Anmerkung: Contents: v. 1 A-fuzz - v. 2 Gabler-Niewood - v. 3 Nightclubs-Zwingenberger , Includes bibliographical references and discography , Previous ed.: published in 2 v. London : Macmillan, 1988 , Erschienen: Vol. 1-3

Anmerkung: Includes bibliographical references and index.

Anmerkung: Includes bibliogr. references and index

Anmerkung: Literaturangaben

Anmerkung: Biogr. Index der Musiker S. 254 - 260. - Diskogr. S. 264 - 265. - Literaturverz. S. 266

Anmerkung: Includes bibliographical references and index

Anmerkung: Literaturverz. S. 259 - 281

Anmerkung: Literatur- und Quellenverz. S. 121 - 130

Anmerkung: Now is the time : voicing against the grain of orality / Aldon Lynn Nielsen -- The antiquity of the avant-garde : a meditation on a comment by Duke Ellington / John Szwed -- Listening trust: the everyday politics of George Lewis' "dream team" / Julie Dawn Smith and Ellen Waterman -- Jeanne Lee's voice / Eric Porter -- Kick out the jazz! / Rob Wallace -- Days of bread and roses / Marc Ribot -- Subsidy/advocacy/theory : experimental music in the academy, in New York City, and beyond / Tamar Barzel -- Subsidizing the experimental muse: rereading Ribot / John Brackett -- Musician writes about creative music venues in Toronto / Scott Thomson -- Somewhere there : contemporary music, performance spaces, and cultural policy / Alan Stanbridge -- Sound check : he jazz photography of Thomas King -- Get ready: jazz futures -- Black jazz in the digital age / Greg Tate -- Improvising digital culture: a conversation / DJ Spooky and Vijay Iyer -- Ancient to the future : celebrating 40 years of the AACM / Douglas Ewart, Nicole Mitchell, Roscoe Mitchell, Famoudou Don Moye, Matana Roberts, Jaribu Shahid, Wadada Leo Smith, Corey Wilkes -- People, don't get ready: improvisation, democracy, and hope / Tracy McMullen

Anmerkung: Includes bibliographical references (pages 301-317) and index

Anmerkung: Literaturverz. S. 207 - 217

Anmerkung: Literaturverzeichnis: Seite 341-353

Anmerkung: Includes bibliographical references (pages 231-244) and index , Lubbock or leave it , Lubbock or leave it , Joan Baez , From Roger and out into dang me/chug a lug , Midnight in Memphis with the wicked Pickett , Jackson C. Frank , What time has told me about Nick Drake's Five leaves left , The voice of the quiet one , That's it , New York Dolls , Warren Zevon , Chasing after vengeance , Steve Forbert, alive on arrival from Meridian to Manhattan , Ready for the house , Rickie Lee Jones , Metallica kills , I know someday you'll have a beautiful life , Leann Rimes blue , Third Eye Blind , Dap-dippin' independent tradition , Pilfering the past or postmodern punks? , Cinematic fantastic sampledic funky found sound sifting , Good time rollers , Joan Baez , From Roger and out into dang me/chug a lug , Midnight in Memphis with the wicked Pickett , Jackson C. Frank , What time has told me about Nick Drake's Five leaves left , The voice of the quiet one , That's it , New York Dolls , Warren Zevon , Chasing after vengeance , Steve Forbert, alive on arrival from Meridian to Manhattan , Ready for the house , Rickie Lee Jones , Metallica kills , I know someday you'll have a beautiful life , Leann Rimes blue , Third Eye Blind , Dap-dippin' independent tradition , Pilfering the past or postmodern punks? , Cinematic fantastic sampledic funky found sound sifting

Anmerkung: Includes bibliographical references, discographies, and index.

Anmerkung: Includes index

Anmerkung: Introduction , Michel Chion: The audio-logo-visual and the sound of languages in recent film ; Nicholas Cook: Beyond music: mashup, multimedia mentality, and intellectual property ; Anahid Kassabian: The end of diegesis as we know it? ; Steven Connor: Sounding out film narrative, genre, meaning: changing times, changing practices. Robynn J. Stilwell: Audio-visual space in an era of technological convergence ; Annette Davison: Title Sequences for contemporary television serials ; Carter Burwell: No country for old music ; Janet K. Halfyard: Cue the big theme? the sound of the superhero ; Michael Chanan: Video speech in Latin America ; Animated sounds. Daniel Goldmark: Pixar and the animated soundtrack ; Randy Thom: Notes on sound design in contemporary animated films ; Lisa Perrott: Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music ; Musical moments and transformations. Caryl Flinn: The mutating musical ; Ying Xiao: Chinese rock 'n ' roll film and Cui Jian on screen ; John Richardson: The neosurrealist metamusical: Tsai's The wayward cloud ; Philip Brophy: Parties in your head: from the acoustic to the psycho-acoustic ; Emerging audiovisual forms: music video and beyond. Carol Vernallis: Music video's second aesthetic ; Stan Hawkins: Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" ; Paula Hearsum & Ian Inglis: The emancipation of music video: YouTube and the cultural politics of supply and demand ; Mathias Bonde Korsgaard: Music video transformed ; Video Art. Holly Rogers: "Betwixt and between" worlds: spatial and temporal liminality in video ; Art-music. Maureen Turim and Michael Walsh: Sound events: innovation in projection and installation ; Gaming. Rob Bridgett: Contextualizing game audio aesthetics ; Karen Collins: Implications of interactivity: What does it mean for sound to be "Interactive"? ; Mark Kerins: Multi-channel gaming aesthetics of interactive surround ; Expanded soundtracks. Michel Chion: Sensory aspects of contemporary cinema ; Jeff Smith: The sound of intensified continuity ; K.J. Donnelly: Paratexts of the audio-visual: paratexts of the audio-visual soundtrack ; Extensions beyond the film. Susanna Välimäki: The audiovisual construction of transgender identity in Transamerica ; Meri Kytö: Soundscapes of Istanbul in Turkish film soundtracks ; Charles Kronengold: Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films ; Audiovisuality in daily life. Philip Auslander: sound and vision: the audio/visual economy of musical performance ; Joseph Lanza: foreground flatland ; Michael Bull: Remaking the urban: the audio-visual aesthetics of ipod use ; Helmi Järviluoma and Noora Vikman: On soundscape methods and audiovisual sensibility ; Mariko Hara and Tia Denora: Leaving something to the imagination: "seeing" new places through a musical lens.

Anmerkung: Formerly CIP. - Includes bibliographical references and index , Introduction : do Palestinian musicians play music or politics? , Palestinian song, European revelation, and mission , A musical catastrophe : the direct impact of the Nakba on Palestinian musicians and musical life , Negotiating the elements : Palestinian freedom songs from 1967 to 1987 , Identity, diaspora, and resistance in Palestinian hip-hop , Transgressing borders with Palestinian hip-hop , Performing self : between tradition and modernity in the West Bank , Realities for a singer in Palestine , Performative politics : folklore and popular resistance during the first Palestinian intifada , Hamas's musical resistance practices : perceptions, production, and usage , Palestinian music : between artistry and political resistance , The ghosts of resistance : dispatches from Palestinian art and music

Anmerkung: Literaturverz. S. 288 - 294

Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke

Anmerkung: Literaturangaben

Anmerkung: Literaturverzeichnis: Seite 348-368. - Personenregister

Anmerkung: Literaturangaben

Anmerkung: Literaturangaben , Werk- und Schriftenverz. R. Flender S. 421 - 432

Anmerkung: 201311

Anmerkung: Literaturangaben

Anmerkung: Includes bibliographical references and index

Anmerkung: Bibliografie: Seite 370-384

Anmerkung: Verz. der Konzerte S. 650 - 668. - Verz. der Tonträger S. 684 - 691. [Bildband zur Geschichte der Jazz-Festival-Veranstaltungen in Willisau]

Anmerkung: Literaturangaben , Text teilweise deutsch, teilweise englisch

Anmerkung: "The term 'flow' refers to experiences where the musician moves into a consciousness in which time seems to be suspended and perception of reality is blurred by unconscious forces. An essential part of the jazz tradition, which often serves as the foundation of the musician's identity, flow is recognised within the greater jazz community as a critical factor in accomplished musicianship. Flow as a concept is so deeply embedded in the scene that these experiences are not generally discussed. It contributes to the musicians' work motivation, providing a vital level of satisfaction and accomplishment. The power of the experience, consciously or unconsciously, has given rise to the creation of heroic images, in which jazz musicians are seen as being bold, yet vulnerable, strong and masculine, but still capable of expressing emotions. In this discourse, musicians are pictured as people constantly putting themselves on the line, exposing themselves and their hearts to one another as well as to the audience. Heroic profiles are richly constructed within the jazz scene, and their incorporation into narratives of flow suggests that such images are inseparable from jazz. It is thus unclear how far the musicians are simply reporting personal experience as opposed to unconsciously perpetuating a profoundly internalised mythology. Drawing on eighteen interviews conducted with professional jazz musicians from around the world, Elina Hytönen examines the fundamentals of the phenomenon of flow in jazz that has led to this genre's popularity. Furthermore, she draws on how flow experiences are viewed and constructed by jazz musicians, the meanings they attach to it, and the quality of music that it inspires

Anmerkung: Titel ist im Rahmen der Initiative Knowledge Unlatched frei zugänglich.