Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • GBV  (32)
  • Online Resource  (32)
  • Electronic books  (25)
  • USA  (10)
  • Europa
  • Art History
Material
Language
  • 1
    ISBN: 9781478093718
    Language: English
    Pages: 1 Online-Ressource (568 p.)
    Parallel Title: Erscheint auch als Future/present
    RVK:
    Keywords: Anti-racism History 21st century ; Arts and society History 21st century ; Arts Political aspects 21st century ; History ; ART / American / General ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu
    Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English
    URL: Cover  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    ISBN: 9781478027256
    Language: English
    Pages: 1 online resource (569 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als Future/present
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: ART / American / General ; ART / American / Asian American & Pacific Islander ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: Building on five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism in the art world, FUTURE/PRESENT includes a range of poetry, essays and criticism, visual and performance art, artist manifestos, interviews, and reflections on community practice.
    Abstract: Cover -- Contents -- Introduction / Roberta Uno -- The Call / Jeff Chang -- vestibular mantra (or radical virtuosities for a brave new dance) / taisha paggett -- Part 1 / Cultural Presence: Placekeeping and Belonging -- Introduction / Daniela Alvarez -- Aqui Estoy / Jose Ramirez -- Beauty, Justice, and the Ritual of Performance / Patricia Berne and Nomy Lamm -- An Accumulation of Things That Refuse to Be Discarded / Kiyan Williams -- Counting Coup on the Compartmentalization of Indigenous-Made Rap Music / Talon Bazille Ducheneaux -- Cultural Resiliency in the Face of Crisis: Learning from New Orleans / Carol Bebelle and Carol Zou -- Collectively Directing the Current / Halima Afi Cassells -- The New Eagle Creek Saloon / Sadie Barnette -- Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012-2016 / Guillermo Gómez-Peña -- Building Temples for Tomorrow": Cultural Workers as Construction Crews / Alesia Montgomery -- Invasive Species / Aaron McIntosh -- Sunny and 150 Years of Placekeeping in Little Tokyo / Scott Oshima -- Local Fruit Still Life / Daniel Andres Alcazar -- Stage One: Establishing Community / Garrett McQueen -- Red 40 / Jazmín Urrea -- More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next / Devin Kenny -- Part 2 / Dismantling Borders, Building Bridges: Migration and Diasporas -- Introduction / Sarah Sophia Yanni -- Mano Poderosa / Rosalie López -- A Cosmos of Dis/Joints / Vinhay Keo -- Cross-Border Citizens / Teddy Cruz and Fonna Forman -- Indian Alley, Where Art Is Healing / Pamela J. Peters -- Vessels: A Conversation / Chanice Holmes, Mykia Jovan, Rebecca Mwase, and Mahalia Abéo Tibbs -- Fence / Belise Nishimwe -- A Touch of Otherness / Hayv Kahraman -- Harmattan Haze / Njideka Akunyili Crosby -- Who Is the #EmergingUS? / Jose Antonio Vargas.
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    London : Bloomsbury Publishing Plc | Ann Arbor, Michigan : ProQuest
    ISBN: 9781350031654
    Language: English
    Pages: 1 Online-Ressource (305 pages)
    DDC: 304.20941
    RVK:
    RVK:
    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    ISBN: 9780262377249 , 0262377241 , 9780262377256 , 026237725X
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: The MIT Press
    Parallel Title: Erscheint auch als An anthology of blackness
    RVK:
    RVK:
    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Language: English
    Pages: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Series Statement: Routledge research in art and race
    Parallel Title: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
    RVK:
    RVK:
    Keywords: Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    ISBN: 9781487509316
    Language: English
    Pages: 1 Online-Ressource (197 ungezählte Seiten) , Illustrationen
    Series Statement: Toronto Iberic
    Parallel Title: Erscheint auch als Infante, Catherine The arts of encounter
    DDC: 860.93823823
    RVK:
    RVK:
    RVK:
    Keywords: Electronic books ; Spanien ; Christentum ; Islam ; Kulturaustausch ; Kunst ; Geschichte 1400-1700
    Abstract: The Arts of Encounter uncovers the significant role of religious images in literature, offering a new approach to understanding Christian-Muslim relations in early modern Spain.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469663067
    Language: English
    Pages: 1 online resource (245 pages)
    Series Statement: The John Hope Franklin Series in African American History and Culture Ser.
    Parallel Title: Erscheint auch als Smethurst, James Edward Behold the land
    DDC: 810.9896073
    RVK:
    RVK:
    Keywords: Black Arts movement--Southern States ; American literature--African American authors--History and criticism ; African Americans in literature ; Electronic books ; Geschichte 1960-1985 ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; Geschichte 1960-1985 ; USA ; Black arts movement
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Language: English
    Pages: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 302.23082
    RVK:
    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Abstract: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839452943
    Language: English
    Pages: 1 Online-Ressource (215 Seiten) , Illustrationen
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
    RVK:
    Keywords: Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Abstract: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 10
    Online Resource
    Online Resource
    Cambridge, Massachusetts : The MIT Press
    ISBN: 9780262365666
    Language: English
    Pages: 1 Online-Ressource (219 Seiten)
    Parallel Title: Erscheint auch als Campt, Tina, 1964 - A black gaze
    DDC: 704.0396073
    RVK:
    Keywords: Electronic books ; Künstler ; Künstlerin ; Schwarze ; Kunst ; Wahrnehmung ; Ästhetik ; Geschichte
    Abstract: Examining the work of contemporary Black artists who are dismantling the white gaze and demanding that we see--and see Blackness in particular--anew.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 11
    ISBN: 9781452965789
    Language: English
    Pages: 1 Online-Ressource (xiv, 282 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Sprinkle, Annie, 1954 - Assuming the ecosexual position
    DDC: 304.2
    RVK:
    RVK:
    Keywords: Electronic books ; Electronic books ; Performance ; Ökologie ; Sexualverhalten
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 12
    ISBN: 9781786805454
    Language: English
    Pages: 1 online resource (286 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als The Situationist International
    DDC: 303.48/40922
    RVK:
    Keywords: Internationale situationniste ; Internationale situationniste ; Internationale situationniste ; Radicalism ; Art Political aspects ; Electronic books ; Radicalisme ; Art - Aspect politique ; radicalism ; political art ; Radicalism ; Art - Political aspects ; Aufsatzsammlung ; Situationistische Internationale
    Abstract: Formed amidst the incendiary violence and political turmoil of the 1960s, beyond the barricades, the Situationist International (SI) remains to this day influential in anti-capitalist cultural, political and philosophical debates. Looking at philosophy, sociology, critical theory, art, architecture and literature, The Situationist International is an up-to-date and comprehensive survey of the SI and its thought. Leading thinkers analyse the SI's interdisciplinary challenges, its roots in the artistic avant-garde and the traditional workers' movements, its engagement with the problems of postcolonialism and issues of gender and sexuality. Including contributions from key thinkers, including Anselm Jappe and Michael Lowy, as well as new and upcoming scholars, The Situationist International unpacks the complexity of a group that has come to define radical politics and culture in the postwar period
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 13
    ISBN: 9781350187139
    Language: English
    Pages: 1 Online-Ressource (xvi, 280 Seiten)
    Parallel Title: Erscheint auch als Feminism and art in postwar Italy
    DDC: 305.42094509045
    RVK:
    RVK:
    Keywords: Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Frauenkunst ; Feminismus ; Geschichte 1964-1980 ; Lonzi, Carla 1931-1982
    Abstract: Cover -- Contents -- List of illustrations -- List of contributors -- Acknowledgements -- Introduction Against culture: Feminism and art in postwar Italy Francesco Ventrella and Giovanna Zapperi -- Part One Art writing against art -- 1 Carla Lonzi: Encountering American art Judith Russi Kirshner -- 2 Magnetic encounters: Listening to Carla Lonzi's tape recordings Francesco Ventrella -- 3 (Post-)normative silence Sabeth Buchmann -- Part Two Creativity and the feminist subject -- 4 The making of a feminist subject: Autonomy, authenticity and withdrawal Giovanna Zapperi -- 5 Turbulence zone: Diasporic resonances across Carla Lonzi's archive Liliana Ellena -- 6 'I thought art was for women' Suzanne Santoro interviewed by Francesco Ventrella and Giovanna Zapperi -- Part Three Art as relation -- 7 The end of the affair: Carla Lonzi and the politics of Rapporto Leslie Cozzi -- 8 Reimagining the family album: Carla Lonzi's Autoritratto Teresa Kittler -- 9 The Cooperativa Beato Angelico: A feminist art space in Rome Katia Almerini -- Part Four Genealogies and resonances -- 10 Free escape Elisabeth Lebovici -- 11 Feminism and art c. 1970: Writing (art) otherwise Griselda Pollock -- Index.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 14
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Language: English
    Pages: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Edition: First edition.
    Series Statement: Routledge Research in Art and Race
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Abstract: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 15
    ISBN: 9781501746406
    Language: English
    Pages: 1 online resource (303 pages)
    Additional Information: Rezensiert in Eire, Carlos M. N. Always Among Us. Images of the poor in Zwingli's Zurich. By Lee Palmer Wandel. Pp. vii + 199. Cambridge: Cambridge University Press, 1990. £27.50. 0 521 39096 6 - ‘In His Image and Likeness’. Political iconography and religious change in Regensburg, 1500–1600. By Kristin E. S. Zapalac. Pp. xvii + 280 incl. 73 figs. Ithaca– London: Cornell University Press, 1990. £24. 0 8014 2269 8 1992
    Parallel Title: Erscheint auch als
    DDC: 306.4/4/0943347
    RVK:
    RVK:
    RVK:
    Keywords: Electronic books
    Abstract: Cover -- In His Image and Likeness -- Title -- Copyright -- Contents -- Figures -- Preface -- Note on Translations -- Prolegomena "In His Image and Likeness'': Luther's Revision of the Augustinian Epistemology -- 1 Christ among the Councillors: The Iconography of Justice in the Late-Medieval Rathaus -- 2 God among the Councillors: The Iconography of Justice after the Reformation -- 3 Widow, Wife, Daughter: The Iconography of Resistance to the Emperor -- 4 Gottvater, Stadtväter, Hausväter: Paternal Imagery in the Dialogue between Bürger and Rat -- Frequently Used Abbreviations -- Notes -- Bibliography -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 16
    ISBN: 9781477312476 , 9781477312483
    Language: English
    Pages: 1 Online-Ressource (xix, 440 Seiten)
    Edition: First edition
    Parallel Title: Erscheint auch als Music, sound, and architecture in Islam
    DDC: 700.91767
    RVK:
    RVK:
    Keywords: Music and architecture-Islamic countries ; Art and architecture-Islamic countries ; Music-Social aspects-Islamic countries ; Music-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Art and architecture-Islamic countries ; Music and architecture-Islamic countries ; Music-Islamic countries-History and criticism ; Music-Social aspects-Islamic countries ; Electronic books ; Aufsatzsammlung ; Islam ; Architektur ; Musik ; Akustik ; Islam ; Architektur ; Musik ; Akustik
    Abstract: Intro -- List of Figures, Plates, Charts, and Tables -- Foreword by Ali S. Asani -- Acknowledgments -- Part One: Transregional -- 1. Listening to Islamic Gardens and Landscapes, by D. Fairchild Ruggles -- Part Two: The Ottoman Empire and Turkey -- 2. A Sound Status among the Ottoman Elite: Architectural Patrons of Sixteenth-Century Istanbul Mosques and Their Recitation Programs, by Nina Ergin -- 3. A Concert Platform: A Space for a Style in Turkish Music, by John Morgan OâConnell -- 4. Articulating Otherness in the Construction of Alevi-BektaÅi Rituals and Ritual Space in a Transnational Perspective, by Irene Markoff -- Part Three: The Arab World -- 5. Venerating Cairoâs Saints through Monument and Ritual: Islamic Reform and the Rise of the Architext, by Michael Frishkopf -- 6. Nightingales and Sweet Basil: The Cultural Geography of Aleppine Song, by Jonathan H. Shannon -- 7. Aural Geometry: Poetry, Music, and Architecture in the Arabic Tradition, by Samer Akkach -- Part Four: Andalusia and Europe -- 8. Tents of Silk and Trees of Light in the Lands of Najd: The Aural and the Visual at a Mawlid Celebration in the Alhambra, by Cynthia Robinson -- 9. Aristocratic Residences and the Majlis in Umayyad Córdoba, by Glaire D. Anderson -- 10. Sounds of Love and Hate: Sufi Rap, Ghetto Patrimony, and the Concrete Politics of the French Urban Periphery, by Paul A. Silverstein -- Part Five: Central and South Asia -- 11. Ideal Form and Meaning in Sufi Shrines of Pakistan: A Return to the Spirit, by Kamil Khan Mumtaz -- 12. The Social and Sacred Microcosm of the Kiiz Ãi: Space and Sound in Rituals for the Dead among the Kazakhs of Mongolia, by Saida Daukeyeva -- Part Six: Iran -- 13. Listening to Pictures in Iran, by Anthony Welch -- 14. Of Mirrors and Frames: Music, Sound, and Architecture at the Iranian ZÅ«rkhÄneh, by Federico Spinetti -- References
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 17
    ISBN: 9783839442012
    Language: English
    Pages: 1 Online-Ressource (207 Seiten) , Illustrationen
    Series Statement: Design 37
    Series Statement: Design
    Parallel Title: Erscheint auch als Flow of forms, forms of flow
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Design Exhibitions History ; Design Exhibitions Influence ; Design Exhibitions History ; Design Exhibitions Influence ; African Art. ; African Studies. ; Architecture. ; Art History of the 20th Century. ; Art History. ; Design History. ; Europe. ; European Art. ; Exhibition. ; DESIGN / History & Criticism ; Ausstellungskatalog Architekturmuseum der TU München 03.02.2017-12.03.2017 ; Ausstellungskatalog Museum für Völkerkunde 06.04.2018-19.08.2018 ; Afrika ; Europa ; Design ; Kulturaustausch
    Abstract: As a teenager, I spent my time wondering why in sci-fi movies, every landscape, every object I could see was Western or Asian based. I've finally understood that somewhere our legacy had been locked in the past, that we couldn't be "futuristic" in the eyes of our fellow Europeans. We have to look behind our shoulders, get back to our traditions, seize the best of them and shape a future with it. This without forgetting we are part of the world, totally, unquestionably. The future is for me not only a matter of dialogue with the past, but and beyond everything a dialogue with the rest of the planet. Kossi Aguessy How is it possible to adequately capture histories of design in Africa, a continent with fifty-four countries? How can one avoid producing just another essentialising master narrative of "African Design"? How can one make sense of the many entangled yet often asymmetric and sometimes ambivalent histories of form-finding processes between Africa and Europe? In keeping with the premises of a global art and design history approach, the book offers a change of perspective: focusing on the mobility of people, objects and ideas - on flows between Africa and Europe as well as on a South-South axis - allows for multiple yet necessarily fragmented design histories to be identified and recognised. The contributors trace multi-faceted design case studies from a historical perspective, with attention to the present as well as towards possible futures.
    Note: This publication appears on the occasion of the exhibition Flow of Forms / Forms of Flow. Design Histories between Africa and Europe. München: Architekturmuseum der TU München / Pinakothek der Moderne, Museum Fünf Kontinente, Kunstraum München as well as in the premises a private gallery, 3 February – 12 March 2017; Hamburg, Museum für Völkerkunde, 6 April – 19 August 2018 , Frontmatter -- ; Content -- ; Flow of Forms / Forms of Flow. Design Histories between Africa and Europe , Forms of Modernity -- ; Transform(n)ation -- ; Forms of Cooperation / Participation -- ; Material Morphosis -- ; Speculative Forms -- ; Ladi Kwali, Michael Cardew and a Tangled Story of African Studio Pottery , Design, Development and its Legacies: A Perspective on 1970s Design Culture and its Anthropological Intents , Between Favela Chic and Autonomy. Design in Latin America , The Politics of Design in Postcolonial Kenya , On the Flows of Architectural Design: The Context and Making of an Exhibition , Jules Wokam’s Aesthetics of Permeability , Tracing the Quiet Cultural Activism: Laduma Ngxokolo and Black Coffee , Cheick Diallo: Design between Politics and Poetics , Designers’ and Artists’ Biographies -- ; Authors’ Biographies , Mode of access: Internet via World Wide Web. , In English
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 18
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press | Berlin : Knowledge Unlatched
    ISBN: 9789048527045
    Language: English
    Pages: 1 Online-Ressource (212 Seiten)
    Series Statement: Cities and Culture
    Parallel Title: Erscheint auch als Ward, Simon, 1969 - Urban memory and visual culture in Berlin
    DDC: 307.09
    RVK:
    RVK:
    Keywords: Memorials ; Collective memory ; Berlin (Germany) Civilization 20th century ; Berlin (Germany) In art ; Berlin (Germany) In motion pictures ; Electronic books ; Berlin ; Städtebau ; Kulturelle Identität ; Geschichte 1957-2012
    Abstract: "This book examines the crucial role of visual culture (architecture, memorials, photography and film) in shaping Berlin's urban memory culture in both East and West in reponse to the changing political, social and economic organization of the built environment over the past five decades
    Abstract: As sites of turbulence and transformation, cities are machines for forgetting. And yet archiving and exhibiting the presence of the past remains a key cultural, political and economic activity in many urban environments. This book takes the example of Berlin over the past four decades to chart how the memory culture of the city has responded to the challenges and transformations thrown up by the changing political, social and economic organization of the built environment. The book focuses on the visual culture of the city (architecture, memorials, photography and film). It argues that the recovery of the experience of time is central to the practices of an emergent memory culture in a contemporary 'overexposed' city, whose spatial and temporal boundaries have long since disintegrated
    Note: Literaturverzeichnis: Seite 197-203
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 19
    Online Resource
    Online Resource
    London, [England] : Icon Books Ltd
    ISBN: 9781785780721
    Language: English
    Pages: 1 online resource (506 pages)
    Series Statement: Graphic Guides
    Parallel Title: Barker, Meg-John, 1974 - Queer
    Parallel Title: Erscheint auch als Barker, Meg-John, 1974 - Queer
    DDC: 741.5973
    RVK:
    RVK:
    Keywords: Queer theory--Comic books, strips, etc ; Queer theory Comic books, strips, etc ; Queer theory ; Electronic books ; Comic ; Scheele, Jules ; Queer-Theorie
    Abstract: Barker and Scheele invite you to question the status quo and to start seeing things more queerly
    Abstract: Title Page -- Copyright -- Contents -- How to Introduce Queer Theory -- Who are You? -- Making Things Perfectly Queer -- Where We're Headed -- What is "Queer"? -- "Queer" Meaning Strange -- "Queer" as Hate Speech -- Reclaiming "Queer" -- Queer Umbrella? -- Queerer Umbrella? -- Queering Queer -- Multiple Meanings of Queer -- Queer Interventions -- What Queer has in Common: Anti-identity Politics -- How We Came to Think this Way about Sex: A (Very) Potted History -- Understandings are Always Contextual -- The Early Sexologists -- Open and Closed Doors: Early Sexological Understandings -- Freud -- Open and Closed Doors: Freud's Theories -- Masters and Johnson and Sex Therapy -- Open and Closed Doors: Early Sex Therapy -- Gay Rights Movement -- Open and Closed Doors: Early Gay Rights Movements -- How We Think about Sex -- Key Assumption 1: Identities are Fixed and Essential -- Key Assumption 2: Sexuality and Gender are Binary -- Key Assumption 3: Normal and Abnormal Sex Can Usefully be Distinguished -- Enter Queer Theory -- Precursors to Queer Theory -- The Existentialists -- Sartre's Homosexual -- De Beauvoir -- Becoming -- Kinsey: Sexual Diversity -- Kinsey: Categories are an Invention -- Kinsey's Legacy -- Simon and Gagnon's Sexual Scripts -- Bem's Androgyny -- Black Feminists -- Multiple Identities and Marginalization -- Rich's Compulsory Heterosexuality -- (De)Constructing Compulsory Heterosexuality -- Wittig's Straight Mind -- Crenshaw's Intersectionality -- Rubin's Thinking Sex -- The Sex Hierarchy -- The Domino Theory -- Gay Rights/Queer Activism -- After Stonewall -- Hiv/Aids and Activism -- Queer Agendas -- The Turn to Post-structuralism -- Post -structuralism 101 -- Occupying Our Identity -- Subjectivity -- Queer Theory is Born -- De Lauretis -- Queer Today, Gone Tomorrow? -- Key Features -- Foucault and Butler -- Michel Foucault
    Abstract: The Panopticon -- Self-monitoring Society -- Neoliberal Consumer Capitalism -- Power -- Bodies and Normality -- Docile - and Insecure - Bodies -- Discourses and Technologies of the Self -- Power Relations -- Judith Butler -- The Category of Woman -- What Butler Saw -- The Assumptions of Identity Politics -- The Heterosexual Matrix -- Challenging the Heterosexual Matrix -- Gender Performativity -- Doing Gender -- Gender Trouble -- Foucault and Butler Recap -- Foucauldian-butlerian Resistance -- Heteronormativity -- Heteronormativity, Homophobia, and Heterosexism -- ...Oh My! -- Straight Privilege -- Problems with Privilege -- Other Normativities -- Interrogating Heteronormativity -- Inside/Out -- Coming Out -- Sedgwick: How to Bring Your Kids up Gay -- The Epistemology of the Closet -- Nature/Nurture -- Assumed Norms -- Queer Beyond Sexuality and Gender -- Queer Engagements -- Focus on Texts -- Discourse Analysis -- Playing with Language -- Queering -- Queer Moments -- Camp -- Halberstam and Low Theory -- "Dude, Where's My Gender?" -- Collectivism in Finding Nemo -- Queer Art -- Guerrilla Tactics -- Queer Biology -- Nature/Nurture -- The Heteronormative Gaze of Science -- Evolution's Rainbow and Biological Exuberance -- Sexing the Body -- Delusions of Gender -- Biopsychosocial -- Sexual Configurations -- Critical Sexology -- Features of Critical Sexology -- Thinking from the Margins -- Kink -- Open Non-monogamy -- Queering Sexual Medicine -- Queering Sex Therapy -- Criticisms and Tensions -- Why Should Race be Central to Queer Theory? -- Interrogating Race -- Responses to This Marginalization of Race -- White Minority-world Focus -- Southern Theory -- Queer Goes Global -- Strategic Essentialism -- A Place for Identity Politics after All? -- Queer and Bisexuality -- Erasing Bisexuality -- Queer and Feminism -- Queer Feminism? -- Queer Masculinity
    Abstract: Queer and Trans: The Terf Wars -- Butler on Trans -- Co-opting Trans Experience? -- Trans Studies -- Genderqueer -- Cisgenderism -- Materiality Matters -- Lived Experiences -- Inaccessible? -- Ineffective? -- Driven by Fashion? -- Good Queers and Bad Not-Queers -- W(h)ither Queer Theory? -- The Trouble with Normal -- The Crab Bucket -- New Normativities -- Polynormativity and Kinknormativity -- It Ain't What You Do, It's the Way that You Do It. -- Another Funny Turn -- No Future -- Queer Feelings -- Affective and Temporality Turns -- Queer Subjectivity -- Queer Beyond Queer -- One Step Beyond -- Post-Queer? -- Queer Communities -- Queering Communities -- Queer Ways Through the Double Binds? -- Thinking Queerly -- Thinking (Completely) Queerly -- Resources -- Acknowledgements -- Biographies
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 20
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822374893
    Language: English
    Pages: 1 Online-Ressource (xvi, 344 Seiten) , Illustrationen
    Series Statement: Art history publication initiative
    Parallel Title: Print version Cahan, Susan E Mounting Frustration : The Art Museum in the Age of Black Power
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03960730
    RVK:
    Keywords: Museum exhibits - Political aspects - New York (State) - New York - History - 20th century ; African American art ; New York (State) ; New York ; Exhibitions ; History ; 20th century ; Racism in museum exhibits ; New York (State) ; New York ; History ; 20th century ; Museum exhibits ; Social aspects ; New York (State) ; New York ; History ; 20th century ; Museum exhibits ; Political aspects ; New York (State) ; New York ; History ; 20th century ; Electronic books ; Electronic books ; Ausstellungskatalog ; Electronic books ; New York, NY ; Schwarze ; Kunst ; Black power ; Kunstmuseum ; Kunstausstellung ; Geschichte 1965-1975 ; Studio Museum in Harlem ; Metropolitan Museum of Art ; Whitney Museum of American Art ; The Museum of Modern Art
    Abstract: In Mounting Frustration Susan E. Cahan uncovers the moment when the civil rights movement reached New York City's elite art galleries. Focusing on three controversial exhibitions that integrated African American culture and art, Cahan shows how the art world's racial politics is far more complicated than overcoming past exclusions
    Abstract: Cover -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Electronic Refractions II at the Studio Museum in Harlem -- 2. Harlem on My Mind at the Metropolitan Museum of Art -- 3. Contemporary Black Artists in America at the Whitney Museum of American Art -- 4. Romare Bearden: The Prevalence of Ritual and The Sculpture of Richard Hunt at the Museum of Modern Art -- Epilogue -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 21
    Online Resource
    Online Resource
    s.l. : transcript Verlag
    ISBN: 130699733X , 9783839423318 , 9781306997331
    Language: English
    Pages: Online-Ressource
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Print version Bildende Kunst als soziales Feld : Eine Studie über die Berliner Szene
    DDC: 306.470943155
    RVK:
    Keywords: Electronic books ; Berlin ; Kunstbetrieb ; Soziales Feld ; Kunstsoziologie ; Kunst ; Soziologie
    Abstract: Dient die Kunst dem Vergnügen von Eliten? Oder besitzt sie subversive Kraft? Worum geht es im Spiel der Kunst? Valerie Moser untersucht das Berliner Kunstgeschehen als soziales Feld. Ihre empirische Studie bricht sowohl mit essentialistischen Sichtweisen auf die Kunst als auch mit Vorstellungen von der Schöpfungskraft des Künstlers. Sie zeigt: Die Kunst ist Produkt des künstlerischen Feldes, das ebenso »Glaubensuniversum« (Bourdieu) ist wie eine von ökonomischen und politischen Bedingungen strukturierte Welt. Die umkämpften Kunstbegriffe, den Glauben an den Wert der Kunst und ihre Verwobenheit
    Description / Table of Contents: Cover Bildende Kunst als soziales Feld; Inhalt; Vorwort; AUSGANGSPUNKT: FORSCHUNGSKONTEXT, METHODOLOGIE UND METHODIK; Einleitung; Kunstsoziologie heute; Empirisches Forschen mit Pierre Bourdieu; Das Konzept der sozialen Felder und das künstlerische Feld; Die praxeologische Erkenntnisweise; Das qualitative Interview; Das Forschungsdesign; Die Fragestellung; Das Datenmaterial; Das Erhebungsinstrument; Das Untersuchungsfeld; DIE EMPIRISCHE STUDIE: DAS SOZIALE FELD DER BILDENDEN KUNST IN BERLIN; Die Strukturdaten; Die staatliche Kunstförderung; Die Ausstellungsorte zeitgenössischer Kunst
    Description / Table of Contents: Der KunstmarktBildende Kunst als Beruf; Die Akteure; Max Corbach: Der staatliche Museumsleiter; Matthias Claas: Der staatliche Kurator; Gustav Emmerich: Der Galerist mit Startkapital; Gita Eshwar: Die Künstlerin als Galeristin; Patricia Falkenstein: Die freie Kunstwissenschaftlerin; Paul Fadani: Der kritische Intellektuelle; Viola Brenner: Die Geschäftsführerin eines Kunstvereins; Ruben Dietlich: Der Kunstraumleiter; Karin Appl: Die Malerin und ihr Geist; Karohne Aigner: Die Malerin und ihr Körper; Kathrin Amling: Die intellektuelle Künstlerin
    Description / Table of Contents: Karsten Aschenbach: Der gesellschaftskritische KünstlerKendra Aurich: Die politische Künstlerin; Klemens Adler: Der Performancekünstler; Klaus Arnold: Der Kunst-Handwerker; Khadir Amar: Der afrikanische Künstler; Die »Positionen«; Das staatliche Museum; Der primäre Kunstmarkt; Die institutionelle Freiheit; Der öffentliche Raum; Der soziale Raum; Die »Positionen« in der bürgerlichen Gesellschaft; Das staatliche Museum und sein Bildungsauftrag; Der primäre Kunstmarkt und seine Repräsentationsfunktion; Das Streben nach Freiheit; Die Kunstvereine und ihre aufklärende Mission
    Description / Table of Contents: Die Ökonomisierung staatlicher KunstförderungDer »Glaube«; SCHLUSSBETRACHTUNG: DIE STRUKTUR DES BERLINER KUNSTFELDES; Die Differenzierungslinien; Die staatliche Strukturförderung und die Kultur Deutschlands; Das Galeriengeschäft und das großbürgerliche Selbstverständnis; Die staatliche Wirtschaftsförderung und die Idee vom kreativen Menschen; Die Autonomie der Kunst und die akademische Elite; Die Ökonomisierung und der Kampf um kulturelle Werte; Literaturverzeichnis
    Note: Description based upon print version of record
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 22
    Online Resource
    Online Resource
    Darmstadt :Primus Verlag, | Darmstadt :WBG (Wissenschaftliche Buchgesellschaft),
    ISBN: 978-3-86312-098-6 , 978-3-86312-099-3
    Language: German
    Pages: 1 Online-Ressource (224 Seiten) : , Illustrationen, Diagramme, Karten (farbig).
    Parallel Title: Erscheint auch als
    DDC: 333.7
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Biodiversität. ; Ressourcenökonomie. ; Umweltveränderung. ; Klimaänderung. ; Ökologische Stabilität. ; Wandel. ; Umweltbewusstsein. ; Verhalten. ; Electronic books ; Biodiversität ; Ressourcenökonomie ; Umweltveränderung ; Klimaänderung ; Ökologische Stabilität ; Wandel ; Umweltbewusstsein ; Verhalten
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 23
    ISBN: 9783839420904
    Language: German
    Pages: 1 online resource (329 pages)
    Edition: 1st ed.
    Series Statement: Image v.13
    Parallel Title: Erscheint auch als Schankweiler, Kerstin, 1976 - Die Mobilisierung der Dinge
    RVK:
    RVK:
    RVK:
    Keywords: Kulturaustausch ; Kunst ; Bewertung ; Problem ; Fallstudie ; Künstler ; Kunstwerk ; Adéagbo, Georges ; 1942- ; Exhibitions ; Installations (Art) ; Benin ; Sculptors ; Benin ; Electronic books ; Europa ; Afrika ; Benin ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Adéagbo, Georges 1942- ; Installation ; Globalisierung ; Kulturvermittlung ; Adéagbo, Georges 1942- ; Globalisierung ; Kunst
    Abstract: Georges Adéagbo zählt zu den bekanntesten Gegenwartskünstlern Afrikas. Seine ästhetische Praxis zwischen Kulturtransfer und Ortsspezifik setzt eine Auflösung kolonialkultureller Hierarchien zwischen Afrika und Europa in Gang, ohne Differenz zu nivellieren. Sie besitzt Modellcharakter für den Umgang mit Alterität jenseits von Exotismus oder Universalismus und eignet sich deshalb besonders gut dazu, Paradoxien des globalen Kunstsystems aufzuzeigen. Angesichts der eurozentristischen Rezeption von Kunst aus Afrika dient Adéagbos Arbeitsweise in diesem Band als Ausgangspunkt für ebenso systematische wie fruchtbare Überlegungen zu einer transkulturellen Kunstgeschichtsschreibung. Reihe Image - Band 13.
    Abstract: Cover Die Mobilisierung der Dinge -- Inhalt -- Dank -- 1 Einleitung -- 2 Methodische (Selbst-)Reflexionen -- 2.1 Situierte Praxis -- 2.2 Wissenschaft und Politik -- 2.3 Die Frage des Kontextes -- 2.4 Die ethnologische Perspektive -- 3 Kunst aus Afrika in Europa -- 3.1 Kolonialismus und Völkerkundemuseen -- Exkurs: Das Musée du Quai Branly in Paris -- 3.2 Primitivismus -- 3.3 ‚Zeitgenössische afrikanische Kunst' -- 3.4 ‚Globale Kunst' -- 4 Georges Adéagbo - Arbeitsweise und Rezeption -- 4.1 Einführung in die künstlerische Praxis Adéagbos -- 4.2 Rezeption im internationalen Kunstbetrieb -- 5 L'explorateur et les explorateurs -- 5.1 Räumlichkeit, Grundstruktur und Hauptachsen -- 5.2 Themengebiete -- 5.3 Materialien und Medien -- 5.4 Die handschriftlichen Texte -- 5.5 Ortsspezifik -- 5.6 Analogien und Assoziationsketten -- 5.7 Die Installationen als glatte Räume mit Einkerbungen (Deleuze/Guattari) -- 6 Kontexte -- 6.1 Installative und ortsspezifische Kunst -- 6.2 Objektkunst -- 6.3 Récupération -- 6.4 Altäre -- 6.5 Märkte -- 6.6 Schildermalerei -- 7 Sammeln -- 7.1 Adéagbos théâtre du monde als eine zeitgenössische Variation der Kunst- und Wunderkammer -- 7.2 Archivkunst - Sammeln als künstlerische Praxis -- 7.3 La colonisation Belge en Afrique noir - Sammeln als Modell von Geschichte und Gedächtnis -- 8 Dinge -- 8.1 Dinge als Metaphern -- 8.2 Dualismus Mensch/Ding -- 8.3 Kulturelle Aneignung -- 9 Künstlermythen -- 9.1 Die Legende vom Künstler -- 9.2 Installative Mythenbildung -- 9.3 Universalistische Tendenzen der Kunstkritik -- 9.4 Geniekult oder Tod des Autors? -- 10 Resümee -- Literaturverzeichnis -- Abbildungsverzeichnis -- Materialien zu Georges Adéagbo -- 1 Bibliografie -- 2 Ausstellungen und Installationen -- 3 Sammlungen und Auszeichnungen.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 24
    Online Resource
    Online Resource
    Albuquerque : University of New Mexico Press
    ISBN: 9780826353900 , 9780826353894
    Language: English
    Pages: 1 online resource (130 pages) , illustrations
    DDC: 307
    RVK:
    Keywords: Smith, Jaune Quick-to-See Exhibitions ; Modernism (Art) ; Ausstellungskatalog ; Online-Publikation ; Electronic books
    Note: Description based on online resource; title from PDF title page (ebrary, viewed December 12, 2013)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 25
    ISBN: 9783205790716
    Language: German
    Pages: 1 Online-Ressource (417 p)
    Parallel Title: Print version Csaky, Moritz Das Gedächtnis der Städte : Kulturelle Verflechtungen - Wien und die urbanen Milieus in Zentraleuropa
    DDC: 303.4824360437
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Cultural pluralism ; Austria ; Vienna ; Cultural pluralism ; Europe, Central ; Social integration ; Austria ; Vienna ; Social integration ; Europe, Central ; Austria ; Relations ; Europe, Central ; Europe, Central ; Relations ; Austria ; Electronic books ; Electronic books
    Abstract: Inhaltsverzeichnis -- Vorwort -- I. Genealogien der Gegenwart -- Mehrdeutigkeiten -- Unterschiedliche Erinnerungen -- Spuren -- Die Stadt in der Moderne -- Urbane Milieus in Zentraleuropa -- Verlust der Stabilität der Dinge und des Ichs -- Delegitimationen und Wiener Moderne -- II. Zentraleuropa: Pluralitäten und Differenzen -- Mitteleuropa - ein politisch belasteter Begriff -- Zentraleuropa - Genese einer Region -- Föderalisierung einer Region -- Ostmitteleuropa - Zentraleuropa? -- Zentraleuropa - ein dynamischer Prozess -- Ost-„Mitteleuropa"?
    Abstract: Zentraleuropa - ein analoges kulturelles Gedächtnis? -- Zentraleuropa - Heterogenität und Übereinstimmung -- Endogene und exogene Pluralität einer Region -- Region der Differenzen -- Hungarus-Bewusstsein -- „Europa im Kleinen" -- Sprachliche Differenzen -- III. Kultur als Kommunikationsraum -- Kultur als Nationalkultur -- Historische Gedächtnisforschung -- Kultur - Palimpsest und Spur -- Kultur und Kommunikation -- Kultur als Kommunikationsraum -- Kultur - ein hybrider Kommunikationsraum -- Beispiel: Kulturelle Prozesse und Essgewohnheiten
    Abstract: Entgrenzter Kommunikationsraum -- Mehrdeutiger Kommunikationsraum -- Vielsprachiger Kommunikationsraum -- Kultur und Ökonomie -- Kultur - ein komplexes System -- IV. Ein urbanes Milieu in der Moderne: Wien -- Wien - Porta Orientis -- „Wer was hat werden wollen, hat müssen Deutsch reden" -- „Böhmisches" Wien -- Kulturelle Initiativen einer „Minderheit" -- Schnittstelle Kaffeehaus -- Marginalisierte Wiener Slawen -- Schnittstelle Redaktion -- Stereotypisierungen des „Fremden" im Alltag -- Konstruktionen von „Fremdheiten" -- Tschechisches Wiener Theater -- Ungarisches Wien?
    Abstract: Ungarn in Wien - ein intellektueller Schmelztiegel? -- Wien und die Kroatische Moderne -- Slowenisches Wien - Ivan Cankar -- Fazit: Wiener Literaturen in der Mehrzahl? -- Hybride Polyfonie der Stadt -- Schnittstelle Prater -- Schnittstelle Secession -- Alte Furcht vor „Überfremdung": Verwelschung Wiens? -- Plurikulturelles Wien -- Wien - keine „deutsche" Stadt -- Wiens „kreolisierende" Sprachen -- „Mémoire culturelle juive" -- Jüdische Theater- und Unterhaltungskultur -- Judentum - Bildung - Kultur -- „Aufstieg ins Geistige" -- Alltagsantisemitismen
    Abstract: „Mehrsprachigkeit" des Wiener urbanen Milieus -- Homogenisierung versus Pluralitäten -- V. Peripherie oder Zentrum? Urbane Milieus einer Region -- Heterogenität der ungarischen Metropole -- Polyglottes Budapest -- Polyglossie der Region -- Kulturelle Interferenzen -- Sprachliche Interferenzen: Josefstädter Deutsch -- Zum Vergleich: zweisprachige Schriftsteller in Wien -- Pressburg/Bratislava/Pozsony zum Vergleich -- „Klein-Wien" am Pruth: Czernowitz/Tscherniwzi/Cernauti -- Triest/Trieste/Trst -- Mikrokosmos Breslau/Wroclaw -- Leutschau/Levoca/Locse
    Abstract: Prager Kommunikationsräume
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 26
    Online Resource
    Online Resource
    Durham : Duke University Press
    Language: English
    Pages: 1 Online-Ressource (xi, 254 Seiten) , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als Sharpe, Christina Elizabeth Monstrous intimacies
    DDC: 305.896/073
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: African Americans in popular culture ; Women slaves Social conditions ; United States Race relations ; History ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Note: Literaturverzeichnis: Seiten 223-242
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 27
    Online Resource
    Online Resource
    Stuttgart : J.B. Metzler
    ISBN: 9783476003577
    Language: German
    Pages: 1 Online-Ressource (XXX, 504 Seiten)
    Parallel Title: Print version Sponheuer, Bernd Mahler-Handbuch
    DDC: 301
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Electronic books ; Aufsatzsammlung
    Note: Description based upon print version of record
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 28
    ISBN: 9783050045658
    Language: German
    Pages: Online-Ressource (V, 452 S.)
    Series Statement: Studien aus dem Warburg-Haus 10
    Parallel Title: Print version Manierismus und Herrschaftspraxis : Die Kunst der Politik und die Kunstpolitik am Hof von François I
    DDC: 306.09
    RVK:
    Keywords: Electronic books ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Main description: Als dezidierter Beitrag zur Kunst- und Kulturgeschichte des Politischen fragt das Buch nach der Inanspruchnahme von Kunst zur Herrschaftsrepräsentation, nach Ritualen und Zeichensystemen der Macht am französischen Königshof in der ersten Hälfte des 16. Jahrhunderts. Kunstförderung und Herrschaftshandeln werden hierbei als strukturhomologe Strategien eines (früh)modernen Politikmodells analysiert. Die Entscheidung für einen spezifisch "modernen" Kunststil – den italienischen Manierismus – wurde für den französischen König François Ier zum Politikum: Er schuf sich in Fontainebleau ein Reich mit künstlerischen Mitteln, über das er jederzeit im Sinne der Deutungshoheit als Herrschaftsakt verfügen konnte. Kunstwerke von Rosso Fiorentino, Benvenuto Cellini und Primaticcio, die in ihrer Skurrilität und Vielschichtigkeit die sinnliche Ausgangsevidenz für eine lohnende Betrachtung bieten; historische Szenen auf höchster machtpolitischer Ebene, die sich in ihrer kommunikativen und zeremoniellen Funktion erst dem ethnographisch-verfremdenden Blick erschließen; schließlich ein höfisches Milieu, in dem Intellekt, Macht, Witz, Hermetik und Erotik eine unauflösliche Verbindung eingehen: Was könnten reizvollere Quellen für die Erschließung der Spezifika von Manierismus und Herrschaftspraxis am französischen Hof im Kontext des europäischen Mächtesystems nach 1500 sein?
    Abstract: Review text: "[...] eine rundum glanzvolle Arbeit, die durch intellektuelle Dichte und Brillanz besticht und, neben vielen anderen klugen Gedanken, eine höchst anregende These formuliert, an der die politikgeschichtliche wie auch die kunsthistorische Forschung zur französischen Renaissance sich noch einige Zeit werden abarbeiten müssen." Sigrid Ruby in: sehepunkte, Ausgabe 11 (2011), Nr. 2 "Hier kann man lernen, Politik mit anderen Mitteln fortzuführen: Christine Tauber beschreibt, wie Ästhetik und Macht im Zeitalter des Manierismus zusammenarbeiten." Caspar Hirschi in: Frankfurter Allgemeine Zeitung, 13. August 2009 "Das vorliegende Werk ist eine große Leistung, die die deutsche kunsthistorische Frankreichforschung in hervorragender Weise bereichert." Christian Hecht in: H-ArtHist, 7. Juni 2009
    Description / Table of Contents: ""Inhalt""; ""1. Einleitung""; ""2. Italianita oder Gallita ? Die Herrschaftsinszenierung des französischen Königs in seinen ersten Regierungsj�hren""; ""3. Kunstspiel als Überlegenheitsdemonstration: Zur Strukturlogik manieristischer Kunst""; ""4. Politischer paragone: Zeremoniell und „manieristische"" Uberbietungslogik""; ""5. „Rex artifex"": Spezifika der Kunstpatronageunter Francois Ier""; ""6. Arcana Imperii et Artis: Die Grande Galerie und die königliche Deutungshoheit""; ""7. Strategien der Souver�nit�t: Antikenimport und Reproduktionshoheit""
    Description / Table of Contents: ""8. Anhang AusgewÃ?hlte Beschreibungen von Fontainebleau und der""""9. Literaturverzeichnis""; ""10. Abbildungsnachweise""; ""Personenregister""
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 29
    ISBN: 9781921536175 , 1921536179 , 9781921536168
    Language: English
    Series Statement: Terra Australis 27
    Parallel Title: Erscheint auch als MacDonald, Jo Dreamtime superhighway
    RVK:
    RVK:
    Keywords: Rock paintings Australia ; Sydney Basin (N.S.W.) ; Petroglyphs Australia ; Sydney Basin (N.S.W.) ; Visual communication in art Australia ; Sydney Basin (N.S.W.) ; Art, Aboriginal Australian Australia ; Sydney Basin (N.S.W.) ; Aboriginal Australians Australia ; Sydney Basin (N.S.W.) ; Antiquities. ; Art, Aboriginal Australian ; Aboriginal Australians Antiquities. ; Rock paintings ; Visual communication in art ; Petroglyphs ; Art, Aboriginal Australian ; Aboriginal Australians ; Rock paintings ; Visual communication in art ; Petroglyphs ; Antiquities ; Art, Aboriginal Australian ; Petroglyphs ; Rock paintings ; Visual communication in art ; Rock paintings ; New South Wales ; Sydney Basin ; Petroglyphs ; New South Wales ; Sydney Basin ; Visual communication in art ; New South Wales ; Sydney Basin ; Art, Aboriginal Australian ; New South Wales ; Sydney Basin ; Aboriginal Australians ; New South Wales ; Sydney Basin ; Antiquities ; New South Wales ; Sydney Basin ; SOCIAL SCIENCE ; Archaeology ; Aboriginal Australians ; Antiquities ; Sydney Basin (N.S.W.) Antiquities. ; Sydney Basin (N.S.W.) Antiquities. ; Sydney Basin (N.S.W.) ; Sydney Basin (N.S.W.) Antiquities ; Electronic books ; Sydney Basin ; Aborigines ; Felsbild
    Abstract: "Dreamtime superhighway presents a thorough and original contextualization of the rock art and archaeology of the Sydney Basin. By combining excavation results with rock art analysis it demonstrates that a true archaeology of rock art can provide insights into rock art image-making in people's social and cultural lives. McDonald has developed a model that suggests that visual culture - such as rock art-making and its images and forms - could be understood as a system of communication, as a way of signaling group identifying behaviour."--Provided by publisher.
    Note: Includes bibliographical references
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 30
    Online Resource
    Online Resource
    Bloomington : Indiana University Press
    ISBN: 9780253219480 , 9780253349811
    Language: English
    Pages: Online-Ressource (xvi, 351 p) , ill , 24 cm
    Edition: Online-Ausg. 2009 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Mass Culture and Italian Society from Fascism to the Cold War
    DDC: 302.230945/09044
    RVK:
    RVK:
    Keywords: Mass media History 20th century ; Mass media Political aspects 20th century ; History ; Mass media ; Italy ; History ; 20th century ; Mass media ; Political aspects ; Italy ; History ; 20th century ; Electronic books
    Abstract: The 1930s to the 1950s in Italy witnessed large increases in film-going, radio-listening, and the sale of music and weekly magazines. The industries that made and sold commercial, cultural products were transformed by the new technologies of reproduction and new approaches to marketing and distribution.Yet historians tend to place the "real" genesis of mass culture in the 1960s, or to generalize about the harnessing of mass culture to the Fascist political project, without considering what kind of mass cu
    Description / Table of Contents: Cover; Contents; Preface and Acknowledgments; List of Abbreviations; Introduction: Culture, Place, and Nation; Part 1. Cultural Consumption and Everyday Life; 1 Patterns of Consumption; 2 Practices of the Self: Intimacy, Sexuality, Sport, Fashion; Part 2. Cultural Industries and Markets; 3 Publishing: Books, Magazines, and Comics; 4 Film Production; 5 The Film Market: Distribution, Exhibition, and Stars; 6 Radio and Recorded Music; Part 3. Politics and Mass Culture; 7 State Intervention in Cultural Activity; 8 Civil Society and Organized Leisure; Conclusion
    Description / Table of Contents: Appendix 1. The Oral History Project, by Marcella FilippaAppendix 2. Table of Interviewees; Appendix 3. Questionnaire; Notes; Bibliography; Index
    Note: Includes bibliographical references (p. [331]-344) and index , Electronic reproduction; Available via World Wide Web
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 31
    Online Resource
    Online Resource
    Honolulu : University of Hawai'i Press
    ISBN: 9780824863456
    Language: English
    Pages: 1 Online-Ressource (xiv, 218 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Cate, Sandra Making merit, making art
    DDC: 755/.943/0942193
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Electronic books ; Wat Buddhapadipa ; Architektur ; Wandmalerei
    Abstract: Intro -- Table of Contents -- Notes on Transliteration -- Preface -- One. Finding a Place -- Two. Long-Distance Merit-Making -- Three. Thai Art and the Authority of the Past -- Four. From Buddhist Stories to Modern Art -- Five. "Going Outside" and the Experience of Modernity -- Six. Art, Identity, and Performance -- Seven. Tourists and Templegoers, Religion and Art -- Notes -- Glossary of Thai Words -- Bibliography -- Index -- Color plates.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 32
    Online Resource
    Online Resource
    New York : Metropolitan Museum of Art [u.a.]
    ISBN: 0870995340
    Language: English
    Pages: 1 Online-Ressource (87 Seiten)
    Parallel Title: Erscheint auch als From Queen to Empress
    DDC: 390/.00941/07401471
    RVK:
    Keywords: Ausstellungskatalog Metropolitan Museum of Art New York 15.10.1988-16.04.1989 ; Ausstellungskatalog ; Ausstellungskatalog Metropolitan Museum of Art New York 15.10.1988-16.04.1989 ; Ausstellungskatalog ; Großbritannien ; Mode ; Geschichte 1837-1877 ; USA ; Mode ; Geschichte 1837-1877
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...