ISBN:
9781438453132
Language:
English
Pages:
Online-Ressource (320 p)
Parallel Title:
Print version What We Want Is Free : Critical Exchanges in Recent Art
DDC:
306.47
Keywords:
Generosity in art
;
Social exchange
;
Interactive art
;
Artists and community
;
Electronic books
;
Electronic books
Abstract:
Explores how contemporary artists use gifts, barter, and other forms of nonmonetary exchange as a means and medium of artistic production.
Abstract:
Intro -- Contents -- Acknowledgments -- Candies in Endless Supply: From Generosity to Critical Exchange -- "Untitled" (Placebo) -- Notes -- No Longer Normal: Critical Exchanges in the Landscape of Art -- Dinner -- Basketfill -- #criticalexchanges -- You've Got Form -- +1 Add Friend -- Horizon -- Notes -- I. From Markets to Lobbies: Considerations of Objects -- Sure, Everyone Might be an Artist -- Exchange-The "Other" Social Sculpture -- Hierarchy of Exchanges -- The Problematic Movement towards "Disinterested Exchange" -- The Power of the Object over the Person -- Notes -- Lunch Hour: Art, Community, Administered Space, and Unproductive Activity -- Notes -- Blows Against the Empire -- Welcome to the Machine -- Dimension 7 -- Return the Gift -- Meanwhile, Downtown -- Where to Eat Cheaply in San Francisco -- The Hot Tub and the People's Park -- Power in the Darkness -- What We Do Is Secret -- Notes -- How Do You Pin a Wave Upon the Sand?: An Interview with Cesare Pietroiusti -- Notes -- The Object of Exchange -- Notes -- How Free Is Free?: Property, Markets, and the Aesthetic(S) of the Common(s) -- Introduction -- Coloniality -- The Origins of Capitalism and the Early Transition to Capitalist Subjectivity -- Aesthetic Alienation and Subjectivity -- Commodity Aesthetics, Industrial Fordism, and Post-Fordism -- The Aesthetic(s) of the Common(s) -- Notes -- II. The Handbook for Critical Exchanges in Recent Art -- Part One: Artists' Projects -- Introductory Remarks -- Project Histories -- 1 Euro Blinky Market (2006) Surasi Kusolwong -- Any Wednesday (1993-Present) Diana Mars -- Art and Cold Cash (2004-2007) Art and Cold Cash Collective -- Barter (2007) SOSka Group -- Beautiful City (2007) Maria Pask -- The Black Factory (2004-Present) William Pope.L -- Border Farm (2011) Thenjiwe Nkosi, Meza Weza, and the Dulibadzimu Theatre Group.
Description / Table of Contents:
""Contents""; ""Acknowledgments""; ""Candies in Endless Supply: From Generosity to Critical Exchange""; ""“Untitled� (Placebo)""; ""Notes""; ""No Longer Normal: Critical Exchanges in the Landscape of Art""; ""Dinner""; ""Basketfill""; ""#criticalexchanges""; ""You�ve Got Form""; ""+1 Add Friend""; ""Horizon""; ""Notes""; ""I. From Markets to Lobbies: Considerations of Objects""; ""Sure, Everyone Might be an Artist""; ""Exchange�The “Other� Social Sculpture""; ""Hierarchy of Exchanges""; ""The Problematic Movement towards “Disinterested Exchange�""
Description / Table of Contents:
""The Power of the Object over the Person""""Notes""; ""Lunch Hour: Art, Community, Administered Space, and Unproductive Activity""; ""Notes""; ""Blows Against the Empire""; ""Welcome to the Machine""; ""Dimension 7""; ""Return the Gift""; ""Meanwhile, Downtown""; ""Where to Eat Cheaply in San Francisco""; ""The Hot Tub and the People�s Park""; ""Power in the Darkness""; ""What We Do Is Secret""; ""Notes""; ""How Do You Pin a Wave Upon the Sand?: An Interview with Cesare Pietroiusti""; ""Notes""; ""The Object of Exchange""; ""Notes""
Description / Table of Contents:
""How Free Is Free?: Property, Markets, and the Aesthetic(S) of the Common(s)""""Introduction""; ""Coloniality""; ""The Origins of Capitalism and the Early Transition to Capitalist Subjectivity""; ""Aesthetic Alienation and Subjectivity""; ""Commodity Aesthetics, Industrial Fordism, and Post-Fordism""; ""The Aesthetic(s) of the Common(s)""; ""Notes""; ""II. The Handbook for Critical Exchanges in Recent Art""; ""Part One: Artists� Projects""; ""Introductory Remarks""; ""Project Histories""; ""1 Euro Blinky Market (2006) Surasi Kusolwong""; ""Any Wednesday (1993�Present) Diana Mars""
Description / Table of Contents:
""Art and Cold Cash (2004�2007) Art and Cold Cash Collective""""Barter (2007) SOSka Group""; ""Beautiful City (2007) Maria Pask""; ""The Black Factory (2004�Present) William Pope.L""; ""Border Farm (2011) Thenjiwe Nkosi, Meza Weza, and the Dulibadzimu Theatre Group""; ""Bremen Postcards (2005) Aleksandra Mir""; ""City Council Meeting (2012�Present) Aaron Landsman""; ""Clothing Project (2003) It can Change""; ""Compagnie de Compagnie (1998) Alicia Framis""; ""Day to Day (2002) Carolina Caycedo""; ""Edible Estates (2005�Present) Fritz Haeg""; ""Enlarged Clothing (2005) Matei Bejenaru""
Description / Table of Contents:
""Everything is Contestable (2006) Ashok Sukumaran""""Flood: A Volunteer Network for Active Participation in Healthcare (1992) Haha""; ""Foreigners Free (1997�2001) Jens Haaning""; ""Free Basin (2000) Simparch""; ""Free Beer (1999) Guy Overfelt""; ""Free for All (2000) Temporary Services""; ""Free Fruit/Fruta Gratis (2001�2006) Pamela Bolton and Cindy Cleary""; ""Ive More than You Take (2010) Pratchaya Printhong""; ""Haircuts by Children (2006�Present) Mammalian Diving Reflex""; ""Hamdallaye Project (1998�2002) Huit Facettes""; ""The Hillman City Freemobile (2003) Jon Rubin""
Description / Table of Contents:
""Ice: Central China (1996) Wang Jin""
Note:
Description based upon print version of record
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