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  • GBV  (35)
  • Durham : Duke University Press  (35)
  • USA  (35)
  • Einwanderer
  • General works  (14)
  • American Studies  (10)
  • English Studies  (8)
  • Musicology  (6)
  • Geography  (1)
  • Scandinavian Studies
Material
Language
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478022893
    Language: English
    Pages: 1 Online-Ressource (329 Seiten)
    Parallel Title: Erscheint auch als Spigel, Lynn, 1955 - TV snapshots
    DDC: 302.23/45
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    Keywords: Electronic books ; USA ; Fotografie ; Fernsehen ; Geschichte 1950-1970
    Abstract: Lynn Spigel explores historical snapshots of people posing in front of their television sets in the 1950s through the early 1970s, showing how TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014089 , 9781478011941
    Language: English
    Pages: xxii, 552 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 782.421640973
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    Keywords: Volksmusik ; Popmusik ; USA
    Note: Literaturverzeichnis Seite 446-512
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  • 3
    ISBN: 9781478021391
    Language: English
    Pages: 1 Online-Ressource (552 p.)
    Series Statement: Refiguring American Music : 25
    DDC: 782.421640973
    RVK:
    Keywords: Volksmusik ; Popmusik ; USA ; Electronic books
    Abstract: In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre-cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 4
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478006817 , 9781478008101
    Language: English
    Pages: xiii, 247 Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Wallace, Leonelle Mary, 1962- Reattachment theory
    DDC: 306.84/8
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    Keywords: Same-sex marriage ; Marriage ; Lesbianism in motion pictures ; Homosexuality in motion pictures ; Gleichgeschlechtliche Ehe ; Motiv ; Film ; USA
    Abstract: "REATTACHMENT THEORY eschews dominant queer critiques of same-sex marriage to examine the varied histories of queer influences on marriage. According to the traditional queer critique, the legalization of same-sex marriage signaled a neoliberal and homonormative assimilation into normative structures of heterosexism and reproductive futurism. Countering this argument, queer film scholar Lee Wallace claims that, since the eighteenth century, marriage has allowed for many queer and non-normative plotlines. In this book, Wallace is more interested in marriage as a narrative-both in how marriage is narrativized, as well as the story of the changing meaning of marriage-than she is in marriage as a legal institution. Drawing on historians of marriage, Wallace traces the iterations of love associated with marriage vows: from obligation or duty, to romance, and finally to intimacy. Historicizing the discourse of intimacy, Wallace claims that the valorization of intimacy across the twentieth century led to an idealization of the couple form, regardless of heterosexual or homosexual affiliation. Furthermore, Wallace draws on twentieth-century formulations of sexual reciprocity and sexual satisfaction regardless of marital status-and their links to the discourses of intimacy-to reveal how these concepts proved flexible enough to include homosexuality. Tracking these changing narratives of marriage throughout the twentieth century, Wallace grounds her analyses in an archive of popular culture films. Using Stanley Cavell's notion that, following the "marriage crisis" created by divorce in the early twentieth century, all marriage is remarriage, Wallace argues that after the advent of same-sex marriage, all marriage is gay marriage. Chapter 1, which doubles as the introduction, lays out the stakes of the project. Chapter 2 examines nineteenth-century literature and early twentieth-century popular culture to reveal the changing story of marriage. Chapter 3 situates the 1936 film Craig's Wife as an anticipation of gay and lesbian alternatives to marriage. Chapter 4 reads Tom Ford's film production of Christopher Isherwood's A Single Man as a means to extend homosexual style as a "brand" of cultural and emotional capital. Chapters 6 and 7 engage directly with Cavell's theory of remarriage as an analytic to examine same-sex marriage. This book will be of interest to students and scholars of queer theory, feminist studies, and film studies"--
    Note: Includes bibliographical references and index
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  • 5
    ISBN: 9781478004684 , 9781478004073
    Language: English
    Pages: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Parallel Title: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
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    Keywords: Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Abstract: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Note: Includes bibliographical references and index
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  • 6
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012436
    Language: English
    Pages: 1 online resource (301 pages)
    Series Statement: A Camera Obscura Book Ser.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing empire
    DDC: 909.04914
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    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; South Asian Americans-Ethnic identity ; South Asian Americans-Cultural assimilation-United States ; South Asian Americans-Ethnic identity.. ; South Asian diaspora ; South Asian Americans-Cultural assimilation-United States.. ; Electronic books ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: Bakirathi Mani examines the visual and affective relationships between South Asian diasporic viewers, artists, and photographic representations of immigrant subjects, showing how empire continues to haunt South Asian American visual cultures.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009337
    Language: English
    Pages: 1 Online-Ressource (xi, 290 Seiten)
    Series Statement: Sign, Storage, Transmission
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76/63
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    Keywords: Lesbian Herstory Archives ; Geschichte 1970-2020 ; SOCIAL SCIENCE / Media Studies ; Archival materials Digitization ; Social aspects ; Archives Social aspects ; Digital media Social aspects ; Lesbian feminism Archival resources ; Lesbians Archival resources ; Queer theory ; Medien ; Queer-Theorie ; Soziale Bewegung ; Lesbe ; Kommunikation ; Feminismus ; USA ; Hochschulschrift ; Hochschulschrift ; Aufsatzsammlung ; USA ; Lesbe ; Feminismus ; Soziale Bewegung ; Medien ; Kommunikation ; Queer-Theorie ; Geschichte 1970-2020 ; Lesbian Herstory Archives
    Abstract: For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. InInformation Activism Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on-the-fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 8
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478009139
    Language: English
    Pages: 1 Online-Ressource (xiii, 247 Seiten) , Illustrationen
    Series Statement: A Camera Obscura Book
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.84/8
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    Keywords: Geschichte ; Hollywood marriage plot ; changing narrative of intimacy ; valorization of intimacy ; PERFORMING ARTS / Film & Video / History & Criticism ; Homosexuality in motion pictures ; Lesbianism in motion pictures ; Marriage ; Same-sex marriage ; Homosexualität ; Film ; Ehe ; USA ; USA ; Film ; Homosexualität ; Ehe ; Geschichte
    Abstract: In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films-Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)-that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 9
    ISBN: 9781478009009
    Language: English
    Pages: 1 Online-Ressource (325 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
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    Keywords: Geschichte 2000-2019 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American arts ; African Americans in popular culture ; Politics and culture ; Popular culture ; Racism in popular culture ; Massenkultur ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Abstract: The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 10
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012733
    Language: English
    Pages: 1 online resource (257 pages)
    Parallel Title: Erscheint auch als Sheller, Mimi, 1967 - Island futures
    DDC: 304.209792
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    Keywords: Human ecology Sociological aspects ; Sustainable development ; Human ecology Political aspects ; Human ecology-Political aspects-Caribbean Area ; Karibischer Raum Haiti ; naturkatastrophe ; Klimawandel ; Verhältnis Mensch - Natur ; Humanökologie ; Anthropozän ; Postkolonialismus ; Caribbean Haiti ; Climate change ; Human ecology ; Anthropocene ; Postcolonialism ; Electronic books ; Caribbean Area Environmental aspects ; Caribbean Area Climatic factors ; Karibik ; Klimaänderung ; Naturkatastrophe ; Haiti ; USA ; Humanökologie
    Abstract: Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region, showing how vulnerability to ecological collapse and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics.
    Abstract: Cover -- Contents -- Preface: An Autobiography of My Mother -- Acknowledgments -- Introduction: Im/Mobile Disaster -- 1. Kinopolitical Power -- 2. Water Power -- 3. Aerial Power -- 4. Digital Power -- 5. Bordering Power -- 6. Sexual Power -- Conclusion: Surviving the Anthropocene -- Afterword: This is Not a Requiem -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 11
    ISBN: 9781478008323 , 9781478007838
    Language: English
    Pages: ix, 254 Seiten , Illustrationen
    Series Statement: Black studies gender and sexuality
    Parallel Title: Erscheint auch als Pinto, Samantha Infamous bodies
    DDC: 305.48/896073
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    Keywords: Wheatley, Phillis ; Hemings, Sally ; Baartman, Sarah ; Seacole, Mary ; Bonetta, Sarah Forbes ; Women, Black, in popular culture ; African American women in popular culture ; Women, Black Legal status, laws, etc ; African American women Legal status, laws, etc ; African American feminists ; Womanism ; Fame Social aspects ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Abstract: "INFAMOUS BODIES portrays ...
    Note: Includes bibliographical references and index
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  • 12
    ISBN: 9781478009436 , 9781478008545
    Language: English
    Pages: xvi, 310 Seiten , Illustrationen
    DDC: 305.52
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    Keywords: Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung ; USA ; Los Angeles- Hollywood
    Note: Literaturverzeichnis Seite 271-300
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  • 13
    ISBN: 9781478009849 , 9781478010890
    Language: English
    Pages: xv, 271 Seiten, 12 ungezählte Seiten , Illustrationen
    Series Statement: A camera obscura book
    Parallel Title: Erscheint auch als Mani, Bakirathi Unseeing Empire
    DDC: 909/.04914
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    Keywords: South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Abstract: "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented"--
    Note: Literaturverzeichnis: Seiten 245-259
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  • 14
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478005537 , 147800553X
    Language: English
    Pages: 1 Online-Ressource (ix, 236 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 779.93058
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    Keywords: Photography in ethnology / History / United States ; Documentary photography / History / United States ; Art and photography / United States ; Photography in historiography ; Photography / Social aspects / History / United States ; Art and history / United States ; Fotografie ; Rassenfrage ; USA ; Electronic books ; USA ; Rassenfrage ; Fotografie
    Abstract: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 15
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478002253
    Language: English
    Pages: 1 Online-Ressource (xi, 170 Seiten)
    Series Statement: Next wave: new directions in women's studies
    Parallel Title: Erscheint auch als Nash, Jennifer Christine, 1980 - Black feminism reimagined
    DDC: 305.420973
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    Keywords: Womanism ; Feminism ; Intersectionality (Sociology) ; Feminist theory ; Women's studies ; Universities and colleges Sociological aspects ; Electronic books ; Schwarze Frau ; Frauenbewegung ; Frauenemanzipation ; Intersektionalität ; USA ; Frau ; Person of Color ; Diskriminierung
    Abstract: Jennifer C. Nash reframes black feminism's engagement with intersectionality, contending that black feminists should let go of their possession and policing of the concept in order to better unleash black feminist theory's visionary and world-making possibilities
    Abstract: Cover -- Contents -- Acknowledgments -- Introduction. Feeling Black Feminism -- 1. A Love Letter from a Critic, or Notes on the Intersectionality Wars -- 2. The Politics of Reading -- 3. Surrender -- 4. Love in the Time of Death -- Coda. Some of Us are Tired -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W
    URL: Volltext  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Cover
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  • 16
    ISBN: 9781478000945 , 9781478000730
    Language: English
    Pages: xiv, 359 Seiten, 8 ungezählte Seiten , Illustrationen
    Parallel Title: Erscheint auch als Kondo, Dorinne K., author Worldmaking
    DDC: 792.089/950973
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    Keywords: Asian American theater Social aspects ; Theater and society ; Racism and the arts ; Creation (Literary, artistic, etc.) Social aspects ; American drama Asian American authors ; History and criticism ; USA ; Asiatischer Einwanderer ; Theater ; Hierarchie ; Diskriminierung ; Rassismus ; Ethnizität ; Affekt ; Feldforschung
    Abstract: Inhaltsverzeichnis: Theoretical scaffolding, formal architecture -- Racialized economies -- (En)acting theory -- The drama behind the drama -- Revising race -- Playwriting as reparative creativity -- Seamless, a full-length play.
    Note: Literaturverzeichnis: Seite 325-347
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  • 17
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478000419 , 9781478000549
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    DDC: 305.896073
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    Keywords: Massenkultur ; Schwarze ; USA
    Note: Literaturverzeichnis Seite 211-218
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  • 18
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822363798 , 0822363798 , 9780822363644
    Language: English
    Pages: xvi, 226 Seiten , Illustrationen
    Series Statement: Asian American cultural studies
    Parallel Title: Erscheint auch als
    DDC: 809.3/876
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    Keywords: Literatur ; Spekulation ; Fiktion ; Zukunft ; Asien ; USA
    Note: Literaturverzeichnis Seite 201-216
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  • 19
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822370161 , 9780822370062
    Language: English
    Pages: xvii, 339 Seiten
    Series Statement: Consent not to be a single being [1]
    DDC: 305.896
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    Keywords: Schwarze ; Kunst ; USA
    Note: Literaturverzeichnis: Seite 317-328
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  • 20
    ISBN: 9780822370185 , 9780822370093
    Language: English
    Pages: xiii, 425 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Refiguring American music
    DDC: 305.86872073
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    Keywords: Grenzgebiet ; Huapango ; Migration ; Soziale Funktion ; Mexiko ; USA
    Note: Literaturverzeichnis: Seite [387]-409
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  • 21
    ISBN: 9780822363705 , 9780822363545
    Language: English
    Pages: xii, 360 Seiten , Illustrationen, Diagramme
    DDC: 780.8996073
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    Keywords: Geschichte ; Afroamerikanische Musik ; Rezeption ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; USA ; Afrika ; Rezension ; Rezension
    Note: Literaturverzeichnis Seite 323-344
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  • 22
    ISBN: 9780822359586 , 9780822360018
    Language: English
    Pages: xviii, 230 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 780.899921073
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    Keywords: Geschichte 1945-2015 ; Filipinos ; Unterhaltungsmusik ; Musikleben ; Soziale Funktion ; Kulturelle Identität ; USA
    Note: Bibliography Seite 207-218
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  • 23
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822362838
    Language: English
    Pages: 1 Online-Ressource (188 SEiten)
    Parallel Title: Erscheint auch als Sharpe, Christina Elizabeth In the wake
    DDC: 305.896073
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    Keywords: Premature death - Social aspects - United States ; African Americans Social conditions ; Racism Health aspects ; Premature death Social aspects ; Discrimination in law enforcement ; Slavery Psychological aspects ; Electronic books ; Electronic books ; USA ; Schwarze ; Diskriminierung
    Abstract: Using the multiple meanings of "wake" to illustrate the ways Black lives are determined by slavery's afterlives, Christina Sharpe weaves personal experiences with readings of literary and artistic representations of Black life and death to examine what survives in the face of insistent violence and the possibilities for resistance
    Abstract: Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Chapter One: The Wake -- Chapter Two: The Ship -- Chapter Three: The Hold -- Chapter Four: The Weather -- Notes -- References -- Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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  • 24
    ISBN: 9780822375982
    Language: English
    Pages: 1 Online-Ressource (xviii, 349 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Thompson, Krista, 1972 - Shine
    DDC: 302.2/22
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    Keywords: Mass media and culture ; United States ; Mass media and culture ; Caribbean Area ; Photography ; Social aspects ; United States ; Art and popular culture ; African diaspora ; Electronic books ; Electronic books ; Electronic books ; USA ; Karibik ; Afrikaner ; Diaspora ; Selbstdarstellung ; Massenmedien ; Alltagskultur ; USA ; Jamaika ; Bahamas ; Schwarze ; Ethnische Identität ; Fotografie ; Video ; Massenkultur ; Geschichte 1990-2015
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 25
    ISBN: 9780822357421 , 9780822357575
    Language: English
    Pages: XXIV, 384 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 940.53/1
    RVK:
    Keywords: Hollywood Canteen ; Hollywood Canteen ; Geschichte 1900-2000 ; Geschichte 1942-1945 ; Geschichte ; Gesellschaft ; Weltkrieg (1939-1945) ; World War, 1939-1945 Social aspects ; Memory Social aspects ; Dance Social aspects 20th century ; History ; Soldat ; Filmstar ; Swing ; Restaurant ; USA ; Los Angeles (Calif.) Social conditions 20th century ; Los Angeles, Calif. ; Los Angeles, Calif. ; Restaurant ; Swing ; Filmstar ; Soldat ; Geschichte 1942-1945 ; Hollywood Canteen ; Geschichte 1942-1945
    Note: Includes bibliographical references (pages 351-363) and index
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  • 26
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822376804
    Language: English
    Pages: 1 Online-Ressource (x, 470 Seiten) , Illustrationen
    DDC: 302.230973
    RVK:
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    Keywords: Sexualität ; Massenmedien ; Film ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Aufsatzsammlung
    Abstract: Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media-film and television, recorded sound, and publishing-that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams.
    Note: Literaturverzeichnis: Seite 435-450 , Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: eDuke
    URL: JSTOR
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  • 27
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822353287 , 9780822353430
    Language: English
    Pages: X, 296 Seiten
    Series Statement: Refiguring American music
    DDC: 338.47/780973
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    Keywords: Popular music Writing and publishing ; Popular music Economic aspects ; Intellectual property ; Sound recording industry ; Wirtschaftliche Abhängigkeit ; Autonomie ; Label ; Popmusiker ; Musikwirtschaft ; USA ; Popmusiker ; Musikwirtschaft ; Label ; Autonomie ; Wirtschaftliche Abhängigkeit
    Note: Includes bibliographical references and index
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  • 28
    Book
    Book
    Durham : Duke University Press
    ISBN: 0822351609 , 9780822351603 , 9780822351467
    Language: English
    Pages: x, 398 Seiten
    Series Statement: Next wave: new directions in women's studies
    Parallel Title: Erscheint auch als Wiegman, Robyn, 1958 Object lessons
    DDC: 301.01
    RVK:
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    Keywords: Feminismus ; Queer-Theorie ; Ethnische Identität ; USA
    Note: Literaturverzeichnis Seiten [345] - 389
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  • 29
    Online Resource
    Online Resource
    Durham : Duke University Press
    Language: English
    Pages: 1 Online-Ressource (xi, 254 Seiten) , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als Sharpe, Christina Elizabeth Monstrous intimacies
    DDC: 305.896/073
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    Keywords: African Americans in popular culture ; Women slaves Social conditions ; United States Race relations ; History ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Note: Literaturverzeichnis: Seiten 223-242
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  • 30
    ISBN: 0822389169 , 9780822389163
    Language: English
    Pages: 1 Online-Ressource (xiv, 353 Seiten) , Illustrationen
    Edition: Online-Ausgabe 2011
    Parallel Title: Erscheint auch als Berlant, Lauren Gail, 1957 - 2021 The female complaint
    DDC: 305.420973
    RVK:
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    Keywords: Emotions ; Women in literature ; Women in motion pictures ; Women Psychology ; Mass media and women ; Sentimentalism in motion pictures ; Sentimentalism in literature ; Sentimentalism ; Massenkultur ; Frau 〈Motiv〉 ; Gefühl 〈Motiv〉 ; Sentimentalität ; Kultur ; USA ; Massenkultur ; Frau ; Gefühl
    Abstract: A literary critical and historical chronicle of women s culture in the United States from 1830 to the present, by a leading Americanist
    Note: Includes bibliographical references and index , Contents; Preface; Introduction: Intimacy, Publicity, and Femininity; Poor Eliza; Pax Americana: The Case of Show Boat; National Brands, National Body: Imitation of Life; Uncle Sam Needs a Wife: Citizenship and Denegation; Remembering Love, Forgetting Everything Else:Now, Voyager; "It's Not the Tragedies That Kill Us, It's the Messes":Femininity, Formalism, and Dorothy Parker; The Compulsion to Repeat Femininity: Landscape for a Good Woman and The Life and Loves of a She-Devil; Overture/Aperture: Showboat 1988-The Remake; Notes; Bibliography; Index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 31
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822386544
    Language: English
    Pages: 1 Online-Ressource (294 pages)
    Series Statement: Next Wave: New Directions in Women's Studies
    DDC: 305.4889141107309049
    RVK:
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    Keywords: Indischer Einwanderer ; Ethnizität ; Amerikanisierung ; Nationalbewusstsein ; Ethnische Identität ; Globalisierung ; Feminismus ; USA ; Electronic books
    Abstract: A study of South Asian Americans which views both their identity and that of America as constructed transnationally between the U.S. and India.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
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  • 32
    ISBN: 0822332019
    Language: English
    Pages: 290 p. , 25 cm
    DDC: 371.195
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1880-1980 ; 1880-1889 ; 1890-1899 ; 20e siècle ; Administration scolaire ; Finalité de l'éducation ; Histoire ; Relation école-industrie ; Université ; Geschichte ; Business and education History 19th century ; Business and education History 20th century ; Education, Higher Economic aspects ; Universität ; Wirtschaft ; États-Unis ; USA ; USA ; USA ; Universität ; Wirtschaft ; Geschichte 1880-1980
    Note: Includes bibliographical references and index
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  • 33
    ISBN: 0822326361 , 0822326310
    Language: English
    Pages: viii, 290 Seiten , Illustrationen
    Series Statement: Perverse modernities
    DDC: 305.38895073
    RVK:
    Keywords: Asian Americans Race identity ; Masculinity United States ; Sex role United States ; Race Psychological aspects ; American literature Asian American authors ; History and criticism ; Asian Americans in literature ; USA ; Asiaten ; Ethnische Beziehungen ; Geschlechterverhältnis ; Mann ; Homosexualität
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 34
    ISBN: 0822380013 , 9780822380016
    Language: English
    Edition: Online-Ressource
    Series Statement: Latin America otherwise
    Series Statement: EBSCOhost eBook Collection
    DDC: 305.800973
    RVK:
    RVK:
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    Keywords: Mexican Americans Ethnic identity ; Mexican-American Border Region ; Indians of North America Ethnic identity ; Mexican-American Border Region ; Mestizos Ethnic identity ; Mexican-American Border Region ; Mexican Americans in literature ; Indians in literature ; Mestizaje in literature ; Ethnicity in literature ; Decolonization in literature ; Américains d'origine mexicaine Identité ethnique ; Mexican-American Border Region ; Indiens d'Amérique Identité ethnique ; États-Unis ; Mexican-American Border Region ; Métis Identité ethnique ; Mexican-American Border Region ; Américains d'origine mexicaine dans la littérature ; Indiens d'Amérique dans la littérature ; Métissage dans la littérature ; Ethnicité dans la littérature ; Décolonisation dans la littérature ; Mexican-American Border Region dans la littérature ; Mexican Americans Ethnic identity. ; Indians of North America Ethnic identity. ; Mestizos Ethnic identity. ; Mexican Americans in literature. ; Indians in literature. ; Mestizaje in literature. ; Ethnicity in literature. ; Decolonization in literature. ; Chicanos ; Ethnische Identität ; Indianer ; Literatur ; Selbstdarstellung ; Mexican-American Border Region In literature ; Mexican-American Border Region Ethnic relations ; Mexican-American Border Region Relations interethniques ; North America ; Mexican-American Border Region ; Mexican-American Border Region In literature. ; Mexican-American Border Region Ethnic relations. ; USA ; Electronic books. ; Electronic books ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität
    Abstract: PART I. Mapping Subalternity in the U.S./México Borderlands -- 1. The Chicana/o and the Native American "Other" Talk Back: Theories of the Speaking Subject in a (Post?) Colonial Context -- 2. When Mexicans Talk, Who Listens? The Crisis of Ethnography in Situating Early Voices from the U.S./México Borderlands -- PART II. Narrative Disruptions: Decolonization, Dangerous Bodies, and the Politics of Space -- 3. Counting Coup: Narrative Acts of (Re)Claiming Identity in Ceremony by Leslie Marmon Silko -- 4. Toward a Hermeneutics of Decolonization: Reading Radical Subjectivities in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa -- 5. A Border Coda: Dangerous Bodies, Liminality, and the Reclamation of Space in Star Maps by Miguel Arteta
    Description / Table of Contents: PART I. Mapping Subalternity in the U.S./México Borderlands -- 1. The Chicana/o and the Native American "Other" Talk Back: Theories of the Speaking Subject in a (Post?) Colonial Context -- 2.When Mexicans Talk,Who Listens? The Crisis of Ethnography in Situating Early Voices from the U.S./México Borderlands -- PART II. Narrative Disruptions: Decolonization, Dangerous Bodies, and the Politics of Space -- 3. Counting Coup: Narrative Acts of (Re)Claiming Identity in Ceremony by Leslie Marmon Silko -- 4. Toward a Hermeneutics of Decolonization: Reading Radical Subjectivities in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa -- 5. A Border Coda: Dangerous Bodies, Liminality, and the Reclamation of Space in Star Maps by Miguel Arteta.
    Note: Includes bibliographical references (p. [159]-173 and index , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 35
    ISBN: 0822380013
    Language: English
    Pages: 1 Online-Ressource (xix, 186 Seiten) , 24 cm
    Edition: Online_Ausgabe Boulder, Colo NetLibrary 2003 E-Books von NetLibrary Sonstige Standardnummer des Gesamttitels: 22382847
    Series Statement: Latin America otherwise
    Parallel Title: Reproduktion von Aldama, Arturo J., 1964- Disrupting savagism
    DDC: 305.800973
    RVK:
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    Keywords: Decolonization in literature ; Ethnicity in literature ; Indians in literature ; Indians of North America - Ethnic identity - Mexican-American Border Region ; Mestizaje in literature ; Mestizos - Ethnic identity - Mexican-American Border Region ; Mexican Americans - Ethnic identity - Mexican-American Border Region ; Mexican Americans in literature ; Indianer ; Decolonization in literature ; Ethnicity in literature ; Indians in literature ; Indians of North America Ethnic identity ; Mestizaje in literature ; Mestizos Ethnic identity ; Mexican Americans in literature ; Mexican Americans Ethnic identity ; Indianer ; Chicanos ; Ethnische Identität ; Selbstdarstellung ; Literatur ; Mexican-American Border Region - Ethnic relations ; Mexican-American Border Region - In literature ; Mexican-American Border Region Ethnic relations ; Mexican-American Border Region In literature ; USA ; Electronic books ; Electronic books. ; Electronic books ; Electronic books ; USA ; Literatur ; Selbstdarstellung ; Chicanos ; Indianer ; Ethnische Identität
    Note: Includes bibliographical references (p. [159]-173 and index
    URL: Full text  (Click to View (Currently Only Available on Campus))
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