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  • GBV  (20)
  • Online Resource  (20)
  • English  (20)
  • Deskribierung zurückgestellt
  • Großbritannien
  • Politik
  • Musicology  (20)
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  • 1
    Online Resource
    Online Resource
    Tübingen : Narr Francke Attempto
    ISBN: 9783381108527 , 9783381108534
    Language: English
    Pages: 1 Online-Ressource (328 Seiten) , Illustrationen
    Series Statement: Schweizer Anglistische Arbeiten 150
    Parallel Title: Erscheint auch als Keller, Thomas Wyndham Lewis and British art rock
    Dissertation note: Dissertation Universität Zürich 2017
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    Keywords: Anglistik ; Englische Literaturwissenschaft ; Kunstgeschichte ; Populäre Kulturen ; Populärmusik ; Modernismus ; Kunst des 20. Jahrhunderts ; Großbritannien ; Hochschulschrift ; Lewis, Wyndham 1882-1957 ; Rezeption ; Art Rock
    Abstract: This study connects the idiosyncratic modernism of Wyndham Lewis, co-founder of the Vorticist art movement, with works of several artists from the British art rock tradition, among them Bryan Ferry, David Bowie, art-punk pioneers Wire and electronic pop musician John Foxx. By taking a transdisciplinary and intermedial approach to texts from two fields normally studied in isolation and staking out the elements of a shared modernist ethos, the book presents a new perspective on both fields relevant to scholars of literature, popular culture, and the visual arts alike. While the book rests on sound research from the fields of literary criticism, art history, and pop theory, the structure and writing of the book is fundamentally designed to be accessible and comprehensible to non-scholarly readers.
    URL: Cover
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  • 2
    ISBN: 9780429284526
    Language: English
    Pages: 1 Online-Ressource (ix, 223 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Electronic books ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-
    Note: Description based on publisher supplied metadata and other sources
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  • 3
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
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    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online Resource
    Online Resource
    Woodbridge, Suffolk, UK : The Boydell Press
    ISBN: 9781782046981
    Language: English
    Pages: 1 Online-Ressource (xvi, 408 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 393.0941
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    Keywords: Geschichte 1603-2013 ; Funeral rites and ceremonies / Great Britain / History ; Funeral music / Great Britain / History and criticism ; Nobility / Great Britain / Death and burial ; Trauermusik ; Zeremonie ; Staatsbegräbnis ; Great Britain / Kings and rulers / Death and burial ; Großbritannien ; Großbritannien ; Staatsbegräbnis ; Trauermusik ; Zeremonie ; Geschichte 1603-2013
    Abstract: British royal and state funerals are among the most elaborate and solemn occasions in European history. This book is the first in-depth study of the ceremonial and the music performed at these eventsover the past 400 years, from the funeral of Elizabeth I in 1603. Covering funerals of both royalty and non-royalty, including Nelson, Wellington and Churchill, this study goes up to the funerals of Queen Elizabeth The Queen Mother in 2002 and the ceremonial funeral of Baroness Thatcher in 2013. While some of these funerals have received a good deal of attention - especially the 1997 funeral of Diana, Princess of Wales - these extraordinary events have largely not been discussed in their longer historical context.〈BR〉 The book examines the liturgical changes in the Anglican funeral rite sincethe Reformation and also the change from the so-called 'public' to 'private' funerals.
    Abstract: It includes many new findings on the development of the ceremonial and its intricate peculiarities, as well as new insights into the music and its performance. 〈I〉British Royal and State Funerals〈/I〉 shows that, despite a strong emphasis on continuity in the choice of music, the ceremonial itself has shown an astonishing flexibility over the last four centuries. Overall, the book also contributes to the debate on the monarchy's changing public image over time by paying particular attention to topics such astradition and propaganda. Drawing on substantial research in principal libraries and archives, including those of Westminster Abbey, the College of Arms, Lambeth Palace and the British Library, thisbook is an exhaustive resource for musicologists, musicians and historians alike, providing an unprecedented insight into this most sombre of royal and state occasions.〈BR〉〈BR〉 MATTHIAS RANGE is author of 〈I〉Music and Ceremonial at British Coronations〈/I〉 (2012).
    Abstract: He is a post-doctoral researcher for the Digital Image Archive of Medieval Music and its partner AHRC-funded Tudor Partbooks projectat the Faculty of Music, University of Oxford
    Note: Title from publisher's bibliographic system (viewed on 17 May 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197531372
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.4216490941
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) ; Political aspects ; Great Britain ; History ; 21st century ; Rap (Music) ; Great Britain ; History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
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  • 6
    ISBN: 9781350114838 , 9781350114821 , 9781350114814
    Language: English
    Pages: 1 Online-Ressource (viii, 208 pages) , illustrations
    Edition: First edition
    Edition: London Bloomsbury Publishing
    Parallel Title: Erscheint auch als Fay, Brendan Classical music in Weimar Germany
    Parallel Title: Erscheint auch als Fay, Brendan Classical music in Weimar Germany
    DDC: 306.4842094309042
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    Keywords: National socialism and music History 20th century ; National socialism and music ; Musikleben ; Klassische Musik ; Musikästhetik ; Traditionalismus ; Fortschrittlichkeit ; Deutschland ; Deutschland ; Klassische Musik ; Konservativismus ; Politik ; Weimarer Republik ; Geschichte 1918-1933 ; Deutschland ; Kulturpolitik ; Medien ; Musiksoziologie ; Geschichte 1918-1933
    Abstract: "From Hitler's notorious fondness for Wagner's operas to classical music's role in fuelling German chauvinism in the era of the world wars, many observers have pointed to a distinct relationship between German culture and reactionary politics. In Classical Music in Weimar Germany, Brendan Fay challenges this paradigm by reassessing the relationship between conservative musical culture and German politics. Drawing upon a range of archival sources, concert reviews and satirical cartoons, Fay maps the complex path of classical music culture from Weimar to Nazi Germany-a trajectory that was more crooked, uneven, or broken than straight. Through an examination of topics as varied as radio and race to nationalism, this book demonstrates the diversity of competing aesthetic, philosophical and political ideals held by German music critics that were a hallmark of Weimar Germany. Rather than seeing the cultural conservatism of this period as a natural prelude for the violence and destruction later unleashed by Nazism, this fascinating book sheds new light on traditional culture and its relationship to the rise of Nazism in 20th-century Germany."--Bloomsbury Publishing
    Abstract: List of Figures Acknowledgements Introduction: German Music and the Nazi Past 1. (Re)Composing the Nation: Music, War, and the German Inflation, 1918-1924 2. Radios and Records: Image and Reality in Weimar Technology 3. Internationalism, Nationalism and the Case of Hans Joachim Moser 4. Wagner under Weimar 5. Judging Performance, Performing Judgments: Race and Performance in Weimar Germany Epilogue: Rethinking Tradition Bibliography Index.
    Note: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily , Includes bibliographical references (pages 184-197) and index
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  • 7
    Online Resource
    Online Resource
    Abingdon, Oxon : Routledge
    ISBN: 9781315596785
    Language: English
    Pages: 1 Online-Ressource (xii, 208 Seiten) , Illustrationen
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Robinson, Roxy Music festivals and the politics of participation
    DDC: 780.7841
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    Keywords: Music festivals Social aspects ; Music festivals ; Großbritannien ; Unterhaltungsmusik ; Musikfestspiel ; Musikbranche
    Abstract: 1. Into the fields -- 2. Festival counterculture -- 3. An economy of transitions -- 4. Boutique festivals -- 5. "No spectators" at Burning man -- 6. Catching fire -- 7. Parallel society.
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 8
    Online Resource
    Online Resource
    London : Routledge | [London] : Taylor & Francis
    ISBN: 9781315601212
    Language: English
    Pages: 1 Online-Ressource (xxv, 223 Seiten)
    Series Statement: Ashgate popular and folk music series
    Series Statement: Taylor & Francis eBooks
    DDC: 782.4'2166'0922
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    Keywords: Rockmusik ; Politik ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Political Rock is a comparative, cultural history of luminary figures in rock music who have played important roles in social movements. Individual chapters are devoted to The Clash and Fugazi, Billy Bragg, Bob Dylan, Rage Against the Machine, Pearl Jam, Sinead O'Connor, Peter Gabriel, Ani DiFranco, Bruce Cockburn, Steve Earle and Kim Gordon. These artists have been chosen for their status as rock musicians and connections to political moments, movements, and art.
    Note: Gedruckte Ausgabe 2016 erschienen , Description based upon print version of record
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  • 9
    Online Resource
    Online Resource
    London : Palgrave Macmillan
    ISBN: 9781137497802
    Language: English
    Pages: 1 Online-Ressource (XI, 228 Seiten)
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    DDC: 941
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    Keywords: History ; Music ; Great Britain / History ; Civilization / History ; History of Britain and Ireland ; Cultural History ; Geschichte ; Musik ; Politik ; Musik ; Postpunk ; Kultur ; Großbritannien ; Großbritannien ; Electronic books ; Großbritannien ; Kultur ; Musik ; Postpunk ; Großbritannien ; Postpunk ; Politik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 10
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137554413
    Language: English
    Pages: 1 Online-Ressource (IX, 184 p. 9 illus., 8 illus. in color)
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Culture Study and teaching ; Communication ; Music ; Feminist anthropology ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity ; Geschlechterrolle ; Hard Rock ; Weiblicher Fan ; Heavy Metal ; Großbritannien ; Electronic books ; Großbritannien ; Hard Rock ; Heavy Metal ; Weiblicher Fan ; Geschlechterrolle
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 11
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190629267
    Language: English
    Pages: 1 Online-Ressource (xxvi, 220 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42166092
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    Keywords: Radiohead (Musical group) ; Radiohead ; Geschichte 1989- ; Rock music / England / History and criticism ; Rockmusik ; Musikalische Analyse ; Rockgruppe ; Großbritannien ; Radiohead ; Rockmusik ; Musikalische Analyse ; Großbritannien ; Rockgruppe ; Geschichte 1989-
    Abstract: 'Everything in its Right Place' identifies the secret to Radiohead's immense commercial and critical success in the band's ability to navigate a sweet spot between expectation and surprise. The author uses tools from musical perception, semiotics, and music theory to demonstrate this reconciliation of extremes, and analyzes musical meaning with lyrics, biographical details, and intertextual relationships
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 12
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199372959
    Language: English
    Pages: 1 online resource , illustrations (black and white), music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Ghuman, Nalini Resonances of the Raj
    DDC: 780.9410954
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    Keywords: Music History and criticism 20th century ; Music History and criticism 20th century ; Music Indic influences ; Großbritannien ; Kolonialismus ; Musical ; Indienbild
    Abstract: This text examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the British Raj on the English musical imagination. Through a series of case studies, author Nalini Ghuman integrates music directly into the cultural history of the British Raj, revealing unexpected minglings of peoples, musics, and ideas that raise questions about 'Englishness', about the nature of Empire, and about the fixedness of identity.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on July 8, 2014)
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  • 13
    Online Resource
    Online Resource
    Farnham, Surrey, England : Ashgate
    ISBN: 9781409428428 , 1409428427 , 9781409428411 , 1409428419
    Language: English
    Pages: 1 Online-Ressource (viii, 174 p.)
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64082
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    Keywords: MUSIC / Genres & Styles / Pop Vocal ; Aging ; Popular music / Political aspects ; Popular music / Social aspects ; Women in music ; Women musicians ; Gesellschaft ; Politik ; Women musicians ; Women in music ; Aging ; Popular music Political aspects ; Popular music Social aspects ; Rocksängerin ; Popsängerin ; Karriere ; Altern ; Aufsatzsammlung ; Electronic books ; Popsängerin ; Rocksängerin ; Karriere ; Altern
    Note: Includes bibliographical references (p. [155]-169), discography (p. 169), filmography (p. 169), and index , Renewal, recycling and renegotiation. Madonna : like a crone / Lucy O'Brien ; It's all just a little bit of history repeating : pop stars, audiences, performance and ageing : exploring the performance strategies of Shirley Bassey and Petula Clark / Ros Jennings ; Long live the queen! : Celia Cruz's longevity as a counterpoint of tradition and change / Delia Poey ; Framing Grace : shock and awe at the ageless black body / Abigail Gardner -- "It's not over..." Mom rock? Media representations of 'mothers who rock' / Norma Coates ; 27 forever : Kristen Pfaff and the coverage of death as the re-presentation of a gendered musical life / Paula Hearsum ; "I'd stage-dive, but I'm far too elderly" : Courtney Love and expectations of femininity and ageing / Catherine Strong ; Rebel without a pause : the continuity of controversy in Madonna's contemporary music videos / Paul Watson and Diane Railton , For female pop stars, whose star bodies and star performances are undisputedly the objects of a sexualized external gaze, the process of ageing in public poses particular challenges. Taking a broadly feminist perspective, 'Rock On': women, ageing and popular music shifts popular music studies in a new direction. Focussing on British, American and Latina women performers and ageing, the collection investigates the cultural work performed by artists such as Shirley Bassey, Petula Clark, Madonna, Celia Cruz, Grace Jones and Courtney Love. The study crosses generations of performers and audiences enabling an examination of changing socio-historical contexts and an exploration of the relationships at play between performance strategies, star persona and the popular music press. For instance, the strategies employed by Madonna and Grace Jones to engage with the processes and issues related to public ageing are not the same as those employed by Courtney Love or Celia Cruz. The essays in this insightful collection reflect on the ways that artists and fans destabilise both the linear trajectories and the compelling weight of expectations regarding ageing by employing different modalities of resistance through persona re-invention, nostalgia, postmodern intertextuality and even early death as the ultimate denial of age
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  • 14
    Online Resource
    Online Resource
    New York ; : Oxford University Press
    ISBN: 9780199894758
    Language: English
    Pages: 1 online resource.
    Series Statement: New cultural history of music
    Parallel Title: Erscheint auch als
    DDC: 781.59909599
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    Keywords: Music Political aspects 20th century ; History ; Nationalism in music ; Music and state ; Music History and criticism 20th century ; Philippinen ; Musik ; Nationalbewusstsein ; Politik
    Abstract: A cultural history of the Philippines during the 20th century this title focuses on the relationships between music performance, and ideologies of the nation. Christi-Anne Castro reveals how individuals and groups negotiate with and contest the power of the Philippine state to define the nation as a modern and hybrid entity.
    Note: Includes bibliographical references and index. - Description based on online resource; title from PDF title page (viewed on May 11, 2011)
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  • 15
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139042758
    Language: English
    Pages: Online-Ressource (1 online resource (306 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Garratt, James, 1974 - Music, culture and social reform in the age of Wagner
    Parallel Title: Print version
    DDC: 306.4/842094309034
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    Keywords: Wagner, Richard ; Music Political aspects ; History ; 19th century ; Germany ; Music Social aspects ; History ; 19th century ; Germany ; Music Social aspects 19th century ; History ; Music Political aspects 19th century ; History ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Music ; Germany ; 19th century ; History and criticism ; Socialism and music ; Germany ; History ; 19th century ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Deutschland ; Musik ; Politik ; Geschichte 1800-1900 ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1800-1900
    Abstract: Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic
    Abstract: Liberalism, autonomy and the social functions of art. Liberal individualism, perfectionism and aesthetic autonomy ; Music and Schillerian autonomy ; Choral music and socialization in the early nineteenth century: Nägeli and Zelter -- Radical and social aesthetics in the Vormärz. The trouble with Tannhäuser: artistic discourse as oppositional politics ; Left Hegelians and the politicization of literature and music ; Socialism in Vormärz literary and musical discourse -- Speaking for the Volk: music, politics and Vormärz festivals. Commemorative festivals and the cult of genius ; Lortzing, Mendelssohn and the Leipzig Gutenberg Festival ; An equal music? Singing festivals as mass and counter-culture ; To the artists (i): Mendelssohn and the German-Flemish singing festival -- Revolutionary voices: blueprints for an aesthetic state. Musical reform and the state ; Wagner, Lortzing and the music of revolution -- Music and the politics of post-revolutionary culture. Between anarchism and socialism: Wagner's Zurich essays ; The politics of progressivism: Liszt and the New German School ; To the artists (ii): Liszt and the Karlsruhe music festival ; Citizen Sachs? A Wagnerian coda -- The song of the workers: idylls and activism. Socialization and self-help: workers' education societies ; Lassalle, Bülow and the end of bourgeois music ; Schiller's heirs: art, Bildung and proletarian identity
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 16
    ISBN: 9781351577984
    Language: English
    Pages: 1 Online-Ressource (xxi, 190 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als A Song for Europe
    DDC: 306.48424079
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    Keywords: Eurovision Song Contest ; Popular music Competitions ; Europe ; Popular music Political aspects ; Europe ; Grand Prix Eurovision de la Chanson ; Europa ; Politik ; Soziologie ; Grand Prix eurovision de la chanson ; Politik
    Abstract: The world's largest and longest-running song competition, the Eurovision Song Contest is a significant and extremely popular media event throughout the continent and abroad. The Contest is broadcast live in over 30 countries with over 100 million viewers annually. Established in 1956 as a televised spectacle to unify postwar Western Europe through music, the Contest features singers who represent a participating nation with a new popular song. Viewers vote by phone for their favourite performance, though they cannot vote for their own country's entry. This process alone reveals much about national identities and identifications, as voting patterns expose deep-seated alliances and animosities among participating countries. Here, an international group of scholars from a variety of disciplines, including musicology, communications, history, sociology, English and German studies, explore how the contest sheds light on issues of European politics, national and European identity, race, gender and sexuality, and the aesthetics of camp. For some countries, participation in Eurovision has been simultaneously an assertion of modernity and a claim to membership in Europe and the West. Eurovision is sometimes regarded as a low-brow camp spectacle of little aesthetic or intellectual value. The essays in this collection often contradict this assumption, demonstrating that the contest has actually been a significant force and forecaster for social, cultural and political transformations in postwar Europe.
    Abstract: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of tables -- List of contributors -- General Editor's preface -- Additional reading and resources -- Introduction -- 1 Camping on the borders of Europe -- 2 Return to ethnicity: The cultural significance of musical change in the Eurovision Song Contest -- 3 Eurovision at 50: Post-Wall and Post-Stonewall -- 4 Chanson, canzone, Schlager, and song: Switzerland's identity struggle in the Eurovision Song Contest -- 5 Chasing the "magic formula" for success: Ralph Siegel and the Grand Prix Eurovision de la Chanson -- 6 Fernando, Filippo, and Milly: Bringing blackness to the Eurovision stage -- 7 Finland, zero points: Nationality, failure, and shame in the Finnish media -- 8 The socialist star: Yugoslavia, Cold War politics and the Eurovision Song Contest -- 9 Lithuanian contests and European dreams -- 10 "Russian body and soul": t.A.T.u. performs at Eurovision 2003 -- 11 Gay brotherhood: Israeli gay men and the Eurovision Song Contest -- 12 Articulating the historical moment: Turkey, Europe, and Eurovision 2003 -- 13 "Everyway that I can": Auto-Orientalism at Eurovision 2003 -- 14 Idol thoughts: Nationalism in the pan-Arab vocal competition Superstar -- 15 "Changing Japan, unchanging Japan": Shifting visions of the Red and White Song Contest -- Index
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  • 17
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199864492
    Language: English
    Pages: 1 Online-Ressource (xi, 402 p.) , Ill.
    DDC: 781.651599
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    Keywords: Geschichte 1950-1970 ; Jazz ; Gesellschaft ; Politik ; Schwarze ; Bürgerrechtsbewegung ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; Jazz Social aspects ; Jazz Political aspects ; African Americans Civil rights 20th century ; History ; USA
    Abstract: An insightful examination of the impact of the civil rights movement and African independence on jazz in the 1950s and 60s this text traces the complex relationships between music politics, aesthetics, and activism through the lens of racial and economic issues.
    Note: Includes bibliographical references, discography and index
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  • 18
    Online Resource
    Online Resource
    New York ; : Oxford University Press
    ISBN: 9780199864348
    Language: English
    Pages: 1 online resource (viii, 333 p., [8] p. of plates) , ill., ports.
    Parallel Title: Erscheint auch als
    DDC: 781.6221024
    RVK:
    Keywords: Folk rock music History and criticism ; Großbritannien ; Folk-Rock
    Abstract: Britta Sweers chronicles the history of the genre and explores its cultural implications. She characterizes electric folk as both a result of the American folk revival of the early 1960s and a reaction against the dominance of American pop music abroad.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 19
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511481956
    Language: English
    Pages: Online-Ressource (1 online resource (248 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Rohr, Deborah The careers of British musicians, 1750 - 1850
    Parallel Title: Print version
    DDC: 305.978094109033
    RVK:
    Keywords: Music History and criticism ; 18th century ; Great Britain ; Music History and criticism ; 19th century ; Great Britain ; Music Social aspects ; Great Britain ; Musicians Great Britain ; Music Social aspects ; Musicians ; Music History and criticism 19th century ; Music History and criticism 18th century ; Music ; Great Britain ; 18th century ; History and criticism ; Music ; Great Britain ; 19th century ; History and criticism ; Music ; Social aspects ; Great Britain ; Musicians ; Great Britain ; Großbritannien ; Musiker ; Geschichte 1750-1850
    Abstract: The study of the social context of music must consider the day-to-day experiences of its practitioners; their economic, social, professional and artistic goals; and the material and cultural conditions under which these goals were pursued. This book traces the daily working life and aspirations of British musicians during the sweeping social and economic transformation of Britain from 1750 to 1850. It features working musicians of all types and at all levels - organists, singers, instrumentalists, teachers, composers and entrepreneurs - and explores their educational background, their conditions of employment, their wages, the systems of patronage that supported them, and their individual perceptions. Deborah Rohr focuses not only on social and economic pressures but also on a range of negative cultural beliefs faced by the musicians. Also considered are the implications of such conditions for their social and professional status, and for their musical aspirations
    Description / Table of Contents: 1. The social and professional status of musicians in the eighteenth century -- 2. Social profile -- 3. Patronage -- 4. Musical education -- 5. Church musicians -- 6. Secular musicians: singers -- 7. Secular musicians: instrumentalists -- 8. Teachers, composers, and entrepreneurs -- 9. The fortunes of musicians -- 10. The struggle for social and professional status.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 20
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199853236
    Language: English
    Pages: 1 Online-Ressource (xiii, 290p., [16]p. of plates) , Ill., ports.
    DDC: 781.66
    RVK:
    Keywords: Geschichte ; Progressive Rock ; Progressive rock music History and criticism ; Subculture ; Großbritannien ; Verzeichnis
    Abstract: This is the first authoritative study of the music, history and culture of progressive rock, a genre remembered for its virtuoso guitar solos and massive stage shows. Among the bands covered are Jethro Tull, Genesis, Yes, and Pink Floyd.
    Note: Includes bibliographical references, discography and index
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