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  • KOBV  (34)
  • Image  (34)
  • History  (23)
  • Indigenes Volk
  • Art History  (30)
  • Geography  (4)
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  • 1
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
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    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 2
    ISBN: 9780774890649
    Language: English
    Pages: 255 Seiten , Illustrationen , 28 cm
    DDC: 704.03/96071
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    Keywords: Art, Black ; Artists, Black History ; Black people History ; Art museums Curatorship ; Social aspects ; Art noir - Canada ; Artistes noirs - Canada - Histoire ; Personnes noires - Canada - Histoire ; Musées d'art - Conservation - Aspect social - Canada ; Art, Black ; Artists, Black ; Black people ; History ; Canada ; Canada History ; Aufsatzsammlung ; Canada History ; Aufsatzsammlung ; Kanada ; Kunst ; Künstler ; Person of Color ; Geschichte 2000- ; Kanada ; Schwarze ; Kunst ; Schwarzenbild ; Museum ; Kulturelle Einrichtung ; Kunstgeschichtsschreibung ; Geschichte
    Abstract: "Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--
    Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
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  • 3
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    New Haven : Yale University Press
    ISBN: 9780300259247
    Language: English
    Pages: xvii, 517 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    Parallel Title: Erscheint auch als Kater, Michael H., 1937 - After the Nazis
    DDC: 306.094309045
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    Keywords: 20. Jahrhundert (1900 bis 1999 n. Chr.) ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HISTORY / Europe / Germany ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; History ; Sozial- und Kulturgeschichte ; Deutschland ; Westdeutschland ; Sozialgeschichte ; Kultur ; Geschichte 1900-1999 ; Westdeutschland ; Künste ; Gesellschaft ; Geschichte 1945-1990
    Abstract: "After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past - and eventually allow democracy to reemerge"--
    Abstract: A wide-ranging, insightful history of culture in West Germany-from literature, film, and music to theater and the visual arts
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 4
    ISBN: 9788070367551
    Language: Czech , English
    Pages: 79 Seiten , Illustrationen, Karten , 26 cm
    Edition: Vydání první
    DDC: 910.9437109034
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    Keywords: Holub, Emil ; Indigenes Volk ; Sachkultur ; Forschungsreise ; Südafrika ; cestovatelé / Česko / 19.-20. století ; sběratelé / Česko / 19.-20. století ; cesty a pobyt / Afrika jižní / 19.-20. století ; travellers / Czechia / 19th-20th centuries ; collectors / Czechia / 19th-20th centuries ; travels and stays / Africa, Southern / 19th-20th centuries ; 1847-1902 ; 19.-20. století ; biografie ; katalogy výstav ; biography ; exhibition catalogs ; Ausstellungskatalog Národní muzeum 28.04.2023-31.05.2024 ; Biografie 1847-1902 ; Ausstellungskatalog ; Biografie 1847-1902 ; Ausstellungskatalog Národní muzeum 28.04.2023-31.05.2024 ; Biografie 1847-1902 ; Ausstellungskatalog Národní muzeum 28.04.2023-31.05.2024 ; Biografie 1847-1902 ; Holub, Emil 1847-1902 ; Holub, Emil 1847-1902 ; Südafrika ; Forschungsreise ; Indigenes Volk ; Südafrika ; Sachkultur
    Note: Průvodce stejnojmennou výstavou konanou v Národním muzeu - Náprstkově muzeu asijských, afrických a amerických kultur v Praze , Text tschechisch und englisch
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  • 5
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    London : Thames and Hudson
    ISBN: 9780500024621 , 0500024626
    Language: English
    Pages: 303 Seiten , 25 cm
    DDC: 700.8996041
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    Keywords: Arts, Black Exhibitions 21st century ; Arts, Black ; History ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Bildband ; Ausstellungskatalog Hayward Gallery 29.06.2022-18.09.2022 ; Afrikaner ; Fotografie ; Malerei ; Videokunst ; Plastik ; Mixed media ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Note: Titelblattrückseite: This book was published on the occasion of the exhibition In the Black Fantastic" at the Hayward Gallery, London (29 June-18 September 2022) , Includes bibliographical references, filmography, discography and index
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  • 6
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    London : Ridinghouse
    ISBN: 1909932698 , 9781909932692
    Language: English
    Pages: 253 Seiten , Illustrationen , 23 cm
    DDC: 306.76094237
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    Keywords: Sexual minorities History ; Arts History ; Arts ; Manners and customs ; Sexual minorities ; History ; St. Ives (Cornwall, England) Social life and customs ; St. Ives (Cornwall, England) History ; England ; St. Ives (Cornwall) ; Saint Ives ; Kunst ; LGBT ; Geschichte 1945-1980
    Abstract: This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931-1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth.0Hidden behind 20-foot-high granite walls, Milne's house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast - both queer and otherwise - featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now.0Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre
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  • 7
    ISBN: 1734248513 , 9781734248517
    Language: English
    Pages: 269 Seiten , 27 cm
    Edition: First edition
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    Keywords: Taylor, Breonna Exhibitions ; Racism Exhibitions History 21st century ; Social movements in art Exhibitions ; African Americans Exhibitions Social conditions 21st century ; African American artists Exhibitions ; African American artists ; African Americans ; Social conditions ; Race relations ; Racism ; Social movements in art ; Exhibition catalogs ; Exhibition catalogs ; Louisville (Ky.) Exhibitions Race relations 21st century ; History ; Kentucky ; Louisville ; United States ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Ausstellungskatalog Speed Art Museum 07.04.2021-13.06.2021 ; Bildband ; Kentucky ; Kunst ; Rassismus ; Protestbewegung ; Geschichte 2020- ; Louisville, Ky. ; Rassismus ; Polizei ; Gewalttätigkeit ; Schwarze Frau ; Geschichte 2020-2022 ; Rezeption ; Kunst ; Taylor, Breonna 1993-2020
    Abstract: The New York Times called the Speed Art Museum's Promise, Witness, Remembrance--centered around artist Amy Sherald's portrait of Breonna Taylor and originally commissioned by Ta-Nehisi Coates for the cover of Vanity Fair magazine--one of the best art exhibitions of 2021. In the words of critic Holland Cotter, "the show was assembled in four months--warp speed in museum-time--and created a prototype for institutional responses to history-as-it's-happening." This breathtaking book documents not just the 32 works featured in the exhibition, but also the process by which the Speed used this opportunity to memorialize the life of Breonna Taylor, who was killed by Louisville police in March 2020, and to serve its community through art, featuring real-time quotations from Curator Allison Glenn, Community Engagement Strategist Toya Northington, Director Stephen Reily, Tamika Palmer (Breonna Taylor's mother), artist Amy Sherald, and others. With 200 photos, featuring work by 22 Black artists, including Sam Gilliam, Lorna Simpson, Kerry James Marshall, Hank Willis Thomas, and Theaster Gates, Promise, Witness, Remembrance is a vital addition to the canon of Black American art
    Note: Titelblattrückseite: Published to document the exhibition "Promise, Witness, Remembrance", organized by the Speed Art Museum in Louisville, Kentucky, on view from April 7 to June 13, 2021 , Includes bibliographical references
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  • 8
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 9
    ISBN: 9780691208190
    Language: English
    Pages: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
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    Keywords: Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Note: Includes bibliographical references and index
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  • 10
    ISBN: 9780520300811
    Language: English
    Pages: 176 Seiten
    DDC: 704.03/97
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    Keywords: Indian art Exhibitions 20th century ; Indian art Exhibitions Political aspects 20th century ; Ausstellungskatalog Crocker Art Museum 2019-2020 ; Bildband ; Ausstellungskatalog Crocker Art Museum 2019-2020 ; Bildband ; Kalifornien ; Kunst ; Indigenes Volk ; Geschichte 1975-2017 ; Kalifornien ; Indianer ; Kunst ; Ethnische Identität ; Aktivismus ; Geschichte 1950-2018
    Abstract: Foreword / W. Richard West Jr. -- Introduction : the continuity of change : the fifth world / Frank LaPena -- Artists section -- Still here / Malcolm Margolin -- Reflecting the creative spirit / Julian Lang -- San Francisco's American Indian contemporary arts, a personal narrative / Janeen Antoine -- A critical site : American Indian art in California / Nicolas G. Rosenthal -- American Indian art at the Crocker Art Museum / Scott A. Shields -- Identity matters in contemporary art by indigenous women / Kristina Perea Gilmore -- California's community-based American Indian artists / Mark Dean Johnson -- Timeline of selected governmental policies and Indian activism, community cultural development, and visual art milestones / Janeen Antoine and Mark Dean Johnson.
    Abstract: "This exhibition was initially conceived by Frank LaPena, a key figure in California's Native fine art movement since the 1960's. Co-organized with Mark Johsnon, and with the assistance of curatorial staff at the Crocker Art Museum and the Autry Museum, the catalogue will feature profiles of the artists, an art historical timeline, and contextual essays by Native American scholars including FrankLaPena, Julian Land, Franklin Tuele, and Janeen Antoine. The exhibition and its accompanying catalogue will spotlight the activisit dimension in California Indian art since the 1960's. Exhibition themes include: a political interest to address history and confront erasure, an environmental postionality that considers the subtle force of balance in nature in relation to contemporary imbalances; activist employment of symbols and language that signal indigenous difference in world view; an engagement with reanimating ideas drawn from myth and ritual; and a commitment to reflecting the real issues in contemporary society and the struggle to overcome internalized trauma. The catalogue will feature the work of 20 artists and will include discussion of an additional 20 artists within the essay content"--
    Note: Ausstellungsdaten im Internet ermittelt , Impressum: "Published on the occasionof the exhibition When I Remember I See Red: American Indian Art and Activism in California, organized by the Crocker Art Museum."
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  • 11
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    Chicago, Illinois : Smart Museum of Art | Chicago, Illinois : The University of Chicago Press
    ISBN: 9780935573589
    Language: English
    Pages: 271 Seiten , Karten
    DDC: 700.89/96073
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    Keywords: Arts and society Exhibitions History 20th century ; African American arts Exhibitions History 20th century ; Arts and society Exhibitions ; History ; 20th century ; Illinois ; Chicago ; African American arts Exhibitions ; History ; 20th century ; Illinois ; Chicago ; ART / General ; ART / History / General ; African American arts ; Arts and society ; Civilization ; South Side (Chicago, Ill.) Exhibitions Civilization 20th century ; South Side (Chicago, Ill.) Exhibitions ; Civilization ; 20th century ; Illinois ; Chicago ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Ausstellungskatalog David and Alfred Smart Museum of Art 2018 ; Bildband ; Ausstellungskatalog Smart Museum of Art 13.09.2018-30.12.2018 ; Chicago, Ill. ; Schwarze ; Kunst ; Black power ; Black arts movement ; Geschichte 1960-1980
    Abstract: "During the 1960s and 70s, Chicago was shaped by art and ideas produced and circulated on its South Side. Informed by the city's social, political, and geographic divides, this history of creative expression left behind a cultural legacy whose impact continues to unfold nationally and internationally. The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, published in tandem with a major exhibition at the Smart Museum of Art, examines this cultural moment--ripe with change and conflict--and the figures who defined it. Focusing primarily on the Black Arts Movement, The Time is Now re-examines watershed cultural moments: from the Hairy Who to the Wall of Respect, from the Civil Rights Movement to AfriCOBRA, from vivid protest posters to visionary outsider art, and from the Free University movement to the radical jazz of the Association for the Advancement of Creative Musicians. The book contains a series of essays, interviews, and other contextual material, along with full-color images of all works included in the exhibition and extensive reproductions of ephemera and historical photographs"--
    Note: Includes bibliographical references , Letzte Seite: "Published on the occasion of the exhibition The Time is Now! Art Worlds of Chicago's South Side, 1960-1980, organized by the Smart Museum of Art, The University of Chicago, presented September 13-December 30, 2018.'"
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  • 12
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    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Language: English
    Pages: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Keywords: Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Abstract: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Note: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 13
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    Ottawa, Ontario : National Gallery of Canada
    ISBN: 9780888849823
    Language: English
    Pages: 257 Seiten
    DDC: 709.71
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    Keywords: Art, Canadian History ; Art canadien ; Musée des beaux-arts du Canada ; History ; Katalog ; Ausstellungskatalog ; Bildband ; Katalog ; Ausstellungskatalog ; Bildband ; National Gallery of Canada ; Kanada ; Kunst ; Geschichte
    Abstract: Discover the many themes and movements that have shaped Canada's visual arts landscape since 1968. Continuing the storylines from the new Canadian and Indigenous Galleries, this special exhibition invites visitors to experience more than 150 works in all media, including sculpture, painting, video art, installation, drawing and photography. From the feminist art movement of the 1970s to present-day Inuit art, the richness of the national Canadian and Indigenous contemporary art collections is on full display. Exhibition: National Gallery of Canada, Ottawa, Ontario (03.05.2017 - 06.05.2018).
    Abstract: Art in Canada / Marc Mayer -- A brief history of the National Gallery of Canada / Katherine Stauble -- Message from the National Gallery of Canada Foundation
    Note: Katalog zur Ausstellung in Ottawa, 3. Mai 2017 - 6. Mai 2018
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  • 14
    ISBN: 9780872731837
    Language: English
    Pages: 319 Seiten , Illustrationen
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism Sources ; Exhibitions ; History ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Black arts movement ; Schwarze Frau ; Frauenkunst ; Engagierte Kunst ; Geschichte 1965-1994
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 15
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    Paris : Musée du quai Branly | Arles : Actes Sud
    ISBN: 9782330038007 , 9782357440838
    Language: French
    Pages: 319 Seiten , Illustrationen (teilweise farbig) , 28 cm
    DDC: 709
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    Keywords: Arts Exhibitions ; Arts and society ; Marquesas Islands (French Polynesia) Exhibitions In art ; Marquesas Islands (French Polynesia) Exhibitions Social life and customs ; Ausstellungskatalog ; Ausstellungskatalog Musée du quai Branly 12.04.2016-24.07.2016 ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog Musée du quai Branly 12.04.2016-24.07.2016 ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog Musée du quai Branly 12.04.-24.07.2016 ; Ausstellungskatalog ; Ausstellungskatalog Musée du quai Branly 12.04.2016-24.07.2016 ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog Musée du quai Branly 12.04.-24.07.2016 ; Marquesasinseln ; Indigenes Volk ; Sachkultur ; Kunstwerk
    Note: Catalog of an exhibition , Milieux naturels des îles Marquises , Les mythes marquisiens, la cosmogonie marquisienne , Matahoata , Les Ènata : leurs origines, leurs ancêtres et leurs chefferies , Art et culture aux Marquises à la fin du XVIIIe siècle , Architecture et aménagement du territoire , Le tatouage aux Marquises , L'univers de la fête : une vision inspirée des premières descriptions des îles Marquises , Les changements intervenus dans la culture et l'art des Marquises au XIXe siècle , Histoire des objets marquisiens des musées français , La représentation du Marquisien au XIXe siècle : un sauvage particulier , Te Fenua Ènata dans le regard de l'avant-garde parisienne : les Marquises et Paul Gauguin , Les Marquises au XXIe siècle , Le festival des artes des îles Marquises : Te Matavaa o te Henua Ènana , Les graphismes marquisiens à Papeete, laboratoire des rencontres improbables , Le pays natal, la culture et les "petits trucs" : l'art marquisien et le marché extérieur
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  • 16
    ISBN: 9789188031341 , 9188031349
    Language: English , Swedish
    Pages: 187 Seiten , Illustrationen , 23 cm
    DDC: 306.4709485
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    Keywords: Women designers Exhibitions History 20th century ; Design Exhibitions History 20th century ; Interior decoration Exhibitions History 20th century ; Industrial design Exhibitions History 20th century ; Women designers Exhibitions ; History ; 20th century ; Sweden ; Design Exhibitions ; History ; 20th century ; Sweden ; Interior decoration Exhibitions ; History ; 20th century ; Sweden ; Industrial design Exhibitions ; History ; 20th century ; Sweden ; Design ; Industrial design ; Interior decoration ; Women designers ; Ausstellungskatalog 2016$xMalmö Konsthall ; 2016 ; Aufsatzsammlung ; Ausstellungskatalog Malmö Konstmuseum 04.06.2016-04.09.2016 ; Ausstellungskatalog 2016$xMalmö Konsthall ; 2016 ; Aufsatzsammlung ; Ausstellungskatalog Malmö Konstmuseum 04.06.2016-04.09.2016 ; Designerin ; Schweden ; Industriedesign ; Geschichte 1940-1958
    Abstract: Oomph' is a book about the women who brought on a revolution in Swedish kitchens, linen closets, living rooms, and in the country's textile and fashion industries. With their work in glass, textiles, and ceramics, and their radical ideas about the future of domestic life, they put Sweden on the industrial design map in the middle of the twentieth century. Many women designers were engaged in the increasingly acute housing crisis, and questioned the way homes were traditionally designed. After the Second World War, new manufacturing opportunities emerged: new customs demanded new designs and materials. But many doors still remained closed to women designers
    Note: Literaturangaben , Text in englischer und schwedischer Sprache
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  • 17
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    Chicago : The University of Chicago Press
    ISBN: 9780226131054 , 022613105X
    Language: English
    Pages: 285 Seiten , illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Contemporary Black Artists in America (Exhibition) 〈(1971〉 ; De Luxe Show (Exhibition) 〈(1971〉 ; Contemporary Black Artists in America (Exhibition) ; De Luxe Show (Exhibition) ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; Art, American Exhibitions 20th century ; History ; Art and race ; Art and society ; Modernism (Art) Social aspects ; Nineteen seventy-one, A.D ; African American art Exhibitions ; History ; Art, Abstract Exhibitions ; History ; United States ; Art, American Exhibitions ; History ; 20th century ; Art and race ; Art and society United States ; Modernism (Art) Social aspects ; United States ; Nineteen seventy-one, A.D ; African American art Exhibitions ; 20th century ; USA ; Schwarze ; Person of Color ; Kunst ; Kulturpolitik ; Kunstausstellung ; Rassismus ; Geschichte 1971
    Abstract: Introduction: Social experiments with modernism -- The figure of the black modernist -- Making a show of discomposure: Contemporary Black Artists in America -- Local color and its discontents: the DeLuxe show -- Appendix: Raymond Saunders, Black is a color
    Abstract: In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts〈U+2014〉and those of their advocates〈U+2014〉to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists〈U+2014〉among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas〈U+2014〉rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture〈U+2019〉s preoccupation with color
    Note: Includes bibliographical references and index , Introduction: Social experiments with modernism , How it looks to be a problem , Making a show of discomposure: Contemporary Black Artists in America , Local color and its discontents: the DeLuxe show , Appendix: Raymond Saunders, Black is a color (1967)
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  • 18
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    Mumbai, India : Marg Foundation
    ISBN: 9789383243143 , 9383243147
    Language: English
    Pages: 141 Seiten , Illustrationen, Karten , 32 cm
    Series Statement: Marg's quarterly publications vol. 68, no. 1
    Series Statement: Mārg publications
    DDC: 720.47
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    Keywords: Water and architecture History ; Water and architecture History ; Water resources development History ; Water resources development History ; Water resources development Environmental aspects ; History ; Water resources development Environmental aspects ; History ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Rajasthan ; Wasserbau ; Bewässerung ; Teich ; Tīrtha
    Note: Includes bibliographical references and index , Introduction , Urban planning at Bundi: subterranean water structures , Jaigarh in amber: techniques of water harvesting , Ecomoral aesthetics at Mathura's Vishram Ghat: three ways of seeing a river , "waters should be made to flow ..." : Babur's obsession with running water , Barapula Nallah and its tributaries: watershed architecture in Sultanate and Mughali Delhi , Jaipur's waterscape : a cultural perspective , Jaina sites: water structures and symbolism , Water in South Indian temples: tirthas, tanks and vasanta-mandapas , Ellora-Khuldabad-Daulatabad: water and sacred spaces
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  • 19
    ISBN: 9781849763592 , 9781849763431
    Language: English
    Pages: 256 Seiten , Illustrationen, Karten
    DDC: 758.9410074421
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte ; Painting, Modern / Exhibitions / 19th century ; Painting, Modern / Exhibitions / 20th century ; Narrative art / Exhibitions / 19th century ; Narrative art / Exhibitions / 20th century ; Indigenous peoples in art / Exhibitions ; Imperialism in art / Exhibitions ; Colonies in art / Exhibitions ; Kolonie ; Kunst ; Imperialismus ; Indigenes Volk ; Großbritannien ; Ausstellungskatalog ; Ausstellungskatalog Tate Britain 25.11.2015-10.4.2016 ; Ausstellungskatalog ; Ausstellungskatalog Tate Britain 25.11.2015-10.4.2016 ; Ausstellungskatalog ; Ausstellungskatalog Tate Britain 25.11.2015-10.4.2016 ; Großbritannien ; Imperialismus ; Kunst ; Kolonie ; Indigenes Volk ; Geschichte
    Abstract: Over the past thirty years, our ideas about the cultures of Empire have been transformed. Contemporary reflections on Empire by writers and artists are widely published and displayed, and museums have witnessed a growing number of exhibitions devoted to aspects of the rich and varied visual culture that emerged in places under British governance, from the Americas to India and Australasia. And yet, since the vast Imperial exhibitions of the early twentieth-century there has been no wide-ranging presentation of the objects made across the British Empire. This publication, which accompanies a major Tate Britain exhibition, fills that gap. Through broad groupings within thematic chapters - Mapping, Collecting, History, Portraiture, Cultural Exchange and the Return of Empire - leading scholars focus on how particular objects tell the history of life under British rule. Paintings by well-known artists such as John Singer Sargent and Sidney Nolan are illustrated alongside Benin bronze heads and Mughal miniatures in a survey that ranges from sixteenth century colonialism through to the projection of Britain's imperial might in the late nineteenth century to its decline in the post-war era. Exploring how artists have represented and critiqued the diverse places, people and events that make up the legacy of Empire, our expert authors have created a vital book on a subject of broad contemporary interest.
    Note: Veröffentlicht anlässlich der Ausstellung "Artist and empire: facing Britain's imperial past" vom 25. November 2015 - 10. April 2016 ; Tate Britain, London
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  • 20
    ISBN: 9781849763592 , 9781849763431
    Language: English
    Pages: 256 Seiten , Illustrationen
    DDC: 758.9410074421
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    Keywords: Painting, Modern Exhibitions ; 19th century ; Painting, Modern Exhibitions ; 20th century ; Narrative art Exhibitions ; 19th century ; Narrative art Exhibitions ; 20th century ; Indigenous peoples in art Exhibitions ; Imperialism in art Exhibitions ; Colonies in art Exhibitions ; Colonies in art / Exhibitions ; Imperialism in art / Exhibitions ; Indigenous peoples in art / Exhibitions ; Narrative art / Exhibitions / 19th century ; Narrative art / Exhibitions / 20th century ; Painting, Modern / Exhibitions / 19th century ; Painting, Modern / Exhibitions / 20th century ; Ausstellungskatalog Tate Britain 25.11.2015-10.04.2016 ; Ausstellungskatalog Tate Britain 25.11.2015-10.04.2016 ; Ausstellungskatalog Tate Britain 25.11.2015-10.04.2016 ; Großbritannien ; Kolonialismus ; Kolonie ; Postkolonialismus ; Kunst ; Geschichte 1600-2009 ; Großbritannien ; Kunst ; Kolonie ; Indigenes Volk
    Note: "First published ... on the occasion of the exhibition 'Artist and Empire: Facing Britain's Imperial Past', Tate Britain, London, 25 November 2015-10 April 2016" - Rückseite der Titelseite
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  • 21
    ISBN: 9789639738225
    Language: English
    Pages: 219 S. , zahlr. Ill., Kt.
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    Keywords: Hopp Ferenc Kelet-Ázsiai Művészeti Múzeum (Hungary) Exhibitions ; Hopp Ferenc Kelet-Ázsiai Művészeti Múzeum (Hungary) ; 1800 - 1899 ; Hopp Ferenc Kelet-Ázsiai Művészeti Múzeum (Hungary) Exhibitions ; Hopp Ferenc Kelet-Ázsiai Művészeti Múzeum (Hungary) ; 1800 - 1899 ; Art, Iranian ; Islamic art Iran ; Art, Iranian ; Islamic art ; Arts, Iranian Exhibitions ; Arts, Iranian ; Civilization ; Art, Iranian ; Arts, Iranian ; Arts, Iranian Exhibitions ; Civilization ; Islamic art ; Islamic art Iran ; Art ; Iran ; Catalogs ; Exhibitions ; Hopp Ferenc Kelet-Ázsiai Művészeti Múzeum (Hungary) ; Iran ; Exhibitions ; Catalogs ; Civilization ; Exhibition catalogs ; 19th century ; 1800-1899 ; Iran History ; Qajar dynasty, 1779-1925 ; Iran ; Catalogs ; History ; Iran Civilization ; 19th century ; Iran ; Exhibition catalogs ; Iran Civilization ; 19th century ; Iran ; Exhibition catalogs ; Iran History ; Qajar dynasty, 1779-1925 ; Iran ; Catalogs ; History ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Iran ; Kunsthandwerk ; Miniatur ; Geschichte 1796-1925
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  • 22
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    Chicago, Ill. : Douglas Dawson Gallery
    Language: English
    Pages: 143 S. , zahlr. Ill. , 26 cm
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    Keywords: Pottery / Africa / Exhibitions ; Keramik ; Indigenes Volk ; Afrika ; Ausstellungskatalog Douglas Dawson Gallery 2009 ; Ausstellungskatalog Douglas Dawson Gallery 2009 ; Ausstellungskatalog Douglas Dawson Gallery 2009 ; Indigenes Volk ; Afrika ; Keramik
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  • 23
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    Sulgen : Niggli
    ISBN: 3721205197
    Language: German
    Pages: 232 S , zahlr. Ill., graph. Darst , 31 cm
    DDC: 390
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    Keywords: Architecture, Japanese ; Japanese tea ceremony History ; Tearooms Japan ; History ; Japan Social life and customs ; Bildband ; Bildband ; Bildband ; Japan ; Teehaus ; Japan ; Teezeremonie
    Note: Literaturverz. S. 227 - 230
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  • 24
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    [New York, NY] : Asia Society
    ISBN: 0878480994
    Language: English
    Pages: 325 S , z.T. farb. Ill , 28 cm
    DDC: 793.095
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    Keywords: Indoor games Exhibitions ; History ; Asia ; Games Exhibitions ; History ; Asia ; New York ; NY, 2004 ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Asien ; Gesellschaftsspiel ; Ballspiel
    Note: Literaturverz. S. 311 - 320
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  • 25
    Language: English
    Pages: 110 S. , zahlr. Ill., Kt.
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    Keywords: Keramik ; Indigenes Volk ; Afrika ; Ausstellungskatalog Douglas Dawson Gallery 2003 ; Ausstellungskatalog ; Ausstellungskatalog Douglas Dawson Gallery 2003 ; Ausstellungskatalog Douglas Dawson Gallery 2003 ; Indigenes Volk ; Afrika ; Keramik
    Note: The inescapable, indivisible essence of pottery , Unearthing the buried identities of African ceramics artists
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  • 26
    ISBN: 3791323997 , 8185822778
    Language: English
    Pages: 167 S , zahlr. Ill., Kt , 31 cm
    Additional Information: Rezensiert in Gruschke, Andreas, 1960 - 2018 [Rezension von: Aglaja Stirn, Peter van Ham, The seven sisters of India - tribal worlds between Tibet and Burma, München, London, New York, Prestel Verlag 2000, 168 S., 405 Farbfotos, 1 Karte] 2002
    DDC: 306.08991490541
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    Keywords: Tribes India, Northeastern ; Tribes India, Northeastern ; Pictorial works ; India, Northeastern Civilization ; Bildband ; Bildband ; Bildband ; Bildband ; Indien Nordost ; Indigenes Volk ; Kultur ; Indien Nordost ; Zivilisation
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  • 27
    ISBN: 3422062890
    Language: German
    Pages: 252 S , zahlr. Ill , 28 cm
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    Keywords: Ausstellung ; Katalog ; Weimarer Republik ; Architektur ; Reformschule ; Kunst ; Fotografie ; Körperkultur ; FKK ; a ; City planning ; Germany ; Magdeburg ; History ; 20th century ; Ausstellungskatalog ; Ausstellungskatalog ; Magdeburg ; Neues Bauen ; Geschichte 1920-1930
    Note: Literaturverz. S. 237 - 239
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  • 28
    ISBN: 3884745638
    Language: German
    Pages: 125 S , überw. Ill
    Edition: 1. Aufl.
    Series Statement: Schriften / Westfälisches Industriemuseum 17
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    Keywords: Geschichte ; Geschichte ; Geschichte ; Textilindustrie ; Textilindustrie ; Textilindustrie ; Crimmitschau ; Plauen ; Forst (Lausitz) ; Textile industry ; Germany ; Crimmitschau ; History ; Textile industry ; Germany ; Plauen ; History ; Textile industry ; Germany ; Forst ; History ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Crimmitschau ; Textilindustrie ; Geschichte ; Plauen ; Textilindustrie ; Geschichte ; Forst ; Textilindustrie ; Geschichte
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  • 29
    ISBN: 3921635152
    Language: German
    Pages: 335 S. , Ill. , 21 x 23 cm
    Series Statement: Ausstellungskataloge der Staatlichen Archive Bayerns 26
    Series Statement: Ausstellungskataloge der staatlichen Archive Bayerns
    DDC: 712/.0943339/074
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    Keywords: Gardens ; Germany ; Würzburg ; History ; Exhibitions ; Ausstellungskatalog ; Ausstellungskatalog 1990 ; Ausstellungskatalog ; Ausstellungskatalog 1990 ; Würzburg ; Garten ; Geschichte ; Würzburg ; Grünanlage ; Geschichte ; Würzburg ; Park ; Würzburg ; Garten ; Würzburg ; Grünanlage ; Staatsarchiv Würzburg ; Stadtarchiv Würzburg
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  • 30
    ISBN: 3775703187
    Language: German
    Pages: 159 S. , überw. Ill.
    Series Statement: Baustein ... des Deutschen Historischen Museums, Berlin 3
    DDC: 611/.00228
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    Keywords: Human anatomy Exhibitions Models ; Human anatomy Exhibitions Models ; History ; Moulage in medicine Exhibitions ; Moulage in medicine Exhibitions ; Glass in medicine Exhibitions ; Glass in medicine Exhibitions History ; Anatomy Exhibitions ; Art Exhibitions ; Medicine History ; Exhibitions ; Models, Anatomic exhibitions ; Ausstellungskatalog ; Ausstellungskatalog Deutsches Hygiene-Museum 19.10.1990-28.02.1991 ; Konferenzschrift 1990 ; Bildband ; Bildband ; Ausstellungskatalog Deutsches Hygiene-Museum 19.10.1990-28.02.1991 ; Konferenzschrift 1990 ; Körper ; Modell ; Gläserne Frau ; Gläserner Mann ; Körper ; Anschauungsmodell ; Gläserne Frau ; Gläserner Mann
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  • 31
    ISBN: 3205005589
    Language: German
    Pages: 242 S , zahlr. Ill. (z.T. farb.), graph. Darst., 1 Kt , 22 cm
    Edition: 1. Aufl.
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    Keywords: Fortressçhurches ; Romania ; Transylvania ; Church architecture ; Romania ; Transylvania ; Fortification ; Romania ; Transylvania ; Transylvania (Romania) ; Church history ; Transylvania (Romania) ; History ; Bildband ; Bildband ; Siebenbürgen ; Wehrkirche ; Geschichte ; Siebenbürgen ; Wehrkirche
    Note: Literaturverz. S. 233 - 236
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  • 32
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    Louvain [u.a.] : Ed. Nauwelaerts
    Language: French
    Pages: 264 S. , zahlr. Ill.
    Series Statement: Publications de l'Université Lovanium de Kinshasa 21
    DDC: 730.966
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    Keywords: Mutter ; Indigenes Volk ; Kind ; Plastik ; Subsaharisches Afrika ; Indigenes Volk ; Subsaharisches Afrika ; Plastik ; Mutter ; Indigenes Volk ; Subsaharisches Afrika ; Plastik ; Kind
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  • 33
    Language: French
    Pages: 1 Band (Heft mit 30 ungezählten Seiten und 50 lose Blätter in Mappe) , Illustrationen
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    Keywords: Iacovleff, Alexandre ; Landschaft ; Indigenes Volk ; Malerei ; Afrika ; Bildband ; Bildband ; Bildband ; Iacovleff, Alexandre 1887-1938 ; Malerei ; Afrika ; Indigenes Volk ; Iacovleff, Alexandre 1887-1938 ; Malerei ; Afrika ; Landschaft
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 34
    Language: German
    Pages: 80, 45 S. , zahlr. Ill.
    Series Statement: Religiöse Kunst.
    DDC: 709.6
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    Keywords: Sculpture, African ; Sculpture, Primitive ; Holzplastik ; Mutter ; Indigenes Volk ; Kind ; Zentralafrika ; Indigenes Volk ; Zentralafrika ; Mutter ; Kind ; Holzplastik
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