Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • GBV  (5)
  • HeBIS  (1)
  • Online Resource  (5)
  • 2020-2024  (5)
  • 1995-1999
  • 2021  (5)
  • USA  (3)
  • Hochschulschrift  (2)
  • Art History  (3)
  • Computer Science
Datasource
Material
Language
Years
  • 2020-2024  (5)
  • 1995-1999
Year
  • 1
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839452943
    Language: English
    Pages: 1 Online-Ressource (215 Seiten) , Illustrationen
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
    RVK:
    Keywords: Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Abstract: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469663067
    Language: English
    Pages: 1 online resource (245 pages)
    Series Statement: The John Hope Franklin Series in African American History and Culture Ser.
    Parallel Title: Erscheint auch als Smethurst, James Edward Behold the land
    DDC: 810.9896073
    RVK:
    RVK:
    Keywords: Black Arts movement--Southern States ; American literature--African American authors--History and criticism ; African Americans in literature ; Electronic books ; Geschichte 1960-1985 ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; Geschichte 1960-1985 ; USA ; Black arts movement
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Language: German
    Pages: Illustrationen
    Edition: Online-Ausgabe Potsdam Leibniz-Zentrum für Zeithistorische Forschung [2023] 1 Online-Ressource (392 Seiten)
    Series Statement: Geschichte der Gegenwart Band 24
    Series Statement: Digitale Reprints
    Series Statement: Geschichte der Gegenwart
    Parallel Title: Elektronische Reproduktion von Erdogan, Julia Gül, 1985 - Avantgarde der Computernutzung
    Dissertation note: Dissertation Universität Potsdam 2019
    DDC: 306.1094309048
    RVK:
    RVK:
    RVK:
    Keywords: Hochschulschrift ; Deutschland ; Deutschland ; Technischer Fortschritt ; Computer ; Hacker ; Subkultur ; Jugend ; Geschlechtsunterschied ; Datenschutz ; Gemeinschaft ; Deutschland ; Deutschland ; Hacker ; Geschichte 1980-1989
    Abstract: Hacker und Haecksen zählen zur Avantgarde der Computerisierung. Seit den späten 1970er-Jahren bildeten sie sich in der Bundesrepublik und in der DDR zu eigensinnigen ComputernutzerInnen mit einschlägigem Wissen heraus. Sie eigneten sich das Medium spielerisch an, schufen Kontakträume und brachten sich so aktiv in den Prozess der Computerisierung ein. Durch ihre Grenzüberschreitungen zeigten sie dabei Chancen und Risiken der Digitalisierung auf. Julia Gül Erdogan geht der Entstehung der Hackerkulturen in Ost- und Westdeutschland nach. Sie analysiert, wie deren teils subversive Praktiken Machtgefüge in Politik, Wirtschaft und Gesellschaft herausforderten. Zugleich verdeutlicht die Arbeit Gemeinsamkeiten und Unterschiede der frühen sub- und gegenkulturellen Computernutzung in den beiden deutschen Teilstaaten.
    Note: Quellen- und Literaturverzeichnis: Seite 370-392 , Copyright © 2023 - Dieser Text wird veröffentlicht unter der Lizenz Creative Commons BY-SA 4.0 International
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Language: English
    Pages: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 302.23082
    RVK:
    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Abstract: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839455609 , 383945560X
    Language: English
    Pages: 1 Online-Ressource (217 p)
    Series Statement: Science Studies
    Parallel Title: Erscheint auch als Voss, Laura More Than Machines? : The Attribution of (In)Animacy to Robot Technology
    DDC: 303.4834
    RVK:
    RVK:
    Keywords: Robots Social aspects ; SOCIAL SCIENCE / Sociology / General ; Robots ; Social aspects ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Electronic books ; Hochschulschrift
    Abstract: 1. Robots Wanted – Dead And/Or Alive; 1.1. Making Love and Killing People: The Old and New Age of Robotics; 1.2. Hype, Hope, and Horror; 1.3. Robots and Science Fiction: Inseparably Linked; 1.4. Research Question and Approach; 1.5. Some Methodological Clarifications; 1.6. A Tour Along the Life Cycle of Robots -- 2. Disciplinary Context and Terminology; 2.1. Human-Robot-Interaction Research: “Controlling” In/Animacy Attributions; 2.2. Terminology: Anthropomorphism, Agency, Animacy, and More; 2.3. Disciplinary Perspectives: Animacy Attribution as an Object of Research vs. Methodological Malpractice -- 3. Making Robots: In/Animacy Attributions in Robotics Research and Development; 3.1. Complex Epistemic Practices in Long-Term HRI; 3.2. Approach; 3.3. The Robot Body in the Center of Attention; 3.4. The Robot as Tool and Team Member; 3.5. Testing in the Real World: The Unpredictable Robot; 3.6. Switching Perspectives: In/Animacy Attributions as Constructive Practice; 3.7. Summary -- 4. Showing Off Robots: In/Animacy Attributions in Robotics Demonstrations, Science Communication, and Marketing; 4.1. Demo or Die: Outreach, Engagement, and Accountability; 4.2. Approach; 4.3. Narratives of Agency: Proof of Functionality; 4.4. Narratives of Desired Futures: Proof of Applicability; 4.5. Narratives of Animacy: Making Robots Engaging; 4.6. Switching Perspectives: In/Animacy Attributions as Constructive Practice; 4.7. Critical Discourse: Simulation or Deception?; 4.8. Summary -- 5. Reporting on Robots: In/Animacy Attributions in Media Discourse; 5.1. Robotics and Medialization; 5.2. Approach; 5.3. Hope, Horror, and Science Fiction; 5.4. From Human-Shaped Software to the Robot Apocalypse: Practices of Animacy Attribution; 5.5. Switching Perspectives: In/Animacy Attributions as Constructive Practice; 5.6. Critical Discourse: Animacy Attributions as Traffic Bait?; 5.7. Summary -- 6. Conclusions … and Openings; 6.1. A Recapitulation; 6.2. The Constructive Quality of In/Animacy Attributions; 6.3. Critical Discourse: Individual and Systemic Issues; 6.4. In/Animacy: Beyond Robotics; 6.5. Speaking Clearly: A Take-Home Message
    Abstract: We know that robots are just machines. Why then do we often talk about them as if they were alive? Laura Voss explores this fascinating phenomenon, providing a rich insight into practices of animacy (and inanimacy) attribution to robot technology: from science-fiction to robotics R&D, from science communication to media discourse, and from the theoretical perspectives of STS to the cognitive sciences. Taking an interdisciplinary perspective, and backed by a wealth of empirical material, Voss shows how scientists, engineers, journalists - and everyone else - can face the challenge of robot technology appearing »a little bit alive« with a reflexive and yet pragmatic stance
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Full-text  ((OIS Credentials Required))
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...