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  • USA  (986)
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  • American Studies  (945)
  • Art History  (73)
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  • 1
    Language: Undetermined
    DDC: 305.896073
    RVK:
    Keywords: Black persons Social conditions ; History ; United States ; Anthologie ; Du Bois, William E. B. 1868-1963 ; Rede
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  • 2
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 3
    ISBN: 9780374609900
    Language: English
    Pages: 244 Seiten , Illustrationen , 22 cm
    Edition: First edition
    DDC: 305.868073
    RVK:
    Keywords: Soziale Situation ; Ethnische Identität ; Einwanderung ; Lateinamerikaner ; USA ; Hispanic Americans / Ethnic identity ; Hispanic Americans / Social conditions ; Immigrants / United States / Social conditions ; United States / Race relations ; HISTORY / United States / General ; Hispanic Americans / Ethnic identity ; Hispanic Americans / Social conditions ; Immigrants / Social conditions ; Race relations ; United States ; Lateinamerikaner ; Soziale Situation ; USA ; Einwanderung ; Ethnische Identität
    Abstract: "A new book by the Pulitzer Prize-winning writer about the twenty-first-century Latino experience and identity"--
    Abstract: "Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen Latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation
    Description / Table of Contents: Prologue: Our migrant souls -- Part I: Our country -- Empires ; Walls ; Beginnings ; Cities ; Race ; Intimacies ; Secrets ; Ashes ; Lies ; Part II: Our journey's home -- Light ; Home ; Conclusion: Utopias
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  • 4
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
    RVK:
    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 5
    Book
    Book
    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen , 24 cm
    DDC: 700.89/96073
    RVK:
    Keywords: Geschichte 1985-2015 ; Kunst ; Schwarze ; USA ; African American art / 20th century ; African American art / 21st century ; Art and society / United States / History / 20th century ; Art and society / United States / History / 21st century ; Art noir américain / 20e siècle ; Art noir américain / 21e siècle ; Artistes noirs américains / 20e siècle ; Artistes noirs américains / 21e siècle ; African American art ; African American artists ; 1900-2099 ; USA ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1985 to 2015. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
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  • 6
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    New Brunswick ; Camden ; Newark ; London ; Oxford : Rutgers University Press
    ISBN: 9781978824652 , 9781978824669
    Language: English
    Pages: xv, 161 Seiten
    Uniform Title: The souls of black folk
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8960730207
    RVK:
    Keywords: Soziale Situation ; Rassendiskriminierung ; Schwarze ; USA ; Comic ; Comic ; Comic ; USA ; Rassendiskriminierung ; Schwarze ; Soziale Situation
    Abstract: With Souls of Black Folk (first published in 1903), W.E.B. Du Bois famously set forth his analysis of the folk culture, including religious folk culture, that would be the basis for future progress. In doing so, he pleaded for education and a new sensibility. But he made clear that the promise of these would not come from the outside
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  • 7
    ISBN: 9783111060590
    Language: English
    Pages: 1 Online-Ressource (X, 286 p.)
    Edition: Issued also in print
    Series Statement: Buchreihe der Anglia / Anglia Book Series 82
    Parallel Title: Erscheint auch als
    DDC: 302.4
    RVK:
    Keywords: American literary history ; network model ; relational epistemology ; USA ; Literatur ; Netzwerk ; Geschichte 1800-2023 ; USA ; Literatur ; Vernetzung ; Netzwerktheorie
    Abstract: Spider Web, Labyrinth, Tightrope Walk explores the shifting functions of the network as a metaphor, model, and as an epistemological framework in US American literature and culture from the 19th century until today. The book critically inquires into the literary, cultural, philosophical, and scientific rhetoric, values, and ideological underpinnings that have given rise to the network concept. Literature and culture play a major role in the ways in which networks have been imagined and how they have evolved as conceptual models. This study regards networks as historically emergent and culturally constructed formations closely tied with the development of knowledge technologies in the process of modernization as well as with an increasingly critical awareness of network technologies and infrastructures. While the rise of the network in scientific, philosophical, political and sociological discourses has received wide attention, this book contributes an important cultural and historical perspective to network theory by demonstrating how US American literature and culture have been key sites for thinking in and about networks in the past two centuries
    Note: Frontmatter , Contents , Acknowledgements , Permissions Spider Web, Labyrinth, Tightrope Walk , 1 Introduction: The Network in US American Literature and Culture , 2 Project(ing an) Interconnected America: Nineteenth Century Visions of Material Networks, Transcendental Links, and Alternative Communities , 3 “A Movement Toward Expanded Connectedness” – Networks of Evolution in Pragmatist and Naturalist Literature , 4 Mapping Alternatives: Postwar Networks and the Forking Paths of Knowledge , 5 Recentering the Human: Contemporary Fiction and the Popularization of the Network , 6 Conclusion , Works Cited , Index , Issued also in print , In English
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 8
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
    RVK:
    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 9
    Image
    Image
    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
    RVK:
    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 10
    ISBN: 9780262048668
    Language: English
    Pages: xvii, 243 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Anthology of Blackness
    Parallel Title: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Description / Table of Contents: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Note: Bibliographie (Seite 234 - 243)
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  • 11
    Image
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    Washington, DC : Smithsonian Books
    ISBN: 9781588347404 , 9781588347718
    Language: English
    Pages: 216 Seiten , 26 cm
    DDC: 305.896073
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    Keywords: Geschichte ; Popkultur ; Afrofuturismus ; Person of Color ; Schwarze ; USA ; Afrofuturism ; African American arts ; Black people in art ; Outer space / In art ; Black people in popular culture / United States ; National Museum of African American History and Culture (U.S.) / Catalogs ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; USA ; Schwarze ; Afrofuturismus ; Person of Color ; Popkultur ; Geschichte
    Abstract: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"
    Description / Table of Contents: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis
    Note: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke
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  • 12
    ISBN: 9783825349271
    Language: English
    Pages: 563 Seiten , Illustrationen , 21 cm x 13.5 cm
    Series Statement: American Studies - a monograph series volume 318
    Series Statement: American Studies - a monograph series
    Parallel Title: Erscheint auch als
    DDC: 306.0973
    RVK:
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    Keywords: Popular culture studies ; Popkultur ; Massenkultur ; USA ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; USA ; Massenkultur ; Popkultur ; USA ; Popkultur
    Note: S.20: "This volume would not exist without the conference 'U.S.-American Culture as Popular Culture' (...) took place from June 13-15,2019 at the University of Hamburg."
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 13
    ISBN: 9781496838339 , 9781496838346
    Language: English
    Pages: ix, 286 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 741.53529
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    Keywords: Geschichte 1930-2022 ; Superheld ; Weißsein ; Rassismus ; Comic ; USA ; Comic books, strips, etc / United States / History and criticism ; Comic books, strips, etc / Social aspects / United States ; Racism / United States / Comic books, strips, etc ; Racism and the arts / United States ; White people / Race identity / United States / Comic books, strips, etc ; Outlaws / Comic books, strips, etc ; Superheroes / Comic books, strips, etc ; Comic books, strips, etc ; Criticism, interpretation, etc ; USA ; Comic ; Superheld ; Rassismus ; Weißsein ; Geschichte 1930-2022
    Abstract: "American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations. Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels provides a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. Josef Benson and Doug Singsen identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways"
    Description / Table of Contents: Introduction -- Chapter one: Race and racism in the birth of the superhero -- Chapter two: The Southern outlaw and the white Indian in Western comics -- Chapter three: Colonialism and primitivism in US Comics -- Chapter four: Civil rights and the limits of liberalism -- Chapter five: Robert Crumb's cathartic racism -- Chapter six: Jewish exceptionalism and assimilation in the 1970s and 1980s -- Chapter seven: Racial borderlands in alternative comics -- Chapter eight: The deconstruction of the white superhero in Watchmen -- Chapter nine: Frank Miller's hyper masculine whiteness and the defense of Western culture -- Chapter ten: Reskinning narratives: taking off the mask -- Conclusion -- Notes -- Bibliography -- Index
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  • 14
    Book
    Book
    New York : New York University Press
    ISBN: 9781479829828 , 9781479820733
    Language: English
    Pages: xii, 435 Seiten, 16 ungezählte Seiten , Illustrationen , Breite 152 mm, Hoehe 229 mm
    DDC: 306.76
    RVK:
    Keywords: Geschichte 1970-1991 ; Frauenbewegung ; Geschlechtsidentität ; Homosexuellenbewegung ; LGBT ; Massenmedien ; USA
    Abstract: In this book, Ramzi Fawaz explores how the central values of 1970s movements for women's and gay liberation-including consciousness-raising, separatism, and coming out of the closet-were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments-from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an upper-East Side New York City apartment to an all-female version of Earth-and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind's eye and interpreted by diverse publics. Surprisingly, such creative attempts to represent queer gender and sexuality often appeared in a range of traditional, or seemingly generic, popular forms including the sequential format of comic strip serials, the token figures of science fiction genre, the narrative conventions of film melodrama, and the serialized rhythm of installment fiction. Through studies of queer and feminist cultural productions including Mart Crowley's The Boys in the Band (1970), Armistead Maupin's Tales of the City (1976-1983), Lizzy Borden's Born in Flames (1983), and Tony Kushner's Angels in America (1989-1991), Fawaz show how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern US. Ultimately, Queer Forms tells the pre-history of the contemporary renaissance in feminist and LGBTQ political cultures by developing a genealogy of late twentieth-century artifacts that projected images of gender and sexual rebellion, which came to infuse the American popular imagination in the 1970s and after.
    Note: Literaturverzeichnis Seite 407-421
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  • 15
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469671567 , 1469671565 , 9781469671550 , 1469671557
    Language: English
    Pages: 1 Online-Ressource (291 pages)
    Parallel Title: Erscheint auch als Hutchins, Zachary McLeod Before Equiano
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    Keywords: Slave narratives History and criticism ; Slavery History 17th century ; American newspapers History 17th century ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; USA ; Sklave ; Zeitung ; Berichterstattung ; Autobiografie ; Geschichte 1690-1789
    Abstract: Introduction. Slavery and the Newspaper: A Foreign Affair -- Sewall's Secret: The Selling of More than Two Dozen Black Africans -- Daniel and the Scotts: The Serialized Stories of Serial Runaways -- Royalty Enslaved: Of Princes, Pretenders, and Politics -- Fighting for, and against, the English: Briton Hammon and the Power of Black Africans' Allegiance -- Narratives of Slavery and the Stamp Act: Dickinson and Crèvecoeur Debate the Racial Limits of a Genre -- Conclusion. After Equiano: The Medium and the Message.
    Abstract: "In the antebellum United States, formerly enslaved men and women who told their stories and advocated for abolition helped establish a new genre with widely recognized tropes: the slave narrative. This book investigates how enslaved black Africans conceived of themselves and their stories before the War of American Independence and the genre's development in the nineteenth century. Zachary McLeod Hutchins argues that colonial newspapers were pivotal in shaping popular understandings of both slavery and the black African experience well before the slave narrative's proliferation. Introducing the voices and art of black Africans long excluded from the annals of literary history, Hutchins shows how the earliest life writing by and about enslaved black Africans established them as political agents in an Atlantic world defined by diplomacy, war, and foreign relations. In recovering their stories, Hutchins sheds new light on how black Africans became Black Americans; how the earliest accounts of enslaved life were composed editorially from textual fragments rather than authored by a single hand; and how the public discourse of slavery shifted from the language of just wars and foreign policy to a heritable, race-based system of domestic oppression."--
    Note: Includes bibliographical references and index
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  • 16
    Book
    Book
    New York : Penguin Press
    ISBN: 9780735217959
    Language: English
    Pages: 370 Seiten
    DDC: 306.0973/09049
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    Keywords: Popular culture History 20th century ; United States Civilization 1970- ; United States Social life and customs 1971- ; United States Intellectual life 20th century ; USA ; Alltagskultur ; Pop-Kultur ; Geschichte 1990-2000
    Abstract: It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn’t know who it was. By the end, exposing someone’s address was an act of emotional violence, and nobody picked up their new cell phone if they didn’t know who it was. The 90s brought about a revolution in the human condition we’re still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like "Cop Killer" and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a 90’s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, “The video for ‘Smells Like Teen Spirit’ was not more consequential than the reunification of Germany” make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Enthält Literaturangaben und ein Register
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  • 17
    ISBN: 9783030999438
    Language: English
    Pages: xiv, 224 Seiten , 21 cm
    Series Statement: African American philosophy and the African diaspora
    Parallel Title: Erscheint auch als
    DDC: 305.8
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    Keywords: Racism ; USA ; Literatur ; Antirassismus ; Philosophie
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  • 18
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Language: English
    Pages: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Series Statement: Routledge research in art and race
    Parallel Title: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
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    Keywords: Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 19
    ISBN: 9783030935504 , 3030935507
    Language: English
    Pages: x, 287 Seiten , Illustrationen , 21 cm
    Parallel Title: Erscheint auch als
    DDC: 810.9355
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    Keywords: American literature History and criticism 19th century ; American literature History and criticism 20th century ; American literature History and criticism 21st century ; Social change in literature ; Sociology in literature ; American literature ; Civilization ; Social change in literature ; Social conditions ; Sociology in literature ; Criticism, interpretation, etc ; United States Civilization ; United States Social conditions ; United States ; Bourdieu, Pierre 1930-2002 ; Elias, Norbert 1897-1990 ; USA ; Literatur ; Literatursoziologie
    Note: Enthält Literaturangaben und Index
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  • 20
    ISBN: 1734248513 , 9781734248517
    Language: English
    Pages: 269 Seiten , 27 cm
    Edition: First edition
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    Keywords: Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Abstract: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Note: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 21
    Image
    Image
    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 22
    Image
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    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Language: English
    Pages: 133 Seiten , 23 x 28 cm
    DDC: 709.73
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    Keywords: Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 23
    Book
    Book
    Waltham : Brandeis University Press
    ISBN: 9781684581412
    Language: English
    Pages: xviii, 462 Seiten , Illustrationen , 23 cm
    Edition: New edition ; with a new preface by the editors
    Parallel Title: Erscheint auch als
    DDC: 305.48896073009034
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    Keywords: Geschichte ; Politische Beteiligung ; Schwarze Frau ; Feminismus ; Geistesleben ; Weibliche Intellektuelle ; USA ; African American women / Intellectual life / 19th century ; African American women / Biography ; African American intellectuals / Biography ; African American women / Political activity / History / 19th century ; African Americans / Politics and government / 19th century ; African American philosophy ; Feminism / United States / History / 19th century ; African American intellectuals ; African American philosophy ; African American women ; African American women / Intellectual life ; African American women / Political activity ; African Americans / Politics and government ; Feminism ; United States ; 1800-1899 ; Biographies ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze Frau ; Weibliche Intellektuelle ; Politische Beteiligung ; Feminismus ; Geistesleben ; Geschichte
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  • 24
    ISBN: 9781839766121
    Language: English
    Pages: xi, 261 Seiten
    Edition: Paperback edition
    DDC: 305.89604
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    Keywords: Geistesgeschichte ; Geschichte 1900-1950 ; Geistesleben ; Kultur ; Schwarze ; USA ; USA ; Geistesleben ; Schwarze ; USA ; Schwarze ; Kultur ; Geschichte 1900-1950 ; Schwarze ; Geistesgeschichte
    Note: First published in the United Kingdom by Verso 1993
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  • 25
    Book
    Book
    Columbus : The Ohio State University Press
    ISBN: 9780814214770 , 0814214770
    Language: English
    Pages: x, 185 Seiten
    DDC: 305.896/073
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    Keywords: Federal Writers' Project Influence ; American literature African American authors ; History and criticism ; African Americans Social conditions ; Liberalism History 20th century ; United States Race relations 20th century ; USA ; Schwarze ; Literatur ; Federal Writers' Project
    Abstract: "Shows how Black writers such as Richard Wright, Zora Neale Hurston, and Ralph Ellison participating in the Federal Writer' Project of the 1930s responded to and shaped New Deal programs and ideology"--
    Note: Includes bibliographical references and index
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  • 26
    Book
    Book
    Amherst : University of Massachusetts Press
    ISBN: 9781625345264 , 9781625345257
    Language: English
    Pages: xi, 224 Seiten , Illustrationen , 23 cm
    Series Statement: Studies in print culture and the history of the book
    DDC: 071/.308996073
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    Keywords: African American periodicals History 20th century ; African American newspapers History 20th century ; American literature African American authors ; Publishing ; History ; African Americans and mass media ; African Americans Legal status, laws, etc ; Racism ; USA ; Schwarze ; Zeitschrift ; Zeitung ; Magazin ; Geschichte 1900-1950
    Abstract: "Scholars have paid relatively little attention to the highbrow, middlebrow, and popular periodicals that African Americans read and discussed regularly during the Jim Crow era-publications such as the Chicago Defender, the Crisis, Ebony, and the Half-Century Magazine. Jim Crow Networks considers how these magazines and newspapers, and their authors, readers, advertisers, and editors worked as part of larger networks of activists and thinkers to advance racial uplift and resist racism during the first half of the twentieth century. As Eurie Dahn demonstrates, authors like James Weldon Johnson, Nella Larsen, William Faulkner, and Jean Toomer wrote in the context of interracial and black periodical networks, which shaped the literature they produced and their concerns about racial violence. This original study also explores the overlooked intersections between the black press and modernist and Harlem Renaissance texts, and highlights key sites where readers and writers worked toward bottom-up sociopolitical changes during a period of legalized segregation"--
    Note: Includes bibliographical references and index
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  • 27
    Book
    Book
    New Brunswick, NJ : Rutgers University Press
    ISBN: 9781978814592 , 9781978814608
    Language: English
    Pages: viii, 278 Seiten , Illustrationen , Breite 152 mm, Hoehe 229 mm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Comic ; Ethnische Identität ; Film ; Superheld ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Comic ; Film ; Superheld ; Ethnische Identität
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  • 28
    Book
    Book
    New Brunswick : Rutgers University Press
    ISBN: 9781978807587 , 9781978807594
    Language: English
    Pages: ix, 229 Seiten
    Series Statement: War culture
    Parallel Title: Erscheint auch als Boyle, Brenda M American war stories
    DDC: 303.6/6
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    Keywords: War and society ; Militarism ; War stories, American ; United States History, Military 21st century ; USA ; Kriegsliteratur
    Abstract: "American War Stories asks readers to contemplate what traditionally constitutes a "war story" and how that constitution obscures the normalization of militarism in American culture. The book claims the traditionally narrow scope of "war story," as by a combatant about his wartime experience, compartmentalizes war, casting armed violence as distinct from everyday American life. Broadening "war story" beyond the specific genres of war narratives such as "war films," "war fiction," or "war memoirs," American War Stories exposes how ingrained militarism is in everyday American life, a condition that challenges the very democratic principles the United States is touted as exemplifying"--
    Note: Includes bibliographical references and index
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  • 29
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520303171 , 9780520303188
    Language: English
    Pages: xiv, 176 Seiten
    Series Statement: American studies now 14
    Series Statement: American studies now
    Parallel Title: Erscheint auch als
    DDC: 970.00497
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    Keywords: Ausbeutung ; Verschwinden ; Indigene Frau ; Aktivismus ; Indigenes Volk ; Gewalt ; Erdöl ; USA ; Kanada ; Indians of North America / Social conditions ; Social justice / North America / 21st century ; Social movements / North America / 21st century ; Indians of North America / Social conditions ; Social justice ; Social movements ; North America ; 2000-2099 ; Kanada ; USA ; Indigenes Volk ; Indigene Frau ; Verschwinden ; Erdöl ; Aktivismus ; Ausbeutung ; Gewalt
    Abstract: "New Indigenous movements are gaining traction in North America: the Missing and Murdered Women and Idle No More movements in Canada, and the Native Lives Matter and NoDAPL movements in the United States. These do not represent new demands for social justice and treaty rights, which Indigenous groups have sought for centuries. But owing to the extraordinary visibility of contemporary activism, Indigenous people have been newly cast as terrorists--a designation that justifies severe measures of policing, exploitation, and violence. The Red Scare investigates the intersectional scope of these four movements, and the broader context of the treatment of Indigenous social justice movements as threats to neoliberal and imperialist social orders. In The Red Scare, Joanne Barker shows how US and Canadian leaders leverage the fear-driven discourses of terrorism to allow for extreme responses to Indigenous activists, framing them as threats to social stability and national security. The alignment of Indigenous movements now with broader struggles against sexual, police, and environmental violence puts them at the forefront of new intersectional solidarities in prominent ways. The activist-as-terrorist framing is cropping up everywhere, but the historical and political complexities of Indigenous movements and state responses are unique. Indigenous criticisms of state policy, resource extraction and contamination, intense surveillance, and neoliberal values are met with outsized and shocking measures of militarized policing, environmental harm, and sexual violence. The Red Scare provides students and readers with a concise and thorough survey of these movements and their links to broader organizing; the common threads of historical violence against Indigenous people; and the relevant alternatives we can find in Indigenous forms of governance and relationality"--
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  • 30
    Online Resource
    Online Resource
    Berkeley, CA : University of California Press
    ISBN: 9780520972674
    Language: English
    Pages: 1 Online-Ressource (192 p)
    Edition: [Online-Ausgabe]
    Series Statement: American Studies Now: Critical Histories of the Present 14
    Parallel Title: Erscheint auch als Barker, Joanne, 1962 - Red Scare
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    Keywords: Indians of North America Social conditions ; Social justice 21st century ; Social movements 21st century ; HISTORY / Native American ; Kanada ; USA ; Indigenes Volk ; Indigene Frau ; Verschwinden ; Erdöl ; Aktivismus ; Ausbeutung ; Gewalt
    Abstract: Frontmatter -- Contents -- Overview -- Prologue -- Scared Red -- The Murderable Indian -- The Kinless Indian -- Radical Alterities from Huckleberry Roots -- Acknowledgments -- Appendix I: A Chronology -- Appendix II: Cherokee Treaties and Membership/Census Rolls -- Notes -- Glossary -- Selected Bibliography
    Abstract: How the rhetoric of terrorism has been used against high-profile movements to justify the oppression and suppression of Indigenous activists. New Indigenous movements are gaining traction in North America: the Missing and Murdered Women and Idle No More movements in Canada, and the Native Lives Matter and NoDAPL movements in the United States. These do not represent new demands for social justice and treaty rights, which Indigenous groups have sought for centuries. But owing to the extraordinary visibility of contemporary activism, Indigenous people have been newly cast as terrorists—a designation that justifies severe measures of policing, exploitation, and violence. The Red Scare investigates the intersectional scope of these four movements, and the broader context of the treatment of Indigenous social justice movements as threats to neoliberal and imperialist social orders. In The Red Scare, Joanne Barker shows how US and Canadian leaders leverage the fear-driven discourses of terrorism to allow for extreme responses to Indigenous activists, framing them as threats to social stability and national security. The alignment of Indigenous movements now with broader struggles against sexual, police, and environmental violence puts them at the forefront of new intersectional solidarities in prominent ways. The activist-as-terrorist framing is cropping up everywhere, but the historical and political complexities of Indigenous movements and state responses are unique. Indigenous criticisms of state policy, resource extraction and contamination, intense surveillance, and neoliberal values are met with outsized and shocking measures of militarized policing, environmental harm, and sexual violence. The Red Scare provides students and readers with a concise and thorough survey of these movements and their links to broader organizing; the common threads of historical violence against Indigenous people; and the relevant alternatives we can find in Indigenous forms of governance and relationality
    Note: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
    URL: Cover
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  • 31
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 32
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 33
    ISBN: 9780691208190
    Language: English
    Pages: VII, 254 Seiten , Illustrationen, Pläne
    Parallel Title: Erscheint auch als
    DDC: 745.40973/0904
    RVK:
    Keywords: Geschichte 1950-1959 ; ART / History / General ; Decorative arts Marketing ; Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Power (Social sciences) History 20th century ; Geschlecht ; Design ; Rasse ; Industriedesign ; USA ; USA ; Industriedesign ; Geschichte 1950-1959 ; USA ; Design ; Geschlecht ; Rasse
    Abstract: The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture
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  • 34
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Language: English
    Pages: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 302.23082
    RVK:
    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Abstract: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 35
    ISBN: 9781984854995
    Language: English
    Pages: xvii, 385 Seiten , Illustrationen , 22 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.3620820975
    RVK:
    Keywords: Geschichte ; Sklavin ; Schwarze Frau ; South Carolina ; Women slaves / South Carolina / Biography ; Ashley / (Enslaved person in South Carolina) ; Mothers and daughters ; Women slaves / Southern States / Social conditions / 19th century ; Slaves / Family relationships / Southern States / History / 19th century ; Middleton, Ruth Jones / 1903-1942 / Family ; African American women / Biography ; African American women / Family relationships ; Memory / United States ; African American women ; Families ; Memory ; Slaves / Family relationships ; Women slaves ; Women slaves / Social conditions ; South Carolina ; Southern States ; United States ; 1800-1899 ; Biography ; Biographies ; History ; South Carolina ; Schwarze Frau ; Sklavin ; Geschichte
    Abstract: "Sitting in the Smithsonian's National Museum of African American History and Culture is a rough cotton bag, called "Ashley's Sack," embroidered with just a handful of words that evoke a sweeping family story of loss and of love passed down through generations. In 1850s South Carolina, just before nine-year-old Ashley was sold, her mother, Rose, gave her a sack filled with just a few things as a token of her love. Decades later, Ashley's granddaughter, Ruth, embroidered this history on the bag--including Rose's message that "It be filled with my Love always." Historian Tiya Miles carefully follows faint archival traces back to Charleston to find Rose in the kitchen where she may have packed the sack for Ashley. From Rose's last resourceful gift to her daughter, Miles then follows the paths their lives and the lives of so many like them took to write a unique, innovative history of the lived experience of slavery in the United States. The contents of the sack--a tattered dress, handfuls of pecans, a braid of hair, "my Love always"--speak volumes and open up a window on Rose and Ashley's world. As she follows Ashley's journey, Miles metaphorically "unpacks" the sack, deepening its emotional resonance and revealing the meanings and significance of everything it contained. These include the story of enslaved labor's role in the cotton trade and apparel crafts and the rougher cotton "negro cloth" that was left for enslaved people to wear; the role of the pecan in nutrition, survival, and southern culture; the significance of hair to Black women and of locks of hair in the nineteenth century; and an exploration of Black mothers' love and the place of emotion in history"--
    Description / Table of Contents: Introduction: love's practitioners -- Ruth's record -- Searching for Rose -- Packing the sack -- Rose's inventory -- The auction block -- Ashley's seeds -- The bright unspooling -- Conclusion: it be filled
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  • 36
    Book
    Book
    Charlottesville : University of Virginia Press
    ISBN: 9780813943749
    Language: English
    Pages: xviii, 194 Seiten , Illustrationen
    Series Statement: Midcentury: architecture, landscape, urbanism, and design
    Parallel Title: Erscheint auch als Grubiak, Margaret M Monumental jesus
    DDC: 306.6/773
    RVK:
    RVK:
    Keywords: Christianity and culture ; Cultural landscapes ; Popular culture Religious aspects ; Christianity ; United States Religion ; USA ; Religiöse Kunst ; Architektur ; Monumentalplastik
    Abstract: Touchdown Jesus! -- Dorothy, The Wizard of Oz, and the Mormon Temple -- Adventures in the evangelical theme park -- Charles Darwin's Night at the Creation Museum -- Gumby Jesus.
    Abstract: "This book explores how religious doubt is made manifest in the built environment by taking seriously the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. It challenges how audiences typically consider religious architecture by shifting the focus from believers to doubters and from architectural producers to architectural consumers. Its chapters explore landscapes of doubt created by "Touchdown Jesus" at the University of Notre Dame in Indiana; the Mormon temple outside Washington, D.C., recast as something from The Wizard of Oz; Jerry Falwell's waterslide plunge photograph and The Simpson's "Praiseland" episode satirizing Jim and Tammy Faye Bakker's Heritage USA evangelical theme park in South Carolina; the doctored photograph making fun of Oral Roberts's claim of seeing a 900-foot Jesus at Oral Roberts University in Tulsa, Oklahoma; MAD magazine's "Charles Darwin's Night at the Creation Museum" parody of the Creation Museum in Kentucky; and the "Gumby Jesus" renaming of the Christ of the Ozarks statue in Eureka Springs, Arkansas. These expressions of doubt activate the religious built environment in ways unanticipated but illuminating, asking Americans to consider and clarify what it is they believe"--
    Note: Includes bibliographical references and index
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  • 37
    ISBN: 9780393357622 , 0393357627
    Language: English
    Pages: xxi, 441 Seiten , Illustrationen , 21 cm
    Edition: First published as a Norton paperback
    DDC: 305.48/896073
    RVK:
    RVK:
    Keywords: African American young women Social conditions 19th century ; African American young women Social conditions 20th century ; African American young women Sexual behavior ; History ; Single women Social conditions 19th century ; Single women Social conditions 20th century ; Urban women Social conditions 19th century ; Urban women Social conditions 20th century ; Sex customs History ; Prostitution History ; Man-woman relationships ; Man-woman relationships ; Prostitution ; Sex customs ; Single women ; Social conditions ; Urban women ; Social conditions ; History ; United States ; USA ; Schwarze Frau ; Sexualverhalten ; Soziale Situation ; Geschichte
    Abstract: "A breathtaking exploration of the lives of young black women in the early twentieth century. In Wayward Lives, Beautiful Experiments, Saidiya Hartman examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. Free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work. Beautifully written and deeply researched, Wayward Lives recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them--domestic service, second-class citizenship, and respectable poverty--and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives recovers their radical aspirations and insurgent desires."--Publisher's description
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  • 38
    Book
    Book
    Minneapolis, Minnesota : Graywolf Press
    ISBN: 9781644450215
    Language: English
    Pages: 342 Seiten , Illustrationen, Diagramme, Karten, Portraits (zum Teil farbig) , 24 cm
    DDC: 305.896073
    RVK:
    Keywords: Whites / Race identity / United States ; African Americans / Social conditions / 21st century ; African Americans / Social conditions ; Race relations ; Social conditions ; Whites / Race identity ; Ethnische Beziehungen ; United States / Race relations / 21st century ; United States / Social conditions / 21st century ; United States ; USA ; Essays ; Essays ; USA ; Ethnische Beziehungen
    Abstract: "At home and in government, contemporary America finds itself riven by a culture war in which aggression and defensiveness alike are on the rise. It is not alone. In such partisan conditions, how can humans best approach one another across our differences? Taking the study of whiteness and white supremacy as a guiding light, Claudia Rankine explores a series of real encounters with friends and strangers - each disrupting the false comfort of spaces where our public and private lives intersect, like the airport, the theatre, the dinner party and the voting booth - and urges us to enter into the conversations which could offer the only humane pathways through this moment of division. Just Us is an invitation to discover what it takes to stay in the room together, and to breach the silence, guilt and violence that surround whiteness. Brilliantly arranging essays, images and poems along with the voices and rebuttals of others, it counterpoints Rankine's own text with facing-page notes and commentary, and closes with a bravura study of women confronting the political and cultural implications of dyeing their hair blonde."--Publisher's description
    Description / Table of Contents: What if -- Liminal spaces I -- Evolution -- Lemonade -- Outstretched -- Daughter -- Notes on the state of whiteness -- Tiki torches -- Study on white male privilege -- Tall -- Social contract -- Violent -- Sound and fury -- Big little lies -- Ethical loneliness -- Liminal spaces II -- José Martí -- Boys will be boys -- Complicit freedoms -- Whitening -- Liminal spaces III.
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  • 39
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
    RVK:
    RVK:
    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 40
    ISBN: 9781478009009
    Language: English
    Pages: 1 Online-Ressource (325 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
    RVK:
    Keywords: Geschichte 2000-2019 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American arts ; African Americans in popular culture ; Politics and culture ; Popular culture ; Racism in popular culture ; Massenkultur ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Abstract: The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 41
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780191890406
    Language: English
    Pages: 1 Online-Ressource (xviii, 242 Seiten) , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.4613
    RVK:
    Keywords: Geschichte ; Prosthesis Social aspects ; Prosthesis Psychological aspects ; Body image ; Amputees Psychology ; Amputees History 20th century ; Prothese ; Schwerstbehinderung ; Krieg ; Literatur ; Weltkrieg ; Behinderung ; USA ; USA ; Literatur ; Behinderung ; Prothese ; Krieg ; Schwerstbehinderung ; Weltkrieg ; Geschichte
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  • 42
    ISBN: 9780385544009
    Language: English
    Pages: 445 Seiten, 16 ungezählte Seiten , Illustrationen, Karten
    Edition: First edition
    Parallel Title: Erscheint auch als Brands, H. W Zealot and the emancipator
    DDC: 326/.80922
    RVK:
    Keywords: Brown, John ; Lincoln, Abraham ; Abolitionists Biography ; Presidents Biography ; Antislavery movements History 19th century ; United States History Civil War, 1861-1865 ; Causes ; Harpers Ferry (W. Va.) History John Brown's Raid, 1859 ; United States History Civil War, 1861-1865 ; Causes ; United States History 19th century ; Brown, John 1800-1859 ; Lincoln, Abraham 1809-1865 ; USA ; Abolitionismus ; Geschichte
    Abstract: Pottawatomie -- Springfield -- Harpers Ferry -- The telegraph office.
    Abstract: "What do moral people do when democracy countenances evil? The question, implicit in the idea that people can govern themselves, came to a head in America at the middle of the nineteenth century, in the struggle over slavery. John Brown's answer was violence--violence of a sort some in later generations would call terrorism. Brown was a deeply religious man who heard the God of the Old Testament speaking to him, telling him to do whatever was necessary to destroy slavery. When Congress opened Kansas territory to slavery, the eerily charismatic Brown raised a band of followers to wage war against the evil institution. One dark night his men tore several proslavery settlers from their homes and hacked them to death with broadswords, as a bloody warning to others. Three years later Brown and his men assaulted the federal arsenal at Harpers Ferry, Virginia, with the goal of furnishing slaves with weapons to murder their masters in a race war that would cleanse the nation of slavery once and for all. Abraham Lincoln's answer was politics. Lincoln was an ambitious lawyer and former office-holder who read the Bible not for moral guidance but as a writer's primer. He disliked slavery yet didn't consider it worth shedding blood over. He distanced himself from John Brown and joined the moderate wing of the new, antislavery Republican party. He spoke cautiously and dreamed big, plotting his path to Washington and perhaps the White House. Yet Lincoln's caution couldn't preserve him from the vortex of violence Brown set in motion. Arrested and sentenced to death, Brown comported himself with such conviction and dignity on the way to the gallows that he was canonized in the North as a martyr to liberty. Southerners responded in anger and horror that a terrorist was made into a saint. Lincoln shrewdly threaded the needle of the fracturing country and won election as president, still preaching moderation. But the time for moderation had passed. Slaveholders lumped Lincoln with Brown as an enemy of the Southern way of life; seven Southern states left the Union. Lincoln resisted secession, and the Civil War followed. At first a war for the Union, it became the war against slavery Brown had attempted to start. Before it was over, slavery had been destroyed, but so had Lincoln's faith that democracy can resolve its moral crises peacefully"--
    Note: Includes bibliographical references and index
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  • 43
    ISBN: 9781138058903 , 1138058904
    Language: English
    Pages: xix, 380 Seiten , Illustrationen, Karte
    Series Statement: Routledge literature companions
    Series Statement: Routledge companions
    Parallel Title: Erscheint auch als The Routledge companion to transnational American studies
    Parallel Title: Erscheint auch als Morgan, Nina The Routledge Companion to Transnational American Studies.
    Parallel Title: Erscheint auch als The Routledge companion to transnational American studies
    RVK:
    RVK:
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kultur ; Politik ; Transnationalisierung
    Note: Literaturangaben
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  • 44
    ISBN: 9780451493026
    Language: English
    Pages: xiii, 217 Seiten , 20 cm
    Edition: First edition
    Series Statement: Borzoi Book
    DDC: 305.48896073
    RVK:
    Keywords: Schwarze Frau ; Ethnische Beziehungen ; Soziale Situation ; USA ; Autobiografie ; Autobiografie
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  • 45
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 9781476669496
    Language: English
    Pages: x, 274 Seiten, 8 Seiten , Illustrationen
    DDC: 303.482730969
    RVK:
    Keywords: Einfluss ; Massenkultur ; USA ; Hawaii
    Note: Bibliography Seite 256-264
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  • 46
    ISBN: 9781538101452
    Language: English
    Pages: xxvii, 382 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Mitchell, Verner D., 1957- author Encyclopedia of the Black Arts Movement
    DDC: 700.89/96073
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Black Arts movement Encyclopedias ; Wörterbuch ; Enzyklopädie ; Wörterbuch ; Black arts movement ; USA ; Schwarze ; Künste ; Black power
    Abstract: "The Black Arts Movement (BAM) was the name given to a group of black poets, artists, dramatists, musicians, and writers who emerged in the wake of the Black Power Movement. The entries in this volume include key contributors to the Black Arts Movement, their major works produced during the period, significant publications, and influential groups and organizations"--
    Note: Includes bibliographical references and index
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  • 47
    Book
    Book
    New York : Columbia University Press
    ISBN: 9780231190541
    Language: English
    Pages: 222 Seiten , Illustrationen
    Series Statement: Gender and culture
    Parallel Title: Erscheint auch als Miller, Nancy K., 1941- author My brilliant friends
    DDC: 305.420973
    RVK:
    Keywords: Miller, Nancy K. ; Miller, Nancy K. ; Schor, Naomi ; Middlebrook, Diane Wood ; Cross, Amanda ; Geschichte ; Feminism ; Female friendship ; Feminismus ; USA ; Biografie ; Biografie ; Biografie ; Miller, Nancy K. 1941- ; Cross, Amanda 1926-2003 ; Schor, Naomi 1943-2001 ; Middlebrook, Diane Wood 1939-2007 ; USA ; Feminismus ; Geschichte
    Description / Table of Contents: Includes bibliographical references
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  • 48
    ISBN: 9783837649482 , 3837649482
    Language: German
    Pages: 222 Seiten , Illustrationen , 23 cm, 357 g
    Series Statement: Amerika: Kultur - Geschichte - Politik Band 12
    Parallel Title: Erscheint auch als Märkl, Simon, 1987- Big Science Fiction - Kernfusion und Popkultur in den USA
    Dissertation note: Dissertation Ludwig-Maximilians-Universität München 2019
    DDC: 306.40973
    RVK:
    Keywords: Geschichte 1945-1975 ; Kernfusion ; Großforschung ; Legitimation ; Fortschrittsgedanke ; Diskurs ; Massenmedien ; Massenkultur ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis Seite [211]-222
    URL: Cover
    URL: Cover
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  • 49
    Book
    Book
    Lincoln : Co-published by the University of Nebraska Press and the American Philosophical Society
    ISBN: 9781496211903
    Language: English
    Pages: x, 463 Seiten
    Series Statement: New visions in Native American and indigenous studies
    DDC: 810.8/0897
    RVK:
    RVK:
    RVK:
    Keywords: Deloria, Vine ; Indian authors Biography ; Indian activists Biography ; Biografie ; Biografie ; Deloria, Vine 1933-2005 ; USA ; Red Power
    Abstract: "In Life of the Indigenous Mind: Vine Deloria Jr. and the Birth of the Red Power Movement, David Martínez examines the activism, life, and writings of Vine Deloria Jr., the most influential indigenous activist and writer of the 20th century and one of the intellectual architects of the Red Power Movement"--
    Note: Includes bibliographical references and index
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  • 50
    ISBN: 9781783481095 , 9781783481101
    Language: English
    Pages: xiv, 167 Seiten , Illustrationen
    DDC: 398.2089/96073
    RVK:
    Keywords: Brer Rabbit ; African Americans in literature ; Tricksters in literature ; American literature History and criticism ; Brer Rabbit Fiktive Gestalt ; Gauner ; Schwarze ; Trickster ; Literatur ; USA ; Geschichte
    Abstract: "Examines the cultural significance of the North American trickster figure Brer Rabbit"--
    Note: Includes bibliographical references and index
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  • 51
    ISBN: 9783825346843 , 3825346846
    Language: English
    Pages: viii, 301 Seiten , 22 cm
    Series Statement: American Studies volume 305
    Series Statement: American studies
    Parallel Title: Erscheint auch als Schubert, Stefan Narrative instability
    Dissertation note: Dissertation Universität Leipzig 2018
    DDC: 306.0973
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    Keywords: Hochschulschrift ; Hochschulschrift ; USA ; Pop-Kultur ; Identität ; Instabilität ; Wirklichkeit ; Narrativität ; Geschichte 2000-2019 ; USA ; Pop-Kultur ; Identität ; Instabilität ; Wirklichkeit ; Narrativität ; Geschichte 2000-2019
    Note: Literaturverzeichnis: Seite 275-301
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  • 52
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030194703
    Language: English
    Pages: 1 Online-Ressource (xxix, 311 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.0973
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    Keywords: American Culture ; North American Literature ; Comparative Literature ; African American Culture ; Latino Culture ; United States—Study and teaching ; America—Literatures ; Comparative literature ; African Americans ; Ethnology—Latin America ; Rasse ; Literatur ; Kultur ; Utopie ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Literatur ; Kultur ; Rasse ; Utopie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 53
    ISBN: 9781433161292 , 9781433161308 , 143316129X
    Language: English
    Pages: xxix, 683 Seiten , Illustrationen
    Series Statement: Black studies & critical thinking vol. 110
    Series Statement: Black studies & critical thinking
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Schwarze ; Interdisziplinäre Forschung ; USA ; African ; American ; Bode ; Brock ; Cynthia ; Dillard ; Dimensions ; Discipline ; Nathaniel ; Norment ; Rochelle ; Sarah ; Studies ; Schwarze ; Interdisziplinäre Forschung ; USA
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  • 54
    Book
    Book
    Stanford, California : Stanford University Press
    ISBN: 9781503607293 , 9781503607774
    Language: English
    Pages: xi, 208 Seiten , Illustrationen
    Series Statement: Stanford studies in comparative race and ethnicity
    RVK:
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    Keywords: Literatur ; Ethnische Identität ; Rasse ; Grenze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 55
    ISBN: 9780691181547
    Language: English
    Pages: xii, 482 S. , Ill. , 20,5 cm
    DDC: 305.800973
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    Keywords: Baldwin, James Political and social views ; Buckley, William F ; African Americans Social conditions 20th century ; United States Race relations 20th century ; Baldwin, James 1924-1987 ; Buckley, William F. 1925-2008 ; USA ; Schwarze ; Rassismus ; Geschichte
    Abstract: "In February 1965, novelist and 'poet of the Black Freedom Struggle' James Baldwin and political commentator and father of the modern American conservative movement William F. Buckley met in Cambridge Union to face-off in a televised debate. The topic was 'The American Dream is at the expense of the American Negro.' Buccola uses this momentous encounter as a lens through which to deepen our understanding of two of the most important public intellectuals in twentieth century American thought. The book begins by providing intellectual biographies of each debater. As Buckley reflected on the civil rights movement, he did so from the perspective of someone who thought the dominant norms and institutions in the United States were working quite well for most people and that they would eventually work well for African-Americans. From such a perspective, any ideology, personality, or movement that seems to threaten those dominant norms and institutions must be deemed a threat. Baldwin could not bring himself to adopt such a bird's eye point of view. Instead, he focused on the 'inner lives' of those involved on all sides of the struggle. Imagine what it must be like, he told the audience at Cambridge, to have the sense that your country has not 'pledged its allegiance to you?' Buccola weaves the intellectual biographies of these two larger-than-life personalities and their fabled debate with the dramatic history of the civil rights movement that includes a supporting cast of such figures as Robert Kennedy, Martin Luther King Jr., Malcolm X, Lorraine Hansberry, and George Wallace. Buccola shows that the subject of their debate continues to have resonance in our own time as the social mobility of blacks remains limited and racial inequality persists"--
    Note: Bibliogr. S. [459] - 476 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 56
    ISBN: 9780813177304
    Language: English
    Pages: x, 207 Seiten
    Parallel Title: Erscheint auch als Cantor, Paul A., 1945 - Pop Culture and the Dark Side of the American Dream
    DDC: 306.097309/04
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    Keywords: Popular culture History 20th century ; Popular culture History 21st century ; National characteristics, American ; American Dream ; United States Civilization 1945- ; USA ; Pop-Kultur ; American dream
    Abstract: Aristocracy in America: Huckleberry Finn and the democratic art of imposture -- The talented Mr. Dukenfield: W. C. Fields and the American dream -- "I believe in America": the Godfather films and the immigrant's tragedy -- The Macbeth of meth: Breaking bad and the tragedy of Walter White -- The apocalyptic strain in popular culture: the American nightmare becomes the American dream.
    Note: Includes bibliographical references and index
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  • 57
    ISBN: 9781501351990
    Language: English
    Pages: ix, 197 Seiten
    Edition: Paperback edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.4850973
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    Keywords: Geschichte 1900-2010 ; Natural disasters Social aspects ; Disasters in literature ; Popkultur ; Naturkatastrophe ; Katastrophe ; Film ; Literatur ; United States Social life and customs ; USA ; USA ; Literatur ; Naturkatastrophe ; Geschichte 1900-2010 ; USA ; Literatur ; Popkultur ; Film ; Katastrophe
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  • 58
    Book
    Book
    New York ; London : The New Press
    ISBN: 9781620975879 , 9781620974360
    Language: English
    Pages: 248 Seiten
    Parallel Title: Erscheint auch als
    DDC: 301.092
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    Keywords: BIOGRAPHY & AUTOBIOGRAPHY / Social Scientists & Psychologists ; SOCIAL SCIENCE / Feminism & Feminist Theory ; SOCIAL SCIENCE / Popular Culture ; SOCIAL SCIENCE / Discrimination & Race Relations ; Women sociologists / United States ; Women, Black / United States ; Soziologin ; Feminismus ; Schwarze Frau ; Ethnische Beziehungen ; Diskriminierung ; USA ; Autobiografie ; Biografie ; Schwarze Frau ; Soziologin ; Diskriminierung ; Feminismus ; Ethnische Beziehungen ; USA
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  • 59
    ISBN: 9781138605923
    Language: English
    Pages: XX, 211 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts Movement and the Black Panther Party in American Visual Culture
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    Keywords: USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
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  • 60
    Online Resource
    Online Resource
    New York : Columbia University Press
    ISBN: 9780231547253
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als Zamalin, Alex, 1986 - Black utopia
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    Keywords: Utopias ; African Americans Intellectual life ; African Americans Politics and government ; HISTORY / African American ; PHILOSOPHY / Political ; USA ; Schwarze ; Geistesleben ; Utopie ; Ethnische Identität ; Nationalismus
    Abstract: Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction: Utopia and Black American Thought -- 1. Martin Delany’s Experiment in Escape -- 2. Turn- of- the- Century Black Literary Utopianism -- 3. W. E. B. Du Bois’s World of Utopian Intimacy -- 4. George S. Schuyler, Irony, and Utopia -- 5. Richard Wright’s Black Power and Anticolonial Antiutopianism -- 6. Sun Ra and Cosmic Blackness -- 7. Samuel Delany and the Ambiguity of Utopia -- 8. Octavia Butler and the Politics of Utopian Transcendence -- Conclusion: Black Utopia and the Contemporary Political Imagination -- Notes -- Bibliography -- Index
    Abstract: Within the history of African American struggle against racist oppression that often verges on dystopia, a hidden tradition has depicted a transfigured world. Daring to speculate on a future beyond white supremacy, black utopian artists and thinkers offer powerful visions of ways of being that are built on radical concepts of justice and freedom. They imagine a new black citizen who would inhabit a world that soars above all existing notions of the possible.In Black Utopia, Alex Zamalin offers a groundbreaking examination of African American visions of social transformation and their counterutopian counterparts. Considering figures associated with racial separatism, postracialism, anticolonialism, Pan-Africanism, and Afrofuturism, he argues that the black utopian tradition continues to challenge American political thought and culture. Black Utopia spans black nationalist visions of an ideal Africa, the fiction of W. E. B. Du Bois, and Sun Ra’s cosmic mythology of alien abduction. Zamalin casts Samuel R. Delany and Octavia E. Butler as political theorists and reflects on the antiutopian challenges of George S. Schuyler and Richard Wright. Their thought proves that utopianism, rather than being politically immature or dangerous, can invigorate political imagination. Both an inspiring intellectual history and a critique of present power relations, this book suggests that, with democracy under siege across the globe, the black utopian tradition may be our best hope for combating injustice
    Note: Mode of access: Internet via World Wide Web. , In English
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
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  • 61
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Language: English
    Pages: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Edition: First edition.
    Series Statement: Routledge Research in Art and Race
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Keywords: Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Abstract: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Note: Includes bibliographical references and index
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  • 62
    ISBN: 9781501154287
    Language: English
    Pages: xxiv, 244 Seiten
    Edition: First 37 Ink/Atria Books hardcover edition
    DDC: 305.896/073
    RVK:
    Keywords: African Americans Intellectual life ; African Americans Books and reading ; History ; Literacy History ; African Americans Race identity ; African Americans Social conditions ; African Americans Social life and customs ; African Americans ; African Americans in literature ; American essays ; American literature ; LANGUAGE ARTS & DISCIPLINES ; LITERARY COLLECTIONS ; LITERARY CRITICISM ; Criticism, interpretation, etc ; Essays ; Essays ; Essays ; History ; Aufsatzsammlung ; Bibliografie ; Aufsatzsammlung ; Bibliografie ; USA ; Schwarze ; Literatur ; Geschichte 1800-2018
    Abstract: "Spanning 250 years, this carefully-curated collection of 25 essays features the earliest Black authors who wrote as means of resistance in a time when their literacy was illegal and the brilliant writers who have continued their legacy--utilizing the power of the written word to create change, insert a diversity of experience into the "mainstream," and make a profound impact on our communities and the world"--
    Abstract: Spanning over 250 years of history, Black Ink traces black literature in America from Frederick Douglass to Ta-Nehisi Coates in this masterful collection of twenty-five illustrious and moving essays on the power of the written word. Throughout American history black people are the only group of people to have been forbidden by law to learn to read. This unique collection seeks to shed light on that injustice and subjugation, as well as the hard-won literary progress made, putting some of America's most cherished voices in a conversation in one magnificent volume that presents reading as an act of resistance. Organized into three sections, the Peril, the Power, and Pleasure, and with an array of contributors both classic and contemporary, Black Ink presents the brilliant diversity of black thought in America while solidifying the importance of these writers within the greater context of the American literary tradition. At times haunting and other times profoundly humorous, this unprecedented anthology guides you through the remarkable experiences of some of America's greatest writers and their lifelong pursuits of literacy and literature. The foreword was written by Nikki Giovanni. Contributors include: Frederick Douglass, Solomon Northup, Booker T. Washington, W.E.B. Du Bois, Zora Neale Hurston, Langston Hughes, James Baldwin, Malcolm X, Maya Angelou, Martin Luther King, Jr., Toni Morrison, Walter Dean Myers, Stokely Carmichael [Kwame Ture], Alice Walker, Jamaica Kincaid, Henry Louis Gates, Jr., Terry McMillan, Junot Diaz, Edwidge Danticat, Colson Whitehead, Marlon James, Roxane Gay, Ta-Nehisi Coates, Chimamanda Ngozi Adichie, and Colson Whitehead. The anthology features a bonus in-depth interview with President Barack Obama
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  • 63
    Book
    Book
    New York ; Oxford : Oxford University Press
    ISBN: 9780190612535
    Language: English
    Pages: x, 384 Seiten , Illustrationen
    Edition: Fourth edition
    Parallel Title: Erscheint auch als
    DDC: 305.310973
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    Keywords: Geschichte ; Men Psychology ; Masculinity ; Geschichte ; Männlichkeit ; Männerbild ; Kultur ; Psychologie ; Mann ; Männlichkeit ; USA ; USA ; Mann ; Psychologie ; Männerbild ; Männlichkeit ; Geschichte ; USA ; Männlichkeit ; Kultur ; Geschichte
    Note: Includes bibliographical references and index
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  • 64
    ISBN: 9781481308823 , 9781602583146
    Language: English
    Pages: xxiv, 311 Seiten , Illustrationen
    Edition: Second edition
    DDC: 398.24/54
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    Keywords: Ghosts ; Ghouls and ogres ; Animals, Mythical ; Supernatural ; Popular culture History ; Monsters ; Monsters ; Ghosts ; Ghouls and ogres ; Animals, Mythical ; Supernatural ; Popular culture ; United States ; History
    Description / Table of Contents: Preface : with a warning to the unsuspecting reader -- Introduction : the bloody chords of memory -- Monstrous beginnings -- Goth Americana -- Weird science -- Alien invasions -- Deviant bodies -- Haunted houses -- Undead Americans -- Epilogue : worse things waiting -- Filmography -- Note on sources.
    Note: Includes bibliographical references and index. - Includes filmography (p. 229-230). - Preface : with a warning to the unsuspecting reader -- Introduction : the bloody chords of memory -- Monstrous beginnings -- Goth Americana -- Weird science -- Alien invasions -- Deviant bodies -- Haunted houses -- Undead Americans -- Epilogue : worse things waiting -- Filmography -- Note on sources
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  • 65
    ISBN: 9781551309545
    Language: English
    Pages: xiii, 232 Seiten , Illustrationen
    Edition: First published
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1920-2000 ; Jugendkultur ; Geschichte ; Wandel ; USA ; Jugendkultur ; Wandel ; Geschichte ; USA ; Jugendkultur ; Geschichte 1920-2000
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  • 66
    Book
    Book
    Lewisburg : Bucknell University Press
    ISBN: 9781611488487
    Language: English
    Pages: xxviii, 147 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 302
    RVK:
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    Keywords: Geschichte 2001-2017 ; Social interaction ; Hospitality ; September 11 Terrorist Attacks, 2001 Influence ; September 11 Terrorist Attacks, 2001, in mass media ; September 11 Terrorist Attacks, 2001, in literature ; Psychic trauma and mass media ; Verständigung ; Kunstwerk ; Elfter September ; Gastfreundschaft ; USA ; Aufsatzsammlung ; USA ; Elfter September ; Kunstwerk ; Gastfreundschaft ; Verständigung ; Geschichte 2001-2017
    Note: Includes bibliographical references and index
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  • 67
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226152653 , 9780226599069
    Language: English
    Pages: 541 Seiten , Illustrationen , 24 cm
    Edition: Paperback edition
    Parallel Title: Erscheint auch als Dinerstein, Joel The Origins of Cool in Postwar America.
    DDC: 306.0973/0904
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    Keywords: USA ; Lebensstil ; Soziale Distanz ; Verweigerung ; Geschichte 1945-1965
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  • 68
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan
    ISBN: 9783319937465
    Language: English
    Pages: 1 Online-Ressource (XV, 288 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.0973
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    Keywords: Cultural and Media Studies ; American Culture ; Popular Culture ; American Cinema ; North American Literature ; Mass Media ; Culture / Study and teaching ; United States / Study and teaching ; Motion pictures / United States ; America / Literatures ; Roman ; Literatur ; Film ; Rache ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Rache ; Literatur ; Film ; USA ; Roman ; Film ; Rache
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 69
    ISBN: 9780008297664 , 9780062748201
    Language: English
    Pages: xxviii, 171 Seiten , Illustration , 22 cm
    Edition: Paperback edition
    DDC: 306.3620973
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    Keywords: Lewis, Cudjo Interviews ; Lewis, Cudjo Interviews ; Slaves History ; 19th century ; United States ; Slave trade History ; 19th century ; United States ; Slave trade History ; 19th century ; United States ; Slaves History ; 19th century ; United States ; Slave trade ; Slaves ; Lewis, Cudjo ; Erlebnisbericht ; Interview ; Erlebnisbericht ; Interview ; USA ; Sklaverei
    Abstract: Abducted from Africa, sold in America. A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker. This account illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade. In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis, who was abducted from Africa on the last "Black Cargo" ship to arrive in the United States. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.
    Note: Umschlag: Foreword by Alice Walker , Literaturverzeichnis: Seite 169-171 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 70
    Online Resource
    Online Resource
    Cham : Palgrave Macmillan
    ISBN: 9783319771496
    Language: English
    Pages: 1 Online-Ressource (IX, 197 p. 9 illus. in color)
    Parallel Title: Erscheint auch als
    DDC: 306.0973
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    Keywords: Geschichte 2001-2015 ; Culture / Study and teaching ; Religion and sociology ; United States / Study and teaching ; Film genres ; Literature, Modern / 20th century ; Literature, Modern / 21st century ; Fiction ; Cultural and Media Studies ; American Culture ; Contemporary Literature ; Fiction ; Religion and Society ; Genre ; Vampir ; Trauma ; Vampirfilm ; Religion ; Fernsehsendung ; Literatur ; USA ; USA ; Vampirfilm ; Fernsehsendung ; Literatur ; Vampir ; Trauma ; Religion ; Geschichte 2001-2015
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 71
    ISBN: 9783319768199
    Language: English
    Pages: 1 Online-Ressource (XVI, 162 p)
    Parallel Title: Erscheint auch als
    DDC: 306.0973
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    Keywords: Geschichte 1980-1990 ; Culture / Study and teaching ; United States / Study and teaching ; Communication ; Motion pictures / United States ; America / Literatures ; Cultural and Media Studies ; American Culture ; American Cinema ; North American Literature ; Popular Culture ; Media and Communication ; Film ; Subversion ; Roman ; USA ; USA ; Roman ; Film ; Subversion ; Geschichte 1980-1990
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 72
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822363798 , 0822363798 , 9780822363644
    Language: English
    Pages: xvi, 226 Seiten , Illustrationen
    Series Statement: Asian American cultural studies
    Parallel Title: Erscheint auch als
    DDC: 809.3/876
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    Keywords: Literatur ; Spekulation ; Fiktion ; Zukunft ; Asien ; USA
    Note: Literaturverzeichnis Seite 201-216
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  • 73
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520292833 , 9780520292826
    Language: English
    Pages: xiii, 291 Seiten , Karten
    Parallel Title: Erscheint auch als Hunter, Marcus Anthony, author Chocolate cities
    DDC: 973.0496073
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    Keywords: Geschichte ; African Americans History ; Stadt ; Kulturleben ; Schwarze ; USA ; USA ; Schwarze ; Stadt ; Kulturleben ; Geschichte
    Abstract: "When you think of a map of the United States, what do you see? Now think of the Seattle that begot Jimi Hendrix. The Dallas that shaped Erykah Badu. The Holly Springs, Mississippi, that compelled Ida B. Wells to activism against lynching. The Birmingham where Martin Luther King, Jr., penned his most famous missive. Now how do you see the United States? Chocolate Cities offers a new cartography of the United States...a "Black Map" that more accurately reflects the lived experiences and the future of Black life in America. Drawing on cultural sources such as film, music, fiction, and plays, and on traditional resources like Census data, oral histories, ethnographies, and health and wealth data, the book offers a new perspective for analyzing, mapping, and understanding the ebbs and flows of the Black American experience...all in the cities, towns, neighborhoods, and communities that Black Americans have created and defended. Black maps are consequentially different from our current geographical understanding of race and place in America. And as the United States moves toward a majority minority society, Chocolate Cities provides a broad and necessary assessment of how racial and ethnic minorities make and change America's social, economic, and political landscape"...Provided by publisher
    Note: Includes bibliographical references and index
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  • 74
    Book
    Book
    Cambridge, Massachusetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674970502 , 9780674984073
    Language: English
    Pages: 340 Seiten , 25 cm
    Edition: First Harvard University Press paperback edition
    DDC: 304.3/3660973
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    Keywords: Soziale Ungleichheit ; Sozialpolitik ; Schwarze ; Stadtviertel ; USA ; Inner cities / United States ; Social justice / United States ; Racism in public welfare / United States ; African Americans / United States / Social conditions ; Inner cities / Government policy / United States ; USA ; Schwarze ; Stadtviertel ; Soziale Ungleichheit ; Sozialpolitik
    Abstract: "Why do ghettos persist?" Tommie Shelby asks in Dark Ghettos. Today, ghettos are widely seen as social problems that public policy should aim to solve. Shelby calls this the "medical model" because it portrays ghettos as sick patients in need of treatment. In his view, this model ignores the political agency of the ghetto poor and the underlying social structures that perpetuate disadvantage in black communities. Shelby argues that we should conceive of ghettos within a "justice paradigm" instead. Adopting a Rawlsian framework, he considers the existence of ghettos as a sign of deeply embedded social injustice, and he offers a "nonideal" social theory, establishing what the government and citizens are obligated and permitted to do within fundamentally unfair conditions. His theory arises through practical considerations: should the American government enforce residential diversity? Should welfare programs disincentivize single motherhood? For those who live in ghettos, is voluntary non-work--or street violence, or hip-hop--a just and valid form of dissent? Ultimately, Shelby aims to establish principles that will lead to the abolishment of ghettos through just reform.--
    Abstract: Introduction: Rethinking the problem of the ghetto -- Part I. Liberty, equality, fraternity -- Injustice -- Community -- Culture -- Part II. Of love and labor -- Reproduction -- Family -- Work -- Part III. Rejecting the claims of law -- Crime -- Punishment -- Impure dissent -- Epilogue: renewing ghetto abolitionism
    Note: Includes bibliographical references and index
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  • 75
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield International
    ISBN: 9781786602541 , 9781786602558
    Language: English
    Pages: xv, 207 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.800973
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    Keywords: Blacks Race identity ; Whites Race identity ; Race awareness ; Racism ; Ethnische Identität ; Kultur ; Schwarze ; Weiße ; USA ; USA ; Kultur ; Schwarze ; Weiße ; Ethnische Identität
    Note: Includes bibliographical references and index
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  • 76
    Book
    Book
    Heidelberg : Universitätsverlag Winter
    ISBN: 9783825368609 , 3825368602
    Language: English
    Pages: XIX, 483 Seiten , 21 cm x 13.5 cm
    Series Statement: American studies volume 286
    Series Statement: American studies
    DDC: 304.27
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    Keywords: Geschichte ; Kultur ; Schnittstelle ; Biologie ; Sachkultur ; Körperkultur ; USA ; amerikanische Literatur ; Biologie ; Humanbiologie ; amerikanische Kultur ; Leiblichkeit ; Körper ; Krankheit ; Epidemie ; Materialität ; Volkskrankheiten ; Postkolonialismus ; Öffentlichkeit ; Ungleichheit ; Normativität ; Alter ; Behinderung ; Kriegsveteranen ; Verletzbarkeit ; Semiotik ; Genetik ; Transhumanismus ; Biotechnologie ; Krebserkrankung ; Schmerz ; USA ; Biologie ; Kultur ; Schnittstelle ; Geschichte ; USA ; Körperkultur ; Sachkultur ; Geschichte
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  • 77
    ISBN: 9780525574828
    Language: English
    Pages: 208 pages , 20 cm
    Edition: First edition
    Parallel Title: Erscheint auch als Kakutani, Michiko, author Death of truth
    DDC: 306.20973
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    Keywords: Political culture ; Truth Political aspects ; United States Politics and government 2017- ; Trump, Donald 1946- ; USA ; Unwahrheit ; Subjektivität ; Lüge ; Politische Kultur
    Abstract: The decline and fall of reason -- The new culture wars -- "Moi" and the rise of subjectivity -- The vanishing of reality -- The co-opting of language -- Filters, silos, and tribes -- Technology -- "The firehose of falsehood" : propaganda and fake news -- The Schadenfreude of the trolls
    Note: Includes bibliographical references and index
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  • 78
    ISBN: 0814254675 , 0814213626 , 9780814254677 , 9780814213629
    Language: English
    Pages: ix, 177 pages , 24 cm
    DDC: 325.7309/041
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    Keywords: Eugenics Social aspects ; Eugenics Social aspects ; Rhetoric Social aspects ; Rhetoric Social aspects ; People with disabilities Social aspects ; Canada Emigration and immigration ; Social aspects ; United States Emigration and immigration ; Social aspects ; USA ; Kanada ; Einwanderung ; Behinderter Mensch ; Feindlichkeit ; Eugenik ; Rassismus ; Geschichte 1900-1930
    Abstract: "A rhetorical examination of the spaces, technologies, and discourses of immigration restriction during the peak period of North American immigration in the early twentieth century. Links anti-immigration rhetoric to eugenics--and argues racist and ableist ideas about bodily values have never really gone away"--
    Abstract: Introduction: Immigration has never been about immigration -- ISLAND: Ellis Island and the inventions of race and disability -- PIER: Canada's Pier 21 and the memorialization of immigration -- EXPLOSION: Technologies of immigration restriction -- ARCHIVE: Affective spaces of eugenics -- Conclusion: Responsibility for tomorrow
    Note: Includes bibliographical references and index
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  • 79
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517900236 , 9781517900229
    Language: English
    Pages: xvi, 370 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 325.73
    RVK:
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    Keywords: SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies / bisacsh ; SOCIAL SCIENCE / Emigration & Immigration / bisacsh ; SOCIAL SCIENCE / Poverty & Homelessness / bisacsh ; Illegal aliens Political activity ; Mexican Americans Political activity ; Central America Americans Political activity ; SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies ; SOCIAL SCIENCE / Emigration & Immigration ; SOCIAL SCIENCE / Poverty & Homelessness ; Dokumentation ; Flüchtlingspolitik ; Einwanderung ; Medien ; Mexikaner ; United States Emigration and immigration ; Government policy ; Zentralamerika ; USA ; USA ; Mexikaner ; Zentralamerika ; Einwanderung ; Medien ; Dokumentation ; Flüchtlingspolitik
    Abstract: "Examining how undocumented migrants are using film, video, and other documentary media to challenge surveillance, detention, and deportation As debates over immigration increasingly become flashpoints of political contention in the United States, a variety of advocacy groups, social service organizations, filmmakers, and artists have provided undocumented migrants with the tools and training to document their experiences. In The Undocumented Everyday, Rebecca M. Schreiber examines the significance of self-representation by undocumented Mexican and Central American migrants, arguing that by centering their own subjectivity and presence through their use of documentary media, these migrants are effectively challenging intensified regimes of state surveillance and liberal strategies that emphasize visibility as a form of empowerment and inclusion. Schreiber explores documentation as both an aesthetic practice based on the visual conventions of social realism and a state-administered means of identification and control. As Schreiber shows, by visualizing new ways of belonging not necessarily defined by citizenship, these migrants are remaking documentary media, combining formal visual strategies with those of amateur photography and performative elements to create a mixed-genre aesthetic. In doing so, they make political claims and create new forms of protection for migrant communities experiencing increased surveillance, detention, and deportation"...
    Note: Includes bibliographical references and index
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  • 80
    Book
    Book
    New York : New York University Press
    ISBN: 9781479832774 , 9781479890170
    Language: English
    Pages: xxii, 299 Seiten , Illustrationen
    Series Statement: Sexual cultures
    Parallel Title: Erscheint auch als
    DDC: 306.7601
    RVK:
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    Keywords: Ishioka, Eiko ; González-Torres, Félix ; Bustamante, Nao ; Tseng, Kwong Chi ; Simone, Nina ; Danh Vo ; Queer theory ; Performance art ; Minorities Social conditions ; Performance ; Kleinkunst ; Identität ; Soziale Situation ; Darstellender Künstler ; Queer-Theorie ; USA ; USA ; Kleinkunst ; Performance ; Darstellender Künstler ; Soziale Situation ; Identität ; Queer-Theorie ; Bustamante, Nao 1963- ; Simone, Nina 1933-2003 ; Danh Vo 1975- ; Ishioka, Eiko 1939-2012 ; Tseng, Kwong Chi 1950-1990 ; González-Torres, Félix 1957-1996
    Note: Includes bibliographical references and index
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  • 81
    Image
    Image
    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Language: English
    Pages: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
    RVK:
    Keywords: Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Abstract: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Note: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 82
    ISBN: 9780872731844 , 0872731847
    Language: English
    Pages: 152 Seiten , Illustrationen , 27 cm
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism and the arts Exhibitions History 20th century ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism and the arts Exhibitions ; History ; 20th century ; United States ; African American feminists ; African American radicals ; African American women authors ; African American women Political activity ; Feminism and the arts ; Feminist literature United States ; African American feminists ; African American feminists ; African American radicals ; African American radicals ; African American women ; African American women ; African American women authors ; African American women authors ; Feminism and the arts ; Feminism and the arts ; Feminist literature ; Feminist literature ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Schwarze ; Frauenkunst ; Geschichte 1965-1985
    Abstract: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Note: Includes bibliographical references , Impressum: "Published on the occasion of the exhibition We Wanted a Revolution: Black Radical Women, 1965-85, organized by the Brooklyn Museum. Itinerary Brooklyn Museum, April 21-September 17, 2017, California African American Museum, Los Angeles, October 13, 2017-January 14, 2018, Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018, The Institute of Contemporary Art/Boston, June 26-September 30, 2018."
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  • 83
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780190840624
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: [Oxford handbooks online
    Series Statement: Literature]
    Parallel Title: Erscheint auch als The Oxford handbook of American folklore and folklife studies
    DDC: 398.209473
    RVK:
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    Keywords: Folklore ; Volkskultur ; Volksliteratur ; USA ; Folklore ; United States ; United States ; Social life and customs ; United States Social life and customs ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Volkskunde ; Volkskultur
    Abstract: Surveying the materials, approaches, and contexts of American folklore and folklife studies, this handbook guides folklorists and students/scholars of American culture, history, and society through more than 350 years of work in the subject.
    Note: Titel ist noch nicht vollständig erschienen, Beiträge werden nach und nach online hinzugefügt
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  • 84
    Book
    Book
    Madrid : Iberoamericana | Frankfurt am Main : Vervuert
    ISBN: 9788416922291 , 9783954876211
    Language: Spanish
    Pages: 348 Seiten , Illustrationen
    Series Statement: La casa de la riqueza 41
    Series Statement: La casa de la riqueza
    DDC: 306
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    Keywords: García Lorca, Federico ; Buñuel, Luis ; Dalí, Salvador ; Amerikabild ; USA ; Konferenzschrift 15.10.2015-17.10.2015 ; Aufsatzsammlung ; Aufsatzsammlung ; García Lorca, Federico 1898-1936 ; Buñuel, Luis 1900-1983 ; Dalí, Salvador 1904-1989 ; USA ; Amerikabild
    URL: Cover
    URL: Cover
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  • 85
    ISBN: 9783837642537 , 3837642534
    Language: German
    Pages: 375 Seiten , Illustrationen
    Series Statement: Edition Medienwissenschaften Band 51
    Series Statement: Edition Medienwissenschaft
    Parallel Title: Erscheint auch als Miggelbrink, Monique Fernsehen und Wohnkultur
    Dissertation note: Dissertation Universität Paderborn 2017
    DDC: 302.2345094309046
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    Keywords: Wohnkultur ; Fernsehempfänger ; Design ; Deutschland ; USA ; Hochschulschrift ; Hochschulschrift ; Deutschland ; USA ; Fernsehempfänger ; Design ; Wohnkultur ; Geschichte 1953-1970 ; Fernsehen ; Möbel ; Fernsehen ; Wohnkultur ; Fernsehempfänger ; Möbel
    Note: Quellen- und Literaturverzeichnis: Seite 349-375
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  • 86
    ISBN: 9781479823420 , 9781479850600
    Language: English
    Pages: vii, 275 Seiten , Illustrationen , 23 cm
    DDC: 305.48/697
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    Keywords: Schwarze Frau ; Muslimin ; USA
    Note: Literaturverzeichnis: Seite 249-260
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  • 87
    ISBN: 9783825368180 , 3825368181
    Language: English
    Pages: x, 269 Seiten , 4 Karten , 21 cm x 13.5 cm
    Series Statement: American studies volume 290
    Series Statement: American studies
    DDC: 420
    RVK:
    Keywords: Geschichte 1990-2013 ; Menschenrechtsverletzung ; Chinesen ; Autobiografische Literatur ; Afrikaner ; Iranier ; Amerikanisierung ; USA ; USA ; Autobiografische Literatur ; Iranier ; Afrikaner ; Chinesen ; Amerikanisierung ; Menschenrechtsverletzung ; USA ; Autobiografische Literatur ; Menschenrechtsverletzung ; Iranier ; Afrikaner ; Chinesen ; Geschichte 1990-2013
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  • 88
    ISBN: 9783825369392
    Language: English
    Pages: 245 Seiten , Illustrationen
    Series Statement: American studies volume 297
    Series Statement: American studies
    Dissertation note: Dissertation Universität Wien 2015
    DDC: 303.48243073
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    Keywords: Transnationalisierung ; Kapitalismus ; Kulturübertragung ; Neoliberalismus ; Kultur ; USA ; Österreich ; Deutschland ; Transnationalismus ; U.S.A. ; Performance ; Kapitalismus ; Neoliberalismus ; Stonewall Riots ; Ureinwohner Nordamerikas ; Indianer ; kulturelle Identität ; Miller, Arthur ; Loman, Willy ; Flicker, Florian ; 21. Jahrhundert ; 20. Jahrhundert ; Gegenwartsliteratur ; Deutschland ; Österreich ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Kultur ; Transnationalisierung ; Neoliberalismus ; USA ; Transnationalisierung ; Kulturübertragung ; Neoliberalismus ; Kapitalismus ; Österreich ; Deutschland
    Note: Literaturverzeichnis: Seite 223-241
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  • 89
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190279646
    Language: English
    Pages: 1 Online-Ressource (288 Seiten) , illustrations (black and white, and colour), maps (black and white)
    Additional Information: Rezensiert in Lewis, Bonnie Sue [Rezension von: Graber, Jennifer, The Gods of Indian Country: Religion and the Struggle for the American West] 2020
    Parallel Title: Erscheint auch als Graber, Jennifer, 1973 - The gods of Indian country
    DDC: 978.00497492
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    Keywords: Kiowa Indians History 19th century ; Kiowa Indians Government relations 19th century ; History ; Kiowa Indians Missions 19th century ; History ; Kiowa Indians ; History ; 19th century ; Kiowa Indians ; Government relations ; History ; 19th century ; Kiowa Indians ; Missions ; History ; 19th century ; USA ; Kiowa ; Ethnische Religion ; Kulturelle Identität ; Siedler ; Mission ; Rassendiskriminierung ; Geschichte 1803-1903
    Abstract: During the nineteenth century, Americans sought the cultural transformation and the physical displacement of American Indian nations. Native people resisted these efforts. Though this process is often understood as a clash of rival economic systems or racial ideologies, it was also a profound spiritual struggle. The conflict over Indian Country sparked crises for both Natives and Americans. In the end, the experience of intercultural encounter and conflict over land produced religious transformations on both sides. This work focuses on Kiowa Indians during Americans' hundred-year effort to acquire, explore, and seize their homeland between 1803 and 1903.
    Note: Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 5, 2018)
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  • 90
    ISBN: 1512600199 , 1512600180 , 9781512600193 , 9781512600186
    Language: English
    Pages: xiii, 263 pages , illustrations , 25 cm
    Series Statement: Re-mapping the transnational
    Parallel Title: Erscheint auch als Pardini, Samuele F. S., author In the name of the mother
    DDC: 305.800973
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    Keywords: Italian Americans Ethnic identity ; Italian Americans Intellectual life ; African Americans Relations with Italian Americans ; African Americans Race identity ; African Americans Intellectual life ; Italian Americans in mass media ; African Americans in mass media ; Popular culture ; United States Ethnic relations ; USA ; Schwarze ; Italiener ; Ethnische Beziehungen ; Geistesleben ; Massenmedien ; Geschichte
    Abstract: "Examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century"--
    Abstract: New world, old woman: or, modernity upside down -- Rochester, Sicily: the political economy of Italian American life and the encounter with blackness -- Structures of invisible blackness: racial difference, (homo)sexuality, and Italian American identity in African American literature during Jim Crow -- In the name of the father, the son, and the holy gun: modernity as gangster -- In the name of the mother: the other Italian American modernity -- The dago and the darky: staging subversion
    Note: Includes bibliographical references (pages 243-253) and index
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  • 91
    Book
    Book
    Philadelphia : University of Pennsylvania Press
    ISBN: 9780812249194
    Language: English
    Pages: xvi, 266 Seiten , 24 cm
    DDC: 306.0973
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte ; Geschichte ; End of the world ; End of the world Forecasting ; Eschatology ; Eschatology Forecasting ; Americans Attitudes 20th century ; History ; Christianity and culture History 20th century ; Technologie ; Apokalyptik ; Eschatologie ; Endzeiterwartung ; USA ; USA ; USA ; Apokalyptik ; Endzeiterwartung ; Eschatologie ; Technologie ; Geschichte
    Note: Includes bibliographical references and index
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  • 92
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319580333
    Language: English
    Pages: 1 Online-Ressource (XVII, 240 p. 2 illus)
    Parallel Title: Erscheint auch als
    DDC: 306.095
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    Keywords: Geschichte ; Culture / Study and teaching ; United States / Study and teaching ; Ethnology / Asia ; Motion pictures / Asia ; Oriental literature ; Cultural and Media Studies ; Asian Culture ; Global/International Culture ; American Culture ; Popular Culture ; Asian Literature ; Asian Cinema ; Film ; Kulturvergleich ; Film ; Theater ; Literatur ; Asien ; USA ; China ; USA ; China ; USA ; Literatur ; Film ; Theater ; Kulturvergleich ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 93
    Book
    Book
    New Brunswick : Rutgers University Press
    ISBN: 9780813589329 , 9780813589336
    Language: English
    Pages: vii, 215 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Sollors, Werner, author Challenges of diversity
    DDC: 810.9/358
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    Keywords: National characteristics, American, in literature ; American literature History and criticism ; Multiculturalism in literature ; Ethnicity in literature ; Race in literature ; Immigrants in literature ; USA ; Literatur ; Ethnische Identität
    Abstract: "What unites and what divides Americans as a nation? Who are we, and can we strike a balance between an emphasis on our divergent ethnic origins and what we have in common? Opening with a survey of American literature through the vantage point of ethnicity, Werner Sollors examines our evolving understanding of ourselves as an Anglo-American nation to a multicultural one and the key role writing has played in that process. Challenges of Diversity contains stories of American myths of arrival (pilgrims at Plymouth Rock, slave ships at Jamestown, steerage passengers at Ellis Island), the powerful rhetoric of egalitarian promise in the Declaration of Independence and the heterogeneous ends to which it has been put, and the recurring tropes of multiculturalism over time (e pluribus unum, melting pot, cultural pluralism). Sollors suggests that although the transformation of this settler country into a polyethnic and self-consciously multicultural nation may appear as a story of great progress toward the fulfillment of egalitarian ideals, deepening economic inequality actually exacerbates the divisions among Americans today"--
    Note: Includes bibliographical references and index
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  • 94
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370161 , 9780822370062
    Language: English
    Pages: xvii, 339 Seiten
    Series Statement: Consent not to be a single being [1]
    DDC: 305.896
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    Keywords: Schwarze ; Kunst ; USA
    Note: Literaturverzeichnis: Seite 317-328
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  • 95
    Book
    Book
    Cambridge, Massachusetts ; London, England : Harvard University Press
    ISBN: 9780674980075
    Language: English
    Pages: 164 Seiten
    DDC: 306.4209730904
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1950 ; Geschichte ; Authors and patrons History ; Critics History ; Modernism (Literature) ; Litterateurs History ; Schriftsteller ; Kulturverwaltung ; USA ; United States Intellectual life 20th century ; USA ; USA ; Schriftsteller ; Kulturverwaltung ; Geschichte 1920-1950
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  • 96
    ISBN: 9781477312087 , 9781477312070
    Language: English
    Pages: x, 261 Seiten , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 398.2089/96073
    RVK:
    Keywords: Geschichte 1930-1940 ; Gesellschaft ; Musik ; Schwarze. USA ; African Americans Folklore ; African Americans Race identity ; Sex role ; Popular music History and criticism ; Music Social aspects ; History and criticism ; Popular music African influences ; Folk songs, English ; Rasse ; Volkskunde ; Geschlechterforschung ; Schwarze ; USA ; USA ; USA ; Schwarze ; Volkskunde ; Rasse ; Geschlechterforschung ; Geschichte 1930-1940
    Note: Includes bibliographical references and index
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  • 97
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253029232 , 9780253029300 , 0253029236 , 0253029309
    Language: English
    Pages: ix, 382 Seiten , Illustrationen , 18 cm
    Series Statement: The year's work: studies in fan culture and cultural theory
    Parallel Title: Online version Schill, Brian James, author Year's work in the punk bookshelf, or, lusty scripts
    Parallel Title: Erscheint auch als Schill, Brian James The year's work in the punk bookshelf, or, lusty scripts
    DDC: 306/.1
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    Keywords: Subculture ; Punk culture ; Punk rock music Philosophy and aesthetics ; Influence (Literary, artistic, etc.) History 20th century ; Reading interests ; Reading interests ; Youth Books and reading ; Subculture ; Punk culture ; Punk rock music Philosophy and aesthetics ; Influence (Literary, artistic, etc.) History ; 20th century ; Reading interests United States ; Reading interests Great Britain ; Youth Books and reading ; Influence (Literary, artistic, etc.) ; Punk culture ; Punk rock music Philosophy and aesthetics ; Reading interests ; Subculture ; Youth Books and reading ; Great Britain ; United States
    Note: Includes bibliographical references and index
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  • 98
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 0226152650 , 9780226152653
    Language: English
    Pages: 541 Seiten , Illustrationen , 24 cm
    DDC: 306.0973/0904
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    Keywords: Geschichte 1945-1965 ; Lebensstil ; Soziale Distanz ; Verweigerung ; USA
    Note: Literaturangaben
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  • 99
    ISBN: 9783110326543
    Language: English
    Pages: IX, 308 Seiten , Illustrationen
    Series Statement: Buchreihe der Anglia / Anglia book series Volume 42
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Universität Augsburg 2009
    DDC: 820
    RVK:
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    Keywords: Intermedialität ; Kognitive Poetik ; Jazz poetry ; Jazz ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Jazz poetry ; Intermedialität ; Jazz ; Kognitive Poetik
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  • 100
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137532800
    Language: English
    Pages: 1 Online-Ressource (IX, 201 p)
    Series Statement: Palgrave Gothic
    Parallel Title: Erscheint auch als
    DDC: 306.0973
    RVK:
    Keywords: Geschichte ; Culture / Study and teaching ; United States / Study and teaching ; Film genres ; Fiction ; Cultural and Media Studies ; American Culture ; Cultural Theory ; Fiction ; Popular Culture ; Genre ; Gothic novel ; Horrorroman ; Soziale Klasse ; USA ; USA ; USA ; Gothic novel ; Horrorroman ; Soziale Klasse ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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