Note: Repr.: Nendeln : Kraus , Bd. 10 auf dem Haupttitelbl. als 10.1940/42 bez.

Note: ISSN-Portal 1398-313X: NIAS report series , Ab 1.1991 als Schriftenreihe

Note: 1.1974 auch als International ed. bez , Urh. anfangs: South African Department of Information; bis 15.1989/90: Department of Foreign Affairs; bis [3.Ser.] 4.1997: South African Communication Service , Anfangs teils ohne Zählung; 11 in d. Zählung übersprungen , Ersch. 1991/92 - 1993 als engl.-sprachige, gekürzte Ausg.

Note: Bis 20.1999 als Zeitschr. ersch.

Note: Engl. Zusatz ab 2013 , In 6.1954: Otto Quelle-Heft; ungezählte Beil.: Rundbrief Geographie , Ab 1957 wird d. Zählung d. Vorg. übernommen u. fortgeführt; 4x jährl.

Note: 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index , Hrsg. anfangs: Helmut Rauschenbusch , Ersch. anfangs alle 2 Jahre, später jährl.

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Note: Anfangs darin: Who's who in the Middle East and North Africa , Ersch. jährl.

Note: Ersch. jährl.

Note: Anfangs darin: Who's who in the Middle East and North Africa , Ersch. jährl.

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Note: Ab No. 2 Text auf Deutsch, Abstracts auf Englisch

Note: Mikrofilm-Ausg.#Ann Arbor, Mich. : Univ. Microfilms International , Index 1/24.1966/77 in: 24.1977; 1/30.1966/80 in: 30.1980; 31/36.1981/83 in: 36.1983; Index weiter regelmäßig für je 3 Jahre; 1/60.1966/95 in: 60.1995; 1/70.1966/2000 in: 70.2000

Note: Anfangs hrsg. von C. E. Bosworth ... - Indices teilw. engl. und franz

Note: Mikrofilm-Ausg.#Ann Arbor, Mich. : Univ. Microfilms International , Index 1/24.1966/77 in: 24.1977; 1/30.1966/80 in: 30.1980; 31/36.1981/83 in: 36.1983; Index weiter regelmäßig für je 3 Jahre; 1/60.1966/95 in: 60.1995; 1/70.1966/2000 in: 70.2000

Note: Erschienen: 1 - 2

Note: 1.1974 auch als International ed. bez. , Urh. anfangs: South African Department of Information; bis 15.1989/90: Department of Foreign Affairs; bis [3.Ser.] 4.1997: South African Communication Service , Anfangs teils ohne Zählung; 11 in d. Zählung übersprungen , Ersch. 1991/92 - 1993 als engl.-sprachige, gekürzte Ausg.

Note: Ersch. jährl.

Note: Gesehen am 04.07.2014

Note: Ersch. unregelmäßig

Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1

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Note: Repr.: Amsterdam : Swets & Zeitlinger , Beteil. Körp. anfangs: Geographische Gesellschaft Bern; teils: Verband der Schweizer Geographen , Ersch. vierteljährl.; ab 2015 published on demand , Texte anfangs dt., franz. oder ital., ab 54.1999 dt., engl. oder franz

Note: Vol. 1 (1987) - , Engl.

Note: 2. Parallelsacht. ab 10.2002

Note: Repr.: Amsterdam : Swets & Zeitlinger , Beteil. Körp. anfangs: Geographische Gesellschaft Bern; teils: Verband der Schweizer Geographen , Ersch. vierteljährl.; ab 2015 published on demand , Texte anfangs dt., franz. oder ital., ab 54.1999 dt., engl. oder franz

Note: In kyrill. Schr

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Literaturangaben

Note: Includes bibliographical references and index

Note: Literaturverzeichnis: Seite 269-312

Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English

Note: Description based on publisher supplied metadata and other sources

Note: Includes bibliographical references and index. - Description based on print version record

Note: Description based on publisher supplied metadata and other sources

Note: Includes bibliographical references

Note: Rückseite Titelblatt: First published on the occasion of the exhibition 'Entangled Pasts, 1768-Now: Art, Colonialism and Change', Royal Academy of Arts, London, 3 February - 28 April 2024

Note: Literaturangaben

Note: Includes bibliographical references and index

Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index

Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /

Note: Vorwort niederländisch, Text englisch

Note: Průvodce stejnojmennou výstavou konanou v Národním muzeu - Náprstkově muzeu asijských, afrických a amerických kultur v Praze , Text tschechisch und englisch

Note: Description based on publisher supplied metadata and other sources

Note: Literaturangaben

Note: Průvodce stejnojmennou výstavou konanou v Národním muzeu - Náprstkově muzeu asijských, afrických a amerických kultur v Praze , Text tschechisch und englisch

Note: Includes bibliographical references and index

Note: Rückseite Titelblatt: "The Jews, the Medici and the Ghetto of Florenze. History, identity, Culture, and Segregation', Florence, Uffizi Galleries, Palazzo Pitti October 24, 2023-January 28, 2024"

Note: 2024 fortgesetzt als Online-Ausgabe , Ersch. vierteljährl.; 63.2009 fälschlich als Vol. 62 bez.

Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index

Note: Previously issued in print: 2016. - Includes bibliographical references