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  • HeBIS  (300)
  • Bayreuth UB  (188)
  • MARKK  (3)
  • Schwarze  (264)
  • Electronic books
  • Migration
  • Musicology  (430)
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Material
Language
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  • 1
    Online Resource
    Online Resource
    München : C.H. Beck | Ann Arbor, Michigan : ProQuest
    ISBN: 9783406804182
    Language: German
    Pages: 1 Online-Ressource (378 pages)
    Edition: 1st ed.
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    Keywords: Bildband ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 2
    Online Resource
    Online Resource
    New York : Routledge | Ann Arbor, Michigan : ProQuest
    ISBN: 9781000784671
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Routledge music companions
    DDC: 780.89
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    Keywords: Musikethnologie ; Feldforschung ; Wissenschaftsethik ; Aufsatzsammlung ; Electronic books
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Brill | The Hague : OAPEN FOUNDATION
    ISBN: 9789004542723 , 9789004542716
    Language: English
    DDC: 306.48420943
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    Keywords: Modern history to 20th century: c 1700 to c 1900 ; Classical Music ; German Empire ; German History ; Migration ; Music ; Musicians ; National Socialism ; Professionalization ; Weimar Republic ; World War I ; World War II ; World War 1 ; World War 2
    Abstract: Germany is considered a lauded land of music: outstanding composers, celebrated performers and famous orchestras exert great international appeal. Since the 19th century, the foundation of this reputation has been the broad mass of musicians who sat in orchestra pits, played in ensembles for dances or provided the musical background in silent movie theatres. Martin Rempe traces their lives and working worlds, including their struggle for economic improvement and societal recognition. His detailed portrait of the profession 'from below' sheds new light on German musical life in the modern era.
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  • 4
    Online Resource
    Online Resource
    Madison : University of Wisconsin Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780299340339
    Language: English
    Pages: 1 Online-Ressource (216 pages)
    Edition: 1st ed.
    DDC: 306.484609675112
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    Keywords: Rumba ; Tänzerin ; Geschlechterrolle ; Demokratische Republik Kongo ; Kinshasa ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 5
    Online Resource
    Online Resource
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780197555200
    Language: English
    Pages: 1 Online-Ressource (193 pages)
    Series Statement: Oxford Theory in Ethnomusicology Series
    DDC: 306.4842
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    Keywords: Electronic books
    Abstract: In Music and Citizenship, author Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity.
    Note: Description based on publisher supplied metadata and other sources
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  • 6
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478024040
    Language: English
    Pages: 1 online resource (153 pages)
    Edition: 1st ed.
    Series Statement: Practices Ser.
    Parallel Title: Erscheint auch als
    DDC: 306.109747
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    Keywords: Electronic books
    Abstract: McKenzie Wark takes readers into the undisclosed locations of New York's thriving queer rave scene, showing how raving to techno is an art and technique at which queer and trans bodies might be particularly adept, but which is for anyone who lets the beat seduce them.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
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  • 7
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 8
    Online Resource
    Online Resource
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    ISBN: 9781501383441
    Language: English
    Pages: 1 Online-Ressource (195 pages)
    Series Statement: Genre: a 33 1/3 Series
    DDC: 781.630968
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    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 9
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252053221
    Language: English
    Pages: 1 Online-Ressource (x, 268 pages) , Illustrations (black and white).
    Series Statement: Music in American life
    Series Statement: Illinois scholarship online
    DDC: 781.642
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    Keywords: Countrymusic ; Queer-Theorie ; Country music History and criticism ; Gender identity in music ; Gay musicians ; Transgender musicians ; Electronic books
    Abstract: Though frequently ignored by the music mainstream, queer and transgender country and Americana artists have made essential contributions as musicians, performers, songwriters, and producers. 'Queer Country' blends ethnographic research with analysis and history to provide an i-depth study of these artists and their work. Shana Goldin-Perschbacher delves into the careers of well-known lesbian artists like k.d. lang and Amy Ray and examines the unlikely success of singer-songwriter Patrick Haggerty, who found fame forty years after releasing the first out gay country album. She also focuses on later figures like nonbinary transgender musician Rae Spoon and renowned drag queen country artist Trixie Mattel; and on recent breakthrough artists like Orville Peck, Amythyst Kiah, and chart-topping Grammy-winning phenomenon Lil Nas X.
    Note: Also issued in print: 2022 , Includes bibliographical references, discography, filmography and index
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  • 10
    Online Resource
    Online Resource
    Newcastle-upon-Tyne : Cambridge Scholars Publishing | Ann Arbor, Michigan : ProQuest
    ISBN: 9781527581234
    Language: English
    Pages: 1 Online-Ressource
    Edition: 2nd Edition
    Parallel Title: Erscheint auch als Abecassis, Michaël An Anthology of French and Francophone Singers, from a to Z, 2nd Edition
    DDC: 782.420944
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    Keywords: Geschichte ; Sänger ; Sängerin ; Französisches Sprachgebiet ; Biografie ; Electronic books
    Abstract: French song is a vector of cultural, social, and stylistic values. Throughout the world, songs in the French language are used in the teaching of French: professors incorporate songs into the curriculum in order to illustrate differences of register and linguistic variation, as well as to raise lexical or grammatical questions. Every musical form has had an impact on the linguistic practices of our society. As a form of popular expression, song is a genre that has, in recent years, become the focus of serious academic scholarship and criticism. However, few linguists have paid attention to Fre
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  • 11
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781496839190
    Language: English
    Pages: 1 Online-Ressource (314 pages)
    Series Statement: American Made Music Ser.
    DDC: 780.266
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    Keywords: Rounder Records ; Musiker ; Musikproduktion ; USA Südstaaten ; Electronic books
    Abstract: A firsthand remembrance of the artists, engineers, crews, and settings that make roots music magical.
    Note: Description based on publisher supplied metadata and other sources
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  • 12
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Leonard Hastings Schoff Lectures
    DDC: 781.650973
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    Keywords: Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Abstract: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
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  • 13
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501379291 , 9781501379338
    Language: English
    Pages: 140 Seiten
    Parallel Title: Online version Campbell, Mark V. Afrosonic life
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    Keywords: Ausdruck ; Musik ; Klang ; Schwarze ; Popular music / African influences ; Black people / Music / History and criticism ; Turntablism ; Remixes / History and criticism ; Musique populaire / Influence africaine ; Noirs / Musique / Histoire et critique ; Platinisme ; Remix / Histoire et critique ; Black people / Music ; Popular music / African influences ; Remixes ; Turntablism ; Criticism, interpretation, etc ; Schwarze ; Musik ; Klang ; Ausdruck
    Abstract: "Explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery"--
    Description / Table of Contents: Soundman/Sound System (S.W. rmx) -- Turning the Tables -- Riddim Science : On Living Hip-Hop's Sonic Innovations -- Dubbing the Remix and Its Uses -- Conclusion. Come Rewind : We were the 1st Robots
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 14
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
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    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 15
    Online Resource
    Online Resource
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    ISBN: 9781501374739
    Language: English
    Pages: 1 Online-Ressource (305 pages)
    DDC: 781.63092
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    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 16
    Online Resource
    Online Resource
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780197551875
    Language: English
    Pages: 1 Online-Ressource (xx, 533 Seiten) , Illustrationen
    Series Statement: New Cultural History of Music
    DDC: 306.4842094
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    Keywords: Musik ; Ballade ; Todesstrafe ; Hinrichtung ; Nachricht ; Music-Social aspects ; Death songs ; Europa ; Electronic books
    Abstract: Author Una McIlvenna brings the execution ballad to life in Singing the News of Death, uncovering the relationship between punishment and music throughout Europe from 1500-1900 with an unprecedented breadth of study and ambition.
    Note: Description based on publisher supplied metadata and other sources , Literaturverzeichnis Seite 459-504
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  • 17
    ISBN: 9781003043478 , 9781000574746 , 9781000574791
    Language: English
    Pages: 1 Online-Ressource (xxxi, 516 Seiten)
    Series Statement: SOAS studies in music
    DDC: 306.4/842
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    Keywords: Music Social aspects ; Music Political aspects ; Human rights ; Music and state ; Electronic books
    Abstract: The Routledge Companion to Music and Human Rights is a collection of case studies spanning a wide range of concerns about music and human rights in response to intensifying challenges to the well-being of individuals, peoples, and the planet. It brings forward the expertise of academic researchers, lawyers, human rights practitioners, and performing musicians who offer critical reflection on how their work might identify, inform, or advance mutual interests in their respective fields. The book is comprised of 28 chapters, interspersed with 23 voices' - portraits that focus on individuals' intimate experiences with music in the defence or advancement of human rights - and explores the following four themes: 1) Fundamentals on music and human rights; 2) Music in pursuit of human rights; 3) Music as a means of violating human rights; 4) Human rights and music: intrinsic resonances
    Note: Includes bibliographical references and index
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  • 18
    Online Resource
    Online Resource
    Cham : Springer International Publishing AG | Ann Arbor, Michigan : ProQuest
    ISBN: 9783031164668
    Language: English
    Pages: 1 Online-Ressource (213 pages)
    Edition: 1st ed.
    DDC: 781.64159
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    Keywords: Popular music ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 19
    ISBN: 9781644698952
    Language: English
    Pages: 1 Online-Ressource (362 p.)
    Series Statement: Studies in the History and Sociology of Music
    DDC: 306.484209479
    RVK:
    Keywords: Electronic books ; Konferenzschrift 2020 ; Konferenzschrift 2020
    Abstract: This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
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    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
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  • 21
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
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    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 22
    Online Resource
    Online Resource
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    ISBN: 9781501366383
    Language: English
    Pages: 1 Online-Ressource (305 pages)
    DDC: 781.648
    RVK:
    Keywords: Elektronische Musik ; Techno ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 23
    Online Resource
    Online Resource
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    ISBN: 9781501362804
    Language: English
    Pages: 1 Online-Ressource (281 pages)
    DDC: 782.421660922
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    Keywords: Pearl Jam ; Grungerock ; Aufsatzsammlung ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 24
    Online Resource
    Online Resource
    Cham : Springer International Publishing AG | Ann Arbor, Michigan : ProQuest
    ISBN: 9783030749033
    Language: English
    Pages: 1 Online-Ressource (135 pages)
    DDC: 782.421649
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    Keywords: Rap (Music)-History and criticism ; Hip-hop-History ; Rap (Music)-Philosophy and aesthetics ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 25
    ISBN: 9781912685806
    Language: English
    Pages: 1 Online-Ressource (171 Seiten) , Illustrationen
    Series Statement: Sonics series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 2000-2015 ; Musik ; Musikethnologie ; Schwarze ; Musik ; Schwarze ; Musikethnologie ; Geschichte 2000-2015
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 26
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Resling | Berlin : Walter de Gruyter GmbH
    ISBN: 9783110723168
    Language: English
    Pages: 1 Online-Ressource (VI, 273 p.)
    Edition: 2021
    RVK:
    Keywords: Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; Amerikanische Musik ; Ethnizität ; Juden ; Musikindustrie ; HISTORY / General ; USA ; African-American ; American Music ; Civil Rights history ; Ethnicity ; Hegemony ; Jews ; Music industry ; New Left ; Old Left ; Semiotics ; WASP
    Abstract: Stairway to Paradise reveals how American Jewish entrepreneurs, musicians, and performers influenced American popular music from the late nineteenth century till the mid-1960s. From blackface minstrelsy, ragtime, blues, jazz, and Broadway musicals, ending with folk and rock 'n' roll. The book follows the writers and artists' real and imaginative relationship with African-American culture's charisma. Stairway to Paradise discusses the artistic and occasionally ideological dialogue that these artists, writers, and entrepreneurs had with African-American artists and culture. Tracing Jewish immigration to the United States and the entry of Jews into the entertainment and cultural industry, the book allocates extensive space to the charged connection between music and politics as reflected in the Jewish-Black Alliance - both in the struggle for social justice and in the music field. It reveals Jewish success in the music industry and the unique and sometimes problematic relationships that characterized this process, as their dominance in this field became a source of blame for exploiting African-American artistic and human capital. Alongside this, the book shows how black-Jewish cooperation, and its fragile alliance, played a role in the hegemonic conflicts involving American culture during the 20th century. Unintentionally, it influenced the process of decline of the influence of the WASP elite during the 1960s. Stairway to Paradise fuses American history and musicology with cultural studies theories. This inter-disciplinary approach regarding race, class, and ethnicity offers an alternative view of more traditional notions regarding understanding American music's evolution.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
    URL: Cover
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  • 27
    Online Resource
    Online Resource
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    ISBN: 9781501368912
    Language: English
    Pages: 1 Online-Ressource (275 pages)
    DDC: 781.63074
    RVK:
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    Keywords: Popmusik ; Museum ; Kommerzialisierung ; Neoliberalismus ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 28
    Online Resource
    Online Resource
    London : I. B. Tauris & Company | Ann Arbor, Michigan : ProQuest
    ISBN: 9780755617890
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    Series Statement: Early and Medieval Islamic World Ser.
    DDC: 780.917670902
    RVK:
    Keywords: Islam ; Musikleben ; Musiker ; Naher Osten ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 29
    ISBN: 9783631835487
    Language: German
    Pages: 1 Online-Ressource (240 pages)
    Series Statement: Juedische Musikstudien. Jewish Music Studies v.2
    RVK:
    Keywords: Juden ; Musik ; Kulturerbe ; Kollektives Gedächtnis ; Diskurs ; Nachhaltigkeit ; Europa ; Aufsatzsammlung ; Electronic books
    Abstract: Problematisierung kultureller Aneignung ,,jüdischen Kulturerbes" nach 1945. Kritik an Diskursen und Praktiken zu jüdischem Kulturerbe Musik vor dem Hintergrund aktueller Debatten um kulturelle Nachhaltigkeit. Diskussion innerjüdischer Nachhaltigkeitskonzepte als Denkanstoß für einen zukunftsorientierten Umgang mit jüdischem Musik-/Kulturerbe.
    Note: Description based on publisher supplied metadata and other sources
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  • 30
    ISBN: 9781496832108 , 9781496832115
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele , 23 cm
    Edition: First printing
    DDC: 781.6508996073
    RVK:
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    Keywords: Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; USA
    Abstract: In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.
    Note: Literaturangaben
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  • 31
    Online Resource
    Online Resource
    London : Bloomsbury Publishing Plc | Ann Arbor, Michigan : ProQuest
    ISBN: 9781350107458
    Language: English
    Pages: 1 Online-Ressource (277 pages)
    DDC: 782.421660922
    RVK:
    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 32
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Language: English
    Pages: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.4216213073
    RVK:
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 33
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252053122
    Language: English
    Pages: 1 Online-Ressource (227 pages)
    Series Statement: Music in American Life Ser.
    DDC: 781.6609753
    RVK:
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    Keywords: Geschichte 1978-1983 ; Hardcore ; Punk ; Washington, DC ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 34
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252052811
    Language: English
    Pages: 1 Online-Ressource (299 pages)
    Series Statement: Music in American Life Ser. v.1
    DDC: 781.640973
    RVK:
    Keywords: Musik ; Countrymusic ; Rock 'n' Roll ; Soul ; Blues ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 35
    Online Resource
    Online Resource
    Austin : University of Texas Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781477323946
    Language: English
    Pages: 1 Online-Ressource (358 pages)
    Series Statement: American Music Ser.
    DDC: 782.421649
    RVK:
    Keywords: Geschichte 1986-1996 ; Gangsta-Rap ; Fernsehsendung ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 36
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Language: English
    Pages: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Series Statement: Mississippi scholarship online
    DDC: 781.6508996073
    RVK:
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    Keywords: Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Abstract: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 37
    ISBN: 9783534403059
    Language: German
    Pages: 1 online resource (149 pages)
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Keywords: Electronic books ; Electronic books
    Abstract: Cover -- Titel -- Impressum -- Inhalt -- Vorwort -- Wolfgang Schild - Einführung zum Symposium -- Markus Hirte - Mordballaden: Vom Schinderhannes zu Rammstein und Nick Cave -- A. Der Bänkelsang als Kunstform -- B. Die Moritat -- C. Die Transformation der Moritat bei Bertolt Brecht -- D. Rammstein und das Album „Liebe ist für alle da" (2009) -- E. Nick Cave and the Bad Seeds und das Album „Murder Ballads" (1996) -- F. Zusammenfassung -- Florian Knauer - Völkerstrafrecht und Musik -- A. Einführung -- B. Bisheriger Forschungsstand -- C. Eigene Erhebung -- D. Zusammenfassung -- Wolfgang Schild - Musikalischer Hexensabbat -- A. „Uneigentliche" musikalische Hexensabbate -- B. „Wirkliche" musikalische Hexensabbate -- Die Autoren -- Back Cover.
    Note: Description based on publisher supplied metadata and other sources
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  • 38
    ISBN: 9780197549568 , 9780197549551
    Language: English
    Pages: XI, 304 Seiten , Illustrationen, Diagramme, Notenbeispiele (schwarz-weiß)
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 781.6296081/42
    RVK:
    Keywords: Afrikanischer Einwanderer ; Identität ; Musik ; Musiksoziologie ; Schwarze ; Bahia ; Music / Brazil / Bahia (State) / History and criticism ; Music / Brazil / Bahia (State) / African influences ; Blacks / Brazil / Bahia (State) / Music / History and criticism ; Blacks ; Music ; Music / African influences ; Brazil / Bahia (State) ; Criticism, interpretation, etc ; Music ; Bahia ; Schwarze ; Musik ; Identität ; Bahia ; Afrikanischer Einwanderer ; Musiksoziologie
    Abstract: "This book discusses how musicians from Bahia, an emblematic African diasporic location in northeastern Brazil, think about, discuss, compose, rehearse, perform, and stage music inspired by what they perceive to be their own African ancestry. It argues that these musicians assert Afro-Brazilian identities and connect to the African continent and other diasporic places by creatively engaging essentialized notions about African music and culture: instead of mechanically reproducing these tropes, they emphasize them or downplay them. The book theorizes these preconceived notions about African music, culture, and performance as tropes of Africanness, emphasizing that they exist in two interrelated realms: as essentialist ideas in discourse and as concrete practices and sounds. Six commonly encountered tropes of African music are analyzed: the notions that its most important parameter is rhythm and that it is dominated by percussion; that it is meant to be danced to or deeply embodied rather than intellectualized; that it always touches on the sacred; that it is spontaneous and improvisatory; and that it reflects communalism rather than individualism. Through four case studies from Bahia (a jazz big band called Orkestra Rumpilezz, a symphony orchestra called the Orquestra Afrosinfônica, and two berimbau orchestras led by capoeira practitioners), the book demonstrates the nuances of musical creation in the African diaspora, acknowledging the genuine impact that essentialisms have on Bahian music while showing that they may not be an essential part of the musicians' African roots"--
    Description / Table of Contents: Bahia as an Epicenter of African Diasporic Culture -- Redeeming the Study of African Essentialism -- Orkestra Rumpilezz : A Big Band Playing Percussion -- Orkestra Rumpilezz : Complications of African Rhythm -- Orquestra Afrosinfônica : The Africanization of Erudite Music -- The Nzinga Berimbau Orchestra : Performances of Bantu Heritage -- The Tuned Berimbaus of OBADX : Melodic Performances of Africanness
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  • 39
    ISBN: 9783110723120
    Language: English
    Pages: VIII, 272 Seiten
    Uniform Title: Madregot le-gan ʿEden
    Parallel Title: Erscheint auch als Stairway to Paradise
    Parallel Title: Erscheint auch als
    DDC: 781.64089924073
    RVK:
    Keywords: Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; USA
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  • 40
    Online Resource
    Online Resource
    Wiesbaden : Harrassowitz Verlag | Ann Arbor, Michigan : ProQuest
    ISBN: 9783447391801
    Language: German
    Pages: 1 Online-Ressource (VI, 464 Seiten) , Illustrationen
    Series Statement: Kulturwissenschaftliche Japanstudien Band 11
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität zu Köln 2020
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    Keywords: Geschichte 1955-2005 ; Japanisch ; Literatur ; Popmusik ; Intermedialität ; Hochschulschrift ; Electronic books
    Note: Quellen- und Literaturverzeichnis Seite [403]-464
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  • 41
    ISBN: 9781478021391
    Language: English
    Pages: 1 Online-Ressource (552 p.)
    Series Statement: Refiguring American Music : 25
    DDC: 782.421640973
    RVK:
    Keywords: Volksmusik ; Popmusik ; USA ; Electronic books
    Abstract: In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre-cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 42
    Online Resource
    Online Resource
    Middletown, CT. 06459 : Wesleyan University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780819578969
    Language: English
    Pages: 1 Online-Ressource (417 pages)
    RVK:
    Keywords: Geschichte 1900-1997 ; Rockmusik ; Rhythm and Blues ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 43
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | Ann Arbor, Michigan : ProQuest
    ISBN: 9781501330476 , 9781501330469
    Language: English
    Pages: 1 Online-Ressource (xvii, 636 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.66
    RVK:
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    Keywords: Rockmusik ; Forschung ; Electronic books
    Abstract: Cover -- Contents -- List of Figures -- List of Tables -- Notes on Contributors -- Acknowledgments -- 1 Introduction: Rock Music's Emergence, Censorship, and Perceived Death Paul Carr and Allan Moore -- 2 Rock Historiography: Music, Artists, Perspectives, and Value John Covach -- 3 Serious Writing about Rock Sarah Hill -- 4 The Definition of "Rock" and Stylistic Overlaps Taylor Myers and Brad Osborn -- Part I Practice, Analysis, and Recording -- 5 Rock Voice Katherine Meizel -- 6 "The Rock Instrumentarium" Steve Waksman -- 7 Analyzing and Interpreting Song Forms Ralf von Appen -- 8 Convention and Invention in Harmonic and Melodic Theories for Rock Music Brett Clement -- 9 Rhythmic and Metric Theorization in Rock Music Nicole Biamonte -- 10 Computational Musicology in Rock Trevor de Clercq -- 11 Function and Construction of Rock Lyrics Dai Griffiths -- 12 Rock Music Engineering and Production Samantha Bennett -- 13 Sonic Space and Texture in Rock Olivier Julien -- Part II Rock Theories -- 14 Authenticity, Creativity, Originality Theodore Gracyk -- 15 Categorization: Genre, Style, Idiolect, and Beyond Nick Braae -- 16 Personas in Rock: "We Will, We Will Rock You" Stan Hawkins -- 17 Rock Hermeneutics Katherine Reed -- 18 Narrativity and Rock Music Alexander C. Harden -- 19 Sliding Scales and Slippery Slopes: Representations of Autonomy and Mediation in the "Radial Mainstream" of UK-Based Pop/Rock Damon Minchella -- Part III Rock Environments -- 20 Studio Practice and Organization in Rock Music Simon Zagorski-Thomas -- 21 Rock Music Pedagogy in the UK and USA: Ignorance or Elitism? Paul Carr -- 22 The Rock Press Paula Hearsum and Martin James -- 23 Rock and Time-Based Visual Media Laura Niebling -- 24 Rock in Time-Based Events Andrew Blake -- 25 Rock Live Performance Sergio Pisfil -- 26 Marketing and Commodification of Rock Roy Shuker
    Note: Literaturverzeichnis: Seite 507-612
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  • 44
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Focal Press | Sebastopol, CA : O'Reilly Media Inc.
    ISBN: 9781351137089
    Language: English
    Pages: 1 Online-Ressource (168 pages)
    Edition: 1st edition
    RVK:
    Keywords: Rockmusik ; Cloud Computing ; Musikproduktion ; Synthesizermusik ; Electronic books
    Abstract: Cloud-Based Music Production: Samples, Synthesis, and Hip-Hop presents a discussion on cloud-based music-making procedures and the musical competencies required to make hip-hop beats. By investigating how hip-hop producers make music using cloud-based music production libraries, this book reveals how those services impact music production en masse . Cloud-Based Music Production takes the reader through the creation of hip-hop beats from start to finish - from selecting samples and synthesizer presets to foundational mixing practices - and includes analysis and discussion of how various samples and synthesizers work together within an arrangement. Through case studies and online audio examples, Shelvock explains how music producers directly modify the sonic characteristics of hip-hop sounds to suit their tastes and elucidates the psychoacoustic and perceptual impact of these aesthetically nuanced music production tasks. Cloud-Based Music Production will be of interest to musicians, producers, mixers and engineers and also provides essential supplementary reading for music technology courses.
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  • 45
    ISBN: 9783861356547 , 3861356546
    Language: German , Turkish
    Pages: 368 Seiten , Notenbeispiele , 24 cm, 780 g
    Series Statement: Intercultural music studies 23
    DDC: 780.89
    RVK:
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    Keywords: Geschichte 1930-2020 ; Musik ; Migration ; Kulturaustausch ; Interkulturalität ; Vielfalt ; Deutschland ; Türkei ; Konferenzschrift 2014
    Note: Vorlage: Beiträge aus dem gleichnamigen Symposium "Transfer und Diversität ...", 8.-11. Oktorber 2014, Humboldt-Universität Berlin in Kooperation mit dem Center for Advanced Studies in Musik der Technischen Universität Istambul , Beiträge teilweise deutsch, teilweise türkisch; Zusammenfassungen in deutscher, türkischer und englischer Sprache
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  • 46
    Online Resource
    Online Resource
    New Brunswick : Rutgers University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780813574691
    Language: English
    Pages: 1 Online-Ressource (193 pages)
    DDC: 781.6409749
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    Keywords: Geschichte ; Unterhaltungsmusik ; Jazz ; Musikleben ; Musikproduktion ; Popular music-New Jersey-History and criticism ; Sound recording industry-New Jersey-History ; New Jersey ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 47
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Language: English
    Pages: xiv, 392 Seiten
    Series Statement: Refiguring american music
    Parallel Title: Online version Mahon, Maureen Black diamond queens
    RVK:
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    Keywords: Schwarze ; Frau ; Rockmusik ; USA
    Abstract: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Note: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
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  • 48
    Book
    Book
    Amherst : University of Massachusetts Press
    ISBN: 9781625345141 , 9781625345158
    Language: English
    Pages: xi, 227 Seiten , 24 cm
    Series Statement: African American intellectual history
    DDC: 780.8996073
    RVK:
    Keywords: Baraka, Amiri ; Geschichte 1960- ; Schwarze ; Afroamerikanische Musik ; Soziale Identität ; Black arts movement ; USA
    Abstract: Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological development of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called the urban crisis" and a projection of a liberated black future beyond that crisis.
    Note: Literaturangaben
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  • 49
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226653174
    Language: English
    Pages: 1 Online-Ressource (272 pages) , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
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    Keywords: Soulmusiker ; Soul ; Schwarze ; Soul music History and criticism ; Soul music Social aspects ; Soul music Political aspects ; Soul musicians ; African Americans Music ; History and criticism ; Chicago, Ill.
    Abstract: Chicago's place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like 'We're a Winner' and 'I Plan to Stay a Believer.' Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 50
    ISBN: 9780429817229 , 0429817223 , 9780429445149 , 0429445148 , 9780429817205 , 0429817207 , 9780429817212 , 0429817215
    Language: English
    Pages: 1 online resource (vi, 185 pages)
    Series Statement: Routledge studies in popular music
    Series Statement: Routledge studies in popular music
    DDC: 782.421660922
    RVK:
    Keywords: Radiohead (Musical group) / Criticism and interpretation ; Rock music / England / History and criticism ; Popular music genres ; Electronic books
    Abstract: Radiohead and the Journey Beyond Genre traces the uses and transgressions of genre in the music of Radiohead and studies the band's varied reception in online and offline media. Radiohead's work combines traditional rock sounds with a unique and experimental approach towards genre that sets the band apart from the contemporary mainstream. A play with diverse styles and audience expectations has shaped Radiohead's musical output and opened up debates about genre amongst critics, fans, and academics alike. Interpretations speak of a music that is referential of the past but also alludes to the future. Applying both music- and discourse-analytical methods, the book discusses how genre manifests in Radiohead's work and how it is interpreted amongst different audience groups. It explores how genre and generic flexibility affect the listeners' search for musical meaning and ways of discussion. This results in the development of a theoretical framework for the study of genre in individual popular music oeuvres that explores the equal validity of widely differing forms of reception as a multidimensional network of meaning. While Radiohead's music is the product of an eclectic mixture of musical influences and styles, the book also shows how the band's experimental stance has increasingly fostered debates about Radiohead's generic novelty and independence. It asks what remains of genre in light of its past or imminent transgression. Offering new perspectives on popular music genre, transgression, and the music and reception of Radiohead, the book will appeal to academics, students, and those interested in Radiohead and matters of genre. It contributes to scholarship in musicology, popular music, media, and cultural studies
    URL: Volltext  (URL des Erstveroeffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 51
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012771 , 1478012773
    Language: English
    Pages: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 782.421660820973
    RVK:
    RVK:
    Keywords: Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Abstract: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 52
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839454763
    Language: German
    Pages: 1 Online-Ressource (235 pages)
    Edition: 1st ed.
    Series Statement: Kultur und Soziale Praxis Series
    RVK:
    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Deutschland ; Hochschulschrift ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 53
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839454763
    Language: German
    Pages: 1 Online-Ressource (234 Seiten)
    Series Statement: Kultur und soziale Praxis
    RVK:
    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Alevis ; Aleviten ; Cultural Anthropology ; Cultural Studies ; Kulturanthropologie ; Kurden ; Kurds ; Migration ; Music ; Musicology ; Musik ; Musikwissenschaft ; Politics ; Politik ; Protest Music ; Protestmusik ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: In Deutschland leben zahlreiche Musiker*innen aus der Türkei, die in ihrem Herkunftsland aus politischen Gründen nicht uneingeschränkt leben und musizieren könnten. Sie verließen die Türkei aufgrund des Militärputsches von 1980, der Diskriminierung ihrer kurdischen und/oder alevitischen Identität oder des gescheiterten Gezi-Protests und erneuter Einschränkungen von Minderheitsgruppierungen im Musikleben. Kirsten Seidlitz untersucht, wie sie von Deutschland aus mit ihrem musikalischen Schaffen politisch kommentieren, inwiefern die deutsche Gesellschaft mit Musik erreicht, aufgeklärt und beeinflusst werden kann, und ob die in Deutschland produzierte Musik zurück in die Türkei gelangt.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
    URL: Cover
    URL: Volltext  (kostenfrei)
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  • 54
    ISBN: 9781526131232 , 9781526131256
    Language: English
    Pages: xv, 271 Seiten, Seiten I-VIII , Illustrationen
    Series Statement: Music and society
    DDC: 781.64089960421
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    Keywords: Schwarze ; Musikleben ; Sozialer Wandel ; London
    Note: Literaturverzeichnis Seite 248-263
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  • 55
    Online Resource
    Online Resource
    Seattle : University of Washington Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780295747835
    Language: English
    Pages: 1 Online-Ressource (322 pages)
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    Keywords: Hip-Hop ; Musikleben ; Seattle, Wash. ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 56
    Online Resource
    Online Resource
    Berkeley, CA : University of California Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780520972032
    Language: English
    Pages: 1 Online-Ressource (288 p.)
    DDC: 780.955
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    Keywords: Musik ; Iran ; Electronic books
    Abstract: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Iran's particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran's national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region's political history.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)
    URL: Cover
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  • 57
    Online Resource
    Online Resource
    Manchester : Manchester University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781526131249
    Language: English
    Pages: 1 Online-Ressource (296 pages)
    Series Statement: Music and Society Ser.
    DDC: 781.64089960421
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    Keywords: Schwarze ; Musikleben ; Sozialer Wandel ; London
    Abstract: This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture.
    Note: Description based on publisher supplied metadata and other sources
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  • 58
    Online Resource
    Online Resource
    Prague : Karolinum Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9788024643397
    Language: Czech
    Pages: 1 Online-Ressource (216 pages)
    DDC: 780.07
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    Keywords: Geschichte 1980-1990 ; Alternative Rock ; Jazz ; Experimentelle Musik ; Music-Social aspects-Czech Republic ; Tschechien ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 59
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 9781501333323
    Language: English
    Pages: 148 Seiten
    Series Statement: 33 1/3
    DDC: 782.42162130092
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    Keywords: Odetta ; Geschichte 1963 ; Sängerin ; Schwarze ; Musikalbum ; Bürgerrechtsbewegung ; USA
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  • 60
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan
    ISBN: 9783030042813
    Language: English
    Pages: 1 Online-Ressource (165 Seiten)
    Series Statement: Palgrave Studies in Audio-Visual Culture
    Parallel Title: Erscheint auch als Ivănescu, Andra Popular music in the nostalgia video game
    DDC: 791.43
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    Keywords: Nostalgia in literature ; Electronic books
    Abstract: Intro -- Acknowledgements -- Contents -- About the Author -- Chapter 1 The Ghosts of Popular Music Past and Video Games Future -- 1.1 Introduction: Flappers in Rapture -- 1.2 Semiotic Ghosts -- 1.3 Appropriated Music -- 1.4 Nostalgia: The Land of Constant Return -- 1.5 Video Game Nostalgia -- 1.6 The Nostalgia Game -- 1.7 Nostalgia, Appropriated Music and Video Games -- 1.8 Appropriated Music and the Nostalgia Game -- References -- Chapter 2 Games on Media: Beyond Remediation -- 2.1 Games on Games -- 2.1.1 Evoland as Playable Game History -- 2.1.2 Evoland 2: Taking It Further -- 2.1.3 Player as Media Archaeologist -- 2.2 Games on Film -- 2.2.1 L.A. Noir -- 2.2.2 Immediacy/Hypermediacy, Real/Hyperreal -- 2.2.3 La Musique Noir -- 2.2.4 La Musique Fatale -- 2.2.5 La Musique Prêtée -- 2.2.6 La Musique Nostalgique -- 2.3 Canon Fodder -- 2.3.1 Miami Vice City and the American Dream -- 2.3.2 A Media History of Violence -- 2.3.3 Musical Vices -- 2.3.4 Canon Fodder -- 2.4 Conclusions: Remediation Is the Message -- References -- Chapter 3 Games on Society: Playable Anxieties -- 3.1 Games on Race -- 3.1.1 When Did You Meet Lincoln Clay? -- 3.1.2 Born on the Bayou -- 3.1.3 Sympathy for the Devil -- 3.1.4 The Sound of the Moment -- 3.1.5 The Sound of the Movement -- 3.1.6 Conclusions -- 3.2 Games on Gender -- 3.2.1 Cool Schmool -- 3.2.2 Oh the Horror! -- 3.2.3 The Grrrl's a Riot! -- 3.2.4 Intersectional Riot -- 3.2.5 The Twist Is There Is No Twist -- 3.3 Conclusions: Playable Anxieties -- References -- Chapter 4 Temporal Anomalies: Alternative Pasts and Alternative Futures -- 4.1 Nostalgia on Nostalgia -- 4.1.1 Maybe -- 4.1.2 The Wasteland -- 4.1.3 The Future That Never Was -- 4.1.4 No Future -- 4.1.5 Musical Fallout -- 4.1.6 Way Back Home -- 4.1.7 Love Me as Though There Were No Tomorrow.
    Note: Literaturangaben , Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 61
    Online Resource
    Online Resource
    College Station : Texas A&M University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781623496395
    Language: English
    Pages: 1 Online-Ressource (472 pages)
    Series Statement: John and Robin Dickson Series in Texas Music, sponsored by the Center for Texas Music History, Texas State University
    DDC: 781.64309764
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    Keywords: Geschichte ; Blues ; Blues (Music)-Texas-History and criticism ; Texas ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 62
    Online Resource
    Online Resource
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9781315544700 , 9781134830787 , 1134830785 , 1315544709
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.64/117
    RVK:
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    Keywords: Musikalische Analyse ; Unterhaltungsmusik ; Neue Musik ; Popular music / Analysis, appreciation ; Popular music / History and criticism ; Musical analysis ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Musikalische Analyse ; Unterhaltungsmusik ; Neue Musik
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Volltext  (URL des Erstveröffentlichers)
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  • 63
    Book
    Book
    Lanham : Lexington Books
    ISBN: 9781498530989
    Language: English
    Pages: ix, 245 Seiten , 24 cm
    DDC: 781.629697290243
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    Keywords: Geschichte 1945-1965 ; Schwarze ; Rhythm and Blues ; Calypso ; Schallaufzeichnung ; USA
    Note: Literaturverzeichnis: Seite 209-217
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  • 64
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469646510
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
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    Keywords: Broonzy, Big Bill ; Broonzy, Bill ; Schwarze ; Blues ; Ethnische Identität ; African American musicians Biography ; Blues musicians Biography ; Blues (Music) History and criticism ; Amerika ; Hochschulschrift
    Abstract: Over the course of his long career, legendary bluesman William 'Big Bill' Broonzy (1893-1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the north, to its eventual international acclaim. Through Broonzy's life and times, Kevin D. Greene assesses major themes and events in African American history.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 65
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478007371
    Language: English
    Pages: 1 online resource (257 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.4842
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    Keywords: Music-Social aspects-History-21st century ; Music ; Social aspects ; History ; 21st century ; Electronic books ; Electronic books
    Abstract: Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy.
    Abstract: Cover -- Contents -- Acknowledgments -- Introduction -- 1. Neoliberal Noise and the Biopolitics of (Un)Cool: Acoustic Resonance as Political Economy -- 2. Universal Envoicement: Acoustic Resonance as Political Ontology -- 3. Vibration and Diffraction: Acoustic Resonance as Materialist Ontology -- 4. Neoliberal Sophrosyne: Acoustic Resonance as Subjectivity and Personhood -- 5. Social Physics and Quantum Physics: Acoustic Resonance as the Model for a "Harmonious" World -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- V -- W.
    Note: Description based on publisher supplied metadata and other sources
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    URL: Cover
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  • 66
    ISBN: 9783839448496
    Language: German
    Pages: 1 Online-Ressource (353 Seiten)
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Stoffers, Nina, 1978 - Kulturelle Teilhabe durch Musik?
    Dissertation note: Dissertation Humboldt-Universität zu Berlin
    DDC: 306.4842
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    Keywords: Electronic books ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Musikerziehung ; Kulturpädagogik ; Teilhabe ; Außerschulische Jugendbildung ; Ethnosoziologie ; Multikulturelle Gesellschaft ; Gruppenarbeit ; Ausgrenzung
    Abstract: Die Idee kultureller Teilhabe wird in wissenschaftlichen und gesellschaftspolitischen Kontexten immer wichtiger - mit entsprechenden Hoffnungen verbunden ist dabei insbesondere die Förderung von benachteiligten Gruppen. Dem Diskurs inhärent ist jedoch, dass das Ziel kultureller Teilhabe in sein Gegenteil verkehrt werden und zu einer inkludierenden Exklusion führen kann. Nina Stoffers zeigt, wie dieses Spannungsverhältnis wechselseitig voneinander abhängiger Strategien des Empowerment und des Othering gerade in transkulturellen Musikprojekten mit Kindern und Jugendlichen austariert wird. Kulturelle Teilhabe wird dabei als diversitätssensible und rassismuskritische Praxis begreifbar
    Abstract: Frontmatter -- Inhalt -- Danksagung -- Teil I: Einleitung -- 1. Forschungshorizont -- 2. Forschungsperspektive -- 3. Aufbau -- Teil II: Theoretische Grundlagen -- 1. Kulturelle Bildung -- 2. Bedeutungsvarianten des Kulturbegriffs -- 3. Transkulturalität -- 4. Kulturelle Teilhabe -- Teil III: Methodik -- 1. Das Forschungsfeld und seine Erschließung -- 2. Standortgebundenheit, methodisch kontrolliertes Fremdverstehen und ethische Forschungshaltung -- 3. Erhebungsmethoden -- 4. Erhebung und Sampling -- 5. Auswertungsmethoden -- 6. Darstellung der Daten -- Teil IV: Transkulturelle Musikprojekte -- Einleitung -- A. Heimat re-invented (Köln) -- Steckbrief -- Übersicht der Szenen von Heimat re-invented -- 1. Selbst- und Fremdbild: (Re-)Präsentationen in Antrag, Homepage, Evaluation und Presse -- 2. Zur Relevanz der Dramaturgie: Wer hält die Fäden in der Hand? -- 3. Was wird aufgeführt und wer steht auf der Bühne? Zur Auswahl des Repertoires und der Teilnehmenden -- 4. Kostüme und Requisiten -- 5. Wer arbeitet wie? Die Arbeitsweisen der künstlerischen Dozentinnen -- 6. Für wen ist das Projekt? Erwartungen und Ziele aus künstlerischen und pädagogischen Perspektiven -- 7. Titel und Rahmen -- 8. Exkurs: Der Umgang mit Klischees und Stereotypen -- B. Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- C. Zukunftsmusik (Berlin) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- Teil V: Im Spannungsfeld von Empowerment und Othering -- 1. Sichtbarkeit -- 2. Kompetenzorientierung -- 3. Zuschreibungen -- 4. Musik als Mittel zum Zweck? -- 5. Schlüsselkategorie: Das Spannungsfeld von Empowerment und Othering -- Teil VI: Fazit und Ausblick -- Einleitung -- Inkludierende Exklusion -- Ausblick -- Teil VII: Anhang -- Materialauflistung und Abkürzungsverzeichnis -- 1. Allgemein -- 2. Projekt A: Heimat re-invented (Köln) -- 3. Projekt B: Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- 4. Projekt C: Zukunftsmusik (Berlin) -- Teil VIII: Bibliografie
    Note: Description based on publisher supplied metadata and other sources
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  • 67
    Online Resource
    Online Resource
    New Brunswick : Rutgers University Press
    ISBN: 9781978808157
    Language: English
    Pages: 1 online resource (248 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.48424
    RVK:
    Keywords: Popular music-Political aspects-History ; Popular music-Social aspects-History ; Electronic books ; Electronic books
    Abstract: Cover Page -- Title Page -- Copyright Page -- Contents -- Introduction -- Chapter 1. Musical Workers of the World Unite: Joe Hill, Woody Guthrie, and Pete Seeger -- Chapter 2. There for More Than Fortune: Phil Ochs, Joan Baez, and Bob Dylan -- Chapter 3. Caged Artists: Lesley Gore, Janis Ian, and P. F. Sloan -- Chapter 4. Parody and Poetry: Tom Lehrer -- Peter, Paul and Mary -- and The Smothers Brothers -- Chapter 5. Psychedelicate Situations: Jimi Hendrix and Pink Floyd -- Chapter 6. Reason and Blues: Marvin Gaye and The Temptations -- Chapter 7. Say It Loud, We're Blocked but Proud: James Brown and Curtis Mayfield -- Chapter 8. Hard Rock Turns Metallic: The Who and Black Sabbath -- Chapter 9. More Than a Working-Class Hero: John Lennon and The Beatles -- Chapter 10. Out of Place and In Your Face: The Dead Kennedys and The Sex Pistols -- Chapter 11. Word: Gil Scott-Heron and Grandmaster Flash -- Chapter 12. Global Music Consciousness: Bob Marley and Peter Gabriel -- Chapter 13. Weird, Funny, Smart, Angry: Frank Zappa versus Everyone -- Chapter 14. Rap, Not Hip-Hop: NWA and Public Enemy -- Chapter 15. Weapons of Mass Deconstruction: Dixie Chicks and Green Day -- Epilogue: Music Is Power -- Acknowledgments -- Bibliography -- Index -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
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  • 68
    Online Resource
    Online Resource
    Bloomington : Indiana University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780253040237
    Language: English
    Pages: 1 Online-Ressource (345 pages)
    Edition: 1st ed.
    RVK:
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    Keywords: Geschichte 1800-1900 ; Juden ; Synagoge ; Geistliche Musik ; Kirchenmusikpflege ; USA ; Electronic books
    Abstract: Jewish Music in Nineteenth Century America looks at key Jewish American musical figures and texts from the 19th century, demonstrating the significant influence central European traditions had during this period and complicating the notion that American Jewish musical traditions "progressed" from solo chant to canters and choirs.
    Note: Description based on publisher supplied metadata and other sources
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  • 69
    ISBN: 9781978803596 , 9781978803589
    Language: English
    Pages: xiii, 246 Seiten , Illustrationen , 23 cm
    DDC: 306.484243
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    Keywords: Geschichte 1970- ; Schwarze ; Rhythm and Blues ; Identität ; Sexualität ; Neoliberalismus ; USA
    Abstract: Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
    Note: Literaturverzeichnis: Seite 225-236
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  • 70
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
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    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
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  • 71
    ISBN: 9781478005315
    Language: English
    Pages: 1 online resource (249 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.4842409729
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    Keywords: Music and tourism-Caribbean Area ; Music-Social aspects-Caribbean Area ; Music ; Social aspects ; Caribbean Area ; Music and tourism ; Caribbean Area ; Electronic books ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung
    Abstract: Cover -- Contents -- Acknowledgments -- Prologue -- Introduction. The Political Economy of Music and Sound: Case Studies in the Caribbean Tourism Industry -- 1. It Sounds Better in the Bahamas: Musicians, Management, and Markets in Nassau's All-Inclusive Hotels -- 2. Touristic Rhythms: The Club Remix -- 3. Listening for Noise: Seeking Disturbing Sounds in Tourist Spaces -- 4. All-InclusiveResorts in Sint Maarten and Our Common Decolonial State: On Butterflies That Are Caterpillars Still in Chrysalis -- 5. Sound Management: Listening to Sandals Halcyon in Saint Lucia -- Epilogue: The Political Economy of Music and Sound -- References -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.
    Note: Description based on publisher supplied metadata and other sources
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    URL: Cover
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  • 72
    Online Resource
    Online Resource
    Middletown, CT. 06459 : Wesleyan University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780819578648
    Language: English
    Pages: 1 Online-Ressource (361 pages)
    Edition: 1st ed.
    DDC: 780.89/97
    RVK:
    Keywords: Musik ; Musikethnologie ; Indianer ; Nordamerika ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 73
    Online Resource
    Online Resource
    Cambridge : Harvard University Press
    ISBN: 9780674919747
    Language: English
    Pages: 1 Online-Ressource (345 pages)
    Edition: Online-Ausg.
    Parallel Title: Print version Stephens, Randall J The Devil's Music : How Christians Inspired, Condemned, and Embraced Rock 'n' Roll
    DDC: 306.4/84260973
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    Keywords: Rock music Religious aspects ; Christianity ; Rock music History and criticism ; Rock music History and criticism ; Christian rock music History and criticism ; Fundamentalism History ; Electronic books
    Abstract: When rock and roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music's demonic origins. The big beat, said Billy Graham, was "ever working in the world for evil." Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil's Music tells the story of this transformation. Rock's origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock 'n' roll's popularity grew, white preachers tried to distance their flock from this "blasphemous jungle music," with little success. By the 1960s, Christian leaders feared the Beatles really were more popular than Jesus, as John Lennon claimed. Stephens argues that in the early days of rock 'n' roll, faith served as a vehicle for whites' racial fears. A decade later, evangelical Christians were at odds with the counterculture and the antiwar movement. By associating the music of blacks and hippies with godlessness, believers used their faith to justify racism and conservative politics. But in a reversal of strategy in the early 1970s, the same evangelicals embraced Christian rock as a way to express Jesus's message within their own religious community and project it into a secular world. In Stephens's compelling narrative, the result was a powerful fusion of conservatism and popular culture whose effects are still felt today.--
    Abstract: Cover -- Title Page -- Copyright -- Contents -- Introduction -- 1. Pentecostalism and Rock 'n' Roll in the 1950s -- 2. Race, Religion, and Rock 'n' Roll -- 3. The Beatles, Christianity, and the Conservative Backlash -- 4. The Advent of Jesus Rock -- 5. The Fundamentalist Reaction to Christian Rock -- Epilogue -- Notes -- Acknowledgments -- Index
    Note: Includes bibliographical references and index
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  • 74
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520968219
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    Edition: Online-Ausg.
    Parallel Title: Print version Chapman, Dale The Jazz Bubble : Neoclassical Jazz in Neoliberal Culture
    DDC: 306.4/84250973
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    Keywords: Gordon, Dexter ; Verve Records (Firm) History ; Verve Music Group History ; Jazz Economic aspects ; Jazz History and criticism ; Jazz Social aspects ; Sound recording industry Economic aspects ; Music-halls (Variety-theaters, cabarets, etc.) History ; Electronic books
    Abstract: Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period, extending from the effects of financialization in the music industry to the structural upheaval created by urban redevelopment in major American cities. Dale Chapman draws from political and critical theory, oral history, and the public and trade press, making this a persuasive and compelling work for scholars across music, industry, and cultural studies
    Abstract: Cover -- The Jazz Bubble -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Banks, Bonds, and Blues -- 1. âControlled Freedomâ: Jazz, Risk, and Political Economy -- 2. âHomecomingâ: Dexter Gordon and the 1970s Fiscal Crisis in New York City -- 3. Selling the Songbook: The Political Economy of Verve Records (1956â1990) -- 4. Bronfmanâs Bauble: The Corporate History of the Verve Music Group (1990â2005) -- 5. Jazz and the Right to the City: Jazz Venues and the Legacy of Urban Redevelopment in California -- 6. The âYoshiâs Effectâ: Jazz, Speculative Urbanism, and Urban Redevelopment in Contemporary San Francisco -- Notes -- Works Cited -- Index
    Note: Includes bibliographical references and index
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  • 75
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372646 , 0822372649
    Language: English
    Pages: 1 Online-Ressource (xiv, 268 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/308996073
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    Keywords: Anderson, Marian 1897-1993 ; Holiday, Billie 1915-1959 ; Scott, Jimmy 1925-2014 ; Vocaloid (Computer file) ; African Americans Music ; Social aspects ; Music and race United States ; Voice culture Social aspects ; United States ; Tone color (Music) Social aspects ; United States ; Music Social aspects ; United States ; Singing Social aspects ; United States ; Zuhören ; Afroamerikanische Musik ; Klang ; Electronic books ; Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 76
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781469638621
    Language: English
    Pages: 1 Online-Ressource (xiv, 280 Seiten)
    Series Statement: The John Hope Franklin Series in African American History and Culture
    Parallel Title: Erscheint auch als
    DDC: 782.25089/96073
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    Keywords: Schwarze ; Anthem ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 77
    Online Resource
    Online Resource
    Cambridge : Goldsmiths | Ann Arbor, Michigan : ProQuest
    ISBN: 9781906897529
    Language: English
    Pages: 1 Online-Ressource (191 pages)
    Series Statement: Goldsmiths Press / Sonics Ser. v.1
    DDC: 303.484
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    Keywords: Sozialer Wandel ; Politischer Wandel ; Widerstand ; Klang ; Psychoakustik ; Sound-Psychological aspects ; Electronic books
    Abstract: A timely exploration of whether sound and listening can be the basis of political change.
    Note: Description based on publisher supplied metadata and other sources
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  • 78
    Online Resource
    Online Resource
    New York : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    ISBN: 9781538111710
    Language: English
    Pages: 1 Online-Ressource (257 pages)
    DDC: 780.71
    RVK:
    Keywords: Geschichte 2000- ; Jazz ; Musikerziehung ; Kulturelle Identität ; USA ; Electronic books
    Abstract: Black Music Matters: Jazz and the Transformation of Music Studies is among the first books to examine music studies reform through the lens of African American music, as well as the emergent field of consciousness studies. It is inspired by conversations on race and a rich body of literature on the place of black music in American culture.
    Note: Description based on publisher supplied metadata and other sources
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  • 79
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 146964648X , 9781469646480 , 1469646498 , 9781469646497
    Language: English
    Pages: XIII, 226 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Broonzy, Bill ; Schwarze ; Blues ; Ethnische Identität ; Amerika ; Hochschulschrift ; Biografie
    Abstract: "Over the course of his long career, legendary bluesman William 'Big Bill' Broonzy (1893-1958) helped shape the trajectory of the genre ... Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century
    Note: Bibliography Seite 207-218
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  • 80
    ISBN: 9781476673387
    Language: English
    Pages: vii, 459 Seiten
    DDC: 016.78089/96
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    Keywords: Geschichte 1901-1943 ; Blacks Discography Music ; Field recordings Catalogs ; Schwarze ; Afroamerikanische Musik ; Field Recording ; Schallaufzeichnung ; Karibik ; Westafrika ; USA Südoststaaten ; Diskografie ; Diskografie ; Diskografie ; Westafrika ; Karibik ; USA Südoststaaten ; Schwarze ; Afroamerikanische Musik ; Schallaufzeichnung ; Field Recording ; Geschichte 1901-1943
    Abstract: "Traditional African musical forms have long been accepted as fundamental to the emergence of blues and jazz. This discography brings together recordings that trace the evolution of the African American musical experience, from early wax cylinder recordings made in West Africa to voodoo rituals from the Carribean Basin to the songs of former slaves in the American South"...
    Note: Includes bibliographical references and index
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  • 81
    ISBN: 9788523218720
    Language: Portuguese
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
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    Keywords: Schwarze ; Soul ; Rio de Janeiro ; Music ; Rio de Janeiro ; Soul ; Schwarze
    Abstract: Em A cena musical da Black Rio, Luciana Xavier de Oliveira apresenta o surgimento, na década de 1970, dos bailes de soul music nos subúrbios carioca, iniciados na esteira do movimento de empoderamento da comunidade negra, sob o lema do black is beatiful. A autora realiza uma análise comunicacional desse cenário, analisa as influências deixadas na moda e no mercado fonográfico e mostra as contribuições dos jovens negros da época a fim de legitimar uma negritude mais positiva e consciente
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 82
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: The new black studies series
    DDC: 810.9/896073
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    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; American literature African American authors ; History and criticism ; Jazz in literature ; Modernism (Literature) ; African Americans Music ; History and criticism ; Black nationalism History 20th century ; African Americans Social life and customs 20th century ; USA
    Abstract: 'Jazz Internationalism' argues for the critical significance of jazz in Afro-modernist literature, from the beginning of the Great Depression through the radical social movements of the 1960s.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 83
    ISBN: 9781438469874 , 9781438469867
    Language: English
    Pages: xxvi, 200 Seiten , Illustrationen , 23 cm
    Series Statement: SUNY series, philosophy and race
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073043
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    Keywords: Geschichte 1918-1939 ; Philosophy, German 20th century ; Jazz History and criticism 20th century ; Blacks Race identity 20th century ; History ; Jazz ; Schwarze ; Nationalsozialismus ; Ethnische Identität ; Afroamerikanische Musik ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Note: Includes bibliographical references and index
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  • 84
    Book
    Book
    Münster ; New York : Waxmann
    ISBN: 9783830937128 , 3830937121
    Language: German , English
    Pages: 287 Seiten , Diagramme , 24 cm x 17 cm
    Series Statement: Musik und Migration Band 1
    Series Statement: Musik und Migration
    Parallel Title: Erscheint auch als
    DDC: 780.72
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    Keywords: Exil ; Oper ; Musikwissenschaft ; Migration ; Kulturvermittlung ; Identitätsentwicklung ; Europa ; Musikwissenschaft ; transkulturell ; cultural mobility ; Alfred Einstein ; Shanghai ; Ostasien ; Migrationsforschung ; Lateinamerika ; Afrika ; Tanz ; Arabs Got Talent ; Identität ; Barock ; Wien ; operisti ; Marianne Pirker ; italienische Oper ; Hugo Riesenfeld ; Stummfilm ; Franz Waxman ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Musikwissenschaft ; Migration ; Exil ; Identitätsentwicklung ; Europa ; Oper ; Kulturvermittlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 85
    Online Resource
    Online Resource
    Münster ; New York : Waxmann
    ISBN: 9783830986799 , 9783830987123
    Language: German
    Pages: 1 Online-Ressource (287 Seiten) , Diagramme
    Series Statement: Musik und Migration Band 1
    Series Statement: Musik und Migration
    Parallel Title: Erscheint auch als
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    Keywords: Kulturvermittlung ; Oper ; Identitätsentwicklung ; Musikwissenschaft ; Exil ; Migration ; Europa ; Musikwissenschaft ; transkulturell ; cultural mobility ; Alfred Einstein ; Shanghai ; Ostasien ; Migrationsforschung ; Lateinamerika ; Afrika ; Tanz ; Arabs Got Talent ; Identität ; Barock ; Wien ; operisti ; Marianne Pirker ; italiensische Oper ; Hugo Riesenfeld ; Stummfilm ; Franz Waxman ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Musikwissenschaft ; Migration ; Exil ; Identitätsentwicklung ; Europa ; Oper ; Kulturvermittlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 86
    Book
    Book
    Cape Town : Centre for Advanced Studies of African Society (CASAS)
    ISBN: 9781920294229
    Language: English
    Pages: iv, 113 Seiten , Illustrationen, Notenbeispiel
    Series Statement: CASAS book series no. 127
    Series Statement: CASAS book series
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    Keywords: Geschichte ; Schwarze ; Unterhaltungsmusik ; Südafrika ; Music / South Africa / History ; Popular music / Political aspects ; Folk music / South Africa ; Musicians, Black / South Africa ; National songs / South Africa ; Folk music ; Music ; Musicians, Black ; National songs ; Popular music / Political aspects ; South Africa ; History ; Südafrika ; Schwarze ; Unterhaltungsmusik ; Geschichte
    Description / Table of Contents: 1. Life in the field : anthropologist as refugee -- 2. God rock Africa : thought on politics in popular black performance in South Africa -- 3. Sounds of the "third way" : identity and the African renaissance in contemporary South Africa popular traditional music -- 4. Nkosi Sikelel' iAfrika and the liberation of the spirit of South Africa
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  • 87
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319660417
    Language: English
    Pages: 1 Online-Ressource (VIII, 241 p)
    Series Statement: Palgrave Studies in Sound
    Parallel Title: Erscheint auch als
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    Keywords: Social sciences ; African Americans ; Music ; Technology in literature ; Social Sciences ; Science and Technology Studies ; Music ; African American Culture ; Literature and Technology/Media ; Technologie ; Sound Studies ; Musik ; Schwarze ; Film ; Futurismus ; USA ; USA ; Schwarze ; Musik ; Film ; Sound Studies ; Technologie ; Futurismus
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 88
    Online Resource
    Online Resource
    Austin : University of Texas Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781477314890
    Language: English
    Pages: 1 Online-Ressource (233 pages)
    Series Statement: American Music Ser.
    DDC: 781.64209252
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    Keywords: Women country musicians-United States ; Country musicians-United States ; Women singers-United States ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 89
    ISBN: 9789048534555
    Language: English
    Pages: 1 online resource (105 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.484
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    Keywords: Popular music-Southeast Asia-History and criticism ; Popular music-Southeast Asia-History and criticism ; Electronic books ; Criticism, interpretation, etc ; Electronic books
    Abstract: Cover -- Table of Contents -- Introduction -- Muted sounds, obscured histories -- Living the modern life -- Four eras -- Research project Articulating Modernity -- 1. Oriental Foxtrots and Phonographic Noise, 1910s-1940s -- New markets -- The rise of female stars and fandom -- Jazz, race, and nationalism -- Box 1.1 Phonographic noise -- Box 1.2 Dance halls -- Box 1.3 The modern woman -- 2. Jeans, Rock, and Electric Guitars, 1950s-mid-1960s -- Youth culture -- Moral indignation -- Local industry -- Beat goes local -- Box 2.1 Gangs -- Box 2.2 Blue Jeans -- Box 2.3 Tremolo guitar -- 3. The Ethnic Modern, 1970s-1990s -- Modern music for the Muslim Malay masses -- Pop history, as we know it -- Subversive sounds -- Making noise in the big melting pot -- What is so modern about the ethnic? -- The sound of longing for home: pop Minang -- Village girl and big city pop diva: The story of Elly Kasim -- Box 3.1 Disco -- Box 3.2 Dangdut -- Box 3.3 Going abroad (in two songs) -- 4. Doing it Digital, 1990s-2000s -- Musical revolutions: Finally indie-pendent? -- Pop, politics, and piety -- Asia around the corner -- Doing it Digital: Three apparent paradoxes -- The Malay Muslim girl-next-door: A deeper conversation with Yuna -- Box 4.1 - JKT48 -- Box 4.2 - An Indonesian indie song -- Box 4.3 - Karaoke discs -- Box 4.4 - SoundCloud communities -- Selected Bibliography -- List of Illustrations -- Illustration 1 – A Malay dondang sayang song recorded in Singapore by Pagoda Record, subsidiary of Deutsche Grammophon, c. 1935 -- Illustration 2 – Quranic text interpretation (tafsir) and translation from Arabic to Malay by a female religious expert (ustazah) recorded by Extra Records (His Master’s Voice) in Indonesia, c. 1938 -- Illustration 3 – Rajuan Irama, an Malay orchestra, c. 1935.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (kostenfrei)
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  • 90
    ISBN: 9781350016477 , 9781350016453
    Language: English
    Pages: 1 Online-Ressource (216 Seiten)
    Parallel Title: Erscheint auch als Way, Lyndon C. S. author Popular music and multimodal critical discourse studies
    Parallel Title: Erscheint auch als
    DDC: 781.6309561
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    Keywords: Popular music Political aspects ; Electronic books
    Note: Erscheinungsjahr der Druckausgabe 2018
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  • 91
    ISBN: 9780472053407 , 9780472073405
    Language: English
    Pages: XI, 311 Seiten , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als
    DDC: 306.4/8425094309042
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    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1933 ; Geschichte 1921-1930 ; Geschichte ; Gesellschaft ; Jazz Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race ; Ethnische Identität ; Soziale Funktion ; Kulturleben ; Jazz ; Schwarze ; Deutschland ; Germany Civilization ; American influences ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Kulturleben ; Ethnische Identität ; Soziale Funktion ; Geschichte 1918-1933 ; Deutschland ; Jazz ; Geschichte 1921-1930
    Note: Includes bibliographical references and index
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  • 92
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressource (183 pages)
    Series Statement: New Black Studies Ser.
    DDC: 810.98960729999999
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    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; USA
    Note: Description based on publisher supplied metadata and other sources
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  • 93
    Online Resource
    Online Resource
    Bielefeld : transcript | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839439838
    Language: German
    Pages: 1 Online-Ressource (357 pages)
    Edition: 1st ed.
    Series Statement: Histoire v.118
    DDC: 306
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    Keywords: Geschichte ; Klang ; Musik ; Skandal ; Avantgarde ; Ereignis ; Neue Musik ; Popular culture ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 94
    ISBN: 9781496810021
    Language: English
    Pages: viii, 420 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64309/041
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    Keywords: Geschichte 1899-1926 ; Blues (Music) History and criticism To 1931 ; Vaudeville History and criticism ; Vaudeville ; Blues ; Schwarze ; USA ; USA ; USA ; Schwarze ; Blues ; Vaudeville ; Geschichte 1899-1926
    Abstract: In this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music, authoritatively connecting the black vaudeville movement with the explosion of blues that followed. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America's favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Black vaudeville theaters provided a safe haven where coon songs could be rehabilitated. Dynamic interaction between the performers and their audience unleashed creative energies that accelerated the development of the blues. The first blues star of black vaudeville was Butler "String Beans" May, a blackface comedian, pianist, singer, and dancer from Montgomery, Alabama.
    Abstract: Before his senseless death in 1917, he was recognized as the "blues master piano player of the world." His legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the Race recording era. While male blues singers remained tethered to the role of blackface comedian, female "coon shouters" acquired a more digni ed aura in the emergent persona of the "blues queen." Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, including forgotten blues heroine Ora Criswell and her protégé Trixie Smith, recon gured the use of blackface for their own subversive purposes. In 1921 black vaudeville was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collusion with the emergent Race recording industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell.
    Abstract: While the 1920s was the most celebrated and remunerative period of vaudeville blues, the previous decade was arguably the most creative, having witnessed the emergence, popularization, and early development of the original blues in southern theaters--Publisher description
    Note: Includes bibliographical references and index
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  • 95
    ISBN: 9780253024947 , 9780253353573
    Language: English
    Pages: xxxvi, 199 pages , Illustrationen
    Edition: New edition
    DDC: 305.896/073076335
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    Keywords: Schwarze ; Jazz ; Religion ; Identität ; New Orleans, La.
    Note: Bibliography: Seite 175-188
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  • 96
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252094460
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 133.4308996073
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    Keywords: Schwarze ; Wodu ; Hoodoo (Cult) ; Vodou ; African American magic ; Medicine, Magic, mystic, and spagiric ; African Americans Religion ; African Americans Folklore ; Amerika
    Abstract: Katrina Hazzard-Donald explores African Americans' experience and practice of the herbal, healing folk belief tradition known as Hoodoo. Working against conventional scholarship, Hazzard-Donald argues that Hoodoo emerged first in three distinct regions she calls oregional Hoodoo clusters - and that after the turn of the 19th century, Hoodoo took on a national rather than regional profile.
    Note: Previously issued in print: 2012 , Includes bibliographical references and index
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  • 97
    Online Resource
    Online Resource
    Lanham, MD : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    ISBN: 9781442269415
    Language: English
    Pages: 1 Online-Ressource (265 pages)
    Series Statement: Roots of American Music: Folk, Americana, Blues, and Country
    DDC: 781.64097300000003
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    Keywords: Geschichte ; Blues ; Folk music ; Countrymusic ; Amerikana ; Americana (Music)--History and criticism ; Electronic books
    Abstract: Michael Cain offers an informal social history that describes Americana as both a musical genre and a movement, showing what it is, where it came from and where it is going. Through anecdotes and interviews, Cain provides a firsthand view into the creation of Americana, trying to clarify how the genre can be categorized and defined.
    Note: Description based on publisher supplied metadata and other sources
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  • 98
    ISBN: 9781433145650 , 9781433145704
    Language: English
    Series Statement: Black Studies & Critical Thinking vol. 103
    Series Statement: Black Studies & Critical Thinking
    DDC: 370
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    Keywords: Musikerziehung ; Jazz ; Schwarze ; Akademisierung ; Jazzmusiker ; Identität ; USA ; Black ; Called ; Conversations ; Culture ; Education ; Jazz ; Phillips ; Soul ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
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  • 99
    ISBN: 9780190651305
    Language: English
    Pages: 1 Online-Ressource , Karten, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/96
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    RVK:
    Keywords: Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Abstract: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 100
    ISBN: 9780195307245
    Language: English
    Pages: xxxv, 240 Seiten , Karten
    DDC: 780.8996
    RVK:
    RVK:
    Keywords: Geschichte ; Afroamerikanische Musik ; Schwarze ; Soziokultureller Wandel ; Diaspora ; Musiker ; Migration ; Soziale Funktion
    Note: Bibliography Seite 221-233
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