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  • HeBIS  (74)
  • English  (74)
  • Popular music History and criticism
  • United States
  • Musicology  (74)
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  • 1
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 2
    Book
    Book
    London : Faber and Faber Limited
    ISBN: 0571372198 , 9780571372195 , 9780571320257 , 0571320252
    Language: English
    Pages: xx, 636 Seiten , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 782.42164
    RVK:
    Keywords: Geschichte 1900-1980 ; Popmusik ; Popular music History and criticism ; Musique populaire Histoire et critique ; Popular music ; Criticism, interpretation, etc
    Note: Quellen- und Literaturverzeichnis Seite [595]-603
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  • 3
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190053024
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 782.421640973
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    Keywords: Lied ; Volkstümliche Musik ; Songwriter ; Popular music History and criticism ; USA
    Abstract: Composer Alec Wilder's 'American Popular Song' is widely recognized as the definitive book on American popular song. In this volume, which achieved immediate praise and recognition upon its publication, Wilder discusses some 800 songs from the American Songbook, offering a composer's insight, accessible music analysis, as well has his strong personal biases. Nearly 50 years later, this classic study has received a much-needed revision. While leaving Wilder's colorful prose and brazen opinions intact, language, style, and musical nomenclature have been updated to reflect current usage. The musical examples mostly remain, but piano score notation has been replaced with lead-sheet notation: melody, chords, and lyrics. Rhythmic notation has also been adjusted to follow present-day norms. Additionally, a final chapter has been added, which includes more than 50 songs that were not in the original.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 4
    Book
    Book
    Cham : Palgrave Macmillan
    ISBN: 9783031164651
    Language: English
    Pages: xi, 213 Seiten , 21 cm
    DDC: 781.64159
    RVK:
    Keywords: Invective in music ; Popular music History and criticism ; Popular music ; Criticism, interpretation, etc
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  • 5
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226817798
    Language: English
    Pages: 1 Online-Ressource (200 pages) , Illustrations (black and white), map (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    DDC: 781.630951275
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    Keywords: Mabang (Musical group) ; Wanju Chuanzhang (Musical group) ; Popular music History and criticism ; World music History and criticism ; Music and globalization ; Music Social aspects
    Abstract: With a booming economy and abundant job opportunities, Guangzhou has become a magnet for rural citizens seeking better job prospects as well as global corporations hoping to gain a foothold in one of the world's largest economies. This openness and energy have led to a thriving popular music scene that is every bit the equal of Beijing's. But the musical culture of Guangzhou expresses the city's unique cosmopolitanism. A port city that once played a key role in China's maritime Silk Road, Guangzhou has long been an international hub. Now, new migrants to the city are incorporating diverse Chinese folk traditions into the musical tapestry. In this book, ethnomusicologist Adam Kielman takes a deep dive into Guangzhou's music scene through two bands, Wanju Chuanzhang (Toy Captain) and Mabang (Caravan), that express ties to their rural homelands and small-town roots while forging new cosmopolitan musical connections.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 6
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226817804 , 9780226817743
    Language: English
    Pages: 200 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.6309512/75
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    Keywords: Mabang (Musical group) ; Wanju Chuanzhang (Musical group) ; Popular music History and criticism ; World music History and criticism ; Music and globalization ; Music Social aspects
    Abstract: "Guangzhou is a large Chinese city like many others. With a booming economy and abundant job opportunities, it has become a magnet for rural citizens seeking better job prospects as well as global corporations hoping to gain a foothold in one of the world's largest economies. This openness and energy has led to a thriving pop music scene that is every bit the equal of Beijing's. But the musical culture of Guangzhou expresses the city's unique cosmopolitanism. A port city that once played a key role in China's maritime Silk Road, Guangzhou has long been an international hub. Now, rural migrants to the city are incorporating Chinese folk traditions into the musical tapestry. In Producing Sonic Worlds, ethnomusicologist Adam Kielman takes a deep dive into Guangzhou's music scene through two bands, Wanju Chuanzhang (Toy Captain) and Mabang (Caravan), that express ties to their rural homelands as well as cosmopolitan musical connections. These bands make music that captures the intersection of the global and local that has come to define Guangzhou, for example by writing songs with a popular Jamaican reggae beat and lyrics in their distinct regional dialects incomprehensible to their audiences. These bands create a sound both instantly recognizable and totally foreign, international and hyper local. This juxtaposition, Kielman argues, is an apt expression of the demographic, geographic, and political shifts underway in Guangzhou and across the country. Bridging ethnomusicology, popular music studies, cultural geography, and media studies, Kielman examines the cultural dimensions of shifts in conceptualizations of self, space, publics, and state in a rapidly transforming People's Republic of China". - Rückumschlag
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  • 7
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
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    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 8
    ISBN: 9780802127129 , 0802127126 , 9780802159854 , 0802159850
    Language: English
    Pages: xviii, 364 Seiten, 16 ungezählte Seiten , Illustrationen , 24 cm
    Edition: First edition
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    Keywords: Jones, Rickie Lee ; Jones, Rickie Lee ; Jones, Rickie Lee ; Women rock musicians Biography ; Women singers Biography ; Rock musicians Biography ; Singers Biography ; Musiciennes rock Biographies ; Chanteuses Biographies ; Musiciens rock Biographies ; Chanteurs Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; MUSIC / Genres & Styles / Jazz ; Rock musicians ; Singers ; Women rock musicians ; Women singers ; United States ; Biografie ; collective biographies ; Autobiographies ; Biographies
    Abstract: "A tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music, the two-time Grammy Award-winning "premiere song-stylist and songwriter of her generation" (New Yorker), Rickie Lee Jones. Have you met Ms. Jones? One weekend night on primetime television, a then-unknown singer and vital part of the burgeoning Los Angeles jazz pop scene skyrocketed to fame overnight after a now- iconic performance on Saturday Night Live. The year was 1979, the song "Chuck E's in Love," and the singer, donning her trademark red beret, was the soon-to-be-pronounced "Duchess of Coolsville" (Time), Rickie Lee Jones. Last Chance Texaco is the first-ever no-holds-barred account of the life of one of rock's hardest working women, in her own words. With candor and lyricism Rickie Lee Jones takes us on the journey of her exceptional life: from her nomadic childhood as the granddaughter of vaudevillian performers, to her father's abandonment of the family and her years as a teenage runaway, her beginnings at LA's Troubadour club, to her tumultuous relationship with Tom Waits, her battle with drugs, and longevity as a woman in rock and roll. These are never-before-told stories of the girl in "the raspberry beret," a songwriter who has inspired American culture for decades
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes discography (pages 361-364)
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  • 9
    Online Resource
    Online Resource
    Jackson : Unversity Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496831279
    Language: English
    Pages: 1 Online-Ressource (392 pages) , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.64097471
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    Keywords: Geschichte 1940-1990 ; Musikleben ; Latin Music ; Popular music History and criticism ; Popular music Latin American influences ; New York, NY
    Abstract: New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. This book seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, the book examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 10
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496837431 , 9781496832221
    Language: English
    Pages: xx, 289 Seiten, 10 ungezählte Seiten Tafeln , Illustrationen , 25 cm
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-2020 ; Jazzmusiker ; Jazz musicians / United States / Interviews ; MUSIC / Genres & Styles / Jazz ; MUSIC / History & Criticism ; Jazz musicians ; Amram, David / Interviews ; Blake, Ran / Interviews ; Cranshaw, Bob / Interviews ; Crow, Bill / 1927- / Interviews ; Davis, Charles / 1933-2016 / Interviews ; Hyman, Dick / 1927- / Interviews ; Jordan, Clifford / Interviews ; Kuhn, Steve / Interviews ; Lateef, Yusef / Interviews ; Owens, Jimmy / 1943- / Interviews ; Pizzarelli, Bucky / Interviews ; Ponomarev, Valery / Interviews ; Porcelli, Bob / Interviews ; Rollins, Sonny / Interviews ; Stewart, Sandy / 1937- / Interviews ; Sudhalter, Carol / Interviews ; Terry, Brad / Interviews ; Terry, Clark / Interviews ; Tucker, Mickey / Interviews ; Turre, Steve / Interviews ; Williams, Buster / Interviews ; Amram, David ; Blake, Ran ; Cranshaw, Bob ; Davis, Charles / 1933-2016 ; Hyman, Dick / 1927- ; Kuhn, Steve ; Lateef, Yusef ; Owens, Jimmy / 1943- ; Pizzarelli, Bucky ; Ponomarev, Valery ; Rollins, Sonny ; Terry, Clark ; Tucker, Mickey ; Turre, Steve ; Williams, Buster ; United States ; Interviews ; Interview
    Abstract: "The Jazz Masters: Setting the Record Straight features twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. Five of the interviewees-Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef-have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in The Jazz Masters are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music
    Note: Before words -- , A requiem for Cedar -- , Blowin' in from Chicago : Clifford Jordan, Charles Davis, and Bob Cranshaw -- , The big kahunas : Sonny Rollins and Clark Terry -- , Old school : Sandy Stewart, Dick Hyman, and Bucky Pizzarelli -- , On the scene : Bobby Porcelli and Valery Ponomarev -- , The philosophers : David Amram and Ran Blake , Local 802 : Jimmy Owens and Bill Crow -- , Shells and whistles : Brad Terry and Steve Turre -- , The mutual appreciation society : Mickey Tucker and Carol Sudhalter -- , Something more : Steve Kuhn and Buster Williams -- , The gentle giant : Yusef Lateef -- , RIP, 2012-2020
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  • 11
    ISBN: 9780231191234
    Language: English
    Pages: viii, 149 Seiten , Illustrationen , 22 cm
    Series Statement: Short cuts : introductions to film studies
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; USA ; Musical films / United States / History and criticism ; Popular music / Social aspects / United States / History ; Motion pictures and music ; Musical films ; Popular music / Social aspects ; United States ; Criticism, interpretation, etc ; History
    Note: Bibliography Seite 137-142
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  • 12
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190882006
    Language: English
    Pages: 1 Online-Ressource (276 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    DDC: 782.4216213
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Popular music History and criticism ; Großbritannien ; USA
    Abstract: 'Sweet Thing' offers readers a comprehensive new perspective on a musical scheme shared by broadside ballads and experimental rock songs alike.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 13
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
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    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 14
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
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    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 15
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496831224 , 9781496831217
    Language: English
    Pages: x, 351 Seiten , Illustrationen, Porträt
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; USA ; Punk rock music / United States / History and criticism ; Music and race / United States / History / 20th century ; Music and race ; Punk rock music ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History
    Note: Literaturverzeichnis Seite 305-321
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  • 16
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226631806
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
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    Keywords: Geschichte 1635-2019 ; Antikolonialismus ; Postkolonialismus ; Volksmusik ; Gwoka ; Popular music History and criticism ; Popular music Political aspects ; Postcolonialism and music ; Guadeloupe
    Abstract: From colonialism to anticolonialism, from nationalism to postnationalism, this text explores how gwoka participates in five auralities, fields of sonic relations that make audible multiple - and often seemingly contradictory - cultural belongings and political longings. Drawing from Edouard Glissant's poetics of relation and re-interpreting creolization as a double play of resistance and accommodation, 'Creolized Aurality' moves away from narratives of anticolonial rupture and overcoming to elucidate (post)coloniality as an unstable relational matrix from which emerges a politics caught in the tension between a struggle for sovereignty and demands for full citizenship.
    Note: Previously issued in print: 2019 , Includes bibliographical references, discography and index
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  • 17
    ISBN: 9780847868384
    Language: English
    Pages: 256 Seiten
    DDC: 782.42164/092/2
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    Keywords: Beastie Boys Pictorial works ; Beastie Boys ; Beastie Boys ; Rap musicians Pictorial works ; Rap musicians ; United States ; Bildband ; Pictorial works
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  • 18
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496813367
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.42164092
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    Keywords: Dylan, Bob Criticism and interpretation ; Dylan, Bob ; Popular music History and criticism ; Aufsatzsammlung
    Abstract: This text participates in the creation of the postmillennial Bob Dylan by exploring three central records of the 21st century along with the 2003 film 'Masked and Anonymous', which Dylan helped write and in which he appears as an actor and musical performer. The work does justice to this difficult Bob Dylan by examining his method and effects through a disparate set of viewpoints. Readers will find a variety of critical contexts and cultural perspectives as well as a range of experiences as members of Dylan's audience.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 19
    Book
    Book
    [San Diego, Calif.] : Cognella Academic Publishing
    ISBN: 9781516525867 , 1516525868 , 9781516525874
    Language: English
    Pages: xvi, 262 Seiten , Illustrationen, Karten , 26 cm
    Edition: First edition
    RVK:
    Keywords: Popular music History and criticism ; World music History and criticism ; Musique populaire Histoire et critique ; Musiques du monde Histoire et critique ; Popular music ; World music ; Textbooks
    Note: Literaturangaben
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  • 20
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496805843
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.00973
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    Keywords: Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; Yodeling History ; Popular music History and criticism ; USA
    Abstract: Considering yodeling as a musical device in American music, this text investigates in parallel two ways of understanding various meanings associated with yodeling: as the connotative functions of yodeling within specific musical texts and as the ideological implications of its use. It aims to provoke a reflection on the concept of singing and received cultural ideas associated with it. Starting with the premise that music is a discursive practice that is itself inseparable from a critical verbal discourse about music, the work interrogates the relationship between yodeling and predominating musical orthodoxy. Through a critical examination of that relationship, the book explores numerous examples of yodeling in American music, questioning why it achieved prominence and status in some genres and not in others and attempting to account for the relatively low prestige accorded to music featuring yodeling.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
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  • 21
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190634933
    Language: English
    Pages: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
    RVK:
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    Keywords: Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Abstract: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
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  • 22
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496807571
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Caribbean studies series
    DDC: 780.820972983
    RVK:
    Keywords: Frau ; Afroamerikanische Musik ; Popular music History and criticism ; Women musicians ; Trinidad
    Abstract: Drawing on ethnographic fieldwork conducted by the author in Trinidad and Tobago, this work demonstrates how the increased access and agency of women through folk and popular musical expressions has improved inter-gender relations and representation of gender in this nation.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
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  • 23
    ISBN: 9780830851812 , 083085181X
    Language: English
    Pages: xv, 286 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Hodge, Daniel White, 1974- Homeland insecurity
    RVK:
    Keywords: Christianity and culture ; Hip-hop Religious aspects ; Christianity ; African Americans Religion ; Missions ; Hip-hop Aspect religieux ; Christianisme ; Noirs américains Religion ; Hip-hop Religious aspects ; Christianity ; African Americans Religion ; Christianity and culture ; Missions ; United States
    Abstract: "Homeland Insecurity is Hodge's finest book to date, a must-read for anyone - especially white Christians of any political persiasion - who find themselves working in and with black and brown communities." -- Back cover
    Abstract: North American domestic missions are now situated in a complex landscape of changing faith, ethnic diversity, and racial unrest. But most missiological approaches continue under colonialist assumptions and lack the cultural competency to navigate new realities. Missiologist Daniel White Hodge explores the contours of post-civil rights contexts and focuses on Hip Hop theology as a framework for radical engagement of emerging adult populations. He critiques the impaired missiology of imperialist and white supremacist approaches to modern urban and short-term missions. With keen cultural exegesis of the wild, he explores the contours of a more contextualized Hip Hop Jesus. Reexamining the importance of race and ethnicity in mission, Hodge offers theological space for protest and social disruption and suggests conceptual models for domestic missions within a growing multiethnic demographic. Grounded in Hip Hop studies and youth ministry, Hodge constructs a hybridity of lived missiology where dissent and disruption open new possibilities for Christian faith in the twenty-first century. -- ‡c From publisher's description
    Note: Bibliographie: Seite 269-286
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  • 24
    Book
    Book
    London : Routledge, Taylor & Francis Group
    ISBN: 9781138793040 , 9780367869779
    Language: English
    Pages: xxiv, 271 Seiten , Illustrationen, Diagramme , 26 cm
    Edition: First published
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in France
    RVK:
    Keywords: Popmusik ; Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Aufsatzsammlung
    Note: Literaturangaben , First issued in paperback 2019
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  • 25
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372646 , 0822372649
    Language: English
    Pages: 1 Online-Ressource (xiv, 268 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/308996073
    RVK:
    Keywords: Anderson, Marian 1897-1993 ; Holiday, Billie 1915-1959 ; Scott, Jimmy 1925-2014 ; Vocaloid (Computer file) ; African Americans Music ; Social aspects ; Music and race United States ; Voice culture Social aspects ; United States ; Tone color (Music) Social aspects ; United States ; Music Social aspects ; United States ; Singing Social aspects ; United States ; Zuhören ; Afroamerikanische Musik ; Klang ; Electronic books ; Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 26
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252094576
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    RVK:
    Keywords: Sozialgeschichte 1900-1970 ; Popmusik ; Musikgattung ; Regionalismus ; Verbreitung ; Technologie ; Popular music History and criticism ; Popular music Social aspects ; History ; USA
    Abstract: 'Sweet Air' rewrites the history of early twentieth-century pop music in modernist terms. Tracking the evolution of popular regional genres such as blues, country, folk, and rockabilly in relation to the growth of industry and consumer culture, Edward P. Comentale shows how this music became a vital means of exploring the new and often overwhelming feelings brought on by modern life.
    Note: Previously issued in print: 2013 , Includes bibliographical references and index
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  • 27
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520965317
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    Keywords: Geschichte 1900-2000 ; Popular music genres Social aspects ; Popular music History and criticism ; Musikalischer Stil ; Soziale Identität ; Musikgattung ; Popmusik ; USA ; USA ; Popmusik ; Musikgattung ; Musikalischer Stil ; Soziale Identität ; Geschichte 1900-2000
    Abstract: 'Categorizing Sound' addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others?
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 28
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469623245
    Language: English
    Pages: 1 Online-Ressource , Illustrations
    DDC: 781.64208900976
    RVK:
    RVK:
    RVK:
    Keywords: Countrymusic ; Soul ; Rassismus ; Popular music History and criticism ; Popular music History and criticism ; Popular music History and criticism ; Soul music History and criticism ; Soul music History and criticism ; Country music History and criticism ; Popular music History and criticism ; Music and race ; USA Südstaaten
    Abstract: Drawing on interviews and rarely used archives, Charles L. Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labour, and the US south.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
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  • 29
    ISBN: 3770560817 , 9783770560813
    Language: German , English
    Pages: 119 Seiten , 19 cm
    Parallel Title: Erscheint auch als Hörisch, Jochen, 1951 - Pop und Papageno
    Parallel Title: Erscheint auch als Hörisch, Jochen, 1951 - Pop und Papageno
    DDC: 781.66
    RVK:
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Music History and criticism ; Mozart, Wolfgang Amadeus 1756-1791 ; Musikästhetik ; Klassische Musik ; Popmusik ; Pop-Kultur ; Popularität ; Gleichartigkeit ; Verschiedenheit ; Cross-over
    Description / Table of Contents: Wertfragen : Gut und schlecht oder gut und böse -- Totengespräche : Franz Schubert trifft John Lennon -- Wahrscheinlich hört wieder keiner zu : Adorno und die Paradoxien der Avantgarde-Musik -- Zeitkunste : der Film und die Musik : das Kino als Sphäre für U- und E-Musik -- Liebe, Eros und Sex : die Gewalt der Leidenschaft und der Musik.
    Note: Text deutsch, teilweise englisch
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  • 30
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press | Baltimore, Md. : Project MUSE
    ISBN: 0472122274 , 9780472902385 , 0472119958 , 9780472119950 , 9780472122271
    Language: English
    Pages: 1 Online-Ressource (pages cm.)
    Series Statement: Tracking pop
    DDC: 782.42166092/2
    RVK:
    Keywords: Wilson, Brian ; Beach Boys Criticism and interpretation ; The Beach Boys ; Geschichte ; Popular music History and criticism
    Note: Includes bibliographical references and index
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  • 31
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469623245 , 1469623242
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: UPCC book collections on Project MUSE
    DDC: 781.642089/00976
    RVK:
    RVK:
    RVK:
    Keywords: Countrymusic ; Soul ; Rassismus ; Music and race ; Popular music History and criticism ; Country music History and criticism ; Soul music History and criticism ; Soul music History and criticism ; Popular music History and criticism 1971-1980 ; Popular music History and criticism 1971-1980 ; Popular music History and criticism 1971-1980 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1961-1970 ; USA Südstaaten
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  • 32
    ISBN: 9781446210857
    Language: English
    Pages: xvi, 647 Seiten
    DDC: 781.64
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Popular music Handbooks, manuals, etc ; Music theory ; Sound recording industry ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik
    Abstract: "The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 9 sections: Theory and Method; The Business of Popular Music; Popular Music History; The Global and the Local; The Star System; Body and Identity; Media; Technology; and, Digital Economies. Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology."--Publisher's description
    Abstract: Part I. Theory and Method / Andy Bennett. The Many Worlds of Popular Music: Ethnomusicological Approaches / Kevin Dawe ; Notes on Sociological Theory and Popular Music Studies / Motti Regev ; Waiting for the Great Leap Forwards: Mixing Pop, Politics and Cultural Studies / Gilbert B. Rodman ; (Re)generations of Popular Musicology / Serge Lacasse ; Archival Research and the Expansion of Popular Music History / Christine Feldman-Barrett -- Part II. The Business of Popular Music / Steve Waksman. Power, Production and the Pop Process / Reebee Garofalo ; Intermediaries and Intermediation Devon Powers ; Popular Musical Labor in North America / Matt Stahl ; Music in Advertising in the US: History and Issues / Timothy D. Taylor -- Part III. Popular Music History / Steve Waksman. Grinding Out Hits at the Song Factory / Keir Keightley ; Popular Music Genres: Aesthetics, Commerce and Identity / David Brackett ; Live Music History / Matt Brennan -- Part IV. The Global and the Local / Andy Bennett. African, African American, Middle Eastern and French Hip Hop / Tony Mitchell ; Liminal Being: Electronic Dance Music Cultures, Ritualization and the Case of Psytrance / Graham St John ; Everything Louder than Everyone Else: The Origins and Persistence of Heavy Metal Music and Its Global Cultural Impact / Andy R. Brown ; Punk Rock, Hardcore and Globalization / Ross Haenfler -- Part V. The Star System / Steve Waksman. Rock Stars as Icons / David R. Shumway ; Everybody's in Show Biz: Performing Star Identity in Popular Music / Philip Auslander ; Midnight Ramblers and Material Girls: Gender and Stardom in Rock and Pop / Jacqueline Warwick ; Dark Cosmos: Making Race, Shaping Stardom / C. Riley Snorton -- Part VI. Body and Identity / Andy Bennett. Blurred Lines, Gender and Popular Music / Sheila Whiteley ; Popular Music, Race and Identity / Jon Stratton ; Dancing the Popular: The Expressive Interface of Bodies, Sound and Motion / Sherril Dodds ; Shaping The Past of Popular Music: Memory, Forgetting and Documenting / Catherine Strong -- Part VII. Media / Andy Bennett. In Print and On Screen: The Changing Character of Popular Music Journalism / Simon Warner ; Sight and Sound in Concert? The Interrelationship Between Music and Television / Tim Wall and Paul Long ; Viewing With Your Ears, Listening With Your Eyes: Syncing Popular Music and Cinema / Scott Henderson ; Beyond Napster: Popular Music and the Normal Internet / Nick Prior -- Part VIII. Technology / Steve Waksman. Phonography and the Recording in Popular Music / Patrick Feaster ; Ghosts of Electricity: Amplification ; Ubiquitous Musics: Technology, Listening and Subjectivity / Anahid Kassabian -- Part IX. Digital Economies / Steve Waksman. Modes of Production: The Value of Modal Analysis for Popular Music Studies / Tim J. Anderson ; Music, Copies and Essences / Joanna Demers ; Authorship, Ownership and Musical Appropriation / Kembrew McLeod ; Music Cartels and the Dematerialization of Power / Aram Sinnreich
    Note: Literaturangaben
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  • 33
    ISBN: 9780415625609 , 9781138213395
    Language: English
    Pages: xiii, 249 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in Brazil
    RVK:
    RVK:
    Keywords: Popular music History and criticism
    Note: Fitrst issued in paperback 2016
    URL: Cover
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  • 34
    ISBN: 9789004261778 , 900426177X
    Language: English
    Pages: 1 Online-Ressource (xi, 375 Seiten) , Illustrations
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal- volume 290
    Series Statement: Southeast Asia mediated ; volume 5
    DDC: 781.6309595/1
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Popular music History and criticism ; Music Social aspects 20th century ; History ; Music Social aspects 20th century ; History ; MUSIC Instruction & Study ; Theory ; Music Social aspects ; Popular music ; MUSIC / Genres & Styles / General ; Musiksoziologie ; Popmusik ; Criticism, interpretation, etc ; History
    Abstract: "Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern. In its focus on pioneering artists, their creative use of new genres and border crossing technologies it aims at a rewriting of Southeast Asia's twentieth century from the perspective of popular music makers, the entertainment industry and its ever changing audiences"--...
    Note: Includes bibliographical references (pages 369-370) and index
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  • 35
    Online Resource
    Online Resource
    Cambridge : Cambridge Univ. Press | New York : Cambridge Companions Online
    ISBN: 9780521881197 , 9780521707534 , 9781139021357
    Language: English
    Pages: 1 online resource (xx, 294 pages)
    Edition: Cambridge companions online
    Edition: Cambridge companions to music
    Series Statement: Cambridge companions to music
    Parallel Title: Druckausg. The Cambridge companion to Duke Ellington
    DDC: 781.65092
    RVK:
    RVK:
    Keywords: Ellington, Duke 1899-1974 Criticism and interpretation ; Ellington, Duke Criticism and interpretation ; Jazz History and criticism ; United States ; Jazz musicians Biography ; Ellington, Duke ; 1899-1974 ; Criticism and interpretation ; Jazz musicians ; United States ; Biography ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Ellington, Duke 1899-1974 ; Ellington, Duke 1899-1974
    Abstract: "Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in-depth, Ellington's career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellington's life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and song-writing, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composer's life and major recordings, this book is essential reading for anyone with an interest in Ellington's enduring artistic legacy"..
    Note: Title from publisher's bibliographic system (viewed on 09 Nov 2015)
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  • 36
    ISBN: 9781315569482 , 9781409469148 , 9781409469155
    Language: English
    Pages: 1 Online-Ressource (XVI, 240 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Black popular music in Britain since 1945
    DDC: 781.6408996041
    RVK:
    Keywords: Popular music History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Popular music History and criticism ; Great Britain ; MUSIC Instruction & Study ; Theory ; Blacks ; Popular music Great Britain ; Electronic books ; Electronic books Criticism, interpretation, etc ; Music ; Aufsatzsammlung ; Großbritannien ; Afroamerikanische Musik ; Geschichte 1948-2013
    Note: Includes bibliographical references, discography, and index. - Print version record
    URL: Volltext  (lizenzpflichtig)
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  • 37
    Online Resource
    Online Resource
    Farnham, Surrey, UK, England : Ashgate
    ISBN: 9781409441779 , 1409441776 , 9781409441762 , 1409441768 , 9781472402806 , 1472402804 , 1299636845 , 9781299636842
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Ashgate popular and folk music series
    DDC: 781.640973
    RVK:
    Keywords: MUSIC / Genres & Styles / Pop Vocal ; Popular music ; Sound recording industry ; Popular music History and criticism ; Sound recording industry ; Debüt ; Tonträger ; Popmusiker ; USA ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Popmusiker ; Tonträger ; Debüt
    Note: Includes bibliographical references and index , Lubbock or leave it / George H. Lewis -- Good time rollers / B. Lee Cooper and William L. Schurk -- Joan Baez / Jerome Rodnitzky -- From Roger and out into dang me/chug a lug / Don Cusic -- Midnight in Memphis with the wicked Pickett / B. Lee Cooper -- Jackson C. Frank / Edward Whitelock -- What time has told me about Nick Drake's Five leaves left / Kevin Holm-Hudson -- The voice of the quiet one / Ian Inglis -- That's it / George Plasketes -- New York Dolls / Thomas M. Kitts -- Warren Zevon / George Plasketes -- Chasing after vengeance / David Janssen -- Steve Forbert, alive on arrival from Meridian to Manhattan / George Plasketes -- Ready for the house / Nicole Marchesseau -- Rickie Lee Jones / George Plasketes -- Metallica kills / Deena Weinstein -- I know someday you'll have a beautiful life / Marcello Giovanelli -- Leann Rimes blue / Sarita Stewart -- Third Eye Blind / Josh Hillyer -- Dap-dippin' independent tradition / Andrew Davis -- Pilfering the past or postmodern punks? / Micah Rueber -- Cinematic fantastic sampledic funky found sound sifting / George Plasketes and Rivers Plasketes , These essays bring together the stories of 23 debut albums over a nearly fifty year span, ranging from Buddy Holly and the Crickets in 1957 to The Go! Team in 2004. In addition to biographical background and a wealth of historical information about the genesis of each album, essayists look back at the albums and place them within multiple contexts, particularly the artist's career development. In this way, the book will be of as much interest to sociologists and historians as to culture critics and musicologists
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  • 38
    Online Resource
    Online Resource
    Los Angeles : Sage
    ISBN: 1847874355 , 1847874363 , 9781847874351 , 9781847874368
    Language: English
    Pages: Online-Ressource (vi, 287 p)
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Popular Music : Topics, Trends & Trajectories
    DDC: 306.48423
    RVK:
    RVK:
    Keywords: Popular music ; Popular music History and criticism
    Abstract: An introductory textbook which uses short bite-sized snap shots to introduce the key debates & approaches, technologies and genres in popular music. Written by an internationally recognised authority it explores the 'ipodification' of popular music whilst providing clear social context for the field as a whole
    Description / Table of Contents: COVER; Contents; About the Author; Acknowledgements; Introduction: Walking On the Dance Floor; Section I: Approaches; Section II: Music Spaces; Section III: Instruments of/for Study; Section IV: Genre and Community; Section V: Debates; Conclusion: Walking Off the Dance Floor; Further Reading; References; Sonic Sources; Visual Sources; Index
    Note: Includes bibliographical references, discographies, and index , Electronic reproduction; Available via World Wide Web
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  • 39
    Online Resource
    Online Resource
    Bloomington : Indiana University Press
    ISBN: 9780253005823
    Language: English
    Pages: x, 390 p
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421649096
    RVK:
    RVK:
    Keywords: Gesellschaft ; Rap (Music) History and criticism ; Popular music History and criticism ; Hip-hop ; Music and youth ; Music and globalization ; Popular music Social aspects ; Hip-Hop ; Tonträger ; Film ; Globalisierung ; Afrika ; Afrika ; Verzeichnis ; Konferenzschrift 2003 ; Verzeichnis ; Konferenzschrift 2003 ; Afrika ; Hip-Hop ; Film ; Afrika ; Hip-Hop ; Globalisierung ; Afrika ; Hip-Hop ; Tonträger
    Note: Includes bibliographical references and index , Includes discography, videography, and webography
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  • 40
    Book
    Book
    Bloomington [u.a.] : Indiana Univ. Press
    ISBN: 9780253003072 , 9780253005755
    Language: English
    Pages: X, 390 S.
    Series Statement: African expressive cultures
    DDC: 782.421649096
    RVK:
    RVK:
    Keywords: Rap (Music) History and criticism ; Popular music History and criticism ; Hip hop ; Music and youth ; Music and globalization ; Popular music Social aspects ; Film ; Hip-Hop ; Globalisierung ; Tonträger ; Afrika ; Verzeichnis ; Konferenzschrift 2003 ; Konferenzschrift 2003 ; Verzeichnis ; Aufsatzsammlung ; Konferenzschrift 2003 ; Verzeichnis ; Konferenzschrift 2003 ; Verzeichnis ; Aufsatzsammlung ; Aufsatzsammlung ; Verzeichnis ; Konferenzschrift 2003 ; Aufsatzsammlung ; Rezension ; Afrika ; Hip-Hop ; Globalisierung ; Afrika ; Hip-Hop ; Tonträger ; Afrika ; Hip-Hop ; Film
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  • 41
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199855865
    Language: English
    Pages: 1 Online-Ressourcece.
    DDC: 782.421640973
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1890-1930 ; Tin Pan Alley ; Oper ; Unterhaltungsmusik ; Popular music History and criticism ; Opera ; Opera in popular music ; USA
    Abstract: Author Larry Hamberlin guides us through the large but oft-forgotten repertoire of operatic novelties, and brings to life the rich humour and keen social criticism of the ragtime era.
    Note: Includes bibliographical references
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  • 42
    Book
    Book
    Berkeley : University of California Press ; Center for Black Music Reserach
    ISBN: 9780520265684 , 9780520265691
    Language: English
    Pages: XVI, 310 Seiten
    Series Statement: Music of the African diaspora 15
    DDC: 781.64097296
    RVK:
    RVK:
    Keywords: Geschichte ; Rockmusik ; Popmusik ; Popular music History and criticism ; Bahamas ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis Seite 291 - 304
    URL: Cover
    URL: Cover
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  • 43
    Online Resource
    Online Resource
    Berkeley [Calif.] : University of California Press
    ISBN: 9780520948754
    Language: English
    Pages: xvi, 310 p.
    Edition: 1st ed
    Series Statement: Music of the African diaspora 15
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64097296
    RVK:
    RVK:
    Keywords: Geschichte ; Popular music History and criticism ; Rockmusik ; Popmusik ; Bahamas ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Bahamas ; Popmusik ; Rockmusik ; Geschichte
    Description / Table of Contents: Funky Nassau : sounding some themes in Bahamian music -- Muddy da water : provincializing the center, or recentering the periphery through rake-n-scrape -- Nassau by the sea : exporting the local, particularizing the region, and the sounds of goombay -- Gone ta bay : institutionalizing junkanoo, festivalizing the nation -- A new day dawning : cosmopolitanism, roots, and identity in the post-colony -- Back to the island : travels in paradox, creating the future-past
    Note: Includes bibliographical references and index
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  • 44
    Online Resource
    Online Resource
    Bloomington : Indiana University Press
    ISBN: 9780253001504
    Language: English
    Pages: xxxii, 459 p
    Series Statement: African expressive cultures
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6309678
    RVK:
    Keywords: Geschichte ; Popular music History and criticism ; Music trade History ; Unterhaltungsmusik ; Tonträger ; Musikwirtschaft ; Daressalam ; Tansania ; Verzeichnis ; Tansania ; Daressalam ; Unterhaltungsmusik ; Tonträger ; Tansania ; Daressalam ; Unterhaltungsmusik ; Musikwirtschaft
    Description / Table of Contents: Kumekucha (It is daylight/Times have changed) -- Shall we mdundiko or tango? : Tanzania's music economy, 1920-1984 -- Live in bongoland -- The submerged body -- Radio revolution -- Analog, digital-- knobs, buttons -- Legend of the pirates -- Everything is life
    Note: Includes bibliographical references and index
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  • 45
    Online Resource
    Online Resource
    Durham, NC : Duke University Press
    ISBN: 0822348845 , 1283265923 , 082234906X , 9781283265928 , 9780822348849 , 9780822349068
    Language: English
    Pages: Online-Ressource (1 online resource (x, 364 p.)) , ill
    Edition: Online-Ausg.
    Parallel Title: Print version Brazilian Popular Music and Citizenship
    DDC: 306.4/84240981
    RVK:
    Keywords: Popular music Political aspects ; Popular music History and criticism ; Popular music Social aspects ; Popular music -- Social aspects -- Brazil ; Popular music -- Political aspects -- Brazil ; Popular music -- Brazil -- History and criticism ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: Covering more than one hundred years of history, this multidisciplinary collection of essays illuminates the important links between citizenship, national belonging, and popular music in Brazil
    Description / Table of Contents: Contents; Acknowledgments; Introduction. Music as Practice of Citizenship in Brazil - Idelber Avelar and Christopher Dunn; Dissonant Voices under a Regime of Order-Unity: Popular Music and Work in the Estado Novo - Adalberto Paranhos; Orpheonic Chant and the Construction of Childhood in Brazilian Elementary Education - Flávio Oliveira; Farewell to MPB - Carlos Sandroni; From Mr. Citizen to Defective Android: Tom Zé and Citizenship in Brazil - Christopher Dunn; Rude Poetics of the 1980s: The Politics and Aesthetics of Os Titãs - Angélica Madeira
    Description / Table of Contents: "We Live Daily in Two Countries": Audiotopias of Postdictatorship Brazil - Frederick MoehnSoundtracking Landlessness: Music and Rurality in the Movimento dos Trabalhadores Rurais Sem Terra - Malcolm K. McNee; Zhen Brasil's Japanese Brazilian Groove - Shanna Lorenz; Embodying the Favela: Representation, Mediation, and Citizenship in the Music of Bezerra da Silva - Aaron Lorenz; Hip-Hop in São Paulo: Identity, Community Formation, and Social Action - Wivian Weller and Marco Aurélio Paz Tella; "Conquistando Espaço": Hip-Hop Occupations of São Paulo - Derek Pardue
    Description / Table of Contents: Funk Music Made in Brazil: Media and Moral Panic - João Freire Filho and Micael HerschmannTechnobrega, Forró, Lambadão: The Parallel Music of Brazil - Hermano Vianna; "Tradition as Adventure": Black Music, New Afro-Descendant Subjects, and Pluralization of Modernity in Salvador da Bahia - Osmundo Pinho; Modernity, Agency, and Sexuality in the Pagode Baiano - Ari Lima; Candeal and Carlinhos Brown: Social and Musical Contexts of an Afro-Brazilian Community - Goli Guerreiro; Of Mud Huts and Modernity: The Performance of Civic Progress at Arcoverde's São João Festival - Daniel Sharp
    Description / Table of Contents: Mangue Beat Music and the Coding of Citizenship in Sound - Idelber AvelarWorks Cited; Contributors; Index
    Note: Description based on print version record , Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 46
    Book
    Book
    New York, N.Y. [u.a.] : Routledge
    ISBN: 0415875692 , 9780415875691
    Language: English
    Pages: xviii, 488 p , ill , 28 cm
    RVK:
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    Keywords: Contemporary Christian music Encyclopedias ; Contemporary Christian musicians Biography ; United States ; Gospel music Bio-bibliography ; Gospel music Encyclopedias ; Wörterbuch ; Biografie ; Wörterbuch ; Wörterbuch ; Biografie ; USA ; Gospelsong ; Gospelsänger
    Note: Includes discographical and bibliographical references and index , 1st ed. publ. 2005
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  • 47
    ISBN: 9780472070961 , 9780472027477
    Language: English
    Pages: 292 Seiten , Illustrationen
    DDC: 780.89/96
    RVK:
    Keywords: Geschichte ; Popular music History and criticism ; Blacks Music ; History and criticism ; Dance History ; Hip-hop ; Afroamerikanischer Tanz ; Afroamerikanische Musik ; Amerika ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Amerika ; Karibik ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Geschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 48
    Online Resource
    Online Resource
    Farnham, Surrey, England : Ashgate
    ISBN: 9781409409311 , 1409409317 , 9781409403401 , 1409403408
    Language: English
    Pages: 1 Online-Ressource (xiii, 252 p.)
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64/1224
    RVK:
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    Keywords: MUSIC / Genres & Styles / Pop Vocal ; Microrhythm ; Musical meter and rhythm ; Popular music ; Microrhythm ; Musical meter and rhythm ; Popular music History and criticism ; Digitale Schallaufzeichnung ; Elektronische Musik ; Rhythmus ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Elektronische Musik ; Digitale Schallaufzeichnung ; Rhythmus
    Note: Includes bibliographical references and index , Here, there and everywhere : three accounts of pulse in D'Angelo's 'Left and right' / Anne Danielsen -- Microtiming and rhythmic structure in clave-based music : a quantitative study / Ives Chor -- Simultaneous rhythmic events with different schematic affiliations : microtiming and dynamic attending in two contemporary R & B grooves / Kristoffer Carlsen and Maria A.G. Witek -- The concept of rhythmic tolerance : examining flexible grooves in Scandinavian folk fiddling / Mats Johansson -- Timbral relationships and microrhythmic tension : shaping the groove experience through sound / Kristoffer Yddal Bjerke -- Rhythm/body/motion : tricky's contradictory dance music / Eric F. Clarke -- Moved by the groove : bass drum sounds and body movements in electronic dance music / Hans T. Zeiner-Henriksen -- Slave to the supradiegetic rhythm : a microrhythmic analysis of creaky voice in Sia's 'Breathe me' / Serge Lacasse -- Opaque mediation : the cut-and-paste groove in DJ Food's 'Break' / Ragnhild Brøvig-Hanssen -- Microsampling : from Akufen's microhouse to Todd Edwards and the sound of UK garage / Paul Harkins -- Real and unreal performances : the interaction of recording technology and rock drum kit performance / Simon Zagorski-Thomas -- Composing a performance : the analogue experience in the age of digital (re)production / Tellef Kvifte
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  • 49
    ISBN: 9780195341546
    Language: English
    Pages: X, 323 S., [8] Bl. , Ill.
    DDC: 781.640973
    RVK:
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    Keywords: Geschichte 1900-1970 ; Popular music History and criticism ; Unterhaltungsmusik ; USA ; USA ; USA ; Unterhaltungsmusik ; Geschichte 1900-1970
    URL: Cover
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  • 50
    ISBN: 9780754665618 , 0754665615
    Language: English
    Pages: xii, 209 p
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64097309045
    RVK:
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    Keywords: Geschichte 1960-2007 ; Musik ; Popular music History and criticism ; Music History and criticism ; Popmusik ; USA ; USA ; USA ; Popmusik ; Geschichte 1960-2007
    Note: Includes bibliographical references (p. [195]-201) and index
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  • 51
    ISBN: 9780195341546 , 0195341546
    Language: English
    Pages: x, 323 p., [16] p. of plates
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.640973
    RVK:
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    Keywords: Geschichte 1900-1970 ; Musik ; Popular music History and criticism ; Music History and criticism ; Unterhaltungsmusik ; USA ; USA ; USA ; Unterhaltungsmusik ; Geschichte 1900-1970
    Note: Includes bibliographical references (p. [281]-289) and index
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  • 52
    Book
    Book
    Aldershot [u.a.] : Ashgate
    ISBN: 9780754662006 , 9780754662112 , 0754662004
    Language: English
    Pages: XI, 207 S. , Ill., graph. Darst., Notenbeisp.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als From Pac-Man to pop music
    DDC: 781.5/4
    RVK:
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    Keywords: Geschichte ; Audiovisuele middelen ; Computermuziek ; Computerspellen ; Video game music History and criticism ; Popular music History and criticism ; Popmusik ; Musik ; Videospiel ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Videospiel ; Musik ; Geschichte ; Popmusik ; Videospiel ; Geschichte
    Description / Table of Contents: Industries and Synergies. The new MTV? Electronic arts and playing music / Holly Tessler ; Marketing music through computer games: the case of Poets of the Fall and Max Payne 2 / Antti-Ville Kärjä -- Ringtones and mobile phones. Could ringtones be more annoying? / Peter Drescher ; Indeterminate adaptive digital audio for games on mobiles / Agnès Guerraz and Jacques Lemordant -- Instruments and interactions. Theoretical approaches to composing dynamic music for video games / Jesper Kaae ; Realising groundbreaking adaptive music / Tim van Geelen ; The composition-instrument: emergence, improvisation, and interaction in games and new media / Norbert Herber -- Techniques and technologies. Dynamic range: subtlety and silence in video game sound / Rob Bridgett ; An introduction to granular synthesis in video games / Leonard Paul -- Audio and audience. Chip music: low-tech data music sharing / Anders Carlsson ; Left in the dark: playing computer games with the sound turned off / Kristine Jørgensen ; Music theory in music games / Peter Shultz
    Note: Literaturverz. S. 189 - 202
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  • 53
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 0226350401 , 9780226350400
    Language: English
    Pages: 1 Online-Ressource (xiv, 221 pages)
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
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    Keywords: Geschichte ; Fine Arts ; MUSIC / Genres & Styles / Pop Vocal ; Popular music ; Popular music genres ; Unterhaltungsmusik / USA. ; Country Rock ; Musikgattung ; Unterhaltungsmusik ; Jazz ; Popular music History and criticism ; Popular music genres ; Musikalischer Stil ; Popmusik ; USA ; USA ; USA ; Popmusik ; Musikalischer Stil ; Geschichte
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 201-212) and index , "The Jeff Parker discography": pages 181-183 , Roots and refigurations -- Double session I : Reactions to rock -- A model of genre transformation -- Country music and the Nashville sound -- Jazz and jazz-rock fusion -- Double session II : Urban boundaries -- Jeff Parker and the Chicago jazz scene -- A closer look at Jeff Parker and his music -- Music at American borders , Through a collection of case studies, the author examines why music categories and music genres are debated, and why the terms used to describe these categories and genres are always changing
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  • 54
    Book
    Book
    Folkestone, Kent : Global Oriental
    ISBN: 1905246226 , 9781905246229
    Language: English
    Pages: xiv, 250 p.
    DDC: 781.6309519
    RVK:
    Keywords: Geschichte ; Popular music / Korea / History and criticism ; Popular music / China / History and criticism ; Popular music / Taiwan / History and criticism ; Musique populaire - Chine - Histoire et critique ; Musique populaire - Corée - Histoire et critique ; Musique populaire - Taiwan - Histoire et critique ; Popmuziek ; Popular music History and criticism ; Popular music History and criticism ; Popular music History and criticism ; Popmusik ; Korea ; Taiwan ; China ; Korea ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Korea ; Popmusik ; Geschichte ; China ; Popmusik ; Geschichte ; Taiwan ; Popmusik ; Geschichte
    Abstract: Offers an account written by thirteen scholars of Korean Studies, ethnomusicology and popular culture from Canada, Great Britain, Korea, the Netherlands, New Zealand and the US. This book includes discussion of North Korean popular music and chapters on the 'Korea wave' that swept Taiwan and the Chinese mainland at the start of the millennium.
    Note: Includes bibliographical references (p. [221]-239) and index , The beginnings of Korean pop : during the Japanese Occupation Era (1910-1945) / Young Mee Lee -- New folksongs : shin minyo of the 1930s / Hilary Finchum-Sung -- Supporting our boys : American military entertainment and Korean pop music in the 1950s / Roald Maliangkay -- Pop for progress : censorship and South Korea's propaganda songs / Roald Maliangkay -- On the mimetic faculty : a critical study of the 1984 Ppongtchak debate and post-colonial mimesis / Gloria Lee Pak -- Highway songs in South Korea / Min-Jung Son -- Coming of age : Korean pop in the 1990s / Keith Howard -- Image is everything : the marketing of feminity in South Korean popular music / Heather A. Willoughby -- Articulating Korean youth culture through global popular music styles : Seo Taiji's use of rap and metal / Eun-Young Jung -- Is Korean noraebang Japan kara-ok? : reflections on singing doctors, singing banquets and singing rooms in Korea / Millie Creighton -- Healthy, national and up-to-date : pop music in the Yanbian Korean autonomous prefecture, China / Rowan Pease -- The people defeated will never be united : pop music and ideology in North Korea / Keith Howard -- The hanilu phenomenon in Taiwan : TV dramas and teenage pop / San-Yeon Sung -- Internet, fandom and K-wave in China / Rowan Pease -- "We are the punx in Korea" / Stephen Epstein -- Bounded variation? : music television in South Korea / R. Anderson Sutton
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  • 55
    Book
    Book
    Berkeley, Calif. [u.a.] : Univ. of California Press
    ISBN: 0520225104 , 0520244249
    Language: English
    Pages: XV, 302 S.
    Series Statement: American crossroads 18
    Series Statement: A Roth Family Foundation book on music in America
    Series Statement: American crossroads
    DDC: 782.42164/0973/0904
    RVK:
    Keywords: Popular music History and criticism ; United States ; Music Social aspects ; United States ; Multiculturalism United States ; USA ; Popmusik ; Geschichte ; USA ; Multikulturelle Gesellschaft
    Description / Table of Contents: Strangers among sounds -- Against easy listening, or, How to hear America sing -- The Yiddish are coming -- Life according to the beat -- Basquiat's ear, Rahsaan's eye -- I, too, sing América -- Rock's reconquista -- La misma canción
    Note: Includes bibliographical references (p. 255-275), discography (p. 277-281), and index
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  • 56
    Online Resource
    Online Resource
    Berkeley, Calif. : University of California Press
    ISBN: 052093864X , 1423717295 , 159875582X , 9780520938649 , 9781423717294 , 9781598755824
    Language: English
    Pages: 1 Online-Ressource (1 v.)
    Series Statement: American crossroads 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42164/0973/0904
    RVK:
    Keywords: Geschichte ; MUSIC / Printed Music / General ; MUSIC / Genres & Styles / Pop Vocal ; Multiculturalism ; Music / Social aspects ; Popular music ; Gesellschaft ; Musik ; Popular music History and criticism ; Music Social aspects ; Multiculturalism ; Multikulturelle Gesellschaft ; Popmusik ; USA ; USA ; USA ; Popmusik ; Geschichte ; USA ; Multikulturelle Gesellschaft
    Note: Includes bibliographical references and index , Against easy listening, or how to hear America sing -- The yiddish are coming -- Life according to the beat -- Basquiat's ear, Rahsaan's eye -- I, too, sing América -- Rock's reconquista , Ranging from Los Angeles to Havana to the Bronx to the U.S.-Mexico border and from klezmer to hip hop to Latin rock, this groundbreaking book injects popular music into contemporary debates over American identity. Josh Kun insists that America is not a single chorus of many voices folded into one, but rather various republics of sound that represent multiple stories of racial and ethnic difference. To this end he covers a range of music and listeners to evoke the ways that popular sounds have expanded our idea of American culture and American identity. Artists as diverse as The Weavers, Café Tacuba, Mickey Katz, Rahsaan Roland Kirk, Bessie Smith, and Ozomatli reveal that the song of America is endlessly hybrid, heterogeneous, and enriching—a source of comfort and strength for populations who have been taught that their lives do not matter. Kun melds studies of individual musicians with studies of painters such as Jean-Michel Basquiat and of writers such as Walt Whitman, James Baldwin, and Langston Hughes. There is no history of race in the Americas that is not a history of popular music, Kun claims. Inviting readers to listen closely and critically, Audiotopia forges a new understanding of sound that will stoke debates about music, race, identity, and culture for many years to come
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  • 57
    Book
    Book
    New York, NY [u.a.] : Palgrave Macmillan
    ISBN: 1403964254 , 1403964246
    Language: English
    Pages: IX, 348 S. , Ill. , 22cm
    DDC: 306.484097292
    RVK:
    Keywords: Music and dance History ; Popular music History and criticism ; Dance halls Social aspects ; Women dancers Sexual behavior ; Ragga (Music) ; Popular culture ; Reggae ; Musik ; Tanzlokal ; Jamaica Social life and customs ; Jamaika ; Jamaika ; Reggae ; Jamaika ; Tanzlokal ; Jamaika ; Musik
    Note: Includes bibliographical references and index
    URL: Cover
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  • 58
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 0195348257 , 1602568332 , 9780195348255 , 9781602568334
    Language: English
    Pages: 1 Online-Ressource (312 pages)
    Parallel Title: Erscheint auch als
    DDC: 781.64/0973
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    Keywords: Geschichte ; Musique populaire / États-Unis / Histoire et critique ; Jazz / États-Unis / Histoire et critique ; MUSIC / Genres & Styles / Pop Vocal ; Jazz ; Popular music ; Popular music History and criticism ; Jazz History and criticism ; Unterhaltungsmusik ; USA ; USA ; USA ; Unterhaltungsmusik ; Geschichte
    Note: Avatars -- The postwar jazz era -- Rebirth of the blues -- In the garage -- Possible futures , What do Louis Armstrong, Ray Charles, Bob Dylan, Willie Nelson, Tom Waits, Cassandra Wilson, and Ani DiFranco have in common? In Highway 61 Revisited, acclaimed music critic Gene Santoro says the answer is jazz-not just the musical style, but jazz's distinctive ambiance and attitudes. As legendary bebop rebel Charlie Parker once put it, "If you don't live it, it won't come out of your horn." Unwinding that Zen-like statement, Santoro traces how jazz's existential art has infused outstanding musicians in nearly every wing of American popular music-blues, folk, gospel, psychedelic rock, country
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  • 59
    Book
    Book
    New Haven, Conn. [u.a.] : Yale Univ. Press
    ISBN: 0300107560
    Language: English
    Pages: XIX, 314 S , Ill , 25 cm
    Edition: Rev. and expanded ed.
    DDC: 782.42164092
    RVK:
    Keywords: Smith, Bessie ; Singers Biography ; United States ; Smith Bessie ; 1895?-1937 ; African American women signers Biography ; Singers United States ; Biography ; Blues (Music) 1931-1940 ; Biografie ; Biographie ; Biografie ; Smith, Bessie 1894-1937 ; Smith, Bessie 1894-1937 ; Biografie ; Smith, Bessie 1894-1937
    Description / Table of Contents: Literaturverz. S. 301 - 302, Diskogr. S. 303 - 306
    Note: Includes bibliographical references (p. 301-302), discography (p. 303-306), and index , "Original edition published in 1972 by Stein and Day"--T.p. verso
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  • 60
    Book
    Book
    London [u.a.] : Arnold [u.a.]
    ISBN: 0340762470 , 0340762489
    Language: English
    Pages: IX, 272 S. , Ill.
    Edition: 1. publ.
    DDC: 781.64
    RVK:
    Keywords: Cultuursociologie ; Musique populaire - Histoire et critique ; Musique populaire - Histoire et critique ; Populaire muziek ; Popular music History and criticism ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik
    Note: Includes bibliographical references and index
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  • 61
    Book
    Book
    Amsterdam [u.a.] : Rodopi
    ISBN: 9042012498
    Language: English
    Pages: 360 S.
    Series Statement: Critical studies 19
    Series Statement: Critical studies
    DDC: 781.6309
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    Keywords: Identity (Psychology) ; Popular culture ; Popular music History and criticism ; Popmusik ; Musikethnologie ; Identität ; Kulturelle Identität ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Identität ; Popmusik ; Kulturelle Identität
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  • 62
    Book
    Book
    Amherst, Mass. : Univ. of Massachusetts Press
    ISBN: 1558492674 , 1558492682
    Language: English
    Pages: VIII, 280 S. , 25 cm
    DDC: 781.640973
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    Keywords: Popular music History and criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Unterhaltungsmusik ; Popmusik
    Note: Literaturverz. S [231] - 248
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  • 63
    Online Resource
    Online Resource
    Jefferson : McFarland & Company | Ann Arbor, Michigan : ProQuest
    ISBN: 9780786450268
    Language: English
    Pages: 1 Online-Ressource (257 pages)
    Edition: 0
    DDC: 782.1’4’092
    RVK:
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    Keywords: Ellington, Duke ; Musical ; United States ; Electronic books
    Abstract: "Detailed"--Choice; "detailed and intelligent"--Classic Images;"comprehensive, reliable...essential"--TDES; "incredible…a must"--The International Dems Bulletin. Here is the first book to acknowledge Duke Ellington's contribution to the stage. It offers a survey of every theater piece Ellington is known to have worked on during his lifetime, beginning with the 1925 revue The Chocolate Kiddies and ending with the unfinished "street opera" Queenie Pie.
    Note: Description based on publisher supplied metadata and other sources
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  • 64
    Online Resource
    Online Resource
    Berkeley, Calif. [u.a.] : Univ. of California Press
    ISBN: 9780520925700
    Language: English
    Pages: 1 Online-Ressource (XV, 260 Seiten) , Ill., Notenbeisp , 23 cm
    Edition: 1. California paperback
    Parallel Title: Erscheint auch als Interpreting popular music
    DDC: 781.64
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    Keywords: Popular music History and criticism ; Popular music Analysis, appreciation ; Popular music History and criticism ; Popular music History and criticism ; Popular music Analysis, appreciation ; Rockmusik ; Popmusik ; Musikalische Analyse ; Interpretation ; Musiksoziologie ; Unterhaltungsmusik
    Note: Discography: p. 249-250 , Includes bibliographical references (p. 237-248) and index , Originally published: Cambridge University Press, 1995
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  • 65
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 0520206274 , 0520206282
    Language: English
    Pages: x, 507 p.
    Series Statement: Music of the African diaspora 1
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780/.89/960730794
    RVK:
    Keywords: Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music History and criticism ; Afroamerikanische Musik ; Geschichte ; Kalifornien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Kalifornien ; Afroamerikanische Musik ; Geschichte
    Description / Table of Contents: Music in an urban environment -- Music and the media -- The musician as innovator -- Source materials
    Note: Includes bibliographical references and index
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  • 66
    Online Resource
    Online Resource
    Berkeley, Calif. : University of California Press
    ISBN: 0520919114 , 0585249709 , 9780520919112 , 9780585249704
    Language: English
    Pages: 1 Online-Ressource (xxiv, 253 pages)
    Edition: [Pbk. ed., 1997]
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780/.8968729507471
    RVK:
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    Keywords: Geschichte 1917-1940 ; MUSIC / Ethnomusicology ; Popular music ; Puerto Ricans / Ethnic identity ; Puerto Ricans / Music ; Musik ; Puerto Ricans Music ; History and criticism ; Popular music History and criticism ; Popular music History and criticism ; Puerto Ricans Ethnic identity ; Musik ; Puerto Ricaner ; New York, NY ; New York, NY ; Musik ; Puerto Ricaner ; Geschichte 1917-1940
    Note: Includes bibliographical references (pages 227-244) , discography (p. 245) , and index
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  • 67
    Online Resource
    Online Resource
    Alexandria, VA : Alexander Street Press | Jackson : University Press of Mississippi
    Language: English
    Pages: 1 Online-Ressource (xxiii, 166 p.)
    Edition: Reproduction s.l
    Series Statement: Music Online Reference
    Series Statement: African American music reference
    DDC: 306.4/84
    RVK:
    RVK:
    Keywords: Jazz in literature ; Jazz ; Social aspects ; United States ; Race in literature ; Gesellschaft ; USA ; United States / Race relations
    Note: Includes bibliographical references (p. [153]-160) and index. - Erscheinungsjahr in Vorlageform:c1997
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  • 68
    ISBN: 0226136116 , 0226136124 , 9780226136127
    Language: English
    Pages: XIII, 273 S. , Ill., Kt., Notenbeisp. , 24 cm
    Series Statement: Chicago studies in ethnomusicology
    DDC: 782.42163/092
    RVK:
    Keywords: Umm Kulthūm / 1898-1975 ; Umm Kulthūm / 1898?-1975 ; Umm Kulthūm 〈1898-1975〉 ; Umm Kulthūm 〈1898?-1975〉 ; Umm Kulthūm 〈1898-1975〉 ; Umm-Kulṯūm ; Geschichte 1900-1975 ; Singers / Egypt / Biography ; Songs, Arabic / Egypt / History and criticism ; Popular music / Egypt / History and criticism ; Music / Social aspects / Egypt ; Arabisch ; Chansons arabes (arabe égyptien) - Histoire et critique ; Chanteuses - Égypte - Biographies ; Liederen ; Musique - Aspect social - Égypte ; Musique populaire - Égypte - Histoire et critique ; Zangers ; Gesellschaft ; Musik ; Music Social aspects ; Popular music History and criticism ; Singers Biography ; Songs, Arabic History and criticism ; Gesellschaft ; Unterhaltungsmusik ; Musikleben ; Egypte ; Ägypten ; Biografie ; Biografie ; Biografie ; Bibliografie ; Umm-Kulṯūm 1898-1975 ; Ägypten ; Gesellschaft ; Musikleben ; Unterhaltungsmusik ; Geschichte 1900-1975
    Note: Includes bibliographical references (p. 251-261) and index , "The voice and face of Egypt" Some questions ; Speech about music ; Listening ; Performing ; "Popular" music ; The individual ; Social issues -- Childhood in the Egyptian delta. "Min al-Mashāyikh" ; Performing experience ; The audiences -- Beginning in Cairo. Music in Cairo ; The "Bedouin" singer ; An education in music and performance ; A turning point ; 1926 and beyond -- Media, style, and idiom. Taking a direction in style ; Producing concerts ; Negotiating the public ; Recordings and radio ; Making films ; Developing an idiom -- "The golden age of Umm Kulthūm" and two cultural formations. The 1940s ; Musical populism ; New films ; Neoclassicism ; The impact of the new Qaṣāʾid and the populist songs -- "The voice of Egypt": the artists' work and shared aesthetics. Building the model of the song ; The concerts ; "her voice...!" ; "But can you understand the words?" ; "She was good because she could read the Qurʼān" ; "She gave us back the Qaṣīda" ; "She never sang a line the same way twice" -- Umm Kulthūm and a new generation. The national songs and "Rābiʿa 'l-ʿAdawiyya" ; "A new stage" ; Collaboration with ʿAbd al-Wahhāb ; The resilience of al-Sunbāṭī's songs ; The Ughniyya ; The widening market ; The concerts for Egypt ; "The Fallaḥiin are my self" ; The repertory not sung -- Legacies of a performer
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  • 69
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0198163320
    Language: English
    Pages: VIII, 352 S.
    DDC: 781.64/117
    RVK:
    RVK:
    RVK:
    Keywords: Popmuziek ; Waardeoordeel ; Gesellschaft ; Musik ; Music Philosophy and aesthetics ; Music Social aspects ; Popular music History and criticism ; Soziale Funktion ; Massenkultur ; Popmusik ; Popmusik ; Soziale Funktion ; Popmusik ; Massenkultur
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  • 70
    Book
    Book
    Cambridge : Cambridge Univ. Press
    ISBN: 0521471982
    Language: English
    Pages: XII, 390 S. , Ill., Notenbeisp.
    Edition: 1. publ.
    DDC: 781.6409
    RVK:
    RVK:
    Keywords: Musique - Aspect social ; Musique populaire - Aspect social ; Musique populaire - Histoire et critique ; Popmuziek ; Gesellschaft ; Musik ; Music Social aspects ; Popular music History and criticism ; Unterhaltungsmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik
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  • 71
    Book
    Book
    Cambridge [u.a.] : Cambridge University Press
    ISBN: 0521473373
    Language: English
    Pages: XIV, 260 S. , Notenbeisp.
    Edition: 1. publ.
    DDC: 781.63
    RVK:
    Keywords: Musical criticism ; Musical analysis ; Popular music ; Popular music History and criticism ; Popular music Analysis, appreciation ; Unterhaltungsmusik ; Interpretation ; Popmusik ; Rockmusik ; Unterhaltungsmusik ; Musikalische Analyse
    Note: Literaturverz. und Auswahldiskogr. S. 237-250
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  • 72
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 1423736540 , 9781423736547
    Language: English
    Pages: Online-Ressource (x, 350 p)
    Edition: Online-Ausg.
    Parallel Title: Print version Jazz age
    DDC: 780/.42/0973
    RVK:
    Keywords: Jazz History and criticism ; Popular music History and criticism ; Popular music 1921-1930
    Description / Table of Contents: ""Contents""; ""I: THE JAZZ AGE""; ""1 ""Flappers Are We""""; ""2 King Oliver, Jelly Roll, and Satchmo""; ""3 Bix, Austin High, and Chicago Style""; ""4 Pops and Smack""; ""II: THE HARLEM RENAISSANCE""; ""5 Duke, Ethel, and the Harlem Scene""; ""6 ""The Birth of the Blues""""; ""7 ""Kitten on the Keys""""; ""8 Shuffle Along""; ""III: TIN PAN ALLEY""; ""9 ""Dardanella""""; ""10 ""The Sheik of Araby""""; ""11 ""Three O'Clock in the Morning""""; ""12 ""Yes! We Have No Bananas""/""Charleston""""; ""13 ""Rhapsody and Romance in Blue""""; ""14 ""Tea for Two""""; ""15 ""The Black Bottom""""
    Description / Table of Contents: ""16 ""Talkies"" and Theme Songs""""17 ""The Singing Fool""""; ""18 California Gold Rush""; ""IV: THE MUSICAL THEATRE""; ""19 The Musical Revue""; ""20 The Golden Coterie""; ""21 The Operetta Revival""; ""22 Song Laureate of the Roaring Twenties""; ""Epilogue""; ""Notes""; ""Bibliography""; ""Discography""; ""Variety's ""Golden 100 Tin Pan Alley Songs""""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z""; ""Song Index""; ""A""; ""B""; ""C""; ""D""; ""E""
    Description / Table of Contents: ""F""""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z""
    Note: Includes discography and index , Includes bibliographical references (p. 303-309)
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  • 73
    ISBN: 0193161214
    Language: English
    Pages: XIII, 352 S. , Notenbeisp.
    DDC: 780/.42/09
    RVK:
    Keywords: Geschichte 1900-1985 ; Musique populaire - Histoire et critique ; Musique populaire - Histoire et critique ; Populaire muziek ; Popular music History and criticism ; Popmusik ; Volkstümliche Musik ; Geschichte ; Vorgeschichte ; Volkstümliche Musik ; Geschichte 1900-1985 ; Vorgeschichte ; Popmusik ; Geschichte
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  • 74
    Book
    Book
    New York : Negro Universities Pr.
    ISBN: 0837127904
    Language: English
    Pages: 131 S. , Ill., Notenbeisp. , 23 cm
    Edition: [Reprint der Ausg.] Nashville, Tenn. 1915
    DDC: 784.756
    RVK:
    Keywords: African Americans Music ; History and criticism ; Folk music History and criticism ; United States ; Folk songs, English History and criticism ; United States
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