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Material
Language
Years
Year
  • 1
    Book
    Book
    London [u.a.] : Oxford Univ. Press
    ISBN: 0198164475
    Language: English
    RVK:
    Keywords: Musik ; Geschichte
    Note: Angabe zum ed. board bei den Vol. 1 - 5; 7 und 10 , 2. ed. auch als "new ed." bezeichnet , Ital. Ausg. u.d.T.: Storia della musica , 2. ed. im Verlag Oxford Univ. Press, Oxford [u.a.], erschienen
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  • 2
    Language: English , German
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    Keywords: Carl Lindström GmbH ; Musikproduktion ; Unternehmensgeschichte ; Schallplattenindustrie ; Geschichte 1904-1972 ; Carl Lindström GmbH ; Geschichte ; Carl Lindström GmbH ; Carl Lindström GmbH ; Schallplatte ; Schallplattenindustrie ; Geschichte 1904-1972
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  • 3
    Book
    Book
    Bucureşti : Editura Universităţii Nationale de Muzică Bucureşti
    Language: English , Greek, Ancient (to 1453)
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    Keywords: Osmanen ; Komposition ; Bibliografie
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  • 4
    Book
    Book
    Leiden : Brill
    ISBN: 9004048731
    Language: English
    Series Statement: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
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    Keywords: Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Note: Erschienen: 1 - 2
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  • 5
    Language: English
    DDC: 780.89
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    Keywords: Applied ethnomusicology ; Musikethnologie ; Angewandte Musikwissenschaft
    Note: Includes bibliographical references and index
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  • 6
    ISBN: 9004048731
    Language: English
    Series Statement: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
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    Keywords: Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Note: Erschienen: 1 - 2
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  • 7
    ISBN: 1869403215 , 1869403444 , 1869403665
    Language: English
    Pages: 26 cm
    Additional Material: 3 CDs(digital ; 4 3/4 in.)
    Uniform Title: Nga moteatea, he maramara rere no nga waka maha 〈English & Maori〉
    DDC: 782.421629944200268
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    Keywords: Folk songs, Maori Texts ; Folk songs, Maori Texts ; Translations into English ; Maori poetry ; Maori poetry Translations into English ; Maori (New Zealand people) Music ; Songs, Maori ; Maori ; Lied
    Note: Parallel English and Maori text , Includes bibliographical references and index , Half-title: Ngā mōteatea (the songs) a selection of annotated tribal songs of the Maori with English translations , Translated from the Maori , Added t.p. in Maori
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  • 8
    Book
    Book
    Calcutta : Ramakrishna Vedanta Math
    Language: English
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  • 9
    Book
    Book
    New York, NY : Grove's Dictionaries Inc. | London : Macmillan
    ISBN: 033369189X , 1561592846
    Language: English
    Pages: 29 cm
    Edition: 2. ed.
    DDC: 781.6503
    RVK:
    Keywords: Jazz Encyclopedias ; Jazz Bio-bibliography ; Jazz ; Wörterbuch ; Jazz
    Note: Contents: v. 1 A-fuzz - v. 2 Gabler-Niewood - v. 3 Nightclubs-Zwingenberger , Includes bibliographical references and discography , Previous ed.: published in 2 v. London : Macmillan, 1988 , Erschienen: Vol. 1-3
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  • 10
    Book
    Book
    London [u.a.] : Oxford Univ. Pr.
    Language: English
    RVK:
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    Keywords: Aufsatzsammlung ; Afrika ; Musik ; Geschichte
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  • 11
    Book
    Book
    New York : Dover Publications
    Language: English
    Pages: 25 cm
    Edition: 2. rev. ed
    DDC: 016.398
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    Keywords: Folklore Bibliography ; United States ; African Americans Folklore ; Bibliography ; Indians of North America Folklore ; Bibliography ; Folk songs Bibliography ; United States ; Folk songs Bibliography ; History and criticism ; United States ; Afro-Americans Music ; Bibliography ; Afro-Americans Music ; Bibliography ; History and criticism ; Indians of North America Music ; Bibliography ; Indians of North America Music ; Bibliography ; History and criticism ; Bibliografie ; Nordamerika ; Folksong ; Nordamerika ; Volkskultur ; Nordamerika ; Indianer ; Eskimo ; Folksong ; Volkskultur
    Note: The first ed. of this work appeared in one vol
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  • 12
    Language: English
    RVK:
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  • 13
    ISBN: 1869403215 , 1869403444 , 1869403665
    Language: English
    Pages: 26 cm
    Additional Material: 3 CDs(digital ; 4 3/4 in.)
    Uniform Title: Nga moteatea, he maramara rere no nga waka maha 〈English & Maori〉
    DDC: 782.421629944200268
    RVK:
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    Keywords: Folk songs, Maori Texts ; Folk songs, Maori Texts ; Translations into English ; Maori poetry ; Maori poetry Translations into English ; Maori (New Zealand people) Music ; Songs, Maori ; Maori ; Lied
    Note: Parallel English and Maori text , Includes bibliographical references and index , Half-title: Ngā mōteatea (the songs) a selection of annotated tribal songs of the Maori with English translations , Translated from the Maori , Added t.p. in Maori
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  • 14
    Book
    Book
    Paris : Éd. du Centre National de la Recherche Scientifique
    Language: French
    Series Statement: Le chœur des muses
    DDC: 394.2/694
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    Keywords: Charles Congresses ; Festivals Congresses ; Renaissance Congresses ; Europe Congresses Social life and customs ; Konferenzschrift ; Renaissance ; Fest ; Europa ; Fest ; Geschichte 1420-1600
    Note: Erschienen: 1 - 3
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  • 15
    Book
    Book
    Moskva : Izdatelʹstvo Sovetskaja Ėnciklopedija
    Show associated volumes/articles
    Language: Russian
    Series Statement: Ėnciklopedii, slovari, spravočniki
    RVK:
    Keywords: Enzyklopädie ; Musik ; Wörterbuch ; Komponist ; Biografie
    Note: In kyrillischer Schrift, russisch
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  • 16
    Language: German , English
    Pages: 18 cm
    Edition: Dt. Ausg.
    Series Statement: dtv ...
    Uniform Title: The Beatles illustrated lyrics
    DDC: 48
    RVK:
    Keywords: Anthologie ; Popsong
    Note: Lizenzausg. des Juncker-Verl., München, Zürich , Text dt. und engl.
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  • 17
    Language: German , English , French , Italian
    Series Statement: Taschenbücher zur Musikwissenschaft ...
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    Keywords: Wörterbuch ; Musik ; Englisch ; Musik ; Deutsch ; Französisch ; Musik ; Deutsch ; Italienisch ; Musik ; Deutsch
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  • 18
    Language: English
    RVK:
    Keywords: USA ; Musik ; Unterhaltungsmusik ; Musikmarkt
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  • 19
    Language: German , English , French
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    Keywords: Festschrift ; Musikgattung ; Musikgeschichte ; Schrade, Leo 1903-1964
    Note: Beiträge teilweise dt., teilweise engl., teilweise franz. - Nebentitel: Gattungen der MusikFestschrift: Schrade, Leo , Darin: Schrade, Leo: Festschrift
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  • 20
    Book
    Book
    Cambridge [u.a.] : Univ. Press
    Language: English
    Series Statement: Cambridge readings in the literature of music
    RVK:
    Keywords: Griechenland ; Musik ; Quelle
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  • 21
    Language: French
    RVK:
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    Keywords: Musik ; Enzyklopädie
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  • 22
    ISBN: 9789004524019
    Language: English
    Pages: xxiv, 457 Seiten , Illustrationen, Karten, Notenbeispiele , 24 cm
    Series Statement: Handbook of oriental studies = Handbuch der Orientalistik volume 18
    Series Statement: Section 5, Japan / edited by R. Kersten
    Series Statement: Handbook of Oriental studies Japan ; volume 18
    Parallel Title: Erscheint auch als Handbook of Japanese music in the modern era
    DDC: 780.952
    RVK:
    Keywords: Music History and criticism 20th century ; Music History and criticism 21st century ; Folk music History and criticism ; Popular music History and criticism ; Music Instruction and study ; Music Western influences ; Japan ; Musik ; Geschichte 1900-2023
    Abstract: "Exploring an array of captivating topics, from hybridized Buddhist music to AI singers, this book introduces Japanese music in the modern era. The twenty-five chapters show how cultural change from the late nineteenth century to the present day has had a profound impact on the Japanese musical landscape, including the recontextualization and transformation of traditional genres, and the widespread adoption of Western musical practices ranging from classical music to hip hop. The contributors offer representative case studies within the themes of Foundations, Heritage, Institutions, and Hybridities, examining both musical styles that originated in earlier times and distinctly localized or Japanized musical forms"--
    Description / Table of Contents: Introduction. Japanese Music in the Modern Era / Henry Johnson -- Part 1. Foundations. Sacred or Secular? The Dilemma of Theatrical Kagura / Terence Lancashire ; Buddhism and Modern Music in Japan : From Praise Songs to Popular Music / Duncan Reehl ; Reigakusha Gagaku Ensemble : Mediating between Ancient and Contemporary Practice / Naoko Terauchi ; The "Heike Brothers" and the 800-Year Transmission and Reception of Heike Musical Narrative / Haruko Komoda and Alison Tokita ; Eisā : Between the Expression of Okinawan Identity and the Appropriation of Okinawan Culture / Sumi Cho ; Ainu Ways of Being in the Contemporary : Music and Dance as Cultural Practice / Justin R. Hunter -- Part 2. Heritage. Getting into Min'yо̄ : Online and Offline Access to Japanese Folk Song / Felicity Greenland ; Traditional Folk Music in Contemporary Japan : Case Studies of Standardization and Diversification in Tsugaru Shamisen and Folk Song / Gakuto Chiba and Patrick E. Savage ; Naniwa-bushi : A Musical Narrative Born in Modern Japan / Alison Tokita ; An Innovative Conservative : Satsuma-biwa Practice and the Legacy of Fumon Yoshinori / Hugh De Ferranti and Thomas Charles Marshall ; Wondrous Tones : The Transnational Appeal of the Shakuhachi through Time and Space / Christopher Yohmei Blasdel ; Choreographing Sound : Ensemble Taiko Drumming in Modern Japan / Shawn Bender ; Studying the Past to Predict the Future : Yamauchi Reach, a Professional Percussionist in the Twenty-First Century / Jennifer Milioto Matsue
    Description / Table of Contents: Part 3. Institutions. Learning Musical Instruments in Japanese Schools / David G. Hebert and Kōji Matsunobu ; Yōgaku, Western Music in Japan : Perspectives from Osaka / Junko Iguchi ; Violin Playing and Women in Japanese Music / Ena Kajino ; The Suzuki Method, Yamaha System, and Japanese Traditional Music : A Case Study of Japanese Music Education in the Modern Era / Eria Kubo ; Ryukyuan Uta-sanshin in Modern Japan : The Influence of Government Institutions on Teaching and Performing / Matt Gillan and Mina Endō ; Koto Modernities in the Twenty-First Century / Henry Johnson -- Part 4. Hybridities. Navigating the Past, Embracing the Present : Japanese Compositional Hybridity in Theory and Practice / Marty Regan ; The Innate Hybridity of the Shamisen within Contemporary Music : The Physical, Musical, and Socio-Cultural / Colleen C. Schmuckal ; Rethinking the Evolution of Japanese Music : Kunimoto Takeharu and Katō Kinji's Electric Shamisen / Keisuke Yamada ; Japanese Popular Songs in the Twentieth Century : Adaptation, Hybridity, and Creativity / Minako Waseda ; Misora Hibari in Kōhaku Utagassen : From Modernity to Immortality / Shelley Brunt and Amane Kasai ; Japanese Rap : A History of Style / Noriko Manabe.
    Note: Serienangabe von der LoC fälschlich als "The history of oriental studies ; volume 18" bezeichnet
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  • 23
    Book
    Book
    Tübingen : Narr Francke Attempto
    ISBN: 9783381108510 , 3381108514
    Language: English
    Pages: 328 Seiten , Illustrationen , 22 cm x 15 cm
    Series Statement: Schweizer Anglistische Arbeiten Band 150
    Series Statement: Schweizer anglistische Arbeiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Keller, Thomas Wyndham Lewis and british art rock
    Dissertation note: Dissertation Universität Zürich 2017
    DDC: 780.082
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    Keywords: Hochschulschrift ; Lewis, Wyndham 1882-1957 ; Rezeption ; Art Rock
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  • 24
    Book
    Book
    Hofheim am Taunus : Wolke Verlag | Darmstadt : Jazzinstitut Darmstadt
    ISBN: 9783955930189 , 3955930181
    Language: English , German
    Pages: 264 Seiten , Illustrationen , 21.5 cm x 15 cm, 600 g
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung 18
    Series Statement: Darmstädter Beiträge zur Jazzforschung 18
    Series Statement: Darmstädter Beiträge zur Jazzforschung
    DDC: 780
    RVK:
    Keywords: Jazz ; Jazzgeschichte ; Zukunft des Jazz ; Konferenzschrift 28.09.2021-30.09.2023 ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift 2023
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  • 25
    ISBN: 9783828849228 , 3828849229
    Language: German , English
    Pages: IX, 189 Seiten , Illustrationen, Notenbeispiele , 21 cm x 14.8 cm
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart Band 9
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart
    Parallel Title: Erscheint auch als Bugert, Thomas Das Jahr der Innovationen im Jazz
    DDC: 780
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    Note: Literaturverzeichnis Seite 143-170
    URL: Inhaltstext  (lizenzpflichtig)
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  • 26
    ISBN: 9789004531253
    Language: English
    Pages: XXI, 553 Seiten , Illustrationen, Notenbeispiele
    Edition: New edition
    Series Statement: Handbook of oriental studies = Handbuch der Orientalistik. Section 1, The Near and Middle East volume 177
    Series Statement: Handbuch der Orientalistik The Near and Middle East
    Parallel Title: Erscheint auch als Feldman, Walter Music of the Ottoman court
    DDC: 784.0956
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    Keywords: Dimitrie Cantemir ; Ali Ufkî ; Geschichte 1500-1700 ; Geschichte 1500-1750 ; Hofmusik ; Kunstmusik ; Maqām ; Instrumental music History and criticism 17th century ; Instrumental music History and criticism 18th century ; Peşrevs History and criticism 17th century ; Peşrevs History and criticism 18th century ; Maqām History and criticism 17th century ; Maqām History and criticism 18th century ; Osmanisches Reich ; Türkei
    Abstract: "Between 1600 and 1750 Ottoman Turkish music differentiated itself from an older Persianate art music and developed the genres antecedent to modern Turkish art music. Based on a translation of Demetrius Cantemir's seminal "Book of the Science of Music" from the early eighteenth century, this work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers' accounts and iconography. These present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music. A detailed comparison of items in the notated Collections of Cantemir and of Bobowski-from fifty years earlier-together with relevant treatises, reveal key aspects of modality, melodic progression and rhythmic structures
    Note: Part 1. Musicians and Performance. Professionalism and the Music of the Ottoman Court ; Professionalism and the Music of the Ottoman Court ; Dervishes and Turkish Art Music ; Instruments and Instrumentalists ; The Ottoman Cyclical Concert-Formats Fasil and Ayin -- Part 2. Makam. The General Scale of Seventeenth-Century Ottoman Music ; Makam and Terkib ; Melodic Progression ; The Taksim and Modulation -- Part 3. Peşrev and Semai ; The Peşrev/Pishrow ; The Ottoman Peşrev ; Peşrevs and Analyses ; The Seventeenth-Century Persian Peşrev ; Transmission of the Ottoman Peşrev Repertoire ; The Instrumental Semai ; Conclusion
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  • 27
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197685914
    Language: English
    Pages: x, 222 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Parallel Title: Erscheint auch als Hild, Elaine Stratton Music in medieval rituals for the end of life
    DDC: 781.5/880902
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    Keywords: Gregorian chants History and criticism ; Death Religious aspects To 1500 ; Christianity ; History ; Death Social aspects To 1500 ; History ; Funeral rites and ceremonies, Medieval History ; Sterben ; Musik ; Liturgie ; Geschichte 600-1500 ; Requiem ; Geschichte 600-1500
    Abstract: "Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
    Description / Table of Contents: Introduction : Contemporary approaches to medieval rituals for the dying -- Religious elites : Rome, "old Roman" tradition -- Political and religious leaders : Sens, Cathedral of Saint Stephen -- With the laity : Orsières, Switzerland -- Among women : Abbey of Saint Mary the Virgin and Saint Francis without Aldgate (England) -- Analysis : variation and continuity within the liturgical tradition -- Final considerations : Why sing?
    Note: Includes bibliographical references and index
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  • 28
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226738543 , 9780226738406
    Language: English
    Pages: 347 Seiten , Illustrationen
    Series Statement: Big issues in music
    Parallel Title: Erscheint auch als
    DDC: 780.78
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    Keywords: Konzert ; Festival ; Rockmusik ; Sozialer Wandel ; Live-Auftritt ; Rock music / Social aspects / United States ; Rock music / Social aspects / Europe ; Music festivals / Social aspects / United States ; Music festivals / Social aspects / Europe ; Rockmusik ; Festival ; Konzert ; Live-Auftritt ; Sozialer Wandel
    Abstract: Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds
    Abstract: "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives"
    Note: Includes bibliographical references and index
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  • 29
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780190458027 , 9780190458034
    Language: English
    Pages: XX, 442 Seiten
    DDC: 780.89
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    Keywords: Musikethnologie ; Queer-Theorie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Queer-Theorie
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  • 30
    Book
    Book
    New York : Routledge
    ISBN: 9781138094505 , 1138094501 , 9781138094512 , 113809451X
    Language: English
    Pages: XX, 328 Seiten
    Series Statement: Focus on world music
    Parallel Title: Online version Hutchinson, Sydney Focus: music of the Caribbean
    DDC: 780.9729
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    Keywords: Music / Caribbean Area / History and criticism ; Music / Social aspects / Caribbean Area / History ; Musical instruments / Caribbean Area
    Abstract: "Focus: Music of the Caribbean presents the most important issues of Caribbean musical history and current practice through a non-geographic approach, and discusses thought-provoking questions regarding that history and practice in a user-friendly fashion. It uses current ethnomusicological research on Caribbean music to tell the stories of Caribbean history - those of colonialism and neocolonialism, race and nationalism, marginalization and globalization - and to explore that history's continuing impact on the lives, cultures, musics and dance of modern-day people in the Caribbean and beyond. PART I: Layers of Caribbean musical culture lays the groundwork by setting forth a basic framework for thinking about Caribbean musical history and the roles of race and migration in that history. Part II. Dancing the Caribbean: Music and embodied culture considers how contrasting forms of dance music embody competing ideas about Caribbean identities, past and present. Part III. Focusing in: Musical instruments and meaning looks at one specific Caribbean music genre - merengue típico of the Dominican Cibao region - through a focus on its instruments. There are detailed listening guides to accompanying tracks on a playlist; call-out boxes exploring broader issues affecting contemporary society in classroom discussion and activities; plus additional tools for teachers. Including discussion questions, vocabulary lists, and links to web resources"--
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  • 31
    ISBN: 9781872005492
    Language: English
    Pages: 191 Seiten , Illustrationen
    RVK:
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    Keywords: Elektronische Musik ; Medienkunst ; Geschichte 1970-2020
    Note: Based on 'Electro' (2019, Éditions Textuel and Cité de la Musique - Philharmonie de Paris)
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  • 32
    Book
    Book
    Princeton, NJ : Markus Wiener Publ. [u.a.]
    ISBN: 1558762817 , 1558762825 , 1899365540 , 9781558762817
    Language: English
    Pages: IX, 246 S. , Ill.
    Edition: Second printing
    RVK:
    Keywords: Volksmusik ; Musik ; Kuba ; Kuba ; Musik ; Kuba ; Volksmusik
    Note: Includes bibliographical references (p. ) and discography (p. )
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  • 33
    Book
    Book
    Ottawa & Kitchener, ON Canada : Inst. of Mediaeval Music
    ISBN: 1896926649 , 9781896926643
    Language: English
    Pages: XX, 251 S. , zahlr. Notenbeisp.
    Edition: 3. edition
    Series Statement: Wissenschaftliche Abhandlungen / Institute of Mediaeval Music 80
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    Keywords: Abū al-Faraj al-Iṣbahānī 〈897 or 8-967〉 ; Fārābī ; Abbasids ; Performance practice (Music) History To 1500 ; Musik ; Aufführung ; Musikalische Aufführungspraxis ; Naher Osten ; Bagdad ; Naher Osten ; Musikalische Aufführungspraxis ; Bagdad ; Musikalische Aufführungspraxis ; Bagdad ; Musik ; Aufführung
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  • 34
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 9781501345364
    Language: English
    Pages: xvi, 594 Seiten
    Series Statement: Bloomsbury handbooks
    DDC: 306.48424
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 35
    Book
    Book
    New York ; London : Routledge Taylor & Francis Group
    ISBN: 9781138489530 , 9781138211735
    Language: English
    Pages: xiii, 272 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-1989 ; Unterhaltungsmusik ; Jugoslawien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jugoslawien ; Unterhaltungsmusik ; Geschichte 1950-1989
    Note: Enthält Literaturverzeichnis und Filmographie Seite 255-258 und Literaturangaben
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  • 36
    ISBN: 9780802148209 , 9781611856392
    Language: English
    Pages: xxvi, 466 Seiten, [16] ungezählte Seiten Bildtafeln , Illustrationen, Karten
    Edition: First Grove Atlantic hardcover edition
    Parallel Title: Erscheint auch als Thompson, Elizabeth F., 1959 - How the West stole democracy from the Arabs
    DDC: 956.91/03
    RVK:
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    Keywords: Muʼtamar al-Sūrī al-ʻĀmm ; Arab nationalism History ; Syria History French occupation, 1918-1946 ; Syrien ; Unabhängigkeitsbewegung ; Kolonialmacht ; Geschichte 1919-1920
    Abstract: "When Europe's Great War engulfed the Ottoman Empire, Arab nationalists rose in revolt against their Turkish rulers and allied with the British on the promise of an independent Arab state. In October 1918, the Arabs' military leader, Prince Faisal, victoriously entered Damascus and proclaimed a constitutional government in an independent Greater Syria. Faisal won American support for self-determination at the Paris Peace Conference, but other Entente powers plotted to protect their colonial interests. Under threat of European occupation, the Syrian-Arab Congress declared independence on March 8, 1920 and crowned Faisal king of a "civil representative monarchy." Sheikh Rashid Rida, the most prominent Islamic thinker of the day, became Congress president and supervised the drafting of a constitution that established the world's first Arab democracy and guaranteed equal rights for all citizens, including non-Muslims. But France and Britain refused to recognize the Damascus government and instead imposed a system of mandates on the pretext that Arabs were not yet ready for self-government. In July 1920, the French invaded and crushed the Syrian state. The fragile coalition of secular modernizers and Islamic reformers that had established democracy was destroyed, with profound consequences that reverberate still. Using previously untapped primary sources, including contemporary newspaper accounts, reports of the Syrian-Arab Congress, and letters and diaries from participants, How the West Stole Democracy from the Arabs is a groundbreaking account of an extraordinary, brief moment of unity and hope-and of its destruction"--
    Note: Includes bibliographical references and index
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  • 37
    ISBN: 9780190084080 , 9780190938284
    Language: English
    Pages: xiv, 321 Seiten , Illustrationen, Notenbeispiele
    Series Statement: The new cultural history of music series
    DDC: 306.4/8420943809048
    RVK:
    Keywords: Music Political aspects 20th century ; History
    Note: Includes bibliographical references and index
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  • 38
    ISBN: 0367335700 , 9780367335700
    Language: English
    Pages: viii, 160 Seiten , 24 cm
    Series Statement: Ethnic and racial studies
    DDC: 781.63086912
    RVK:
    Keywords: Popular music Social aspects ; Immigrants ; Immigrants ; Popular music ; Social aspects ; Aufsatzsammlung ; Europa ; Nordamerika ; Einwanderer ; Unterhaltungsmusik
    Note: Includes bibliographical references and index
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  • 39
    ISBN: 9780253050267 , 9780253050250
    Language: English
    Pages: xii, 303 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Music in world war II
    DDC: 780.9/04
    RVK:
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    Keywords: World War, 1939-1945 Music and the war ; Music History and criticism 20th century ; Music History and criticism 20th century ; Popular music History and criticism 1941-1950 ; Popular music History and criticism 1931-1940 ; Music Political aspects 20th century ; History ; Zweiter Weltkrieg ; Musik ; Unterhaltungsmusik ; Europa ; USA ; Aufgabensammlung ; Europa ; USA ; Zweiter Weltkrieg ; Musikleben ; Musikpolitik ; Musikpolitik ; Weltgesellschaft ; Zweiter Weltkrieg ; Kulturelle Einrichtung ; Sound ; Musik ; Geschichte
    Abstract: "How can music withstand the death and destruction brought on by war? Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of "war music" in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized "home" and constructing politicized notions of national and ethnic identity. This fascinating and well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II"--
    Note: Literaturverzeichnis: Seiten 275-287
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  • 40
    ISBN: 1783274980 , 9781783274987
    Language: English
    Pages: xi, 458 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
    RVK:
    Keywords: Anderson, Julian ; Musik ; Komponist ; Großbritannien ; Interview
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  • 41
    ISBN: 9781786607379
    Language: English
    Pages: viii, 212 Seiten
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als Bottà, Giacomo, 1974 - Deindustrialisation and Popular Music
    DDC: 781.66
    RVK:
    Keywords: Popular music Social aspects ; History ; Punk rock music Social aspects ; History ; Post-punk music Social aspects ; History ; Deindustrialization ; Punk ; Postpunk ; Musikleben ; Manchester ; Düsseldorf ; Turin ; Tampere ; Europa ; Unterhaltungsmusik ; Deindustrialisierung
    Abstract: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place.
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Note: Literaturverzeichnis: Seite 197-207
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  • 42
    Book
    Book
    London : Routledge, Taylor and Francis Group
    ISBN: 9780367322052
    Language: English
    Pages: VI, 126 Seiten , Illustrationen, Faksimile , 22 cm
    Series Statement: Royal Musical Association monographs 35
    Parallel Title: Erscheint auch als
    DDC: 306.48420942109034
    RVK:
    Keywords: Giardini, Felice ; Music Social aspects 18th century ; History ; Music Economic aspects 18th century ; History ; Music publishing History 18th century ; Musicians History 18th century ; Giardini, Felice 1716-1796 ; Musikleben ; Musikverlag ; Musikwirtschaft ; London ; Geschichte 1750-1760
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  • 43
    Book
    Book
    Minneapolis, MN : University of Minnesota Press
    ISBN: 9781517906283
    Language: English
    Pages: xii, 347 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1965-2020 ; Musikproduktion ; Hip-Hop ; Sampling ; Discjockey ; USA ; USA ; Discjockey ; Sampling ; Hip-Hop ; Musikproduktion ; Geschichte 1965-2020
    Abstract: "Bring That Beat Back: How Sampling Built Hip-Hop is a proposed history of how sampling, as a wholly new form of creating and commenting on music, became a vital part of hip-hop's DNA, from the NY DJs in the late 1970s to today. The story will arc across four DJs who pushed this technology and approach into new territory: Grandmaster Flash, the pioneer; Prince Paul, the innovator; Dr. Dre, the mogul; and Madlib, the left-field curator. Alongside that arc, Patrin will do a deep dive into songs that were heavily sampled and represent/illuminate the power, complexity, and rich history of how sampling has helped build and evolve hip-hop. Throughout, these sections will be far from insular, and instead, reach and pull in the many DJs, producers, and moments that tell this wide-ranging story. Utilizing a wealth of extant interviews and archival material alongside new interviews with people who were there, other critics, and Patrin's own narrative of this history, Bring That Beat Back would be both a geeky dive for music fans and hip-hop heads but also a highly accessible introduction to a form of music that turned power dynamics upside down, made back-row session musicians more iconic to creators than the mega-watt stars at the front of the stage, and how this continual boundary breaking in production and its reshaping of the musical "canon" is very much an extended riff from the history of pop music itself"--
    Description / Table of Contents: Introduction : The art of the loop -- Part I : The grandmaster. Wheels of steel : How DJs became artists ; Change the best : Hip-hop's first crossover ; Funky drummer ; Sampling reaches the people -- Part II : The prince. Synthetic substitution : A new medium finds its canon ; Talkin' all that jazz : The legitimization of an art form ; Constant elevation : Hip-hop's rising underground -- Part III : The doctor. Funky enough : How the West was made ; G Thang : The producer as superstar ; Aftermath : Auteurism is a post-gangsta world -- Part IV : The Beat Konducta. The Loop digga : Sampling preserves history (and itself) ; The illest villains : High concepts and new voices ; Survival test : Hip-hop as a community -- Epilogue : Breaks and echoes
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  • 44
    ISBN: 9783982210001
    Language: English
    Pages: 531 Seiten , Illustrationen , 24 cm
    Edition: First edition
    Parallel Title: Erscheint auch als Reetze, Jan, 1956- Times & Sounds
    DDC: 781.66094309047
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    Keywords: Geschichte ; Krautrock
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  • 45
    ISBN: 9781350139534 , 9781350034389
    Language: English
    Pages: XI, 289 Seiten
    Edition: Paperback edition
    DDC: 781.660943515
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    Keywords: Geschichte 1956-1969 ; Rockmusik ; Rock 'n' Roll ; Deutschland ; Sankt Pauli
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  • 46
    Book
    Book
    London : 4th Estate
    ISBN: 9780008340001 , 0008340005 , 9780008340049
    Language: English
    Pages: 642 Seiten , Illustrationen , 24 cm
    DDC: 782.421660922
    RVK:
    Keywords: Beatles ; Beatles ; Rock groups ; Rock groups ; Rock musicians Biography ; Rock musicians Biography ; Biography ; Rock groups ; Rock musicians ; Biographies ; Biographies ; England ; Great Britain ; The Beatles ; The Beatles
    Abstract: John Updike compared them to 'the sun coming out on Easter morning'. Bob Dylan introduced them to drugs. Muhammad Ali called them 'little sissies'. No one remained unaffected by the music of the Beatles. As Queen Elizabeth II observed on her golden wedding anniversary, 'Think what we would have missed if we had never heard the Beatles.' This book traces the chance fusion of the four key elements that made of the Beatles: fire (John), water (Paul), air (George) and earth (Ringo). It also tells the bizarre and often unfortunate tales of the disparate and colourful people within their orbit, among them Yoko Ono, the Maharishi, Aunt Mimi, the con artist Magic Alex, their psychedelic dentist John Riley and their failed nemesis, Det. Sgt Norman Pilcher
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes bibliographical references (pages 633-639)
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  • 47
    Book
    Book
    Lanham : Rowman & Littlefield
    ISBN: 9781538128145
    Language: English
    Pages: xlvi, 511 Seiten
    Edition: Second edition
    Series Statement: Historical dictionaries of literature and the arts
    Series Statement: Music · History and criticism
    Parallel Title: Erscheint auch als Davis, John S., 1960- Historical dictionary of jazz
    DDC: 781.6503
    RVK:
    Keywords: Jazz Dictionaries ; Jazz Dictionaries ; Wörterbuch ; Jazz ; Jazzmusiker ; Jazz ; Lexikon
    Abstract: "This second edition of Historical Dictionary of Jazz contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on musicians, styles of jazz, instruments, recording labels, bands and bandleaders, and more"
    Note: Includes bibliographical references (Seiten 457-509)
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  • 48
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501349560
    Language: English
    Pages: xii, 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63/16480941
    RVK:
    RVK:
    Keywords: Tanzmusik ; Rezeption ; Elektronische Musik ; Interkulturalität ; Großbritannien ; Südasien ; Electronic dance music / Great Britain / History and criticism ; Music / Great Britain / Asian influences ; South Asians / Great Britain / Music / History and criticism ; Electronic dance music ; Music / Asian influences ; Great Britain ; Criticism, interpretation, etc ; Südasien ; Elektronische Musik ; Tanzmusik ; Rezeption ; Großbritannien ; Interkulturalität
    Abstract: "Presents a new conception of sound practices through analysis of South Asian cultural and sonic influences on dance music in the UK"--
    Description / Table of Contents: Part One. Toward a Cultural Analysis of Sound Practices. Renegotiating Culture in the Age of South Asian Dance Music ; The Concept of Trancultural Sound Practices -- Part Two. Listening to South Asian Dance Music. Re-Fusing and Reclaiming UK Bhangra : Apache Indian, No Reservations (1993) ; Demystifying Asianness : Asian Dub Foundation, Community Music (2000) ; Sonic Fictions, Global Noise : M.I.A., Arular (2005) and Kala (2007) ; The Sonic Politics of Place : Dusk + Blackdown's Margins Music ; Performativity, Technology and the Body : Nathan 'Flutebox' Lee, Flutebox (2010) -- Part Three. Thinking Sound as Cultural Transformation. Conclusion : Transcultural Sound Practices in South Asian Dance Music ; Further Elaborations on Sound as Cultural Transformation
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  • 49
    ISBN: 9783030390013
    Language: English
    Pages: viii, 151 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Series Statement: Music business research
    DDC: 780
    RVK:
    Keywords: Aufsatzsammlung
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  • 50
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190461652
    Language: English
    Series Statement: Readers on American musicians series
    Parallel Title: Erscheint auch als The Mahalia Jackson reader
    DDC: 782.25/4092
    RVK:
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    Keywords: Jackson, Mahalia ; African American gospel singers Biography ; Gospel singers Biography ; African Americans Music ; History and criticism ; Gospel music History and criticism
    Abstract: ""African American gospel singer Mahalia Jackson was just sixty years old when her heart finally gave out on January 27, 1972, as she lay alone in her sick bed at Little Company of Mary Hospital just south of Chicago. Obituaries faithfully recounted the best-known story lines of her unlikely career: how the power of her voice was rooted in her devout Baptist upbringing; her birth in 1911 and rise from dire poverty in Uptown New Orleans to international celebrity; a dedication to the black freedom struggle that further elevated her to the status of cultural and political symbol. Together, Jackson's voice, faith, prestige, and activism, made her at the time of her death, in the assessment of her friend Harry Belafonte, "the single most powerful black woman in the United States." Yet her reputation is also complex. Invoking the charisma of Martin and Malcolm, the persuasion of statesmen and despots, and the splendor of divas and diadems, Maceo Bowie's letter to the editor of the Chicago Defender seems to both celebrate and grapple with the substance of Jackson dynamism as a gospel singer and her consequence as an illustrious black public figure. In an editorial in the Defender following Jackson's death, E. Duke McNeil acknowledged Jackson's habitual acclaim as the "Queen of the gospel singers," while also observing: "You can almost say that Mahalia was the 'greatest' because she was the only gospel singer known everywhere." Indeed, for scholars of black gospel, the music itself is often hidden in plain sight. On the one hand, gospel voices are inescapable, audible not just within the music industry, where they have become a lingua franca for pop singers, but also in recurring representations of the black church, in the omnipresent sound of the black gospel choir, and in the personal histories of many black artists. On the other, in comparison with such genres as jazz, blues, country music, and hip hop, documentation of black gospel music, which has thrived in in-group settings, is relatively scant, leaving researchers with limited sources and largely reliant on oral history. Fortunately, the scope and coverage of Jackson's caereer produced a paper trail that enables us to study her personal and professional life while gaining insight into the black gospel field of which she was such an integral part. In compiling a wide swath of these sources on Jackson, The Mahalia Jackson Reader seeks to paint a fuller and more vivid picture of one of the most resonant musi ...
    Note: Includes bibliographical references and index
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  • 51
    ISBN: 9781498566704
    Language: English
    Pages: xiii, 189 Seiten
    Series Statement: Philosophy of race
    DDC: 305.8996073
    RVK:
    Keywords: Hip-Hop ; Subkultur ; USA
    Note: Discography Seite 177-180 , Bibliography Seite 181-184
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  • 52
    ISBN: 9783826069390 , 3826069390
    Language: English , German
    Pages: 349 Seiten , Illustrationen, Notenbeispiele , 23.5 cm x 15.5 cm
    DDC: 780.8931
    RVK:
    RVK:
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    Keywords: Konferenzschrift 04.05.2016-06.05.2016 ; Konferenzschrift 04.05.2016-06.05.2016 ; Außereuropäische Länder ; Deutscher Einwanderer ; Musikleben ; Identität ; Geschichte 1700-1900 ; Rezeption ; Musik ; Außereuropäische Länder ; Geschichte 1700-1900
    Note: Vorwort: "Vom 4. bis 6. Mai 2016 fand an der Universidade do Estado de Santa Catarina (UDESC) in Florianópolis und der Fundação Universidade Regional de Blumenau (FURB), die internationale Tagung 'The Music of German Emigrants Outside Europe in the 18th and 19th Centuries' statt. ... Die Ergebnisse der Tagung fließen in den vorliegenden Tagungsband ein, erweitert durch Beiträge von Forscherinnen und Forschern, deren Abstracts zwar angenommen waren, die aber aus unterschiedlichen Gründen nicht an der Tagung teilnehmen konnten." , Beiträge teilweise deutsch, teilweise englisch
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  • 53
    Book
    Book
    New Brunswick : Rutgers University Press
    ISBN: 9781978807112 , 9781978807389
    Language: English
    Pages: xi, 285 Seiten , Illustrationen
    Edition: Second edition
    DDC: 792.6089/0097471
    RVK:
    Keywords: USA ; Broadway ; Musical ; Ethnische Identität ; Geschichte 1927-2019
    Abstract: Preface to the second edition -- Overture: all singin'! all dancin'! all white people? -- Act one: 1927-1957 -- Only make believe: performing race in Show boat -- Playing cowboys and indians: forging whiteness in Oklahoma! and Annie get your gun -- Trouble in New York city: the racial politics of West side story and The music man -- Act Two: 1967-2019 -- Carbon copies: Black and interracial productions of white musicals -- A chorus line: The Benetton of Broadway musicals -- Everything old Is new again: nostalgia and the Broadway musical at the end of the twentieth century -- Blockbuster musicals in the Age of Obama: The book of Mormon and Hamilton -- Exit Music -- Acknowledgments.
    Abstract: "The initial publication of The Great White Way was and remains the first and only book-length investigation into the ways in which race and ethnicity have shaped the American musical over the course of the twentieth century up through today. In addition to the musicals mentioned above, the book contains analyses of Tony Award-winning shows A Chorus Line, 42nd Street, and The Will Rogers Follies, as well as an examination of the role of casting practices in the musical, particularly the phenomenon of African American and interracial productions of Broadway musicals. Now updated to include a discussion of the blockbuster musicals Hamilton and The Book of Mormon, as well as other developments of the musical in recent years, The Great White Way provides both lovers of the musical and academics with a probing looking at the ways in which issues of race and ethnicity shape this all-American art form." This second edition will reflect new developments that have occurred in the world of the Broadway musical in recent years. Chapter four will be revised and an entire new chapter will be added about smash hits The Book of Mormon and Hamilton, which are both incredibly important when analyzing race and the Broadway musical. Hoffman will also include a new Afterword that will bring the book up to the 21st century and elaborate on what is happening off-Broadway as well"--
    Note: Includes bibliographical references and index
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  • 54
    ISBN: 9783487158587 , 3487158582
    Language: English , German
    Pages: xxxi, 406 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Schriften der Hochschule für Musik Freiburg Band 6
    DDC: 786.2071
    RVK:
    Keywords: Aufsatzsammlung ; Klavierunterricht ; Praxisbezug ; Musikstudium ; Klavierunterricht ; Nebenfach ; Praxisbezug ; Lehrplanentwicklung ; Geschichte ; Klavierspiel ; Klavierunterricht ; Nebenfach ; Tonsatz ; Basso continuo
    Abstract: Tasteninstrumente dienen seit Jahrhunderten nicht nur als Konzertinstrumente, sondern auch als Experimentierwerkzeuge beim Komponieren und als pädagogische Demonstrationsmittel. Zum professionellen Musikstudium gehört daher für die allermeisten Musiker auch eine klavierpraktische Ausbildung. Der Klavierunterricht orientiert sich heute jedoch allzu oft allein am Ideal des Konzertpianisten und zielt vor allem auf das (fehlerfreie) Repertoirespiel. Das noch junge Fach »Angewandtes Klavierspiel« verfolgt dagegen einen ganzheitlichen Ansatz. Es ermöglicht Studierenden, sich am Klavier in diversen Disziplinen weiterzubilden: etwa in stilgebundener Improvisation, Komposition und Arrangement, Partitur- und Blattspiel oder Gehörbildung. Das Fach lebt vom interdisziplinären Dialog – insbesondere zwischen der Klavierpädagogik und Musiktheorie – und erzeugt positive Synergien. Der vorliegende Sammelband präsentiert neueste Erkenntnisse aus Lehre und Forschung zum Thema »Angewandtes Klavierspiel«. Inspiriert von einer Vielzahl von Quellen – von barocken Kontrapunkttraktaten bis zu modernen Jazzklavier-Methoden – werden in den Beiträgen Wege erkundet, Musik an Tasteninstrumenten im wahrsten Sinne des Wortes zu begreifen.
    Note: Literaturangaben , Beiträge teilweise deutsch, teilweise englisch
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  • 55
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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  • 56
    ISBN: 9785171204785
    Language: Russian
    Pages: 207 Seiten , Illustrationen
    Series Statement: Zvezdy veka
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    Note: Text russisch , Kyrillisch
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  • 57
    ISBN: 9783515127875 , 3515127879
    Language: English
    Pages: 184 Seiten , Illustrationen, Diagramme , 24 cm x 17 cm
    Series Statement: Studien zur Geschichte der Europäischen Integration Band 34
    Series Statement: Studien zur Geschichte der Europäischen Integration
    Parallel Title: Erscheint auch als Pichler, Peter, 1980 - Metal Music, Sonic Knowledge, and the Cultural Ear in Europe since 1970
    DDC: 781.66
    RVK:
    Keywords: Europa ; Heavy Metal ; Subkultur ; Kulturelle Identität ; Europäisierung ; Geschichte 1970-2020
    Note: Literaturverzeichnis: Seite [166]-180
    URL: Cover
    URL: Cover
    URL: Cover
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  • 58
    ISBN: 9781472121097 , 9781472121080
    Language: English
    Pages: xxiii, 855 Seiten , Illustrationen , 24 cm
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    Abstract: Malcolm McLaren was one of the most culturally significant but misunderstood figures of the modern era. Ten years after his life was cruelly cut short by cancer, The Life & Times of Malcolm McLaren sheds fascinating new light on the public achievements and private life of this cultural iconoclast and architect of punk, whose championing of street culture movements including hip-hop and Voguing reverberates to this day. With exclusive contributions from friends and intimates and access to private papers and family documents, this biography uncovers the true story behind this complicated figure. McLaren first achieved public prominence as a rebellious art student by making the news in 1966 after being arrested for burning the US flag in front of the American Embassy in London. He maintained this incendiary reputation by fast-tracking vanguard and left-field ideas to the centre of the media glare, via his creation and stewardship of the Sex Pistols and work with Adam Ant, Boy George and Bow Wow Wow. Meanwhile McLaren's ground-breaking design partnership with Vivienne Westwood and his creation of their visionary series of boutiques in the 1970s and early '80s sent shockwaves through the fashion industry. The Life & Times of Malcolm McLaren also essays McLaren's exasperating Hollywood years when he broke bread with the likes of Steven Spielberg though his slate of projects, which included the controversial Surf Nazis Must Die and Wilde West, in which Oscar Wilde introduced rock'n'roll to the American mid-west in the 1880s, proved too rich for the play-it-safe film business. With a preface by Alan Moore, who collaborated with McLaren on the unrealised film project Fashion Beast, and an essay by Lou Stoppard casting a twenty-first-century perspective over his achievements, The Life & Times Of Malcolm McLaren is the explosive and definitive account of the man dubbed by Mel++
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  • 59
    Book
    Book
    London : Routledge
    ISBN: 9781138048065
    Language: English
    Pages: vii, 146 Seiten , Illustrationen
    Series Statement: Interdisciplinary research in gender
    Parallel Title: Erscheint auch als
    DDC: 781.64082
    RVK:
    Keywords: Women musicians ; Older musicians ; Women in music ; Aging Social aspects ; Popular music Social aspects
    Note: Includes bibliographical references and index
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  • 60
    ISBN: 9780367185114
    Language: English
    Pages: xi, 311 Seiten
    Series Statement: Routledge studies in hip hop and religion
    Parallel Title: Erscheint auch als Beyond Christian hip hop
    Parallel Title: Erscheint auch als Beyond Christian hip hop
    DDC: 261.5/78
    RVK:
    Keywords: African American churches ; Hip-hop Influence ; Hip-hop Religious aspects ; Christianity ; African Americans Religion ; Aufsatzsammlung ; Aufsatzsammlung ; Christentum ; Einfluss ; Christentum ; Einfluss ; Hip-Hop ; Person of Color
    Abstract: "Christians and Christianity have been central to Hip Hop since its inception. This book explores the intersection of Christians and Hip Hop and the multiple outcomes of this intersection. It lays out the ways in which Christians and Hip Hop overlap and diverge. The intersection of Christians and Hip Hop brings together African diasporic cultures, lives, memories and worldviews. Moving beyond the focus on rappers and so-called "Christian Hip Hop," each chapter explores three major themes of the book: identifying Hip Hop, irreconcilable Christianity, and boundaries.There is a self-identified Christian Hip Hop (CHH) community that has received some scholarly attention. At the same time, scholars have analyzed Christianity and Hip Hop without focusing on the self-identified community. This book brings these various conversations together and show, through these three themes, the complexities of the intersection of Christians and Hip Hop. Hip Hop is more than rap music, it is an African diasporic phenomenon. These three themes elucidate the many characteristics of the intersection between Christians and Hip Hop and our reasoning for going beyond "Christian Hip Hop." This collection is a multi-faceted view of how religious belief plays a role in Hip Hoppas' lives and community. It will, therefore, be of great interest to scholars of Religion and Hip Hop, Hip Hop, African Diasporas, Religion and the Arts, Religion and Race and Black Theology as well as Religious Studies more generally"--
    Note: Includes bibliographical references and index
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  • 61
    ISBN: 9780190052218 , 9780190052201
    Language: English
    Pages: ix, 199 Seiten , Illustrationen
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als Malawey, Victoria, 1977- A blaze of light in every word
    DDC: 782.42/164143
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    Keywords: Popular music Analysis, appreciation ; Singing ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Abstract: Introduction. Why Voice? Why Voice Analysis? -- Pitch -- Prosody -- Quality -- The Area in Between : Mediation with Technology -- Synthesis, or Why Covers of Elliott Smith Songs Don't Work.
    Abstract: "Singing Voice presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners' perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multi-dimensionality of singing voices"--
    Note: Includes bibliographical references and index
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  • 62
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781108486187
    Language: English
    Pages: xxviii, 315 Seiten , Illustrationen
    Series Statement: New studies in European history
    Parallel Title: Erscheint auch als Kaldewey, Helma, - 1962- A people's music
    DDC: 781.650943/1
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    Keywords: Jazz ; Germany (East) ; History and criticism ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1945-1990
    Abstract: A People's Music presents the first full history of jazz in East Germany, drawing on new and previously unexamined sources and vivid eyewitness accounts. Helma Kaldewey chronicles the experiences of jazz musicians, fans, and advocates, and charts the numerous policies state socialism issued to manage this dynamic art form. Offering a radical revision of scholarly views of jazz as a musical genre of dissent, this vivid and authoritative study marks developments in the production, performance, and reception of jazz decade by decade, from the GDR's beginning in the 1940s to its end in 1990, examining how members of the jazz scene were engaged with (and were sometimes complicit with) state officials and agencies throughout the Cold War. From postwar rebuilding, to Stalinism and partition, to détente, Ostpolitik, and glasnost, and finally to its acceptance as a national art form, Kaldewey reveals just how many lives jazz has lived.
    Note: Literaturverzeichnis: Seite 291-302. - Register
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  • 63
    ISBN: 9780190887834
    Language: English
    Pages: xi, 344Seiten , Illustrationen , 24 cm
    Edition: First issued as an Oxford University Press paperback
    DDC: 780.956709051
    RVK:
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    Keywords: Iraq War, 2003-2011 Music and the war ; Music Psychological aspects ; Iraq War, 2003-2011 Psychological aspects ; Music in the army ; Sound Psychological aspects ; Golfkrieg ; Musik ; Geräusch ; Musikpsychologie
    Note: Includes bibliographical references and index
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  • 64
    Book
    Book
    Jamaica : The University of the West Indies Press
    ISBN: 9766407509 , 9789766407506
    Language: English
    Pages: xi, 493 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Sound culture series
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 65
    ISBN: 9783861356547 , 3861356546
    Language: German , Turkish , English
    Pages: 368 Seiten , Illustrationen, Karte, Noten , 24 cm x 17 cm, 780 g
    Series Statement: Intercultural music studies 23
    Series Statement: Intercultural music studies
    DDC: 780.89
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    Keywords: Geschichte 1930-2020 ; Interkulturalität ; Musik ; Vielfalt ; Kulturaustausch ; Migration ; Türkei ; Deutschland ; Weltmusik ; Traditionelle Musik ; China ; Musikkultur ; Ethnomusikologie ; Gegenwartsmusik ; Musikpraxis ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Deutschland ; Türkei ; Musik ; Migration ; Kulturaustausch ; Interkulturalität ; Vielfalt ; Geschichte 1930-2020
    Note: Aus der Einleitung: "Die in diesem Band versammelten Beiträge gehen aus dem Symposium 'Transfer und Diversität. Musik und transkulturelle Praxis: Deitschland – Türkei' hervor, das am 08.-11. Oktober 2014 an der Humboldt-Universität zu Berlin in Kooperation mit dem Center for Advanced Studies in Music (MIAM) der Technischen Universität Istanbul (ITÜ) veranstaltet wurde." , Beiträge teilweise deutsch, teilweise türkisch, Zusammenfassungen englisch
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  • 66
    ISBN: 9780190083946 , 9780190083953
    Language: English
    Pages: viii, 254 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Whitmore, Aleysia World music and the Black Atlantic
    DDC: 782.4216/3097291
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    Keywords: AfroCubism ; Orchestra Baobab ; Geschichte ; Weltmusik ; Globalisierung ; Afrokubanische Musik ; Orchestra Baobab ; AfroCubism (Musical group) ; Music and globalization ; World music / History and criticism ; Popular music / Africa / Cuban influences ; AfroCubism ; Orchestra Baobab ; Afrokubanische Musik ; Weltmusik ; Globalisierung ; Geschichte
    Abstract: ""In the mid-20th century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. This book offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange. ""--
    Note: Includes bibliographical references and index
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  • 67
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781526126030 , 1526126036 , 9781526126016 , 152612601X
    Language: English
    Pages: 210 Seiten , Illustrationen , 25 cm
    DDC: 306.4/842
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    Keywords: Music Social aspects ; Musiksoziologie ; Geschichte 2000- ; Musik ; Gesellschaft ; Interaktion ; Gesellschaft ; Interaktion ; Theater
    Abstract: "Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of social divisions. Successive chapters of the book track and explore these interplays, in each case combining a critical consideration of existing literature with the development of an original, 'relational' approach to music sociology. The result is a grand sociological vision of music which captures not only music's context but 'the music itself'. The book will appeal to social scientists, musicologists and cultural scholars more widely" --
    Note: Includes discography (pages 192-193), bibliographical references (pages 194-206) and index
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  • 68
    ISBN: 9780367312725
    Language: English
    Pages: xiii, 164 Seiten , Illustrationen, Karten
    Series Statement: SOAS studies in music series
    DDC: 306.461096651
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    Note: Bibliographie: Seite 147-160
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  • 69
    Book
    Book
    Moskva : Izdatel'vesto AST
    Title: Курёхин : Шкипер о Капитане
    Author, Corporation: Кан, Александр Михайлович
    Publisher: Москва : Издател'весто АСТ
    ISBN: 9785171181321
    Language: Russian
    Pages: 351 Seiten, 48 ungezählte Seiten Bildtafeln , Illustrationen
    Series Statement: Legendy russkogo roka
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    Keywords: Kurëchin, Sergej Anatolʹevič 1954-1996
    Note: In kyrillischer Schrift, Text russisch
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  • 70
    Book
    Book
    London : Rowman & Littlefield International
    ISBN: 9781786615961
    Language: English
    Pages: ix, 277 Seiten , Illustrationen
    Edition: Paperback edition
    Series Statement: Popular musics matter: social, political and cultural interventions
    DDC: 306.484240943
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    Keywords: Deutschland ; Unterhaltungsmusik ; Nationalbewusstsein ; Kulturelle Identität ; Geschichte 1949-1989 ; Deutschland ; Unterhaltungsmusik ; Nationalbewusstsein ; Kulturelle Identität ; Geschichte 1990-2016
    Abstract: This book argues for the importance of popular music in negotiations of national identity, and Germanness in particular. By discussing diverse musical genres and commercially and critically successful songs at the heights of their cultural relevance throughout seventy years of post-war German history, Soundtracking Germany describes how popular music can function as a language for “writing” national narratives. Running chronologically, all chapters historically contextualize and critically discuss the cultural relevance of the respective genre before moving into a close reading of one particularly relevant and appellative case study that reveals specific interrelations between popular music and constructions of Germanness. Close readings of these sonic national narratives in different moments of national transformations reveal changes in the narrative rhetoric as this book explores how Germanness is performatively constructed, challenged, and reaffirmed throughout the course of seventy years.
    Note: Literaturverzeichnis: Seite 235-262 , Enthält ein Register
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  • 71
    Title: Следы на снегу : краткая история сибирского панка
    Author, Corporation: Козлов, Владимир Владимирович
    Publisher: Москва : Common place
    ISBN: 9789999991087
    Language: Russian
    Pages: 635 Seiten , Illustrationen
    RVK:
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    Keywords: Interview ; Interview ; Interview ; Interview ; Interview ; Sibirien ; Punk ; Geschichte
    Note: In kyrillischer Schrift, Text russisch
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  • 72
    Book
    Book
    Minneapolis : University of Minnesota Press
    ISBN: 9781517907693 , 9781517907686
    Language: English
    Pages: 319 Seiten , Illustrationen , 22 cm
    Series Statement: Indigenous Americas
    Parallel Title: Erscheint auch als
    DDC: 780.89/97071
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    Keywords: Geschichte 1990-2020 ; Indigenes Volk ; Entkolonialisierung ; Musik ; Multikulturelle Gesellschaft ; Partizipation ; Kulturkontakt ; Kanada
    Abstract: "This highly theoretical work of ethnomusicology is a reclamation of Indigenous ceremonial and artistic practice arguing that the inclusion and appropriation of Indigenous performers in classical music traditions only enriches the settler nation-state. Robinson gives shape to Western musical and aesthetic practices as well as to Indigenous listening practices in order to eschew traditional (Western) forms of musical analysis. Instead, the work argues that new modes of listening and studying reception, emerging out of critical Indigenous studies, are essential to understanding Indigenous musical expression in ways that do not reify the power of the settler state"--
    Note: Introduction. Writing Indigenous Space -- Hungry Listening -- Event Score for Guest Listening I -- Writing about Musical Intersubjectivity -- xwélalà:m, Raven Chacon's Report -- Contemporary Encounters Between Indigenous and Early Music -- Event Score for Return -- Ethnographic Redress, Compositional Responsibility -- Event Score for Responsibility : "qimmit katajjaq / sqwélqwel tl'sqwmá:y" -- Feeling Reconciliation -- Event Score to Act
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  • 73
    Book
    Book
    Fürth : starfruit | Wien : VfmK Verlag für moderne Kunst GmbH
    ISBN: 9783922895404 , 3922895409
    Language: German , English
    Pages: 381 Seiten , Illustrationen , 22 cm
    RVK:
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    Keywords: Coyne, Kevin Exhibitions ; Exhibition catalogs ; Biografie ; Ausstellungskatalog Kunsthaus im KunstKulturQuartier 26.09.2020-22.11.2020 ; Coyne, Kevin 1944-2004 ; Acrylmalerei ; Zeichnung ; Geschichte
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  • 74
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469658865 , 9781469658872
    Language: English
    Pages: xv, 249 Seiten , Illustrationen
    DDC: 306.48420973
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    Keywords: Geschichte 1788-1865 ; Musikleben ; Politische Kultur ; Alltagskultur ; Musikpolitik ; Nationalbewusstsein ; Konservativismus ; USA
    Note: Bibliography Seite 209-234
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  • 75
    ISBN: 9781478007906 , 9781478008361
    Language: English
    Pages: xiv, 245 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Parallel Title: Erscheint auch als Hemmasi, Farzaneh, 1975- Tehrangeles dreaming
    DDC: 781.63089915507949
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    Keywords: Popmusik ; Iranier ; Iranischer Einwanderer ; Los Angeles, Calif. ; Iranians / California / Los Angeles / Music ; Popular music / California / Los Angeles / History and criticism ; Iranians / California / Los Angeles / Ethnic identity ; Iranian diaspora ; Popular music / Iran / History and criticism ; Music / Political aspects / Iran / History / 20th century ; Iranian diaspora ; Iranians / Ethnic identity ; Music / Political aspects ; Popular music ; California / Los Angeles ; Iran ; 1900-1999 ; Criticism, interpretation, etc ; History ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: "Tehrangeles, a name that combines Tehran and Los Angeles, is the home of an extensive Iranian expatriate culture industry. The music and popular culture created in Tehrangeles is broadcast by satellite television around the globe and has been immensely popular in Iran and throughout the Iranian diaspora. In TEHRANGELES DREAMING, Farzaneh Hemmasi traces the sources of the music's popularity, showing the ways it is unquestionably Iranian yet able to express ideas and affects not possible within the country itself. The attachment to homeland comes through the Iranian rhythms, but the music frequently features female solo singers or dancers, which are forbidden within the Iranian state. At the same time the music is associated with stereotypes of rich emigres and Southern California, and thus dismissed by others. The music is unabashedly pop and generally apolitical, which Hemmasi shows to be the source of its politics.
    Abstract: The introduction sets up the argument and tells the story of the growth of the industry and the Los Angeles Iranian community in the context of post-revolutionary Iran. Chapter 2 describes the origins of Tehrangeles dance pop and its use of the six/eight time signature, a traditional Iranian dance rhythm long-associated with intimacy. Hemmasi argues that the practices and attitudes around six/eight time establish a sense of common sociality among cultural insiders but are also a sometime source of embarrassment. Chapter 3 focuses on expatriate narratives of Iranian popular music history. Hemmasi provides three views on the history of Iranian popular music prior to the revolution from four men involved with the music business since the 1950s and 1960s. Chapter 4 is about homeland, and the desire to return to the homeland of Iran through music and the reinvention of culture.
    Abstract: Cultural producers in Tehrangeles operate within multiple moral, legal, and transnational regimes that they often only partially predict or comprehend. Chapters 5 and 6 focus on two expatriate musical celebrities who have claimed to reach and represent the nation from afar: Googoosh, who is a popular female singer; and Dariush Eghbali, who is an activist whose music and media exist in the space between political and personal transformation. The book concludes with a chapter on the changes that have occurred in Iran since the Iranian Revolution and the establishment of expatriate industries in Southern California, affirming the dreaming space of music, creation, and negotiation of both expatriates and people living in Iran. This book will be of interest to scholars in ethnomusicology, transnational media studies, Middle Eastern studies, and cultural studies"--
    Description / Table of Contents: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index
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  • 76
    ISBN: 9780197504642
    Language: English
    Pages: xx, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.89/92405694
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    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature ; Israel ; Kunstmusik ; Literatur ; Zionismus ; Juden ; Ethnische Identität ; Geschichte 1950-2000
    Abstract: Introduction. Stains? -- Non-Biblical Tonalities -- Biblocentrism in Modern Hebrew Culture and its Operatic Undoing -- Horizontal Realizations : The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s -- Broken Hebrewist Vessels -- Compositional Solutions (in the double sense of the word)
    Abstract: "Theological Stains traces the growth of art music in Israel from the mid twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers grappling with biblical redemptive promises and diasporic patrimonies. Unveiling the network that bred territorial nationalism and Hebrew culture, Shelleg shows how this mechanism infiltrated composers' work as much as it triggered less desirable responses from composers who sought to realize to the non-territorial Diasporic options Zionism has renounced. In the process compositional aesthetics gets stained by the state's nationalization of the theological, by diasporism that refuses redemption, and by Jewish musical traditions that permeated inaudibly to compositions written throughout the second half of the twentieth century. Accompanying this rich and dramatic story are equivalent developments in modern Hebrew literature and poetry alongside vast and previously unstudied archival sources. The book is also lavishly illuminated with 135 music examples that render it an incisive guide to fundamental chapters in modern and late modern art music"--
    Note: Includes bibliographical references and index
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  • 77
    ISBN: 1838674446 , 9781838674441
    Language: English
    Pages: vi, 208 Seiten , 24 cm
    Edition: First edition
    Series Statement: Emerald studies in metal music and culture
    Parallel Title: Erscheint auch als Spracklen, Karl Metal music and the re-imagining of masculinity, place, race and nation
    DDC: 781.66
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    Keywords: Heavy metal (Music) History and criticism ; Heavy metal (Music) ; Criticism, interpretation, etc
    Note: Literaturverzeichnis: Seiten 189-197
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  • 78
    ISBN: 9783955931186
    Language: English
    Pages: 255 Seiten , Illustrationen
    DDC: 781.6550943
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    Keywords: Geschichte 1950-1975 ; Jazz ; Experimentelle Musik ; Deutschland
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  • 79
    ISBN: 9780190616922
    Language: English
    Pages: vii, 553 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.484209034
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    Note: Literaturangaben
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  • 80
    ISBN: 9781350114807 , 1350114804
    Language: English
    Pages: viii, 203 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Fay, Brendan Classical music in Weimar Germany
    DDC: 306.4842094309042
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    Keywords: Musikleben ; Klassische Musik ; Musikästhetik ; Traditionalismus ; Fortschrittlichkeit ; Deutschland ; Deutschland ; Musikleben ; Klassische Musik ; Musikästhetik ; Traditionalismus ; Fortschrittlichkeit ; Geschichte 1918-1933
    Abstract: Zusammenfassung: "From Hitler's notorious fondness for Wagner's operas to classical music's role in fuelling German chauvinism in the era of the world wars, many observers have pointed to a distinct relationship between German culture and reactionary politics. In Classical Music in Weimar Germany, Brendan Fay challenges this paradigm by reassessing the relationship between conservative musical culture and German politics. Drawing upon a range of archival sources, concert reviews and satirical cartoons, Fay maps the complex path of classical music culture from Weimar to Nazi Germany--a trajectory that was more crooked, uneven, or broken than straight. Through an examination of topics as varied as radio and race to nationalism, this book demonstrates the diversity of competing aesthetic, philosophical and political ideals held by German music critics that were a hallmark of Weimar Germany. Rather than seeing the cultural conservatism of this period as a natural prelude for the violence and destruction later unleashed by Nazism, this fascinating book sheds new light on traditional culture and its relationship to the rise of Nazism in twentieth-century Germany."--Publisher's description from cover
    Note: Includes bibliographical references (pages [184]-197) and index
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  • 81
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350126329
    Language: English
    Pages: xii, 210 Seiten , 15 Illustrationen
    Series Statement: Dress cultures
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 391.00905
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    Keywords: Geschichte 1980-2018 ; Punk ; Indie-Pop ; Subkultur ; Mode ; USA ; Großbritannien ; 21st century history: from c 2000 - ; Punk, New Wave & Indie ; Fashion & beauty industries ; Popular culture ; SOCIAL SCIENCE / Popular Culture ; SOCIAL SCIENCE / Gender Studies ; BUSINESS & ECONOMICS / Industries / Fashion & Textile Industry ; Fashion - Social aspects - History - 21st century ; Indie culture ; Popular culture - History - 21st century ; Großbritannien ; USA ; Indie-Pop ; Punk ; Mode ; Subkultur ; Geschichte 1980-2018
    Description / Table of Contents: List of Illustrations; Introduction; Chapter 1: From subculture to hot look: The evolution of indie; Chapter 2: Skinny boys and Parisian runways: The commodification of indie authenticity; Chapter 3: Wellies, fringe and individual style: The commercial rise of festival fashion; Chapter 4: Prints, paints and crop tops: The emergence of Afro-diasporic festival fashion ; Chapter 5: Beyond Retro and the pop ragtrade; Conclusion; Notes; Bibliography; Index
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  • 82
    ISBN: 9789811527357
    Language: English
    Pages: xvii, 169 Seiten
    Series Statement: Geographies of media
    DDC: 781.6309485
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    Note: Literaturangaben
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  • 83
    ISBN: 9781350075351
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    DDC: 781.66
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    Keywords: Rockmusik ; Heavy Metal ; Rezeption ; Antike ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturverzeichnis Seite [217]-245
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  • 84
    Book
    Book
    Bingley : Emerald Publishing
    ISBN: 1839825693 , 9781839825699
    Language: English
    Pages: xviii, 171 Seiten , Fotografien , 23 cm
    Edition: First edition
    Parallel Title: Erscheint auch als Way, Laura Punk, gender and ageing
    DDC: 306.1
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  • 85
    ISBN: 9780815376453
    Language: English
    Pages: xix, 406 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Edition: First published
    Series Statement: Routledge Handbooks
    Parallel Title: Erscheint auch als The Routledge handbook of music signification
    Parallel Title: Erscheint auch als The Routledge handbook of music signification
    DDC: 781.1
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    Keywords: Music Semiotics ; Narrative in music ; Music Social aspects ; Music Psychological aspects ; Music Philosophy and aesthetics ; Musik ; Musikalische Semiotik ; Aufsatzsammlung
    Abstract: "The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject. Examinations of music signification have been an essential component in thinking about music for millennia, but it is only in the last few decades that music signification has been established as an independent area of study. During this time, the field has grown exponentially, incorporating a vast array of methodologies that seek to ground how music means and to explore what it may mean. Research in music signification typically embraces concepts and practices imported from semiotics, literary criticism, linguistics, the visual arts, philosophy, sociology, history, and psychology, among others. By bringing together such approaches in transparent groupings that reflect the various contexts in which music is created and experienced, and by encouraging critical dialogues, this volume provides an authoritative survey of the discipline and a significant advance in inquiries into music signification. This book addresses a wide array of readers, from scholars who specialize in this and related areas to the general reader who is curious to learn more about the ways in which music makes sense"--
    Note: Includes bibliographical references and index
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  • 86
    ISBN: 9780226740348
    Language: English
    Pages: xii, 351 Seiten , Illustrationen, Notenbeispiele, Porträts
    Series Statement: New material histories of music
    Parallel Title: Erscheint auch als
    DDC: 780.721
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    Keywords: Geschichte 1891-1961 ; Mittelalter ; Kulturvergleich ; Mission ; Kolonialismus ; Vergleichende Musikwissenschaft ; Musik ; Rezeption ; Deutsches Sprachgebiet ; Afrika ; Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    Abstract: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Description / Table of Contents: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
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  • 87
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 019061689X , 9780190616892 , 0190616881 , 9780190616885
    Language: English
    Pages: 259 Seiten , Illustrationen
    DDC: 780.89
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    Keywords: Musikethnologie
    Note: References
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  • 88
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226496184 , 9780226496214
    Language: English
    Pages: x, 295 Seiten , Illustrationen , 23 cm
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als Rollefson, J. Griffith Flip the script
    DDC: 782.421649094
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    Keywords: Hip-hop ; Postcolonialism and music ; Music African American influences ; Hip-hop ; Hip-hop ; Music ; Music ; Postcolonialism and music ; Postcolonialism and music ; Europe, Western ; Westeuropa ; Hip-Hop ; Postkolonialismus ; Westeuropa ; Hip-Hop ; Postkolonialismus
    Abstract: Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin -- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic -- M.I.A..'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London -- Marché noir: the hip hop hustle in the City of Light -- "Wherever we go": UKhip hop and the deformation of mastery -- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique -- Conclusion: hip hop studies and/as postcolonial studies
    Note: Literaturverzeichnis: Seiten 267-280
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  • 89
    ISBN: 9788861631502
    Language: English
    Pages: 277 Seiten , Illustrationen, Faksimiles, Notenbeispiele , 24 cm
    Series Statement: Intersezioni musicali book IM05
    DDC: 780
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    Keywords: Geschichte ; Ethnomusicology ; Musicology ; Interkulturalität ; Soziale Identität ; Musikleben ; Musikethnologie ; Musikwissenschaft ; Neapel ; Salento ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Musikethnologie ; Musikwissenschaft ; Interkulturalität ; Geschichte ; Neapel ; Salento ; Musikleben ; Soziale Identität ; Geschichte
    Note: Revised and selected papers presented at three seminars held at the Istituto interculturale di studi musicali comparati, Fondazione Giorgio Cini, Venice, Italy, 2013, January 30-31, 2014, and 2015, and one other essay. - Includes bibliographical references
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  • 90
    ISBN: 9780195307245
    Language: English
    Pages: xxxv, 240 Seiten , Karten
    DDC: 780.8996
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    Keywords: Geschichte ; Afroamerikanische Musik ; Schwarze ; Soziokultureller Wandel ; Diaspora ; Musiker ; Migration ; Soziale Funktion
    Note: Bibliography Seite 221-233
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  • 91
    ISBN: 9781350026896 , 9781472534514
    Language: English
    Pages: viii, 222 Seiten
    Edition: Paperback edition
    Series Statement: Bloomsbury studies in religion and popular music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64112
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    Keywords: Popular music History and criticism ; Death in music ; Popmusik ; Tod ; Musikphilosophie
    Abstract: "Mortality and Music examines the ways in which popular music has responded to our awareness of the inevitability of death and the anxiety it can evoke. Exploring bereavement, depression, suicide, violence, gore, and fans' responses to the deaths of musicians, it argues for the social and cultural significance of popular music's treatment of mortality and the apparent absurdity of existence
    Abstract: 1. Mortality and immortality -- The obscuring of death and decay -- Immortality and the denial of death -- Words against death -- Strategies of immortalization -- 2. Death and the sacred -- The sacred, the profane, transgression and death -- Liminality and pissing people off -- Death and subcultural capital -- Death chic, youth culture and the romanticization of mortality -- The impure sacred -- 3. The undead and the uncanny -- Mortality and the uncanny -- MUsic and uncanny affective space -- Memory and memento mori -- Hauntology, spirit voices and exorcisms -- Can the world be as sad as it seems? -- Grotesque bodies -- 4. Morbidity, violence, and suicide -- A vortex of summons and repulsion -- Thanatos, survival and schadenfreude -- Suicidal tendencies -- Disaffection, violence and death -- The pornography of gore, violence and death -- Living on death row -- 5. Transfiguration, devotion and immortality -- A note on myth -- Transcendence and transfiguration -- Recorded immortality -- Pilgrims and dead rock stars -- Kinetic rituals
    Description / Table of Contents: Mortality and immortalityDeath and the sacred -- The undead and the uncanny -- Morbidity, violence, and suicide -- Transfiguration, devotion and immortality.
    Note: Literaturverzeichnis: Seiten 187-210 , "First published 2015"
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  • 92
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190631987 , 9780190631970
    Language: English
    Pages: xx, 288 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 306.4/842291495
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    Keywords: Music Social aspects ; Volksmusik ; Nepali ; Nepal Social life and customs ; Nepal ; Nepal ; Nepali ; Volksmusik
    Note: Includes bibliographical references and index
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  • 93
    Book
    Book
    Chicago : University of Chicago Press
    ISBN: 9780226375960 , 022637596X
    Language: English
    Pages: xi, 346 Seiten , 18 Fotografien, Notenbeispiele
    DDC: 784.4/165
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  • 94
    ISBN: 9789462984035
    Language: English
    Pages: 104 Seiten , Illustrationen
    DDC: 950
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    Abstract: From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular music, considering not just singers and musicians but their fans as well, showing how the music was intrinsically bound up with modern life and the societal changes that came with it. Reaching new audiences across national borders, popular music of the period helped push social change, and at times served as a medium for expressions of social or political discontent
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  • 95
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520293533 , 9780520293540
    Language: English
    Pages: xiv, 275 Seiten , 24 cm
    Parallel Title: Erscheint auch als Nava, Alejandro (Author on hip hop), author In search of soul
    DDC: 233/.5
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    Keywords: Soul Christianity ; Soul Judaism ; Hip-hop Religious aspects ; Christianity ; Soul in literature ; Music Philosophy and aesthetics 20th century ; Music Philosophy and aesthetics 21st century ; Judentum ; Christentum ; Seele ; García Lorca, Federico 1898-1936 ; Ellison, Ralph 1914-1994 ; Seele ; Afroamerikanische Musik ; Hip-Hop ; Spiritualität
    Abstract: "In Search of Soul explores the meaning of "soul" in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the "soul" revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing"--Provided by publisher
    Abstract: In search of soul -- On Hebrew soul : de eloquentia vulgaria -- Christian soul and the revolt of the slave -- In search of duende : Lorca on Spanish soul -- The souls of black folk : Ralph Ellison's tragic-comic portrait -- From soul to hip-hop : the rise of the apocalypse -- Afro-Latin soul and hip-hop
    Note: Includes bibliographical references and index
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  • 96
    ISBN: 9781138223745 , 9780367231514
    Language: English
    Pages: xi, 232 Seiten , Illustartionen, Diagramme , 24 cm
    Series Statement: Routledge studies in popular music series
    Parallel Title: Erscheint auch als Schoop, Monika E. Independent music and digital technology in the Philippines
    Dissertation note: Dissertation Universität Hildesheim 2017
    DDC: 781.6309599/09051
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    Keywords: Sound recording industry ; Popular music Production and direction ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Philippinen ; Musikwirtschaft ; Musikleben ; Digitalisierung
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  • 97
    ISBN: 9780520234949 , 9780520234956 , 0520234944 , 0520234952
    Language: English
    Pages: xx, 315 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als Herder, Johann Gottfried, 1744-1803, author Song loves the masses
    DDC: 781.5/99
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    Keywords: Herder, Johann Gottfried Criticism and interpretation ; Herder, Johann Gottfried 1744-1803 Criticism and interpretation ; Nationalism in music ; National characteristics ; Folk songs History and criticism ; Folk songs History and criticism ; Nationalism in music ; National characteristics ; Herder, Johann Gottfried von 1744-1803 ; Musik ; Volkslied ; Literatur ; Nationalismus
    Abstract: "Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder's writings on music and nationalism, from his early volumes of Volkslieder through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder's musings on music to think through several major questions: What meaning did religion and religious thought have for Herder? Why do the nation and nationalism acquire musical dimensions at the confluence of aesthetics and religious thought? How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? Bohlman uses the mode of translation to explore Herder's own interpretive practice as a translator of languages and cultures, providing today's readers with an elegantly narrated and exceptionally curated collection of essays on music by two major intellectuals"--Provided by publisher
    Abstract: Prologue : again Herder -- Folk song at the beginnings of national history : Alte Volkslieder (1774) -- The folk-song project at the confluence of music and nationalism : Volkslieder (1778/1779) and Stimmen der Völker in Liedern (1807) -- Singing the sacred body : Lieder der Liebe -- The nation and its fragments : extract from Correspondence about Ossian and the songs of ancient peoples -- Songs of the enlightenment bard : Homer and Ossian -- Redemption through sacred song : letter 46, theological writings -- The shores of modernity : Wirkung der Dichtkunst auf die Sitten neuerer Zeiten -- The epic as nation : Herder's Cid -- Music transcendent and sublime : On music (1800) -- Epilogue : Herder's journey
    Note: Includes bibliographical references and index , Translated from the German
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  • 98
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9781477312575
    Language: English
    Pages: xii, 196 Seiten , Illustrationen , 24 cm
    Edition: First edition
    Series Statement: Brad and Michele Moore roots music series
    DDC: 787.87/19
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    Keywords: Guitar ; Guitarists
    Abstract: Ask guitar players about their instruments, and you're likely to get a story—where the guitar came from, or what makes it unique, or why the player will never part with it. Most guitarists have strong feelings about their primary tool, and some are downright passionate about their axes. Chuck Holley is a professional photographer and writer who loves music and listening to musicians talk about their trade. For several years, he has been photographing guitarists with their prized instruments and collecting their stories. This beautifully illustrated book presents these stories in revelatory photographs and words. The guitarists included in this book range from high-profile performers, including Rosanne Cash, Guy Clark, Laurence Juber, Jorma Kaukonen, JD Souther, Bill Frisell, Dave Alvin, and Kelly Willis, to renowned studio musicians and band members. Holley's beautifully composed photographs portray them with their favorite guitar, including detail shots of the instrument. Accompanying the photographs are the musicians' stories about the Gibsons, Fenders, Martins, and others that have become the guitar in their lives, the one that has a special lineage or intangible qualities of sustain, tone, clarity, and comfort that make it irreplaceable. Several musicians talk about how the guitar chose them, while others recount stories of guitars lost or stolen and then serendipitously recovered. Together, these photographs and stories underscore the great pleasure of performing with an instrument that's become a trusted friend with a personality all its own
    Abstract: A National Steel among the hopi dolls
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  • 99
    ISBN: 9780190215866
    Language: English
    Pages: 177 Seiten , 25 cm
    DDC: 781.1/7
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    Keywords: Musical criticism History 20th century ; Music critics
    Abstract: How to be a music critic in 1940s Spain : expectations and restrictions -- Reviewing contemporary music -- The sound of Hispanidad : reviewing early music -- Reviewing traditional music : towards the unity of the men and the land of Spain
    Description / Table of Contents: How to be a music critic in 1940s Spain : expectations and restrictions Reviewing contemporary music -- The sound of Hispanidad : reviewing early music -- Reviewing traditional music : towards the unity of the men and the land of Spain.
    Note: Includes bibliographical references
    URL: Cover
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  • 100
    ISBN: 9780415509527 , 9781138216228
    Language: English
    Pages: xvii, 412 Seiten , Illustrationen
    Edition: First published in paperback
    Parallel Title: Erscheint auch als
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    Keywords: Popular music Political aspects ; Popular music Social aspects ; Protest songs History and criticism ; Protest movements Songs and music ; Protestbewegung ; Protestsong ; Unterhaltungsmusik ; Aufsatzsammlung ; Unterhaltungsmusik ; Protestsong ; Protestbewegung
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