ISBN:
9780231164788
Language:
English
Pages:
Online-Ressource (337 p)
Edition:
Online-Ausg. 2013
Series Statement:
Columbia themes in philosophy, social criticism, and the arts
Parallel Title:
Print version Crowds and Democracy
DDC:
306.20943/09041
Keywords:
Electronic books
;
Online-Publikation
Abstract:
Between 1918 and 1933, the masses became a decisive preoccupation of European culture, fueling modernist movements in art, literature, architecture, theater, and cinema, as well as the rise of communism, fascism, and experiments in radical democracy. Spanning aesthetics, cultural studies, intellectual history, and political theory, this volume unpacks the significance of the shadow agent known as ?the mass" during a critical period in European history. It follows its evolution into the preferred conceptual tool for social scientists, the ideal slogan for politicians, and the chosen image
Description / Table of Contents:
Table of Contents; List of Illustrations; Preface; 1. INTRODUCING THE MASSES: Vienna, 15 July 1927; 1. Shooting Psychosis; 2 Not a Word About the Bastille; 3. Explaining the Crowd; 4. Representing Social Passions; 5. A Work of Madness; 6. Invincibles; 7. Mirror for Princes; 8. Workers on the Run; 9. Lashing; 2. AUTHORITY VERSUS ANARCHY: Allegories of the Mass in Sociology and Literature; 10. The Missing Chapter; 11. George Simmel's Masses; 12. In Metropolis; 13. The Architecture of Society; 14. Steak Tartare; 15. Delta Formations; 16. Alarm Bells of History; 17. Sleepwalkers; 18. I Am Mass
Description / Table of Contents:
19. Rilke in the Revolution3. THE REVOLVING NATURE OF THE SOCIAL: Primal Hordes and Crowds Without Qualities; 20. Sigmund Freud Between Individual and Society; 21. Masses Inside; 22. In Love With Many; 23. Primal Hordes; 24. Masses and Myths; 25. The Destruction of the Person; 26. The Flaneur - Medium of Modernity; 27. Ornaments of the People; 28. Beyond the Bourgeoisie; 29. Shapeless Lives; 30. Organizing the Passions; 4. COLLECTIVE VISION: A Matrix for New Art and Politics; 31. Mass Psychosis and Photoplastics; 32. Johanna in the Revolution; 33. A Socialist Eye
Description / Table of Contents:
34. The Secret Code of the Nineteenth Century35. Speaking Commodities; 36. Deus Ex Machina; 37. Democracy's Veil; 38. The Face of the Masses; 39. Learning to Hold a Camera; 40. The Gaze of the Masses; 41. Total Theater; 5. Coda: Remnants of Weimar; Notes; Index
Note:
Description based upon print version of record
URL:
http://dx.doi.org/10.7312/columbia/9780231164788.001.0001
URL:
http://www.degruyter.com/doi/book/10.7312/jons16478
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