language: English
    Pages: xxxvi, 199 pages , Illustrationen
    Edition: New edition
    DDC: 305.896/073076335
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    Keywords: Schwarze ; Jazz ; Religion ; Identität ; New Orleans, La.
    Note: Bibliography: Seite 175-188
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  • 42
    ISBN: 9780472053407 , 9780472073405
    Language: English
    Pages: XI, 311 Seiten , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als
    DDC: 306.4/8425094309042
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    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1933 ; Geschichte 1921-1930 ; Geschichte ; Gesellschaft ; Jazz Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race ; Ethnische Identität ; Soziale Funktion ; Kulturleben ; Jazz ; Schwarze ; Deutschland ; Germany Civilization ; American influences ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Kulturleben ; Ethnische Identität ; Soziale Funktion ; Geschichte 1918-1933 ; Deutschland ; Jazz ; Geschichte 1921-1930
    Note: Includes bibliographical references and index
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  • 43
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370161 , 9780822370062
    Language: English
    Pages: xvii, 339 Seiten
    Series Statement: Consent not to be a single being [1]
    DDC: 305.896
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    Keywords: Schwarze ; Kunst ; USA
    Note: Literaturverzeichnis: Seite 317-328
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  • 44
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252094460
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 133.4308996073
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    Keywords: Schwarze ; Wodu ; Hoodoo (Cult) ; Vodou ; African American magic ; Medicine, Magic, mystic, and spagiric ; African Americans Religion ; African Americans Folklore ; Amerika
    Abstract: Katrina Hazzard-Donald explores African Americans' experience and practice of the herbal, healing folk belief tradition known as Hoodoo. Working against conventional scholarship, Hazzard-Donald argues that Hoodoo emerged first in three distinct regions she calls oregional Hoodoo clusters - and that after the turn of the 19th century, Hoodoo took on a national rather than regional profile.
    Note: Previously issued in print: 2012 , Includes bibliographical references and index
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  • 45
    Online Resource
    Online Resource
    London : SAGE Publications Ltd
    ISBN: 9781529714692
    Language: English
    Pages: 1 Online-Ressource (692 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.09411
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    Keywords: Soziologie ; Scotland / Social conditions ; Scotland / Economic conditions ; Scotland / Politics and goverment ; Schottland ; Schottland ; Soziologie
    Abstract: Written by a leading sociologist of Scotland, this ground-breaking new introduction is a comprehensive account of the social, political, economic and cultural processes at work in contemporary Scottish society. At a time of major uncertainty and transformation The New Sociology of Scotland explores every aspect of Scottish life. Placed firmly in the context of globalisation, the text: • examines a broad range of topics including race and ethnicity, social inequality, national identity, health, class, education, sport, media and culture, among many others. • looks at the ramifications of recent political events such as British General Election of 2015, the Scottish parliament election of May 2016, and the Brexit referendum of June 2016. • uses learning features such as further reading and discussion questions to stimulate students to engage critically with issues raised. Written in a lucid and accessible style, The New Sociology of Scotland is an indispensable guide for students of sociology and politics
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 46
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressource (183 pages)
    Series Statement: New Black Studies Ser.
    DDC: 810.98960729999999
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    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 47
    Online Resource
    Online Resource
    Lanham : Rowman & Littlefield | Ann Arbor, Michigan : ProQuest
    ISBN: 9781442258358
    Language: English
    Pages: 1 Online-Ressource (xl, 276 Seiten)
    Edition: Second edition
    DDC: 305.896073
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    Keywords: Rassismus ; Schwarze ; Diskriminierung ; USA
    Abstract: Drawing from the lives of Ossie Davis, Frantz Fanon, Malcolm X, and W. E. B. Du Bois, as well as his own experience, and fully updated to account for what has transpired since the rise of the Black Lives Matter movement, Yancy provides an invaluable resource for students and teachers of courses in African American Studies, African American History, Philosophy of Race, and anyone else who wishes to examine what it means to be Black in America.
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  • 48
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781474405447
    Language: English
    Pages: 1 Online-Ressource (x, 205 Seiten)
    DDC: 305.896073
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    Keywords: Geschichte 1850-1995 ; Schwarze ; Nationalismus ; USA
    Abstract: Explores the momentous changes that have taken place in the Russian nationalism since Putin's return to the presidency.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
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  • 49
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
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    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 50
    ISBN: 9783492313469 , 3492313469
    Language: German
    Pages: 264 Seiten , 19 cm
    Edition: Ungekürzte Taschenbuchausgabe
    Series Statement: Piper 31346
    DDC: 800
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    Keywords: Schulden ; Soziologie ; Philosophie
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  • 51
    ISBN: 9780226492636 , 9780226492469
    Language: English
    Pages: x, 148 Seiten , 24 cm
    DDC: 305.800973
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    Keywords: Schwarze ; Ethnische Beziehungen ; Sklaverei ; Rassismus ; USA
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  • 52
    ISBN: 9780195307245
    Language: English
    Pages: xxxv, 240 Seiten , Karten
    DDC: 780.8996
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    Keywords: Geschichte ; Afroamerikanische Musik ; Schwarze ; Soziokultureller Wandel ; Diaspora ; Musiker ; Migration ; Soziale Funktion
    Note: Bibliography Seite 221-233
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  • 53
    ISBN: 9780252041334 , 9780252082863
    Language: English
    Pages: xi, 227 Seiten , 23 cm
    Series Statement: The new black studies series
    Parallel Title: Erscheint auch als Jazz internationalism
    DDC: 810.9/896073
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    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; USA
    Abstract: "Jazz Internationalism offers a bold reconsideration of jazz's influence in Afro-modernist literature. Ranging from the New Negro Renaissance through the social movements of the 1960s, John Lowney articulates nothing less than a new history of Afro-modernist jazz writing. Jazz added immeasurably to the vocabulary for discussing radical internationalism and black modernism in leftist African American literature. Lowney examines how Claude McKay, Ann Petry, Langston Hughes, and many other writers employed jazz as both a critical social discourse and mode of artistic expression to explore the possibilities "and challenges "of black internationalism. The result is an expansive understanding of jazz writing sure to spur new debates"--
    Note: Literaturangaben: Seite [205]-220
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  • 54
    Book
    Book
    Urbana : University of Illinois Press
    ISBN: 9780252082481 , 9780252040993
    Language: English
    Pages: xii, 187 Seiten , Illustrationen
    Series Statement: Women, gender, and sexuality in American history
    Parallel Title: Erscheint auch als Beyond respectability
    DDC: 305.48/896073
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    Keywords: Geschichte 1880-1980 ; Schwarze ; Frau ; Intellektueller ; Geistesleben ; Feminismus ; USA
    Note: Selected bibliography Seite 175-179
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  • 55
    Online Resource
    Online Resource
    Boston, MA : Houghton Mifflin Harcourt | Ann Arbor, Michigan : ProQuest
    ISBN: 9780544386426
    Language: English
    Pages: 1 Online-Ressource (367 pages)
    DDC: 305.800973
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    Keywords: Obama, Barack ; Geschichte ; Politik ; Schwarze ; USA
    Abstract: A provocative and lively deep dive into the meaning of America's first black presidency, from "one of our most graceful and lucid intellectuals writing on race and politics today" (Vanity Fair).
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
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  • 56
    Online Resource
    Online Resource
    Chicago, Illinois : Haymarket Books
    ISBN: 9781608465637
    Language: English
    Pages: 1 Online-Ressource (270 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 305.896073
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    Keywords: Schwarze ; Rassismus ; Soziale Ungleichheit ; Protest ; USA ; Electronic books ; USA ; Schwarze ; Rassismus ; Soziale Ungleichheit ; Protest
    URL: Volltext  (lizenzpflichtig)
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  • 57
    ISBN: 9780253024947 , 9780253025128 (Sekundärausgabe) , 9780253024947 (Sekundärausgabe)
    Language: English
    Pages: 240 pages
    Edition: Online-Ausg. Online-Ressource ISBN 9780253025128
    Edition: ISBN 9780253024947
    Edition: [Online-Ausg.]
    DDC: 305.896/073076335
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    Keywords: Schwarze ; Jazz ; Religion ; Identität ; New Orleans, La. ; Online-Publikation
    Note: Online-Ausg.:
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  • 58
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469622828
    Language: English
    Pages: 1 Online-Ressource , Illustrations
    DDC: 305.48896073076335
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    Keywords: Geschichte 1930-1954 ; Schwarze ; Frau ; African American women History 20th century ; African Americans History 20th century ; Women History 20th century ; African American women Social conditions 20th century ; African Americans Social conditions 20th century ; Women Social conditions 20th century ; Racism History 20th century ; New Orleans, La. ; New Orleans (La Social conditions 20th century ; New Orleans (La Race relations
    Abstract: What was it like to grow up black and female in the segregated South? To answer this question, LaKisha Simmons blends social history and cultural studies, recreating children's streets and neighbourhoods within Jim Crow New Orleans and offering a rare look into black girls' personal lives.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
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  • 59
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469622712
    Language: English
    Pages: 1 Online-Ressource , Illustrations, maps
    DDC: 780.89/9607307471
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    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race History 20th century ; USA
    Abstract: This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
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  • 60
    Book
    Book
    Weilerswist : Velbrück Wissenschaft
    ISBN: 3958320899 , 9783958320895
    Language: German
    Pages: 298 Seiten , Illustrationen , 22 cm
    Edition: Erste Auflage
    Dissertation note: Dissertation Johannes Gutenberg-Universität Mainz 2015
    DDC: 792.801
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    Keywords: Ballett ; Übung ; Vervollkommnung ; Persönlichkeitsentwicklung ; Körper ; Soziologie ; Motorisches Lernen ; Sportliche Leistungsfähigkeit ; Fertigkeit ; Praxeologie ; Hochschulschrift
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  • 61
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520963412
    Language: English
    Pages: 1 Online-Ressource (xvi, 261 Seiten) , Illustrationen
    Series Statement: Music of the african diaspora 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6508996073044361
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    Keywords: Geschichte 1900-2000 ; Geschichte 1945-1961 ; Jazz musicians 20th century ; African American musicians 20th century ; Jazz History and criticism ; African American authors 20th century ; Amerikanischer Einwanderer ; Schriftsteller ; Kulturkontakt ; Ethnische Identität ; Jazzmusiker ; Schwarze ; Frankreich ; Paris (France) Race relations 20th century ; Paris ; Paris ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Geschichte 1945-1961
    Abstract: "At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 62
    Book
    Book
    Chicago, Illinois : Haymarket Books
    ISBN: 9781608465620
    Language: English
    Pages: 270 Seiten
    DDC: 305.896073
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    Keywords: Schwarze ; Rassismus ; Soziale Situation ; Soziale Ungleichheit ; Protest ; Polizei ; Gewalt ; USA
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  • 63
    ISBN: 9780822361732 , 9780822361534
    Language: English
    Pages: xi, 304 Seiten
    Series Statement: The religious cultures of African and African diaspora people
    DDC: 305.800973
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    Keywords: Schwarze ; Ethnische Beziehungen ; Rassismus ; Ethnische Identität ; Philosophie ; USA
    Note: Select bibliography Seite 287-296
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  • 64
    Book
    Book
    Berkeley : University of California Press
    ISBN: 9780520279346 , 9780520279353
    Language: English
    Pages: xvi, 261 Seiten , Illustrationen
    Series Statement: Music of the African diaspora 18
    DDC: 781.6508996073044361
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    Keywords: Geschichte 1945-1961 ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Paris
    Note: Literaturverzeichnis Seite 227 - 242
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  • 65
    ISBN: 1609278615 , 9781609278618 , 9781634871068 , 9781634872676
    Language: English
    Pages: xii, 140 Seiten , Illustrationen
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    Keywords: Schwarze ; Sklaverei ; Kaste ; Musikleben ; Rezeption ; Blues ; Westafrika ; Mississippidelta
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  • 66
    Book
    Book
    Chapel Hill : The Univ. of North Carolina Press
    ISBN: 1469622696 , 9781469622699
    Language: English
    Pages: XIV, 291 S. , Ill.
    DDC: 780.89/9607307471
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    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; USA
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  • 67
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839405970
    Language: German
    Pages: 1 Online-Ressource (180 p.)
    Edition: 1st ed.
    Series Statement: Cultural Studies 24
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    Keywords: Geschichte 1967-1975 ; Geschichte 1968-1980 ; Kultur ; Rezeption ; Kulturkontakt ; Schwarze ; Amerikanisierung ; Deutschland ; Deutschland ; USA
    Abstract: Soul-Musik und »Black Power«-Solidarität, blonde »Afros« und schwarz-weiße Werbekampagnen: Afroamerikanisches hatte in verschiedenen Feldern der Gegen- und Popkultur der Bundesrepublik um 1968 Konjunktur. Diese Studie zeigt Formen und Hintergründe der »Afroamerikanophilie« auf und zeichnet damit ein ungewohntes Bild der Zeit um 1968, als ein zunehmend »exklusives« afroamerikanisches Selbstbewusstsein entstand und die »weiße« Suche nach imaginären Einlassstellen in die »schwarze« Welt zugleich eine neue Qualität gewann. Aus einer Vielzahl von Quellen werden dabei auch theoretische Fragen nach dem Zusammenspiel von Identifikation und Solidarität, Rassismus, Aneignung und Nachahmung entwickelt.
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  • 68
    Book
    Book
    New York [u.a.] : Routledge
    ISBN: 9780415735292 , 9780415921725
    Language: English
    Pages: X, 270 S. , Ill.
    DDC: 306.76609753
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    Keywords: Geschichte 1920-2012 ; Homosexualität ; Schwarze ; Weiße ; Ethnische Identität ; Geschlechtsidentität ; Washington, DC
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  • 69
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822358541 , 9780822358480
    Language: English
    Pages: xx, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Chatelain, Marcia, 1979- South Side girls
    DDC: 305.2308996073077311
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    Keywords: Geschichte 1910-1940 ; Schwarze ; Mädchen ; Binnenwanderung ; Soziale Situation ; Chicago, Ill.
    Note: Literaturverzeichnis Seite 215-231
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  • 70
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469622804
    Language: English
    Pages: xiii, 266 Seiten , Illustrationen, Karten
    Series Statement: Gender and American culture
    DDC: 305.48896073076335
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    Keywords: Geschichte 1930-1954 ; Schwarze ; Frau ; New Orleans, La.
    Note: Bibliography Seite 245-260
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  • 71
    E-Resource
    E-Resource
    Berkeley : University of California Press
    ISBN: 9780520284296 , 9780520959903 (Sekundärausgabe)
    Language: English
    Pages: 435 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9780520959903
    Edition: [Online-Ausg.]
    Series Statement: California World History Library v.22
    DDC: 305.89604210904
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    Keywords: Geschichte 1900-2000 ; Schwarze ; Entkolonialisierung ; Postkolonialismus ; London ; Online-Publikation
    Abstract: This vibrant history of London in the twentieth century reveals the city as a key site in the development of black internationalism and anticolonialism. Marc Matera shows the significant contributions of people of African descent to London's rich social and cultural history, masterfully weaving together the stories of many famous historical figures and presenting their quests for personal, professional, and political recognition against the backdrop of a declining British Empire. A groundbreaking work of intellectual history, Black London will appeal to scholars and students in a variety of ar...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 72
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781139649728
    Language: English
    Pages: 1 Online-Ressource (xvii, 346 pages)
    Series Statement: Cambridge studies in contentious politics
    DDC: 323.1196/0730904
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    Keywords: Schwarze ; Protestbewegung ; USA
    Abstract: How do social movements die? Some explanations highlight internal factors like factionalization, whereas others stress external factors like repression. Christian Davenport offers an alternative explanation where both factors interact. Drawing on organizational, as well as individual-level, explanations, Davenport argues that social movement death is the outgrowth of a coevolutionary dynamic whereby challengers, influenced by their understanding of what states will do to oppose them, attempt to recruit, motivate, calm, and prepare constituents while governments attempt to hinder all of these processes at the same time. Davenport employs a previously unavailable database that contains information on a black nationalist/secessionist organization, the Republic of New Africa, and the activities of authorities in the US city of Detroit and state and federal authorities.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
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  • 73
    Book
    Book
    Berkeley, Calif. : Univ. of Calif. Press
    ISBN: 9780520284302 , 9780520284296
    Language: English
    Pages: XVI, 410 S. , Ill.
    Series Statement: The California world history library 22
    Series Statement: The California world history library
    DDC: 305.89604210904
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    Keywords: Geschichte 1900-2000 ; Schwarze ; Entkolonialisierung ; Postkolonialismus ; London
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  • 74
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781469622712
    Language: English
    Pages: 1 Online-Ressource (308 pages)
    DDC: 780.899607307471
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    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 75
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375708
    Language: English
    Pages: 1 Online-Ressource (XX, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.2308996073077311
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    Keywords: Geschichte 1900-2000 ; Geschichte 1910-1940 ; Geschichte ; African American girls History 20th century ; African American girls Social conditions 20th century ; African American girls Migrations 20th century ; History ; Soziale Situation ; Mädchen ; Binnenwanderung ; Schwarze ; Chicago (Ill.) History 1875- ; Chicago (Ill.) Social conditions 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Chicago, Ill. ; Chicago, Ill. ; Schwarze ; Mädchen ; Binnenwanderung ; Soziale Situation ; Geschichte 1910-1940
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 76
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199354016 , 9780199354047 (Sekundärausgabe)
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour)
    Edition: Online-Ausg. Online-Ressource ISBN 9780199354047
    Edition: [Online-Ausg.]
    DDC: 791.08996073
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    Keywords: Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Abstract: 'Some of These Days' shows how interwar European audiences, artists, and intellectuals particularly associated with modernism, used Black American culture - for which 'jazz' was often a shorthand - to negotiate the disorientating experience of modernity and modernization. One manifestation of this process was the fashionable Negrophilia of the 1920s, the decade in which the two most successful Black American stars of their era first made their names: Josephine Baker and Paul Robeson. The book is threaded around their careers, their travels, and their relationships.
    Note: Includes bibliographical references and index , Online-Ausg.:
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  • 77
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822359388 , 9780822359197
    Language: English
    Pages: ix, 213 Seiten , Illustrationen
    DDC: 305.896073
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    Keywords: Schwarze ; Soziale Situation ; Überwachung ; Ethnische Beziehungen ; Nordamerika ; Afroamerikaner
    Note: Literaturverzeichnis: Seite [191]-202
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  • 78
    ISBN: 9781107613874 , 9781107041493
    Language: English
    Pages: XVII, 346 S.
    Series Statement: Cambridge studies in contentious politics
    Parallel Title: Erscheint auch als Davenport, Christian, 1965 How social movements die
    DDC: 323.1196/0730904
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    Keywords: Schwarze ; Protestbewegung ; USA
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  • 79
    ISBN: 9780199354016
    Language: English
    Pages: 271 Seiten , Illustrationen
    DDC: 791.08996073
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    Keywords: Geschichte 1920-1945 ; Schwarze ; Darstellende Kunst ; Afroamerikanische Musik ; Harlem renaissance ; Rezeption ; Kultur ; Moderne ; USA
    Note: Bibliography Seite 259-268
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  • 80
    Online Resource
    Online Resource
    Philadelphia, Pa. : University of Pennsylvania Press
    ISBN: 9780812291131
    Language: English
    Pages: 1 Online-Ressource (219 Seiten)
    Series Statement: American Governance
    Parallel Title: Erscheint auch als
    DDC: 782.421649/1599
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    Keywords: Politik ; Hip-Hop ; Schwarze ; USA ; USA ; Schwarze ; Hip-Hop ; Politik
    Note: In English
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  • 81
    ISBN: 9780810883505
    Language: English
    Pages: VIII, 848 S. , zahlr. Ill.
    Edition: 2. ed.
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    Keywords: Schwarze ; Musical ; Afroamerikanische Musik ; USA
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  • 82
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199394043 , 9780199895403
    Language: English
    Pages: XI, 244 S. , Ill.
    Edition: 1. issued as an Oxford Univ. Press paperback
    DDC: 782.4216490973
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    Keywords: Schwarze ; Verbalaggression ; Sprachspiel ; Sozialverhalten ; Afroamerikanische Musik ; Amerika
    Note: Literaturverz. S. [227] - 231
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  • 83
    E-Resource
    E-Resource
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469614489 , 9781469614496 (Sekundärausgabe)
    Language: English
    Pages: 329 p.
    Edition: Online-Ausg. Ann Arbor Proquest Online-Ressource ISBN 9781469614496
    Edition: [Online-Ausg.]
    DDC: 304.208996073
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    Keywords: Schwarze ; Ökologische Bewegung ; USA ; Online-Publikation
    Abstract: Black Faces, White Spaces: Reimagining the Relationship of African Americans to the Great Outdoors...
    Note: Description based upon print version of record , Online-Ausg.:
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  • 84
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839420607
    Language: German
    Pages: 1 Online-Ressource (502 p.)
    Edition: 1st ed.
    Series Statement: Post_koloniale Medienwissenschaft 1
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    Keywords: Geschichte 1900 ; Geschichte ; Geschichte 1880-1930 ; Modetanz ; Schwarze ; Gesellschaftstanz ; Ästhetik ; Cakewalk ; Rassismus ; Kolonialismus ; Ethnische Beziehungen ; Alltagskultur ; USA ; Europa
    Abstract: Die Geschichte schwarzer Modetänze wird bislang meist augenzwinkernd als ansteckendes Tanzfieber verhandelt. Doch nicht mysteriöse Erreger, sondern handfeste politische Konflikte um Bürgerschaft, Arbeitsteilung und Geschlechterverhältnisse waren ihre Grundlage. Die Ästhetik der schwarzen Diaspora machte diese Konflikte auf den Tanzflächen neu verhandelbar. Tanztechnik verbündete sich dabei mit Medientechniken, die ebenfalls mit Bewegung, Wahrnehmung und der Möglichkeit von Verwandlung experimentierten. Astrid Kusser geht dieser Geschichte zwischen New York, Buenos Aires, Kapstadt, Viktoria in Kamerun und Berlin nach.
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  • 85
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469614489 , 9781469614502 (Sekundärausgabe) , 1469614502 (Sekundärausgabe)
    Language: English
    Edition: Online-Ausg. Online-Ressource UPCC book collections on Project MUSE ISBN 9781469614502
    Edition: ISBN 1469614502
    Edition: [Online-Ausg.]
    DDC: 304.2089/96073
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    Keywords: Schwarze ; Ökologische Bewegung ; USA
    Abstract: "Why are African Americans so underrepresented when it comes to interest in nature, outdoor recreation, and environmentalism? In this thought-provoking study, Carolyn Finney looks beyond the discourse of the environmental justice movement to examine how the natural environment has been understood, commodified, and represented by both white and black Americans. Bridging the fields of environmental history, cultural studies, critical race studies, and geography, Finney argues that the legacies of slavery, Jim Crow, and racial violence have shaped cultural understandings of the "great outdoors" and determined who should and can have access to natural spaces. Drawing on a variety of sources from film, literature, and popular culture, and analyzing different historical moments, including the establishment of the Wilderness Act in 1964 and the aftermath of Hurricane Katrina, Finney reveals the perceived and real ways in which nature and the environment are racialized in America. Looking toward the future, she also highlights the work of African Americans who are opening doors to greater participation in environmental and conservation concerns. "--...
    Note: Online-Ausg.:
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  • 86
    ISBN: 9781472434319 , 9781472418357
    Language: English
    Pages: xv, 339 Seiten
    DDC: 305.896073
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    Keywords: Ice T ; Schwarze ; Bande ; Soziale Situation ; USA ; Aufsatzsammlung
    Note: Literaturangaben
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  • 87
    ISBN: 9781137071392
    Language: English
    Pages: 1 Online-Ressource (XXVII, 284 Seiten)
    Series Statement: Contemporary Black History
    DDC: 305.896073
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    Keywords: Schwarze ; Volkskultur ; Protestsong ; Hip-Hop ; USA ; Aufsatzsammlung
    Abstract: Considers the misappropriation of African American popular culture through various genres, largely Hip Hop, to argue that while such cultural creations have the potential to be healing agents, they are still exploited -often with the complicity of African Americans- for commercial purposes and to maintain white ruling class hegemony.
    Note: Description based upon print version of record
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  • 88
    Online Resource
    Online Resource
    New York, NY : Palgrave Macmillan | Ann Arbor, Michigan : ProQuest
    ISBN: 9781137305251
    Language: English
    Pages: 1 Online-Ressource (xii, 187 Seiten)
    DDC: 305.896073
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    Keywords: Schwarze ; Hip-Hop ; Subkultur ; Soziale Situation ; USA
    Note: Literaturangaben , Description based upon print version of record
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  • 89
    Online Resource
    Online Resource
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780199936380
    Language: English
    Pages: 1 Online-Ressource (289 pages)
    DDC: 809/.896
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    Keywords: Afroamerikanische Musik ; Literatur ; Solidarität ; Schwarze ; Musik ; Afrika
    Note: Description based on publisher supplied metadata and other sources
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  • 90
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199936373 , 9780199346455 (Sekundärausgabe)
    Language: English
    Pages: 1 Online-Ressource
    Edition: Online-Ausg. Online-Ressource ISBN 9780199346455
    Edition: [Online-Ausg.]
    DDC: 809.896
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    Keywords: Afroamerikanische Musik ; Literatur ; Solidarität ; Schwarze ; Musik ; Afrika
    Abstract: 'Africa In Stereo' examines the role that African American music has played in the pan-Africanist imagination since the end of the 19th century. Throughout, Jaji marshals a wide array of critical, archival, literary, visual, and sonic sources to craft an argument centered on the stereophonic echoes between three sites on the African continent emblematic of pan-Africanism (Ghana, Senegal, and South Africa) and black musical cultures in the US (as well as few other placeson the diasporic landscape).
    Note: Includes bibliographical references and index , Online-Ausg.:
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  • 91
    Book
    Book
    Oxford : Oxford Univ. Press
    ISBN: 9780199936397 , 0199936374 , 0199936390 , 9780199936373
    Language: English
    Pages: XI, 272 S. , Ill.
    DDC: 809.896
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    Keywords: Afroamerikanische Musik ; Literatur ; Solidarität ; Schwarze ; Musik ; Afrika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Includes bibliographical references (pages 249-259) and index. , Enth.: Stereomodernism and amplifying the Black Atlantic. Sight reading: early Black South African transcriptions of freedom. Négritude musicology: poetry, performance and statecraft in Senegal. What women want: selling hi-fi in consumer magazines and film. 'Soul to soul': echo-locating histories of slavery and freedom from Ghana. Pirate's choice: hacking into (post-)pan-African futures. Epilogue: Singing songs.
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  • 92
    ISBN: 9780814743508 , 9780814743515 (Sekundärausgabe)
    Language: English
    Pages: XV, 351 S.
    Edition: Online-Ausg. New York JSTOR Online-Ressource ISBN 9780814743515 (e-book)
    Edition: [Online-Ausg.]
    Series Statement: Postmillennial pop
    DDC: 302.23
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    Keywords: Medienkultur ; Soziale Software ; Neue Medien ; World Wide Web 2.0 ; Massenmedien ; Soziologie ; Viral Marketing ; Soziales Netzwerk ; Informationsverhalten ; Kommunikationsverhalten ; Änderung ; Globalisierung ; Informationsfluss ; Online-Publikation
    Note: Online-Ausg.:
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  • 93
    Book
    Book
    Basingstoke [u.a.] : Palgrave Macmillan
    ISBN: 023039096X , 9780230390966
    Language: English
    Pages: VIII, 80 S.
    Series Statement: Theatre &
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    Keywords: Theater ; Schwarze ; USA
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  • 94
    Book
    Book
    Durham [u.a.] : Duke Univ. Press
    ISBN: 9780822351498 , 0822351498 , 9780822351634 , 0822351633
    Language: English
    Pages: 383 S. , Ill.
    DDC: 781.64208996073
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    Keywords: Countrymusic ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 95
    Online Resource
    Online Resource
    London : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    ISBN: 9781136475276
    Language: English
    Pages: 1 Online-Ressource (138 pages)
    DDC: 306.08996073
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    Keywords: Geschichte 1829-2000 ; Massenkultur ; Schwarze ; USA
    Abstract: This volume is an authoritative introduction to the history of African Americans in US popular culture, examining its development from the early nineteenth century to the present. Kevern Verney examines:* the role and significance of race in all major forms of popular culture, including sport, film, television, radio and music* how the entertainment industry has encouraged racism through misrepresentations and caricatured images of African Americans.African Americans have made a unique contribution to the richness and diversity of US popular culture. Rooted in African society and traditions, black slaves in America created a dynamic culture which continues to evolve. Present day hip-hop and rap music are still shaped by the historical experience of slavery and the ongoing will to oppose oppression and racism.Any student of African-American history or cultural studies will find this a fascinating and highly useful book.
    Note: Description based on publisher supplied metadata and other sources
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  • 96
    ISBN: 9780814743508
    Language: English
    Pages: XV, 351 S.
    DDC: 302.23
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    Keywords: Medienkultur ; Soziale Software ; Neue Medien ; World Wide Web 2.0 ; Massenmedien ; Soziologie ; Viral Marketing ; Soziales Netzwerk ; Informationsverhalten ; Kommunikationsverhalten ; Änderung ; Globalisierung ; Informationsfluss
    Note: Literaturverz. S. 313-331
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  • 97
    Book
    Book
    Santa Barbara, Calif. : Praeger
    ISBN: 0313395772 , 9780313395772
    Language: English
    Pages: VII, 297 Seiten , Illustrationen , 25 cm
    DDC: 973.932
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    Keywords: Schwarze ; Hip-Hop ; Alltagskultur ; Öffentliche Meinung ; USA
    Note: Literaturverzeichnis Seite 267-285
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  • 98
    Online Resource
    Online Resource
    Lanham : Rowman & Littlefield Publishers | Ann Arbor, Michigan : Proquest
    ISBN: 9781442220560
    Language: English
    Pages: 1 Online-Ressource (XV, 363 Seiten)
    Edition: Fourth edition
    DDC: 305.800973
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    Keywords: Weiße ; Schwarze ; Ethnische Beziehungen ; Soziale Situation ; Wirtschaftliche Lage ; Diskriminierung ; Rassismus ; Nationale Minderheit ; USA
    Abstract: Racism without Racists is a provocative challenge to color-blind thinking in America. The fourth edition of Eduardo Bonilla-Silva's acclaimed book adds a chapter on what he calls ""the new racism"" to provide students with the essential foundation to explore race in more depth. This edition also updates Bonilla-Silva's assessment on race in America after President Barack Obama's re-election.
    Note: Literaturverzeichnis Seite 317-346 , Description based upon print version of record
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  • 99
    Book
    Book
    Urbana, Ill. [u.a.] : University of Illinois Press
    ISBN: 9780252037290 , 0252037294 , 9780252078767 , 0252078764
    Language: English
    Pages: X, 234 S. , Ill. , 23 cm
    DDC: 133.4308996073
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    Keywords: Schwarze ; Wodu ; Amerika ; Bibliografie ; Bibliografie
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  • 100
    ISBN: 9783837620603 , 3837620603
    Language: German
    Pages: 501 S. , Ill. , 225 mm x 148 mm, 768 g
    Series Statement: Post-koloniale Medienwissenschaft 1
    Series Statement: Post-koloniale Medienwissenschaft
    Parallel Title: Online-Ausg. Kusser, Astrid Körper in Schieflage
    Parallel Title: Erscheint auch als Kusser, Astrid Körper in Schieflage
    Dissertation note: Zugl.: Köln, Univ., Diss.
    DDC: 306.484609
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    Keywords: Alltag ; Arbeit ; Cakewalk ; Kolonialismus ; Kultur ; Medien ; Rassismus ; Tanz ; Widerstand ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Modetanz ; Cakewalk ; Rassismus ; Kolonialismus ; Ethnische Beziehungen ; Alltagskultur ; Schwarze ; Modetanz
    Note: Literaturverz. S. [467] - 501
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