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  • BSZ  (2)
  • 2000-2004  (2)
  • Bielefeld : transcript  (1)
  • Cambridge : Cambridge University Press  (1)
  • Geschichte 1750-1850  (1)
  • Pop Music
  • Musicology  (2)
Datasource
Material
Language
Years
Year
Publisher
  • Bielefeld : transcript  (1)
  • Cambridge : Cambridge University Press  (1)
Subjects(RVK)
  • Musicology  (2)
  • 1
    ISBN: 9783839402566
    Language: German
    Pages: 1 Online-Ressource (211 Seiten) , Illustrationen
    Series Statement: Beiträge zur Popularmusikforschung 32
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als 9/11 - the world's all out of tune
    RVK:
    Keywords: Music ; Globalization ; globalization ; music ; Globalisierung ; Terrorismus ; Frieden ; Popkultur ; Erinnerungskultur ; Musikwissenschaft ; Popmusik ; Memory Culture ; Popular Culture ; Musicology ; Pop Music ; Terrorism ; Musik ; Popmusik ; Geschichte, 11. September 2001 ; Terroranschlag 〈 11. September 2001〉 ; Terrorismus ; Gewalt ; Musik; Globalisierung; Terrorismus; Frieden; Popkultur; Erinnerungskultur; Popmusik; Musikwissenschaft; Music; Globalization; Terrorism; Popular Culture; Memory Culture; Pop Music; Musicology; ; USA ; Elfter September ; Auswirkung ; Popmusik
    Abstract: »The world's all out of tune« hieß es, kaum waren die Bilder von den einstürzenden Türmen des World Trade Centers und dem brennenden Pentagon um die Welt gegangen. Und ebenso schnell, wie die US-Administration zur Bestätigung dieser Weltsicht die Operation »Infinite Justice« resp. »Enduring Freedom« in Gang setzte, reagierte auch die Musikwelt auf die terroristischen Anschläge mit der Produktion hunderter »9/11-Songs« und »September 11-Tracks« - von Pop, Rock, Folk, Country, HipHop bis Techno und NewAge, von arrivierten Popstars bis zur vox populi übrigens keineswegs »out of tune«. Der Band sucht »Nine-Eleven« und das Pop-Territorium in Beziehung zu setzen, kontroverse Positionen auszuloten und Neu- bzw. Umorientierungen des popmusikalischen Konstrukts von Gewaltfreiheit, Friedensliebe, überhaupt gesellschaftlicher Solidarität auf die Spur zu kommen.
    Note: Literaturangaben
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511481956
    Language: English
    Pages: Online-Ressource (1 online resource (248 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Rohr, Deborah The careers of British musicians, 1750 - 1850
    Parallel Title: Print version
    DDC: 305.978094109033
    RVK:
    Keywords: Music History and criticism ; 18th century ; Great Britain ; Music History and criticism ; 19th century ; Great Britain ; Music Social aspects ; Great Britain ; Musicians Great Britain ; Music Social aspects ; Musicians ; Music History and criticism 19th century ; Music History and criticism 18th century ; Music ; Great Britain ; 18th century ; History and criticism ; Music ; Great Britain ; 19th century ; History and criticism ; Music ; Social aspects ; Great Britain ; Musicians ; Great Britain ; Großbritannien ; Musiker ; Geschichte 1750-1850
    Abstract: The study of the social context of music must consider the day-to-day experiences of its practitioners; their economic, social, professional and artistic goals; and the material and cultural conditions under which these goals were pursued. This book traces the daily working life and aspirations of British musicians during the sweeping social and economic transformation of Britain from 1750 to 1850. It features working musicians of all types and at all levels - organists, singers, instrumentalists, teachers, composers and entrepreneurs - and explores their educational background, their conditions of employment, their wages, the systems of patronage that supported them, and their individual perceptions. Deborah Rohr focuses not only on social and economic pressures but also on a range of negative cultural beliefs faced by the musicians. Also considered are the implications of such conditions for their social and professional status, and for their musical aspirations
    Description / Table of Contents: 1. The social and professional status of musicians in the eighteenth century -- 2. Social profile -- 3. Patronage -- 4. Musical education -- 5. Church musicians -- 6. Secular musicians: singers -- 7. Secular musicians: instrumentalists -- 8. Teachers, composers, and entrepreneurs -- 9. The fortunes of musicians -- 10. The struggle for social and professional status.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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