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  • 1
    ISBN: 9781478093718
    Language: English
    Pages: 1 Online-Ressource (568 p.)
    Parallel Title: Erscheint auch als Future/present
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    Keywords: Anti-racism History 21st century ; Arts and society History 21st century ; Arts Political aspects 21st century ; History ; ART / American / General ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu
    Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English
    URL: Cover  (lizenzpflichtig)
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  • 2
    ISBN: 9781478027256
    Language: English
    Pages: 1 online resource (569 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als Future/present
    Parallel Title: Erscheint auch als
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    Keywords: ART / American / General ; ART / American / Asian American & Pacific Islander ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: Building on five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism in the art world, FUTURE/PRESENT includes a range of poetry, essays and criticism, visual and performance art, artist manifestos, interviews, and reflections on community practice.
    Abstract: Cover -- Contents -- Introduction / Roberta Uno -- The Call / Jeff Chang -- vestibular mantra (or radical virtuosities for a brave new dance) / taisha paggett -- Part 1 / Cultural Presence: Placekeeping and Belonging -- Introduction / Daniela Alvarez -- Aqui Estoy / Jose Ramirez -- Beauty, Justice, and the Ritual of Performance / Patricia Berne and Nomy Lamm -- An Accumulation of Things That Refuse to Be Discarded / Kiyan Williams -- Counting Coup on the Compartmentalization of Indigenous-Made Rap Music / Talon Bazille Ducheneaux -- Cultural Resiliency in the Face of Crisis: Learning from New Orleans / Carol Bebelle and Carol Zou -- Collectively Directing the Current / Halima Afi Cassells -- The New Eagle Creek Saloon / Sadie Barnette -- Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012-2016 / Guillermo Gómez-Peña -- Building Temples for Tomorrow": Cultural Workers as Construction Crews / Alesia Montgomery -- Invasive Species / Aaron McIntosh -- Sunny and 150 Years of Placekeeping in Little Tokyo / Scott Oshima -- Local Fruit Still Life / Daniel Andres Alcazar -- Stage One: Establishing Community / Garrett McQueen -- Red 40 / Jazmín Urrea -- More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next / Devin Kenny -- Part 2 / Dismantling Borders, Building Bridges: Migration and Diasporas -- Introduction / Sarah Sophia Yanni -- Mano Poderosa / Rosalie López -- A Cosmos of Dis/Joints / Vinhay Keo -- Cross-Border Citizens / Teddy Cruz and Fonna Forman -- Indian Alley, Where Art Is Healing / Pamela J. Peters -- Vessels: A Conversation / Chanice Holmes, Mykia Jovan, Rebecca Mwase, and Mahalia Abéo Tibbs -- Fence / Belise Nishimwe -- A Touch of Otherness / Hayv Kahraman -- Harmattan Haze / Njideka Akunyili Crosby -- Who Is the #EmergingUS? / Jose Antonio Vargas.
    Note: Description based on publisher supplied metadata and other sources
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  • 3
    ISBN: 9780262377249 , 0262377241 , 9780262377256 , 026237725X
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: The MIT Press
    Parallel Title: Erscheint auch als An anthology of blackness
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
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  • 4
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Language: English
    Pages: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Series Statement: Routledge research in art and race
    Parallel Title: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
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    Keywords: Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 5
    Online Resource
    Online Resource
    Dresden : Staatliche Schlösser, Burgen und Gärten Sachsen gGmbH | Dresden : Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden
    Language: German , Czech
    Pages: 1 Online-Ressource
    DDC: 710
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    Keywords: Konferenzschrift ; Barockgarten Großsedlitz ; Konferenz ; Geschichte 2019 ; Französischer Garten ; Gartenkunst ; Geschichte
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  • 6
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Language: English
    Pages: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 302.23082
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    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Abstract: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 7
    Online Resource
    Online Resource
    Wien : Verlag der österreichischen Akademie der Wissenschaften
    Language: English , German
    Pages: 1 Online-Ressource (XV, 441 Seiten) , Illustrationen
    Series Statement: Veröffentlichungen zur Sozialanthropologie Band 29
    Series Statement: Denkschriften / Österreichische Akademie der Wissenschaften, Philosophisch-Historische Klasse Band 534
    Parallel Title: Erscheint auch als Early West Tibetan Buddhist monuments
    DDC: 390
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Tibet West ; Buddhismus ; Architektur ; Geschichte
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  • 8
    Online Resource
    Online Resource
    Cambridge, Massachusetts : The MIT Press
    ISBN: 9780262365666
    Language: English
    Pages: 1 Online-Ressource (219 Seiten)
    Parallel Title: Erscheint auch als Campt, Tina, 1964 - A black gaze
    DDC: 704.0396073
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    Keywords: Electronic books ; Künstler ; Künstlerin ; Schwarze ; Kunst ; Wahrnehmung ; Ästhetik ; Geschichte
    Abstract: Examining the work of contemporary Black artists who are dismantling the white gaze and demanding that we see--and see Blackness in particular--anew.
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  • 9
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839452943
    Language: English
    Pages: 1 Online-Ressource (215 Seiten) , Illustrationen
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
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    Keywords: Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Abstract: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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  • 10
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469663067
    Language: English
    Pages: 1 online resource (245 pages)
    Series Statement: The John Hope Franklin Series in African American History and Culture Ser.
    Parallel Title: Erscheint auch als Smethurst, James Edward Behold the land
    DDC: 810.9896073
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    Keywords: Black Arts movement--Southern States ; American literature--African American authors--History and criticism ; African Americans in literature ; Electronic books ; Geschichte 1960-1985 ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; Geschichte 1960-1985 ; USA ; Black arts movement
    Note: Description based on publisher supplied metadata and other sources
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  • 11
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Language: English
    Pages: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Edition: First edition.
    Series Statement: Routledge Research in Art and Race
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Keywords: Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Abstract: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Note: Includes bibliographical references and index
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  • 12
    ISBN: 9783839442012
    Language: English
    Pages: 1 Online-Ressource (207 Seiten) , Illustrationen
    Series Statement: Design 37
    Series Statement: Design
    Parallel Title: Erscheint auch als Flow of forms, forms of flow
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    Keywords: Design Exhibitions History ; Design Exhibitions Influence ; Design Exhibitions History ; Design Exhibitions Influence ; African Art. ; African Studies. ; Architecture. ; Art History of the 20th Century. ; Art History. ; Design History. ; Europe. ; European Art. ; Exhibition. ; DESIGN / History & Criticism ; Ausstellungskatalog Architekturmuseum der TU München 03.02.2017-12.03.2017 ; Ausstellungskatalog Museum für Völkerkunde 06.04.2018-19.08.2018 ; Afrika ; Europa ; Design ; Kulturaustausch
    Abstract: As a teenager, I spent my time wondering why in sci-fi movies, every landscape, every object I could see was Western or Asian based. I've finally understood that somewhere our legacy had been locked in the past, that we couldn't be "futuristic" in the eyes of our fellow Europeans. We have to look behind our shoulders, get back to our traditions, seize the best of them and shape a future with it. This without forgetting we are part of the world, totally, unquestionably. The future is for me not only a matter of dialogue with the past, but and beyond everything a dialogue with the rest of the planet. Kossi Aguessy How is it possible to adequately capture histories of design in Africa, a continent with fifty-four countries? How can one avoid producing just another essentialising master narrative of "African Design"? How can one make sense of the many entangled yet often asymmetric and sometimes ambivalent histories of form-finding processes between Africa and Europe? In keeping with the premises of a global art and design history approach, the book offers a change of perspective: focusing on the mobility of people, objects and ideas - on flows between Africa and Europe as well as on a South-South axis - allows for multiple yet necessarily fragmented design histories to be identified and recognised. The contributors trace multi-faceted design case studies from a historical perspective, with attention to the present as well as towards possible futures.
    Note: This publication appears on the occasion of the exhibition Flow of Forms / Forms of Flow. Design Histories between Africa and Europe. München: Architekturmuseum der TU München / Pinakothek der Moderne, Museum Fünf Kontinente, Kunstraum München as well as in the premises a private gallery, 3 February – 12 March 2017; Hamburg, Museum für Völkerkunde, 6 April – 19 August 2018 , Frontmatter -- ; Content -- ; Flow of Forms / Forms of Flow. Design Histories between Africa and Europe , Forms of Modernity -- ; Transform(n)ation -- ; Forms of Cooperation / Participation -- ; Material Morphosis -- ; Speculative Forms -- ; Ladi Kwali, Michael Cardew and a Tangled Story of African Studio Pottery , Design, Development and its Legacies: A Perspective on 1970s Design Culture and its Anthropological Intents , Between Favela Chic and Autonomy. Design in Latin America , The Politics of Design in Postcolonial Kenya , On the Flows of Architectural Design: The Context and Making of an Exhibition , Jules Wokam’s Aesthetics of Permeability , Tracing the Quiet Cultural Activism: Laduma Ngxokolo and Black Coffee , Cheick Diallo: Design between Politics and Poetics , Designers’ and Artists’ Biographies -- ; Authors’ Biographies , Mode of access: Internet via World Wide Web. , In English
    URL: Cover
    URL: Cover
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  • 13
    ISBN: 9782503554310
    Language: English
    Pages: 1 Online-Ressource (XI, 168 Seiten) , Illustrationen, 1 Diagramm
    Series Statement: Studies in European urban history 37
    Parallel Title: Erscheint auch als The Seven Sorrows confraternity of Brussels
    DDC: 232.91
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    Keywords: Sorrows of the Blessed Virgin Mary, Devotion to History ; Belgium ; Brussels ; Civilization ; Sorrows of the Blessed Virgin Mary, Devotion to ; Brussels (Belgium) Church history ; Brussels (Belgium) History ; Aufsatzsammlung ; Niederlande ; Brüssel ; Bruderschaft ; Marienverehrung ; Sieben Schmerzen Mariä ; Schmerzensmutter ; Religiöses Leben ; Stadtleben ; Geschichte
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  • 14
    ISBN: 9783839420904
    Language: German
    Pages: 1 online resource (329 pages)
    Edition: 1st ed.
    Series Statement: Image v.13
    Parallel Title: Erscheint auch als Schankweiler, Kerstin, 1976 - Die Mobilisierung der Dinge
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    Keywords: Kulturaustausch ; Kunst ; Bewertung ; Problem ; Fallstudie ; Künstler ; Kunstwerk ; Adéagbo, Georges ; 1942- ; Exhibitions ; Installations (Art) ; Benin ; Sculptors ; Benin ; Electronic books ; Europa ; Afrika ; Benin ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Adéagbo, Georges 1942- ; Installation ; Globalisierung ; Kulturvermittlung ; Adéagbo, Georges 1942- ; Globalisierung ; Kunst
    Abstract: Georges Adéagbo zählt zu den bekanntesten Gegenwartskünstlern Afrikas. Seine ästhetische Praxis zwischen Kulturtransfer und Ortsspezifik setzt eine Auflösung kolonialkultureller Hierarchien zwischen Afrika und Europa in Gang, ohne Differenz zu nivellieren. Sie besitzt Modellcharakter für den Umgang mit Alterität jenseits von Exotismus oder Universalismus und eignet sich deshalb besonders gut dazu, Paradoxien des globalen Kunstsystems aufzuzeigen. Angesichts der eurozentristischen Rezeption von Kunst aus Afrika dient Adéagbos Arbeitsweise in diesem Band als Ausgangspunkt für ebenso systematische wie fruchtbare Überlegungen zu einer transkulturellen Kunstgeschichtsschreibung. Reihe Image - Band 13.
    Abstract: Cover Die Mobilisierung der Dinge -- Inhalt -- Dank -- 1 Einleitung -- 2 Methodische (Selbst-)Reflexionen -- 2.1 Situierte Praxis -- 2.2 Wissenschaft und Politik -- 2.3 Die Frage des Kontextes -- 2.4 Die ethnologische Perspektive -- 3 Kunst aus Afrika in Europa -- 3.1 Kolonialismus und Völkerkundemuseen -- Exkurs: Das Musée du Quai Branly in Paris -- 3.2 Primitivismus -- 3.3 ‚Zeitgenössische afrikanische Kunst' -- 3.4 ‚Globale Kunst' -- 4 Georges Adéagbo - Arbeitsweise und Rezeption -- 4.1 Einführung in die künstlerische Praxis Adéagbos -- 4.2 Rezeption im internationalen Kunstbetrieb -- 5 L'explorateur et les explorateurs -- 5.1 Räumlichkeit, Grundstruktur und Hauptachsen -- 5.2 Themengebiete -- 5.3 Materialien und Medien -- 5.4 Die handschriftlichen Texte -- 5.5 Ortsspezifik -- 5.6 Analogien und Assoziationsketten -- 5.7 Die Installationen als glatte Räume mit Einkerbungen (Deleuze/Guattari) -- 6 Kontexte -- 6.1 Installative und ortsspezifische Kunst -- 6.2 Objektkunst -- 6.3 Récupération -- 6.4 Altäre -- 6.5 Märkte -- 6.6 Schildermalerei -- 7 Sammeln -- 7.1 Adéagbos théâtre du monde als eine zeitgenössische Variation der Kunst- und Wunderkammer -- 7.2 Archivkunst - Sammeln als künstlerische Praxis -- 7.3 La colonisation Belge en Afrique noir - Sammeln als Modell von Geschichte und Gedächtnis -- 8 Dinge -- 8.1 Dinge als Metaphern -- 8.2 Dualismus Mensch/Ding -- 8.3 Kulturelle Aneignung -- 9 Künstlermythen -- 9.1 Die Legende vom Künstler -- 9.2 Installative Mythenbildung -- 9.3 Universalistische Tendenzen der Kunstkritik -- 9.4 Geniekult oder Tod des Autors? -- 10 Resümee -- Literaturverzeichnis -- Abbildungsverzeichnis -- Materialien zu Georges Adéagbo -- 1 Bibliografie -- 2 Ausstellungen und Installationen -- 3 Sammlungen und Auszeichnungen.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
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  • 15
    Online Resource
    Online Resource
    Durham : Duke University Press
    Language: English
    Pages: 1 Online-Ressource (xi, 254 Seiten) , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als Sharpe, Christina Elizabeth Monstrous intimacies
    DDC: 305.896/073
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    Keywords: African Americans in popular culture ; Women slaves Social conditions ; United States Race relations ; History ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Note: Literaturverzeichnis: Seiten 223-242
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  • 16
    ISBN: 9783839407509 , 9783899427509
    Language: German
    Pages: 1 Online-Ressource (XI, 350 Seiten) , Illustrationen, Diagramme, Karten
    Series Statement: Sozialtheorie
    Dissertation note: Dissertation Universität Mainz 2006
    DDC: 940.5421421
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    Keywords: Geschichte Europas ; Historical geography ; Kollektives Gedächtnis ; Rites and ceremonies ; Schlacht um Verdun ; Geschichte ; Normandie Invasion (1944) ; Rites and ceremonies Normandy ; History ; Rites and ceremonies Verdun ; History ; Kollektives Gedächtnis ; Schlacht um Verdun ; Operation Overlord ; Erster Weltkrieg ; Musealisierung ; Frankreich ; Frankreich ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Erster Weltkrieg ; Schlacht um Verdun ; Kollektives Gedächtnis ; Operation Overlord ; Kollektives Gedächtnis ; Musealisierung
    Description / Table of Contents: Die Orte der Schlacht von Verdun und der Landung der Alliierten in der Normandie werden auch heutzutage alljährlich von tausenden Menschen anlässlich der dort stattfindenden Gedenkrituale aufgesucht. Im kollektiven Erinnern der Weltkriegsschlachten entstehen neben Gedenkräumen - basierend auf den Sphären der Ideologie, des Glaubens und des Wissens - auch andere Räume. Die Studie untersucht vor einem handlungstheoretischen Hintergrund, warum die Feierlichkeiten bis heute wichtig sind und diskutiert erstmals auf theoretischer Ebene die Frage, wie Rituale politische, sakrale und historische Räume konstruieren
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 17
    ISBN: 9783666355820
    Language: German
    Pages: 1 Online-Ressource (389 S.) , Ill., Kt.
    Series Statement: Formen der Erinnerung 22
    Series Statement: Formen der Erinnerung
    Parallel Title: Erscheint auch als
    DDC: 830
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    Keywords: Geschichte 1600-1900 ; Geistesgeschichte 1600-1900 ; Geschichte ; Gesellschaft ; Gardens Congresses History ; Gardens Congresses Social aspects ; History ; Landscape architecture Congresses History ; Literatur ; Garten ; Garten ; Institutionalisierung ; Konferenzschrift 2002 ; Garten ; Literatur ; Geschichte 1600-1900 ; Garten ; Institutionalisierung ; Geistesgeschichte 1600-1900
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  • 18
    Online Resource
    Online Resource
    New York : Metropolitan Museum of Art [u.a.]
    ISBN: 0870995340
    Language: English
    Pages: 1 Online-Ressource (87 Seiten)
    Parallel Title: Erscheint auch als From Queen to Empress
    DDC: 390/.00941/07401471
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    Keywords: Ausstellungskatalog Metropolitan Museum of Art New York 15.10.1988-16.04.1989 ; Ausstellungskatalog ; Ausstellungskatalog Metropolitan Museum of Art New York 15.10.1988-16.04.1989 ; Ausstellungskatalog ; Großbritannien ; Mode ; Geschichte 1837-1877 ; USA ; Mode ; Geschichte 1837-1877
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 19
    Online Resource
    Online Resource
    Heidelberg : Groos ; 1.1885/86 - 7.1921/36
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    ISSN: 2195-8017 , 2195-8009 , 2195-8009
    Language: German
    Pages: Online-Ressource
    Edition: Heidelberg Univ.-Bibliothek 2009-2009 Heidelberger historische Bestände - digital Digital. Ausg.: Heidelberg : Univ.-Bibliothek, 2009. (Heidelberger historische Bestände - digital)
    Dates of Publication: 1.1885/86 - 7.1921/36
    Parallel Title: Elektronische Reproduktion von Mitteilungen zur Geschichte des Heidelberger Schlosses
    Former Title: Mittheilungen zur Geschichte des Heidelberger Schlosses
    DDC: 914.3
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    Keywords: Zeitschrift ; Schloss Heidelberg ; Geschichte ; Architektur ; Adelshaus ; Heidelberg ; Ausstattung ; Quelle ; Geschichte 1300-1800 ; Baden ; Deutschland
    Note: Digital. Ausg.: Heidelberg : Univ.-Bibliothek, 2009. (Heidelberger historische Bestände - digital)
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